Images Arizona December 2020 by Images Arizona Magazine

December 2020

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MUSICAL INSTRUMENT MUSEUM Writer Joseph J. Airdo Photography Courtesy of

Musical Instrument Museum

COMMUNITY EVENTS Writer Joseph J. Airdo

MARK TATE Writer Shannon Severson Photography Courtesy of Mark Tate

ADVENT OF ANTLERS

Writer Joseph J. Airdo Photography by Craig Miller

YULETIDE TENACITY AND HOLLY JOLLY INGENUITY Writer Joseph J. Airdo

CHERRY PIE Writer and photographer Kyndra Kelly

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PUBLISHER Shelly Spence

MANAGING EDITOR Joseph J. Airdo

GRAPHIC DESIGNER Meaghan Hanie

CONTRIBUTING WRITERS Joseph J. Airdo Sue Kern-Fleischer Kyndra Kelly Shannon Severson

PHOTOGRAPHERS Bryan Black Brandon Dunham Kyndra Kelly Loralei Lazurek Carl Schultz

ADVERTISING SALES Cooper Langston 480-544-8721 cooper@imagesaz.com

Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 imagesarizona.com Submission of news for community section should be in to shelly@imagesaz.com by the 5th of the month prior to publication. Images Arizona is published by ImagesAZ Inc. Copyright © 2020 by ImagesAZ, Inc. All rights reserved. Reproduction, in whole or part, without permission is prohibited. The publisher is not responsible for the return of unsolicited material.

Our community constantly amazes and impresses me. Just when I thought that this holiday season would be but a whisper of what it has been in years past, the incredible individuals and outstanding organizations who shape our state have found ways to safely celebrate, bring people together and spread love, peace, joy and goodwill throughout our neighborhoods. As this month’s issue of Images Arizona began to take form, my heart filled with happiness, pride and gratitude. From our overstuffed holiday performing arts preview that is brimming with festive performances to the numerous nonprofit organizations that are commemorating milestone anniversaries and awards to the talented artists and virtuosic business owners who are delivering culture and prosperity to our community, it is crystal clear that there is no shortage of all things merry and bright this year. As this challenging year comes to a close, I am especially grateful for my family — which has been a steady source of support, inspiration and motivation. I am also grateful to all of the frontline and other essential workers who continue to ensure that our healthcare is maintained and that our supermarket shelves are stocked — many of whom do so at the expense of getting to spend time with their own families. To my Images Arizona staff of writers, designers and photographers, thank you for your enduring commitment to shine a light on and showcase all of the exceptional aspects of the wonderful place we call home. Thank you to all of our neighbors, as well — many of whom started this year off as strangers but are now close friends after exhibiting unprecedented kindness in our community over the past several months. And thank you to Images Arizona’s advertisers, all of whom make this magazine possible month after month. Finally, I would like to thank you — our valued readers — for inviting us into your lives. May this holiday season see you safe, healthy, happy and surrounded by an abundance of love. Cheers!

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T H I S

H O L I D A Y

S E A S O N

—

G I V E

S T U N N I N G

G I F T

CONTEMPORARY JEWELRY + ART

Grace Renee Gallery 7212 E. Ho Hum Rd. # 7 | Carefree, AZ 85377 Tue.–Wed. 10 a.m.–5 p.m. and Open Late Thur.–Sat.until 7 p.m. 480.575.8080

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Vivace Earrings and Butterfly Necklace 18-karat gold with diamonds Award-winning design December 2020

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Writer Joseph J. Airdo Photography Courtesy of Musical Instrument Museum

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There is only one place in all of the U.S. that is dedicated to telling the story of our shared connection through music. As Arizona residents, we are exceptionally fortunate to have that place — the cultural crown jewel known as Musical Instrument Museum, which this year celebrates its 10th anniversary of educating, entertaining and enlightening guests — in our own backyard. “Musical Instrument Museum is alive with the vibrant sights and sounds of humanity and our distinction lies in offering guests an ability to experience the profound and undeniable power of music that has enriched, inspired and changed lives,” says April A. Salomon, the museum’s executive director. Over the last decade, Musical Instrument Museum has expanded its global collection to more than 13,000 instruments and objects representing musical traditions and cultures from around the world. “Since opening its doors in 2010, Musical Instrument Museum has made a tremendous impact economically, culturally and educationally in this community through thousands of programs, performances and exhibits celebrating the world’s musical traditions,” Salomon says. “Arts and cultural organizations represent the very best in all of us and Musical Instrument Museum is proud to be among those that are bringing joy to people’s lives.” One of the many ways that Musical Instrument Museum brings joy to people’s lives is by entertaining them at its music theater, which has built a loyal following of music enthusiasts over the past decade. Home to 60 concerts in 2010 — an impressive number in and of itself — the comfortable, acoustically superb theater now showcases 300 performances a year, attracting both emerging and established talent. Meanwhile, Musical Instrument Museum is also dedicated to education, having served more

Italian Tenor Cornetto

than 500,000 student participants on field trips — a majority of which include Title 1 schools from around our state. “More recently, as a result of the [COVID-19] pandemic, a suite of virtual programs for K–12 schoolchildren were developed and educators across the country — along with five international schools — have requested access for their students,” Salomon says. “With these high-quality programs and continued outreach, Musical Instrument Museum will positively impact over one million eager young learners who can discover the world’s music in an entirely new way.” Home to monthly signature events and special exhibitions like the current Congo Masks and Music: Masterpieces from Central Africa, Musical Instrument Museum also features a store and an award-winning café. But, of course, the highlight of the museum is its regional galleries which have consistently enlightened guests who spend an average of more than 3 hours exploring the world’s diverse cultures through a musical lens.

TRAVELING THE WORLD THROUGH MUSIC

David Wegehaupt joined Musical Instrument Museum’s team in January 2009 — 15 months prior to the museum’s opening — as a parttime curatorial assistant. He was attending graduate school at Arizona State University at the time, working on a master’s degree in music performance as a saxophonist. “I had learned of Musical Instrument Museum from a presentation given at my ethnomusicology

December 2020

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class,” Wegehaupt says. “I immediately knew I wanted to get involved. I had spent the previous year studying in Paris and had spent a lot of time exploring the many wonderful museums in that city. Learning that an ambitious large museum about music was to be built in my hometown, I just knew that I had to get involved.” Wegehaupt immediately contacted the museum’s leadership to inquire about internships. There was no internship program at the time but, a few months later, someone contacted him to interview for a curatorial assistant position to help with the massive project of getting the museum ready to open in April 2010. Wegehaupt eventually left Musical Instrument Museum for a few years to pursue performing opportunities but returned in 2017 as the museum’s associate curator for the U.S., Canada and Europe. Since then, his favorite acquisition that he stewarded has been a Hardanger fiddle — an iconic Norwegian instrument made in 1907 by luthier Olaf G. Helland. “[It] has just about everything we look for in collecting an instrument,” the associate curator says. “Aside from the traditional ornate decorative elements — inlaid fingerboard, painted body and lion head scroll — the Hardanger fiddle differs from a violin in that it has four sympathetic strings, facilitating interesting tuning possibilities and a unique, bright sound.” Wegehaupt initially wanted to become involved with Musical Instrument Museum more than 10 years ago because he knew that it could be one of the best institutions in Arizona, allowing visitors to encounter music and instruments that they have never heard of — like the Hardinger fiddle. That is also why he continues to work at the museum today. “Visitors to the museum have an opportunity to travel around the world through the power of music, to learn about cultures and see the many ways music is used in all cultures for entertainment, for rituals, for celebrations and more,” Wegehaupt says. He especially enjoys seeing young children fill the galleries on field trips as they express fascination and excitement about all kinds of music. “Our education and public programs teams do a great job connecting with local students and communities, involving local musicians in weekend programming

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and making [the museum] accessible and beneficial to the musical community — from young students to professional musicians,” Wegehaupt says.

