Country Images Magazine - September 2020 - North Edition

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COUNTRY

Standout fashion

Love British Food In the footsteps of

Artist: Kimberley Harris

KING RICHARD III

Exploring

MATLOCK

North Edition - September 2020

A Walk INTO THE PAST THROUGH FIVE HISTORIC SITES with Rambler

Cockpit Hill House Derby

COOK UP A

NEW STYLE

Steve Orme interviews

James Graham

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The late late SUMMER show!

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his months magazine features a large number of businesses who are having late summer sales in expectation of their winter stock. The shops are now full of masked people which is so unusual and sometimes quite disconcerting, but they are a must in the current situation.

Gladly local businesses are now getting busier and catching up on their orders whilst quoting for new business too. In this edition we feature kitchens which have become the focal point of many homes. As the summer sun sets a bit earlier and our homes become a little darker each day we also present a few ideas on lighting.

Steve, Brian and Maxwell have also been busy and this month present their normal array of excellent articles.

If the thought of a cold winter makes you feel a little blue then a look at our travel feature will cheer you up as we take you over to Greece. We hope that you enjoy reading them.

Walk book six is now selling fast as people are enjoying the delights of Derbyshire. Please go online to order your copy www.walkdebyshire.co.uk We do hope that you enjoy this issue.

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Editorial Features: Brian Spencer, Maxwell Craven, Steve Orme, Amanda Volley, David Clay.

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In the footsteps of

KING RICHARD III

W

ith the recent finding of Richard the Third’s body beneath a car park and his later reburial in Leicester Cathedral, information abounds about his controversial life and death in battle at Bosworth Field on 22nd August 1485. Having a passing interest in medieval history, we decided to investigate his links with the White Rose County of north Yorkshire. Our knowledge of Richard III it must be said is coloured by the writings of William Shakespeare, who after all was writing his play about Richard at the time of the Tudors, who had won at Bosworth. True that maybe, but Yorkshire folk have more respect for what to them was a local lad.

8 | www.countryimagesmagazine.co.uk

Above: Middleham Castle Far Left: One of the 500 trainee racehorses go out for their morning gallop.

Left: Fountains Abbey While we know the central and western parts of the Yorkshire Dales, the eastern edges alongside the Vale of York are, to say the least, a bit hazy to us. After doing a bit of research, we found that Richard spent his childhood and trained in knightly skills at Middleham Castle in the lower reaches of Wensleydale.

These skills helped him take part in the battle of Tewkesbury (1471) aged just nineteen. It was at Middleham that he met and married Anne, younger daughter of the Earl of Warwick, head of the influential Neville family. Through that marriage young Richard eventually became owner of a whole range of castles, especially those guarding the eastern approaches to the Yorkshire Dales.

It therefore seems likely that Richard had a special affection for Middleham, because he appears to have spent much time there,

both in childhood and then as a family man, where his son Edward was born. It was this that coloured our decision to make a tour of the countryside Richard would have known so well.

Our accommodation in Middleham was an attractive one-time cosy cottage in the shadow of the castle walls. Today, Middleham is home to around 500 young racehorses training for future glories on the flat. Each morning we watched them elegantly trotting away from the village, out towards the training gallops on the nearby Downs; perhaps we were admiring a future Derby winner.

Middleham and its friendly locals, most of them involved with racehorse breeding, were always ready to chat over a socially distanced pint of Black Sheep in one of the three pubs; our favourite incidentally was the Richard III. The

castle is just off the extensive old market square and is cared for by English Heritage. With the easing of lock-down the castle was open to prior bookings. As there is little or no Wi-Fi in Middleham, that took time, but we eventually managed to book a convenient visit. The castle has suffered as a ready-made source of building material over the centuries, but it still remains in remarkably good shape for its age.

Three parts of the outer curtain wall are complete and the central keep could still echo with the sound of feasting lords and ladies enjoying life.

There is a modern statue to King Richard inside the castle walls, but his most intriguing memorial is the worn lump of rock on a plinth at the top end of the market place.

Although it takes more than a bit of imagination, this is all that remains of the carving of a wild boar, King Richard III’s emblem.

www.countryimagesmagazine.co.uk | 9

In the footsteps of

KING RICHARD III

Monasteries were at the height of the commercial power and influence during Richard’s lifetime. With their wealth built on wool and careful farming husbandry, lands around the Vale of York are home to a great number of monastic ruins. Attractive ruins the result of Henry VIII’s jealousy, are within easy driving distance of Middleham. We started our tour at Jervaulx Abbey, a short drive along the Ripon road from Middleham.

Small by comparison with other abbeys, Jervaulx has attracted visitors over the centuries; the artist

JMW Turner came this way while on a sketching tour in 1816. The main claim to fame though, is down to the early monks making the very first Wensleydale cheese. This forerunner of the cheese loved by Wallace and his faithful hound Grommit, was made from ewe’s milk, unlike today which traditionally is made from cow’s milk.

Further along the Ripon road, the village of Masham is home to two breweries, both of which can be visited when things are different than today. Theakston’s is the oldest,

10 | www.countryimagesmagazine.co.uk

dating from 1827, and Black Sheep Brewery is the other. Black Sheep was founded by Paul Theakston, fifth generation of master brewers in 1992 when the older company was bought out by one of the national brewing organisations.

Travelling via Ripon, we arrived at Fountains Abbey bang on our previously booked time. The abbey is in the bottom of a wooded valley, secluded from car parks and Visitor Centre, but separated only by half a mile of winding path.

Above Left: Jervaux Abbey ruins Above Right: The Blacksmith’s Anvil, Brimham Rocks

If there was a competition for the most beautiful abbey ruins, then Fountains would be high on my voting list. No matter how many visitors there might be around once restrictions are removed, Fountains will remain a place of tranquil beauty, a place for quiet contemplation. It was founded in 1132 by a group of 13 disaffected monks who broke away from the mother church of St Mary’s Abbey in York. Here at Fountains they found what they were looking for, hidden from the world in a wild and wooded valley where living an austere life, they could follow a simpler and more devout existence. Members of the Carthusian Order, they were also known as the ‘white monks’ because of the undyed sheep’s wool habits they wore. Spending much of the day in contemplation and prayer, they also found time to develop skills as shepherds, tanners, masterbuilders and brewers. All these skills helped expand the abbey’s finance’s. By 1200 Fountains was one of the largest and most powerful houses in Britain. Despite damage

by Henry VIII’s men who followed his dissolution edict, many of the abbey’s features remain virtually unspoilt, such as the gracefully arched cellars where freshly brewed ale was stored, to the appearance of its almost Victorian Gothic bell tower.

A culverted stream which once provided water for the abbey’s needs, winds down the wooded valley for a little way before being slowed by a series of ponds and water gardens. This is part of Studley Royal, an attractive addition to Fountains Abbey created by John Aislabie and his son William in the eighteenth century. John was an over ambitious politician who fell from favour. As a result he retreated

here and along with William, the pair managed to buy Fountains Abbey and set about designing the water gardens where their elegantly attired guests could stroll at leisure while enjoying views of the abbey ruins.

There is no record of King Richard III following the route of our tour of the abbeys and features around the eastern limits of the Yorkshire Dales, but he probably had reason to call on the abbots from time to time. If that was so, then if he was continuing over the moors towards say Bolton Abbey, then he would have been aware of Brimham Rocks. A side road going south from the Pateley Bridge road leads across the moors, to what is possibly the National Trust’s strangest property. Beyond the small car park, weirdly shaped massive rocks are dotted around a heather moor. Made from weather sculpted sandstone, it is easy to tie them with names given years ago, such as the blacksmith’s anvil, mushroom, or dancing bear. We couldn’t help renaming eagle rock, because from a certain angle it looks just like a political cartoonist’s depiction of the late Prime Minister Margaret Thatcher MP. A steep road drops sharply into Nidderdale, the Dale’s least known valley, and Pateley Bridge with its oldest sweet shop in Britain. Turning right off the Skipton road, the way we followed is alongside Gouthwaite Reservoir headed by the tiny village of Lofthouse. This is where many of the sturdily built stone houses appear to date from when the valley was first flooded. Beyond it a steep, half deserted winding road climbs upwards to cross ten and a half miles of High Ash Head moorland back to Masham – not a road to contemplate in a blizzard!

www.countryimagesmagazine.co.uk | 11

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Woolley’s drawing c. 1712. (not wholly accurate)

Cockpit Hill House Derby

The

Lost Houses of Derbyshire

by Maxwell Craven

‘On the west side of the Mill Stream is a good house, built by Mr. Beardsley – on the side of a hill on which was formerly a castle still called Castle Hill, but by others Cockpit Hill.’

- Written in 1713, William Woolley, Derbyshire’s first historian, of Cockpit Hill House.

This enigmatic building suffers from having been demolished before the era of photography, so our only record of it is a sketch made by Woolley himself (not a particularly accurate recorder in this medium),

and views included incidentally amongst the plethora of East Prospects of Derby painted or drawn of the Borough between 1695 and 1735.

www.countryimagesmagazine.co.uk | 17

The house also appears in Glover’s History and Gazetteer of Derbyshire as a woodcut by Orlando Jewitt, an excellent artist, but as the house had by the date of first publication been demolished almost a decade, one wonders why it was included at all.

Worse, Jewett was unable to draw it from life, so merely made a more workmanlike copy of Woolley’s drawing, thus adding absolutely nothing to our knowledge of its appearance.

For all the difficulty of trying to understand what it looked like, there is much we can say of it.

It was, for instance, a classic example of the Dutch style of architecture imported into this country after the Restoration and which underwent a revival with the accession of Dutch King

Above: The house from the south (foreground), detail of a panoramic view of Castlefields, c 1735.The gables are completely wrong, but the cross windows show up well.

[Museums Trust]

Right: Ashdown Park, Berks., a house of very similar size to Cockpit Hill House with surviving topcupola and balustrade, but earlier, 1663, with no gables, although Dutch in style.

18 | www.countryimagesmagazine.co.uk

William III in 1688, thanks to the desire of the Whig élite to trip over themselves to ingratiate themselves with the new regime: tall, compact and classical.

The house was tall and narrow, like an Elizabethan tower house – Wothorpe, just outside Stamford springs to mind, Lincolnshire, as does Tupton Hall, described here a couple of years ago. It was brick built with stone dressings, of three storeys, five close-set bays of windows being grouped together on each of its four sides in stone surrounds with brief entablatures above each and quoins at the angles. We know from two of the East Prospects that the windows were of the mullion and transom cross type, with iron casements (as survive at the Green Man St. Peter’s street), but Woolley

wrongly shows it sashed with three over five pane glazing bars. As Woolley’s sketch was probably done in 1712 and the two East Prospects are c. 1730, we have to conclude that Woolley may have made a quick sketch on site and then worked it up at home, giving the house its rather more modern windows in the process.

There was a horizontal band between the floors and the second storey was treated by the architect as an attic (despite being full-height) to allow for a parapet from which rose on each side a pair of Dutch gables and the windows here given pediments. Most people call any shaped gable ‘Dutch’ but strictly speaking, they have to be topped with a pediment, as at Cockpit Hill House, where the gables were

so treated and supported on curved volutes and topped with ball finials: very correct. Even more true to the Dutch idiom (although not at all apparent in Woolley’s drawing) was a flat top to the roof with a timber balustrade between the panelled chimneys surrounding a tall central lantern or cupola enabling guests to emerge and safely take the air after supper on the roof. Similar ones in Derby surmounted the roof of 3, Market Place (Franceys’s House, where Kieran Mullin is) and Flamsteed’s House in Queen Street.

