Greta the great

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These items are produced using certified natural materials and deadstock from previous collections.

COVER STORY —— Greta Thunberg

Greta the Great Greta Thunberg is the voice of a generation. Over the last three years the Swedish teenager has become the most recognisable activist in the world, calling upon world leaders to halt the climate crisis. Given our love of nature, we could think of no one more fitting for the debut cover of Vogue Scandinavia. Here, she talks with two other Swedish conservationists, the artist duo Alexandrov Klum who shot Greta for this issue’s cover, about their shared vision of a sustainable future. Words by T O M P A T T I N S O N Photographs by A L E X A N D R O V K L U M

The voice on the phone is one of the most recognisable voices in the world. “It’s Greta, I’m downstairs.” This is the voice that has admonished political leaders around the world, and chastised CEOs of global companies. This is the voice that has told the adult world they have failed the youth. This is the voice that has called for action on the climate crisis at talks at the UN, and a voice that has been sampled hundreds of times by musicians around the world. Opening the door at my Stockholm apartment I see a group of f ive teenage girls do a double take as they pass Greta. They giggle, turn back and pull out their phones with squeals of delight. I hold the door open as Greta stands patiently, smiling, as one by one, they get their selfies with the girl who has become the voice of a generation. Greta has cycled here, she turns up, with no chaperone, no family member or minder, just her backpack on her back. Greta Thunberg, who turned 18 earlier this year, is as freshfaced as we had seen in the various documentaries and news

items about her. Her long braided hair, which she occasionally fiddles with during the afternoon, rests over her shoulder. She wears a striped cotton shirt, creased and frayed, that looks like it has been through the wash a thousand times. Her baggy leopard-print leggings show their age. Greta points out the patchwork stitching – a very rough repair job that she did herself, she explains. “The last time I bought something new was three years ago and it was second hand. I just borrow things from people I know.” As the early summer sunshine streams in through the kitchen window, Greta sits at my kitchen table with a nonchalant composure and confidence that belies her youth. Greta and I are joined by Iris and Mattias Alexandrov Klum, who photographed her for the cover of this first issue of Vogue Scandinavia, via a Zoom call from their home in Spain. The multimedia artists use sound, photography and film to explore the idea of living in harmony within nature. “From the beginning, I had a passion for nature and gradu-

ally as we gained references it changed me,” says Mattias, who spent the best part of four decades travelling the world, documenting our changing environment and the impact of man on fragile ecosystems. “I tried to visualise the beauty of nature but I saw the anthropogenic changes – the horrendous situation we have entered into – my work became more balanced and I started to become more inclined to show the juxtaposed worlds.” Iris has spent a lifetime studying the relationship between mankind and the natural world. She explains that she uses inspiration from nature and the natural sciences as methods of spiritual research to find the answers we are all looking for: “What it means to be human today and how we are interlinked with nature and what do we need to do to change this relationship that's obviously broken. We need to share the very basic notion that we are all one, all connected,” says Iris. The couple photographed Greta in forests near Stockholm. Accompanied by her father, Greta was quiet but not uncomfortable. It’s well known she doesn’t like small

talk and preferred to spend much of her time on set alone, exploring the stunning landscape and spending time with the Icelandic horse, Gandalf, who is the third star of this cover, alongside Greta and the Scandinavian landscape. Greta has a love of horses and an almost encyclopedic knowledge of them. Her father says she has a photographic memory and the incredible amount of detail she knew about them would corroborate this theory. Shy in front of camera, Greta was clearly unused to being dressed, styled and pampered for Vogue. However, she would always engage in conversation when approached with the poise and clarity we have come to know. When Greta talks, it's articulate, controlled. She’s relaxed and laughs often – a small half smile that cracks into a short giggle. The statistics and facts that she delivers are done with well-rehearsed clarity. “I see myself sometimes as a broken record who repeats the same things over and over again,” she laughs. “It might get a bit repetitive but that's just a sign that people aren’t really listening so Vogue Scandinavia

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