RETAINING THE SOULFULNESS BEHIND EACH TREASURED PIECE

Daniel Piper, Musical Instrument Museum’s curator for Latin America and the Middle East, joined the museum’s team during the summer of 2011. He brought with him a background as an ethnomusicologist, a multiinstrumentalist musician and an arts administrator. “I was interested in Musical Instrument Museum’s broad cultural mission, bringing engaging content to the public and working directly with musicians, instrument makers, researchers and collectors in many different countries and local music cultures,” Piper says. The curator adds that the experience working at Musical Instrument Museum has given him a much greater appreciation for the value of material culture. “The design, the specific materials, the idiosyncratic elements and the history of any single instrument the museum collects and exhibits embodies something of the essence of a particular place, time, local culture and even the individual person who played or made the instrument,” Piper explains. He says Musical Instrument Museum’s significance extends far beyond just our community because the experience of immersing oneself in the museum’s galleries helps to create in the visitor a deeper understanding and appreciation of our common humanity across countries and cultures. “We begin to see beyond conflictual differences, embrace diversity and value culture itself as a basic human need,” Piper says. One of his favorite parts about working at Musical Instrument Museum is the opportunity to travel the world to personally acquire instruments from musicians who are cherished in their respective cultures. He especially enjoys spending time with each instrument owner, who shares with him the story and passion behind the instrument before releasing it to the museum. “We hope to retain in the experience of our exhibits some of the soulfulness of the people behind each treasured piece,” Piper says.

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THE ULTIMATE CELEBRATION OF MUSIC

Rich Walter, Musical Instrument Museum’s curator for the U.S., Canada and Europe, joined the museum’s team in October 2014. Since then, his role has expanded into new geographic areas and familiarity with a far greater range of instruments and musical traditions. “My background includes study and work in archaeology, anthropology, ethnomusicology and folklore,” Walter says. “With those personal interests, Musical Instrument Museum is definitely a one-of-a-kind environment because it inherently combines matters of music and material culture at the core of our mission — and I am constantly learning more about topics that genuinely interest me.”

Hardanger Fiddle

Walter’s work at Musical Instrument Museum has gifted him with an ever-present reminder that people are passionate about music and musical instruments. He uses that as healthy motivation to always put forward his best effort on behalf of that collective passion. He has also come to the compelling realization that excellence exists everywhere in the world. “Innovation, creativity and virtuosity can be found everywhere and applied to any given tradition,” Walter says. “So, it is exciting to learn more about how those different communities or traditions define excellence, and [to] seek out examples of musical instruments that help reflect that in a variety of ways.” Even having been engulfed in the museum for more than six years now, the curator remains fascinated to see how a relatively small number of concepts — a tuned string, a percussive surface or a pipe with finger holes — have been developed into a seemingly endless variety of musical instruments, whether they are made humbly or extravagantly. “Because we are a museum, it is always most satisfying when we can display instruments that have the best qualities of musical sound, playability and artful construction,” he says. Walter is continuously inspired by each new acquisition, particularly because it will represent a meaningful improvement to Musical Instrument Museum’s collection. He is especially proud to see how the museum’s collection and galleries have matured quickly over time.

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Roberta Flack's Steinway Piano

“We recently acquired an originalcondition, authentic 16th-century Italian tenor cornetto,” Walter says. “It is visually striking and quite a rare historic instrument and will provide new dimension to our portrayal of Renaissance-era European music.”

“

Arts and cultural organizations represent the very best in all of us and Musical Instrument Museum is proud to be among those that are bringing joy to people’s lives. April A. Salomon

Walter adds that the acquisitions that involve exceptionally positive relationships are among his favorites. “We were thrilled to accept the generous donation of Roberta Flack’s own Steinway piano,” Walter says. “That developed out of mutual respect. We are always proud when artists of such high status recognize Musical Instrument Museum as the ultimate celebration of music and want to contribute to our collections. In return, they are excited to have their careers represented side by side with musical peers from around the world. It is a joy to create new exhibits driven by that sense of pride and connection.”

JUST GETTING STARTED

Water says that as a singular resource for anyone who loves music and is excited to discover authentic instruments from around the world, Musical Instrument Museum’s significance lies in its ability to open up so many ideas of human experience — from expression and heritage to aesthetics and identity — through the accessible entry point of music. “I love observing guests who are simply looking at instruments when they begin their visit, and then before long start to discuss their own family histories, travel

experiences or comparisons between music they discover in different regions of the museum,” he adds. “It is rewarding to know that Musical Instrument Museum’s galleries often evoke so much more than music — and the whole experience frequently leaves people with a different appreciation of talented people from distant parts of the world.” Salomon says Musical Instrument Museum’s high-performance culture and founding principles have been the cornerstones of the museum’s success as it strives to be nothing short of the best museum ever. “The team’s commitment to delivering an exceptional guest experience drives the decision-making process,” she adds. “[With] a consistent focus on improvements — from exhibits to items in the museum store to technology and more — we want our audiences to be blown away every time they visit.” The executive notes that Musical Instrument Museum’s guest-friendly offerings have fostered repeat visitation from patrons over the last 10 years. She anticipates that trend will continue as the museum expands its collection and offerings even further. “As Phoenix’s No. 1 attraction welcoming more than 3 million guests so far, we are just getting started,” Salomon says. Musical Instrument Museum 4725 E. Mayo Blvd., Phoenix 480-478-6000 mim.org

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COMMUNITY

2020 DECEMBER

Writer Joseph J. Airdo

Nov. 27–Dec. 20

A CHRISTMAS STORY: THE PLAY Desert Stages Theatre will present its production of “A Christmas Story: The Play” — the first show performed live in its space since the theater company was forced to shut down in March as a result of the COVID-19 pandemic. Like the 1983 motion picture of the same title, the play is based on humorist Jean Shepherd's memoir of growing up in the midwest in the 1940s and a 9-year-old boy’s quest to get a genuine Red Ryder BB gun under the tree for Christmas. See website for times and price. Desert Stages Theatre, 7014 E. Camelback Road, Suite 0586, Scottsdale. 480-483-1664; desertstages.org

Oct. 1–Dec. 31

Dec. 1–24

Cave Creek Museum has launched

Outlets at Anthem is offering

an exciting new educational resource

talented choirs and individual artists

through Cave Creek Unified School

an opportunity to perform in front of

District’s Education and Community

Arizona’s tallest fresh-cut Christmas

Services Department. Using the

tree. Free. See website for times.

Roblox gaming platform, the

Outlets at Anthem, 4250 W. Anthem

the most up-to-date information

interactive resource allows students

Way, Phoenix. 623-465-9500;

at press time, some events may be

to explore the Cave Creek area in

outletsanthem.com

Keep in mind Although Images Arizona magazine has made every effort to publish

canceled or rescheduled to comply with social distancing measures and

HOLIDAY HARMONY CONCERT SERIES

the 1800s by walking up to various exhibits in a virtual version of the museum’s history wing. The exhibits

Dec. 3

other factors associated with the

then transport students to a challenge

CAREFREE ART WALK

COVID-19 pandemic. Please use

that assesses their understanding of

Stroll, shop, dine and enjoy an evening

local history topics, aligning with

celebrating the arts in downtown

the museum’s mission of preserving

Carefree while helping to support local

and interpreting the natural

businesses and local creativity — which

resources and cultural heritage of

makes our Arizona culture a better

the Northern Sonoran Desert. $28.

place to live, work and visit. Begin at

cavecreekmuseum.org

any gallery, then continue on to other

the contact information provided to confirm dated details.