The best surviving example in the Midlands, although on a much grander scale, is the roof of Belton Hall (Lincolnshire); another, part of a house of very similar form to Cockpit Hill, is Lord Craven’s lodge at Ashdown, Berks., intended for Elizabeth, Winter Queen of Bohemia.

Woolley’s drawing (and hence Jewitt’s) also endows the side elevation with straight gables, more probably because Woolley had not the draughtsmanship to express them), but we know from the East Prospects (and a South prospect, too) that the gables were Dutch ones all round. The classic views show the entrance gates in Morledge, with ball finials to the gatepiers and a fine oval toplight above the front door, lighting the hall.

idyllic in 1692 when the house was built, but progressively less so in the decades that followed.

The builder was William Beardsley, a lead merchant with connections in Wirksworth, who married Rebecca Richardson and bought the site of the house, previously part of the grounds of the house near The Spot, latterly called Babington House, from William Sacheverell of Morley (whose town residence it was) for £180. We do not know who the architect was, but it could have been a London man, for Beardsley had trading connections on the capital.

However, Beardsley had died without issue by 1715, when it was in the hands of the Sitwells of Renishaw, no doubt intended by them as a town residence, but by 1722 they had sold to Coventry-born Thomas Bayly (1695-1734), who was Whig

We have no surviving account of the interior, but taking our cue from similar houses, like Ashdown Park, we may be sure that it boasted fielded oak panelling, at least in the dining room, quite possibly frescoed ceilings, as at Franceys’s House - and therefore likely to have been the work of Derby’s own fresco painter Francis Bassano (1675-1746). We might also suppose an oak staircase with bulgy balusters set upon a string, and a general ambience of understated luxury. The grounds boasted parterres and a small pavilion at the river bank:

Right: A true Dutch gable with cross windows, surviving on the Green Man (now Ryan’s Bar) St Peter’s Church Yard, Derby.

Above Right: The house from the anonymous East Prospect of c.

1730; the gables are wrong and the cupola too short and squat.

[Derby Museums Trust] www.countryimagesmagazine.co.uk | 19

MP for Derby from that year until 1727, having stepped in for William Stanhope of Elvaston who was temporarily absent abroad. His period in residence had seen the Derwent canalised by engineer George Sorocold to enable loaded boats to reach the Trent, which made access to the house’s garden across the river more difficult. On 25th October 1734 the Derby paper reported: ‘Yesterday morning dyed at his house on Cockpit Hill in this town Thomas Bailey [sic] Esquire who some years ago represented this Borough in Parliament’ On his death, his widow, a daughter of Sir Wolstan Dixie, 3rd Bt., of Market Bosworth, married Col. Hugh Lane of King’s Bromley and the house was sold.

The purchaser was William Chambers, a nephew of that

Left: Eagle Street, looking west from cockpit Hill, c.

1954: the street was pitched over the house’s garden in 1814, even while the house was still standing. [Derby Museums Trust] Above: Thomas Swanwick’s map of 1819 showing the site of the house, with a building already erected

Thomas Chambers (also a metals trader) who had built Exeter House. In 1745 we hear of the house again, as Lt. John Daniel, an officer in Bonnie Prince Charlie’s Highland Army, was billeted there 4th-6th December. As it happened, Chambers himself was rather unchivalrously away from home.

Mrs. Chamber was in a terrible lather of fear and apologies when Daniel and a fellow officer arrived.

She presented herself in her own hallway dramatically surrounded by all the household plate and valuables. On being asked the reason for this odd behaviour by her startled visitors, she is said to have tearfully cried out, ‘Take me, take my valuables, Good Sirs, but do not let your soldiers take my child!’ The officers assured her that, contrary to current malicious rumours, Scottish soldiers did not eat English babies, ravish

contiguously to the north.

The Morledge is top, Castle Street at the bottom and East Street (formerly Bag Lane) to the left.

Right: Cockpit Hill house from the east, 1728: from Nathaniel & Samuel Buck’s East Prospect. Note the cupola and balustrade.

20 | www.countryimagesmagazine.co.uk

women nor pillage and that their objective was to install on the throne their rightful sovereign.

They added that their only immediate aim was a good meal and an early night. Apparently, the atmosphere swiftly became cordial!

The child Mrs. Chambers sought to protect was Revd. Dr. William Chambers, later vicar of Ashchurch, Northamptonshire (but non-resident, as was the fashion then). He was in residence until his death in 1777, seemingly inured to the rapid changes being wrought to the setting of his house. Things began to change from 1734, when Bayly had died. The land across the Derwent, essentially part of The Holmes, was sold to William Evans,

a rich metal speculator from up-County, who immediately established a rolling and slitting mill to turn cakes of copper from his mines in Staffordshire into sheets for sheathing the hulls of naval ships. Chambers, indeed, was almost certainly a partner in the enterprise. This mill driven by the Derwent, was by-passed by the Derwent Navigation and must have been exceedingly noisy, as the production of sheet copper required much bashing with trip hammers powered by the river.

Later, Evans established an iron works astraddle the Mill Fleam, nearer the house, which was no doubt equally noisy.

Then, in 1750, the Cockpit Hill pottery factory was set up immediately adjacent by the beginning of Sidall’s Lane, which would have certainly been less noisy, but would have produced even more smoke from its kilns and furnaces. Whilst that enterprise was killed off by the failure of the Heath Brothers’ bank (which supported the enterprise financially) in 1779, the mills passed to Evans’s son in law and kinsman, the banker (solvent this time) Thomas Evans (1723-1814), and only ceased production in the mid-19th century. In 1791, William Hutton included the house in his resume of ‘good houses’ describing it as ‘Chambers, late Bailey’s’ and on describing the site of the lost adulterine castle, informs us that its vestiges were in ‘Mrs. Chambers’ orchard’ between the house and London Road.

Above: Orlando Jewitt’s copy of Woolley’s picture, as published in Simpson’s History of Derby (1826) and in Glover’s History and Gazetteer of Derbyshire.(1829/31)

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We know that the family was still in occupation in 1798 for the third son, Lancelot, then twenty-five, was living in the house with his widowed mother, Dorothy (née Rolleston of Watnall). That year, under an Act of Parliament, driven by the war against revolutionary France, a militia was raised, and Lancelot who ‘resided in an old mansion at the corner of Bag Lane and The Cockpit’ was approached and commissioned Lieutenant in the Derby Troop of the Volunteer Cavalry.

Yet it was Lancelot who eventually found the house too much. On inheriting from his mother in 1801, and once the alarums of war had died down and he could lay down his commission, he moved to Morden in Surrey, married and lived on into the 1850s. The house he failed (not unsurprisingly) to let, he sold in 1814, leading to the pitching of streets over the grounds: Eagle Street (1814), Albion Street and Albion Place (1822) and Bloom Street (around 1829). The house was, as Glover records, demolished in 1819 and the Albion Mill was built on the site.

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COOK UP A

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www.countryimagesmagazine.co.uk | 25

COOK UP A

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Monday & Wednesday 9am - 5pm, Friday 9am - 4pm, Saturday 9.30am - 4.30pm, Tuesday & Thursday by appointment www.countryimagesmagazine.co.uk | 33

Exploring

MATLOCK

by Maxwell Craven

Matlock started off as a collection of small settlements in the Middle Ages which, thanks to the coming of the railway and a consequent astonishing boom in demand for hydropathic health treatments, quickly became subsumed into a new, rather homogenous whole.

When it came to treatments, the Regency upper classes favoured Matlock Bath; the Victorian bourgeoisie, Matlock’s hydros.

I

say homogenous, because the main spur to expansion was the first of the successful hydros, founded by John Smedley in 1853, and which movement had all but burned out by the outbreak of the Great War 60 years later. To build so much housing, so many shops, chapels and other necessary adjuncts to life in just a few

34 | www.countryimagesmagazine.co.uk

decades produced a town of architectural uniformity.

Unrelieved locally quarried millstone grit buildings, often rock faced, few were designed by architects of any flair. What relieves the uniformity, though, is the topography and the views: the one vertiginous, the other incomparable. To pick out exceptional items of interest was, therefore our

intention when setting out.

This tour requires a walk that is practically vertical from north of Crown Square, so you need to be fit! We put our vehicle in a car park at the end of Olde Englishe Road, a right turn off the A6, here Dale Road, as you approach Matlock Bridge: ÂŁ2.50 for a couple of hours The street name, by the

way, is derived from a former large pub of ponderous arts-and-crafts appearance set on the corner with Dale Road. How it acquired its name is beyond comprehension, although we were told the additional ‘e’s are a more recent conceit. To get to Dale Road, however, we also passed a really rather good stone apartment block with the pleasant Cool River Bistro in its ground floor. Deservedly, we felt, it won the RIBA award for 2015.

Dale Road is lined with a motley selection of undistinguished late Victorian buildings, all shops, relieved only by a pair of former banks on the right, and almost at the end (ex-HSBC) with an angled entrance surmounted by a good turret clock in a pediment by Smith of Derby (1913), its stolid impact contrasting with the dignified provincial Baroque revival of the 1901 ex-NatWest, a really good building, probably by Derby’s

John Somes Story. We also dallied in the antiques emporium a little further along. This was once Matlock’s premier shopping street.

Yet, looking to our left, we spotted a curved Doric peristyle (a row of columns supporting an entablature to you and me) recently reconstructed after being demolished by an errant lorry, overborne by an impressive weeping elm, beyond which one can see the finest Georgian house in Matlock, stone-built ex-RBS Bank House. It looks early Georgian, but Clare Hartwell in the new Pevsner reckons it’s late 18th century; either way it presents a most elegant façade, despite clumsy extensions to right and left.

We decided to go for broke and tackle Bank Road, which rose straight up in front of us as we crossed the Medieval bridge over

Bottom Left: Former bank, Dale Road, with Smith of Derby clock. An angled entrance surmounted by a good turret clock in a pediment by Smith of Derby

the Derwent (tactfully widened on the south side in 1904) and encountered Crown Square, which modern traffic requirements has turned into Crown roundabout to no good effect. The Crown Inn, between Chesterfield and Bank Roads, with its teetering Louis XIV tower and openwork metal coronet, is no longer a pub but a Costa.

Opposite, backing on to Hall Leys Park is the jolly Arts-and-Crafts Nationwide Building Society building, ornamental black and white gables on two fronts joined by a drum tower with a finialled lead dome.

The square boasted a pavilion-style tram shelter from 1899 to 1927, but this went to leave only a small island bearing a crown apparently made of roller bearings sat on a concrete cushion, complete with tassels. Even its lack, though, reminded us that it was from here that cable-operated counterbalanced tramcars operated, bankrolled by locally born publisher of Tit-Bits, Sir George Newnes, to obviate the punishing climb up the Bank and Rutland Street.

We of course, felt we were made of sterner stuff and tackled the Bank.

A few notable buildings, including a

Opposite Page: Crown Square looking along Chesterfield Road, former Crown Inn to the left, and former Derbyshire Building Society, now Nationwide to right.

Far Left: Parker & Unwin’s dramatic Rockside Hydro looming over Wellington Street.

Left: Bank Road welcome seat Below: Parkside Apartments from Olde Englishe Lane, car park behind, with rear of Craven State Chariot protruding..

www.countryimagesmagazine.co.uk | 35

Exploring

Top: Smedley St, Smedley’s Hydro, left and the two double-decker access bridges.

MATLOCK

Bottom: Bank Road, Primitive Methodist chapel (former) with its Sunday School below it.

