Shelly Spence
Managing Editor
Joseph J. Airdo
Graphic Designer
Meaghan Mitchell
Contributing Writers
Joseph J. Airdo
Francine Coles
Shannon Severson
Photographers
Francine Coles
Loralei Lazurek
Cindi Calcinari
IInnovation has become the beating heart of our community, leading us to envision a brighter future with each new advancement. In this issue of Images Arizona, we dive headfirst into the ever-evolving landscape of science and technology, showcasing the pioneers, artists and innovators who continue to shape our understanding of the world around us.
This month’s featured artists, Stephen Gartner and Danielle Blade, have mastered the intricate art of glassblowing, showcasing their unique interpretation of natural elements found in bone, wood, vines, fossils and rock formations. Their collaboration, Gartner Blade, shines as a beacon of innovation and creativity and their work stands as a testament to the power of combining scientific precision with creative expression, producing stunning collections that continue to captivate and inspire.
This issue also includes a peek behind the scenes at Canyon Springs STEM Academy, where educators are igniting a passion for learning by seamlessly integrating science, technology, engineering and mathematics into every aspect of their curriculum.
We hope these pages inspire you to embrace the boundless potential of science and technology, seek solace in the beauty of art and nature, and celebrate the remarkable individuals who work tirelessly to shape a brighter future for us all. Together, let us continue to create, innovate and make Arizona the shining example of progress and possibility.
Cheers!
Shelly Spence
Publisher, Images Arizona magazine shelly@imagesaz.com 623-341-8221
IIn the heart of the Berkshires, where nature’s grandeur serves as a constant muse, Stephen Gartner and Danielle Blade have forged a symbiotic creative partnership that transcends the boundaries of traditional glassblowing. Their studio, Gartner Blade, is a crucible where art and science converge, yielding exquisite glass sculptures that captivate the senses and ignite the imagination.
For Blade, a deep reverence for the natural world has been ingrained from an early age. Hailing from the Isle of Wight, she was born into a family steeped in the arts, with her father, Martin Evans, a renowned British glass artist.
“Growing up, the glass studio was a big part of my life,” she reminisces. “My father and brother are both glassblowers, so I spent a lot of time around glassblowing as a kid. I really wanted to be a part of it.”
Glassblowing teaches you humility. It’s a demanding medium that constantly reminds you of the need to remain humble. Every time you think you’ve mastered a level of proficiency, there’s always another rung to climb.Danielle Blade
The foundational techniques she has refined over the years were undoubtedly passed down from her father.
“I have always been proud of my father and his beautiful work,” Blade says. “That grounding in the basics of technique was incredibly valuable. To some extent, his design sense also helped me see things in a different way. His iterative approach to the creative process really stuck with me, and I wanted to incorporate that into my own work and become proficient at it.”
It was this early immersion that kindled Blade’s passion for the craft.
“Glassblowing took time to develop, but I enjoyed the process as a young child and found that I had a knack for it,” she explains. “Being an optimistic child, I took great pride in the challenge of becoming proficient in the art. It was something that developed over time, and I became very passionate about the results that can be achieved.”
Blade’s journey ultimately converged with that of Stephen Gartner, a talented musician from Phoenix. Their union birthed a creative synergy that has yielded a distinct and captivating aesthetic, one that seamlessly blends the practical with the sublime.
“When I first met Stephen, he was a torch worker, which is quite different from blown glass in terms of process, techniques and aesthetics,” shares Blade, noting that
Gartner worked as a production glass blower, as a glass instructor and as a glass studio gaffer — the top job in the world of glassblowing.
“By combining blown glass and torch work, we were able to create unique and beautiful pieces. The creative process is highly immersive. Stephen and I collaborate closely on new designs, and our differing approaches contribute to the richness of our work.”
Blade cites the example of a circle.
“We tend to approach it from opposite directions, which allows us to see the end result from diverse angles,” she explains. “When developing new designs or series, Stephen focuses on different aspects than I do.”
Their differing backgrounds and perspectives have proven to be a wellspring of innovation.
“Stephen’s engineering background gives him a more practical perspective, while my focus tends to be more on the visual aspects,” Blade says. “In our recent exploration of table lighting ideas, Stephen has been more concerned with structural elements, while my attention has been on the visual aspects.”