VIRTUAL HISTORY PLAYGROUND

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participating galleries. Enjoy a diverse display of artistic styles and mediums, meet the artists, enjoy refreshments and engage in conversation about art and architecture. Free. 4–8 p.m. See website for participating galleries. visitcarefree.com

Dec. 3–5

ANNE SYLVAIN HANDBAGS Fashion designer Patricia Raskin will debut her one-of-a-kind, investmentworthy handbags –– pieces of art to carry every day and for special occasions — at Grace Renee Gallery in Carefree. Along with durability, the naturally occurring beauty of each type of leather pattern is different from bag to bag while the sources that Raskin uses are models of sustainability. Each one is lined with highquality leather, often in a fun, contrasting color. 10 a.m.–5 p.m. Grace Renee Gallery, 7212 E. Ho Hum Road #7, Carefree. 480575-8080; gracereneegallery.com

Dec. 3–6

OUR TOWN Musical Theatre of Anthem will present its production of “Our Town,” a story that follows the small town of Grover’s Corners through three acts — “Daily Life,” “Love and Marriage” and “Death and Eternity.” $13+. See website for times. Musical Theatre of Anthem, 42201 N. 41st Drive, Anthem. 623-3366001; musicaltheatreofanthem.org

Dec. 4

CHRISTMAS TREE LIGHTING CEREMONY Carefree will host its annual Christmas Tree lighting ceremony as Carefree Desert Gardens gets all dressed up for the holidays. Complimentary popcorn, cookies, hot chocolate, coffee and water will be available, as well as treats for purchase. A free holiday gift will be distributed to each child/family in attendance. Free. 5 p.m. Sanderson Lincoln Pavilion, 101 Easy St., Carefree. 480-488-3686; visitcarefree.org December 2020

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Dec. 12 and 19

NUTCRACKER SUITE Ballet Arizona is ensuring the survival of a cherished and time-honored tradition with its digital presentation of “Nutcracker Suite.” In addition to the beautiful dancing that audiences know and love, the presentations will also feature exclusive behind-thescenes content such as dancer interviews, rehearsal footage and backstage peeks. The dance company will also compliment the virtual viewing experience with optional add-on packages that include sweet treats, activities, mementos and more to help bring home the joy of attending one of its productions of “The Nutcracker” in person. $20. 3 p.m. 602-381-1096; balletaz.org

Dec. 10–18

several outdoor demonstrations at

will feature a selection of beloved

Cave Creek Museum. Watch history

and joyful songs of the season,

come alive as the ten 1,000-pound

delivered via the beautiful sounds

stamps slam down in synchronized

for which the ensemble is known.

Congregants from Temple Chai

precision and hear the pounding

Free. 7:30 p.m. 480-305-4538;

as well as members of the Jewish

echo against the desert foothills —

sonorandesertchorale.org

Social Group of Cave Creek and

just as it did more than 140 years

Carefree will participate in Carefree’s

ago. Also on exhibit outdoors on

annual Chanukah menorah

the museum campus are various

lighting ceremony. Each evening’s

pieces of equipment from the early

lighting will be led by a different

mining days of Arizona and many

CHRISTMAS KALEIDOSCOPE

community group or family, with

agricultural tools used at local

ProMusica Arizona Chorale and

special Chanukah bags gifted to the

farms and ranches. See website for

Orchestra will present its holiday concert

first children to arrive each night.

times. Cave Creek Museum, 6140 E.

in a virtual format this year. Christmas

Free. 5:30 p.m. Sanderson Lincoln

Skyline Drive, Cave Creek. 480-488-

Kaleidoscope will feature festive favorites

Pavilion, 101 Easy St., Carefree. 480-

2764; cavecreekmuseum.org

that showcase the performing arts

CHANUKAH MENORAH LIGHTING CEREMONY

488-3686; visitcarefree.org

Dec. 12

GOLDEN REEF STAMP MILL DEMONSTRATION

organization’s vocal and string chamber

Dec. 12

HOME FOR THE HOLIDAYS Sonoran Desert Chorale will present its Christmas concert in

Arizona’s only fully operational

a virtual format this year via its

ten-stamp ore crushing mill will run

website. Home for the Holidays

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Dec. 19

ensembles. Free. See website for time. 623-326-5172; pmaz.org

WISHING YOU A JOYOUS HOLIDAY SEASON AND A NEW YEAR FILLED WITH PEACE AND HAPPINESS 41509 N ANTHEM RIDGE DRIVE

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December 2020

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ARIZONA GIVES DAY REGISTRATION OPENS The Alliance of Arizona Nonprofits and The Arizona Grantmakers Forum have opened registration and re-enrollment for Arizona nonprofit organizations interested in participating in next year’s Arizona Gives Day. The annual 24-hour online fundraising event unites nonprofit organizations — big and small, new and established — to celebrate and increase philanthropy in Arizona. Arizona Gives Day helps to raise awareness about the critical role Arizona nonprofit organizations play in our communities and inspires people to give generously to create a thriving and stronger Arizona for all. azgives.org

Dec. 19

MERRY AND BRIGHT: A HOLIDAY DANCE SHOWCASE

should prepare a musical theater

includes an engraved souvenir wine

song. Optional 90-minute audition

glass and six tickets. Additional

preparation workshops are available

tickets may be purchased for $1.

for a $35 fee. $325; sibling discounts

AfterGlow, specializing in high-energy

and scholarships available. See

contemporary jazz and funk tunes,

Dynamic Motion Dance Academy

website for times. RSVP. Musical

will provide the entertainment. $3. 10

is organizing a no-cut dance

Theatre of Anthem, 42201 N. 41st

a.m.–5 p.m. Downtown Carefree, 101

opportunity for youth, culminating

Drive, Anthem. 623-336-6001;

Easy Street, Carefree. 480-837-5637;

in a holiday dance showcase.

musicaltheatreofanthem.org

thunderbirdartists.com

Jan 15–17

ARIZONA MUSICFEST SETS SEASON

Rehearsals will be held Dec. 4–18. See website for time and price. Dynamic Motion Dance Academy, 4111 W. Innovative Dr., Phoenix. 623-587-9063; dmdaaz.com

Jan. 9

This year’s Arizona Musicfest season will run January through April. Featured artists will include Pink

Thunderbird Artists will host a

Martini, Steve Tyrell, Emanuel Ax,

festival that boasts 150 meticulously

The Texas Tenors and Broadway’s

juried fine artists exhibiting a wide

John Lloyd Young as well as audience

range of mediums — including

Musical Theatre of Anthem will

favorites Ann Hampton Callaway

ceramic potter Hong Rubinstein. A

audition potential cast members

and Tony DeSare. The season will

vast array of domestic and imported

for its upcoming productions of

also feature the Festival Orchestra,

wines as well as ice-cold microbrews

“13: The Musical,” “Aladdin

comprised of musicians from some

and flavored spirits will be available

Kids” and “Godspell.” Auditionees

of the nation’s finest orchestras. 480-

for tasting for a $10 fee, which

422-8449; azmusicfest.org

MUSICAL THEATRE OF ANTHEM AUDITIONS

CAREFREE FINE ART AND WINE FESTIVAL

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CAVE CREEK MUSEUM APPOINTS INTERIM EXECUTIVE DIRECTOR Suzanne D. Johnson has been appointed the interim executive director of Cave Creek Museum. A longtime resident of the area, Johnson is recognized Valley-wide for her dedicated and innovative approach to civic and nonprofit fundraising as well as for her documentary filmmaking and publishing. Cave Creek Museum, 6140 E. Skyline Drive, Cave Creek. 480-488-2764; cavecreekmuseum.org

