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Ph.: +91-93122 86540
Edition: February 2025
Editor: Dr. Nguyễn Hoàng Anh (Julia), Vice Chairwoman of the Vietnam Records Organization (VietKings), General Secretary of World Records Union (WorldKings)
Ms. Nancy (Nguyễn Thị Tường Vân) - Deputy General Secreatary and Head of the International Relation Division of the Vietnam Records Organization (VietKings)
I dedicate this book to all the hearts that beat in rhythm with their heritage, to those who find joy in the melodies of tradition and strength in the roots of their culture.
To the storytellers, the dreamers, and the guardians of the past who preserve what is timeless while inspiring what is yet to come—this is for you. May the spirit of art and culture continue to unite, illuminate, and transcend borders for generations to come.
Preface
“Some people are like lanterns in the night—guiding, illuminating, and inspiring all who cross their path, preserving culture and igniting hearts across generations.”
Some lives pass by like whispers, subtle and fleeting, and then some lives resonate like melodies—gentle, yet transformative. Chu Bảo Quế is one such melody, whose tune echoes far beyond borders, leaving an indelible mark on all who encounter it. His journey is not just the story of an artist; it is the story of a guardian, a preserver of culture, and a bearer of dreams that bridge the past and the future.
In my life, I have had the immense privilege of meeting individuals from all walks of life—leaders whose decisions shape nations, scientists who redefine what we know of the universe, and indigenous tribes like the Jarawas, whose lives are rich in simplicity and wisdom. Each encounter has deepened my understanding of humanity, adding a verse to its vast and intricate poem. Yet, among all the remarkable souls I have met, Chu Bảo Quế stands apart. His life is not defined by grand monuments or political power but by the profound
way he has touched hearts and safeguarded a cultural heritage that transcends time.
What makes his story even more extraordinary is the humble, and at times heart-wrenching, path he took to get here. Before he was known as a cultural ambassador, a guardian of Quan Họ, or a beacon of resilience, Chu Bảo Quế was a cattle herding boy—wandering the streets of Vietnam, barefoot, with nothing but his dreams and an unyielding will to survive. He has recounted those days with remarkable candour, speaking not of bitterness but of the lessons they taught him. He roamed the bustling markets and dusty roads, often extending his tiny hands toward strangers who rarely spared him a glance. “Cattle herding was humbling,” he once shared, “but it also awakened something profound in me—a sense of empathy, a belief that if I ever had the power to help others, I would never hold back.”
Even in those dark times, the melodies of Quan Họ were his refuge. After long days of rejection and hunger at night, he would retreat to a quiet corner near a temple, humming the folk songs he had heard as a child. The music became his sanctuary, a reminder of the beauty and hope that still existed in the world.
The first time I heard his name, it was like catching a faint yet persistent melody amidst the noise of a bustling marketplace—a whisper in an article about Bắc Ninh Quan Họ folk singing, a fleeting mention that piqued my curiosity. At the time, it seemed no more than an intriguing detail. Yet, as whispers often do, it returned—threading its way through documentaries, conversations, and programs steeped in reverence. Slowly, these fragments came together, forming
the outline of a man who had not only endured unimaginable hardship but had transformed it into an unwavering dedication to preserving something timeless.
In my imagination, I saw him first as a young boy in Bắc Ninh, his voice carrying like a steady current through his village, drawing everyone into harmonious circles. This image spoke of a time when music was not a performance but a living, breathing part of daily life—a time when culture was not preserved in archives but lived in the people’s hearts. As I delved deeper, I learned that this boy would grow into a man with an unrelenting vision: to protect and sustain the art of Quan Họ singing.
What struck me most about Chu Bảo Quế was his artistry and the depth of his sacrifice. At a time when opportunities for personal advancement were within reach, he chose to return to his roots. He chose the hard path—the path of struggle, resistance, and unwavering commitment to heritage. It was a choice born of love, not just for music but for the identity of a people.
His journey was far from easy. He faced indifference, scarcity, and obstacles that would have deterred anyone less resolute. Yet, he persevered, transforming every challenge into an opportunity. When UNESCO recognised Quan Họ as an Intangible Cultural Heritage of Humanity, it was a triumph for him and his entire nation. His success was not a moment of personal glory but a victory for collective identity.
What makes Chu Bảo Quế’s story so compelling is his profound humility. To him, Quan Họ has never been a tool for personal fame but a bridge connecting generations, communities, and even strangers. He never sought the spotlight but shared it with
his peers, his mentors, and the countless voices that joined him in his mission. His story is not just about preserving music; it is about preserving the soul of a people.
As I write these words, I am overwhelmed with a sense of gratitude for the opportunity to bring his story to you. In a world often eager to discard tradition for fleeting modernity, Chu Bảo Quế’s life stands as a shining beacon of what it means to cherish, nurture, and pass on cultural heritage. He is not just an artist; he is a guide, a teacher, and a guardian. His melodies are not just songs but lessons in resilience, unity, and the timeless beauty of shared human experience.
This book is my humble attempt to capture the essence of a man whose life is a symphony of dedication and love. It is a journey through his dreams, his struggles, and his triumphs. It is an invitation to walk beside him, to hear his voice, and to witness the extraordinary impact of one life devoted to a greater purpose.
Through these pages, I hope to honour not just his story but the universal truths it represents—that art is more than a medium of expression, that culture is more than a collection of traditions, and that one person’s unwavering belief in something larger than themselves can inspire generations to come.
As you read this book, I invite you to let the melodies of his life resonate within you. For in Chu Bảo Quế’s story, you will find not just the tale of an artist but the tale of humanity itself—of how we preserve, connect, and leave our mark on the world.
Prologue
Vietnam’s Rich Cultural Heritage
Vietnam has always held a special place in my heart. My journey to this enchanting land began over a decade ago, and since then, I have returned time and again, each visit unveiling a deeper connection to its soul. What draws me here? It’s not just work, though I have patients and a trusted business partner. The warmth of its people, the simplicity of their lives, and the profound richness of their culture captivate me.
Every trip feels like peeling back another layer of a magnificent tapestry. With each visit, I’ve uncovered new dimensions of Vietnam’s heritage—a treasure chest of history, art, and traditions. I’ve been fortunate to meet cultural ambassadors who dedicate their lives to preserving and promoting Vietnam’s identity. Their efforts resonate with a collective aspiration: to safeguard the nation’s heritage, foster a sense of belonging, and nurture a vibrant cultural identity that continues to inspire generations. Let’s first explore the rich cultural history of India & Vietnam.
India-Vietnam’s Shared Culture: The Cham Civilisation
As I delve into the tapestry of history, I find myself drawn to the profound connection between India and Vietnam—an interwoven narrative of shared culture and spiritual resonance. This bond, deeply rooted in antiquity, is a testament to the organic diffusion of ideas and traditions that have flourished across borders, untainted by force or imposition. Among the myriad civilisations that bear the imprint of this cultural exchange, the Cham civilisation of Vietnam stands as a luminous example of how Indian influences have enriched distant lands, creating a legacy that endures to this day.
The Cham civilisation, often called the Champa civilisation, embodies India’s soft power and Vietnam’s cultural receptivity. Emerging along the central coast of Vietnam nearly two millennia ago, the Chams established a society remarkable for its sophistication in architecture, agriculture, seafaring, and spirituality. Cities like Indrapura, Simhapura, and Amaravati—names rooted in Indian heritage—echo the shared linguistic and cultural ties that bind these two nations.
European and Vietnamese scholars have delved deep into the Cham civilisation’s legacy, revealing its profound connection to Indian culture. From the temples of My Son to the ancient inscriptions in Sanskrit, the evidence is overwhelming. These temples, constructed between the 4th and 13th centuries AD, are not just architectural marvels but spiritual sanctuaries that reflect the Chams’ devotion to Shaivite Hinduism and, later, their adoption of Buddhism—both gifts from the Indian subcontinent.
Prologue: Vietnam’s Rich Cultural Heritage
The Cham people, resilient and proud, continue to uphold their traditions. Despite the tides of time and the erosion of their political power, their cultural essence thrives. Today, they are a living embodiment of a civilisation that once controlled vital trade routes between China, India, Indonesia, and Persia. Their expertise in irrigated rice farming and seafaring shaped their society and influenced the broader region.
When President Ram Nath Kovind visited Vietnam in 2018, he began his journey in Da Nang, a city steeped in the legacy of the Cham civilisation. His visit to the My Son sanctuary, a UNESCO World Heritage site, highlighted the enduring ties between India and Vietnam. These temples, with their intricate carvings and unique brick construction, are a testament to the artistry and spiritual depth of the Cham people. As President Kovind aptly noted, the roots of these connections lie in the shared spiritual and cultural heritage of Hinduism and Buddhism, both of which originated in India and found a home in Vietnam.
One cannot speak of the Cham civilisation without acknowledging their maritime prowess. Robert Sténuit, the renowned marine archaeologist, describes the Chams as great sailors and builders, whose ingenuity transformed perishable materials into durable brick structures. Their temples, dedicated to Hindu deities like Shiva, stand as monuments to their spiritual devotion and architectural brilliance.
The Chams’ belief in Po Nagar, their goddess of creation, further exemplifies the syncretism between Indian and local traditions. This divine figure is said to have emerged from heavenly clouds and seafoam and symbolises a deep respect for nature, a hallmark of monsoon Asia. Such beliefs and
the Hindu doctrines they embraced highlight the seamless blending of Indian and Cham worldviews.
The cultural exchange between India and Vietnam extends beyond the realms of history and mythology. It is a living legacy that continues to inspire. When the India-ASEAN commemorative summit celebrated its 25th anniversary under the theme “Shared Values, Common Destiny,” it underscored the importance of this ancient connection. As Vu Khoan, Vietnam’s former Deputy Prime Minister, aptly remarked, “The depth of diplomacy is culture.”
Today, as India strengthens its ties with ASEAN, the Cham civilisation offers a powerful narrative of shared heritage and mutual respect. It is a reminder that the past holds the key to a prosperous future. By embracing and contemporising this shared legacy, India and Vietnam can celebrate their historical ties and chart a path forward as partners in the 21st century—a century defined by the power of culture, commerce, and connectivity.
In exploring the Cham civilisation, I am reminded of the enduring spirit of humanity’s shared journey. It is a story of exchange, adaptation, and respect that resonates deeply with my journey and the vision I hope to share with the world through this book.
Exploring Bắc Ninh Quan Họ folk songs
One evening stands out vividly among the many experiences that have shaped my understanding of culture and heritage—a Bắc Ninh Quan Họ folk singing concert that left me utterly spellbound. The melodies, steeped in tradition and emotion, were not merely songs but gateways into Vietnam’s soul, echoing centuries of history and artistic heritage. That night,
Prologue: Vietnam’s Rich Cultural Heritage
I felt an unshakable connection to this unique art form, compelling me to delve deeper into its origins and significance. Vietnam, a land with nearly four millennia of history, stands as one of the cradles of ancient civilization. While its cultural tapestry has been influenced by the Chinese, French, and other colonial powers, Vietnam has forged a distinct identity—a harmonious blend of ancient traditions and modern influences. From the early days of Nam Viet, shaped by the Dong Son culture, to the resilience shown under French colonial rule, Vietnam has emerged as a vibrant mosaic of diversity. Today, its 54 ethnic groups with unique languages, customs, and traditions come together to form a kaleidoscope of unity, resilience, and creativity.
This unity is mirrored in its cultural treasures—over 40,000 historical relics, 8,000 festivals, and countless art forms, all testament to Vietnam’s indomitable spirit. Among these treasures, Quan Họ Bắc Ninh folk songs shine brightly as a beacon of cultural pride and artistic depth. Recognized by UNESCO in 2009 as an Intangible Cultural Heritage of Humanity, Quan Họ is not merely a form of entertainment but a living embodiment of Vietnam’s artistic and emotional resonance.
Scholars have long pondered the origins of Quan Họ, lending its history an air of mystery and depth befitting its timeless melodies. One perspective traces its roots to the refined traditions of Royal Court music. According to an old tale, a Mandarin, while travelling through Kinh Bắc—the ancient name for Bắc Ninh and Bắc Giang Provinces—was captivated by the enchanting folk songs of the region. This tale gives a literal explanation for the name “Quan Họ,” as
Biography of Prof. Dr. Chu Bảo Quế
“quan” means “Mandarin” and “họ” translates to “stop.” Yet, this romantic theory overlooks other vital elements—such as the organisational forms, the nuanced use of words, and the gestures that imbue Quan Họ with its unique cultural vitality.
An alternative viewpoint places Quan Họ’s origins in the ancient spiritual rituals of the Linga-Yoni culture. By examining the poetic verses, the deeper meanings embedded in the lyrics, and the spatial dynamics of the performances, some experts suggest that “Quan Họ” is a playful spoonerism of “quan hệ,” meaning “relationship.” This interpretation reflects the intimate bonds between singing partners in Kinh Bắc, where the art form became a medium of connection and mutual admiration among the people.
A 1940 story published in Việt Báo adds another layer to Quan Họ’s narrative. It identifies the villages of Lũng Giang and Tam Sơn (also known as Từ Sơn) in Bắc Ninh Province as the birthplace of this cherished tradition. These two villages shared a profound and enduring friendship, celebrated annually on the 13th day of the first lunar month. During this time, ten elders—both men and women—and a group of young singers from Lũng Giang were invited to a grand singing event in Tam Sơn. The gathering evolved into a vibrant form of dialogue, with young men and women from each village singing alternately, each response a harmonious reply. These contests, which often stretched from dusk until the break of dawn, became a hallmark of Quan Họ, embodying its spirit of collaboration and mutual respect.
The flourishing of Quan Họ is often attributed to the Ly Dynasty (1009–1225), during which it blossomed into a celebrated cultural phenomenon. Though Thăng Long (modern-day Hà
Prologue: Vietnam’s Rich Cultural Heritage
Nội) served as Vietnam’s capital during this era, the Ly kings maintained a deep connection to their homeland, Kinh Bắc. Every spring, they returned to host spirited festivals that showcased Quan Họ as a centrepiece. Among these, the Hoi Lim festival became the most renowned. Held on the Lim Hills or in the park surrounding Lim’s pagoda during the first full moon of the lunar year, it drew pilgrims from across the country. Dressed in their finest attire, visitors gathered to admire the blossoms, forge new friendships, and immerse themselves in the melodic exchanges of Quan Họ performances.
These gatherings, often lasting for weeks, transformed Quan Họ from a regional custom into a cultural treasure. Rooted in tradition yet brimming with vitality, it transcended mere entertainment to become a symbol of unity, artistry, and the enduring spirit of the Vietnamese people.
Quan Họ is a captivating interplay of voices, where groups of men and women exchange melodies in a challenge-response fashion. These songs explore themes of love, longing, and the bittersweet pangs of separation, serving as heartfelt expressions of connection and joy. Traditionally, Quan Họ performances were shared among communities, not staged, reflecting the art form’s roots in communal harmony and artistic passion. Adorned in traditional attire—women in graceful round hats and scarves, men in turbans and tunics—the singers create an enchanting tableau, bringing to life over 400 song lyrics and 213 melodies.
The recognition of Quan Họ as a UNESCO Intangible Cultural Heritage in 2009 was a momentous occasion, marking its importance to Vietnam and humanity. This achievement was the result of a collaborative effort by the Vietnamese
government, local communities, and cultural institutions, reflecting the commitment to preserving this invaluable legacy. During the ceremony in Abu Dhabi, Vietnam’s delegation pledged to safeguard Quan Họ as a heritage of humanity, emphasizing its role in fostering cultural diversity and sustainable social development.
What makes Quan Họ exceptional is its multifaceted value. It is deeply embedded in social customs, performed during cultural events, and passed down through generations as a cherished local identity. Its unique singing techniques, refined language, and elegant attire elevate it to an art form of unparalleled beauty. Beyond its artistic value, Quan Họ embodies the spirit of unity and resilience, reminding us of the importance of preserving and promoting traditional values for future generations.
For me, Quan Họ is not just a cultural heritage but a profound inspiration. It exemplifies how art can transcend boundaries, connecting individuals and communities while celebrating shared histories. Vietnam is much like Quan Họ—a land where history breathes through every melody, culture thrives in every gesture, and the past and present coexist in harmony.
Through this book, I hope to guide you into the heart of Vietnam’s heritage, experience the timeless beauty of Quan Họ, and draw inspiration from its people’s resilience. Chu Bảo Quế, whose life and passion have elevated this art form, is a testament to the enduring power of dedication and cultural love. His story is inseparable from Quan Họ’s journey, and together, they remind us that even in the face of challenges, art and heritage have the power to unite, inspire, and transform.
Chapter 1
The Man Who Became a Melody
“Every extraordinary story begins with a meeting, but some meetings feel destined—like a bridge to a world you never knew existed.”