At the heart of Gartner Blade’s creations lies a deep reverence for the natural world, a wellspring of inspiration that permeates every aspect of their work.
“Our inspiration began with our shared fascination for found objects, which are often used for contemplation in both primitive and contemporary cultures,” Blade reveals. “Additionally, the desert Southwest has been a significant influence, especially with my love for travel and exploration of different environments.
“Natural rock formations and other aspects of the natural world inspire me and feature prominently in my work. I’m drawn to their beauty and desire to incorporate them into my home.”
This reverence for nature manifests in Gartner Blade’s collections, each a testament to the boundless creativity that arises from observing the world around us. The Strata series, for instance, draws inspiration from the intricate layers of geological formations, while the Coastal collection captures the serene hues of the ocean’s depths.
Gartner Blade’s sales manager, Debbie Suchy, says that the duo’s collections are a testament to their passion for nature, with their Strata, Batik, Translucent Strata, Coastal and Agate series each drawing from different elements of the earth.
“Their dedication to incorporating Earth’s elements and natural beauty into their work is evident in each of their collections,” Suchy explains. “This approach creates a harmony akin to feng shui, where the elements of fire, water, earth and wind are all represented.”
The natural world not only serves as Blade’s muse but is an integral part of her daily existence.
“I am incredibly passionate about my surroundings,” she says. “I live in the Berkshires, a stunning location filled with beautiful gardens, woods, large mossy boulders and a captivating environment. It’s a place I deeply treasure.
“Every time I venture outside, I discover fascinating things. Nature often imitates art, or perhaps it’s the other way around. It’s a bit like the chicken-and-egg conundrum. The intricate details found in nature, even in seemingly simple things like an acorn or an anise, are truly remarkable. I find them utterly fascinating.”
These moments of connection with the natural world leave an indelible mark on her.
“When I walk and immerse myself in the outdoors, I am overwhelmed with gratitude,” Blade says. “I feel incredibly thankful to be in such a beautiful place.”
Beneath the breathtaking beauty of Gartner Blade’s creations lies a meticulous scientific process, a delicate
dance between the manipulation of raw materials and the harnessing of elemental forces.
“Glass is made from natural and abundant raw materials, such as quartz sand, soda ash and limestone,” Blade explains. “These materials are melted at high temperatures to form a new material: glass. Other natural elements and inorganic compounds are added to achieve the specific type of glass desired, typically to lower the melting point, increase viscosity, improve heat retention and improve clarity depending on the exact process to be used and the desired end result.”
The base glass used by Gartner Blade is the Kugler Clear Cullet, manufactured in Germany specifically for glassblowing and art glass processes.
“We melt the cullet at around 2,300 degrees and add color in the form of powdered glass and frit,” Blade elaborates, noting that the precise control over temperature and the introduction of specific compounds allows the artists to achieve the desired hues and textures that breathe life into their creations.
“At a high level, glass is simply melted silica sand which is chemically transformed. To make sand melt, you need to heat it to roughly 3,090 degrees, which is approximately the same temperature a space shuttle reaches as it reenters Earth’s atmosphere.
Yet, the true artistry lies in the duo’s ability to push the boundaries of traditional techniques.
“Stephen has successfully adapted many of the torch work techniques for use with hot glass, resulting in a unique sculpting process that is exclusive to our studio,” Blade reveals. “This has opened up a world of possibilities that are not commonly available to traditional offhand glassblowers.
“My training in Italian glassblowing techniques has also heavily influenced our approach. By blending sculpture and glassblowing, we push the boundaries of glass art, creating unique pieces that reflect our distinct aesthetic and vision.”
For Blade, the ultimate goal is to create works that invite exploration and contemplation, pieces that reveal new depths with every viewing angle.
“I aspire for viewers to be drawn into our pieces and encouraged to explore them further,” she muses. “Ideally, they’ll be curious to view the pieces from different angles, such as around the side, underneath, or over the top. I want people to discover new points of interest and find more than they anticipated, making the piece less predictable. It would be great if they notice connections between our current works and those we created in the past.”
This desire to evoke a sense of wonder and discovery is deeply rooted in Blade’s own connection to the natural world.
“Art can evoke a wide range of emotions, both positive and negative,” she reflects. “While some works may elicit unfavorable reactions, we humans crave stimulating experiences that stir our emotions. It can be as simple as noticing the shadows cast by a pigeon on the wall and being drawn to observe them more closely.”