MUSICAL THEATRE OF ANTHEM SEEKS TEEN MUSICIANS Musical Theatre of Anthem is seeking teen musicians for its upcoming production of “13: The Musical.” Applicants proficient in electric guitar, electric bass, keyboard and/or drums may submit recordings of selections and samples via the theater company’s website. Free. Musical Theatre of Anthem, 42201 N. 41st Drive, Anthem. 623-336-6001; musicaltheatreofanthem.org

NVSO PRESENTS NEIGHBORHOOD NOELS Even though the COVID-19 pandemic has made it impossible for its musicians to meet as a full ensemble, North Valley Symphony Orchestra has continued to provide the opportunity for musicians of all ages to learn, rehearse and perform exceptional music. Its three youth ensembles have been meeting virtually each week while its adult musicians were

INJURY SCREENING

given the opportunity to meet in small chamber ensembles, which recorded repertoire in November for release on YouTube throughout December and January. The orchestra is also encouraging its musicians to perform small chamber concerts of holiday music in private parks, driveways and local ramadas of their immediate neighborhoods. 623-980-4628; northvalleysymphony.org

December 2020

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IRONWOOD CROSSFIT AND FITNESS 41125 N. Daisy Mountain Drive | Suite 101 | Anthem | 623-465-2545 | ironwoodcrossfit.com Tracy Seman has seen first-hand the difference that CrossFit can make in people’s lives. It is with that passion and faith in the branded fitness regimen that she decided to open Ironwood CrossFit and Fitness in February 2013. “One of the best parts of CrossFit is that it can be scaled for all different physical abilities,” Seman says. “I am very proud that the Ironwood CrossFit and Fitness community opens its doors to people of all levels. No matter where you are now, our goal is to help you be better every time you come in.” Ironwood CrossFit and Fitness offers strength training, weightlifting, conditioning, gymnastics, kettlebell and many other disciplines that are combined in a constantly varied high-intensity protocol, which focuses on promoting increased work capacity through functional movement. In addition to nutrition, Ironwood CrossFit and Fitness also offers iFit, iStudents, iCardio and 65+ Masters programs — all of which make it an exceptionally well-rounded facility for health and fitness.

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Photo by Cathy Kuflik, West Valley Real Producers

THE D.L. JONES HOME TEAM 3668 W Anthem Way | Suite B158 | Anthem | 623-551–0766 | DLJonesHomes.com When Del Webb Corporation opened the Anthem master-planned community, its slogan was, “Anthem: a place to live, work and play.” Dennis and Lisa Jones embody that original mission statement like no other couple. They met in Anthem in 1999, when Lisa was working as the Membership Director for Anthem Golf & Country Club and Dennis was selling real estate for Del Webb. They were married in 2003, on the lawn of the Persimmon Clubhouse. Dennis and Lisa have been involved in the Anthem community for more than 20 years. Lisa worked on the original start-up team, helping to name many of the original streets in the community. Dennis served on the Anthem Area Chamber of Commerce’s board of directors. Together, they founded D.L. Jones and Associates Real Estate and, within 10 years, grew the local business to become one of the top 25 residential real estate brokerages in the Valley, according to The Phoenix Business Journal. In 2018, Dennis and Lisa joined forces with Realty Executives, merging their personal business and team of expert agents with one of the largest international real estate brands. Dennis and Lisa’s influence on real estate in Anthem and the North Valley is unparalleled, as their personal transactions and associate agent transactions total more than 5,000 real estate contracts valued at more than $1 billion. If Del Webb was still alive, Dennis and Lisa Jones’ faces might very well be on the “Welcome to Anthem” street signs as they continue to live, work and play out the developer’s original vision. December 2020

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Anthem Community Council last month bestowed upon Youth for Troops the 2020 Anthem Veterans Service Award during a virtual Veterans Day ceremony.

Throughout the COVID-19 pandemic, Youth for Troops’ volunteer members continued to make plastic mats and care packages, adhering to all safety guidelines but steadfast in their mission to help veterans and active-duty service members.

Writer Joseph J. Airdo Photography Courtesy of Anthem Community Council and Youth for Troops

Since 2017, Anthem-based nonprofit service organization Youth for Troops has been expressing and demonstrating unparalleled support for the exceptionally brave men and women who have served our country. In addition to preparing care packages for deployed service members, Youth for Troops has made plastic mats for homeless veterans, served as flag bearers for Honor Flight homecomings, helped to conduct the Veterans of Foreign Wars’ Buddy Poppy Drive, assisted with ceremonies and paver installations at the Anthem Veterans Memorial and participated in the community’s annual Daisy Mountain Veterans Parade.

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This service organization — comprised of local youth and their volunteer coordinators — makes a difference in the lives of our nation’s veterans, and through their service, continue to make all of us in Anthem proud. Bob McKenzie Hannah Piatt

Hannah Piatt, one of the founding members of Youth for Troops’ youth board, says that each and every one of the nonprofit service organization’s members can share stories about the many meaningful and memorable moments they have experienced over the past four years. Piatt’s personal favorites include holding flags for our fallen and returning heroes, acknowledging our Vietnam veterans at ceremonies and events, volunteering at the Department of Defense Warrior Games and placing roses and wreaths at Arizona National Cemetery during holidays. “I have always had a passion for supporting service members and veterans and enjoy being able to make a difference,” Piatt says. As if the nonprofit service organization’s work was not already important enough, the COVID-19 pandemic augmented the significance of Youth for Troops’ efforts in the community — and throughout the country. Volunteer members continued to make plastic mats and care packages, adhering to all safety guidelines but steadfast in their mission to help veterans and active-duty service members. Anthem Community Council last month recognized those essential efforts, bestowing upon Youth for Troops the 2020 Anthem Veterans Service Award during a virtual Veterans Day ceremony. The council created the award in 2013 to honor individuals and organizations that demonstrate extraordinary service and selfless dedication in support of our nation’s veterans.

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From left, Youth for Troops founding youth board and advisors include Geoffrey Hoffa, Taylor Piatt, Walter Hoffa, Renee Hoffa, Leo Hoffa, Heather Piatt, Hannah Piatt and Tonya Piatt.

During the virtual ceremony, Anthem Community Council’s board president Bob McKenzie said that he was honored to announce that Youth for Troops would officially be added to a plaque bearing the names of all honorees that is proudly displayed in the Anthem Civic Building. “This service organization — comprised of local youth and their volunteer coordinators — makes a difference in the lives of our nation’s veterans, and through their service, continue to make all of us in Anthem proud,” he said. Past winners of the award — which are selected annually by Anthem Community Council’s board of directors based on nominations submitted from the community — include Daisy Mountain Veterans, Ray Norris, Mary Ann Derryberry, Liz Turner, Bob Hackett, John Simmons, Tom Kirk and Ron Tucker. Piatt is grateful for the recognition, noting that it belongs to volunteers of all ages who have honored our heroes through their community service. She is proud to live in a community as patriotic as Anthem, where people have come together to make Youth for Troops’ mission to support our heroes a success.