Some stories begin with an epiphany, a moment of clarity that changes one’s life. My encounter with Chu Bảo Quế was one such moment, a meeting that would redefine my understanding of culture, legacy, and the indomitable spirit of human creativity.
It was October 2023, and my work took me to the serene landscapes of Vietnam, a country rich with history, culture, and resilience. The air carried a gentle warmth, and the streets of Hanoi buzzed with life, blending the old-world charm of colonial-era architecture with the vibrant energy of modernday progress. My destination, however, was not the bustling heart of the city but a quiet, modest home nestled in the outskirts—a sanctuary of wisdom and creativity.
This was where I first met Chu Bảo Quế, the living embodiment of resilience and intellect. The meeting had been arranged through mutual acquaintances, and as I approached his residence, I was struck by the simplicity of the surroundings. The home was adorned with traditional Vietnamese elements—a tiled roof, an inviting wooden gate, and a lush garden filled with bonsai trees and fragrant blossoms.
Chu Bảo Quế greeted me at the door, his presence exuding warmth and humility. Dressed in a plain yet elegant outfit, he had an aura of quiet confidence that immediately put me at ease. As we stepped inside, the interiors reflected his personality—neatly arranged bookshelves lined the walls, each filled with texts on art, philosophy, and history. The air carried the faint aroma of herbal tea, a soothing prelude to the profound conversation that awaited us.
Our dialogue began with pleasantries but quickly evolved into exploring more profound subjects. His voice carried the cadence of someone who had lived a life of reflection and purpose. As we sipped tea, he shared insights into his philosophy, a perspective shaped by years of dedication to art, culture, and humanity.
“Art,” he said, his eyes lighting up with passion, “is not merely an aesthetic pursuit. It is a love that transcends the material—a profound connection to the soul, humanity, and the world itself.”
At that moment, I understood why Chu Bảo Quế was celebrated for his achievements and unwavering commitment to uplifting others. His home, much like the man himself, was a testament to resilience and simplicity—a place where the
Chapter 1: The Man Who Became a Melody chaos of the world seemed to fade, replaced by the clarity of thought and the strength of will.
When I asked him about Quan Họ, his eyes lit up with a passion that transformed his face. “Quan Họ is not just music,” he began, his voice steady and rich with conviction. “It is the heart of Bắc Ninh, a way for us to express love, respect, and connection through lyrical courtship songs. It’s not something you sing; it’s something you live.”
He spoke of moonlit nights in the villages of Bắc Ninh, where people gathered to sing in harmony, their voices blending into melodies that transcended time. He painted vivid pictures of his early days—of scepticism and indifference from those who saw Quan Họ as a relic of the past and his resolve to prove otherwise.
Listening to him, I felt I was being transported to those very gatherings. The air seemed to fill with the fragrance of bamboo groves and the soft murmur of rivers. His words carried a poetic cadence, mirroring the very art form he had dedicated his life to preserving.
As our conversation progressed, he shared his vision of modernising Quan Họ without compromising its soul. “The challenge,” he said, “is to honour the roots while allowing the branches to grow.” He spoke of performing on international stages, introducing subtle modern instrumentation to traditional melodies, and of the joy he felt when the music moved audiences—both young and old.
His greatest pride lay not in the applause of large crowds but in the quiet moments of mentorship. “Seeing children embrace Quan Họ,” he said, his voice softening, “is my true
reward. When they sing, I see the future of our culture alive and vibrant.”
As our meeting drew to a close, I proposed the idea of documenting his life story—a biography that would capture not just his journey but also the spirit of Quan Họ itself. His initial surprise quickly gave way to gratitude. “If my story can inspire even one person to cherish our culture,” he said, “then it is worth telling.”
Thus began a journey that would span over several months and countless conversations in settings as diverse as bustling urban centres and the serene countryside of Vietnam. Each meeting revealed a new layer of his life—stories of triumph and sacrifice, moments of doubt and unwavering determination.
One of the most striking aspects of Chu Bảo Quế’s character was his sense of responsibility. He saw himself not as an individual artist but as a custodian of a cultural legacy. “Quan Họ is not mine to own,” he once told me. “It belongs to the people, the past, and the future.”
Documenting his life has been both a profound privilege and a formidable challenge, a journey demanding equal sensitivity and insight. Each conversation with him was like peeling back the layers of a life shaped by both triumph and turmoil. There were moments of intense emotion when he recounted his struggles—times when the weight of balancing innovation with preservation seemed almost insurmountable. His voice would grow quiet as he described the delicate tightrope walk of honouring the past while daring to reimagine it, his words imbued with the wisdom of someone who had fought fiercely to remain true to his roots while charting new horizons.
Chapter 1: The Man Who Became a Melody
And then, there were moments of unguarded joy. His face would light up as he spoke of the lives he had touched, the audiences who had found solace and inspiration in his music. These were the moments when his love for his craft shone most brightly—not as an artist seeking recognition but as a soul deeply connected to the hearts of those who listened. Through these reflections, it became clear that his story transcended the confines of a mere musical journey. It was about something far greater: the enduring power of art to weave connections, to bridge divides, and to speak a universal language that resonates across time and place.
I remember leaving that first meeting with Chu Bảo Quế, with a profound sense of inspiration. There was an almost sacred quality to his presence, an authenticity that made his story feel like a living testament to the resilience of tradition and the infinite possibilities of transformation. In him, I saw the embodiment of a truth we often overlook—that tradition is not a static relic of the past but a living, breathing force that evolves through those who dare to reinterpret it without losing its soul.
His life is, in many ways, a melody—a composition of discordant and harmonious moments woven into a masterpiece that lingers in the heart long after the final note is sung. It is a reminder that art, in its truest form, is more than a craft or a performance. It is a celebration of the human spirit, a vessel for stories that transcend boundaries, and a beacon of hope that continues to shine, even in the face of life’s greatest challenges. To document such a life is to pay tribute not only to the man himself but to the transformative power of art he so beautifully represents.
Chapter 2 From Cattle Herding to Becoming the Voice of Heritage
“A seed does not dream of the sky; it dreams of roots. For only with deep roots can it rise and flourish.”
My first impression of Chu Bảo Quế was of a man deeply rooted in his culture yet unafraid to reach for the extraordinary. He carried himself with an unassuming grace that belied the magnitude of his contributions to the arts. From our very first meeting, it became evident that he was more than an artist. He was a keeper of stories, a bearer of heritage, and a voice for those who might otherwise have been forgotten. His devotion to Quan Họ folk singing was not merely a profession or a pursuit; it was the essence of his being, woven into every fibre of his life.
There was something extraordinary about how he spoke about Quan Họ. This art form was more than just a collection of melodies and lyrics for him. It was the living, breathing soul of Bắc Giang, resonating through his life and into the hearts
Biography of Prof. Dr. Chu Bảo Quế
of those fortunate enough to hear him. His passion went far beyond simply preserving the tradition. He dreamed of ensuring its evolution, inspiring younger generations to embrace it, and making it relevant on the global stage. Quan Họ was a reflection of his homeland’s heritage and life’s mission.
Chu Bảo Quế’s story begins in the humble yet culturally rich land of Tự Lạn Ward in Việt Yên Commune, Bắc Giang Province. Việt Yên, a midland district cradled between the gentle flows of the Cầu and Thương Rivers, is a land steeped in history and legend. Its roots stretch back to the era of the Hùng Kings and King An Dương Vương, a testament to its enduring significance in Vietnam’s cultural tapestry. Over the centuries, Việt Yên has witnessed the ebb and flow of time, evolving while preserving its rich traditions.
When French colonists restructured Vietnam’s administrative landscape, Việt Yên District expanded to include five communes from Yên Dũng District: Mật Ninh, Đình Sơn, Tự
Lạn, Thiết Sơn, and Hoàng Mai. Among them was Tự Lạn Commune, now forever linked to the life and legacy of artist Chu Bảo Quế.
Việt Yên is a treasure trove of cultural heritage, with its numerous village communal houses serving as pillars of Vietnamese village life. These houses, such as the iconic communal houses of Thổ Hà, Đồng, and Mật Ninh, stand as silent witnesses to centuries of history, resonating with the voices and stories of the generations who gathered there. In this cradle of tradition, his journey began, deeply intertwined with the ancient rhythms of his homeland.
Here, Vietnam’s rich cultural heritage meets rural life’s simplicity. Nestled amidst lush fields and winding rivers, this village exudes
Chapter 2: From Cattle Herding to Becoming the Voice of Heritage a timeless charm, where tradition is preserved and celebrated in its people’s daily lives. The melodies of Quan Họ folk songs resonate through its communal houses and pagodas, carrying the soul of a community that values art, storytelling, and shared history. It is here, in this serene yet vibrant land, that the seeds of Chu Bảo Quế’s extraordinary journey were sown, rooted deeply in the essence of his homeland.
Born into a modest farming family, his early years were steeped in the rhythm of the fields, the gentle sounds of riverboats gliding through tranquil waters, and the timeless melodies of Quan Họ folk songs. These elements shaped his childhood and the foundation of the artist he would later become. Even as a young boy, Chu Bảo Quế exhibited an uncanny love for music. His voice, blessed with an ethereal quality, stood out from an early age. Villagers often paused their daily routines to listen as he sang while herding buffaloes or walking along his hometown’s long, dusty roads.
However, life took a cruel turn when his family’s financial struggles forced him to fend for himself in unimaginable ways. Despite his father being alive and supporting the family through farming, the burden of poverty loomed large over their modest household.
Life as a cattle herder was harsh yet enriching, a daily routine that imbued him with the resilience and humility he would carry into adulthood. From sunrise to sunset, he guided his family’s livestock through the expansive fields of Bắc Giang. The quiet hours spent under the open sky became moments of reflection and connection with nature. Amid the chirping of crickets and the distant hum of village life, young Chu Bảo Quế found his
voice. He often sang to the animals and the wind, the melodies flowing freely, unencumbered by judgment or expectation.
“The fields were my first stage,” he once remarked. “The rustling of leaves, the distant sound of riverboats—they were my audience. It was in those quiet moments that I began to understand the profound connection between music and the soul of the land.”
Each day, he learned to stand a little taller after every rejection, to find strength in the smallest acts of mercy—a handful of rice, a kind word, or a soft pat on the head. The bustling streets and unforgiving roads became his classroom, teaching him the value of perseverance, humility, and the power of hope.
In the evenings, when the cacophony of the markets faded, and the streets grew quieter, he would retreat to a secluded corner near the local temple. It was here, under the faint glow of lanterns and the watchful gaze of age-old statues, that he found solace. With the cool night air brushing against his face, he would close his eyes and hum the melodies of Quan Họ folk songs he had heard as a child. These timeless tunes, rich with the essence of his homeland, became his refuge.
As his voice filled the stillness of the night, it was as if the pain and humiliation of the day dissolved into the rhythm of the melodies. The songs transported him to a world where poverty and hardship had no place—where he was not a herding boy but a dreamer. Through those hauntingly beautiful melodies, he wove together fragments of his hope, resilience, and an unspoken promise: one day, his voice would rise above his struggles and echo far beyond the dusty roads of his childhood.
Chapter 2: From Cattle Herding to Becoming the Voice of Heritage
“Even as a child,” Chu Bảo Quế once reflected, “the songs of my life were intertwined with the songs of the land. They flowed through me like a river, ever-present and ever-changing.” His family, deeply rooted in farming traditions, also had a strong cultural pride and patriotism. His parents’ unwavering resilience and love for their homeland made an indelible mark on his artistic aspirations. “It was my parents’ quiet strength that taught me to value our heritage,” he said, their silent encouragement becoming the cornerstone of his life’s work.
One of Chu Bảo Quế’s most cherished childhood memories was his seven-kilometre walk from his home to Thổ Hà Pagoda. These pilgrimages were not just physical journeys but profound spiritual experiences. The pagoda, a hub of cultural history in Bắc Giang, was where he first encountered the hauntingly beautiful melodies of Quan Họ. It was here, amid the ancient walls and the serene atmosphere, that he discovered his life’s calling. “At Thổ Hà, I would watch the elders sing,” he recalled. “Their voices carried stories of love, loss, and longing. Those sessions in the communal houses and temples were transformative. They taught me that Quan Họ was more than music—it was a bridge between generations, a way of keeping our ancestors alive in spirit.”
The boy who once walked barefoot through dusty paths, his voice rising like a lone bird against the vast expanse of the countryside, would later stand beneath the dazzling lights of grand stages, captivating audiences with the melodies of his youth. Yet, the road to such prominence was long and fraught with trials. It was a journey carved not just by talent but by a steadfast determination that refused to waver, even in the face of ridicule and doubt.
Biography of Prof. Dr. Chu Bảo Quế
“In those days,” Chu Bảo Quế once recalled, his voice tinged with a mixture of humour and nostalgia, “the villagers thought I was foolish, always singing and dreaming. They called me ‘that crazy boy.’” His words carried the weight of those early memories, a past where his boundless passion for music often seemed at odds with the pragmatic concerns of rural life.
To the villagers, his constant humming and bursts of song as he worked in the fields or walked along the riverbanks appeared frivolous, even eccentric. Life in their modest farming community demanded practicality—a focus on survival, tending crops, and fulfilling duties that left little room for such fanciful pursuits. Yet, for young Chu Bảo Quế, the act of singing was as natural and necessary as breathing. He sang not for an audience or applause, but for the sheer joy it brought him. His songs echoed through the quiet mornings and dusky evenings, blending with the rustling of leaves and the distant calls of riverboats. Music was his sanctuary, a way to escape the drudgery of daily life and express the dreams he carried within him.
“They didn’t understand then,” he continued, his voice soft but resolute, “but those songs became the foundation of everything I would achieve.” Indeed, what the villagers dismissed as folly would later prove to be his greatest gift. Each note he sang was a seed planted in the fertile soil of his ambition, and each melody was a step closer to the destiny he would one day claim.
In their scepticism, the villagers unknowingly shaped the resilience that would define him. Their taunts, far from silencing him, only deepened his resolve. He learned to sing not in defiance but in celebration of the beauty he saw in the
Chapter 2: From Cattle Herding to Becoming the Voice of Heritage world—that others might overlook amidst the grind of daily life.
As he reminisced about those days, his wistful smile hinted at the profound irony of his journey. The “crazy boy” they had once dismissed became the man who carried their shared heritage—the melodies of Quan Họ and the spirit of their land—onto stages where the world finally listened. His voice, once an object of ridicule, became a bridge connecting his humble beginnings to a legacy that would endure far beyond the dusty paths of his childhood.
For Chu Bảo Quế, art was never just about talent. It was about sacrifice, passion, and an unrelenting commitment to his dreams. “My love for the arts was so deep that I never considered giving up, even at the cost of my own comfort or security,” he admitted. His childhood was marked by hardship, yet he found solace in music. “While others saw the struggle, I saw inspiration. The river wharves, ferryboats, and moss-covered walls all had a melody. My songs came from them.” Though his family supported his dreams, no one truly encouraged him to pursue a career in the arts. “I packed up my things and left on my own,” he revealed. “No one held my hand or promised me success. But I knew the songs would carry me forward if I stayed true to my path.”
Chu Bảo Quế’s rise from the boy called “crazy” to a celebrated artist is a testament to resilience and determination. His early performances were held on small, humble stages in local villages, yet his dream burned brighter with each passing day. His talent did not go unnoticed for long. Cultural organisations began recognising his extraordinary gift, paving the way for him to ascend to larger, more prestigious platforms. Events
Biography of Prof. Dr. Chu Bảo Quế
like Nụ Cười Vàng and Bến Nước Con Đò showcased not just his skill as a performer but also his role as a custodian of Vietnam’s rich cultural heritage.
“I didn’t aim to be famous,” he said humbly. “I aimed to serve—to use my voice to preserve and honour the traditions of my homeland.” His collaboration with the Ministry of Culture, Sports and Tourism and UNESCO Vietnam marked a turning point in his career, allowing him to introduce Quan Họ to international audiences. Despite his growing acclaim, he remained deeply grounded. “The audience’s love is what kept me going,” he said. “There were times I thought about quitting, but their encouragement reminded me of why I started.”
Today, Chu Bảo Quế continues to dedicate himself to the art of Quan Họ as the chief director of cultural preservation programs. Through initiatives like the Nụ Cười Vàng film project, he has introduced this centuries-old tradition to younger generations, ensuring its survival in an evermodernising world. Reflecting on his remarkable journey, he shared, “Art is an eternal flame. It must be nurtured, protected, and passed on. This is not just my story—it is the story of our people, our culture, and a heritage that deserves to live on.”
Like the songs he sings, Chu Bảo Quế’s life is an anthem of love and unwavering commitment to the soul of his homeland. As I listen to his voice, I cannot help but feel that every note carries a piece of his journey. It is a testament to the power of dreams and the enduring strength of tradition. His story is only beginning to unfold, and with each chapter, it becomes abundantly clear: Chu Bảo Quế is not just an artist—he is the living embodiment of Vietnam’s cultural heartbeat.