Through their sculptures and home decor elements, Gartner Blade invites us to adorn our environments with pieces that reflect our identities, creating a sense of home and grounding us in our surroundings.
“Throughout history, humans have adorned their bodies with meaningful objects, often as jewelry,” Blade says. “In a similar vein, I believe sculptural
art can be used to adorn one’s environment in a deeply personal way. I personally find great joy in observing the various sculptures in my home and feel a strong connection to them.
“Ultimately, I believe art is a means of self-expression, allowing us to surround ourselves with objects that reflect our identities. It creates a sense of home, a space where we feel grounded and connected to our environment.”
Suchy adds that over the past 27 years that Gartner and Blade have been partners, their customer demographic has evolved to include not only art and glass collectors but also those seeking to create a special environment in their homes.
“Their distinctive glass designs, particularly the central banded style, set them apart from other glassmakers in the American-made glass movement,” Suchy says. “While their glass pieces are functional, they also serve as unique and special additions to home decor. Their exquisite lamps, chandeliers and pendants offer a distinct appeal, with each piece showcasing Danielle and Stephen’s commitment to craftsmanship and artistic vision.”
While their creations may appear effortless, the path to mastery is one paved with constant challenges and never-ending growth. For Blade, it is this very journey that has instilled in her a deep sense of humility and patience.
“Glassblowing is a demanding medium that constantly reminds you of the need to remain humble,” she explains. “Every time you think you’ve mastered a level of proficiency, there’s always another rung to climb. It’s a never-ending journey of learning and growth. The studio environment also requires a methodical approach. You
have to wait until the next day to see the finished piece, and it may surprise you, either positively or negatively.
“This process reinforces the idea that one can never be arrogant, as the art constantly keeps you grounded. It’s crucial to be aware that you will likely never stop learning — and that’s something I hope never changes for me.”
As Gartner Blade’s exquisite creations adorn the spaces of Grace Renee Gallery in Carefree, they serve as a testament to the boundless potential that arises when art and science converge. From sculptural pieces that command attention in the center of a room to functional objects like lamps and bowls that bring an artistic flair to everyday living, each molten masterpiece is a fusion of raw materials and raw creativity, inviting us to explore the depths of our own emotions and connections to the natural world.
A premier destination for appreciators of fine art, Grace Renee Gallery’s curated collection of Gartner Blade’s work offers visitors a chance to experience the depth and breadth of the duo’s creative vision. From the mesmerizing patterns of the Strata and Agate series to the organic shapes of the Primitive collection, each piece beckons to be explored from multiple angles, revealing new layers of beauty with every turn.
For those seeking to adorn their environments with objects that transcend mere decoration, Gartner Blade offers a portal to a realm where beauty and wonder are forged in the fires of passion and precision.
Grace Renee Gallery
7212 E. Ho Hum Rd. #7 Carefree, AZ gracereneegallery.com
With a constant stream of new designs flowing from her studio every year, Sarah Graham’s statement-making jewelry is exciting and elegant. By incorporating innovative materials with her exceptional design sense, she creates jewelry that is unlike anything else; organic, textural, with a muted palate that is subtly feminine, yet substantial; unique, yet universal in its appeal. 7212 E. Ho Hum
# 7 | Carefree, AZ
Hours Tue.–Sat. 10 a.m.–5 p.m. and by appointment Sun. and Mon. 480.575.8080
May 3–31
Enjoy a monthlong celebration of music, community and family fun at Anthem’s annual Music in May event. Every Friday night in May, the picturesque community park comes alive with family-friendly concerts featuring a variety of talented local artists. Bring a blanket, pack a picnic and join your neighbors for a delightful evening of music under the stars. Free. 7–9 p.m. Anthem Community Park Amphitheater, 41703 N. Gavilan Peak Parkway, Anthem. 623-742-6050; onlineatanthem.com
