2023-08 Melbourne

PUBLISHER Pawan Luthra EDITOR

Rajni Anand Luthra

CONTRIBUTORS

Torsha

Dutton may win the battle but lose the war

By PAWAN LUTHRA

Minal Khona

SALES AND MARKETING

Charu Vij

ADMN

Aanchal Matta

Indian Link is a monthly newspaper published in English. No material, including advertisements designed by Indian Link, may be reproduced in part or in whole without the written consent of the editor. Opinions carried in Indian Link are those of the writers and not necessarily endorsed by Indian Link. All correspondence should be addressed to:

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We’re still to hear from the Government on a date for the Voice to Parliament referendum, but experts say it’s most likely October 14.

This means it’s just under two months away – and polling over the last few months has put the ‘No’ vote ahead. If these polls fall in line on Referendum day, this vital opportunity to constitutionally recognise First Australians might not succeed. The Albanese Government has promised to ramp up its campaign to push the ‘Yes’ case, but many fear it could be too little too late; the doubts about the Voice to Parliament being sown by the ‘No’ campaign may just accelerate into enough votes to sink this referendum.

Of course, a failed referendum would add wind to the sails of Dutton’s Coalition; many Liberals even see this as the beginning of their political comeback after their resounding defeat in the 2022 elections. That a

referendum making major progress towards true reconciliation in Australia has been politicised, is a sad indictment on the politics of the Coalition.

The referendum will constitutionally enshrine an Indigenous Voice to Parliament, a new advisory body tasked with representing Aboriginal and Torres Strait Islanders at Parliament. This is a body chosen by First Nations Australians providing advice only on matters relating to the social, spiritual, and economic needs of First Nations Australians, matters which Parliament have historically failed to ‘close the gap’ on.

The Albanese Government wants the Voice enshrined in the Constitution, meaning it will be a permanent fixture supporting reconciliation, regardless of who is in charge. Peter Dutton and the Coalition agree the Voice is a good idea, but are opposed to constitutional enshrinement, instead believing it should be legislated at the whims and direction of Government.

Effectively, Dutton’s Coalition are advocating for the whims of a politician’s bill to have dominion over a body representing some of Australia’s most marginalised people. If the

Coalition truly support better outcomes for Indigenous Australians, why not back the referendum as proposed, instead of undermining a structure which is stable, independent from Government, and therefore likely to be effective? Instead, the Coalition have chosen to sow distrust and confusion, which is tantamount to sitting back and letting generations of First Nations Australians continue to struggle under ineffective, out-of-touch legislation.

The last Federal election made it clear the Coalition had lost touch with everyday Australians. Their stance now on the referendum could push them further away from young Australians, most of whom are passionately in favour of the Voice. An opinion piece in our April issue pointed out that if the Liberals really want to connect with Australia, they need to be less blokey, less white, more youthful, and more diverse.

Though Peter Dutton and the Coalition might win the battle with their current ‘No’ campaign rhetoric, they could lose the war for the heart and soul of young Australians.

Sen, Bedasree Gogoi, Vivek Asri, Lakshmi Ganapathy, Suhayla Sharif, Gopinath Chandroth, Swagata Roy, Saru Sivapalan, Ritam Mitra, Auntyji,

YOUR SAY

INDIA WITH OPEN ARMS

PAWAN LUTHRA caught up with the returning Australian High Commissioner to India Barry O’Farrell for a wide-ranging chat.

Sheba Nandkeolyar wrote: Superb interview. Congratulations Pawan Luthra. A big round of applause for Barry O’Farrell - he has been an incredible High Commissioner and took the relationship to an all-new level. Love his advice - don’t go to India with preconceived expectations and notions. He speaks about the advantages of structured diplomacy but knowing India they would have loved his flexible approach. Well done, Barry. Dipen Rughani wrote: Great interview Pawan! I particularly liked the Indian political analysis by Barry, very refreshing. I also enjoyed the probing questions you had prepared, well done!

Sanjeev Nandkeolyar wrote: Great interview Barry and Pawan go to India with your eyes open!

Shanti Raman wrote: Excellent - I have a new appreciation for Barry O’Farrell now. I think he got the nuances of communalism and tensions in India right. Thanks Pawan.

Yadu Singh wrote: Superb interview. Very comprehensive and informative.

Padmini Sunder Raj wrote: Good points made. It is also true that most of the Western world and media feel uncomfortable and insecure about India's rise. Barry has a good knowledge about India.

Mala Mehta wrote: Excellent interview Pawan!

Atul Sood wrote: Excellent interview Pawan. Very honest, transparent and insightful responses by Barry O’Farrell.

Vishnu Shahaney wrote: A superb interview Pawan - and very insightful comments by Barry O’Farrell.

Rohit Jain wrote: Excellent interview Pawan Luthra and equally honest answers by Barrey O’Farrell

Harsh Shah wrote: A fantastic interview Pawan Luthra.

Gandhi Creations wrote: This is a brilliant overview, thank you Indian Link. What an absolute legend our former Australian HC for India, Barry O'Farrell is. KVIR Live wrote: Very engaging conversation, spot on questions by Pawan, with spontaneous answers by Barry!

Innovation Global wrote: Great interview and engaging conversation.

Ginger Snaps wrote: Great questions.

Bahrisons Booksellers, Barry O’Farrell’s favourite book shop in New Delhi were thrilled at the mention: How kind of you, Your Excellency, we will certainly miss your regular visits to Bahrisons! All the best.

Kantilal Jinna wrote: An excellent interview with Barry. Important questions asked and excellent bonding responses received. Congratulations.

A LOTTERY SYSTEM FOR PARENT VISA CATEGORY?

VIVEK ASRI wrote about Australia’s review of its migration system, contemplating various reform options for the Parents Visa category in an effort to address the growing backlog of applications.

Gowtham Pitchuka wrote: This is such a pain point.

Sriraman Annaswamy wrote: Having cared for both of my parents here in Australia for more than a decade, my one piece of advice to Indian migrants would be, make sure you persuade and action the process for your parents to become residents as early as legally possible. Will save you tens (and perhaps) even hundreds of thousands in healthcare expenses in addition to enormous time, anxiety and the resultant stress.The system here is not set up for tourists, visitors and relatives of temporary migrants who fall seriously sick.

Gauri Maini wrote: The support I have received for my parents has been incredible. The outreach program for older people who are permanent residents is amazing. For visitors, travel insurance may help somewhat.

Reza S. wrote: At least Aus is smarter than Canada - giving everybody free health care at the cost of Canadian taxpayers.

Deepak Gupta wrote: It's a common problem now across and not just for parents of immigrants. Medical insurance premiums have increased, bulk billing has reduced...

ON OPPENHEIMER AND THE BHAGWAD GITA

ANAND VENKITACHALAM on how J. Robert Oppenheimer, the father of the atom bomb, turned to the Hindu text as a spiritual foundation to navigate his catastrophic work.

Srinivas Karkenahalli wrote:

Saw the movie Oppenheimer the very first day (perhaps it was the very first show as well). Found it gripping, strong in visual and audio effects. Those interested in Oppenheimer and the history of science should see it. However, it was way too long at three hours. His cross-examination by the commission on his communist involvement has been stretched too much. Further, the movie requires some background knowledge on the part of the viewer to be completely understood.

Now for Oppenheimer and Bhagwad Gita. There is a passing mention of it in the movie. In one of the scenes, where Oppenheimer and his lover are both naked and arguing, she opens the Gita and asks him to read a verse. He obliges, but it is difficult to make out which verse he read. I found it a bit annoying to bring out Gita in such a scene.

My understanding of the connection between Gita and Oppenheimer was different. He was no doubt well-versed in Gita. When the trial bomb exploded in Los Alamos, he exclaimed “Brighter than a thousand suns!” Doing so, he alluded to the verse 11:12 of the Gita, namely, Divi sūrya-sahasrasya bhaved yugapad utthitā

yadi bhāh sadniśhī sā syād bhāsas tasya mahātmanah.

If a thousand suns were to blaze forth together in the sky, they would not match the splendour of that great form.

One other time Oppenheimer quotes Gita is when Albert Einstein criticises him for making the bomb, being a destructive weapon. Oppenheimer chose to hide behind the following verse, Shrī-bhagavānuvācha

Kālo ’smi loka-kshaya-krit pravriddho

Lokān samāhartum iha pravrittah

Rite ’pi tvām na bhavishyanti sarve

Ye ’vasthitāh pratyanīkeshuyodhāh.

The Supreme Lord said: I am mighty Time, the source of destruction that comes forth to annihilate the worlds. Even without your participation, the warriors arrayed in the opposing army shall cease to exist.

Sadly, these are absent in the movie. Those interested in details may like to read my book Albert Einstein, published by Prism Books Pvt Ltd, Bangalore, in 2015. Usha Srinivas wrote: Extremely well written article in the Indian Link about Oppenheimer and the Gita. Everyone must read this before watching the movie. But the movie lacks many of the details mentioned here. Srinivas’ explanation above and review is excellent.

INDIA AS HOST FOR CWG 2026: YAY OR NAY?

Should India step up and save the Games, asked PAWAN LUTHRA, or should it, like Australia, keep its distance?

Sriraman Annaswamy wrote: Utterly daft idea, let's hope it doesn't get up. If hosted in any major city, will worsen already skyhigh levels of congestion. If hosted in rural countryside will struggle to attract sponsors and crowds. More importantly, what's the point of this vestigial appendage called the Commonwealth? Dan Andrews had the right idea, we need to go a step further and scrap the redundant Commonwealth monolithic itself.

Pawan Luthra wrote: Sriraman, agree with the whole concept of the redundancy of the Commonwealth Games. It will be interesting to see how it plays out and the impact it has on the upcoming debate of Australia becoming a republic. So, nay from you.

Thomas De Souza wrote: Nay

Raghu Rules wrote: Why not, when Vic can’t?

Raghunath Kandella wrote: Congressmen's mouths must be watering. If they win in '24, these games will be a bonanza for them, as the earlier one was.

Josel Jose wrote: Yay

Ajay Bhatia wrote: Yay

Bhanoo Sharma wrote: Nay

Krupa Dave wrote: Nope

Satheesh Antony wrote: Nope. Waste of money.

SHANKARI CHANDRAN TAKES HOME THE MILES FRANKLIN

The award-winning author spoke with SARU SIVAPALAN.

Darryl Alexander wrote: An excellent book, regardless of whether it won the Miles Franklin or not.

Manju Rani wrote: An excellent book with so much to soak in. I’ve read it twice and will revisit in a few months’ time. Well done, Shankari!