Chapter 3
The First Note: A Song of Beginnings
“The music of one’s soul often emerges not in moments of ease, but in the echo of resilience.”
The air was still, save for the occasional whisper of a breeze carrying the scent of damp earth. I sat across from Prof. Chu Bao Que, his eyes fixed far beyond the present moment. Deep and contemplative, his gaze seemed to be searching for the right memory to begin. Finally, he spoke, his voice low but steady, resonating like the opening chords of a song.
“I first heard Quan Ho singing when I was ten years old. It was harvest season,” he began, his lips curling into a faint smile. “My father and I had been working in the fields all day. By dusk, the villagers gathered by the riverbank to celebrate. That’s when I heard a harmonious duet that felt like the stars had paused to listen.”
His voice wavered momentarily as if caught in the pull of that memory. “I didn’t know then that it was called Quan Ho or that it would become the melody that would guide my life. All
I knew was that I couldn’t look away. The singers—a man and a woman—stood facing each other, their voices weaving an intricate dance. It was unlike anything I’d ever heard.”
I leaned forward, intrigued. “And that was the moment? The moment you knew this music was meant for you?”
Chu Bảo Quế laughed softly, shaking his head. “Not quite. At that age, I didn’t believe someone like me could ever belong to such a world. We were poor. My family barely had enough to eat, let alone spare time or money for dreams.” He paused, his face clouding with the weight of recollection. “But that night, I couldn’t sleep. The songs lingered in my mind, refusing to let go. I started humming them under my breath while working in the fields. My father scolded me, saying I was wasting energy that would have been better spent on harvesting. But I couldn’t stop.”
“How did you learn the songs, then?” I asked, sensing the turn in his story.
Chu Bảo Quế’s expression shifted, a glint of determination shining through.
“There was an elder in the village who knew the old ways. He was a master of Quan Ho, though he rarely performed anymore. I begged him to teach me, and at first, he refused. ‘This music is not for the faint-hearted,’ he told me. ‘It demands discipline, devotion, and a soul willing to bear its weight.’”
“What changed his mind?”
“I didn’t stop asking,” Chu Bảo Quế said simply. “Every day after work, I would go to his hut and sit outside, humming the songs I’d memorised. Finally, one evening, he opened the door
Chapter 3: The First Note: A Song of Beginnings and said, ‘If you’re that stubborn, you might as well learn to do it right.’”
He chuckled, but there was a hint of moisture in his eyes. “Those lessons were gruelling. We practised until my voice was hoarse and my legs ached from standing. But with each passing day, I felt something awaken inside me—a connection to the music, to the culture it represented. It was like I had found my place in the world, one note at a time.”
The room seemed to grow quieter as he continued, his voice carrying the weight of those early struggles. “Of course, not everyone was supportive. My father thought I was wasting my time. ‘Music won’t fill your stomach,’ he said. My friends laughed at me, calling me foolish for chasing something so impractical. But I held on to that dream, even when it felt impossible.”
The story of Chu Bảo Quế inspired me profoundly, especially his lifelong dedication to Bắc Ninh Quan Họ folk singing. His willingness to place his love for traditional art above personal ambitions is a rare and admirable sacrifice. Living as a cultural custodian and embracing Quan Họ as an inseparable part of oneself ensures this heritage survives and thrives in modern life.
Despite the challenges of his youth, Chu Bảo Quế’s resolve was unshaken. He persevered, even as traditional arts faced decline during modernisation and preservation resources dwindled. His passion and creativity revitalised Quan Ho, bringing it to grand stages in Vietnam and abroad. His expression showed that these achievements were his pride and a priceless legacy for the community.
Biography of Prof. Dr. Chu Bảo Quế
“And when did others begin to notice your talent?” I asked, eager to hear the turning point.
Chu Bảo Quế’s face lit up as if recalling a cherished memory. “It was during the Mid-Autumn Festival. The elder insisted I perform, despite my protests that I wasn’t ready. My hands trembled as I stood before the crowd, but something shifted as I began singing. The nerves faded, replaced by a clarity I had never felt before. By the time I finished, the crowd was silent. And then, they erupted in applause.”
He paused, his voice softening. “That night, for the first time, I felt seen. Recognised. It wasn’t just about the applause; it was about the connection I had forged with the audience. For those few minutes, my struggles didn’t matter. What mattered was the music and how it brought us together.”
Reflecting on his journey, I couldn’t help but feel a deep sense of admiration. Like an overexcited child, I leaned in eagerly and said to him, “One of your most inspiring contributions is your ability to weave the spiritual and emotional values of Quan Họ into everyday life. Quan Họ is more than music; it represents love, community, and profound humanity. You’ve ensured Quan Họ transcends the stage, becoming part of daily cultural practices.”
He nodded, humbled. “Music may not fill the stomach,” he said, his eyes meeting mine with quiet intensity. “But it feeds the soul. And sometimes, that’s enough to keep you going.”
His sacrifices and perseverance proved that intangible heritage could remain a timeless part of a nation’s identity. As our conversation lingered into the night, I felt the depth of his vision—not just for Quan Họ, but for the soul of Vietnam itself.
Chapter 3: The First Note: A Song of Beginnings
Yet, Chu Bảo Quế’s journey was far from over. His triumphs had come at a cost, and the roads ahead would demand even greater resolve. It was here, at the cusp of his rising legacy, that his story became not just a tale of music but of survival and love.
Chapter 4
A Song Beyond Time
“Art lives not in the perfection of performance, but in the imperfections that endure through human stories of sacrifice and resilience.”
The first time I met Professor Chu Bảo Quế, the atmosphere carried a reverence. His presence was quiet but commanding, much like the echoes of Quan Họ melodies, lingering long after their last notes are sung. I had come to understand that meeting a cultural custodian was akin to meeting a historian of the human soul—a bearer of traditions whose life transcended the confines of personal ambition.
Sitting across from him in that modest yet comforting room in Bắc Ninh, the cradle of Quan Họ, I began to glimpse the depth of his sacrifice. His story unfolded like a folk song—gentle at first, but filled with crescendos of perseverance and resolution.
“I fell in love with the arts when I was just a child,” Chu Bảo Quế began, his voice brimming with both nostalgia and quiet pride. As he spoke, his eyes seemed to drift back in time to his
Biography of Prof. Dr. Chu Bảo Quế
seventeen-year-old self—full of youthful vigour and dreams— standing before the gates of the Ha Bac Drama Troupe.
The troupe, then a prestigious ensemble in Vietnam’s theatre world, was the beacon he had set his sights on. But dreams, as he learned, often require sacrifices that test the very limits of one’s passion.
“They had no roles for me,” he admitted with a faint smile, though his voice quivered ever so slightly. “The troupe was already filled with talented actors. I was just another boy with dreams.”
In those days, his role often amounted to no more than a fleeting presence—a nameless villager crossing the stage, his face unseen, his voice unheard. The sting of rejection, one might imagine, could have broken the spirit of any young artist. But for Chu Bảo Quế, those silent moments were seeds sown deep into the soil of his determination.
“I did everything they would let me do,” he continued, his voice a mix of pain and pride. From setting up stages to washing backdrops, preparing costumes, and even cooking for senior actors—he accepted every task, not as a burden but as a chance to learn. The love for art outweighed the humiliation of invisibility. His words revealed the struggles of a time when the country itself was grappling with hardship, yet he clung to the belief that art was worth enduring for.
As he spoke, his large, soulful eyes—often compared to those of an Indian sage—filled with tears. He quickly wiped them away, laughing to lighten the mood. “It was hard, but I never swore to give up. I couldn’t. The arts were all I had.”
What struck me most, however, was his resilience and the dignity he carried with his struggles. He recalled nights when
Chapter 4: A Song Beyond Time
he wandered through Tran Quy Cap Station—lost, drenched in rain, with nothing but a pocketful of dreams. To survive, he sold water in bowls to passengers, their kindness measured in coins. He sold newspapers, washed dishes, and endured every trial life threw at him.
“Each odd job I did felt like a step toward the stage,” he reflected.
The turning point in his career came like a ray of sunlight piercing through storm clouds. Pham Thi Thanh, a renowned director, saw something in him that others had overlooked. A deep, mellifluous, and hauntingly beautiful voice resonated from within him as though the gods had gifted it.
“Director Thanh believed in me when I thought I had nothing left to give,” he said, his voice now strong with gratitude. Under her mentorship, Chu Bảo Quế’s talent blossomed. She introduced him to Cheo, an ancient form of Vietnamese opera, where his voice could find its rightful place.
He spoke of this time with an almost childlike wonder—his first taste of recognition and a standing ovation. The boy who once sold water bowls now stood under the spotlight, the audience hanging on to every note of his song.
“That moment,” he said softly, “was when I knew. This is where I belong. The arts had accepted me, just as I had accepted them.”
Over time, his journey led him to Quan Họ, the traditional folk music of Bắc Ninh. It was as though the music had chosen him, wrapping itself around his soul and transforming him into its custodian. He spoke of Quan Họ not merely as a genre but as “a way of life, a bridge between the past and the present, carrying love, humanity, and community.”
Biography of Prof. Dr. Chu Bảo Quế
His work breathed new life into Quan Họ. Through his creativity and tireless efforts, he took it from the quiet villages of Bắc Ninh to grand stages worldwide. Each performance was a testament to Vietnam’s delicate, profound, and timeless cultural essence.
As our conversation stretched late into the evening, I began to understand the depth of his sacrifice. Chu Bảo Quế had not merely chosen a career in the arts but a life of service to something far greater than himself. His dreams were not of wealth or fame but of preserving a legacy that had nurtured generations before him.
“Quan Họ is not mine to own,” he said, his voice carrying the weight of responsibility. “It belongs to the people, to the soul of Vietnam. I am merely a bridge, ensuring it continues to thrive.”
His words lingered long after they were spoken, much like the echoes of a Quan Họ duet carried across still waters. At that moment, I saw him not as an artist but as a guardian of something eternal. A man whose sacrifices ensured that a piece of Vietnam’s heart would beat forever.
That night, as I stepped out into the cool air of Bắc Ninh, the melodies of Quan Họ seemed to follow me. They whispered stories of resilience, love, and humanity—stories that Chu Bảo Quế had dedicated his life to preserving.
As I walked away, I couldn’t help but feel that his journey, like an unfinished song, was far from over. There were still chapters to be written—by him, his students, and the generations who would follow in his footsteps.
“Art endures not because of those who create it, but because of those who love it enough to pass it on.”
Chapter 5
The Cultural Ambassador
“To carry the song of a people is to carry their soul across generations and borders, uniting hearts beyond time and place.”
The rain that evening in Hanoi was soft but persistent, a delicate rhythm tapping against the windows of Professor Chu Bảo Quế’s home. The warm glow of the room was a stark contrast to the chill outside, its walls lined with faded photographs, ageing records, and mementoes of journeys that seemed to hum with the music of countless stories. The air was perfumed with the earthy aroma of freshly brewed tea while a distant Quan Họ melody—faint yet poignant—played from a vintage speaker in the corner. It felt like the house itself breathed in time with the music, a living archive of Vietnam’s cultural soul.
“You see, Quan Họ isn’t just music,” Professor Chu began, his voice soft but resolute. “It reflects who we are as a people—our joys, sorrows, love, and resilience. To preserve it is to preserve the essence of Vietnam.”
He paused, his gaze drifting to the rain-speckled window as though tracing the journey that had brought him here—a journey that began decades ago with a boy from Bắc Ninh who dared to dream that the songs of his ancestors could echo across the world.
The early 1990s were a time of transformation in Vietnam. The tides of modernisation swept through villages and cities alike, bringing change and threatening to erase the delicate threads of tradition. Once an inseparable part of daily life, folk songs began to fade, their melodies overwhelmed by the cacophony of progress. But where others saw loss, Chu Bảo Quế saw an opportunity to safeguard the past while carving a path to the future.
“When I was entrusted with the leadership of the Northern Delta Folk Song Ensemble, it wasn’t just a position—it was a responsibility, perhaps even a test,” he recalled. “Many thought the days of folk music were numbered and belonged in dusty archives, not on the stages of a modern Vietnam. But I saw it differently. I saw it as a bridge—a way to connect generations and remind us who we are.”
Under his leadership, the ensemble transformed into a sanctuary for Vietnam’s folk music traditions. He poured his energy into training young artists, not just to master the melodies but to internalize the emotions, stories, and cultural nuances embedded in every lyric.
“I would tell them,” he said, leaning forward, his voice gaining a fiery conviction,” ‘You are not just singers; you are the custodians of our history. When you sing, sing as though you are speaking directly to the hearts of those who will come after us.’”
Chapter 5: The Cultural Ambassador
As his work gained recognition, so too did the scope of his mission. His success with the Northern Delta Folk Song Ensemble soon brought him to the attention of cultural leaders nationwide. In a watershed moment, Chu Bảo Quế was selected to lead the UNESCO Vietnam Folk Arts Troupe. This was an honour and a turning point—an opportunity to present Vietnam’s intangible cultural heritage globally.
“I’ll never forget our first international performance,” he said, his voice tinged with nostalgia. “To stand under foreign lights and watch the faces of an audience far from home light up with the recognition of something so deeply ours—it was a moment that transcended words.”
From Asia to Europe, the ensemble’s performances captivated audiences, transforming theatres and open squares into windows into the vibrant life of the Red River Delta. Songs like Quan Họ took on a new dimension as their harmonies resonated across languages, stirring emotions in those who had never set foot in Vietnam.
“The most unforgettable performance? Without a doubt, it was Trầu Cay Vôi Nồng,” he said with a smile. “It wasn’t just a song—it was a milestone.”
Performed as an intricate duet with flawless harmony, the piece broke records for its length and artistry, earning national pride and international acclaim.
“When we finished,” he recounted, his voice softening, “there was a profound silence. There was no applause, no noise— just stillness, as though the world was holding its breath. And then, they rose to their feet. That standing ovation was not for
Biography of Prof. Dr. Chu Bảo Quế
us as performers but for the spirit of Quan Họ itself, for what it represents.”
For Chu Bảo Quế, the accolades and applause were never the end goal. What mattered most was the impact—the way the songs touched lives, inspired connection, and bridged divides.
“Music has the power to dissolve barriers,” he said, his gaze steady. “It reminds us that beneath all our differences, we share the same emotions and humanity. This is why we must protect it—not for the recognition, but for the understanding it fosters.”
He spoke of his most enduring lesson to his students: that while applause fades, the songs remain.
“You have to think beyond the stage,” he often told them. “Sing for the moments when no one is listening. Sing for the rice fields, the rivers, and the memories that make us who we are. Because those songs are eternal.”
Even as his achievements mounted, Chu Bảo Quế remained humble, his gaze always set on the road ahead.
“There is still so much to do,” he said, his voice firm yet hopeful. “Our heritage is not a relic—it is alive, but it needs care and nurturing. The work must continue.”
As the rain outside turned heavier, his words seemed to linger in the air, carrying the weight of his life’s mission. To meet Chu Bảo Quế was to encounter not just a man but a movement—a living embodiment of Vietnam’s cultural soul.
And as we parted that night, I understood that his legacy was not just in the songs he had saved or the stages he had graced. It was in the countless hearts he had touched, inspiring them
Chapter 5: The Cultural Ambassador to carry the music forward, ensuring that the echoes of Quan Họ would never fade.
“The song is never truly finished,” he said as I stepped out into the rain. “It only waits for the next voice to carry it forward.”
Chapter 6
A Life Etched in Art
“True love demands a sacrifice; for some, that sacrifice is their own heart.”
The small teahouse we chose for our meeting was nestled within a quiet Hanoi street, its ambience imbued with the scent of jasmine and the soft hum of distant traffic. Chu Bảo Quế arrived with his characteristic poise, his voice warm and inviting as he greeted me. Yet, behind his calm demeanour lay a story that had shaped his entire existence—a life that had chosen art over companionship, passion over personal comfort.
“I’ve often been asked,” he began as we settled into our seats, “why I never married. People wonder if it’s because I never found love or if I feared the compromises marriage requires. But the truth is far simpler. My greatest love has always been art. It fills every corner of my life, leaving no room for anything else.”
I asked him about happiness, a concept as elusive as profound. He leaned back, his eyes softening as he replied, “Love can be painful and lonely, but when asked if I’m happy, my answer is always: ‘Yes, I am happy.’ Although I am not married, my happiness comes from my work in the arts and the life I’ve dedicated to it. My greatest love is my love for art, and I have poured my whole heart into it.”
“Now, I am a cultural preservationist. This role feels like a lifelong relationship—a companion that stays close to my heart. My heart beats with passion, always devoted to my craft, to the songs I sing, and to preserving the cultural heritage that represents Vietnam to the international community, the world, and the governments of Vietnam, India, and many other countries.”
The sincerity in his voice was undeniable. He spoke of the recognition he had received from global organisations and the trust placed in him by individuals such as Dr. B., President of the World Records Union.