ʻMad’ King Ludwig II of Bavaria would have loved it

plethora of dissenting chapels (all, oddly, on the east side) marked the ascent, including Bridge House of 1861, extended as a hydro later, extended around 1900 with tall first floor arcaded windows as the Town Hall, but now still serving municipal duty for Derbyshire Dales Council.

The churches included Our Lady & St Joseph’s (RC) by Derby’s tragically short-lived Edward Fryer of 1883; further up beyond a pair of good Georgian style modern stone

houses, the Methodist/ URC chapel of 1882 with its spindly tower and spire tacked on in rockfaced ashlar in 1900.

Beyond again, the odd matching pair of Primitive Methodist chapel and school, in rather odd Gothic with miniscule flying buttresses along the sides.

For those even more unfit than Carole and me, a welcome seat has been installed just below Smedley Street which is ideally placed to provide respite from the relentless ascent. This brought us to Smedley Street, on the corner of which stands the 1853 hydro founded by John Smedley, notorious a few decades back

36 | www.countryimagesmagazine.co.uk

as the ‘Matlock Kremlin’, but a building of stupendous size, extended by Smedley himself with a new range to the east in 1867, magnificently lavish interiors (no wonder it was chosen as the County Council’s HQ in 1955!) and stretched again in castellated style to the NW, ending in the domed 1900 winter garden.

The latter we saw from Smedley Street, having passed the grand entrance of the hydro of 1885, by G E Statham of Matlock, although walking down the street is like a journey up a man-made canyon between stone cliffs, for the road is not wide and the ashlared walls of the hydro are tall, one side being connected to the other by a striking pair of double decker bridges. Smedley obviously liked these, building another at his mills at Lea. We enjoyed the front of the solarium annexe half way along on the right, glass and timber mullions, rather impressive. At the end, some late Georgian cottages, wrecked by uPVC windows, before we turned sharp right into Wellington

Street, the date of which is fixed by the national outpouring of grief on the Iron Duke’s death in 1852.

As a result, there are earlier houses either side with a couple of much earlier – perhaps early 18th century – cottages which you can pick out on early photographs in which one can see nothing but the hydro and the earlier farmsteads dotting the green hillside. Soon, we reached steps ascending to our left and, keen to see Matlock’s finest building, we ascended, debouched into a narrow lane and ended up in Cavendish Road.

Here we turned right between staid Victorian villas until, there it was: Rockside Hydro. As we ascended a seemingly interminable stepped lane to Rockside Road, it had begun to dominate the skyline, its architectural bravura making an indelible impression. Yet what you see today is all that was built of an ambitious extension to a Classical hydro of 1862 added in 1904 to the designs of Sir Barry Parker and Raymond Unwin, a post-Arts-and Crafts partnership which began in Buxton and eventually went on to fame designing Letchworth Garden City and other ground breaking schemes.

Five stories and attics, narrow end to the slope, high roof with dormered rows of lights set off by tall stacks are framed by a pair of epic, slim, octagonal towers with conical tops and lanterns: ‘Mad’ King Ludwig II of Bavaria would have loved it, if set amidst the Alps. The effect here is nearly as spectacular. We looked at it from

above though, to enjoy the way it was designed and the manner in which it had been converted first into a teacher training collage and more recently into luxury flats.

From, Rockside Hydro (from which terrific views of Riber Castle now restored, Masson Hill and the Derwent Valley) we continued down Cavendish Road and right into Wellington Street, descending further by taking a ginnel to our right down into Rutland Street.

Here we were confronted by a really enjoyable late Victorian building, irregular, but with enough pretension to stand out, now a motor garage, but built in 1893 as the tram depôt. This was designed

by J. J. Turner for George Newnes in 1893, and engaged us with its quirky gables embellished with bold finials set on plain pilasters, artfully contrived offices and a separate boiler house still fronting the huge broached stump of the long-lost boiler house chimney.

It is now distinguished by a blue plaque to mark its origin.

Top: Steep Turnpike, former Harley House coach house, blocked carriage arch, opposite Harley House, scene of the Benn murder, 1883.

Left and above: Rutland Street, Matlock House Hydro after conversion to a school (from the invitation to its opening 11/3/1926), now Rutland Court apartments

From here we continued on down Rutland Street, past Rutland House, an 1863 former hydro with three bays facing the street but eleven facing down the hill, of three storeys, the roof peppered with dormers and chimneys. It was once Matlock House Hydro. From there we turned into Smedley Street to reach Chesterfield Road, on the corner of which was a really delightful former chapel, almost classical, but mid-Victorian in date.

We were unable to discover its origin.

Chesterfield Road is of no particular interest, but gives onto Steep Turnpike on the right, a steep narrow descent back almost to Crown Square. The house on the right was yet another former hydro, but past the anodyne Evangelical chapel below it we came to a good late Georgian house (probably 1850s if truth be known) on the left with stone a coach house on the opposite side of the road with a blocked carriage arch. This was once Harley House Hotel where, in 1883, the late Viscount Stansgate’s greatgrandfather, the Revd. Julius Benn, was killed by a blow to the head with a chamber pot wielded by his dippy son, William. William found guilty but insane, was eventually released, married and was father to the well-remembered character actress Dame Margaret Rutherford. Honestly, these aristocrats: no blue plaque there!

At the foot of Steep Turnpike, having passed the Matlock library (housed in a good Regency villa called The Firs), we

www.countryimagesmagazine.co.uk | 37

crossed the main road, and entered Hall Leys Park, a Victorian pleasure ground still largely unspoilt in which the former tram shelter from Crown Square now sits. Here a comfort stop may be made (at a cost of 20p). We went half left across the sward until we reached the modern footbridge across the Derwent. This gave us a great view of the river and of the backs of the Dale Road buildings, and debouched on to the car-park, where we were able to choose between finding a good pub or the car to go home.

As the walk was quite two miles and had taken an hour and a half (including time to enjoy things) we headed for the former, which was not as easy as oner might think. Because Matlock had very little existence prior to the coming of the Manchester, Buxton and Midland Junction Railway in 1849, there were never that many pubs. The Hydros had their own catering, and the few old pubs there were, are all gone, even the ghastly Old Englishe is now a bistro. This in contrast to our experience of Ilkeston a month before, where there was an embarras de richesse. We chose the Monk Bar at the end of the lane in Dale Road: absolutely no complaints!

Far Right: Smedley Street: façade of the solarijum annexe

by G E Statham Right: The vertiginous Rockside Steps.

Below: A The reconstructed peristyle, in baseless Doric.

Walking around Matlock was exceedingly pleasant. We resolved soon to do a further perambulation around Old Matlock (which it was not possible to take in on this occasion), which still retains a village atmosphere.

But whatever you may think of our itinerary, you’ll certainly feel ready for a bath and an early night after doing it!

All Pictures credited to MC, taken 26.07.20

Then and Now

38 | www.countryimagesmagazine.co.uk

Left: Tram depot at completion 1893, from an old postcard.

Right: Rutland Street, former Tram Depot

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Gardening in September

S

eptember already ? it seemed like 2 minutes ago since I was wishing the plants and trees would burst into life and now I`m seeing berries on trees and shrubs. I`m planning projects for next Spring as some people have written off this year and are focusing on 2021.

What a busy month it is , I’ve already had emails from readers who have come back from holiday and fear that their plants are dead OR water logged, and the “perennial” question is ‘when is the best time to start Autumn

and Winter Bedding?’ Well most garden centres have seasonal bedding already in stock now so it’s just when you feel your plants have seen the best of the flowers or if the plants look tired.

Come and see me at the Belvoir Flower Festival 5th and 6th of September at Belvoir Castle where I will be answering your gardening questions in person.

Before I forget, you need to start planting spring flowering bulbs this month. Many plant nurseries and garden centres will be stocking their new season Spring flowering bulbs such as Hyacinths, Narcissus (Daffodils), Crocus and Tulips.

There are a number of ways bulbs are sold:

40 | www.countryimagesmagazine.co.uk

1. Loose – Often the cheapest way to buy (no extra packaging) and you can closely inspect the bulbs before you buy. Usually a bigger “Grade” (size) of bulb for your money.

2. In Packs – Avery quick way of buying bulbs, also, with the nice picture on the front of the packet you don’t forget what you have purchased. If it`s your first time buying bulbs, then this is the best way as there will be good planting instructions.

3. On-line – No inspection before you buy, usually a smaller “Grade” (size) bulb, can be cheap with added delivery charge.

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www.countryimagesmagazine.co.uk | 41

Gardening in September Allotment or Vegetable Patch:

General Garden Maintenance:

• Pick Apples, Pears, Plums and Gages as they ripen, wrapping Apples in paper for storage.

• Plant Spring Cabbage plants now.

• Save seeds from good varieties of beans for sowing next year.

• Buy strawberry plants now, late Summer / Autumn is always the best time to plant.

• Prune out fruited blackberry stems and tie in new ones.

• Lift and store onions • Cut down the ferny shoots of Asparagus to soil level.

In the Greenhouse: • Line greenhouses with bubble wrap for insulation if temperatures start to fall at night.

• Clear out exhausted crops and wash down glazing, staging and framework with a garden disinfectant.

• Plant dwarf bulbs in pots including Iris, Crocus, Chionodoxa and Scilla which should be on sale now in garden centres and nurseries.

• Towards the end of this month wash off greenhouse shading paint.

42 | www.countryimagesmagazine.co.uk

• Fill compost heaps with old flower heads and stems from around the garden. Make sure not to compost diseased leaves.

• Improve drainage on compacted lawns by spiking the ground with a fork or aerator and apply lawn sand + sulphate of Iron to green up the lawn and kill moss.

• Collect, wash with a garden disinfectant and store away canes, plant supports and pots.

• Trim hedges to keep them neat and to control their size, this is possibly the last cut of the year.

• Lookout for leatherjackets, found now on lawns, with a suitable • insecticide or biological control.

• Collect any fallen leaves from around roses to reduce the risk of diseases carrying over to next season.

• Prune rambling/climbing roses back after flowering.

• Grow bulbs in “aquatic” baskets ready to drop into gaps in the border in Spring.

• Prepare ground ready for planting spring bulbs, by adding sand or a good bulb planting compost.

• Plant new evergreen hedges such as Laurel, Conifer, Pyracantha and Escallonia.

• Clear away faded bedding plants from borders and containers - then compost plants.

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Re-Planting after the holidays or for a bit of much needed colour?

Here are 3 that look good during September.

Abelia `Kaleidoscope` In my top 3 of favourite shrubs, compact evergreen shrub with lemon yellow , variegated leaves that turn a beautiful orange red in autumn and winter which gives outstanding colour throughout winter. During the year at various times this shrub has white trumpet flowers that Bees love. Ideal for a border or container.

Lonicera “Copper Beauty”

Photinia `Little Red Robin` Dense evergreen shrub, with vivid bright red new growth throughout the year as it grows. Pruning regularly helps promote new growth and makes is even denser. Good shrub for the border but is a great alternative to box balls in pots.

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The start of a

NEW ACT at the

PALACE THEATRE

M

ansfield Palace Theatre is entering a new phase in its history and the start of a new act, with the appointment of Sian Booth as Cultural Services Manager. Sian will oversee the Theatre and Mansfield Museum, as well as the wider cultural offer from Mansfield District Council.

Sian joins the team from Doncaster’s Cast theatre, where she was Head of Marketing and Communications.

Originally from Nottingham, Sian studied Drama at the University of Hull, which will forever be The City of Culture to her.