Sriraman Annaswamy wrote: Well done and well deserved, Shankari. At our Five Dock Sai Centre, we’re delighted at your remarkable accomplishment. Onwards and upwards now.

Kalyan Ram wrote: Great achievement to the whole community, in addition to her own. Warm congratulations.

Rajni Luthra wrote: Congratulations Shankari! Current Booker Prize and Miles Franklin both from SriLanka. Plus of course the current International Booker from India. We’re doing pretty good in South Asia.

Rashmi Watson wrote: Congratulations to Shankari Chandra. A great achievement.

Bhavisha Parmar Bhandari wrote: I will definitely get this one. Loved Song of the Sun God

Shantha Viswanathan wrote: Fantastic achievement Shankari Chandran! Congrats.

Anita Sam Robert wrote: Congratulations! What a great achievement!

Margaret Burns wrote: Looking forward to reading Chai time at Cinnamon Gardens.

Shankari Chandran wrote: Loved talking to Indian Link about Chai Time at Cinnamon Gardens. Thank you so much for this wonderful interview and profile, so grateful for your support.

WHERE IN INDIA

Where in India, we asked, will you find the richest temple in the world?

CAPTION CONTEST

What did Rocky say to Rani on the runway that had her giggling?

Arix Bishnoi wins a movie ticket for his response: No one knows, but I made my sherwani with Deepika’s ghaagra and borrowed her earrings too.

Poonam Gupta wrote: Yeh lehnga mera hai! (You’re wearing my clothes.)

Tashu Sharma wrote: Bahut der baad dhang se kapde pehne hain, achcha lag raha hun na? (I’m wearing regular clothes after ages, hope I look ok)

Pavneet Kaur wrote: Mera ghaghra aur dupatta vapis kar (Give my skirt andscarf back to me).

Preeti Kothari wrote: Gullugullu mat karna, warna woh tujhe thop dengi! (A Gully Boy reference)

Raghu Rules wrote: Alia! Let’s go hiding. Reviews (of Rocky aur Ranii) aren’t that great.

Arix Bishnoi wrote again: I’m better looking and funnier than Ranbir.

WHERE IN OZ

This spot is where Ranbir Kapoor proposed to Deepika Padukone in the movie Bachna Ae Haseeno. Where in Oz?

The answer is Padmanabhaswamy Temple, Kerala

Readers Rajeev Ramakar Tiwari, Sandip Hor, Jiva Jehanathan Parthipan, Aruna D'ugu, and Rishi Bruno got it right.

SAY IT AGAIN

The answer is Archibald Memorial Fountain at Hyde Park, Sydney. Readers Josel Jose, Anagha N.Meher, Deepak Vincent, Joy A. Montague, Julia Raath and Desi-Aussie Socializer got it right.

"I no longer need you to like me. We can’t know it yet, but on the eve of our father’s passing some

years beyond the past, each one of us will learn that only a brother, no matter his goodness, sees you as god sees you."

Excerpt from poem Fishing at Caer a’Muirehen: for my brother by Shastra Deo, winner of the 2022 Patricia Hackett Prize.

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On an india that’s collective and inclusive

newcastle-based cartoonist and illustrator Mahafuj Ali, the man behind the hugely popular online sensation Mali’s c artoons (and the creator of our cover image this issue), on how the 1988 ditty Mile Sur Mera Tumhara informs his creations

By TORSHA SEN

Two women saunter along a dirt road in a peaceful rural setting. They seem content, and the surrounds are beautiful.

It’s a simple illustration - there are no words, or even an accompanying caption.

Yet artist and cartoonist MAli’s work has the effect of a veritable salve, soothing and warming our aching hearts.

It comes days after a devastating viral video from the northeast of India makes international news, bringing a sense of shame and rage for its distressing and dehumanising content.

The dirt road in MAli’s reimagined version is all too familiar, but there is peace and amity and goodwill… and beauty.

“Simplicity is the primary focus in my work,” the Newcastle-based creator tells Indian Link. “The intention is always to bring people together rather than create division. Those who are familiar with current affairs can often decipher the underlying meaning in my cartoons.”

The piece in question was lapped up by his 180,000-strong social media following.

But this is just another day’s work for MAli - short for Mahafuj Ali.

The 36-year-old landscape architect by day and cartoonist-illustrator by night, has seen his creations published regularly in India’s leading Bengali daily Ananda Bazar Patrika’s online portal Aaro Ananda, and in The Times of India.

Posting a cartoon a day, his focus remains India, and what Indians are currently taking about.

Ali’s illustrations are observations or commentary, covering the entire gamut of topics from sports to politics and philosophy

to lifestyle, but it’s his take on communal harmony that’s the most impactful.

Last year, when two different festivals Lokkhi Pujo (Lakshmi Puja) and Mawlid al-Nabi (Prophet Mohammed’s Birthday) fell on the same day, Ali claims the divisive nature of the banter on social media left him more disconcerted than usual.

His contribution to the debate came in the form of another simple illustration - a harmonious scene where one neighbour is gracefully creating alpona (floor design) at her threshold, while another neighbour sits in dignified namaaz (prayer), as the moon overlooks both households.

This plain but powerful imagery carried a profound message, and went on to become a favourite of its creator.

“The idea was to emphasise the importance of mutual respect,” Ali explains. “While it is natural for us to cherish and uphold our own customs and rituals, we must also hold in high regard the

customs and beliefs of others. Unity and understanding, tolerance and acceptance, can flourish when we acknowledge the diversity that enriches our society.”

What’s his approach when he’s tackling a subject that’s politically charged?

“I always go back to the dignity of the common Indian,” he describes. “My illustrations are pretty straightforward, often reflecting my personal experiences. My trips back home to India inspire me, and I draw from my observations of the country.”

By way of example, he describes a recent train journey. Train travel has undergone a revolution in recent years, but the advancements are not for everybody.

“Travelling from Kolkata to my hometown Krishnanagar, I took the local train, which was incredibly overcrowded. The experience was so overwhelming that I nearly fell sick, especially considering it was winter - I can only imagine the discomfort during summer. Ironically, on that same train, there were posters of the flash new Vande Bharat Express. The disparities in our society seemed stark. Another sight that struck me was an elderly man struggling to climb the stairs from the platform to the exit at my hometown's train station. It was evident that there were no provisions for better accessibility at such crucial public places.”

These observations of the common Indian's struggles to lead a dignified life left a profound impact on Ali.

Of freedom and dignity

Artist Mahafuj Ali

Buddha Purnima: A note on deforestation

“Irrespective of the political party involved, the core idea should always be 'for the people’,” he stresses. “Through my cartoons, I try to shed light on these issues and advocate for positive change, promoting unity and understanding among people from all walks of life.”

Is it okay though,we ask, to comment on India or about issues in India when you sit thousands of kilometres away?

“The world we live in today is vastly different from what it was two decades ago. Social media has transformed the way we connect with people, breaking down geographical barriers and rendering borders less significant. We now have real-time access to news from across the globe, thanks to the widespread use of social platforms and the numerous WhatsApp groups we are part of – be it family, school, college, or friends. Conversations are constantly buzzing in every sphere of our lives, making us more interconnected than ever before, at least in the virtual realm.”

He goes on, “Despite not being directly affected by events taking place in India, I firmly believe it is crucial to acknowledge and address the persistent issues that plague our motherland. By engaging in meaningful conversations and shedding light on pertinent issues, we can contribute to positive change and support our communities, even from afar.”

Given that these ‘pertinent issues’ are so often political and communal, he must cop a fair bit of online abuse.

“Negative comments do take a toll on me at times,” he confesses. “While I try not to let them bother me, there are days when it becomes overwhelming. In such cases, I find it necessary to block these individuals to protect my mental well-being.”

The effect of such trolling on his parents back in India is another cause for concern. “When they come across hateful comments, they worry about my well-being. Out of consideration for them, I often end up deleting hurtful comments.”

However, the silver lining comes in the form of support from unexpected sources.

“Instead of letting the negativity prevail, many followers often step in and respond to the haters and abusers in a positive and creative manner. Witnessing this transformation of negativity into positivity in the comments section of my posts brings me much joy - and amusement, too. It is heartening to see my fans defending me and using their creativity to counteract the negativity. In the face of criticism and hostility, having such a supportive fan base makes the challenging journey as a cartoonist worthwhile.”

As a close observer of the trends and movements in India, we cannot let Ali go without asking him one final question.

What is ideal India, according to him?

“An ideal India embodies a boundless heart that embraces and respects all cultures, languages, and religions,” he replies. “It exemplifies the essence of Mile Sur Mera Tumhara, Toh Sur Bane Humara –a harmonious blend of our diverse identities coming together as one. This is the India we were fortunate to grow up in, where the spirit of unity prevails.”

It is clear that ‘humara’, the collective –and the inclusive – is the primary element in Ali’s cartoons and his philosophy.

With Rajni Anand Luthra

Joint glow for Lakshmi Puja and Nabi's birthday

Defeating hate with love

The highest power in the land

Showers of acceptance

Gandhi’s monkeys: An evolution!

Where has that India gone?

By GOPINATH CHANDROTH

Kerala, my native state the azan from the local mosque wakes me up. It starts our day. We don't think Muslim or mosque. It is an alarm clock. Time to get up and do our homework before school.

Women troop to the local temple clutching bunches of wild flowers, their hair still wet from the morning dip in the river. The deities at the local temple receive their floral offering. We don't think Hindu, but wait for them to return home carrying the fragrance of sandalwood and basil. And prepare breakfast - inshallah, steaming idlis and coconut chutney.

Sunday morning, people in their finery throng the church. The women fold their mundu in the shape of a Japanese fan. Their gold ornaments glitter in the tropical sun. We don't think Christian, but recognise Sundays from their attire. No school, no homework, just playing cricket and climbing trees.

We are in Delhi. It is mid winter. At 4 am, a procession of men and women singing hymns march through the streets. We don't think Sikhs, but know it is the birthday of one of the Gurus. We smile and return to the comfort of our blanket.

We read about people marching, without clothes, to a temple in Karnataka. There is a move to ban the practice, the papers tell us, due to the outraged morals of those who do not understand the Digambara (wearing the sky) concept. We did not think Jains, but our adolescent minds were titillated nevertheless by the thought of naked bodies. And we were intrigued by the rationale behind not wearing clothes to prevent the death of insects who could be trapped in them. Perhaps, a seed that germinated eventually to turn me vegetarian.

I have been away for over three decades. Things are different now.

Religion has somehow become very important, especially other people's. Our identities are now defined by our gods. It seems nothing else matters.

Not the neighbourhood, not the profession, not the linguistic commonality. Just gods who we can't even see.

What has happened to the India of my youth?