“Though he may not fully understand me or the depth of Vietnamese culture, he has given me the opportunity to share Vietnam’s music and cultural values with the world. This trust is something I deeply respect, especially from the World Records Union and the distinguished individuals in India who have paved the way for me. I will keep moving forward, dedicating myself to this path until my last breath.”
Curious, I leaned in and asked, “Do you believe this is the ultimate meaning of your life?”
Without hesitation, he replied, “Absolutely. I believe my mission is to bring Vietnamese culture to the world, ensuring
Chapter 6: A Life Etched in Art that the heartbeat of art and the soul of an artist never fade away.”
The conversation naturally turned to his personal life and the relationships that had left their mark on him.
“I once had the innocent loves of my childhood,” he reminisced, his voice tinged with nostalgia. “Pure and simple feelings. Back then, we didn’t have the modern conveniences of this 4.0 era to comfort one another. Just a glance from afar was enough to feel affection and sincerely cherish each other. It was love, the love between a boy and a girl, but my homeland was so poor. There was no success, fame, or even a glimmer of talent to become an artist. It was all just a distant dream.”
“At that time, I only wished to become an actor and sing on stage. But there was no room for love in my life. I devoted myself entirely to my homeland, my family, and my loved ones. Even though villagers often criticized me, thinking I was neglecting work to sing all day, I didn’t stop. Poverty couldn’t deter me.”
He laughed lightly, recalling his youthful escapades. “I survived on raw kohlrabi and tomatoes picked from the fields. Once my stomach was full, I would sing my heart out. Sometimes, I even stole tomatoes and got scolded: ‘Quế! Are you stealing from me again?’ I could only laugh, apologize, and continue singing. While herding buffaloes or catching crabs and fish in the dry fields, I would sing. It seemed my love for art gave me the strength to endure everything.”
There was a brief silence as he gathered his thoughts, then added, “But this love wasn’t just about singing. It was about sacrificing an entire lifetime for dedication. I once read a book
about people who devoted their lives to the arts. Now, at 58, I know I will never have a love of my own. The love of my youth didn’t come true, and now, I no longer expect it. I’ve poured all my heart into art and into guiding the younger generations.”
“Do you ever encourage younger artists to follow your path?” I asked, aware of the weight his sacrifices must carry.
He shook his head gently. “I don’t encourage the younger generation to follow my path of not building a family. In this era, everyone deserves a solid foundation and a happy family to rely on. But as for me, this love—the love for art—is my everything.”
I posed another question as my curiosity piqued: “Have you ever faced a conflict between your love for art and personal ambition?”
His response was immediate, his tone resolute. “My love for art comes naturally. It’s like a gift from above, embedded in my voice—it just happens naturally. I’ve also been fortunate to receive a lot of support from people in the cultural management sector. At the age of 26, I became the leader of a performance troupe. Thanks to these opportunities, I’ve developed my talents in singing and acting and achieved the success I enjoy today.
“To me, love for art doesn’t need to be flaunted on social media like Facebook or Zalo. What matters is knowing who you are, staying humble, and dedicating yourself fully to the craft. The online world has both positive and negative sides, so I choose not to engage in unnecessary livestreams or discussions. I prefer a peaceful life, free from distractions, where I can focus entirely on contributing to the arts.”
Chapter 6: A Life Etched in Art
“But if someone found himself in a situation where he had to choose between love and ambition, how would you advise him?” I asked.
He smiled thoughtfully. “I can’t tell someone to abandon his partner to follow ambition the way I have. Everyone has his own path and must make his own choices. Their effort and perseverance will determine their success. Sometimes, one may be tempted by money or external appearances, but he will not achieve true success if he is not sincere or steadfast. I can’t tell people how to live their lives because each person has a journey. But I can share that sincerity, love for the craft, and true passion for work will bring long-term value.”
“For me, art and love are inseparable. When I share meals or cook with my friends, I do it with all my heart and passion for art. Art is a part of life; even in poverty, if you don’t stop striving and sharing that love, you will earn respect and affection from others.”
I followed up with another question, intrigued by his steadfastness. “Could you explain more about how you live and act in life, especially how you face challenges and keep your passion alive?”
His reply was heartfelt. “I live authentically. Every answer I give today comes from my heart and my intelligence. I don’t need anyone’s advice because I know my path. Today, my name has been recognized, and I am always ready to share my story. No one could help me write this book except for me because only I truly understand its meaning. My intelligence and passion are what keep me grounded in art. I want to share that with future generations so they can learn and grow just as I have.”
“If you could turn back time,” I ventured, “would you change your decisions?”
He shook his head firmly. “Even though life has been challenging, my love for art has never wavered. It’s an intense and enduring passion that I’m willing to sacrifice everything to devote my life to it. I have no regrets about this choice. In art, you gain some things and lose others. But as long as the fire of passion burns within me, every sacrifice feels worth it.”
As I sipped my second cup of tea, I wondered what kind of passionate husband or lover he might have been. The thought sparked a question in my mind. “Do you think that if you had a life partner, a family of your own, your journey in art would have been different? Would it perhaps have flourished more?” I asked, my curiosity unable to resist probing deeper.
“No,” he said without hesitation. “I truly believe that having a family would hinder my artistic path. Art demands total dedication. Once you’re married, you have to care for your family, raise children, and share your emotional energy. That would make it impossible for me to fully focus on learning, refining my craft, and preserving the purity of art. I’ve chosen to dedicate my entire life to art. It’s a path of immense sacrifice, but precisely this focus allows me to maintain my performance, convey authentic emotions, and offer my best to the audience.”
As our conversation drew to a close, I couldn’t help but admire the clarity and conviction with which Chu Bảo Quế had chosen his path. His life, etched in art, was a testament to the power of unwavering passion and the sacrifices it demands.
Chapter 7
A Soul Rooted in the Homeland
“True devotion lies not in grand gestures but in silent acts of service that echo through generations.”
Tu Lan Commune was more than just a hometown to Chu Bảo Quế—it was the cradle of his identity, the soil where his dreams first sprouted, and the sacred ground that anchored his soul to his origins. The meandering paths lined with ancient banyan trees seemed to carry whispers of his childhood. Every rice field, every weathered brick in the commune, bore witness to the boy who would one day grow into the voice of a nation’s cultural heritage.
One golden afternoon, as we strolled through Tu Lan’s vibrant fields, he paused beneath a centuries-old banyan tree. “This tree,” he said, gently resting his hand on its weathered bark, “was where I first discovered the power of listening—not just with my ears, but with my heart.”
As he began recounting his childhood stories, his face softened, his eyes glimmering with the light of cherished
Biography of Prof. Dr. Chu Bảo Quế
memories. “I was a quiet child,” he said, his voice tinged with nostalgia. “But this land spoke to me—the rustling of the leaves, the rhythmic clinking of farmers’ tools, and the hauntingly beautiful melodies of Quan Họ that floated on the breeze. It was an unspoken symphony that shaped everything I am today.”
Born into a modest household, Bảo Quế’s earliest years were defined by simplicity and hard work. He lived in a small wooden house with a thatched roof on the edge of a rice paddy.
Mr. Phan Trọng Kính, a former assistant to the late General Secretary Đỗ Mười, first met Chu Bảo Quế during a celebration of the leader’s birthday. At the event, young Chu Bảo Quế had been invited to perform three songs within fifteen minutes. One of the pieces he presented was a heartfelt composition created on the spot to honour Đỗ Mười. Impressed by his talent, sincerity, and warm personality, Mr. Kính quickly took him under his wing and became his foster father. “That day,” Mr. Thái would later recount, “I saw a spark in him—not just as an artist, but as someone destined for greatness.”
Under Mr. Kính’s guidance, young Bảo Quế grew up steeped in discipline and rich cultural traditions. “Rise, Bảo Quế,” Mr. Kính would say at the crack of dawn, “dreams are only worth pursuing if you’re willing to work for them.” These words would echo throughout Bảo Quế’s life, propelling him forward even in the face of challenges.
Even as a child, Chu Bảo Quế’s life was a delicate balance between work and wonder. By day, he would herd cattle through the lush pastures of Tu Lan, his voice often rising in song as he walked barefoot along the dusty paths. “I used to sing to the buffaloes,” he laughed, “and they were my first
Chapter 7: A Soul Rooted in the Homeland audience. They never complained, no matter how off-key I was.”
By night, the banyan tree in the village square became his sanctuary. There, villagers would gather to share stories and sing folk songs passed down through generations. With their weathered faces and deep, resonant voices, the elders became his first teachers. “They sang with such emotion,” he recalled. “Each word, each note, carried the weight of their lives— stories of love, hardship, and hope. I would sit quietly, soaking it all in, repeating their verses until they became my own.”
One particularly vivid memory was of a travelling performer who visited Tu Lan one moonlit evening. The man carried a đàn bầu, a traditional single-stringed instrument, and as he played, the village fell silent, entranced by the ethereal melody. “That night,” Chu Bảo Quế said, his eyes gleaming with the memory, “I felt as though the music was speaking directly to my soul. It was then I knew that music would always be my path.”
Years later, when he rose to prominence as an artist and cultural ambassador, these childhood experiences in Tu Lan became the foundation of his life’s work. “Everything I’ve achieved,” he often said, “stems from what I learned here. This land taught me the value of hard work, the beauty of simplicity, and the importance of staying connected to your roots.”
But Chu Bảo Quế’s relationship with Tu Lan extended beyond nostalgia—a living, breathing connection he nurtured through action. Over the years, he dedicated himself to transforming the commune into a place of hope and opportunity. Schools were built, offering children access to the education he had once yearned for. Roads were paved, linking families and
Biography of Prof. Dr. Chu Bảo Quế
fostering commerce. Memorials were erected to honour the sacrifices of those who had shaped Tu Lan’s history.
“Every stone laid, every road built,” he said during a village gathering, “is a tribute to the people who came before us. Our ancestors built this land with their hands and their hearts. We owe it to them to preserve it, to honour their struggles, and to leave it better for those who come after us.”
Despite his achievements, Chu Bảo Quế remained profoundly humble. To him, these acts of service were not about recognition but about responsibility. “A hometown,” he often said, “is not just a place—it reflects who we are. To uplift it is to uplift ourselves.”
His connection to Tu Lan also had a deeply spiritual dimension, shaped by the wisdom imparted by his foster father. “Since you’ve chosen not to marry,” Mr. Kính had told him, “dedicate yourself to understanding what is right and wrong, what should be done and avoided.”
This advice guided Chu Bảo Quế on a spiritual journey far beyond Vietnam. In Tibet, he found clarity amidst the towering mountains and the meditative chants of monks. “The mountains,” he said, “seemed to hold secrets older than time. They taught me that spirituality is not about rituals or superstition but about living with integrity and compassion.”
Through his studies of Buddhism and the Mother Goddess worship, he discovered principles that became the cornerstone of his life: honesty, humility, and service. These teachings influenced his decisions, from leading cultural programs to rebuilding his hometown.
One evening, as the sun dipped below the horizon, painting the fields of Tu Lan in shades of gold and amber, we sat by
Chapter 7: A Soul Rooted in the Homeland a tranquil lake on the edge of the commune. The air was thick with the hum of cicadas, and the water mirrored the fiery brilliance of the setting sun. “Keep striving,” he said, his voice soft yet resolute. “Don’t give up. Life is a journey of constant effort. If we falter or deceive, we lose everything. But the rewards are beyond measure if we remain steadfast and sincere.”
In that quiet moment, I understood why the people of Tu Lan revered him so deeply. To them, he was not just a benefactor or a leader—he was the embodiment of their hopes, dreams, and resilience. His life, rooted in the soil of Tu Lan, soared like a melody carried on the wind, inspiring all who heard it to reach for the heavens.
As the stars began illuminating the night sky, I felt profoundly grateful for having walked this journey with him. It was a journey that, like the man himself, was deeply grounded in the past yet filled with hope for the future.
Chapter 8
A Symphony of Resilience
“Failure is not the end; it is the prelude to a masterpiece yet to be written.”
As the golden light of late afternoon filtered through the wooden slats of the modest home, Chu Bảo Quế’s presence was magnetic. His voice, resonant with the cadence of a seasoned storyteller, filled the room as he began to recount the moments that had shaped his extraordinary journey. His words carried the gravity of someone who had danced with both triumph and despair, each step etched into the fabric of his life.
“Failure,” he began, his gaze steady and unflinching, “is not something to fear. It’s the most honest teacher you’ll ever have.” He paused, his hands resting on the cup of tea before him, fingers tracing its rim as though the warmth reminded him of something long past. “My life as an artist has been a relentless dance with failure, and each misstep taught me something invaluable. Yet, one story remains a bitter reminder of the cost of staying true to oneself.”
The air seemed to grow heavier as he recounted an episode that could have broken even the strongest of spirits. “There was a time when people sought to barter my integrity for their ambitions,” he began. “They approached me with an offer— marry their daughter, and they would open every door in the industry for me. If I refused, they would use their influence to shut me out of major opportunities.”
The ultimatum was cruel in its simplicity, a forked path with no easy choices. “I refused,” he said, his voice resolute. “Art is not something you sacrifice for convenience or gain. It is a calling, a mission. To betray it would be to betray myself.”
The repercussions of his decision were swift and punishing. “They followed through on their threats,” he continued, his eyes shadowed with the memory. “Shows were cancelled, stages closed, and for a time, it felt as though my world was crumbling around me. It was like stepping into the blazing heat of a summer’s sun without shade—relentless and suffocating.”
Despite the overwhelming odds, Chu Bảo Quế found strength in his chosen path. “Even when I wanted to surrender, I bit my lip, stood tall, and pressed forward,” he said. “The path of art is not for the faint-hearted. It demands everything, but in return, it gives you the freedom to be true to yourself.”
As his story unfolded, it became clear that failure was not a stumbling block but a crucible, forging the resilience that defined him. Yet, his relationship with recognition was intriguingly pragmatic. “Awards,” he said with a shrug, “have never brought me to tears. They are milestones, yes, but not the heart of my journey. When I receive one, I rejoice and celebrate with my colleagues. These moments are a testament to the effort, not an invitation to weep.”
Chapter 8: A Symphony of Resilience
And yet, he admitted, tears were not unknown to him. “I cry for genuine emotions,” he said, his voice softening. “When colleagues set aside their own lives to support me, or when a role brings me face-to-face with my own struggles, those moments move me deeply. They remind me why I chose this path.”
He described nights on stage when the lines between art and life blurred, the weight of his performances bringing him to tears. “When I sing about my life, the emotions become overwhelming. Those tears are not for the applause or the accolades; they are for the art itself, for the connection that makes the struggle worthwhile.”
He revealed that one of the most significant challenges of his career was his commitment to preserving traditional art in a world increasingly drawn to commercialism. “When I became the leader of my art troupe, not everyone supported me,” he said. “But I never sought power. My mission has always been about preservation, about keeping our cultural heritage alive.”
This dedication required a delicate balance, one that he navigated with care. “I was once offered a high-ranking administrative position,” he said, “but I declined. A SecretaryGeneral cannot sing, but a preservationist still can. Singing is my heart, my soul. It is something I will do until my final breath.”
His sacrifices were immense—no wife, no children, a life devoted entirely to his art and his country. “Few people choose this path,” he said, his voice tinged with pride and melancholy. “But for me, it is not just a choice; it is my mission. Preserving culture and giving my life to something greater than myself is my greatest honour.”
As the evening sky bathed in warm amber hues and the sun’s final rays seeped into the room, his words lingered in the air like the final notes of a symphony. “Master one trade and you’ll thrive; dabble in too many, and you’ll fail,” he said, summing up his philosophy.
Looking back on his journey from a young boy herding buffaloes to a globally recognised artist, he added with quiet determination, “Singing is my lifelong commitment. It is who I am and who I will always be.”
In that quiet room, surrounded by shadows that seemed to dance with the rhythm of his words, I felt the weight of his story. Chu Bảo Quế’s life was not just a tale of triumphs and trials but a symphony of resilience, a testament to the indomitable human spirit. As I listened, I realised that his legacy was not just his own—it was a gift to all who dared to dream, persevere, and create a life of meaning amidst the world’s chaos.
Chapter 9
Echoes Across Borders
“Art transcends borders, connecting hearts and cultures in a timeless symphony.”
It was late evening when I found myself seated across from Chu Bảo Quế in his study, a sanctuary that whispered stories of his life’s work. The room was a testament to his dedication, adorned with framed certificates, golden medallions, and photographs that immortalised his triumphs on international stages. Every corner seemed to hum with the echoes of Quan Họ folk songs, a melody woven into the fabric of his achievements.
The air was rich with a sense of nostalgia, mingled with pride as if the very walls bore witness to the life of a man who had taken Vietnam’s folk traditions to distant shores. It was impossible not to feel the weight of history and artistry in the room.