Sian has worked for a range of venues including Nottingham Theatre Royal, Nottingham Playhouse, Buxton Opera House and Sheffield Theatres. She also worked for Opera North, turning her into an opera lover.

A key role for Sian was with Phoenix Dance Theatre. Phoenix Dance was founded by three young black men from Leeds in the 1980s, and has stood for almost 40 years as an internationally acclaimed dance company. In working at Phoenix Dance, Sian came to understand that when opportunities are created that are fair and inclusive, amazing things happen. Sian intends to use her leadership to celebrate the spirit of diversity and bring about long-lasting change to end racist practices where they exist within our structures, sector and communities.

The most impactful stage of Sian’s career has been working for the Cast Theatre in Doncaster. Like Mansfield in many ways, Doncaster has a range of well-loved cultural assets and creative opportunities that surface in spite of significant hardship and challenges in the district.

Sian says, “Cast embody the spirit of their local people, an aspiration I hope to build on here in Mansfield. I’m thrilled to have been part of the team that secured Cast ‘Theatre of Sanctuary’ status, in recognition of its work with refugees and asylum seekers”.

She adds, “Cast prides itself on having a ‘Gold Standard’ in accessibility, and for the last four years I’ve been

asking customers what they need, listening, and doing something about it. This is something I intend on doing here in Mansfield. It’s led to my proudest achievements such as simplifying ticketing, free tickets for carers, free ear defenders and lots of training for the front line team like LGBTQ Awareness”.

Further to inclusion and accessibility achievements, Sian had progressed fundraising for the Yorkshire venue.

She reflects saying, “Thanks to the Arts Council, in 2016 the Cast saw a major shift in its fundraising capability. Joining a team of dedicated fundraisers I’m proud to have raised thousands of pounds for the charity. Communities come first for me, and I’ll be taking with me the work I’ve done with engaging Doncaster’s African Caribbean communities and the local deaf community. Effective community work is about supporting needs and I’ve a really good track record in supporting those with dementia and reducing stigma for sensory processing issues”.

Changing jobs at a time of national crisis in the Arts sector is daunting for anyone.

Sian recalls how before leaving the Cast, whilst its future looked uncertain, she was one of only three staff not furloughed. She is however excited to start this new chapter in her career at Mansfield Palace Theatre.

Sian has many interests outside of work time. She is Chair of the Board for a feminist, body confidence theatre company ‘The Roaring Girls’; and is also on the Local Governing Board for Doncaster’s University Technical Collage. She also runs a small charity ‘Create You Arts’ with her twin sister, which supports families who come together through adoption. In addition they are due to publish a children’s book later this year, funded by ‘The Mighty Creatives’, which tells a modern adoption story.

Always on the go and thriving on being busy with projects and her family, Sian revealed how she returned to work within eight weeks of giving birth to her son, something that she describes as

48 | www.countryimagesmagazine.co.uk

impossible without the support of the team at Cast. Sian actively campaigns to reduce taboos and stigma around breastfeeding and expressing breastmilk in public and the workplace. She intends to prioritise in her work at Mansfield young families and children under 5 years old. Sian states, “I want to create a culture where families feel safe to learn and grow and parents are free to feed their young children, in whatever way they choose, as part of Mansfield’s cultural offering”.

Sian said, “My first few weeks have been brilliant. I’m not too fazed by video calls or this new way of working, and I’ve had some really exciting conversations with a range of staff from across the Theatre, Museum and the wider council”.

Looking to the immediate future Sian and the team will be looking into the Theatre and Museum’s response to the pandemic. Hundreds of thousands of local people pass through the town’s cultural services each year. Sian believes there is a commitment to those people, to enrich their lives with amazing culture on their doorstep. Naturally this will be in a way that is safe and inclusive.

The newly appointed Cultural Services Manager states, “I thrive in teams, and I look forward to working with our hugely experienced and knowledgeable colleagues to shape the future of our Cultural Services. I’m really excited to be exploring ways in which our cultural offer can add value to our wider civic agenda, and can already see loads of ways that we can collaborate closely with our partners across the District Council and beyond”.

So whilst it’s curtain up for Sian, the venue prepares to make further plans and announcements in response to the Covid crisis. Whatever lies ahead for the Palace and Museum, it’s sure to be a show stopping moment in the venues rich history and future development.

IMAGES LEISURE TIME Celebrity Interview | Walk | Diary | Gallery | Food & Drink

Quiz question: Who is James Graham? Is he (a) the writer of the TV drama about the coughing scandal on Who Wants To Be A Millionaire?; (b) a collaborator working on a new musical with Elton John; (c) the winner of an Olivier Award for a comedy; or (d) the man who penned an episode of the Netflix Royal family series The Crown?

Steve Orme interviews

James Graham

www.countryimagesmagazine.co.uk | 49

James traveled back to the 1970s for his political docu-drama ‘This House’ starring Vincent Franklin, Philip Glenister (Life on Mars) and Lauren O’Neil If you picked any of those, you’d be correct. James Graham from Kirkbyin-Ashfield, Nottinghamshire has been writing professionally for 15 years, in that time having one of his works voted play of the decade and being appointed OBE for services to drama and young people.

The 38-year-old playwright began at the age of six tapping out short stories on a typewriter. Now his work

“When Michael Sheen he first walked onto the set, with his wig and his tan, and started to transform into Chris Tarrant, I was giddy like a schoolchild.

You don’t think you’ll get to work with such famous talent and brilliant actors.”

gets praise from critics as well as the public, with one national journalist describing him as “a writer of rare talent”.

That was evident during the three-part television series Quiz which analysed whether Charles and Diana Ingram and accomplice Tecwen Whittock cheated to win the top prize on Millionaire.

More than ten million people tuned in to the drama which aired for three consecutive nights. It’s the most-watched drama on television this year. The cast featured Michael Sheen as Chris Tarrant, with Matthew Macfadyen and Sian Clifford as the Ingrams.

James was thrilled by the reaction to Quiz and considers himself lucky to be able to write a television drama which started on primetime: Easter Monday.

“As someone who lives and breathes sharing work and engaging with an audience, to be able to share Quiz in quarantine with people who were locked in their homes wanting entertainment felt like a huge privilege.

50 | www.countryimagesmagazine.co.uk

was in some cases it was the first time that families had sat down and watched the same thing with their kids in the same room on the same device, as opposed to being in different rooms of the house watching different things. That was really exciting.”

James admits that he has a fixation with Who Wants to be a Millionaire?

“I absolutely fell in love with it as a kid, watching it at my grandparents’ house in Mansfield on a Saturday night. I was obsessed with the coughing major trial as much as anybody else and whether these relatively well-to-do, respectable people had tried to steal a million pounds live in front of cameras and a studio audience. That’s such a compelling story.”

When writers pen a TV drama, they may not meet the cast until they start recording, unlike a theatre production where actors can have weeks in the rehearsal room. James didn’t meet Michael Sheen until he arrived on set.

“Michael had just flown in from filming an American TV drama. When he

Both Above: Matthew Macfadyen as Charles Ingram. Sian Clifford as Diana Ingram Top Right: Michael Sheen as Chris Tarrant first walked onto the set, with his wig and his tan, and started to transform into Chris Tarrant, I was giddy like a schoolchild. You don’t think you’ll get to work with such famous talent and brilliant actors.

“The reason I fell in love with Michael as an actor was because of his political work, being Tony Blair and David Frost.

“To be honest, we didn’t know when we offered Michael the part whether he would think it silly and ludicrous, the idea of representing Chris Tarrant and a supporting role as well – not the lead part.

“I was grateful that he seemed so fixated and compelled by this story that he was willing to have a laugh and give it a go.”

Born on 8 July 1982, James Graham went to Kirkby Woodhouse primary school and Ashfield School. He developed his love of plays and theatre at Ashfield before becoming the first in his family to go to university, studying drama at Hull.

James will be going to Buckingham Palace on a date yet to be decided to pick up his OBE.

While there he teamed up with another former Ashfield pupil, Gary Roden, to write a play, Coal Not Dole, which they took to the Edinburgh Festival in 2002.

Growing up in Nottinghamshire, surrounded by down-to-earth people who weren’t afraid to say what they thought, influenced James’ writing.

“My access to art was through school plays and going to see pantos at Nottingham Theatre Royal. I remember seeing some Shakespeare that was touring to the Theatre Royal as well. I saw Pete Postlethwaite playing Macbeth which was hugely influential on me. I was inspired by that.

“Normally in certain areas there’s a level of ideological conformity. I always admired and loved my little pocket of north Nottinghamshire because it’s been incredibly inconsistent. If you look at the miners’ strike, in the heart of Nottingham miners went back to work and formed a breakaway union. In my villages they were often split down the middle with different people making different choices.

“I think that’s instilled in me a desire to see different sides and a balance in my political writing.”

James’ first major play, This House, is set in the Palace of Westminster in the whips’ office between the 1974 general election and a vote of no confidence in the government of James Callaghan five years later.

It premiered at London’s National

Theatre in 2012 and in a public vote received the accolade Play of the Decade.

In 2018 James won an Olivier Award for his play Labour of Love – another political offering. It tells the story of a Labour MP over 25 years in Kirkby-inAshfield. Surprisingly the award was for best new comedy. James stresses that he tries to put comedy into his plays.

“Having not grown up with a huge amount of theatre, I think what’s important is make people want to come and have a good night as opposed to staying at home and watching Netflix. I think you have a responsibility to entertain.

“Labour of Love was such a joy because I set it in the constituency office of the Labour Party in Ashfield.

The sound of that accent, those colloquialisms and ‘ayup me ducks’ – it was such a mischievous treat to place that on a West End stage. The fact that I got an Olivier was the icing on the cake.”

James’ other successes include Ink, a play about the early days of Rupert Murdoch; a film for Channel 4, Brexit: An Uncivil War, which starred Benedict Cumberbatch as Dominic Cummings, at that time campaign director of the Brexit-supporting group Vote Leave; and an episode of The Crown about the investiture of the Prince of Wales.

On top of that, James wrote the script for the musical Finding Neverland, with Gary Barlow providing the songs, and he is now writing a musical with Elton John.

www.countryimagesmagazine.co.uk | 51

Philip Glenister as Walter Harrison and Charles Edwards as Jack Weatherill in ‘This House’ A director who was working with Elton approached James to work on a story about a 1980s television evangelist who Elton admired because of her sympathy towards the AIDS community.

So what does James look for when he starts a new project?

“I always enjoy finding quirky, very British, idiosyncratic tales of obsessiveness that somehow illuminate something greater about the state of our nation, what that says about us and our politics and our nature.

“I have fun and entertain while trying to answer some questions as well.”

James acted at school and university and enjoyed it – but he feels acting is probably an even harder and more precarious profession than playwriting.

“At least with being a writer you can generate your own ideas. As much as performing on stage and having all that attention is fun, I quite like being alone in my room with the windows and doors closed. Most of the time it suits my nature.”

James’ mum, stepdad and the rest of his family still live in Nottinghamshire and he tries to see them as much as possible. He’s also an associate artist at Nottingham Playhouse, which means working with the artistic team

to share ideas and provide support.

But with the theatre closed, many productions are on hold or have been cancelled.

Quiz started life as a play and a revival should have toured to the Theatre Royal in Nottingham. The tour has been postponed.

But James has plenty to be going on with, apart from the musical with Elton John. He’s working on another political play, this time about former Prime Minister John Major.

“This is going to sound like the most boring play in the world but I find him incredibly interesting. He’s presented as quite grey but he’s always fascinated me. The play’s about his struggles with his own party against the backdrop of huge tensions in the Conservatives Party regarding Europe and the Maastricht vote.”