My little piece of home

in our Independence Day issue, tOrSHa Sen asks international students a simple india-related question. What’s that one possession you’ve brought with you that reminds you very much of home?

Kaustubh

My flute goes everywhere with me. I did several gigs at school and university and with my friends and family. Playing it here now is an instant trip back home - the wonderful memories come rushing back.

Kriti Mahajan, New Delhi

Morning chai together is a ritual in my family that began during the pandemic. So when I arrived Australia, Mum packed me her special chai masala mix (certified, the best in the world!). Now every morning, I make a nice hot cuppa, and say a quiet ‘Good morning’ to my family.

Sanjay Chhabaria

Sanskriti

Sharma, Mumbai

My special possessionis a muffler hand-woven by my Nani (maternal grandmother). It’s very dear to me as I feel it smells of her and reminds me of her warmth and love. It’s like being enveloped in her love even though we are thousands of kilometres away from each other.

This might look like a little rock to you, but for me, it has great sentimental value. The intricate carvings on the stone depict Lord Ganesha's wisdom, Shiva's strength, and Vishnu's cosmic presence. It's like having a piece of my homeland's spirituality right here with me, connecting two worlds in one small object.

Natasha Prabhu, Mumbai

Samkit

Mody, Mumbai

My funky lava lamp! It lived in my bedroom at home, and now lives with me here in Sydney – it’s my little piece of continuity.

Sachin

Puri, New Delhi

My favourite university T-shirt from India. It reminds me of the fun times I had as a student back home.

Reuben Gupta, Pune

I brought with me a lot of snacks when I first came inpackets of JhalMuri, Chanachur… yum. Got through them pretty fast, too fast, unfortunately! The other thing I have that I really love is my kurta. I don’t get a chance to wear it often honestly, but whenever I do, I feel I’m back home.

Nothing reminds me of home and family like my masala dabba! Just its sight, and the smells when I open the lid, transport me straight back to the kitchen at home –and the wonderful meals mum cooked for us all.

Vinit Iyer, Mumbai

Ganesh is a special deity in my family, and so of course he came with me when I came to Australia! He sits on my desk, watching over me and reminding me of home.

Sagar Bhagwatkar, Nagpur

I brought with me this tiny replica of the famous Nagpur ka “Tekdi cha Ganpati” with me. It has a very special place in my life, and is my piece of home here. It has a dedicated spot in my room and I often light a candle, just like our ghar wala mandir back in India.

Sanghai, Nagpur

TO LOVE AND TO CHERISH

By RAJNI ANAND LUTHRA

An image depicting the cherishing and honouring of young women has won Indian Link’s Independence Day photography contest #myIndianlink for 2023.

It was taken by amateur photographer Pranab Basak during the Bhagoria Festival in Madhya Pradesh, central India. The event is sometimes called the ‘match-making festival’, because one of the main attractions is a local version of the ‘Bachelors and Spinsters Ball’, in which young people find their partners.

This week-long event has been held uninterrupted for centuries by the Bhil, Bhilala and Barela indigenous communities during the time of the Festival of Colours, Holi. It is essentially a ‘haat’ or market enterprise, with music and dance festivities thrown in, and the match-making is an inadvertent but happy by-product.

Nonetheless, the decisions made by young women at the event are particularly honoured, Pranab Basak told Indian Link, in what might seem at odds with popular belief about women’s place in society. As a woman announces her choice at the Bhagoria Festival, her family and friends place their hands on her head in blessing.

Coming at a time when issues regarding women’s safety have been in the national

discourse, the joy in Basak’s image - and the connotations of care and regard - won the judges over.

“I’m thrilled to have won this award,” Basak said. “It was quite a unique tradition that I witnessed, and am pleased that I could capture the joy of the moment.”

He takes home a $200 prize.

The annual photography contest held by Indian Link to coincide with Independence Day, #myIndianlink seeks images from participants that display their link to, or a feel of, India.

Entrants use the #myIndianlink hashtag to post their photographs on social media.

An agrarian scene from Purulia in remote West Bengal, captured by amateur photographer Arpan Basu Chowdhury, claimed

CHERISH

the second prize. (See image on pg 20-21). Taken at the onset of autumn, it shows the banks of the Kangsabati river filled with kashphool (Saccharum spontaneum) of the wild sugarcane or kans grass, in full bloom.

“These flowers hold a special significance for us Bengalis, as they play a special part in Durga Puja,” Chowdhury told Indian Link “The appearance of the kashphool means Puja can’t be far away.”

He took the shot from a bridge, and though he was chasing the kashphool, managed to capture a local fisherman casting his net.

“The fisherman added a wonderful element to my image, a tiny representation of 60% of India’s population that continues to live off the land.”

Indeed, it is a statistic that we often forget

Image honouring women wins Indian Link photography contest #myIndianlink

here in Australia, amidst news of business partnerships, defence ties and education exchanges.

Chowdhury wins a prize valued at $150.

The two images were among 80 submissions received this year. The entries saw an over representation of monuments this time round, including the photographer’s favourite Taj Mahal, as well as the Golden Temple, Tirupati temple, Red Fort and Mysore Palace.

Holi images, always attractive and rich in colour, were plentiful again.

Captures of the Tricolour in a variety of settings were also popular, as were images of deities and of prayer. Life in rural India, snapshots of communal harmony, and boats on various water bodies were other popular themes.

(Left) Pranab Basak, and Arpan Basu Chowdhury, first and second prize winners respectively

and regular people are the sufferers”

By SWAGATA ROYCHOWDHURY

Ever since the viral video of two women stripped naked and paraded in Manipur came to light, turmoil in this northeastern state of India shows no signs of abating.

Topping off months of smouldering unrest that went inadequately attended, the dehumanising event brought an equal sense of shame and rage nationwide, and beyond. The recent arrests of some perpetrators did but little to assuage the pain.

The ongoing ethnic violence between the Meitei and Kuki communities has led to a massive disruption in the way of life, with attacks by armed militants and curfews continuing, even as lack of housing and job insecurities strike the people on both sides of the divide.

Mamantam Sharma Aribam, a Manipuri Australian based in Sydney, is deeply troubled at the situation in his home state.

“In this scenario, civilians and regular people are the sufferers,” he told Indian Link. In a video comment that he put out recently on the issue, he spoke of his failing regard for Prime Minister Narendra Modi for not handling the situation like “a national leader”.

“I’ve been a huge fan of Modiji, glorifying his achievements to my Australian friends and colleagues, yet after his but 28-second mention of the situation in Manipur, I have doubts ki unki leadership 100% saksham hai ki nahin (whether his leadership is fully effective).”

As a Meitei man himself, Aribam stressed at the outset, “Hamare samaaj mein, women and children ke prati atyachaar ki koi jagah nahin hai. (There is no place for atrocities against women and children in my community.)”

The perpetrators in the shocking viral video were Meitei.

Aribam goes on to list atrocities against women from his own community, including an 80-year-old widow of a freedom fighter, at the hands of Kuki mobs.

Meanwhile, 20-year-old university student Sarah Ramdinfel Darngawn, Zo-Kuki by heritage and currently in West Bengal, spoke to Indian Link about the difficulties faced by her extended family in Manipur since early May. Her aunt and cousin almost succumbed to mob violence at the time when the unrest started.

“They were able to escape with the help of their Meitei neighbours,” she recounted.“Without them, they might have been raped and killed…They were deeply traumatised; my cousin remained in hospital care for nearly three weeks.”

Aribam notes himself in his video, “Not all Kukis are bad people.”

Yet both sides are suffering, in what resembles a war-torn area.

“Some 60,000 people have become homeless,” Aribam reported.

The internet has been banned for months, with conditional access coming back on only since late July. Aribam has not been able to transfer his regular financial help to his family, and most of his friends in the IT sector have lost their jobs.

School attendance is minimal – children are either unable to travel to school or parents are

scared of sending them. The Quint reported that only 20% of students were in attendance due to “violence-related issues, transportation and fear among parents and children.”

The rooTs of The conflicT

What is clear from Aribam’s 33-minute comment - as it is from media reports - is how little is known about the ongoing conflict in Manipur. The uproar in mainland India has finally brought attention to this northeastern state, in a region that has for too long gone by with little acknowledgement in the national consciousness.

What then brought the situation to a head?

Amid constant violence, the two communities stand divided in a conquest for land and reclamation of identities.

Out of an estimated population of 3.22 million, the Meiteis, predominantly Hindus, constitute the majority.

The Christian Kukis are historically referred to as “illegal immigrants” (probably because they have roots in Mynmar and neighbouring regions), or as “poppy cultivators” (because historically, they have relied on poppy cultivation to earn a livelihood).

Communal tensions flared with the Meiteis’ demand for Scheduled Castes (ST) status to protect their interests, a move violently opposed to by the Kukis in the hill areas.

Thousands of people participated in the ‘Tribal Solidarity March’ in the hilly districts of Manipur. While it ended peacefully in some areas, some other districts were ravaged by “arson, vandalism, and confrontations” reported The Sangai Express the following day.

Things took an uglier turn when miscreants were reported to have started a fire at the

foot of “Anglo-Kuki-War” gate, a memorial of historical significance to the Kuki tribe, at Leisand village, according to the report.

“(The entire conflict) is a fight for land, as the Meiteis are unable to buy land in the hills,” a Kuki person said, asking to remain anonymous.

At the same time, Khuraijam Athouba, head of the Coordinating Committee on Meitei Integrity (COCOMI) told Indian Link, “There is a sense of insecurity among the Meitei community due to the huge immigration from across the border. There should be an assurance from the government to detect illegal immigrants in Manipur.”

A distinction should be drawn between the native indigenous population of the state of Manipur and the illegal immigrants, he said, “to protect the legacy of the state, which has 2000 years of recorded history.”

The Kukis, for their part, have started demanding a separate administration.

“Separate Administration is the only way to ensure a level playing field for the flourishing of all communities in peace, harmony and a healthy competition,” says a report compiled and published by three Kuki student bodies.

Aribam rejects this claim, noting, “The Governor of Manipur as well as the Attorney General of India have alluded to the issue of militant outfits from outside India, mostly from Myanmar, fuelling the unrest by supporting a particular vested interest group in the demand for separate administration.”

Meanwhile, almost a hundred people had died by early June, and hundreds more injured, raped and tortured, with women suffering the brunt of the violence.

“civilians

A flash flood of colour

Artist Kirthana Selvaraj’s tribute to fellow artist Ramesh Mario Nithiyendran makes it to this year’s a rchibald Prize

By RAJNI ANAND LUTHRA

Ramesh Nithiyendran sits, in Kirthana Selvaraj’s Archibald Prize portrait, engulfed in colour. The strong splashes suggest such intense energy that you almost step back to take it all in. Your eyes dart between the two large eyeballs on either side, and finally settle in on the main figure - which is covered head to toe in more colour.