As we sipped tea, his eyes settled on a photograph perched on his desk—a snapshot from the 2004 Folk Art Festival in South Korea. The image captured a moment of celebration:
the Vietnam UNESCO Folk Arts Troupe, triumphant, holding the Gold Prize. “This was a turning point,” he began, his voice tinged with emotion. “Seventy-one countries participated, and we were awarded the Gold Prize. It was a moment of immense pride—not just for me, but for Vietnam.”
As he spoke, his words transported me to that fateful festival. Under his meticulous guidance, the ensemble performed a collection of Quan Họ folk songs, their harmonies weaving tales of love, longing, and tradition. The purity of their art resonated with the audience, like an intimate conversation that transcended language and culture. Chu Bảo Quế recounted how the judges were visibly moved, their applause thunderous. “The organisers even sent a representative to Vietnam afterwards just to express their gratitude,” he said, a quiet pride evident in his expression.
However, such accolades came at a price. Representing Vietnam’s cultural heritage on a global stage was no small feat. “Artistic representation abroad is not just about performing,” he explained, leaning forward as if to underscore his point. “It’s about embodying a nation’s soul, history, and dreams. And that is never easy.”
He described their myriad challenges—language barriers that sometimes turned into comical misunderstandings, cultural nuances that needed careful navigation, and the logistical chaos that often accompanied international tours. One particularly vivid memory came from a European performance. “We had spent weeks preparing,” he recounted. “But when we arrived, the venue lacked the necessary equipment. It was chaos.”
Despite these setbacks, he and his ensemble refused to let circumstances dictate their art. They improvised with
Chapter 9: Echoes Across Borders
resourcefulness and unity, ensuring the performance went as planned. “The applause that night,” he said, his voice softening, “made every struggle worthwhile.”
The conversation meandered to his accolades, filling entire study shelves. Among them were the prestigious “Golden Contribution Disc” from the World Records Union and the “Person of the Year” Cup, both honouring his tireless efforts to preserve and promote Vietnamese culture on a global platform. Yet, his humility remained intact. “These awards are not mine alone,” he insisted, his tone resolute. “They belong to every artist who shares the stage, every mentor who guided me, and every audience member who listened.”
He paused, his gaze distant, as if revisiting the past. “These honours,” he continued, “are not merely decorations. They are reminders—of the responsibility I bear. To give back, inspire, and ensure that our cultural heritage thrives in the hands of future generations.”
One particular story stood out like a beacon in his journey. He spoke of the performance of “Trầu Cay Vôi Nồng” (“Bitter Betel, Strong Lime”), a traditional Quan Họ folk song he had choreographed. The performance had set a record for featuring the largest number of Quan Họ performers on a professional stage, singing without instrumental accompaniment. “It was a celebration of our traditions,” he said, his voice brimming with pride. “But it was also an enormous challenge. Coordinating so many artists, ensuring harmony without instruments—it tested every ounce of our dedication and resolve.”
The performance, as he described it, was nothing short of magical. The mesmerised audience was drawn into a world where every note and lyric carried the weight of centuries-
Biography of Prof. Dr. Chu Bảo Quế
old traditions. “That night,” he said, “we proved the power of collective effort and the enduring beauty of our heritage.”
As he spoke, I could sense the gravity of his journey. The sacrifices, the sleepless nights, and the unrelenting pursuit of perfection were etched into his words. And yet, there was no hint of regret. “Art,” he said, his voice steady, “is not a profession; it’s a calling. It demands everything from you, but in return, it gives back in ways you can’t measure.”
As the night deepened, the conversation turned to the future. “The world is changing,” he mused, his tone reflective. “Globalisation is reshaping cultures, blending traditions. But the essence of our heritage must remain intact. It’s our duty to adapt, but never at the cost of losing our identity.”
His words lingered in the air, carrying a timeless truth. He reminded me that cultural preservation is a collective responsibility that requires both passion and vigilance.
In that quiet study, surrounded by relics of the past, I felt the profound impact of his life’s work. Chu Bảo Quế’s journey was not just a personal triumph; it was a beacon of hope, a testament to the resilience of art in the face of modernity.
As I stepped out into the cool night, the melody of a Quan Họ folk song hummed in my mind—a hauntingly beautiful reminder of the legacy he had dedicated his life to preserving. Under the vast Vietnamese sky, dotted with stars, I knew one thing for certain: his voice, art, and spirit would continue to echo across borders, connecting hearts and inspiring generations to come.
Chapter 10
A Lifetime of Friendship and Guidance
“Friendship is a tapestry woven with trust, understanding, and shared moments of joy and challenge.”
The air was thick with the fragrance of blooming jasmine as Chu Bảo Quế and I sat on the veranda of his home, surrounded by the gentle hum of life in the countryside. It was a perfect setting to discuss something that held an immense place in his heart: friendship. His life had been marked by countless relationships, some fleeting, others enduring, but each left an indelible mark on his journey.
As he sipped his tea, his thoughts wandered back to the cherished friendships of his youth. One name stood out with particular fondness: Nguyễn Văn Đại, his closest companion during his school years. Đại was a boy with a quick wit and an infectious laugh. Together, they would roam the meadows of Tu Lan, skipping stones across the river and crafting kites from bamboo and paper.
Biography of Prof. Dr. Chu Bảo Quế
“There was one summer,” he recalled with a soft chuckle, “when Đại and I decided to build a raft to explore the river. It wasn’t the most well-thought-out plan. The raft barely floated, and we ended up soaked to the bone. But that day, as the sun set and we laughed at our own foolishness, it felt like the world belonged to us.”
Đại loyalty extended far beyond childhood adventures. Years later, when Chu faced financial difficulties during his early artistic pursuits, Đại was the first to step forward. “He didn’t have much himself,” Quế admitted, “but he shared what he could. That’s the kind of person he was—selfless and unwavering.”
Another figure who played a significant role in Quế’s life was Thúy Hường, a folk artist whose presence brought vibrancy and depth to his world. “ Hường was like a firefly in the dark,” Quế said, his eyes twinkling with nostalgia. “Her voice had the power to silence even the rowdiest crowd. We shared the same dreams, struggles, and determination to honour Vietnamese culture through our art.”
Yet, as with all relationships, their bond had its complexities. “ Hường had her moments of jealousy,” Quế admitted, “especially when others were praised for their work. But those moments never overshadowed the beauty of her heart or the strength of our friendship.”
One particular story stood out—an act of sacrifice that spoke volumes about their connection. “There was a time when she was unwell and needed financial help for treatment. I sold my blood,” Quế revealed, his voice steady yet filled with emotion. “Not out of obligation, but because I couldn’t bear to see her suffer.”
Chapter 10: A Lifetime of Friendship and Guidance
Friendship, for Quế, was not limited to those who shared his artistic path. He spoke fondly of Lâm Minh, a farmer in Tu Lan who had been a lifelong confidant. “Lâm was my anchor,” Quế said. “Whenever I felt overwhelmed, he reminded me of the simple joys of life. His wisdom, though unspoken, always guided me.”
He recounted one particularly trying time when he was embroiled in a professional conflict. “It was Lâm who said, ‘The storm will pass, but the seeds you plant today will grow into forests tomorrow.’ Those words stayed with me and gave me the strength to persevere.”
Quế ‘s relationships were not just about companionship but also about mentorship. He took great pride in guiding young artists and colleagues, nurturing their talents and encouraging their growth. “Mentorship,” he explained, “is a delicate balance of honesty and sensitivity. My role is not to impose my views but to help them find their voice.”
He vividly remembered working with a young artist named Mai Anh, who had once doubted her abilities. “Mai was incredibly talented but lacked confidence,” he said. “During a major cultural program rehearsal, she froze on stage. I spent hours with her afterwards, not criticising but listening and encouraging. When she finally performed, it was magical. Watching her grow was one of the most rewarding experiences of my life.”
As the evening deepened, he shared his philosophy on friendship. “True friendship,” he said, “is about trust and understanding. It’s about letting time heal wounds and allowing space for people to grow. Misunderstandings will
Biography of Prof. Dr. Chu Bảo Quế
come, but sincerity and patience will always bring people back together.”
He reflected on how his friendships had shaped him, teaching him resilience, humility, and the importance of community. “Success is fleeting,” he mused. “What truly lasts are the relationships we build and the lives we touch along the way.”
In the quiet moments that followed, I found myself deeply moved by the richness of his life’s tapestry—a tapestry woven with threads of loyalty, sacrifice, and shared dreams. For Chu Bảo Quế, friendship was not merely a chapter in his story but the essence of his being.
As I left that evening, the fragrance of jasmine still lingering in the air, I felt an overwhelming sense of gratitude. With its enduring bonds and unwavering spirit, Chu’s life was a testament to the transformative power of friendship—a lesson not just for me, but for all who have the privilege of knowing his story.
Chapter 11
The Crossroads of Art and Life
“Life is a series of choices, each one shaping the melody of our journey.”
As the sun dipped below the horizon, casting a golden glow over the Vietnamese countryside, Chu Bảo Quế leaned back in his chair, his face a canvas of contentment and quiet reflection. The air was alive with the hum of cicadas, a perfect backdrop for our conversation about the choices that had defined his life.
“Looking back,” he began, his voice steady and deliberate, “I have no regrets about choosing the path of art. It has been a life full of storms and challenges, but it’s also been deeply fulfilling. Some people praise me; others criticise me. They say I’m nothing special, just a man with good looks and average talent. But I’ve never let those words define me.”
His words carried the weight of decades spent in the pursuit of an ideal—to preserve and elevate Vietnamese folk art. “Art cannot be bought or sold,” he continued. “It’s a process of
Biography of Prof. Dr. Chu Bảo Quế
refinement, a sieve of excellence. A true artist knows his worth, not by applause alone, but by the honesty of his performance.”
Chu Bảo Quế’s journey had been shaped by adversity as much as artistry. “In my early days,” he recounted, “there were whispers that my success was more about appearance than talent. ‘He’s handsome,’ they said, ‘but his singing is mediocre.’ Those words stung, but they also lit a fire in me. I worked tirelessly to prove that my craft was more than skin deep.”
He took a sip of tea, his gaze fixed on the horizon. “Today, recognition has come, but not easily. It’s not just about talent; it’s about character. I’ve never criticised another artist. As a teacher and director of cultural programs, I treat everyone with respect. That’s how you build a legacy—not by tearing others down, but by lifting them up.”
Chu Bảo Quế’s influence as a mentor was deeply felt by his students, many of whom carried his teachings as guiding lights in their own lives.
Nguyen Thi Lan, a petite woman with a radiant smile and a knack for storytelling, shared her experience with him. “Master Quế never focused just on technique,” she said. “Once, during rehearsals for a traditional folk opera, I was so consumed by perfecting my pitch that I forgot the emotions behind the song. He stopped me and said, ‘Lan, a song without heart is just noise. Feel it, live it, and only then will your audience feel it too.’ That advice changed how I approached music and life itself.”
Then there was Tran Minh Duc, a reserved young man with piercing eyes and a deep voice that belied his youth. “I came to him when I was at my lowest,” Duc said. “My family didn’t
Chapter 11: The Crossroads of Art and Life
support my dream of becoming an artist, and I felt like an imposter. Master Quế told me, ‘Duc, art is not for the fainthearted. It is for those who are willing to carry the weight of their own truth.’ Those words gave me the courage to keep going, and today, I’ve performed on stages I could only dream of before.”
Finally, Le Hoang Vu, a vibrant dancer with boundless energy, spoke of Chu Bảo Quế’s unique ability to bring out the best in everyone. “He saw potential in me when no one else did,” Vu said. “I’ll never forget the time I struggled with a dance sequence. I was ready to give up, but Master Quế stayed with me late into the night, helping me perfect every step. He told me, ‘Vu, dedication is what separates the great from the good. Never settle.’ That night, I learned that success is built in those unseen hours of effort.”
Their stories painted a picture of a mentor who was not just a teacher but a guiding force, shaping lives with his wisdom and unwavering belief in his students.
Chu Bảo Quế’s reflections were peppered with stories of resilience and sacrifice. “If the child I once was—herding cattle in the fields—could see me now, he would be surprised,” he said with a wistful smile. “Back then, my world was so small. I looked after over 20 cows and buffaloes, working hard while others played. My friends would give me scraps of corn because my family was poor. Today, those friends rarely visit. They feel uneasy, seeing me as an artist while they’ve remained in hardship. But I carry no resentment, only gratitude for where I’ve come from.”
Chu Bảo Quế’s programs, such as Returning to the Homeland and The Waterside and the Boat, became milestones in
Biography of Prof. Dr. Chu Bảo Quế
Vietnamese cultural preservation. “I’ve never chased commercial trends,” he said firmly. “High-paying gigs that compromise the integrity of my art hold no appeal. My work is not for show; it’s for the soul of our culture.”
His principles extended to his avoidance of social media for self-promotion. “I am not a celebrity,” he explained. “I am a custodian of culture. My art must remain pure, untouched by distortion or vanity.”
Chu Bảo Quế’s dedication was not without its personal costs. “If I had to choose between love and ambition,” he said, “I would choose ambition. My love has always been for art. Romantic love was never a priority for me. My life was too difficult, and I chose to dedicate myself to my craft. I’ve never experienced romantic love but poured my heart into my work. That’s where I find fulfilment.”
He acknowledged that his path wasn’t for everyone. “Some may prioritise love, others ambition,” he said. “What matters is sincerity and perseverance. True success comes from staying true to yourself and your values.”
As a mentor, Chu Bảo Quế’s influence reached far beyond technique. “Being a guide,” he said, “is about nurturing character. Some listen, others don’t, but my advice is always given with the intent to help them achieve the best results. Art is about preservation and service, not personal gain.”
When asked about fate, he was contemplative. “Fate is intertwined with where we come from. My ancestral home, with its ancient temples, carries a sacred heritage. That heritage shapes who I am. Even though I’ve never truly experienced
Chapter 11: The Crossroads of Art and Life romantic love, I find love in the art I create and the lives I touch.”
Chu Bảo Quế’s reflections on life were profound. “Life will always present you with crossroads,” he said. “The choices you make define your path and the impact you leave behind. Whether it’s love, ambition, or art, the key is to remain true to yourself.”
As the night enveloped us, the cicadas’ hum grew softer, and the stars began to fill the sky. Chu Bảo Quế’s final words stayed with me: “We each have a role to play in this world. Mine is to preserve the soul of Vietnamese art and pass it on to future generations. That is my love, my ambition, and my legacy.”
At that moment, I realised that his story was not just about the choices he made but about the lessons those choices offered to all of us—to live with purpose, embrace our struggles, and create a legacy that inspires others to dream and persevere.
Chapter 12
The Red Pine Seed –A Testament to Resilience
“True greatness is not measured by what you conquer but by how you endure, grow, and inspire others amidst the storms of life.”
The life of Chu Bảo Quế is a tapestry woven with threads of passion, resilience, and a profound sense of purpose. His journey is not merely a narrative of achievements; it is a symphony of struggle, hope, and triumph—a story that resonates with the eternal dance between life’s trials and humanity’s indomitable spirit. Much like a red pine seed, his life thrives in the harshest of terrains, proving that resilience is the cornerstone of greatness.
“There’s a love for art that tears at the heart and soul,” Bao Que often reflects. “It’s not merely an appreciation of beauty but a spiritual calling—a profound love that crystallises into the essence of who you are.” For him, art is more than just a creative expression; it is the fabric of existence. It is a force that binds
Biography of Prof. Dr. Chu Bảo Quế
humanity, transcending borders, languages, and generations. This love for art, as vast and enduring as the horizon, has shaped the man we know today, leaving an indelible mark on his legacy.
Through his artistic endeavours, Bao Que found his raison d’être. He discovered that art is not merely an individual pursuit but a universal language that unites people in shared wonder and understanding. The book beautifully encapsulates this philosophy about his life—a work born from years of reflection and perseverance. This book is a testament to his unwavering dedication to his craft and desire to share his journey with the world. It is more than a collection of words; it is a mirror to his soul, capturing the essence of a man whose love for art extends beyond himself, touching the hearts of all who encounter it.
Yet, beyond the realms of art lies a more defining quality—his ability to share. Bao Que’s generosity is not confined to material wealth but extends to the immeasurable gifts of knowledge, encouragement, and inspiration. When asked about the trait he values most in himself, his response is immediate and resolute: “Sharing and helping others.” For him, sharing is not merely an act of giving; it is an act of empowering. “It’s about helping others become better, reach new heights, and cultivate virtues they might not have discovered,” he explains.
Bao Que’s philosophy of sharing is an act of grace. It is about standing beside those who struggle, offering them strength, and guiding them toward their transformations. In his quiet yet impactful way, he has become a beacon of hope for countless individuals, helping them uncover their hidden potential.
Among the many metaphors Bao Que draws upon, one holds a profound resonance: the “red pine seed.” For him, this seed is
Chapter 12: The Red Pine Seed – A Testament to Resilience
not just a botanical marvel but a symbol of resilience, vitality, and unyielding strength. “The red pine seed,” he reflects, “represents the indomitable spirit of humanity. It is through challenges and hardships that its true value is revealed.”