Another project pushed back because of coronavirus is an idea that Michael Sheen put to James. “It’s a three-part drama set in Port Talbot where Michael’s from.

“It’s a depiction of social unrest.

We thought a lot of the things such as military lockdowns were too fantastical but it’s funny how sometimes reality makes things that you think are far-fetched more realistic than you’d hoped.”

And then, of course, James will be

52 | www.countryimagesmagazine.co.uk

going to Buckingham Palace on a date yet to be decided to pick up his OBE. “It’ll be a special day when it happens. It was a huge surprise (to be nominated). Very briefly a thought runs through your head that as a political playwright whose job it is to interrogate and scrutinise the establishment, do you feel bad being part of that establishment? But I quickly got over myself because I knew it would mean a lot to my family.”

Theatre audiences have been deprived of James Graham’s talents during lockdown. But the man who spends most of his life “on my own, in my own head” has been as prolific as ever. It will be fascinating to see what this writer of rare talent comes up with next.

A Walk INTO THE PAST THROUGH FIVE HISTORIC SITES with Rambler

H

istory is everywhere with us in the Peak District. People have lived on and shaped the land for thousands of years, from the erectors of prehistoric standing stones and henges, right down to the current developments needed to house today’s expanding population.

This walk touches a sample of five different ways the Peak has been affected throughout the centuries, each one leaving its mark as time moves on. The walk starts and finishes at Monyash, a small village on the limestone uplands, where farming is still the major occupation of many of its residents. Their predecessors left their mark when, in the eighteenth century, the Enclosure Acts allowed landowners to define field patterns, creating a maze of dry-stone walls typifying the Derbyshire landscape to this day. The next relic will probably be unnoticed, but the Roman road from Derby to Buxton will be crossed twice along the way. After crossing this road and its modern equivalent, the A515, a footpath drops down to the High Peak Trail, a walking and cycling track following part of the abandoned railway from Cromford to Buxton. Next comes the highlight of the walk, Arbor Low. Here is a stone circle built by our neolithic ancestors around 5,000 years ago, once the land became usable after the end of the Ice Age. Finally, the modern dairy and sheep farm at One Ash Grange started life as a monastic penitencery for recalcitrant monks from Roche Abbey near Rotherham.

The walk is suitable for all weathers, and has gentle gradients throughout.

At the start, the way is across tiny meadows and along green lanes.

Beyond the A515, the few miles of level walking on the High Peak Trail are just made for striding out while enjoying the wide ranging views across the rolling Derbyshire limestone uplands. Next comes a short but unavoidable stretch of road walking.

This is to reach Abor Low and also the turn-off for One Ash Grange Farm.

Fortunately the normally quiet road between Parsley Hay and Youlgreave is generally used by local traffic, but never-the-less it should be walked with care. From One Ash Grange the way back to Monyash is along a footpath across a series of fields, eventually reaching one of the access roads into the village.

the White Peak, the limestone based part of the Peak District, where the villagers often had to carry water for miles, Monyash is uniquely endowed with four meres (five if you count filled-in Jack Mere, now the village car park). A ‘mere’ is the Derbyshire word for a man-made pond, used to store water. The meres owe their existence to a deep bed of watertight clay laid down at the end of the last ice-age some 10,000 years ago, making them possibly the oldest feature in the landscape.

Monyash has a single pub, the Bull’s Head and next to it, the old smithy has been converted into a popular café.

Narrow lanes radiate from the village green and footpaths seem to go in all directions. The village has access to Lathkill Dale.

When talking about the history of places and features along the walk, Monyash can claim to have its roots in prehistory. Situated in the heart of

Alongside these five historical features, prehistoric burial mounds and capped lead mine shafts scattered around the fields were left by our recent ancestors, each and every one as well as us, leaving theirs and our mark on the landscape for good or bad. www.countryimagesmagazine.co.uk | 53

USEFUL INFORMATION DISTANCE: 9¼ miles (15km) of moderate walking on field paths, green lanes, historic railway trail and by-roads. Fairly level walking all the way.

RECOMMENDED MAP: Ordnance Survey Outdoor Leisure Sheet OL24, White Peak Area.

PUBLIC TRANSPORT: Hulleys Bakewell/Monyash 178 service Monday – Saturday, hourly service from 09:55. One bus only on Sunday & Bank Holidays, (177 Bakewell/Buxton via Monyash) at 11:50 out and 15:28 back.

CAR PARKING: Jack Mere opposite the Methodist Chapel in Chapel Street, Monyash.

REFRESHMENTS: Bull’s Head Inn and Smithy Café in Monyash.

Light refreshments at Parsley Hay cycle hire and information centre.

THE WALK • From Jack Mere car park on Chapel Street, go through the adjacent stone stile and bearing left walk past the last of a row of cottages.

• The next section of the walk is across a series of narrow fields dating back to the Enclosure Act of 1771, defining shared plots in what were originally three huge communal fields. Bear half left away from the cottage and follow the grassy path using stiles in the stone boundary walls of seven narrow fields and an access track.

• Joining a farm track, turn right and follow it past a stone barn for about a quarter of a mile.

• At the junction of five tracks, turn sharply left and follow the walledstraight track for a little under one mile.

• Go past the donkey sanctuary and, on reaching the main A515 Buxton/ Ashbourne road turn right towards the front of the Bull-I’-Thorn for four or five yards and then left. All the time on the lookout for speeding traffic, cross over, aiming for a signposted stile.

The modern road is parallel to the

Roman Road from Derby to Buxton and you will cross its position a yard or so after entering the first field beyond the A515.

• Go down the field to a stile next to a footpath sign. Cross this and bear half left, still downhill to the railway track.

• Climb up to the track and turn left.

This is the High Peak Trail which is followed for a couple of miles.

High Peak Trail follows part of the 33 mile Cromford and High Peak Railway, first opened in 1831 as a link between Cromford and High Peak Canal at Whaley Bridge. Built by canal engineers, it climbed steep inclines, the equivalent to canal locks, by using steam-powered cables; the stations were called wharfs.

• Parsley Hay cycle hire depot marks the end of this section of the walk.

Call in for a coffee and then walk through the small car park and go down to the road.

• Turn left along this side road and walk up to the main road. Turn left, again with great care, and cross over to reach the minor road signposted to Monyash, Youlgreave and Arbor Low.

54 | www.countryimagesmagazine.co.uk

• Turn right to follow this road, bearing right at a junction after 200yards. Walk along this arrow-straight road for about a mile until you reach a sign pointing to Arbor Low. • Leave the road by turning right up a farm track, following it as far as a small car park (there is an honesty box here to help with site maintenance). Go through the farmyard and then a kissing gate. Turn left to follow the stone wall leading to Arbor Low. Arbor Low is Derbyshire’s answer to Stonehenge. Built by our Neolithic ancestors. Unusually the circle of stones are not upright, but lie flat as though radiating from the central altar. As each stone is not upright and lies at roughly the same angle, it looks as though they were deliberately laid that way. But imagine the effort dragging them to the site as well as digging the surrounding earth bank, armed with nothing better than deer antlers.

By following the road up to Arbor Low, you will have made a second crossing of the Roman Road; hereabouts its modern use is to define the local parish boundary.

• After exploring Arbor Low, go back to the road and turn right for a little over 700 yards.

• Walk up the road until it makes a gently right-hand bend. Look out for a signpost on your left and climb over a stile.

• Go diagonally right across two fields until you reach a farm access track. Following it, walk on to reach Cales Farm.

• Continue along the track, through the farmyard and go down then across Cales Dale.

• To follow the right of way keep to the left of the track, bearing right over a small field to reach the right-hand end of One Ash Grange farmhouse.

• Turn left past old stone outbuildings and pig sties. Go right and then left through a gate at the far end of the in-by farm buildings.

One Ash Grange Farm dates back to the twelfth century when it was developed by Cistercian monks as a grange farm. One of the out-buildings, an ice store passed earlier could well date from this time.

To Buxton

• Keeping to the right of the field boundary wall walk on until you reach a stone stile on your left.

Cross over and then bear sharp right, going downhill beside a boundary wall across a series of fields.

• Cross the head of dry Fern Dale and continue upwards to join a walled track. Follow this until it becomes a narrow road leading directly into Monyash

Monyash

Hurdlow

To Ashbounre

Parsley Hay

Norma Gent Derbyshire Artist

Pets, Portraits, Scenes, Still Life, Executive Caricatures, Victorian Life.

◆

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www.countryimagesmagazine.co.uk | 55

Looking ahead…

With so much uncertainty on when and how local theatres can open many are now putting together their 2021 programmes with earnest in expectation of being able to proceed with them. Please check web sites for regular updates.

Royal Centre Nottingham & Concert Hall 0115 989 5555 www.trch.co.uk

What’s on diary@imagespublishing.co.uk

YES May 23rd 2021 Alan White says “I can’t wait to be on stage again in front of real audiences playing ‘YES’ music “Please take care and stay safe, we want to see our many fans and friends again in 2021!” P£47.50 - £87.50 plus Meet and Greet package available.

PAUL SMITH Saturday 3 July 2021 8pm £24.50

LOST IN MUSIC Saturday 18 September 2021 7.30pmTickets £24.50 - £30.50 Derby Live. Box Office 01332 255800 www.derbylive.co.uk

The online festival will take place on the same dates as the original event featuring concerts from many of the artists who were booked to appear in person in the city, including John Tams and Barry Coope, Lucy Ward, Kathryn Roberts and Sean Lakeman, Winter Wilson, and Kitty Macfarlane, and a host of other wonderful performers.

The concerts will be streamed in a curated series of four festival sessions, running for three hours each, with one on the Friday, two on Saturday and one on Sunday.

Alongside the concerts, there will be lots of other content, such as interviews and more to keep you entertained, as well as free Festival Fringe events taking place on the Derby Folk Festival Facebook page.

Whilst you will only receive one session invite per customer email address that you have registered with us, the Folk Festival team really appreciate all help to keep the festival and the artists going. If you are able, you will have the option to buy the number of tickets that matches the number of people who will be watching, and we are very grateful – but there is no obligation and we continue to appreciate all support from our Folk Festival community! Thank you Supporting the festival by buying a ticket will not only give you some fantastic music, filmed especially for you, to enjoy for a whole week, it will directly support the artists performing, and ensures that the festival is able to return to the city centre once again in 2021.

Derby Theatre Box Office 01332 59 39 39 www.derbytheatre.co.uk Fancy a little nostalgia? The try DT @ Stay connected with arts, culture and Derby Theatre from home and explore a range of content to engage with online

Derby Folk Festival – At Home

The Derby Folk Festival goes digital.

Fantastic music, filmed especially for you to enjoy for a whole week, it will directly support the artists performing, and ensures that the festival is able to return to the city centre once again in 2021.

Just before lockdown began, Derby LIVE announced that the Derby Folk Festival would be back for October 2020 with many artists playing in multiple venues across the city. However, due to Covid-19 and the continued restrictions on staging events, the festival cannot go ahead as planned in a way which is safe for audiences, musicians and crew. Instead, Derby LIVE are excited to announce that they have worked with artists and partners to put together a digital version of this much loved festival - Derby Folk Festival At Home!

56 | www.countryimagesmagazine.co.uk

www.derbytheatre.co.uk/dt-at-home and explore Memory Box - Looking Back at Derby Theatre Productions

Sept 23rd Romantics Anonymous

Performed live on stage and broadcast direct to your home!