In the midst of all this bustle, the look on the face - is one of quietude.

“Ramesh is known for the boldness of his personality,” Kirthana told Indian Link. “Yet I’ve come to know of him as an introvert, a profound thinker. My first portrait of him was in his public image, but this second one, I’ve based on his personality.”

Kirthana Selvaraj first met fellow artist Ramesh Mario Nithiyendran - recognised for his daring, colour-rich and genre-busting sculptures - at university.

“I’ve admired him since seeing him at UNSW where I was studying and he was teaching,” she recounted. “I loved how he dressed, getting a unique cheerful vibe off him. Then I followed his work and connected with it – he was from Western Sydney, Tamil like me, making work that acknowledges culture and heritage, challenging notions that South Asia is a monolith.I chose him as my Archibald subject for a multitude of reasons: I respect him as an artist, and like him as aperson.”

The portrait became a tribute not only to his guiding influence, but also to his body of work.

“In his own work he puts disembodied parts of himself into his sculptures,” Kirthana described. “So I decided to present him sitting on the face of one of his sculptures, as a way of honouring his style of work.”

She describes in her artist’s statement that this also “references his neo-expressionist compositions and nods to the Hindu mythology of vahana, meaning ‘that which carries, that which pulls’”.

Ramesh himself is no stranger at the Archibald, having been hung five times, three times as a sitter and twice with self-portraits.

Yet he admitted, “Being a sitter can be anxiety provoking... particularly as you offer your face to another person. But I'm selective about this process. The Archibald is special - one of the only art situations that achieves national attention. There is great opportunity to engage audiences.”

Interestingly, this year’s event began as a kind of therapy for Kirthana, as she inadvertently turned to Ramesh during a low period.

“I was a finalist for the Lester Prize at the Art Gallery of WA, and the couriers lost my painting. It was ultimately found, but after judging had taken place. It was devastating. The only way I knew to get over the feeling was to paint.”

She brought out the studies she had sketched after meeting Ramesh at his studio.

It is not surprising then that this work - her second Archibald hanging - is gratifying in many ways.

“Not only is the piece compositionally different, the process was different too,” Kirthana said, looking back. “It is quite abstracted – there are no smooth transitions; it is not blended but separated, because I want you to be able to see the hand of the artist, and the potential of paint. Get up close, and notice the choices and decisions I make in the work. In the shoes for example, there are only three to four brushstrokes. I want people to notice that, and acknowledge the intentions behind the brushstrokes.”

And yet, contrastingly, there’s a high degree of realism in the face itself. Perhaps this comes from her early pull towards portraiture.

“I’ve always been curious about people and faces, noticing nuances that other people perhaps don’t,” Kirthana admitted. “At art school, there was a push against figurative work and towards more experimental work and new mediums, but I’ve felt pulled back to body and face. I suppose it reflects a yearning for connection, having perhaps been lonely as a teenager. But more than a way of connecting with the social world around me, I observe what people do with their faces, how they express or mask emotion, how they connect with others. There’s so much data you can extract from a face.”

Kirthana’s penchant for placing her subjects within an elliptical halo of sorts, is brought to play again here.

“Yes I do like that threshold space, that inbetweenness, of walking through an archway,” Kirthana offered. “It speaks of potential, of the unknown… In this case the figure could be thought of as situated politically, entering the unknown space of brown people painting brown people. Not sure if this is the first time this has happened at the Archibald, but it’s certainly the first time a Tamil person has painted a Tamil person!”

As a brown artist, Ramesh Nithiyendran may be prolific at the Archibald, but he is a recent entrant himself at the 102-year-old event.

“It's amazing to see a critical mass of artists from the South Asian diaspora developing in Australia,” he observed. “We have layered, complex and interesting stories which have emerged from culture, migration, tradition, and subversion. These narratives are now engaging various audiences.”

Indeed, in the past few years, we’ve been pleasantly surprised to see artists as well as sitters from South Asia, in what is a slow but sure opening up to new influences.

“I don't believe first and second generation south Asian migrants were particularly encouraging for their children to pursue arts education,” Ramesh mused. “Art education was perceived as unreliable or mystifying in terms of career and stability outcomes. (This) generation, seeing themselves reflected in these spaces, feel confident to pursue unconventional paths in the context of their communities.”

And what was it like for Kirthana to have Ramesh sit for her?

“Of course I was nervous,” she laughed. “He’s well known and respected. He did connect with a pivotal part of the process though – he said at one stage, put your pen down, you’ve said what you wanted to say. He acknowledged the final product was how he saw our friendship.”

Archibald Prize 2023 finalist Kirthana Selvaraj; (opposite page) her 'Ramesh and the blue figure with snake', oil on canvas, 39 x 34 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter

#my i ndianlink

When the kashphool blooms

Purulia, West Bengal

Image by ARPAN BASU CHOWDHUR y

Second Prize winner in Indian Link’s Independence Day Photo contest 2023

Work-hour cap

international students face cash-in-hand abuse

minimum wage.”

By VIVEK ASRI

Sanket Singh finds himself in a challenging predicament. In order to cover his upcoming semester’s fees and daily expenses, he requires additional income. However, he faces a roadblock as the 24-hour work limit, enforced since 1 July, restricts students on visas from working beyond 24 hours per week.

“So I am looking for a cash-in-hand job,” says Sanket, an international student at Wollongong University.

Nevertheless, the employer who previously paid $22 per hour has now reduced the wage to $18 per hour.

Many international students are in a similar situation, as they cannot legally work more than 24 hours a week.

According to Sanket’s statement to Indian Link, the employer cited the risk involved in offering a cash-in-hand job and presented him with a dilemma – either accept the reduced pay of $18 per hour or forego the opportunity altogether. Sanket believes the employer is exploiting the situation to their

advantage.

Kaustubh Sanghai, from the University of Wollongong, says, “It’s been difficult in general to find a job as a student. One of the first places that I approached was the hospitality sector, mainly restaurants. I was offered a job at a restaurant that was willing to pay me in cash but at the same time was asking me to accept wages like $17-$18 per hour. Since I’m new in the country and need money for sustenance, I did plan to take that job up, but I thought I’ll first do my research, and that’s how I realised they were not even offering me anything close to the

In Australia, the reintroduction of workhour restrictions for international students has left many with a difficult choice. They say managing their expenditures with 24 hours of work a week is challenging. With cost of living skyrocketing post-pandemic, many students struggle to make ends meet.

The Australian government justifies the work-hour limit by emphasising that their primary purpose in Australia is to study, not work. When students apply for visas, they must demonstrate sufficient funds to support themselves during their stay, including payment of fees and other expenses. However, students argue that they deserve greater personal growth and development opportunities.

Mohammad Shahnawaz, a small business owner in Wollongong, says a 24-hour work limit is not practical.

“A significant portion of students are currently engaged in cash-in-hand jobs since they face restrictions in obtaining legal employment,” he tells Indian Link. “Policymakers need to grasp this reality. These students are compelled to work to cover their fees, rent, and various expenses. Moreover, businesses rely on their contributions. However, due to the imposed working hour limitations, both

students and businesses have been left with no alternative but to resort to cash payments. Consequently, this situation has allowed numerous unscrupulous employers to exploit these vulnerable students.”

The Australian government has granted exceptions to student visa holders working in the aged care sector, allowing them to continue working unrestricted hours until December 31, 2023. However, for other student visa holders, the work-hour limit that was relaxed during the pandemic has been reintroduced, capping them at 48 hours per fortnight from July 1, 2023.

The government asserts that these limitations are intended to ensure that students can concentrate on their education while still supporting themselves financially, gaining valuable work experience, and meeting Australia’s workforce needs.

As the situation unfolds, international students in Australia continue to face uncertainty, with the balancing act between education and financial sustainability becoming increasingly challenging. The debate surrounding work-hour restrictions remains a topic of contention, and students are hopeful for further consideration and support from policymakers to address their current struggles.

With Torsha Sen

Mayor Ned Mannoun

the unbelievable story of charan Dass

supplied his tuition fees and uniform, and each day, he’d walk seven kilometres to reach it.

By L AKSHMI GANAPATHY

In 2017, Charan Dass arrives at his job interview for Rom Control, an industrial electronics service centre in Southeast Melbourne. He wears a reasonably wellironed white collared shirt and his loose brown trousers balloon over his unbranded running shoes.

The manager leads him to a faulty mechanical instrument and asks Dass to diagnose the fault. He completes this trial shift within half an hour, and that evening, he’s offered a full-time position.

It’s an enviable but unremarkable result for a migrant of two years. Except at the time, Charan Dass, was 72 years old, held no formal qualifications, and until two years ago, didn’t speak a word of English.

Whether you call it luck, hard work, or God given talent, such instances are frequent in the life of Charan Dass. This is the story of how an otherwise ordinary man, an unlikely candidate without vast sums of money or fame made extraordinary contributions.

from humble beginnings

Growing up in Haryana in the 1950s, Dass’ family couldn’t afford school. His teachers

His family planned for him to leave at Standard 5 to work in a nearby town, but his teachers saw potential in him.

“I told my headmaster this is the end of my studies, but he said, ‘you are the topper, you must go’,” says Dass. “Without telling me, he sent a notice to my parents about my marks, saying if they don’t admit me to higher class, the police will catch them. My parents were so scared they agreed.”

Maintaining his stellar academic record, Dass left school at Standard 10 to serve in the Indian Army. At that time, the fledgling nation was amid a volatile conflict with its neighbour Pakistan.

But Dass needed to provide for the family.

“When I joined, it was a terrible time, but I thought if I don’t serve, my family will be in a horrible state living hand-to-mouth. It was do or die, so I opted to join the army, whatever it was, because it was easy - you just had to be a volunteer,” he says.

“Because of my marks, the army made me a wireless mechanic – I had no idea what this was. We were sent to Jabalpur for training and that train ride was my first journey away from my family.”

Though the least developed recruit in age, physicality, and qualifications, Dass thrived in technical training.

“I was very curious and listened to every

word the teacher spoke. I'd never heard of such technical words, and I mugged them up in the evenings. The teacher would ask questions and only I answered because I had mugged up; there was a Board of Honour and my name was always on it,” he says.

From 1966 to 1993, Dass’ Signals department was posted everywhere from Siliguri to Botswana. He would repair countless wireless communication devices, working his way up to Subedar Major. Dass was cherished by his peers throughout his 28 years of service, receiving a Chief of Army Staff Commendation Medal for his efficiency during the 1971 Bangladesh war. After his service, Dass and his wife Angrezo settled down in Delhi, passing time in an engineering job for a year before retiring in 1995.

second wind

Twenty years later, in 2015, Dass and his wife would follow their children and migrate to Melbourne.