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“We are humbled and honored to be placed on this plaque among outstanding veterans — many of whom we are proud to call friends,” Piatt says. “Our community is so supportive of our mission and very patriotic. Our mission would not be a success without the support of the people and businesses that collaborate with us. I am grateful to have been raised in this wonderful community.” Although the award is obviously an enormous honor, Piatt says the greatest reward that she has attained through Youth for Troops is the friendships that she has built with the community’s veterans — as well as with the nonprofit service organization’s supporters and volunteers. “One of our favorite recognitions is a flag that flew over NATO headquarters that was delivered to us by a service member who had received our care packages,” Piatt says. “We were privileged to have coffee with this hero and hear his story. We proudly display this flag at all of our events.” youthfortroops.org

DECEMBER 2020

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Writer Shannon Severson Photography by Steven Thompson

Mark Tate was inspired to open an art gallery/studio adjacent to his Cave Creek residential architecture and interior design firm that will feature artists who might not otherwise be seen, multicultural exhibits and artists who began their pursuits later in life.

Throughout his life, architect Mark Tate has worked with individuals who have inspired and influenced him. The Oklahoma native and father of nine is the rare combination of artist and engineer. He has allowed every experience to propel him to the next adventure.

“The universe is speaking to all of us,” Tate says. “I thought, ‘How can I make a difference?’ The idea I had over a year ago for the art gallery that’s an extension of our studio is getting legs and defining itself. I want to be the anti-gallery gallery. It’s not about commercial success. I want it to be meaningful.

Just prior to the COVID-19 pandemic, Tate was inspired to open an art gallery/studio adjacent to Tate-Studio — his Cave Creek residential architecture and interior design firm. It’s an exhilarating addition to his thriving career.

“What’s so cool is that I have no clue what I’m doing. That’s very liberating. People say that’s the story of my life. I taught myself how to make jewelry in high school, I taught myself CAD, how to run a business; this occurred out of necessity

December 2020

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The relationship you build with someone when you’re designing their home is unlike any relationship in architecture that I have experienced. As an artist, you want to feel that connection; that your work resonates with someone. Mark Tate

and a determination to stay focused on what I deemed as meaningful for myself and for me, personally, to make a difference.” Tate has always sold art through his practice, which he founded in 2007. This studio, as he prefers to call it, will feature artists who might not otherwise be seen, multicultural exhibits and artists who began their pursuits later in life — pure expressions of art that are meaningful and new. The ideas continue to evolve and he sees it as an extension of his current work.

ART AND ARCHITECTURE

It’s not as if Tate is a stranger to artistic pursuits. If anything, he is returning to his roots. As a fine art major at Arizona State University, Tate’s concentration was sculpture. He names then department head, sculptor Ben Goo, as the mentor who instilled within him the imperative to create art every day. But as a young married man with two children to feed and another on the way, he left school before graduation. “I didn’t much like the idea of being a starving artist,” he says. Some friends of his had an architecture practice and they needed someone who could draw. For six months, Tate drew for several different architects without pay. He supported his family by selling his art at Scottsdale’s Fifth Avenue galleries, as well as his handmade modern jewelry. “I fell in love with the sculpture of space,” Tate says. “It was a natural transition for me and a natural way to apply my skill sets at the time.” Soon, he was working full-time for Architectural Alliance, a firm owned by Mike Muninger and Rich Fairborn, connecting him to a panoply of Arizonan architectural stars. “Fortunately, Rich Fairborn knew Al Beadle very well and I got to run in that circle,” Tate says. “Rich and Mike were brilliant designers. They partnered for a time with Leonard Parker, a legendary architect out of the

University of Minnesota. They hung out with the Desert School architects — Will Bruder [and] Michael P. Johnson. The Desert School movement was about good art in general, the tenets of good design and composition. It was just a great experience.” A formative experience was when Tate worked on Native American housing projects all over the Southwest — seeing hidden places in Arizona that most never see, creating small houses and gaining an understanding of what makes a house work, whether small or large. The connection he felt to residential architecture stayed with him. “The relationship you build with someone when you’re designing their home is unlike any relationship in architecture that I have experienced,” Tate explains. “As an artist, you want to feel that connection; that your work resonates with someone.” After 10 years, he had secured his license and launched out on his own.

BEAUTY, DESIGN AND LIVABILITY Tate’s willingness to do the next thing, take the next risk, learn the new skill and not shy away from the unknown afforded him priceless opportunities.

He worked with fellow Oklahomans Eddie and Neil Jones of Jones Studio (where he met his wife, builder Lisa Tate), left architecture for a time to design and build wood furniture, designed golf course clubhouses all over the country with Doug Frederickson, and learned the intricacies of client relationships when he worked on a home at Mirabel with Dan Couturier — a project that solidified his entry into the realm of residential design. “Dan is just a wonderful human being,” Tate says. “In building that house, he taught me the value of detail in homes and I would watch him interface with the clients; he’s just a gentle, intelligent, caring human being. It was an extension of what I’d learned working with Doug [Frederickson].”

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We aren’t just creating a building or a structure. We are driven by our clients, each of them different, and the relationship we have built with them. We are creating a life and a story, a place for life events — like seeing 120 elk at sunset. In my mind, moments like that give me a sense of personal fulfillment and make the time I have spent feel relevant. Mark Tate

Tate adds that the experience harkened back to the relationships he had working with the Indian nations in the Southwest.

great jazz ensemble that comes together and creates a beautiful piece of music. It’s not just my effort; it’s collaborative.”

“It clarified my journey,” he says. “Some people are fortunate enough to clarify their journey early in life. It took me a little bit longer, but I had great experiences in all the firms I worked with. I realized that this was my calling — to design houses and create relationships that become lifelong.”

A BEAUTIFUL SYMPHONY

Tate works closely with his clients to build visually stunning homes in a style and form that embraces core tenets of beauty, good design and livability. He translates their ideas, photos and even sketches into a realized vision. Because Tate-Studio creates the interiors of eight out of every ten homes it designs, it is known for carrying the architectural style throughout the interior to create houses that are complete works of art. He credits his team — and the talented tradespeople he works with — for creating finished products that have homeowners return to him time and again. He says he has purposely avoided staying with one particular style of architecture, though many of his homes clearly trend toward sleek, modern lines. “I want to do architecture that is just honest,” Tate says. “I like all kinds of music and all kinds of art. My favorite musicians are those who can cross genres. Why get pigeonholed? You see that we can’t be placed in one school or theme. The tenets we embrace are about how a home should work and not about the style. We mesh everything together in this

Tate and his staff were recently invited to spend the night at a home in Flagstaff that they had designed and built. As evening fell over the majestic Humphreys Peak in the distance, 120 elk emerged from the woods to graze on the golf course. Tate felt an overwhelming sense of appreciation — for the homeowners who chose him to design their dream retirement property, for his team and for the tradespeople who worked tirelessly day after day to manifest the plans of the designers and builders. “We aren’t just creating a building or a structure,” he says. “We are driven by our clients, each of them different, and the relationship we have built with them. We are creating a life and a story, a place for life events — like seeing 120 elk at sunset. In my mind, moments like that give me a sense of personal fulfillment and make the time I have spent feel relevant.” As he surveys his career, his art and his new studio, Tate’s efforts and roads less traveled have all come together as if in a beautiful symphony. “Don’t be afraid of what the music is going to sound like,” he says. “It’s the string of notes you’ve never heard that makes the prettiest music.” tate-studio.com