Through June 16
‘WHAT THE CONSTITUTION MEANS TO ME’
The Phoenix Theatre Company will present its production of “What the Constitution Means to Me,” a soul-stirring play of civic engagement that hilariously examines America’s fundamental document. See website for price and times. The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. 602-254-2151; phoenixtheatre.com
May 2–5
‘ALL BALANCHINE’
Witness the remarkable artistry of Ballet Arizona as it performs three ballets choreographed by the renowned George Balanchine, the “Father of American Ballet.” The production features “La Valse,” “Divertimento No. 15” and “Symphony in Three Movements,” accompanied by live music from The Phoenix Symphony. See website for times and prices. Symphony Hall, 75 N. Second St., Phoenix. balletaz.org
May 3–June 1
‘A GENTLEMAN'S GUIDE TO LOVE AND MURDER’
Experience the critically acclaimed, Tony Award-winning musical comedy, “A Gentleman's Guide to Love and Murder,” presented by Arizona Broadway Theatre. Follow the captivating story of Monty Navarro, a penniless clerk who discovers his unexpected lineage and embarks on a hilarious, murderous journey to claim his family's fortune. See website for price and times. Arizona Broadway Theatre, 7701 W. Paradise Lane, Peoria. 623-776-8400; azbroadway.org
May 4 and 5
‘OCEANS: THE SOUNDS OF THE SEAS’
Dive into the depths of music with Arizona Masterworks Chorale as it presents “Oceans: The Sounds of the Seas,” a captivating concert inspired by the mystery, power, turbulence and tranquility of the world’s oceans. Immerse yourself in the waves of melodies, harmonies and rhythms that bring the oceans’ vastness and diversity to life. See website for prices. Saturday 7:30 p.m. at All Saints' Episcopal Church, 6300 N. Central Ave., Phoenix; Sunday 3 p.m. at Ascension Lutheran Church, 7100 N. Mockingbird Lane, Paradise Valley. arizonamasterworks.com
May 4 and June 8
Cosanti Originals will offer hands-on experiences, guiding guests through the tile-making and design process used by its artisans. Each session begins with a Cosanti tour,
followed by hands-on activities: forming clay slabs, sizing, measuring and cutting tile pieces. Instructors will then demonstrate imprinting techniques. The day concludes with a photo session. Participants’ tiles will be fired, lightly glazed and shipped. $125. 10 a.m.–1 p.m. Cosanti Originals, 6433 E. Doubletree Ranch Road, Paradise Valley. 480-948-6145; cosanti.com
‘ORPHEUS GOES POP’
Indulge in a symphony of popular tunes and melodies as The Orpheus Male Chorus presents “Orpheus Goes Pop.” Witness the rich harmonies and powerful vocals of this talented ensemble as it performs longtime favorites and classic hits by the Beatles, the Beach Boys, ABBA and more. Experience a one-of-a-kind musical journey where the worlds of classical and pop music collide. $25+; youth, student, and senior discounts available. 3 p.m. at Camelback Bible Church, 3900 E. Stanford Drive, Paradise Valley. orpheus.org
May 9–12
‘CHICAGO: TEEN EDITION’
Witness the talent of local youth, ages 14–18, as they perform the beloved musical “Chicago: Teen Edition.” Presented by the Musical Theatre of Anthem, this captivating show is a must-see for theater enthusiasts. $25. See website for times. Musical Theatre of Anthem, 42201 N. 41st Drive, Suite B100, Anthem. 623-336-6001; musicaltheatreofanthem.org
May 16–June 25
‘JOURNEYS IN SPIRIT 2024’
The ‘Tis Art Center and Gallery, in partnership with the Museum of Indigenous People, will present an art exhibition celebrating the rich cultural heritage of indigenous communities. Featured mediums will include paintings, basketry, jewelry, photography, beadwork, ceramics and more. Free. See website for hours. ‘Tis Art Center & Gallery, 105 S. Cortez St., Prescott. 928-775-0223; tisartgallery.com
May 10–12
NEW WORKS FESTIVAL
Experience the future of opera at Arizona Opera’s inaugural New Works Festival, a vibrant and immersive event showcasing selections from new and innovative operas. This three-day festival offers an exclusive preview of poignant works that may be featured in future Arizona Opera seasons. Be the first to witness these captivating pieces in Arizona, celebrating the evolving landscape of opera. $30+. See website for schedule. Arizona Opera Center, 1636 N. Central Ave., Phoenix. 602-266-7464; azopera.org
May 11
‘SONGS OF STAGE AND SCREEN’