“We were growing old and thought we should be with them in case we fall sick,” he says.

Having only studied until Standard 10, Dass’ English vocabulary was limited to the technical terms he’d learnt in the army. He was confined to his home, struggling to perform everyday tasks such as shopping. Eager to participate in the community,

he attended Adult English Migrant Program classes in Heidelberg West, where he again soaked up the knowledge.

“I was a big learner; I asked my teacher to let me attend not only my classes but all the classes,” says Dass. “After a month, I impressed them so much they gave me a scholarship to study English over 500 hours without fees. When I gave the final test, the trainer took my photograph for his office because I was the first person over 60 to have ever been trained.”

It was around this time Dass’ son listed his father’s details on Seek, and the Electronics Engineer position appeared at Rom Control – astonishingly, this was Dass’ first and only interview since arriving in Melbourne.

Again, he was the outlier, nearly 40 years older than his colleagues and without the formal qualifications they had. But within a month, ‘Charan Dada’ became the go-to man for the trickiest repair jobs.

Three months into the job, Dass built a jig to test load virtually rather than manually, the first of its kind in Australia. It eliminated the to-and-fro process of customers returning their equipment for fine-tuning,considerably streamlining the repair process.

“I had basic knowledge of electronics and my experience, so that’s how I designed it,” says Dass. “For 12 years, the manager had never given any incentive to his workers, but that year he was so happy he held a Christmas party and gave me a $1000 bonus.”

‘charan’ aT hearT

Now aged 75 and living in Melbourne’s Southeast, Dass has relaxed his ambitions, but plans to keep contributing to the workforce.

“I’m saturated at this point; I’m going to complete 76,” he says. “I’m happy to pass time and not take much stress. I’m content; I want to keep working as long as my organs are.”

Arriving a stranger in Australia, Dass’ diligence and humility has garnered him an army of friends and supporters; in 2021, the Northern Region Indian Seniors Association (NRISA) awarded him a Community Service Award for Exemplary Settlement as a New Migrant, and Dr Santosh Kumar OAM heralded him ‘a lamp post to guide all struggling migrants’.

But in a lifetime of extraordinary contributions, Dass’ greatest legacy is his impact on around him. At Rom Control, stories of his time working there are retold with fervour by his colleagues and apprentices. Despite leaving the company in 2021, he spends his weekends repairing electrical components for them, free of charge.

“I can’t stop myself when they are in need - all it takes is my knowledge,” says Dass. “I always think, instead of why give, why shouldn’t I give?”

In Hindi, the name ‘Charan Dass’ describes someone who ‘sits at the feet of god’. True to form, Dass feels strongly about serving others with his ‘God-given talent’.

“It is my mindset – whatever I do, I should do it for humanity. If somebody can gain from my outcomes, my blessing to them.”

from excelling in the indian a rmy with no formal education to learning english aged 71, Charan Dass finds success in unlikely circumstances

Charan Dass at Adult Migrant English Program; awards and recognitions galore; in his cherished Indian Army uniform

On racism, cultural erasure, and belonging

Shankari Chandran’s chai time at cinnamon Gardens, which explores australian racism and the Sri Lankan civil war, is ‘extraordinary’,

R“ace and racial identity and what it means to be Australian and who gets to decide that… that has been a part of my life here, for my entire life,” says Western Sydney author Shankari Chandran. “I’ve thought about it a lot but never had the courage to write about it.”

Chandran’s third book, Chai Time at Cinnamon Gardens, is the project with which she’s found her courage – and the move has paid off.

Chandran has been awarded $60,000 as winner of this year’s prestigious Miles Franklin Award. She joins a select list of Australian authors, including Melissa Lucashenko, Amanda Lohrey, Kim Scott and Tim Winton – all the way back to Patrick White, who was the inaugural winner in 1957.

ausTralian racism and sri l anka’s civil war

The Miles Franklin judges are not the first to recognise Chandran’s literary talent. Her debut novel, Song of the Sun God, was longlisted for the international Dublin Literary Award, shortlisted for Sri Lanka’s Fairway National Literary Awards and is currently being adapted for a television series. Her second novel, The Barrier, was shortlisted for the Norma K. Hemming Award for Speculative Fiction. A lawyer, Chandran spent two decades working in social justice reform. As a writer, her interests lie in dispossession, genocide and the ongoing impacts of colonialism.

“Chai Time at Cinnamon Gardens follows the lives of residents and staff at a nursing home in Western Sydney,” explains Chandran. “It’s set against the backdrop of rising racism in contemporary Australia, but it also flashes back to the residents’ ancestral homeland of Sri Lanka, decades before, during the country’s civil war.”

The novel was inspired by Chandran’s observations of rising tensions around race and racism in contemporary Australia’s culture and politics. It’s also informed by the author’s memories of her grandmother, whose experiences of migration and a childhood spent in Sri Lanka were relayed during Chandran’s regular visits to a nursing home not unlike the one in the novel.

Chai Time at Cinnamon Gardens is one of a number of recent books set in or inspired by life in Western Sydney to be widely and deservedly celebrated. Among them is Michael Mohammed Ahmad’s The Lebs, which was a finalist for the 2019 Miles Franklin Award.

Ahmad is the founding director of the indefatigable Sweatshop Literacy Movement, based in Western Sydney, which is committed to empowering culturally and linguistically diverse

communities through literature. Chandran has contributed to two of their anthologies: most recently, Another Australia, edited by Sweatshop’s general manager Winnie Dunn.

Chai Time at Cinnamon Gardens is a deserving winner of the Miles Franklin. It does not shy away from violence or controversy.

Nor does the author hold back on representing and ruminating on racism, its origins, the systems and assumptions that sustain it, and its impact on individuals, families and communities. Chandran’s characters are complex and often conflicted, their backstories moving and plausible.

vessel for uneasy TruThs

Many of us with migrant backgrounds will be grateful for the author’s frank take on the way experiences of trauma in the country of origin can reverberate through a family in the adopted country, for years to come. This is not easy material and fiction sometimes gives us just the right vessel for carrying uneasy truths.

My chief criticism of the book is that there’s a lot going on – sometimes too much at once. The privileging of fast-moving plot complications over opportunities for deeper contemplation and attention to sensory detail is particularly difficult to navigate in the first quarter. There, we follow five distinct perspectives – plus an omniscient narrator, multiple flashbacks and a dizzying mix of scenes, including extreme race-based violence.

My message to potential readers is: keep going. The novel’s project is consistent, the author’s attention to plot pays off in spades and by the time

you reach the end, you are in awe of Chandran’s skills at both plot design and the handling of complex themes. The book is impeccably researched and ultimately hopeful. Heavily action and dialogue based, it would make great television. Book club members of Australia, it’s time to talk frankly and at length about race and racism in our own neighbourhoods.

Shankari Chandran has plucked up the courage to deliver us this extraordinary book, right on song. And the Miles Franklin judges have applauded her for it. Our job comes next: read and discuss widely. This article is republished from The Conversation.

writes JULIENNE VAN LOON

Chai Time at Cinnamon Gardens is one of a number of recent books set in or inspired by life in Western Sydney to be widely and deservedly celebrated.

Words with Shankari Chandran

Shankari was candid about her award-winning work. “At the time (of my first novel) Australian publishers said it wasn’t Australian enough, that they wouldn’t be able to sell it in the Australian market. It just felt like a repudiation of my place in Australia.”

I think herein lay her power, because when you write with no audience in mind, off come the filters, and you’re left with the breathing space to fully exhale. We spoke of how this award is deeply validating for Shankari given her long journey of (perceived) rejection, but in one way, the lack of immediate acceptance is what has allowed Shankari to truly represent herself, and the rest of us, in such a raw and unadulterated way. We need to have these conversations about race and our place in Australian culture, and Chai Time removes the social niceties and etiquette that has often meant we end up skirting around the core issues.

“This is our culture, and it’s different from white culture, but it’s just as Australian as any other culture,” Shankari stressed. “Because that is what Australian culture is. It’s a multiplicity of cultures and identities, and all of them are valid and all of them are valuable.”

By SARU SIVAPALAN

The announcement of Shankari Chandran as winner of the Miles Franklin Literary Award 2023 for her book Chai Time at Cinnamon Gardens has rightly made her talk of the town. I had my own fangirl moment a few days ago, being able to have a heartfelt chat with her about this win, the journey she’s been on, representation in the arts, and a whole bunch of things in between.

If it hadn’t been clear thus far, it should be clear now. Shankari is an impeccable writer, and her words leave readers not just entertained and informed, but provoked, and particularly for a South Asian migrant in Australia, heard. It almost feels magical the way she can beautifully convey those emotions I have felt but haven’t been able to translate into thought yet.

“When you’re not white Australian, you’re often challenging and navigating your place in Australia,” Shankari recounted to me. “To receive the Miles Franklin Literary Award, given the content of the novel, is so incredibly rewarding.”

how chai Time came abouT

“I genuinely wanted to share a story that I finally felt brave enough to express, under the firm belief it would never be accepted,”

represenTaTion

Shankari’s win speaks volumes to the increasing significance of the non-Anglo voice in the arts. We need to ensure this trajectory continues in a way that is genuine and authentic, being careful to steer away from tokenistic expressions, as is sometimes seen inpolitical and corporate spheres. People of colour, both as creators and participants, need to be empowered to tell and drive their own stories. Hopefully, sooner rather than later, they need to play a role in promulgating and funding these stories and creating new spaces so that we are not just relegated to being coloured specks on the same white canvas. “The South Asian community across the world also has power and money and education and damn good stories to tell, so we should be funding our own stories. We don’t have to go to white power, we can go to brown power, and brown power should be stepping in.”

afTer chai Time

Unsurprisingly, there is already a lot simmering in the background for Shankari – she is hoping to eventually turn Chai Time into a TV adaptation, similar to her previous novel Song of the Sun God (which for those who didn’t know, will feature a much-loved Bridgerton star). She also has another novel in the works, to be released in April 2024, which will also

feature a character who has lived through some part of the civil war. “Choosing to write (or not write) about the war is not something I feel we have a choice about, it’s a cultural driver and cultural responsibility....white writers never get asked if they’re only going to write about white Australians.” This is what I admire about Shankari the most – she reminds us that the experience of war, relocation, recreation of identity and its associated trauma is not a homogenous experience, and that its effects are reverberating and lasting. A story is not finished because it is told once, by one person and in one form.