December 2020

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Writer Joseph J. Airdo

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There have been countless stories over the years about the various animals that have stepped into reindeer’s shoes — or should I say hooves — when the seasonally iconic creatures have been unavailable to lead Santa’s sleigh. The Grinch had his loyal dog Max begrudgingly help him steal Christmas; a miniature horse saved the day in “Elliot the Littlest Reindeer;” and “Animaniacs” even saw a flock of wiseguy pigeons fill in for Rudolph and his crew. Our planet is filled with so many spectacular species of wildlife that St. Nick need never worry about how to deliver toys to all of the children around the world each Dec. 24. However, if we are speaking solely from an aesthetic perspective, there would be no better substitute than elk. The handsome creatures are every bit as majestic as reindeer, resembling them right down to their attractive, velvet-covered antlers. Moreover, as photographer Craig Miller attests, Santa need not look farther than the streets, parks and backyards of Arizona’s Rim Country in order to find plenty of elk from which to choose. “If you walk, bike or drive anywhere around Payson or the surrounding area, you have a good chance to see one to a half-dozen big-antlered elk munching on bushes, trees, grasses, leaves or bark,” Miller says. “You might also see [them] moseying through a residential neighborhood, splashing in Green Valley Park or even strutting right down Main Street — almost like they own the town.” Images Arizona hopes that this month’s photo essay — which features a festive collection of Miller’s enchanting elk photography — illustrates that although most of our state may not have snow, there are plenty of seasonal symbols that surround us. It is up to us to notice them and to put them in the right context that will make our spirits bright.

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Getting up close and personal with one or more of the big bulls with their huge racks is an eye-popping treat. Older bulls have antlers that can weigh as much as 40 pounds and have a length and spread of four feet. The older bulls can weigh over half a ton. Craig Miller

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Elk consume between 9 and 16 pounds of vegetation daily, necessary to support their 800- to 1,200-pound frames. Craig Miller

VANISHING VELVET Prior to the early 1900s, one could not find even a single elk roaming the entire territory of Arizona. “But that changed in 1913 — one year after Arizona achieved statehood — when 83 elk were brought by rail from Yellowstone Park and released in Cabin Draw near Chevelon Creek,” photographer Craig Miller says. Oh, how the times have changed over the past century. Arizona Game and Fish now estimates Arizona’s elk population at about 45,000 post-hunt adults. Miller notes that said number is expected to continue rising as cow (female) elk produce at least one calf each year for their lifetime of 10 to 12 years. Miller adds that bull (male) elk can appear very different in appearance depending on the time of the year that one visits Arizona’s Rim Country. “They grow and shed their antlers each year,” he explains. “In the summer months, the bulls will have nearly completed their antler growth, with their racks covered with nutrient-providing ‘velvet.’ By August, with the rut (mating) season quickly approaching, the bull’s rising testosterone levels will harden its antlers. The dried-up velvet will be shed through raking — the rubbing of the bull’s antlers against trees, bushes and brush.” December 2020

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ABOUT THE PHOTOGRAPHER Craig Miller grew up in the suburbs of Chicago. After graduating from Aurora University with a bachelor’s degree in social work and physical education and a master’s degree in education, he enjoyed a fulfilling career as a public school teacher and counselor. The lifelong community volunteer and long-time runner moved to Payson in 2002 to enjoy semi-retirement and the weather. Although Miller had grown up with photography as a hobby, he became serious about the craft about 10 years ago. Miller casts a wide net when it comes to the art form, enjoying everything from wildlife, night and astrophotography to community events, sports and wedding photography. He currently teaches advanced photography at Eastern Arizona College in Payson. Today, Miller still resides in Payson with his wife, Ann — his partner in both his disc jockey and professional photography businesses. The pair has been voted “Payson’s Best Photographers” and “Payson’s Best DJs” by the readers of Payson Roundup for each of the last seven years. Miller takes most of his photography in Payson but also enjoys traveling throughout Arizona for his craft. His work has been featured in several books, magazines, newspapers and calendars as well as on business websites and on the walls of many homes and businesses. djcraiginpayson.com

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In late February through the middle of March of each year, with declining testosterone levels, the bull elk shed their antlers and immediately start growing new ones. Their velvet-covered new rack will become fully mature by the middle of August, when their velvet is shed in time for the mating (rut) season to follow in September and October. Craig Miller December 2020

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It seems that nary a day goes by that we do not see elk strolling down the middle of our streets, helping themselves to birdseed and floral bushes in our backyards and sometimes romping through our town parks. Craig Miller

ELK PHOTOGRAPHY TIPS Craig Miller says that photographing elk can be a lot of fun — regardless if one uses professional camera gear or simply their smartphone. But he cautions that elk are wild animals that do not have humans’ reasoning capacity. “Always give the elk their space and make sure you have a safety plan in place should the elk decide to charge you,” the photographer advises. “Always have a tree or other structure between you and the bull or have your vehicle within a safe distance. And be aware that bulls can run much faster than you can.” Miller adds that it has been reported that people have been seriously injured by an elk’s sharp hooves. Some have even been trampled or gored to death. “Better safe than sorry,” the photographer says. “No picture is worth your life.”

December 2020

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December 2020

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There is no doubt that this holiday season will look a little different than those of years past. Once hoped to be just a momentary nuisance robbing us of spring holidays like St. Patrick’s Day and Easter, the prolonged COVID-19 pandemic eventually eradicated our summer and put a serious damper on fall festivities associated with Halloween and Thanksgiving. Now, it is threatening to depreciate what Andy Williams so spectacularly proclaimed the most wonderful time of the year. However, Arizona’s performing arts organizations are determined to not allow that to happen by employing yuletide tenacity and holly jolly ingenuity. For example, Scottsdale Center for the Performing Arts is offering its holiday performances this year with multiple different types of ticketing options. The facility’s programming director Abbey Messmer says that 2020 holiday programming is all about a pragmatic balance. “We are thoughtfully upholding mandated COVID-19 protocol; keeping safety, spacing and sanitization as top priority while helping usher in a festive spirit for the holiday season,” Messmer explains. Well aware that families are looking for fun things to do to ensure the winter holidays do not fall by the wayside like those of this year’s other seasons, Scottsdale Center for the Performing Arts will present its events indoors — with reduced capacity and spaced seating — as well as outdoors. It will also offer livestreaming options that allow audiences to watch the performances from the comfort of their own home. “We feel passionate about providing opportunities for local artists that have lost income over the summer and we are fortunate to welcome a few national acts to the stage in December,” Messmer adds. Scottsdale Center for the Performing Arts’ national acts include Big Bad Voodoo Daddy: Holiday Swingin’ Party 7:30 p.m. Wednesday, Dec. 2 and A Merry-Achi Christmas 8 p.m. Saturday, Dec. 19. Meanwhile, the local artists who will grace its stage include soulful band The Sugar Thieves, which will present its holiday concert How The Sugar Thieves Stole Christmas 7 p.m. Saturday, Dec. 12. Scottsdale Center for the Performing Arts’ plans are just the tip of the iceberg when it comes to the Valley’s various holiday performing arts events, proving Johnny Mathis’ proclamation that it’s beginning to look a lot like Christmas — even this year.