The metaphor of the red pine seed is rooted in the characteristics of the pine tree itself. Perched high on rugged mountain peaks, the pine tree thrives where few others can. It endures fierce storms, relentless rains, and searing heat, its steadfast roots anchoring it against the forces of nature. Even in the icy grip of winter or the scorching blaze of summer, the pine remains lush and vibrant—a living testament to the power of resilience.
Bao Que often contrasts the pine tree with other trees, like the banana tree that bends under pressure or the weeping willow that breaks in the storm. “The pine tree requires no care or irrigation, yet it grows strong and majestic,” he explains. “This strength is not born of favourable conditions but forged in adversity.”
Like the red pine seed, Bao Que’s life philosophy revolves around resilience and self-reliance. His journey has not been one of ease but one marked by perseverance, adaptation, and unwavering determination. For him, life’s storms are not obstacles but opportunities for growth—each one a chance to rise stronger and more determined.
When asked how he helps others find their red pine seed, Bao Que’s response is as practical as profound. “I help them understand their problems,” he says. “I encourage them to keep striving, to explore new paths if one fails, and to never remain stagnant. Life is about movement, about forward momentum. Staying in the same place will only lead to a difficult future.”
Biography of Prof. Dr. Chu Bảo Quế
His approach is rooted in persistence and optimism, guiding others to not just survive but thrive.
Those who have had the privilege of spending time with Bao Que often marvel at his wisdom and intellect. Hoang Anh, one of his close associates, once remarked, “The more time I spend with Chu Bao Que, the more I discover brilliant things.” His ability to answer questions with precision and clarity is legendary. In one memorable instance, he addressed fifty questions in just a few hours, each response coherent and insightful. It seemed as though he could tackle thousands more with the same ease—a testament to his sharp mind and vast knowledge.
But Bao Que’s brilliance extends beyond his intellect. His compassion, generosity, and unwavering commitment to uplifting others define his character. His modern, tech-savvy approach to work adds another layer to his multifaceted personality, blending timeless wisdom with contemporary methods.
Bao Que embodies the spirit of the red pine seed in every sense. He is a beacon of resilience, inspiring all who cross his path to embrace and grow through life’s challenges. His journey is a reminder that true strength lies not in avoiding hardship but in facing it head-on, drawing the wisdom and strength to endure.
Much like Chu Bảo Quế himself, the red pine seed symbolises hope, endurance, and the boundless potential of the human spirit. It teaches us that even in the harshest conditions, life can thrive, beauty can flourish, and greatness can emerge. Through his life and legacy, Chu Bảo Quế invites us all to find our red pine seed and nurture it into something extraordinary.
Chapter 13
A Symphony of Flavours –Chu
Bảo Quế’s Culinary Odyssey
“Cooking is the symphony of the soul—every ingredient a note, every dish a melody, and every shared meal a bridge that unites hearts across time and culture.”
True artistry knows no boundaries. It spills beyond the canvas, the stage, or the written page, weaving its magic in the ordinary and the extraordinary alike. For Chu Bảo Quế, his journey as an artist took an unexpected turn into the aromatic realm of cooking—a passion that mirrors his soulful connection to music and art.
“Cooking is like composing a song,” Chu Bảo Quế often says. “Every ingredient, like a musical note, must harmonise perfectly.”
It began during his early years as a struggling singer, when life was sparse yet rich with lessons. The pivotal moment that awakened his culinary instincts took place during a visit to
Biography of Prof. Dr. Chu Bảo Quế
the residence of Mr. Đỗ Mười, a revered leader of Vietnam.
As a guest, Chu Bảo Quế found himself captivated, not by the political discussions or the grandiosity of the home, but by the bustling kitchen where chefs prepared meals for the household. Stir-fries danced in woks; their sizzles punctuated by bursts of aroma that filled the air. Bao Quế, unable to afford such delicacies, absorbed the scene with all his senses.
“Even though I couldn’t taste the food,” Bảo Quế reminisces, “I could imagine the flavours. I’d smell the dishes and instinctively know what could make them even better.”
That day, I planted a seed. Bảo Quế realised that creativity and perception were as crucial to cooking as they were to his music. From then on, every meal he encountered became a symphony waiting to be composed.
Amidst our conversation about food, we delved into the striking similarities between Indian and Vietnamese culinary traditions. Both cultures celebrate food as a communal experience, where flavours are not merely tasted but shared, evoking a sense of warmth and togetherness. Spices form the heart of Indian cuisine, just as herbs and seasonings are indispensable in Vietnamese dishes. The art of balancing sweet, sour, salty, and spicy flavours is a culinary philosophy both nations hold dear. “When I think of Indian curries and Vietnamese soups like phở,” Chu Bảo Quế remarked with a thoughtful smile, “I see how both are crafted with layers of flavour, built over time, with each ingredient adding its unique essence. In both cultures, food is a language of love, heritage, and artistry.” This shared ethos reflects the deeply rooted respect for tradition and the creativity that defines the cuisines of India and Vietnam.
Chapter 13: A Symphony of Flavours – Chu Bảo Quế’s Culinary Odyssey
Much like its culture, Vietnamese cuisine is a tapestry of flavours, textures, and traditions. Chu Bảo Quế speaks of his homeland’s food with a poetic reverence.
“Vietnamese food is a story of balance,” he says, “of yin and yang, sweet and sour, soft and crunchy. Every dish carries the essence of our land—the rivers, the mountains, the spirit of our people.”
He fondly remembers his childhood favourites: a steaming bowl of pho, where the broth’s depth reflects hours of careful simmering, and banh xeo, crispy rice pancakes filled with shrimp, pork, and fresh herbs, embodying the vibrancy of Vietnamese markets. For Chu Bảo Quế, these dishes are more than sustenance; they are memories served on a plate.
Yet his love for cooking is not confined to tradition. His artistry transforms even the simplest ingredients into masterpieces. “Cooking is not just about following recipes,” he explains. “It’s about understanding the soul of the dish and making it resonate with those who eat it.”
One of Chu Bảo Quế’s most cherished culinary memories unfolds like a scene from a heartfelt film. It was a cold winter evening, and a dear friend had visited him, weary from life’s challenges. He decided to cook, pouring his emotions into every step. The menu was modest but heartfelt: a vegetable stir-fry, fragrant jasmine rice, and a tangy mango salad.
As the friend watched Chu Bảo Quế move through the kitchen, singing softly while slicing and sautéing, an air of calm enveloped the room. The aromas wafted through the air, warming the chill outside. When the meal was served, the friend took the first bite and paused, tears welling up.
Biography of Prof. Dr. Chu Bảo Quế
“This,” they said, “is not just food. It’s love on a plate.”
For him, this feedback was more valuable than any accolade. “Cooking is an extension of my soul,” he reflects. “It’s a way to connect, heal, and share a part of myself with others.”
While Chu Bảo Quế’s culinary talents are undeniable, his greatest gift lies in his ability to share. He speaks passionately about how cooking is a form of giving.
“When I cook, I think about the person I’m serving,” he says. “What are their preferences? What will make them smile? Every dish is tailored to bring joy.”
His meals are not just flavourful; they are thoughtful. He meticulously plans each detail, from the presentation to the balance of flavours, ensuring that every bite leaves an impression. Yet, despite his extraordinary skill, he remains humble. He prefers cooking for family and friends rather than pursuing culinary fame.
“My kitchen is my stage,” he laughs, “but the applause I seek is the contentment of those I cook for.”
Though his passion for cooking is deeply personal, he recognises its cultural significance. Vietnamese cuisine, with its centuries-old traditions, is a treasure he wishes to preserve and celebrate.
“Our food tells the story of who we are,” he says. “From the humble bowl of rice to the elaborate Tet feast, every dish carries a piece of our history and heritage.”
Chu Bảo Quế’s modern yet respectful approach to cooking reflects his vision of cultural preservation. He often incorporates traditional techniques with contemporary flair,
Chapter 13: A Symphony of Flavours – Chu Bảo Quế’s Culinary Odyssey creating dishes that honour the past while embracing the future.
One of his most remarkable talents is his ability to cook without tasting. “I just know,” he says with a smile. “It’s intuition, a deep understanding of how flavours interact.”
This skill has earned him admiration from friends and family alike. Even professional chefs have marvelled at his innate ability to create perfectly balanced dishes without a single taste test. It is a testament to his creativity and profound connection to the art of cooking.
Chu Bảo Quế’s culinary journey is a reflection of his life philosophy: to live fully, share generously, and create beauty in every endeavour. Through his cooking, he has touched lives, celebrated culture, and demonstrated that true artistry transcends boundaries.
In his kitchen, amidst the clatter of pots and the hum of melodies, he continues to weave his magic. Each dish he prepares is a reminder that food, like art, has the power to nourish not just the body but the soul. And as he serves his creations, he invites us all to savour life’s simple yet profound joys—one flavourful bite at a time.
Chapter 14
The Heart of a Village
“True greatness lies in lifting others, ensuring that no one is left behind in pursuing a better tomorrow.”
The morning mist clung to the fields of Tự Lạn Commune, softening the landscape into a watercolour of greens and greys. It was the kind of day that whispered stories of resilience, of history etched into the soil, and of people shaped by their struggles and triumphs. At the heart of these stories was Chu Bảo Quế, a man whose life had come full circle— from a boy wearing patched clothes to a patron whose quiet acts of generosity transformed lives and landscapes alike.
Walking through Đông Hamlet, one can feel his presence in the very air. It’s in the laughter of schoolchildren echoing through the modern classrooms he helped build, in the solemn silence of the memorials honouring fallen heroes, and in the gratitude that lingers in the hearts of villagers who have witnessed his relentless dedication to their well-being.
Biography of Prof. Dr. Chu Bảo Quế
On my journey to uncover the essence of Quế’s life, I heard countless stories of his selflessness. It seemed that everyone in Tự Lạn Commune had a personal tale to tell—moments where Chu Bảo Quế had stepped in as a silent saviour, his actions speaking louder than words ever could.
An elderly man named Mr. Năm, shared a particularly touching memory. “When my house collapsed during the typhoon of 1996, we had nowhere to go. My wife and I had resigned ourselves to living under a makeshift tarp, but one evening, Chu Bảo Quế showed up unannounced. He sat with us, listened to our plight, and said, ‘Let me handle this.’ Within days, he arranged for construction materials and workers. He even stayed to oversee the rebuilding himself. Today, my house stands strong, a symbol of his kindness.”
Another villager, Mrs. Lan, spoke of how Chu Bảo Quế had changed her daughter’s life. “My little girl had always dreamed of becoming a teacher, but we couldn’t afford her tuition fees. When Chu Bảo Quế heard about this, he not only paid for her education but also mentored her. ‘An educated girl can uplift a family,’ he used to say. Today, my daughter teaches at a primary school, and every time I see her in that role, I think of him.”
His generosity extended beyond individuals to entire communities. One winter, when an unusually harsh cold snap left many families without adequate clothing, he distributed hundreds of blankets, jackets, and supplies. A young mother recounted, tears in her eyes, “I was worried about my baby falling ill. Then, one morning, there was a knock at my door. It was Chu Bảo Quế himself, carrying a warm blanket and a
Chapter 14: The Heart of a Village basket of provisions. He told me, ‘No child should suffer in this cold.’ That gesture saved my baby’s life.”
I was particularly moved by a story shared by an abandoned kid named Thắng, who had grown up under Chu Bảo Quế’s care. “I had lost everything—my parents, my home, my sense of belonging. Then Mr. Quế took me in. He didn’t just provide food and shelter; he gave me love, a family, and an education. Thanks to him, I now have a steady job and can take care of others the way he took care of me.”
As an adult, he channelled his success not into personal luxuries but into projects that would uplift his community. One of his earliest and most profound contributions was the construction of a memorial stele and a memorial house to honour the soldiers and militia who had sacrificed their lives during the 1947 resistance against French invaders.
For years, the elderly residents of Tự Lạn had dreamed of such a tribute, but the commune’s modest budget made it seem unattainable. When he learned of their wish, he acted swiftly, funding the entire project. Today, the memorial is a sacred space where villagers can pay their respects, ensuring that the stories of bravery and sacrifice are passed down to future generations.
“This memorial is not just about the past,” Chu Bảo Quế reflected. “It’s about the present and the future—a reminder of the courage that flows through our veins and our responsibility to honour it.”
Chu Bảo Quế’s passion for education is another cornerstone of his philanthropy. Tự Lạn Secondary School, once a collection
Biography of Prof. Dr. Chu Bảo Quế
of deteriorating single-story buildings with tin roofs, has been transformed into a modern, spacious campus.
In 2018, he secured a 5-billion VND donation from the Agricultural Bank of Vietnam (Agribank) to construct a twostory building with eight classrooms. Additional funding supported the construction of four classrooms for the primary school. Today, the school is a beacon of hope, providing 459 students with an environment that fosters learning and growth.
“Education is the foundation of a prosperous community,” Chu Bảo Quế often says. “By investing in schools, we invest in our children’s dreams and our homeland’s future.”
Despite his extensive contributions, he remains remarkably humble. Every Lunar New Year, he invites local leaders to his home to discuss ways to support struggling families. In one such meeting, he proposed building a “gratitude house” for a family in need—a project that would cost 200 million VND. His generosity extends to annual donations for the “Commune Scholarship Fund,” financial support for impoverished households, and gifts for families during the festive season.
For Chu Bảo Quế, these acts of kindness are not about recognition but responsibility. “When you grow up with little, you understand the value of giving,” he said. “It’s not about how much you have; it’s about how much you care.”
My journey through Tự Lạn revealed not just a man but a legacy of compassion, resilience, and love. Chu Bảo Quế’s story is woven into the very fabric of this village, a testament to the enduring impact of a life lived with purpose and generosity.
Chapter 15
A Life of Grace and Purpose
“True greatness lies in living a life that uplifts others, enriches culture, and stands resilient in the face of adversity.”
The evening sky was ablaze with hues of crimson and gold as Chu Bảo Quế welcomed me into his home. A breeze rustled the leaves, carrying with it the faint scent of blooming flowers, and I was struck by the serenity of the moment. Despite approaching his 60th year, Chu Bảo Quế radiated an energy that felt ageless. His quick, purposeful steps and his cheerful, resonant voice were complemented by a mischievous glint in his eyes that hinted at a spirit both youthful and wise. Yet, behind this light-hearted demeanour was a man whose life had been shaped by trials, sacrifices, and an unwavering commitment to a purpose far greater than himself.
As we settled into the comfort of his modest yet welcoming living room, I found myself drawn into the paradox of his existence—a man who had once struggled for survival, sleeping under open skies at train stations and washing dishes
Biography of Prof. Dr. Chu Bảo Quế
for a meagre income, now stood as a towering cultural figure in Vietnam. His voice softened as he recounted those early days, tinged with both nostalgia and pride. “It wasn’t easy,” he began, his words deliberate and reflective. “By day, I sold newspapers and scrubbed dishes to earn a living. By night, I sang. My voice was my only treasure, and I cherished every penny earned from my art. Those experiences didn’t just test me; they shaped me, taught me resilience, and deepened my connection to my craft.”
Chu Bảo Quế’s journey from these humble beginnings to becoming a revered cultural custodian is nothing short of extraordinary. At the core of his life’s philosophy was a simple yet profound belief: to give more than he received. This principle was reflected in every choice he made. The wealth he earned was never hoarded for personal indulgence; instead, it became a means to give back. He built schools, cultural centres, roads, and memorials, each a testament to his belief in the power of art and community. “I’ve always believed,” he explained, “that wealth is not meant to be kept for oneself. It should be used to beautify life, to uplift others, and to honour one’s homeland.”
His commitment extended beyond tangible projects to his work with the UNESCO Vietnam Performing Arts Troupe. For Chu Bảo Quế, their performances abroad were more than displays of artistry; they represented Vietnam’s 4,000-year-old culture and resilience. “When we perform abroad,” he said with unmistakable pride, “it’s not just a performance—it’s a legacy. Each performer is like a precious gem, and I see it as my responsibility to nurture them, to ensure their dedication to the art remains unwavering.”
Chapter 15: A Life of Grace and Purpose
However, his life was not without its sorrows. His voice grew quieter, tinged with melancholy, as he spoke of the loneliness that often accompanied his devotion to his mission. “There are times,” he confessed, “when the silence is unbearable. I call on friends from my hometown; their visits bring warmth and light. But when they leave, the quiet returns, and I am left alone with my thoughts.” He paused before sharing a poem he had written during one such moment of solitude:
“I come to people, only to watch them leave into the cold darkness of solitude.
Oh, where are you now?
Where is our love in this world?
You’ve left, perhaps never to return.
A life of bitter loneliness,
In this dark night, who could understand?”