If there is anything to take away from this read it should be Shankari’s powerful counsel to all emerging South Asian writers and artists. “Keep going, keep writing,” Shankari urged. “We need to be the new normal. I want South Asian creators to be more, do more, be more successful.”

We are potentially on the precipice of new shifts in how the arts is explored and received, and I truly believe South Asian voices are being weaved into the fabric of these new foundations. We have an opportunity to express our ideas outside of Western paradigms and expectations, and Shankari has helped to pave a path for us to do that. It is now up to us to walk alongside her on it.

We need to have these conversations about race and our place in Australian culture, and Chai Time removes the social niceties and etiquette that has often meant we end up skirting around the core issues.

What winning the Miles Franklin Literary Award 2023 means to its winner, to australia, and to the South a sian diaspora

Diwali Art Competition

TWo categories: Kids up to 7 years, and Kids 8-12 years. WiN book vouchers valued at $75 and $50 in both categories.

pLuS: The winning entry will be designed into indian Link’s diwali cards for the year 2023. Colour in or paint the pattern presented here. photocopy the pattern if you need to. Send in your work, along with your name, age, address and phone number, to:

indian Link, Gpo Box 108, Sydney 2001

Last date for submission 13 october 2023

Stories of india woven in thread

Melbourne Museum invites you to Sutr Santati: Then. Now. Next. to explore stories of India woven in thread – now free with general entry. Celebrate 75 years since India’s birth as an independent nation in this showcase of 75 hand-woven textiles by contemporary Indian designers. Sutr Santati: Then. Now. Next. unites the ancient and diverse textile traditions of India, produced by some of India’s most prominent artisans, craftspeople and designers. View the themes, techniques and materials used in the specially curated fabrics presented through the lens of innovation, reinforcing the value of fabric — an important legacy of Indian Independence — to define the country’s contemporary artistic landscape, and to push its creativity into the future.

Featured artisans and designers include Gaurav Gupta, the preeminent fashion designer who created the sculptural dress that became an internet sensation worn by rapper Cardi B at the most recent Grammy Awards. Keenly aware of and motivated by the harmful environmental effects of commercial waste, Gupta uses

only Indian-made biodegradable plastic, as well as recycling all fabric scraps. His 2021 collection was created incorporating plastic waste recovered from landfill and oceans, a clear statement about the responsibility of industry to take care of the environment.

Gaurav Gupta’s piece on exhibit, titled Awakening, is a luxurious pashmina, silk and zari shawl incorporating traditional iconography of the 7 main chakras.

Sutr Santati translates to 'continuity of thread'. It is a metaphor for the ongoing dialogues in Indian culture and society which shape its evolution and bridge the past with the future. It seeks to reconnect cultural practices with contemporary, innovative designers and celebrate the beauty, skill and significance of textile craft in India. The exhibition’s curatorial vision promotes ideals of organic and slow consumerism, in reflecting

India's identity, and the inherent collective, collaborative efforts required to push towards such goals.

On this path, the rural and urban, the historical and the contemporary, and above all, the local and the global, become one.

Sutr Santati: Then. Now. Next. is open at Melbourne Museum until 3 September. Entry to the exhibition is included with a Museum general admission ticket.

‘Freeway’ by Chanakya School of Craft

Pics:

ugene Hyland. Source: Museums Victoria

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All things Indian. In Australia. For the past 28 years.

28 YEARS

finding the goalposts

By RITAM MITRA

For 30-year-old sports journalist

Annesha Ghosh, life is best lived by Irish novelist Samuel Beckett’s famous quote: Ever tried? Ever failed? No matter. Try again. Fail again. Fail better. It’s a saying that rings particularly true for Ghosh, given her journey from modest beginnings in India’s West Bengal to becoming one of the most sought-after young journalists in the world.

Ghosh speaks fondly of her roots in Behala, one of Kolkata’s oldest neighbourhoods. It’s a bustling, innately chaotic place that Ghosh still calls home. And of course, there was no escaping cricket in Behala; many of Ghosh’s formative memories involve playing cricket in her ancestral home with her two older brothers, and despite its long and storied history, Behala is perhaps most famous as the hometown of former Indian national captain Sourav Ganguly.

Equally inevitable, as a young girl in a traditional middle-class Bengali family, was a love for the arts – first, following in her mother Chhabi’s footsteps through classical dance and singing, but eventually, a voracious passion for the written word.

By her late teens, Ghosh was poring over cricket and Olympics literature. “There was

some sort of enchantment that the English word has always had for me. When I used to read sports literature, it felt like a perfect marriage between the two worlds,” says Ghosh, of the allure of sports journalism over more traditional pursuits.

But becoming a successful sports journalist was by no means a fait accompli.

Many of the challenges were external. There was the sudden brush with Bell’s palsyinduced paralysis ahead of her critical ICSE exams at 16, from which Ghosh learned to “accept, look at the positives and move on”. Or Ghosh’s first beat as a journalist, in crime at the Kolkata Police Headquarters – a far cry from the international sports events which she coveted. Or the inherent challenges which come with being a woman in India.

But in many ways, Ghosh was also fighting a battle within herself, ignited by a pivotal moment: her first time watching women’s cricket live, at the 2016 ICC Women’s T20

World Cup final. On that famous night in Eden Gardens, Ghosh had an epiphany: she wanted to play the highest level of competitive cricket that she could, scratching an itch that she suddenly realised had been building since her childhood.

At 22, having never played organised cricket, Ghosh knew she was incredibly late to the party. Undeterred, Ghosh began training at the Cricket Association of Bengal, under the tutelage of renowned coaches Subhra Bhaduri and the late Dipen Rudra, each of whom Ghosh credits with both her development and women’s cricket generally.

“I put in a lot of effort, I was the fittest I’ve ever been,” says Ghosh. “It was the most formative period of my life, it taught me so many things. If you put your heart into something, you’ll get what you want. You have to make sacrifices – I was working towards something, I couldn’t see the goalposts, I was just dribbling the ball.”

When Ghosh speaks of sacrifice, it is not lip service; it was at this time that Ghosh won a nation-wide ESPN Cricinfo commentary contest, landing her a job offer from Editor-inChief, Sambit Bal. But Ghosh couldn’t bring herself to accept – yet.

“Any sane person with ambitions of venturing into sports journalism would take the job straight away,” laughs Ghosh. But, with her dream of competitive cricket still unfulfilled, Ghosh asked Bal for time, which he granted – a gesture for which she says she will be “forever grateful”.

Ghosh would go on to succeed at district level cricket, and while Ghosh’s journey ended there, many of her former teammates and opponents now play for the Indian women’s team, or in the WPL.

No longer plagued by unfinished business, Ghosh took up the job with ESPNCricinfo and her career has since thrived. In her short career, Ghosh has written, commentated and produced content for an impressive array of global publications, including for the Guardian, BBC and ABC.

Most recently, Ghosh covered the group stages of the FIFA Women’s World Cup in Australia, the highlight being a special moment watching the Matildas’ opening game against Ireland alongside former Australian cricket vice-captain, Rachael Haynes. “It was a beautiful, emphatic statement for women’s sport: two women, largely known for cricket, at Stadium Australia witnessing that historic game live,” reminisces Ghosh.

The Indian women’s team failed to qualify for the tournament, amidst the All-India Football Federation’s ongoing administrative and governance challenges including an unprecedented suspension from FIFA last year. But Ghoshremains optimistic. “Our women players are strong enough,” she states. “Once they get better facilities, and provided the administration have their hearts in the right place, it’ll lead to better governance and better results on the world stage. But the bare minimum needs to be done first."

Despite her many sporting heroes, Ghosh doesn’t need to look far when asked of her inspiration. “I’ve seen my mother sacrifice a lot to raise me and my brother to create opportunities for us at the expense of some of her own dreams. I’m so grateful to her.”

There’s little doubt that Ghosh, too, will be inspiring generations of young journalists in the years ahead.

Fast Five

1. Favourite events you’ve covered as a journalist?

n 2018 Buenos Aires Youth Olympic Games

n 2020 T20 Women’s World Cup

2. Three biggest sporting heroes?

n Sachin Tendulkar

n Serena Williams

n Abhinav Bindra

3. Favourite country in which to cover sport?

n Australia

4. Dream commentary partners?

n Ian Bishop

n Natalie Germanos

n Mel Jones

5. Who’s going to win the Women’s World Cup?

n Colombia or Jamaica

indian sports journalist Annesha Ghosh was in australia recently to cover the group stages of the fifa Women’s World cup

At a football writers festival

At the FIFA games (and centre) with Rachel Haynes

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with Lakshmi Ganapathy

Dr SHIREEN MORRIS is a constitutional lawyer and Director of Macquarie University’s Radical Centre Reform Lab. A key convenor of the Multicultural Australia for the Voice alliance, she is currently advocating for multifaith and multicultural support for the Voice Referendum.

You’ve long been an advocate for Indigenous constitutional recognition. What made you so passionate about this?

It kind of happened by accident; I was always interested in Indigenous rights and social justice, perhaps that's a symptom of growing up non-white in Australia and coming from countries with their own colonial histories, India and Fiji. During my law degree, I did an internship at the Cape York Institute, where I met Noel Pearson, and he must’ve been impressed with something I did because he offered me a job working on Indigenous constitutional recognition – that was 12 years ago! politics get along?

There was massive pushback from the political right when we first proposed a racial nondiscrimination guarantee. Noel felt support across the political spectrum was important for constitutional reform, so we went through this extraordinary process of reaching out to our ideological opponents like Professor Anne Twomey and MP Julian Leeser, and we came to understand their objections. They helped us come up with a better solution - that’s how this proposal for an Indigenous advisory body guaranteed by the constitution came aboutand that’s what we’d call a ‘radical centre innovation’, it came through collaboration with people across the divide.

Your specialty is constitutional law. What’s something interesting or strange in the constitution?

There's a clause called the ‘race power’, Section 51(xxvi), [introduced in 1901, amidst migration concerns] which gives the Parliament power to make special laws for the people of any race. In practical reality, that power has only ever been used to make laws about Indigenous people [who were excluded from the section until 1967], such as The Native Title Act or Aboriginal and Torres Strait Islander Heritage Protection Act – it can support positive or

Asian language, and

year-old, and the slang word we like to use is ‘dhoodhoo’,

ONE STEP AT A TIME

Chadar Trek, Ladakh

Chembra Peak, Kerala

By TORSHA SEN

India provides a unique array of hiking experiences, ranging from majestic Himalayan peaks and vast grasslands to the lush hills of the Western Ghats. Whether you prefer a leisurely day-trek or a challenging multi-day expedition across the high passes of mighty mountains, there's a perfect trail waiting for you.