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UNWRAPPED: AN ORIGINAL CHRISTMAS REVUE The Phoenix Theatre Company Dec. 2–23 // See website for times and price Central United Methodist Church 1875 N. Central Ave., Phoenix 602-254-2151 // phoenixtheatre.com

Photo Courtesy of Tim Trumble

A CHRISTMAS CAROL Childsplay Nov. 28–Dec. 23 // 7 p.m. // $15+ Herberger Theater Center 222 E. Monroe St., Phoenix 480-921-5700 // childsplayaz.org One of the Valley’s most celebrated actresses, Katie McFadzen, will bring to life a Charles Dickens’ holiday classic Nov. 28–Dec. 23 in Childsplay’s production of “A Christmas Carol.” The one-woman performance will deliver the heartwarming story like audiences have never seen or heard it before — under the stars, lights and chandeliers of the new outdoor stage at Herberger Theater Center. McFadzen believes that theater-goers are ready to get back to seeing live performances and hopes that the outdoor setting with spaced seating will help make them feel safer about the experience. “Most theater artists have been completely sidelined by this pandemic since midMarch, which has greatly affected morale and obviously income,” she says.

Some of McFadzen’s friends in the performing arts industry have been forced to move away from the cities in which they live because they cannot afford to continue living in them without steady work. “I feel fortunate to have the opportunity to tell this story in front of a live audience,” she says. “I look forward to the day that live performances are the norm again and all of the theater artists who have faced months of unemployment get back to work.” In addition to safety, the outdoor setting should propel the production to be extraordinarily special in that the Valley’s chilly December temperatures will complement the story’s seasonal atmosphere. However, the actress advises audiences to come prepared with jackets and blankets. “I hope that by telling this story, people will be reminded of the importance of and need for love and kindness in the world we live in and that change is possible — and that with change, comes hope,” McFadzen says.

The Phoenix Theatre Company, which is taking its entire season outdoors, is partnering with Brock Pro Entertainment to bring some rock 'n' roll muscle to its holiday production titled Unwrapped: An Original Christmas Revue. Featuring songs from Pentatonix, NSYNC, Hanson and more, the show will be performed Dec. 2–23 on the theater company’s new outdoor stage at Central United Methodist Church. Lynzee Foreman, co-owner of Brock Pro Entertainment and artist at The Phoenix Theatre Company, says the live events and performing arts industries have been hit hard during this difficult year. She adds that Arizona’s performing arts companies are far more fortunate than those in other parts of the country in that our weather allows the show to go on during the holiday season — given the proper ingenuity. “The Phoenix Theatre Company has taken on the monumental task of building an outdoor space that safely brings audiences together and puts artists back to work,” Foreman says. She adds that fleshing out the concept of Unwrapped: An Original Christmas Revue gifted her with a greater sense of family and a higher level of teamwork between the cast and staff than she has ever experienced while working on a show. “I have watched the Arizona arts community really come together in a way I

December 2020

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never thought possible,” Foreman explains. “There is something magical about humans gathering together to create art and joy.” Foreman notes that the performers and the band featured in Unwrapped: An Original Christmas Revue are all local artists, having been hand-picked for their amazing talent. “It is a true pleasure to collaborate with them and bring these original arrangements and choreography to life right before your eyes,” she says. “To be part of something like that both as a performer and audience member — in a time when we need art more than ever — will uplift you and give you that holiday spirit we all need so badly.”

was just the remedy for the pandemic blues,” Wallot says. “Singing and dancing to this cheerful beautiful music has been just the antidote for our performers, who have not been on stage for many months.” Noting that Fountain Hills Theater assembled some of the best talent in the Valley for the performances, Wallot encourages people to bring blankets and cuddle up with their loved ones for what is certain to be a very memorable night. “Get ready to sing along, tap your toes and escape the madness of the real world for 90 minutes of pure joy,” he explains.

HOLLY JOLLY CHRISTMAS: A HOLIDAY REVUE Fountain Hills Theater Dec. 11–20 // See website for times // $32 Fountain Hills Theater 11445 N. Saguaro Blvd., Fountain Hills 480-837-9661 // fhtaz.org Fountain Hills Theater is taking its seasonal celebration outdoors this year. Santa and Mrs. Claus will host Holly Jolly Christmas: A Holiday Revue Dec. 11–20 via the theater company’s new outdoor venue that provides spaced seating and limited parking spots with views of the stage. The joyous and touching musical walk down memory lane will feature 30 beloved holiday songs — including “Winter Wonderland,” “Let It Snow,” “Jingle Bell Rock,” “O, Holy Night,” “Santa Baby” and “Santa Claus is Coming to Town.” Fountain Hills Theater’s executive director Michael Wallot — a former Broadway performer — acknowledges that 2020 has been a tough year for everyone. “We felt a visit from Santa and Mrs. Claus

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concert will be presented to the community free of charge as a gift to audiences for their tremendous support of the performing arts organization over the years. “This year’s Holidays with Orpheus is unique because we will not be performing live,” Larson acknowledges. “But you will enjoy the new virtual videos of the chorus we created along holiday songs from previous performances.”

HOLIDAY CABARET Desert Foothills Theater Saturday, Dec. 19 // 7 p.m. // $25 The Holland Center 34250 N. 60th St., Scottsdale 480-488-1981 // dftheater.org Desert Foothills Theater’s seasoned entertainers will present a fun, safe and joy-filled night of song, dance, laughter and heartwarming fun 7 p.m. Saturday, Dec. 19 at The Holland Center.

Photo Courtesy of Orpheus Male Chorus of Phoenix

HOLIDAYS WITH ORPHEUS The Orpheus Male Chorus of Phoenix Sunday, Dec. 6 // See website for time Free // 602-699-4556 // orpheus.org The Orpheus Male Chorus of Phoenix will present its Christmas concert — Holidays with Orpheus — in a virtual format this year. The chorus will make the concert available Sunday, Dec. 6 via its website. Holidays with Orpheus will feature an interactive program with new virtual performances of “Oh Come All Ye Faithful” and “The Hands That First Held Mary’s Child” as well as classic videos and interviews. The Orpheus Male Chorus of Phoenix’s artistic director Brook Larson says that the

Desert Foothills Theater’s managing director Terry Temple says that staff and performers will observe all mandates — including spaced seating, face coverings and professional cleaning — and take precautions to ensure a safe and healthy environment for Holiday Cabaret. “The new protocols are challenging but worth it,” Temple says. “And doing a holiday performance seems to be just what the doctor ordered for our patrons and performers who miss not only live theater but each other. The holidays give us the perfect reason to gather and we are honored to create an evening of music and storytelling that lightens the heart and soothes the soul.” He adds that Desert Foothills Theater’s staff has been overwhelmed by the gratitude expressed by patrons for the opportunity to experience live theater in a safe, health-conscious environment.

I love this town.

Thanks, Anthem. I love being here to help in a community where people are making a difference every day. Thank you for all you do.

Home for the Holidays Photo Courtesy of Sonoran Desert Chorale

HOME FOR THE HOLIDAYS Sonoran Desert Chorale Saturday, Dec. 12 // 7:30 p.m. // Free 480-305-4538 // sonorandesertchorale.org

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Like the other three concerts in its performance season, Sonoran Desert Chorale will present its Christmas concert — Home for the Holidays — in a virtual format this year. Audiences need only find a comfortable spot in their home 7:30 p.m. Saturday, Dec. 12 and visit the chorale’s website to watch, hear and enjoy the concert free of charge. Home for the Holidays will feature a selection of beloved and joyful songs of the season, delivered via the beautiful sounds for which the ensemble is known. Sonoran Desert Chorale’s artistic director Carric Smolnik says one of the reasons the performing arts organization selected Home for the Holidays as the title of its Christmas concert is that most people will be celebrating the holidays at home this year as a result of social distancing efforts. “But as it says in Michael McGlynn’s ‘Christmas Memories,’ ‘We’re coming home for Christmas Day to our sweetest memories,’” Smolnik adds. “The Sonoran Desert Chorale hopes to give our audience members sweet holiday memories through our virtual, holiday performance ... [which] will include two virtual performances — learned and recorded at home, but mastered together into a brand new performance.”