Angélique is a gifted chocolate maker crippled by social anxiety and Jean-René is the boss of a failing chocolate factory.

When Angélique takes a job in Jean-René’s struggling factory, a fragile love affair unfolds.

Funny, tender and painfully awkward, Romantics Anonymous is a delicious love story about breaking the mould and finding the courage to be happy.

Directed by Emma Rice (Malory Towers, Wise Children, Tristan & Yseult), this beautiful new musical was meant to be on a tour of USA before the pandemic struck. We’re now delighted to be able to bring it back, with this fully staged live stream coming direct from Bristol Old Vic to audiences at home, in all its glory!

How To Book. go onto www. derbytheatre.co.uk and follow the links. The show will be performed live on Wednesday 23 September for Derby and Midlands audiences: what you see on screen really is happening on-stage at Bristol Old Vic. Buxton Opera House & PavilionArts Centre. 01298 72190 www. buxtonoperahouse.org No events to publish currently.

Carsington Water Bird Walks for beginners

The monthly walks are now on The wildlife has flourished in our absence so come and see those summer visitors before they leave for warmer shores. The winter birds will begin arriving here soon with Teal and Wigeon usually among the first.

Why not join us one one of our FREE Beginners walks held on the first Sunday of every month? Numbers will be limited to maintain social distancing so booking is essential, and don’t forget to bring your own binoculars.

Contact Carsington 0330 678 0701. Future dates are, Sep 6th, Oct 4th, Nov 1st, Dec 6th.

Derby RSPB Derby RSPB local group wish to announce that unfortunately our Indoor and Outdoor meetings will not resume until, at the earliest, January 2021. We hope you are all keeping safe and look forward to welcoming you back next year. For the most updated information please check the RSPB Derby Local Group website. www.rspb.org.uk/groups/derby

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Popular options for this sort of hut include: • A double bed or a pull out sofa bed • Bar • A wood burning stove • A fold-down desk • 12v Solar electric fit out • Office fit out

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Keep fit on the Volt Pulse electric bike

O

ne of the best electric bicycles available, the Volt Pulse proves popular with all types of riders and is a great all-rounder hybrid.

Stylish design and a powerful 250W SpinTech™ motor means it looks great and can take you almost anywhere.

Hybrid E-bikes are designed to be comfortable on road whilst also coping with light off-road routes and this bike is perfect for both. The puncture resistant Kenda tyres grip the road with their water-displacing tread but when combined with the SR Suntour suspension fork, they prove wide enough to tackle light off-road conditions as well. The Pulse also has a few new style refinements so you’ll look great on the city streets or the country trails.

You have a choice of 5 pedal assisted speed settings with a top speed of 15.5mph this hybrid electric bicycle will get you to your destination fast.

All the components used on this bike are high end: from Shimano Alivio gears to Tektro Safety “Power Cut” Brake levers, guaranteeing you a reliable, fun and very safe ride.

The technology side of the bike is maintenance free and very reliable, meaning you can take your electric bike in for routine servicing at any good quality bicycle shop throughout the UK and Europe.

The Bike Shop 100-102 Monk Street, Derby. DE22 30B Tel 01332 382227. Open seven days a week

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Electric Bikes in store from £999.00 www.thebikeshopderby.co.uk

Also at 15-17 High Street, Arnold, Nottingham NG5 7DE. Tel 0115 9264733

The Volt Pulse comes as standard with a powerful Panasonic 36v Standard Lithium Polymer Battery (up to 60 miles) with an optional 36v X-Large (up to 80 miles) battery upgrade. Lithium Polymer batteries are the best batteries for electric bikes. For this and a huge selection of E Bikes www.visitthebikeshopderby.co.uk

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Think culture, gastronomy, wine and unmissable sights and experiences.

S

ince 1970, Sunvil have been using their knowledge and passion, of all things travel, to organise experimental holidays in authentic destinations as far afield as Greece and Cyprus in the east, Scandinavia in the north and across the Atlantic to Latin America in the west. Think culture, gastronomy, wine and unmissable sights and experiences that will forge unforgettable memories.

Sunvil’s Greece holidays offer authentic tavernas, secluded beaches away from the crowds and a real taste of local life.

They search out the best resorts, islands and accommodation to create unique holidays to Greece’s wonderfully varied, scenically stunning and historic land. Martin’s World Travel will work with Sunvil to help you find your perfect Greek holiday, on the islands or the mainland. With a choice of accommodation, their hand-picked properties range from simple studios to deluxe hotels, from quiet villages to buzzing resorts beloved by the Greeks themselves. All are honestly described – no over-the-top descriptions or exaggerated claims.

The Greeks are famed for their hospitality, or filoxenia, and postlockdown this engrained value can be felt in all aspects of local life. Smiles that could brighten even the bluest of skies; a desire to spend time relaxing in each other’s company, sharing stories and imparting knowledge and tips; and small gestures that make a lasting impression – complimentary desserts, aperitifs and more.

60 | www.countryimagesmagazine.co.uk

BOOKING NOW

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WITH MARTINS WORLD TRAVEL 2020/21

Greece is a country that captured the hearts of the Sunvil team some 45 years ago and it continues to inspire and enrapture.

This summer will be like no other; a unique opportunity to experience the real Greece, with the quietness of April and the warmth of August. Do not miss this once in a lifetime experience.

From a simple cottage on a remote Greek island to a 5 star resort hotel; from a traditional village inn to a modern villa with a private pool; from a mainland fly drive to a classic island hopping trip, somewhere within Sunvil’s programme is your perfect holiday. All you need to do is choose…

And, why choose Sunvil? The company has a refreshing approach to holidays, only promoting destinations with which they have an affinity and where they have travelled extensively.

They believe that it is their responsibility to handpick the best value accommodation and experiences on offer so that you can focus on the most important aspect of travel – that is to look forward to your adventure and to savour each moment. It is a task that they take seriously, and for which they have been recognised and awarded.

So head to Greece this summer – it’s beautiful coastlines, crystal blue waters, captivating culture, archaeological sites, timeless villages and picturesque harbour fronts, you will not be disappointed. Savings of up to 30% are available across the season and 2021 holidays are now available.

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CALL US TODAY: 01246 220020 / 01246 823763 www.countryimagesmagazine.co.uk | 61

Local artist

Norma Gent Norma was born and bred in the Alfreton area and has loved drawing and art from being a young girl.

Working mostly in water colour her technique and style is many and varied, taking inspiration from the beautiful Derbyshire countryside or just from the everyday objects which surround her.

Delicate spring flowers with pastel shading to autumn leaves with their vibrant colours all particularly fire her imagination. Norma also has an empathy with both pets and wildlife, capturing their personality and playful spirit.

Classes

With over 30 years of experience, Norma’s patient and friendly nature makes her the ideal teacher to hold watercolour classes, and from guiding the absolute beginner through learning a new skill to improving on their existing talent Norma can help. There are weekly classes, full day workshops held quarterly, or you can have private tuition.

Commissions

An original artwork makes both a perfect gift or a treasured memento, and working from your own photographs Norma create something special. This can be presented finished and framed, or can be worked to a size where you can find your own frame.

Studio

2 The Galleries New Lane, Alfreton

Tel: 01773 836907 www.normagent.co.uk

Norma can be found working from her studio at No 2 The Galleries, New Lane, Alfreton where she also has a selection of original artworks displayed for sale, and mugs decorated with many of the pets she’s painted. Alternately she can be contacted on Tel 01773 836907 www.normagent.co.uk

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Hansons

‘thinks out of the box’

to aid clients in lockdown – and achieves record-breaking results

H

ansons Auctioneers has achieved recordbreaking auction results for its clients in lockdown by adapting its business in a changing world. The firm, which has auction centres at Bishton Hall in Staffordshire as well as Derbyshire and London, temporarily closed its doors when the UK went into lockdown in March.

It dispatches up to 150 parcels a day all over the world to buyers. Contactless appointments are available for collection of larger items. All this enables us to continue to serve clients in these difficult times and we’re delighted to do so. I would urge anyone in need of a free valuation, house clearance or downsizing services to contact us.”

To arrange a free valuation or home visit, email Adrian Rathbone: arathbone@hansonsauctioneers.co.uk. Free valuations are available at Bishton Hall, Wolseley Bridge, Staffordshire, ST17 0XN, on Wednesdays, 5-7pm, Thursdays, 10am-4pm, or call 01889 358050 to make an appointment on a day to suit you. TV’s Kate Bliss will offer free jewellery and silver valuations at Bishton Hall on September 17 and October 15, 10am-3pm, no appointment necessary. Bishton Hall’s ample grounds have enabled free valuations to restart.

However, it immediately launched virtual free valuations by email, Skype and WhatsApp and in May resumed a full auction service - online-only. Then, as restrictions eased, its salerooms reopened to offer free valuations with all safety regulations adhered to.

Charles Hanson, owner of Hansons, said: “It’s been a rollercoaster ride but we’ve adapted to the changing circumstances every step of the way and I’m delighted we’ve been able to continue to serve our customers. We were well placed to restart our auctions as all sales are broadcast live online and we have our own bidding platform, www. hansonslive.co.uk. This means people can bid from the comfort of their armchair - and they do. Our auction relaunch in May was a huge success. It achieved record-breaking results and attracted keen buyers from across the world. The only difference was we could no longer invite the public into the saleroom, either to bid or preview sales. But our catalogues are available to browse online and we offer enhanced presale condition reports on lots including video, if requested, and images”.

“The more testing issue was to ensure our free valuation service could continue safely. We had to think out of the box. After careful consideration, we placed a large marquee outside our Derbyshire saleroom to allow valuations in an airy, open space with gloves, masks and sanitiser provided and social distancing respected. The ample outdoor space at Bishton Hall, our country house auction saleroom at Wolseley Bridge, also enabled Hansons to offer free, safe valuations. Auction and valuation events with TV antique show personalities have taken place at Bishton this summer. As soon as it was safe to do so, Hansons relaunched its free home-visit valuation service. Our valuers visit homes by appointment across Derbyshire and beyond with all safety precautions respected” “This has enabled us to source lots for auction while helping hundreds of people sell objects they no longer need. I’m mindful of the fact that the impact of the pandemic means many people wish to sell to free up finances or find new homes for objects uncovered during lockdown clear-outs.

The final piece of the jigsaw which has underpinned our success is our long-established in-house postage department.

www.countryimagesmagazine.co.uk | 63

ADAM HENSON JOINS

T H E COUNTRY FOOD TRUST AS PATRON

A

dam is a familiar face to many as a TV presenter and tenant of the Cotswold Farm Park, a 650-hectare mixed farm in the Cotswolds, home to more than 50 breeding flock and herds of British rare breed farm animals.

meals, thanks to the incredible success of its COVID 19 appeal. The charity currently produces two ready meals made from pheasant – a curry and a casserole – developed by ex-River Cottage chef and Trustee Tim Maddams. These pouches do not require refrigeration and can be eaten straight from the packet, meaning they can be sent to charities without cooking facilities, and food banks. They also source meat straight from dealers and send this out to charities with kitchens.

The Country Food Trust recently hit its five-year target of providing more than one million meals for people in need one year earlier than expected, and since the beginning of May has donated another 400,000

Tim Woodward, CEO of the Country Food Trust, said: “Our research showed that of all food donated to food banks, there was a real shortage of protein,

64 | www.countryimagesmagazine.co.uk

so we developed our meals with this in mind. “We are delighted that Adam is joining us as patron.