While some shorter treks and significant pilgrimage routes can be undertaken without a guide, for high-altitude hikes, local guides are readily available in trail hubs.

(Some areas close to India's borders, especially in the northeast, need special permits. Usually, local trekking agents or travel agencies can arrange these permits for you. Might be best to travel with at least one other person, preferably an Indian citizen).

This captivating plateau holds a wealth of folklore, hidden valleys, and abundant waterfalls. Among the main attractions are the living root bridges (particularly a double-decker one!), ingeniously crafted by generations of Khasi villagers near Nongriat.

These natural suspension bridges are formed by weaving together tree roots and branches, showcasing ancient engineering brilliance.

Starting from the village of Tyrna, close to the once-Guinness-recorded wettest place on earth Cherrapunji, the trail to Nongriat requires descending over 3500 stone steps through lush rainforests teeming with butterflies and jungle insects. A local guide is recommended.

Grading: Moderate,though stairs can be difficult

Kerala's highest summit at 2100m is located 90km northeast of Kozhikode. The relatively easy day-hike takes trekkers through dense forests, charming tea gardens, and fragrant coffee and spice estates with scents of pepper and cardamom. A heart-shaped lake awaits halfway up, but the true reward lies at the top, offering breathtaking views of the lush Western Ghats hills.

The Chembra trek requires an early start as overnight stays are not allowed, and only 200 hiking permits are issued daily. Registering with the local forest office is necessary. It's best to avoid the monsoon season, as the paths become muddy and challenging to traverse.

Grading: Easy to moderate

Nongriat Trek, Meghalaya

The absolutely glamorousyet-adventurous Chadar frozen river trek is a 6-day trek in some seriously inhospitable conditions. We're talking about a frozen Zanskar river trek in Ladakh, where the daytime temperature is around minus 10, and at night, minus 20 to 25. The river ice constantly breaks and changes colour, making it quite a spectacle. Sometimes, you might even have to forge a new trail over snowcovered embankments to find a stable spot on the river.

But fear not! With proper layers and sensible trekking, it's not as difficult as it sounds. What truly sets this trek apart is the unique experience it offers. Everything about it – the scenery, the atmosphere, the frozen river, sledges, unusual campsites, caves, and the everchanging Chadar – is just so incredibly unique that you have to experience it yourself.

Grading: Difficult

Goecha La Trek, Sikkim

For the challenging Goecha La hike, arranging with a trekking agency is essential. Starting from tranquil Yuksom village, the trail gets demanding as you reach 4940m at the Goecha Pass. The effort is rewarded with breathtaking views, including the world's third-highest mountain, Khangchendzonga, at 8586m.

The route passes through Khangchendzonga National Park, revered by the Lepcha tribe. Keep an eye out for Buddhist chortens, rhododendrons, and wildlife such as red pandas and musk deer. Best times for the hike are spring and autumn. Don't miss the side-hike to Dzongri peak at 4000m, offering a spectacular sunrise. Proper acclimatization is essential to reduce the risk of acute mountain sickness. The Goecha La hike is an unforgettable adventure for nature enthusiasts, providing unmatched vistas and a glimpse into Sikkim's cultural and natural heritage.

Grading: Moderate to difficult

Kalavantin Durg Trek, Maharashtra

The thrilling Kalavantin Durg Trek in Maharashtra's Raigad district offers a one-day adventure with breathtaking scenery and rugged mountain terrain. The 500m peak looks treacherous, but people have been climbing safely since the 15th century, when it was used as a lookout point by armies.

The climb itself is the final stretch of this trek - to get there you walk through lush greenery, and view waterfalls and native flora and fauna.

At the pinnacle though, it is a near vertical climb, but fear not, as the rock-cut steps are not narrow, and you’ll have protective ropes.

The view from the summit – exhilarating! Many climbers stop just before the summit though, as the final stretch can be hard, and the view is the same.

Grading: Moderate

Tadiandamol Trek, Karnataka

Picture this –breathtaking views of not one, not two, but four of the world's tallest peaks! From Phalut, you can witness the magnificent Everest cluster, with Lhotse and Makalu adding to the jaw-dropping panorama. And wait for it – there's the "Sleeping Buddha" massif too, with Kanchenjunga shining bright as the most prominent peak!

The 65kmtrek provides unforgettable moments with stunning sunrises and sunsets, particularly from Aahl, where a sea of clouds creates a magical setting for the descending sun.

Singalila National Park, a favourite among trekkers, boasts dense bamboo and rhododendron forests, making it a top destination for rhododendron blooms in spring.

Though rare, there's a chance to spot the red panda, Himalayan black bear, and clouded leopard along with experiencing the unique Indo-Nepali culture as the path crosses between India and Nepal.

Grading: Moderate

Dzukou Valley Trek, Nagaland

Agreat favourite among trekkers in southern India, Tadiandamol Trek is great for both beginners and experienced trekkers.

You'll be heading to the highest peak in Kodagu district and the third highest peak in Karnataka through lush shola forests, with streams to cross and the most stunning grasslands. And when you reach the top of Tadiandamol, you'll feel like you're trekking amidst the clouds – a seriously amazing experience. Combine the trek with a visit to the famous hill town of Madikeri or Coorg.

Grading: Moderate

Sandakphu Phalut Trek, West Bengal

Named after its cold stream, Dzukou Valley boasts unparalleled natural beauty. Surprisingly, despite being densely forested, the valley lacks many trees. However the trail, straddling the Manipur-Nagaland border, is incredibly green and vibrant with wildflowers adorning the carpet of rolling hills.

Dzukou Valley is home to rare and endangered fauna, including the Dzukoulily, the Blyth tragopan (Nagaland's state bird), Asian golden cat, Hollock Gibbon, clouded leopard, and horned toad.

This mystical valley, adorned with various species of rhododendrons, has been declared a plastic-free zone to safeguard its rich biodiversity. The trek leads to small villages, providing opportunities to interact with the locals. With a maximum altitude of 2,452m, this trek is perfect for those seeking to explore Nagaland's remote regions.

Grading: Moderate but can be difficult

Valley of Flowers, Uttarakhand

One of India's beloved hiking destinationsderives its name from the mesmerizing display of wildflowers that bloom at monsoon's end. Although rare, the area is also home to Asiatic black bears, brown bears, and snow leopards.

The trek in this protected national park covers an easy 14km to Ghangaria, where you can spend the night before proceeding into the valley.

To make the most of the trek, arrive at the valley's entrance by 7 am when the route opens, as the last trekkers are admitted at noon. Alternatively, you can follow the 6km trail used by Sikh pilgrims to reach Hemkund Sahib, a remote gurdwara beside a breathtaking alpine lake.

Grading: Easy to moderate

One of the most popular treks in India! The route is a cultural treasure, offering a glimpse into the rich history and customs of the Kullu Valley. As you hike along the ancient shepherd's trail, you’ll see hundreds of sheep being herded by friendly shepherds. The journey through lush forests is a delight – the cool shade of deodar, maple, and oak trees creates a refreshing experience, and you'll be mesmerized by the fragrant woodlands. Once you step out of the forest, you'll be greeted by the breathtaking grasslands of the upper Kullu valley, where the views of Pir Panjal and Dhauladhar ranges are simply jaw-dropping. And at the summit, a rare ridge walk awaits you! The thrill is unbeatable, and the views from the top, out of this world.

Grading: Moderate

Chandrakhani Pass Trek, Himachal Pradesh

Photo: Wikimedia

Photo: naturewalkers.in

cineTALK

Worth waiting for? You decide!

What’s on SUHAYLA SHARIF’s watchlist this month

DREAM GIRL 2 (In cinemas)

Get your lipsticks ready, everyone’s sapno ki rani is returning to the big screen. Ayushmann Khurrana dons his Pooja avatar once again for the Hindi comedy release that will have cinemagoers bursting with laughter. If this sequel is anything like the first film, expect lots of sparkles, serenading, and smooches.

Release Date: 25 August

GADAR 2: THE KATHA CONTINUES (In cinemas)

Ek mod aaya… and now we have a sequel to Gadar: Ek Prem Katha! Tara Singh (Sunny Deol) is back to continue his journey, with Ameesha Patel and Utkarsh Sharma also reprising their roles. Let’s hope the second instalment of the beloved classic brings the nostalgia Hindi audiences are currently craving.

Release Date: 11 August

MATRIMONIALS

SEEKING GROOMS

Indian origin, professionally qualified, issueless match (working professional, not self-employed) from Australia for ’88-born, 5"3" Hindu Punjabi girl (divorced, issueless), working with a government organisation in Sydney. Must have AusPR, and be a non-smoker and preferably teetotaler.Email: matrimonial.ml@gmail.com.

Seeking a businessman or a professionally qualified match from Australia (only PR/citizen) for a 37-year-old, 5'3", never married, Australian permanent resident, Hindu (Punjabi Khatri), fair, slim girl. Having finished her postgraduate studies in Australia, she is currently working full time at a government organisation. Willing to relocate. Contact matrimonial.nu@gmail.com

JAILER (In cinemas)

Rajnikanth is proving he isn’t slowing down anytime soon with this upcoming Tamil action film. Already stirring up social media, Tamannaah Bhatia joins the Superstar on the big screen for an adrenaline-packed adventure that is not to be missed.

Release Date: 10 August

KING OF KOTHA (In cinemas)

With royal blood already running through his veins, Dulquer Salmaan is inviting you on a journey through a rugged kingdom that only bows to him. This Malayalam action-drama will take you through the highs and lows of keeping a crown in a crime underworld.

Release Date: 25 August

OMG 2 (In cinemas)

After the travesty that was Adipurush, maybe this Hindi comedy-drama will restore some faith for Bollywood audiences. The raja of quick-fire releases Akshay Kumar stars as Lord Shiva in the upcoming stand-alone sequel. This time Pankaj Tripathi is stepping into the shoes of Paresh Rawal, except ‘believing’ is his weapon of choice.

Release Date: 11 August

MADE IN HEAVEN: SEASON 2 (Amazon Prime Video)

After Zoya Akhtar and Reema Kagti left audiences on a cliff-hanger over 4 years ago, the Sobhita Dhulipala and Arjun Mathur starrer web series is all set to return to the small screen with lots more lehengas, lies and love stories.

Release Date: 10 August

BALLE O CHALAAK SAJJNA (In cinemas)

Two brothers, two marriages, one rivalry. This Punjabi drama release starring Nirmal Rishi, Raj Singh Jhinjar and Mahabir Bhullar takes you on an intense rollercoaster of emotions through one family’s trial and tribulations. Will blood be thicker than water?