Despite these moments of despair, Chu Bảo Quế found solace in his unwavering belief in the transformative power of culture. “My projects,” he said firmly, “are not about personal glory. They are about creating something lasting, something that honours our past while inspiring our future.”
This steadfast dedication was matched by his meticulous attention to detail and his ability to lead with compassion. “When someone errs,” he shared, “I correct them, but never harshly. My goal is to teach, not to reprimand. If they leave with a lesson that stays with them, I’ve done my part.”
His thirst for knowledge was another defining trait. “Even now,” he said, his eyes twinkling, “I consider myself a student. Whether it’s from teachers, peers, or the younger generation,
Biography of Prof. Dr. Chu Bảo Quế
I learn from everyone. This constant pursuit of understanding keeps me grounded and connected to my craft.”
Among the many anecdotes he shared, one stood out for its testament to his dedication. During a period of intensive study in Tibet, Chu Bảo Quế cut off all communication with the outside world to immerse himself fully in learning. “Some called it extreme,” he admitted with a laugh, “but I believe that true understanding requires complete focus and sacrifice.”
As our conversation drew to a close, Chu Bảo Quế spoke of his vision for the future, filled with determination and hope. “I want to devote the rest of my life to the arts,” he said. “To nurture young talent, preserve our cultural heritage, and challenge the evils of society through the refined and transformative power of art. This is my mission, my purpose.”
His final words lingered in my mind long after I left. “Friendship,” he mused, “is as vital as life itself—more precious than gold. And culture, it is the soul of a nation. Together, they form the essence of a life well-lived.”
At that moment, it became clear to me that Chu Bảo Quế’s life was not just a journey of personal achievement but a symphony of resilience, generosity, and purpose. His story is about a man who lived not for himself but for the enrichment of his people and to preserve a cultural legacy that will echo through generations.
Epilogue
The Melody of Legacy
“A true legacy is not what we leave behind, but what we inspire in those who come after us.”
As the final moments of our conversations drew to a close, Chu Bảo Quế leaned back, his voice steady yet filled with the weight of decades spent walking the path of art and cultural preservation. The room, lit softly by the glow of the evening sun, felt charged with the resonance of his life’s journey. Each word he spoke carried a profound truth, echoing the very essence of his mission.
“These certificates,” he began, gesturing to the framed accolades lining his study walls, “are not just pieces of paper or symbols of personal achievement. They represent respect, appreciation, and the international community’s recognition of my efforts in preserving and advancing cultural heritage. As an artist, my work is not merely for applause but for the world, the younger generations, and Vietnam’s voice on the global stage.”
Biography of Prof. Dr. Chu Bảo Quế
He spoke passionately about his unyielding mission. “Through decades of performances, research, and teaching, I’ve realised the depth of my responsibility. My mission is to preserve Quan Họ folk singing and elevate its values to resonate beyond Vietnam, reaching international friends and communities.”
His plans for the future brimmed with enthusiasm. “We are preparing a cultural exchange between Vietnam and India in 2025,” he shared, his eyes sparkling. “It will be a bridge of heritage, showcasing the beauty of both nations and strengthening the bond between our cultures. This opportunity is more than a performance; it’s a dialogue of traditions and values.”
Chu Bảo Quế’s vision extended far beyond the stage. “For the next generation,” he said, “I hope they understand the importance of heritage—not just as an inheritance but as a responsibility. Quan Họ is not merely a form of music; it is a treasure, a reflection of our identity. Preserving its traditional elements while embracing innovation is a delicate balance, but it is crucial for its survival.”
He paused, his voice growing softer yet more determined. “We cannot abandon the old while chasing the new. Once lost, traditional values are nearly impossible to recover. I wish for artists from all three regions of Vietnam to carry forward their unique styles while staying true to their roots. Singing is not just about vocal skill; it is about embodying the essence of folk music, resonating with audiences on a deeper level.”
His humility shone through as he reflected on his own journey. “Even with titles like professor and doctor, I still see myself as a student, always learning from others. I hope the younger generation will adopt the same spirit—to remain humble,
Epilogue: The Melody of Legacy to respect their predecessors, and to continuously strive for excellence. Together, we can build a lineage of artists who elevate Vietnam’s cultural heritage on the world stage.”
As his words settled, I found myself reflecting on how deeply his journey resonated with my own. Professor Chu Bảo Quế’s unwavering dedication to preserving Quan Họ was a mirror to my own desire to seek, protect, and share meaningful values in my work. His story served as a powerful reminder that passion, paired with perseverance, can transform even the smallest cultural elements into monumental legacies for the community.
His reflections on community struck a chord with me. “My journey is intertwined with the people who supported me,” he said. “Fellow artists, audiences, and mentors are all part of this legacy. Success is never achieved in isolation; it is a collective effort.” His words reminded me of the importance of relationships and collaboration, lessons that extend beyond the realm of art.
As we prepared to part ways, Chu Bảo Quế offered a final thought. “Life is like a Quan Họ song,” he said, his voice carrying the weight of years and the lightness of hope. “Each lyric, each melody, tells a story of love, struggle, and triumph. My story is just one song in the vast symphony of Vietnam’s heritage, but I hope it inspires others to find their voice and sing their own truths.”
At that moment, I realised that Chu Bảo Quế’s legacy was not just about preserving a tradition. It was about igniting a passion in others to carry it forward. His life’s work was a testament to the power of resilience, humility, and a vision that transcends borders. As I walked away from his home,
Biography of Prof. Dr. Chu Bảo Quế
the melody of his journey lingered in my heart, a timeless reminder that the true value of art lies not in its creation but in its ability to inspire.
About the Author
Dr. Biswaroop Roy Chowdhury is a visionary in the fields of nutrition, healthcare innovation, and recordsetting achievements. As the creator of the groundbreaking Mathematical Model of Nutrition known as the DIP Diet, he has revolutionized the management of chronic diseases such as diabetes, hypertension, obesity, bone diseases, and chronic kidney conditions. This model has been clinically validated across India (in collaboration with the Ayush Ministry), Nepal (under the National Health Ministry), and Malaysia (through Lincoln University), showcasing its efficacy and global relevance.
In recognition of his groundbreaking contributions, Dr. Biswaroop was awarded the prestigious Innovation Award –2024 by WASME and the Ethiopian Embassy for his GRAD system—a gravity and heat-based invention designed to reverse chronic kidney diseases. His work demonstrates a seamless blend of engineering precision and medical expertise, positioning him as a pioneer in integrative healthcare solutions.
An engineering graduate passionate about advancing health sciences, Dr Biswaroop, holds a postgraduate degree in Diabetes and an honorary PhD in Diabetes and Chronic Kidney Disease. Beyond his clinical and scientific pursuits, he is a prolific author with an impressive portfolio of over 33
Biography of Prof. Dr. Chu Bảo Quế
published books, offering insights into health, wellness, and personal transformation.
Dr Biswaroop’s influence extends into the world of recognition and innovation as the Chief Editor of the ‘India Book of Records and ‘Asia Book of Records.’ These platforms celebrate inventors, leaders, and changemakers, setting new benchmarks for excellence and inspiring others to strive for greatness.
Beyond his professional achievements, Dr Biswaroop is an avid traveller with a deep love for exploring cultures and heritage. His passion for preserving cultural values aligns seamlessly with his mission to safeguard traditions and inspire future generations to cherish their roots.
A tireless advocate for health, human potential, and cultural preservation, Dr. Biswaroop Roy Chowdhury continues to challenge boundaries, inspire innovation, and leave an indelible mark on healthcare, heritage, and human achievement.
From the Author’s Desk
“Preserving cultural heritage is not just a task for one individual; it is a collective endeavour that connects us to our roots and propels us toward a meaningful future.”
The story of Chu Bảo Quế deserves to be shared far and wide, not merely as a testament to his life but as a beacon of inspiration for those who cherish and wish to safeguard cultural heritage. This is not just the story of an individual; it is a chronicle of a relentless journey to preserve and enrich a unique cultural treasure—Bắc Ninh Quan Họ folk singing. His life’s work and unyielding dedication to this art form have made an indelible mark on Vietnam’s cultural history. Moreover, his impact extends far beyond national borders, elevating Quan Họ to international prominence and ensuring its place among the world’s most cherished traditions.
Writing this book has been an honour, as it allowed me to delve into the remarkable life of a man who, against all odds, stood as a guardian of his cultural roots. Without individuals like Chu Bảo Quế, cultural treasures such as Quan Họ could have faded into obscurity. His story celebrates perseverance,
Biography of Prof. Dr. Chu Bảo Quế
passion, and the power of collective effort. It illustrates how cultural heritage is not owned by a single individual but shared by an entire community, requiring each generation to nurture and protect it for those who come next.
One moment that resonated deeply with me was when Chu Bảo Quế spoke about the most challenging periods in his mission to preserve Quan Họ. Instead of dwelling on the hardships, he chose to focus on the joy and hope he felt as he saw younger generations embrace this cultural legacy. This attitude, marked by humility and a profound sense of purpose, reflects the essence of his character. This generosity of spirit and unwavering belief in the enduring value of heritage makes his journey so extraordinary.
This book is more than a biography; it is a tribute to resilience and the transformative power of art. It underscores the immense strength required to protect traditional cultural values in the face of modern distractions and challenges. It also highlights the importance of community and collaboration— how the preservation of heritage is a shared responsibility that transcends individual ambition.
Through his story, readers will uncover valuable lessons. His unwavering dedication to Quan Họ demonstrates that despite societal indifference, limited resources, and countless obstacles, steadfast belief and effort can yield monumental achievements. His humility is equally inspiring—despite his pivotal role in bringing Quan Họ to global recognition, he has consistently credited his peers and local communities for their collective contributions.
Chu Bảo Quế’s journey also underscores the universal power of human resilience. His ability to transform barriers into
Epilogue: From the Author’s Desk
opportunities is a lesson for artists and anyone striving to achieve a noble goal. Turning down lucrative opportunities to stay in his hometown and dedicate himself entirely to the preservation of Quan Họ speaks volumes about his character. It is a reminder that sometimes, the greatest impact comes from staying true to one’s roots.
What makes his story particularly compelling is its relevance across generations. Through his life, we see the importance of respecting tradition while embracing innovation. This delicate balance ensures the legacy of heritage remains vibrant and meaningful in a rapidly changing world. Quan Họ folk singing is more than an art form; it reflects Vietnam’s identity, history, and spirit. By weaving these melodies into the fabric of contemporary life, he has ensured that they continue to resonate in hearts and minds, both young and old.
Finally, this book serves as a call to action. As Chu Bảo Quế often says, “Preserving heritage is not just about today but about ensuring it resonates for generations to come.” His journey challenges us to ask ourselves whether we are doing enough to protect and promote the values we hold dear. I hope that readers, especially the younger generation, find inspiration in his story to reflect on their own roles in preserving culture, not as passive observers but as active participants in shaping the future of their heritage.
Chu Bảo Quế’s life is a testament to the transformative power of passion, community, and dedication. As you turn the final pages of this book, I invite you to carry his story with you—to reflect on its lessons, draw strength from its challenges, and honour the legacy of an extraordinary individual who devoted his life to ensuring the survival of something timeless. Let
Biography of Prof. Dr. Chu Bảo Quế
his journey inspire you to protect and celebrate the cultural treasures in your own life, for it is through such collective efforts that heritage continues to thrive.
Gratitude
As I pen these words, my heart swells with a deep sense of gratitude for the opportunity to tell the story of Chu Bảo Quế—a man whose life transcends physical and spiritual boundaries. This journey has been nothing short of transformative as I delved into the heart of Tu Lan and walked the paths that shaped his extraordinary life.
I am profoundly thankful to Chu Bảo Quế for opening his world to me and sharing his memories, wisdom, struggles, and dreams. His generosity in recounting the intimate details of his childhood, his unwavering dedication to Tu Lan, and his spiritual odyssey have been a gift I do not take lightly. Through his eyes, I have come to see the beauty of a life rooted in purpose, service, and humility.
To the people of Tu Lan, I extend my heartfelt gratitude for welcoming me with open arms. Your stories, laughter, and unwavering love for your homeland have breathed life into this narrative. You showed me that a community is not merely defined by its land but by the strength of its people and the values it upholds.
Thank you to the countless individuals who have played a part in Chu Bảo Quế’s journey, whether through guidance, support, or inspiration. Your contributions, seen and unseen,
Biography of Prof. Dr. Chu Bảo Quế
have helped shape the man whose story I now have the privilege of telling.
Finally, I am deeply grateful to the readers whose interest and curiosity give meaning to this work. As you journey through these pages, you will feel the same awe and inspiration I have experienced in uncovering this remarkable life.
With every word, I have tried to do justice to the spirit of Chu Bảo Quế and the land he so deeply loves. To be the one to document this legacy is an honour I will forever cherish.
With gratitude,
Dr. Biswaroop Roy Chowdhury
Songs written by Chu Bảo Quế
VÌ MỘT VIỆT NAM TƯƠI ĐẸP
(For a Beautiful Vietnam)
(The work won Second Prize in the composition contest
“Traditional Folk Music Works for Covid-19 Prevention” organised by VTC Digital Television in 2020.).
Lyrics by: Artist Chu Bao Que
Performed by: People’s Artist Thuy Huong
(To the tune of: Nhớ mãi khôn nguôi (Forever Unforgettable))
Bỉ: Nhớ ờ mãi lời Bác ớ răn dân tộc nước Nam à mình, hãy
cùng nhau đoàn kết quyết vượt mọi khó khăn, ta hòa cùng bài ca kết đoàn.
Lời: Xin dành lời ca thiết tha dâng người, những người đang
ngày đêm nơi tuyến đầu thức trắng á suốt canh dài đâu ngại gì
hiểm nguy, luôn quyết chí vững tâm đương đầu nơi sóng gió vì
bình yên của biết bao người ngày đêm mong chờ.
Bóng áo trắng tinh khôi, như lời Bác Hồ đã dạy ngành y hôm
nào, thầy thuốc xứng mẹ hiền, hết lòng vì bệnh nhân, gác hết nỗi riêng tư tình duyên xin xếp lại mà tiếng ru giấu trong à lòng, giặc Covid phải lùi.
Lấp lánh ánh sao sao vàng, thắm đượm nghĩa tình quân dân i vững bền, dẫu chiếu đất mưa rừng, màn trời nào ngại chi. Vì
nước đã quên thân, niềm trung với Đảng là với dân chữ hiếu vẹn tròn, giặc Covid phải lùi.
Songs written by Chu Bảo Quế
Những mái tóc pha sương sáng ngời, sáng ngời gương mẹ Việt
Nam anh hùng, trí thức với doanh nhân chia sẻ ngọt bùi cùng nhau trong những lúc gian nan, người ơi xin ghi nhớ càng thấy yêu hai tiếng đồng bào lòng càng thêm tự hào.
Trong bão táp mưa sa có Đảng, có Đảng như vầng Thái Dương soi đường, con cháu dòng dõi tiên rồng xin nguyện một lòng
cùng nhau, cùng nhau ta đoàn kết quyết vượt mọi vượt mọi gian nan, câu hát sẽ ngân vang, trẻ thơ nô nức là tung tăng vui
đến à trường, ta lại gửi trao nhau nụ cười trên môi rạng ngời.
Đất nước ớ mà đẹp tươi iiiiii.
youtube LINK: https://youtu.be/dBfp7W0v8k0
TRẦU CAY VÔI NỒNG
(Spicy betel and pungent lime)
Composer: Prof. Dr. Chu Bao Que
Performed by: Prof. Dr. Chu Bao Que and People’s Artist
Thuy Huong
Trầu í cay, ớ ơ vôi nồng, chúng em í ơ têm trầu cánh í phượng í ơ í ơ xin mời anh í hai ớ ơ xơi trầu, hự hối hự là hự hối hừ.
Chúng em í a đi hội ơi à ơi à cầu may, đành í lòng í cầm í lòng/ ai ơi hự í tình hự hối hự là hự hối hừ. Trầu í cây is ơ ơ vôi
nồng...Chúng í em í ơ têm trầu cánh í phượng í ơ ơ ớ ơ xin mời anh í hai ơ xơi trầu hự hối hự là hự hối hừ. Ai ơi hự tình hự hối hự là hự hối hừ. Chúng em í ơ i đi hội ứ à cầu may. Đánh í lòng í cầm í lòng ai ơi hự tình hự hối hự là hự hối hừ
youtube LINK: https://youtu.be/pwpMpbNBGEk
Songs written by Chu Bảo Quế
ĐẤT NƯỚC VÀO XUÂN
(The Country Welcomes Spring)
Composer: Prof. Dr. Chu Bao Que
(The song was commissioned by the Ministry of Culture for Artist Chu Bao Que to compose and was performed by People’s Artist Ta Quang Lam during the 10th conferment ceremony of the People’s Artist and Meritorious Artist titles, held on March 6, 2024, at the Hanoi Opera House, in the presence of national leaders and senior officials of the Party and State.).