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Photo Courtesy of Azy Scotten Photography

Dynamic Motion Dance Academy’s dance instructor Lyndsie Clymer adds that the showcase was conceived as a safe and fun holiday escape for the community given this year’s immense changes and hardships. “Our show is the perfect time to come together and spread holiday cheer while remembering the true spirit of the holidays,” Clymer says. “As the director and choreographer of this show, my goal is to create an upbeat, exciting and [joyful] showcase, giving the kids the chance to perform for our community and loved ones.

CHRISTMAS KALEIDOSCOPE ProMusica Arizona Saturday, Dec. 19 // See website for time Free // 623-326-5172 // pmaz.org ProMusica Arizona Chorale and Orchestra is opting for an online holiday concert this year. Scheduled for Saturday, Dec. 19, Christmas Kaleidoscope will feature festive favorites that showcase the performing arts organization’s vocal and string chamber ensembles. ProMusica Arizona Chorale and Orchestra’s board chair Jan Sandoz notes that the performance will not be a Zoom production or a rebroadcast of a previous concert. “Rather, ProMusica Arizona is bringing in Arizona Stages to professionally record a live concert for the best possible sound quality,” Sandoz explains. She adds that attending the performing arts organization’s Christmas concerts has been not only a longtreasured tradition for many of its

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audience members but also an annual highlight for its tremendously talented performers. “While difficult times call for a different type of presentation this year, we want to continue providing a joyful holiday music experience for our patrons and musicians,” Sandoz says.

MERRY AND BRIGHT: A HOLIDAY DANCE SHOWCASE Dynamic Motion Dance Academy Saturday, Dec. 19 See website for time and price Dynamic Motion Dance Academy 4111 W. Innovative Dr., Phoenix 623-587-9063 // dmdaaz.com Dynamic Motion Dance Academy is organizing a no-cut dance opportunity for youth, culminating in Merry and Bright: A Holiday Dance Showcase. Rehearsals will be held Dec. 4–18 while the showcase itself is scheduled for Saturday, Dec. 19.

Show manager Tami Jewell adds that she hopes the showcase spreads the joy of dance while also creating a fun experience to celebrate the greatness of the season — even in the midst of this unexpectedly different year. “Through dance, we share joy, creativity, hard work and the sense of accomplishment,” Jewell says. “Children thrive in situations where they can learn, have fun, be creative and spend their energy. Merry and Bright is an opportunity for us to support the children of our community to shine their light, to be bright and merry and to have fun.” Dynamic Motion Dance Academy’s owner and director Tiffany Fox agrees, noting that the arts — especially dance — provides stress relief and joy through the benefits of individual self-expression. “We are excited to be able to provide an outlet for performance and some sense of normalcy to finish the year off with some positivity,” she says. “We are thrilled that we will be able to provide a showcase to spread love and spirit through this time when we need good things to happen more than ever.”

Photo Courtesy of North Valley Symphony Orchestra

NEIGHBORHOOD NOELS North Valley Symphony Orchestra See website for details 623-980-4628 // northvalleysymphony.org There truly is no shortage of tenacity or ingenuity across Arizona’s performing arts industry. The past year has undoubtedly been tough, but our performing arts organizations are proving that they are even tougher — benefitting not only performers but also audiences. North Valley Symphony Orchestra’s music director Kevin Kozacek echoes the sentiments of so many others in the performing arts industry, saying that the COVID-19 pandemic has been incredibly difficult for his organization. However, the orchestra has continued to provide the opportunity for its musicians to learn, rehearse and perform in small chamber ensembles. In addition to weekly virtual performances on YouTube, North Valley Symphony Orchestra will keep the spirit of the season aglow through a program that brings the music directly to the audience rather than the other way around. “Musicians will be providing a program called Neighborhood Noels, where small groups of our instrumentalists perform everyone’s favorite holiday music throughout our communities in private parks, driveways and local ramadas,” Kozacek explains. Thanks to the Valley’s incredible performing arts organizations, there really is no reason to have anything but a joyous holiday season this year. As Bill Nighy’s “Love Actually” character Billy Mack proclaimed, Christmas is all around — maybe more so this year than ever before.

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Red Wine and Cider Braised Short Ribs Here is a deliciously festive holiday twist on one of my favorite comfort foods. This dish is easily customizable. All amounts are rough guidelines. Simply use what you have on hand or personalize to your preference. I use Les Petites tri-color carrots from Trader Joe’s to give the dish an extra pop of color, but regular carrots cut into chunks would also work well. Serves: 5–6 Time: 4 hours

Ingredients: 5–6 short ribs 1 medium onion, chopped 1 cup red wine 2 cups apple cider 1–2 cups beef broth 2–3 bay leaves 2–3 sprigs fresh rosemary 2–3 sprigs thyme 1 pound petite carrots 6–8 ounces cranberries

Directions: Preheat oven to 325 degrees. Heat a large oven-proof pot over medium-high heat. Add oil and swirl to coat the bottom of the pot. Add short ribs to the pot and sear all six sides. Remove short ribs from the pot and set aside. Add onion to the pot and stir, scraping up the brown bits from the bottom. Add wine to finish deglazing. Add short ribs back to the pot, pour in apple cider and enough beef broth to cover the meat. Add herbs, bring to a boil, cover with lid and place in preheated oven for 2.5–3 hours. When there is about 1 hour remaining, add carrots and cranberries to the pot and finish cooking until short ribs are tender. Serve over mashed potatoes drizzled with brown butter.

Writer and Photographer Kyndra Kelly

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Chef’s Note: To make brown butter, heat a stick of butter in a small skillet over medium heat. Watch carefully. As soon as the butter begins to get foamy and slightly browned, remove the skillet from the heat. Drizzle over mashed potatoes — or anything for that matter.

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Cherry Pie Serve your dinner guests this luscious dessert during your holiday gatherings this year and watch as they fight for the last piece. This recipe includes instructions on how to create the perfect lattice top, putting this pie over the edge with a “wow” factor that is certain to make everyone’s spirits bright. Serves: 6–8 Prep time: 30 minutes Cook time: 40 minutes

Ingredients: 2 jars Morello cherries 1/4 cup corn starch 2 rolls refrigerated pie dough

3/4 cup sugar 1/4 teaspoon almond extract 1 egg

Directions: Preheat oven to 400 degrees. Drain and reserve the juice from one jar of cherries. Drain the other. Combine sugar and corn starch in a saucepan. Add the reserved cherry juice. Bring to a boil, stirring constantly until thickened. Remove saucepan from heat. Add cherries and almond extract. Then stir until all cherries are covered in the mixture. Cover pie dish with first pie dough. Pour cherry mixture over dough and set aside. Roll out second pie dough and cut strips about 1/2-inch wide, resulting in eight strips total. Lay the first four strips across the pie. Take the first and third strips and pull them back to lay another strip the opposite way. Bring the first and third strips back to their original positions. Then take the second and fourth strips back to lay another across the opposite way and bring the strips back to their original position. Repeat with remaining strips. Pinch sides of pie to make a fluted edge, brush with egg wash and sprinkle with sugar (if desired). Bake until filling begins to bubble and crust becomes golden, about 35–40 minutes. Writer and Photographer Kyndra Kelly

kyndraclaire.com

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Chef’s Note: You may need to use a pie crust shield or aluminum foil for the second half of baking to prevent the outer crust from getting too dark.

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