Release Date: 4 August

BHOLA SHANKAR (In cinemas)

Megastar Chiranjeevi is making waves as he returns to the big screen in this high-octane action release. The stars align for the film as Tamannaah Bhatia and Keerthy Suresh will also appear in the Telugu remake of the 2015 Tamil film Vedalam. A brother’s duty to his adopted sister means no stone will be left unturned in the pursuit of justice.

Release Date: 11 August

BEDURULANKA 2012 (In cinemas)

While December 21, 2012 was an ordinary day for most people, some feared the worst with that date becoming synonymous with ‘the end of the world’. This upcoming Telugu dramedy aims to unpack the paranoia that erupted on this day and how many schemed to profit off the chaos. Based on a village called Bedurulanka, will its people be able to overcome their fear of the end?

Release Date: 25 August

MASTANEY (In cinemas)

History buffs, this flick is for you! This Punjabi period drama will capture audiences in a tale of truth-seeking and triumph as you’ll be transported to 1793. As war rages between Nader Shah’s army and the Sikh rebellion, 5 ordinary men will learn the true meaning of victory.

Release Date: 25 August

GOLDFISH (In cinemas)

Presenting a poignant exploration of music, mental health and identity comes a film that will have you tightly hugging your mum. Starring Kalki Koechlin and Deepti Naval, this critically acclaimed Hindi drama is releasing worldwide in theatres after swimming in success following several film festivals.

Release Date: 25 August

NIKHOJ (Hoichoi)

Never doubt a mother’s love, especially if she’s on the right side of the law. Swastika Mukherjee stuns as a ruthless cop on the hunt for her daughter’s killer. Hang on tight as this Bengali whodunit series starring Tota Roy Chowdhury will have you searching for clues from the start.

Release Date: 11 August

MISS SHETTY MR POLISHETTY (In cinemas)

Ever wondered what happens when the worlds of cooking and comedy collide? Add a love story into the mix and you have the makings of a must-watch Telugu romcom. See South Indian cinema queen Anushka Shetty and funny man Naveen Polishetty lead this highly anticipated family flick.

Release Date: 4 August

THE HUNT FOR VEERAPPAN (Netflix)

How did an infamous poacher turn into the ‘Robinhood of India’? This intense docuseries follows the incredible 20-year manhunt by police forces in southern India that eventually came to an explosive end. Found out whether it was possible to capture the man that was once dubbed a myth.

Release Date: 4 August

DAYAA (Disney+Hotstar)

A word of warning – check your car boots regularly or you may come upon a grim discovery. This is exactly how one man’s life turns upside down, as he grapples with the morbid cargo he has found in his freezer van. Make sure not to miss this Telugu thriller series that will leave you on the edge of your seat.

Release Date: 4 August

Helper Hinderer

dear aunTyji

I have a special problem that I need your help with. Auntyji, for the 15 years that we have been married, I have been doing all the cooking in the house. Now I also hold down a corporate job as a project manager in a bank. About a year ago, Shalja decided that she was going to help me in the kitchen because as she said, we are a team and we should support each other. At first things were a bit tense in the kitchen because she tended to get in the way, but we have found a good rhythm to working together. But she does things that really irritate me

thinking to see that I have already started frying the cinnamon stick, star anise, cloves, ginger, chillies and tejpatti and that I will need the diced onion almost immediately. And, it’s like she does not have the foresight to

aunTyji says

My goodness, you poor man. I can see just how frustrating this is for you. While I do not expect her to read your mind, I can see how you would expect, at a bare minimum, some basic understanding of the critical path of activities. I mean, anyone with an ounce of brain can see the logic of the priorities of tasks - frying onions and spices takes precedence over asking the family about events that are further downstream. your wife has decided that in the kitchen she will pay the part of a docile, submissive dimwit who takes instructions literally and does not apply any logic, critical analysis, deep thinking and basic courtesy for understanding your needs as cook. In other words, your wife is a hindrance

August 2023

By MINAL KHONA

Minal Khona has been reading tarot cards for the last two decades. She uses her intuition and connect with the cards mostly to help people.

19

The card for Libra appears, making the fiery Aries a bit more cautious. Singles will finally move on from a past relationship. They could meet someone who is in the legal profession or a Libran. Any problems that come up, deal with in the mind, not with the heart. At work, a difficult project gets completed successfully. Though finances are upbeat, there is some stress around them. Stay detached and don’t be afraid to express your views on a problematic situation.

Tarot advises to put yourself centrestage this month. In other words, practice self-love and see how people react positively towards you. Those looking to sell property will be successful. Financial prospects improve all around. An allergy could flare up due to stress. You will no longer focus on unproductive issues and guidance from the universe will point you in the right direction. A long-desired wish will soon be fulfilled. Be true to yourself and things will work out in your favour.

TAROT

A major arcana and a number two, drawn for the twins, indicates a lull in the flow. Those who are estranged, could reconcile with their partners. The self-employed will see their business pick up gradually and those in a job could earn a well-deserved bonus. Singles who are dating will still have to wait for an answer whether the relationship is going forward or not. If unwell, you will make a full recovery. A secret revealed will change your perception about a situation.

Your income and expenses will level out this month. A romance could get rocky due to upsetting circumstances or negative feelings on both sides. You could face legal action due to a breach of a contract. A personal problem could get resolved in a positive way. Stressrelated health issues are foretold. Singles could meet someone who will impact their life significantly. They could also provide solutions to existing problems. Stay calm and don’t take on too much of everything.

After the chariot card last month, this time the temperance card reiterates the need for balance for the August born. An ex could return and you could have one encounter with them that will bring much-needed closure. At home, family members could act up. Some of you might have an intense spiritual experience if you are on that path. Maintain emotional balance and moderation in all matters. This will lead to spiritual growth and transformation that is long lasting.

Not an easy month for Virgos as health issues, minor mishaps and feeling restricted could mentally bog you down. Your worldly relationships could weigh you down as you progress on your spiritual journey.Those looking to sell their property will be successful. You could turn down a job offer though it pays you more. Gizmos around the home could cause trouble, so be careful. Money matters too could be a cause for worry, but you will make enough to get by.

Ask yourself what is it that you are afraid to let go of? Wanting security is fine but the past is holding you back from the future. Even singles could be hesitant to go forward in a relationship because they are still focussed on an ex-partner. A business opportunity will come to you. Any troubling health conditions need to be addressed immediately or they could get worse. Finances are good but any underlying anxiety or insecurity needs healing.

The intense and secretive Scorpio draws the card for Capricorn, making them practical and light-hearted this month. Those in a relationship will deal with problems in a mature manner ensuring a positive outcome whether it works out or not. A rocky relationship could come to an end. If you have issues with your throat, it could be that you are not expressing yourself fully or not willing to listen. Be open to others’ points of views. Let go of forcing outcomes.

A bit of everything will grab your attention this month. Travel, spiritual quests and relationships will have you going through mood swings. A trip could help. Those in a relationship might hit a rocky patch due to trust issues. Expect fights with family members too. All this stress can cause aches and pains. Moneywise you will do better than expected. Your mind will help you find a solution that helps you detach from all the drama around you.

You draw the card for Gemini this month, which could make the practical Capricorns a little more impulsive. Singles could meet someone with a mercurial temperament. Business trips will be successful and financially rewarding. Health for the unwell gets better and a reconciliation with an estranged ex or friend is on the anvil. People of the opposite gender will be helpful. A karmic cycle is coming to a close and a new one is beginning. Let go of the past.

You might feel the need for a break. Singles could get involved in a sudden love affair or even get married. Avoid irregular sleep times and eat healthy. Delegate responsibilities at work. Your bank balance improves. A long-standing situation that has caused you stress will end. Friends and colleagues are supportive. Take time out to travel and pursue your interests for a happier frame of mind. Have faith in the universe and something you wish for will come true.

The Leo card for a water sign indicates a conflict of some sort. You could face challenges in your work or family life. Singles could still hesitate to make a commitment. Use your nurturing skills to overcome a difficult situation – this could pertain to a rebellious child or a partner with trust issues. At work, do what it takes to get the job done, the rewards will come. Positive outcomes are foretold for the self-employed. Money owed to you will be paid in full.

Pauline Richards MP STATE MEMBER FOR CRANBOURNE

Shops A3 & A4, Marriott Waters Shopping Centre, cnr Thompsons Rd & Marriott Bvd, Lyndhurst VIC 3975 5996 2901 pauline.richards@parliament.vic.gov.au

PaulineRichardsMP paulinerichardsmp.org

Tim Richardson MP STATE MEMBER FOR MORDIALLOC

richardson4mordialloc timrichardsonmp.com.au

Belinda Wilson MP STATE MEMBER FOR NARRE WARREN NORTH

Shops 101 & 102, Endeavour Hills Shopping Centre, Matthew Flinders Avenue, Endeavour Hills VIC 3802 9706 0566 belinda.wilson@parliament.vic.gov.au belindawilsonvic belindawilson.com.au

Gabrielle Williams MP

STATE MEMBER FOR DANDENONG

16 Princes Highway, Dandenong VIC 3175 9793 2000 gabrielle.williams@parliament.vic.gov.au

WilliamsforDandenong gabriellewilliams.com.au

Shop 24, 166 Somerville Rd, Hampton Park VIC 3976 8783 6959 gary.maas@parliament.vic.gov.au

GaryMaasNWS @garymaasmp

Michael Galea MP STATE MEMBER FOR SOUTH EASTERN METROPOLITAN REGION

141 Westall Road, Clayton South VIC 3169 7501 8688 michael.galea@parliament.vic.gov.au

MichaelGaleaALP @MichaelGaleaMP

Emma Vulin MP STATE MEMBER FOR PAKENHAM

Gary Maas MP STATE MEMBER FOR NARRE WARREN SOUTH Suite 3, 445 Princes Highway, Officer VIC 3809 9651 8254 emma.vulin@parliament.vic.gov.au emmavulinmp @emmavulinmp

Happy Independence Day

15 August 2023

Police are breath testing millions

of drivers this year.

Police are out day and night to keep the roads safe. If you get caught drink driving, you will lose your licence and receive serious legal penalties. It’s not worth it. If you’ve been drinking, don’t drive. Police can be anywhere at anytime.

Ged Kearney Assistant Minister for Health and Aged Care

Carina Garland Member for Chisholm

Andrew Giles Minister for Immigration, Citizenship, and Multicultural Affairs

Dr Michelle Ananda-Rajah Member for Higgins

Penny Wong Minister for Foreign Affairs

Mark Dreyfus KC Attorney-General

Anthony Albanese Prime Minister

Richard Marles Deputy Prime Minister

Clare O’Neil Minister for Home Affairs and Cyber Security

Authorised P Erickson, ALP 5/9 Sydney Ave, Barton ACT 2600