Hát: Ngâm sổng:
Muôn hoa trong nắng,
Đón ánh xuân ngời
Việt Nam đất nước, Tổ quốc ta ơi
Có Đảng dẫn đường, dân giàu nước mạnh
Dưới lá cờ hồng, Xuân khắp muôn nơi
Hát: Đường trường thu không:
1-Quê hương ta đang thay đổi,
Vững bước đi lên, tươi ngàn hoa
Xuân rạng ngời, như mặt trời,
Rực sáng tương lai, cho ngày mai.
2- Bao chông gai quyết chung lòng vượt qua
Trên đà tiến bước, văn hóa soi đường
Con đường Việt Nam, cho quốc dân đi
Những người nghệ sĩ, xin quyết giữ gìn
Tryền thống ông cha, Văn hóa í i còn
Dân tộc còn mãi mãi, Ta nguyện ghi nhớ
Lời Bác hôm nào luôn mãi trong tim í ì, trong trái tim ta í i i.
Nói thơ:
Mừng xuân mới, thuận lòng dân ý Đảng
Sánh vai cùng bè bạn năm châu
Lái con thuyền rẽ sóng bạc đầu
Đến bến bờ dân giàu nước mạnh
3- Vui xuân nay, ta mang í i đầy hy vọng i i i ới í i
Mong đất nước, bước tới đỉnh huy hoàng
Xuân dâng tràn, những niềm vui
Theo ánh dương soi, con đường của Bác//
Ta quyết một lòng ì , quyết chung lòng ì í ì ta cùng dựng xây
Non sông yêu dấu thời, mãi mãi huy hoàng ì
Sánh với năm í i châu í ì, Như bác kính yêu, vẫn ước mong.
Songs written by Chu Bảo Quế
VIỆT NAM MỘT LÒNG CHỐNG DỊCH
(Vietnam United in Fighting the Pandemic)
(The work won the A Prize in the 2021 Artistic Works
Composition Contest themed ‘Covid-19 Prevention,’ organized by the Vietnam Stage Artists Association).
Lyrics by: Artist Chu Bao Que
Performed by: People’s Artist Thuy Huong & Artist Chu Thúy Hằng
(To the tune of: Cắp nón đón đò (Carrying a Hat to Greet the Boat))
Đất í nước í ơ Việt Nam nay a chung lòng là ta cùng chung tay, cùng chung chung sức í ơ ơ ta nay chống dịch ì Covid 19 í ơ nay a lùi xa. Toàn dân ghi nhớ điều hay trong khi phòng dịch la luôn ghi nhớ í ơ vệ sinh phải an i toàn ì. Khẩu trang ta phải mang khi ra ngoài đường là xin ơ mọi người là không tụ tập đông người ì.
Thương i lấy í ơ ờ bên nay a nhau cùng là ta luôn nhắc nhau khi tiếp xúc í ơ ờ ta nên giữ gìn ì 2 mét í ơ ờ ta không nên đến gần ì. Ánh í mắt thiết tha gửi trao niềm tin ý chí í ơ Covid 19 kia dịch bệnh chẳng nên coi thường ì. Quyết một lòng đoàn kết cùng với nhau vì Covid 19 kia là quyết í sẽ đẩy lùi ì.
Đã có í ơ là biết í bao nhiêu người là lo cho dân bao đêm thức trắng í ơ ờ lo cho muôn nhà. Để cuộc sống í ơ là luôn i trong yên bình ì. Chúng ta hãy quyết chí cùng nhau đồng tâm hiệp sức í ơ
dân Nam hãy nhớ câu: “ Bầu ơi thương lấy bí cùng” ì. Kết đoàn
là ta cùng chung tay là Covid 19 kia là ta sẽ đẩy lùi.
Đảng đã í ơ ờ bên nay a soi đường là toàn dân quyết chí đồng
tâm cùng nhau đoàn kết í ơ ta nay đồng lòng ì, cùng hướng
tới í ơ ờ tương lai rạng ngời. Ai ơi ta quyết vượt qua gian nan
thử thách í ơ Covid 19 kia là cùng nhau đẩy lùi ì. Đến í ngày
đất nước lại nở hoa là ta vui hát í ca là trong ánh sáng..... huy ..hoàng.
youtube LINK: https://youtu.be/1r_UcqPWVh0
Songs written by Chu Bảo Quế
VỀ THĂM XỨ LẠNG
(Visiting Lang Son)
Lyrics by: Artist Chu Bao Que
Performed by: People’s Artist Thuy Huong
(To the tune of: Vào chùa (Going to Temple))
Lyrics:
Ai về về thăm đất í ơ đất Lạng Sơn đứng nơi tuyến đầu. Nơi tuyến đầu biên cương tổ quốc. Nơi thành lũy đã ghi dấu bao chiến à công lẫy à lừng. Mời người về thăm đất Chi Lăng, nơi cửa ải vùi quân xâm lược ì.
Người về về hãy nhớ í ơ, ghế Đồng Đăng xin hướng tâm thành, ta nguyện cầu cho quốc thái, dân ta sẽ có cuộc sống no ấm bình an sống trong hòa bình. Ngược Kỳ Cùng ta đến Tam Thanh, trong ì lòng càng thêm bồi hồi.
Đây nàng nàng Tô Thị í ơ đã ngàn năm ôm con chờ chồng, sáng ì ngời lòng thủy chung son sắt, bao giá rét, bao mưa nắng nước mắt cạn khô vẫn trông à chờ, nguyện một lòng son sắt không phai. Sáng ì ngời thủy chung tuyệt vời.
Người về thăm xứ Lạng í ơ ngất ì ngây í trong hương rừng, hương i hồi, hương i quế thơm ngát, ta cùng hát vang những
điệu Then ngọt ì ngào. Hội Lồng Tồng vui lắm ai ơi. Gieo ì mầm hẹn gặt bao hạt vàng ì.
Lưng đồi đồi thấp thoáng í ơ mát à xanh bóng ai áo chàm, cô
gái Tày dáng tha à thướt, đôi ì mắt lấp ì lánh như những vì sao trên à trời và nụ cười tươi thắm như hoa, duyên mặn mà làm say lòng người.
Tự hào về mảnh đất í ơ đất Lạng Sơn đứng nơi tuyến đầu, quê hương mình ngày nay đổi mới, dân no ấm, luôn đoàn kết chung
Gửi ngàn lời tha thiết yêu thương, yêu trọn đời Lạng Sơn quê à mình.
youtube LINK: https://youtu.be/dLEH7aOmHRk
Songs written by Chu Bảo Quế
SÁNG MÃI TÊN ANH (HÁT CHÈO)
(Forever Your Name) (Cheo)
Composer: GS.TS. Chu Bảo Quế
Speak:
Sing:
Gửi Người chiến sỹ mến thương
Vững vàng tay lái, coi thường hiểm nguy
Băng Rừng vượt Suối xá chi
Chiến công anh mãi còn ghi chữ Vàng
Bao đêm thức trắng vượt Suối băng Ngàn.
Chập trùng pháo sáng đạn nổ Ran Ran.
Anh vẫn quyết tâm vững vàng tay lái.Gìn giữ xe hàng thẳng tới tiền phương.
Đêm đông tan rồi nỗi nhớ, nhớ từng đêm dài.
Vượt muôn trùng chông gai pháo sáng giăng nơi nơi - Bom đạn ngút trời.
Lòng hận thù sục sôi
Quân dân ta tay sung chẳng rời
Bài ca em hát gửi tới anh người chiến sỹ, người cầm lái em thương
Mọi hiểm nguy anh coi thường
Dẫu muôn vàn khó khăn
Tay lái anh băng băng
Đưa hàng tới chiến trường
Với tấm lòng người hậu phương
Để tiền phương tay súng thêm kiên cường
Lời ca còn đọng trong ký ức
Sáng đẹp hôm nay – Sáng tươi bao người
Đã trọn đời vì dân – nhớ mãi công ơn anh
Người chiến sỹ ngoan cường
Trang sử vàng ngành xe
Chiến công anh còn đọng mãi trên chặng đường.
Picture Gallery
Prof. Dr. Chu Bảo Quế’s Residence
The ancient temple ‘Miếu Tự Tại Giám’ - an ancient temple located within the Chu Family land in Tự Lạn commune, Việt Yên district, Bac Giang province, which has been recognized by the Vietnam Federation of UNESCO Association (VFUA) it is located right within the house where he currently resides.
Prof. Dr Chu Bảo Quế’s initiative to promote Indo-Vietnam cultural exchange
Awards & Recognition
On April 30, 2024, in Vietnam, the World Records University (WRU) awarded an honorary Professorship to Dr. Artist and Record Holder Chu Bảo Quế for his contributions to the cultural and educational development of his homeland and his efforts in promoting Vietnam’s cultural values worldwide.
On October 3, 2024: Professor, Doctor, Artist, and Record Holder Chu Bảo Quế was honored with the Asia Record Cup at the international conference held in India.
May 2023: Dr. Artist and Record Holder Chu Bảo Quế received the Golden Disc of Contribution from the World Records Institute (Worldmark), under Worldkings, at the 52nd Meeting of Vietnamese Record Holders.
On October 3, 2024: Professor, Doctor, Artist, and Record Holder Chu Bảo Quế was honored with the ‘Person of the Year’ Cup at the international conference held in India.
Awarding Golden Plate of Vietnam Records Organization – VietKings in Octorber 2023.
Awarding Honorary Doctorate degree in October 2023.
Awarding Honorary Professor to Artist Chu Bảo Quế In 2024.
Prof. Dr. Artist Chu Bảo Quế at the Record Holders’ Meeting Of Vietnam Records Organizaiton.
Artist Chu Bảo Quế has been honored with hundreds of Certificates of Merit, Gold Medals, Commemorative Medals, and other prestigious awards from the Party, the State, various Ministries, Departments, and International Organizations in the field of culture and arts. These distinguished accolades, earned throughout his extensive artistic career, are preserved in the traditional room at his private residence.
Artist Chu Bảo Quế’s family was awarded the Certificate of Merit for Cultural Family by the Prime Minister under Decision No. 1634/QĐ-TTG dated November 26, 2018.
Chu Bảo Quế for outstanding achievements in work, contributing to the cause of building and defending the Fatherland.”
Certificate of Merit from the Prime Minister (Decision No. 390/QĐ-TTg dated April 10, 2019).
As for himself, in 2020, he was awarded a Certificate of Merit by the Prime Minister for his significant contributions in organizing vibrant activities both domestically and internationally, helping to promote the country and enhance Vietnam’s image on the nongovernmental UNESCO platform.
Chu Bảo Quế has made positive contributions and achieved excellent results in the work of the Vietnam Federation of UNESCO AssociationCertificate of Merit from the Minister of Foreign Affairs (Decision No. 3225/ QD-BNG dated November 19, 2018).
The Ministry of Culture, Sports, and Tourism, Department of Performing Arts, awarded a Certificate of Commendation to Artist Chu Bảo Quế for contributions to the development of musical talent in 2019.
Artist Chu Bảo Quế ‘has made significant contributions to promoting friendship and cooperation between the peoples of Vietnam and Canada’ – Certificate of Merit awarded by the Presidium of the Vietnam Union of Friendship Organizations (Decision No. 2824/QĐ-ĐCT-TĐKT, dated December 29, 2023).
The Ministry of Culture, Sports, and Tourism, Department of Performing Arts, awarded a Certificate of Commendation to Artist Chu Bảo Quế for contributions to the development of musical talent in 2019.
A Certificate of Merit from the Director of the Department of Culture, Sports, and Tourism of Bắc Giang Province awarded to Mr. Chu Bảo Quế for his outstanding achievements contributing to the success of the 2nd Bắc Giang Province Festival of Hát Văn and Hát Chầu Văn in 2017. (Decision No. 757/QĐ-SVHTTDL dated December 26, 2017).
A Certificate of Merit from the Minister of Culture, Sports, and Tourism awarded to Mr. Chu Bảo Quế for his outstanding contributions in serving the 13th National Congress of the Party. (Decision No. 1028/QĐ-BVHTTDL dated March 25, 2021).
Chu Bảo Quế has achieved excellent results in serving the 13th National Congress of the Communist Party of Vietnam” Certificate of Merit from the Minister of Culture, Sports, and Tourism (Decision No. 1028/QD-BVHTTVDL dated March 25, 2021).
A Certificate of Merit from the People’s Committee of Bắc Giang Province awarded to Mr. Chu Bảo Quế for his significant contributions to the socio-economic development of Bắc Giang Province. (Decision No. 152/QĐ-UBND dated January 29, 2018)
In 2020, the Vietnam Records Organization - VietKings established a record for: ‘The first person to choreograph and perform the traditional Quan Họ dance “Trầu cay vôi nồng” without musical accompaniment on a professional stage (National Convention Center) with the participation of many performers.’
In 2023, he received a Gold Plaque of Honor from the Vietnam Union of UNESCO Associations for his significant contributions to the preservation of cultural heritage and for successfully organizing many art performances serving important events of the Party and the State.
Professor, Doctor, and Artist Chu Bảo Quế and Assoc. Prof. Doctor Ta Quang DongDeputy Minister of the Ministry of Culture, Sports and Tourism (MOCST).
Deputy Minister of Culture, Sports, and Tourism Tạ Quang Đông, along with family and friends, presented flowers to congratulate artist Chu Bảo Quế during the art program ‘Returning to the Homeland 3.
Delivered congratulatory speeches to Dr., Artist, and Record Holder Chu Bảo Quế.
Dr. Artist and Record Holder Chu Bảo Quế was awarded the Golden Disc of Creativity by the World Federation of Creators.
From right to left: Mr. Phan Trong Kinh - Former Assistant to General Secretary Do Muoi, Mr. Vu Huu Ngoan - Former Deputy Director of the Institute of MarxismLeninism, Former Standing Member of the Steering Committee for Document Compilation, and artist Chu Bảo Quế.
Artist Chu Bảo Quế took a commemorative photo with the leaders of the Ministry of Foreign Affairs at the 50th anniversary celebration of Vietnam-Canada diplomatic relations.
Dr. Biswaroop Roy Chowdhury, Chairman of the World Records Union, and Dr. Le Doan Hop, former Member of the Central Party Committee and former Minister of Information and Communications, presented an honorary doctorate degree at the residence of Artist Chu Bảo Quế in Tu Lan Ward, Viet Yen Town, Bac Giang.
Dr. Biswaroop Roy Chowdhury,Chairman of the World Records Union, presented a book to Artist Chu Bảo Quế at his residence in Tu Lan Ward, Viet Yen Town, Bac Giang.
Stage Performances
Professor Chu Bảo Quế performed in My Dinh, Hanoi, Vietnam.
The artistic program ‘That Day Return to the Homeland 2’ was directed by Artist Chu Bảo Quế as the Chief Director.
Artist Chu Bảo Quế performed at the artistic program ‘That Day Return to the Homeland 3’.
The art program ‘The Day That Returns to the Homeland 2’ is directed by artist Chu Bảo Quế as the Chief Director.
Artist Chu Bảo Quế performs at the art program ‘The Day That Returns to the Homeland 2
Artist Chu Bảo Quế and People’s Artist Thúy Hường performed the song ‘Câu ca dâng Đảng’ at the Central Propaganda Department in January 2024.
Artist Chu Bảo Quế performed at the art program ‘The Day That Returns to the Homeland 3.
Artist Chu Bảo Quế and People’s Artist Thúy Hường performed the song ‘Câu ca dâng Đảng’ at the Central Propaganda Department in January 2024.
Younger times of Artist Chu Bảo Quế
A Cattle Herding Boy Who Became the Torchbearer Illuminating Vietnam's Folklore Culture
Professor Chu Bảo Quế is hailed as a radiant torch safeguarding Vietnam's cultural heritage - a man whose entire life ser ves as a vivid testament to his unwavering dedication and sacrifices for the preser vation of the nation's cultural legacy. Rising f rom humble and challenging beginnings, he ascended to a position of profound influence, devoting his hear t and soul to the preser vation, revitalization, and teaching of the Quan Ho folk singing tradition of Bac Ninh, Vietnam. Through tireless effor t s, he has restored these ancient cultural treasures to their rightful prominence, inspiring generations of Vietnamese youth to reconnec t with their roots and continue the noble journey of protec ting their ancestral heritage.
With an unshak able resolve, Professor Chu Bảo Quế has also emerged as a pioneer in fostering cultural exchanges be t ween Vietnam and India. His work is deeply rooted in the historical bond be t ween the t wo nations, dating back to the 7th centur y when the Cham civilization in Vietnam revealed profound cultural parallels wi th India. Through his dedicated effor t s, these ancient connec tions have been revived, laying a solid foundation for c ontemporar y cooperation. His work bridges t wo great civilizations in a harmonious symphony of ar t , music, and heritage, forging a timeless legacy that celebrates shared cultural values and mutual enrichment .