We are looking at different ways to provide protein to feed the growing number of people in need and Adam’s knowledge will be hugely useful in this area. We’re looking forward to working with him to raise awareness about the issue of food poverty and feeding even more people across the UK. Adam said of his appointment: “I have been following The Country Food Trust keenly since inception.

It’s brilliant how quickly the charity

has grown and to see what it has achieved as it nears the 1.5 million mark of meals donated to people in food poverty. Sadly, the number of people needing help with food in the UK is continually increasing and I’m delighted to have been asked to become a patron.”

Tim added: “We’re also always looking for dynamic people with skills in fundraising and organisation to become Ambassadors for our charity at grass-roots level across the country, so if you’d like to get involved, please contact us!”

“It’s brilliant how quickly the charity has grown and to see what it has achieved as it nears the 1.5 million mark of meals donated to people in food poverty.”

www.countryimagesmagazine.co.uk | 65

2020 will see the first ever ONLINE WIRKSWORTH FESTIVAL!!!

In celebration of their trailblazing annual Art & Architecture Trail, the centrepiece of the Online Festival will be a brand new film commissioned from Wirksworth filmmaker Gavin Repton - Made in Wirksworth: the Virtual Art & Architecture Trail.

Co-created by 30 artists in lockdown, the film explores the rich and diverse creatives that make up the large and vibrant artist community of Wirksworth. It’s been filmed by each individual artist in their home, studio and in the landscape and offers a unique glimpse into the lives and work of artists, how they’ve been working during the lockdown, and their relationship to where they live and practice.

Music at Duffield presents Richard Jenkinson (Cello) Saturday 12 September 2020 at 7.30pm St. Alkmund’s Church, Church Drive (off Makeney Road), Duffield DE56 4BA PROGRAMME J S Bach Cello Suites II Bach Suite No. 2 in D minor, BWV 1008 Bach Suite No. 4 in E flat major, BWV 1010 Bach Suite No. 6 in D major, BWV 1012 Richard won a scholarship to study at the Guildhall School of Music & Drama and graduated in 1994 with Distinction also winning the Guildhall's coveted Gold Medal.

Last year he gained a Ph.D at the University of Birmingham for research on the solo cello sonata of Zoltan Kodaly. He has played many complete cycles of the Bach solo cello suites including at St James’ Piccadilly and St. John’s Smith Square in London and also in venues in Bridgend, Cardiff, Fishguard, Shropshire and

PREMIERE Made in Wirksworth: the Virtual Art & Architecture Trail will premiere on Friday 11 September at 8pm on our online channels - we can’t wait to share it with you!

Wirksworth Festival Online 2020 will also feature a weekend programme of handpicked performance events from the extensive local performing arts community, plus some other Festival favourites, including family theatre company, Red Earth Theatre.

There will also be a series of talks and interviews exploring contemporary art, how the town has responded creatively to the lockdown and a look at some past Festival highlights. This online programme will take place on Facebook on Sat 12 & Sun 13 September.

More details coming soon...

Worcester. Conducting is featuring ever more in Richard’s career. He is Musical Director of the British Police Symphony Orchestra and the Orchestra of St John, Bromsgrove.

Of course, all our plans are dependent on government advice and regulations.

We are putting into place measures to keep us safe while maintaining a friendly atmosphere.

These measures will include social distancing, sanitising surfaces and one-way systems for entry and exit. As things can change on a day by day basis please check our website www.musicatduffield.com for more current information.

Ticket prices: Adult £15, Concession £14, Student £7 Individual tickets are available at the door or from Caroline Morgan (Tel: 07977 091171) and also online at www. musicatduffield.com For further details about Music at Duffield and future concerts please visit our website www.musicatduffield.com

66 | www.countryimagesmagazine.co.uk

Love British Food.

B

ritish Food Fortnight is approaching fast – 19th September – 4th October –and after the difficult year that saw communities pulling together to ensure everyone had access to food as well as many rediscovering the joys of buying and supporting local producers, we invite all to join the celebrations and share our love for British food.

New for this year is British Food Fortnight’s online show, open to all from Saturday 19th September with new features being added daily throughout the fortnight. Visitors can see their favourite Ambassadors cooking delicious British ingredients in the cookery theatre; meet producers and hear first-hand about the food they make; and join in the Big British Food Fortnight Debate that will feature leaders responsible for food in our schools, hospitals, care homes and communities.

Panel discussions will take place throughout the fortnight discussing key issues such as sustainability; why buy British; and nutritional benefits of different foods. There will also be trade stands for visitors to visit and enjoy the special promotions on offer.

The team of Love British Food Ambassadors are leading this year’s British Food Fortnight national competition encouraging us all to show our love for British food. The competition is open to everyone who has been involved in an uplifting gesture

or activity that has British food at its heart. Simply share your story and why you are taking part, the person or group with the most inspiration take on British food and drink will be announced the winner. Closing date for the competition is 24th October and winners will be announced Friday 6th November.

While the Fortnight is an important focal point for British food producers, work behind the scenes is year-round for organisers Love British Food. Working with a number of high-profile celebrities, such as leading chef Raymond Blanc, Liz Earle, Candice Brown and Alex Hollywood and Local Authority Caterers, Hospital Caterers Association and National Association of Care Catering, the campaign for British food has a strong network of big influencers. For more ideas on how to take part, details of all the activity and 14 things you can do during the fortnight visit www.lovebritishfood.co.uk ‘Thanks to all our loyal customers for their support’

Keep food miles low,

visit Robin Maycock Family Butchers and Bakers

Famous for their fresh, locally sourced meat, bakery and deli counter.

Supporting local suppliers

FREE DELIVERY LOCALLY

Feel free to speak to our experienced staff.

Set in beautiful Derbyshire countryside with free parking outside AWARD WINNING HOLLOWAY VILLAGE BUTCHERS Lea Shaw Road, Holloway, Nr Matlock, Derbyshire DE4 5AT

01629 534333 www.robinmaycockbutchers.co.uk

www.countryimagesmagazine.co.uk | 67

Care home group invest in LONG LASTING VIRUS SHIELD

M

ilford Care group have invested in a product that will protect their homes from viruses and bacteria for up to 30 days. The award-winning group have imported a new product from New Zealand, Zoono. The product is sprayed across the homes by Bunzl Cleaning Machine Solutions and encourages outbreak prevention and in particular COVID-19.

The unique product sticks to the surface to create a protective layer which instantly kills any viruses or bacteria that should happen to land on it.

Milford Care have a total of six homes spanning Derbyshire and Nottinghamshire. These homes (Spencer Grove in Belper, Derbyshire, Milford House in Milford, Derbyshire, The Meadows in Alfreton, Derbyshire, Ashbourne Lodge in Ashbourne, Derbyshire, Hazelgrove in Hucknall, Nottinghamshire, Buddleia House in Hucknall, Nottinghamshire) have all been sprayed with the protective film in order to maximise the safety of its residents and staff.

The homes have also invested in a Zoono Hand Sanitiser as an extra precautionary measure for residents and staff. The sanitiser provides a 24 hour antibacterial protective layer that works with routine hand hygiene procedures to help minimise germs.

Daren Baldwin, from Bunzl Cleaning Machine Solutions said: “We are so impressed with the attention to de-

tail at Milford Care. The homes were spotlessly clean when we arrived which made our job particularly easy. The level of service from the staff was impeccable. We couldn’t be prouder to be helping the homes during these unprecedented times.”

Pierre Falleth, Director of Milford Care, said: “Our residents and staff’s safety is of the utmost importance and we are evaluating every possible avenue we can to ensure they stay safe. Zoono is a fantastic product that is proving itself to be effective already.

He continued to say: “We would like to thank all our staff for their hard work and dedication to our residents. They’ve gone to enormous lengths during this lockdown to ensure all our residents are happy and staying safe and we cannot thank them enough.”

For more information about any of the Milford Care homes, contact info@milfordcare.co.uk or head to the website to see the homes in more detail.

Trafford Lowe Funeral Services Trafford Lowe Funeral Services 24 Hour Personal Service with prompt attention 24 Hour Personal Service with prompt attention

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Member of Member of

Dementia Care | Long-term Care | Nursing Care Residential Care | Respite Care

Welcoming new residents Milford Care are extremely passionate about giving your loved one the very best in person-centred care and this has not changed throughout the COVID-19 pandemic.

Belper Tel. 01773 599 349

Alfreton Tel. 01773 520 491

Milford Tel. 01332 841 753

"I’d just like to send a message to say how utterly amazing you have all been the true heroes of this awful pandemic - you have demonstrated bravery and compassion in equal measures - well done to each and everyone of you - you should all be amazingly proud - your residents are truly blessed. Thank you" Health Professional, Belper - May 2020

w w w. m i l f o r d c ar e .c o . u k | i n f o @m i lf or dca r e . co. u k

Have you considered a rewarding career supporting people in your community?

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It is very satisfying seeing someone grow in confidence due to being sensitively supported, or have their horizons broadened by regular support, enabling them to access the community, share in conversations and interests they love. We build relationships of trust and mutual respect and this has an enormous impact on the people that we support and, in turn us.

Now Offering Virtual Bespoke Tours

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A family run care home has been caring for the elderly for over 35 years with love at its heart

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It is really interesting getting to know people and hear their amazing stories having lived very full lives. With the right support, people living with dementia relax and are able to be themselves and, with their inner self coming alive, we see their talents blossom and unfold as they relax in our company. This is truly moving and humbling to witness.

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Opening times: Monday – Saturday 10am – 4:30pm

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WE ARE NOW FULLY OPEN at our new Practice in Alfreton

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We are fortunate to have our own private car park so patients can drive literally from door to door without coming into contact with anyone else.

There is disabled access from the car park Disabled facilities All the latest Hearing Aids to suit all budgets Friendly service Unlimited aftercare Tailored to your individual needs NEW state of the art acoustic hearing test room EARWAX SERVICES Safe removal by a qualified Audiologist Using all techniques including microsuction One ear £50 both ears £70

10 High Street, Alfreton, Derbyshire, DE55 7BN - Tel:01773 687060 info@stephentoon.org - kate@stephentoon.org - stephen@stephentoon.org www.countryimagesmagazine.co.uk | 71

Standout fashion Joseph Ribkoff stunning top in vibrant palm print is included in the end of sale final clearance at Jillian Hart Fashions. All summer collections have up to 75% off to make way for the new exciting Autumn collections now arriving! Jillian Hart Fashions is located at 40-44 Babington Lane, Derby and well worth a visit for a timeless summer staple to add to your wardrobe. Call in at the shop or telephone 01332 347647

FOIL is a modern fashion brand from New Zealand. The FOIL brand encompasses classic design with a relaxed fashion edge and at the same time Foils trend driven designs come with a comfort and fit which are the brands key focus, alongside quality modern fabrics.

For daytime and evening looks that will both fit and flatter, please visit QUE Women, 13 Church Street, Ripley DE5 3BU.

72 | www.countryimagesmagazine.co.uk

A safe and relaxing place to shop

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Standout fashion With over 90 years of experience lafont eyewear puts the emphasis on elegance and Parisian chic. Available from a collection of designer frames at Hurst Opticians, 5/7 High Street, Ripley.

A rare and unusual fine aquamarine 6.23cts set into 18ct white gold with on either side blue sapphires and white diamonds. Designed in-house by Ben Stevenson this is a sensational show-stopper of a ring. Just one of the many beautiful pieces of jewellery on display in their Chesterfield shop. John Stevenson Jewellers 2a Glumangate Chesterfield S42 7HP 01246270706 Johnstevensonjewellers.com

Exciting announcement‌ Pretty Swish is moving across the road to the ex-Glitz & Glam shop at 22 Grosvenor Road. The new larger shop will officially open on Saturday 26th September showcasing the exciting, very affordable Autumn collections. This includes beautiful Italian clothing in all the new season colours, as well as coordinating handbags, jewellery and Autumn accessories.

For an exciting collection of quality ladies accessories,visit our shop at 9 Grosvenor Road, Ripley or shop online at www.prettyswish.co.uk

74 | www.countryimagesmagazine.co.uk

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www.countryimagesmagazine.co.uk | 75

Annabelle Minerals products are completely natural and based on few ingredients only. Annabelle Minerals cosmetics offer high-quality natural make-up suited to the needs of every skin type, from oily to dry and sensitive.

The products are suitable for vegetarians and vegans. The brand offers the following organic cosmetics: make-ups, blushes, concealers, eyeshadows, translucent finishing powders, highlighters and accessories such as make-up brushes and sponges and cosmetic bag.

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Full coverage Camouflages spots, discoloring, broken capillaries Proper for sensitive and problematic skin Helps reducing imperfections

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For more information and to buy online visit www.annabelleminerals.com

Foundation With a damp brush, this foundation glides on leaving a flawless complexion. Very impressed!

76 | www.countryimagesmagazine.co.uk

Highlighter You need a really tiny amount of this highlighter. It gives a fantastic glow!

Concealer Brilliant product – it can be gradually built up to give a medium to full coverage, instantly gives you a brighter look and naturally covers dark circles!

HARRIS

Exhibition 12th - 19th September Mercia Marina, Findern Lane, Willington, DE65 6DW Open: Monday - Saturday 10am -5pm & Sunday 10.30am -4.00pm.

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www.countryimagesmagazine.co.uk | 77

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Country Images Magazine helping to promote local businesses since 1994

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ALWAYS SUPPORTING LOCAL BUSIN

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A Local Family Run Company

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Call 01773 830344 for great series advertising prices including a free artwork design service RICHARD BOOTH UPHOLSTERY

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01773 853338

COLIN GREEN **ROOM REVIVAL**

From Papering a Wall to Total Room Refurbishment A Complete Service

• Decorating • Joinery, Coving, Dado etc • Laminate Flooring • Kitchen Fitting To discuss your requirements and for a free quotation

Tel 01773 860787 or Mobile 07779 291577

‘EVEN THE SMALL JOBS COUNT’ ROOFING

Solar Slate Installations, Traditional Slate Roofing, Lead Valleys, Re-roofs, Sofits & Fascias, Velux Windows, Kerb bedding, Ridges, Sun Tubes

GROUND WORKS

Concreting, Fencing, Paths, Patios.

BUILDING

New Builds, Extensions, Plastering, Loft Conversions, Re-pointing Walls & Chimneys, Doors & Windows.

For your quotation please call Darren Hutsby on

07912 691958 or 01773 522927

DEREK STAPLETON

All types of work undertaken, Kitchen Work Top Replacements, Kitchens, Joinery & UPVC work undertaken Over 45 years’ experience (Time served City & Guilds) For free quotations please call

01773 836145 07800 928564

B & T HOLBROOK

DEVELOPMENTS LTD For All your Building Requirements

Established over 30 years Extensions, loft conversions, roofing, kitchens, bathrooms & wet rooms (including disabled adaptations)

SUNSET WINDOWS

The Area’s Favourite Window Company

WINDOWS DOORS CONSERVATORIES FASCIAS & SOFFITS REPAIR WORK Head Office/Showroom 28 Church Street Ripley Derbyshire DE5 3BU

Tel:01773 513339

www.sunset-windows.co.uk

The Gate Maker

Made to measure Gates, Railings & Ironwork Phone NOW for your FREE on site quotation Fitting Service Available

Dove Bow Top Double Gates 4 ft high 7 ft gap only £462 4 ft high 12 ft gap only £792 6 ft high 7 ft gap only £714 6 ft high 12 ft gap only £1224

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All gates come complete with brackets tofit to wall or existing post (posts not included)

01773 745822

www.thegatemaker.co.uk Shot Blast & Powder Coating Specialists in refurbishing wrought iron gates

Phone 01773 745822 NOW

Motor Bike Frames, Garden Furniture Collection Service Available for a small charge

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T: 01773 742387 M: 07973 676799

Central Heating Installations • Complete Energy saving systems – designed & installed • Boiler and Radiator swaps • Boiler servicing & landlord’s certificates • All aspects of plumbing undertaken Email: sales@markdentonltd.co.uk www.markdentonltd.co.uk

M: 07860 899 353 linda@bandtholbrook.co.uk www.bandtholbrook.co.uk

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JOHN’S SOFA STUDIO

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Across: 1 Hold on to 4 Married 9 Bring together 10 Inactivity 12 Sweetener 13 For golfers 16 Extended play 18 Top flier 19 After lunch!

20 Either? 21 Give off 23 Royal Marine 24 Go deeper 27 Singular 28 Be quiet 29 Sticks to 31 Magnificent 34 Sicken 35 Enclosure 36 Make a mess of 39 Type 40 Country 41 Novice 42 Injured 44 Mature Down: 1 Fall apart 2 On the cake! 3 Language 4 Heavenly 5 A real nerve 6 Six balls 7 Dislike 8 Sketched 11 Kip 14 Brings in crops 15 Unusual 17 ironed 20 Small overdose 22 In between 25 Just purchased 26 Communication device 29 Overseas 30 Blossom 32 Time 33 Finished 37 Tidy 38 I agree 41 Us 42 Doctor

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80 | www.countryimagesmagazine.co.uk

NEW McLAREN SENNA

‘RIDE-ON’ IS 2020’S ELECTRIFIED ULTIMATE TOY

edition colour – exclusive to McLaren retailers - of yellow with green accents echoes the colours of Ayrton’s race helmet for the most serious of budding racing drivers.

The McLaren Senna Ride-On is aimed at 3 to 6-year-olds, although McLaren’s own Formula 1 driver Lando Norris did manage to squeeze in the car and take it for a test drive, just to check he was happy with the way it drove.

The McLaren Senna ‘Ride-On’ features all the functions of last year’s popular 720S ‘Ride-On’, including working dihedral doors to allow easy access. Once inside, the young owner can begin their drive using an authentic push-button start which activates McLaren Senna engine sounds. Junior journeys can also be accompanied by music, played via an infotainment system that can access files from a USB device or SD card.

ALL TYPES OF VEHICLE BODY REPAIRS • Over 30 years experience • Service and repairs • Family run business • Classic car repair

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Unit 1, Wood Street North, Meadow Lane Industrial Est. Alfreton, Derbyshire, DE55 7JR

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F

or four decades, Audi has been setting the pace with permanent quattro all-wheel drive and thus initiated a paradigm shift in powertrain technology in the automotive world and in motorsport.

The brand is now using the knowledge it has accumulated in this area since 1980 for the next step. The electric quattro in the models of the e-tron range marks Audi’s next milestone achievement in the age of electric mobility. Enjoyable driving and efficiency are fused into a total package.

Audi combines quattro and e-tron into a powerful combination of high performance and notable economy.

The company mass-produces an all-wheel drive system that is highly variable, dynamic and precise while making efficient use of the available energy.

What is so unique about electric quattro drive compared to competitors?

Audi is the first manufacturer to enable highly variable torque distribution in the e-tron S due to the drive topology featuring one motor

at the front axle and two electric motors installed in a housing on the rear axle. In combination with sophisticated control and regulation, the electric quattro, due to its single-axle operation with variable, unnoticeably additional activation of the front axle, resolves the conflicting aims of dynamic performance and efficiency. Audi integrates functions such as electric torque vectoring on the rear axle, wheel-selective torque control due to a braking intervention with the mechanical differential, and high recuperation performance in an electric powertrain. Additionally, drivers can adjust the high variability of the system to their personal preferences by individual program selections.

When do e-tron and e-tron S models activate their electric all-wheel drive?

The electric all-wheel drive is active in situations of degrading grip on road surfaces with low coefficients of friction, in particularly dynamic driving conditions, when the driver demands high traction power, or when maximum recuperation is desired – in other words, the recovery of energy

82 | www.countryimagesmagazine.co.uk

during braking and deceleration.

If the driver decelerates the car to a level of 0.3 g, the electric motors act as generators, using the car’s kinetic energy and converting it into electrical energy which, in turn, charges the battery. This applies to more than 90 percent of all braking maneouvres in everyday driving situations. Only when stronger pedal pressure is applied, the system additionally and seamlessly activates the hydraulic wheel brakes. For instance, in a braking event at 100 km/h (62 mph), the e-tron S can recover kinetic energy with output of up to 270 kW, compared to 250 kW in the Formula E electric racing series.

What opportunities does electric quattro open up compared to conventional all-wheel drive?

In the Audi e-tron models, one electric motor each drives the front and rear axle. By contrast, the e-tron S versions use one motor on the front axle and two on the rear axle. With electric torque vectoring – in other words, specific torque development left and right – the e-tron S provides quattro drive on the rear axle with even greater agility. The key advantage: Without a mechanical connection

AUDI QUATTRO SETS STANDARDS IN THE AGE OF ELECTRIC MOBILITY

between the two electric motors on the rear axle, the functions of a controlled transverse differential lock and thus the functions of a sport differential have been achieved within a single system purely by means of software-based activation.

Consequently, thanks to intelligent drive control, Audi has implemented active and fully variable torque distribution in transverse direction on the rear axle.

How did Audi achieve this high variability in the electric drive system?

Audi combines an electric powertrain architecture – a novelty in high-volume production – with sophisticated control units in which all the key software components and their network integration have been developed in-house. Compared to a mechanical all-wheel drive, this results in a fast-response drive system.

For instance, latency in the case of electric torque vectoring – in other words, the time gap between the sensor measurement and active torque distribution – amounts to just 30 milliseconds. This is merely around a fourth of the response time of a mechanical system. In addition,

electric drives provide clearly higher torque levels.

Up to 220 Nm more torque can be allocated to the outside wheel in a cornering situation which, due to the transfer ratio, equates to as much as 2,100 Nm per wheel. This is how the drive system generates the desired yaw moment in cornering: The car correspondingly rotates around the vertical axis in the cornering direction and thus feels particularly agile.

When the coefficient of friction on snow or ice is low, traction can be optimised with great precision as well: The respective friction coefficient of the driven wheels is measured and, due to the torque allocation, used in an ideal way, thus enhancing overall traction.

How is this precision control achieved?

Intelligent interlinking is the prerequisite for this software function.

The drive control unit (DCU) distributes torque between the electric motors.

The best possible energy conversion efficiency is decisive for optimising efficiency. The integrating control

unit of the Electronic Chassis Platform (ECP) uses sensor signals to monitor the car’s driving condition and calculates the ideal distribution of longitudinal and lateral torque. It integrates the vehicle dynamics control of the quattro, in other words, electric torque vectoring as well as wheel-selective torque control via the braking intervention on the front axle.

At the dynamic limit, on the e-tron S, the wheel brake slightly decelerates the inside front wheel in cornering and on the e-tron, the front and rear wheels. Thus, via the effect of the mechanical axle differential, more torque is distributed to the outside and the car follows the steering command in the cornering direction with particular agility. The traction control system (TCR) acts at onemillisecond intervals. This is achieved because individual functional components of the electronic stability control (ESC) have been shifted into power electronics directly on the electric motors. The drive control unit coordinates the traction control system and the all-wheel controller, whereby the engineers gave priority to agile handling with a dynamic basic layout.

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