Join the Carolyn Eynon Singers for an enchanting afternoon of “Songs of Stage and Screen,” featuring a delightful mix of music from Bernstein, Gershwin, Sondheim and Billy Joel, along with hit selections from “Fiddler on the Roof.” Enjoy this melodious celebration of classic stage and screen tunes, as well as the opportunity to explore the Arizona Jewish Historical Society’s fascinating exhibits. $30+; youth and student discounts available. 3 p.m. Arizona Jewish Historical Society, 122 E. Culver St., Phoenix. 602-241-7870; azjhs.org
May 11 and 12
CELEBRATE THE MUSIC OF ALICE COOPER
The Musical Instrument Museum will host an event that invites attendees to commemorate the musical legacy of Alice Cooper. $20; youth discounts available. 9 a.m.–5 p.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org
May 12
‘HORIZONS’
Embark on a mesmerizing musical journey with Phoenix Chorale’s “Horizons,” featuring a diverse tapestry of choral compositions inspired by cultures, landscapes and folk melodies from around the world. $42+; youth, senior and military discounts available. 3 p.m. Camelback Bible Church, 3900 E. Stanford Drive, Paradise Valley. phoenixchorale.org
May 15–June 1
‘THE FOUR SEASONS’
Experience the marriage of nature and art as Ballet Arizona presents ‘The Four Seasons’ at Desert Botanical Garden. Set to Vivaldi’s iconic score, this enchanting performance takes audiences on a journey through spring, summer, fall and winter against the backdrop of the stunning desert landscape and setting sun. See website for prices. Tuesdays–Saturdays 8 p.m. Desert Botanical Garden, 1201 N. Galvin Parkway, Phoenix. 602-381-1096; balletaz.org
May
Experience the excitement and inspiration of “Victors and Heroes,” a thrilling concert presented by the North Valley Symphony Orchestra. This captivating performance celebrates sports, human achievement and iconic heroes from the big screen and beyond. Enjoy a diverse selection of music from unforgettable films such as “Chariots of Fire,” “Apollo 13,” “Field of Dreams” and “The Avengers: Endgame,” among others. $10; senior, student and military discounts available.
7 p.m. North Canyon High School Auditorium, 1700 E. Union Hills Drive, Phoenix. 623-980-4628; northvalleysymphony.org
Join Daisy Mountain Veterans for a patriotic 5K or 10K trail run/hike in Black Canyon City to honor the brave men and women who gave the ultimate sacrifice for the United States. Participants may choose to carry a 35-pound rucksack during either run/hike. All donations and a portion of the proceeds will go to Daisy Mountain Veterans. $39+. 7 a.m. See website for location. daisymtnvets.org
May
Join Daisy Mountain Veterans, VFW Post 12031 and American Legion Post 128 for a ceremony to honor and remember the servicemen and women who died while serving our nation and those who remain missing in action. The ceremony includes personal stories, a keynote address and music. Free. 9 a.m. Anthem Veterans Memorial at Anthem Community Park, 41703 N. Gavilan Peak Parkway, Anthem. onlineatanthem.com
Celebrate your passion for automobiles at Anthem Cars and Coffee’s monthly car show. Enjoy the sight of diverse vehicles, from classic to modern, while sipping on coffee and indulging in tasty treats from the food court and vendors. This event fosters a vibrant community of car enthusiasts, where attendees can share their love for all things automotive in a relaxed and welcoming atmosphere. Free. 7 a.m.–10 a.m. Outlets North Phoenix, 4250 W. Anthem Way, Anthem. anthemcarsandcoffee.com
June 3
Unleash your theatrical talents at the Musical Theatre of Anthem’s auditions for its upcoming production of “Dear Edwina, Jr.” Aspiring actors, ages 8–16, are invited to showcase their skills and passion for the stage. $375; sibling discounts available. 10:30 a.m. Musical Theatre of Anthem, 42201 N. 41st Drive, Suite B100, Anthem. 623-336-6001; musicaltheatreofanthem.org
June 4
Showcase your talents at the Musical Theatre of Anthem’s auditions for “Six: The Musical – Teen Edition.” Aspiring actors, ages 14–19, are invited to demonstrate their passion for theater. This pop-infused musical reimagines the six wives of King Henry VIII as a fierce girl group, reclaiming their identities in a captivating performance. $450; sibling discounts available. 11:30 a.m. Musical Theatre of Anthem, 42201 N. 41st Drive, Suite B100, Anthem. 623-336-6001; musicaltheatreofanthem.org
June 8, 15, 22 and 29
Dive into an unforgettable underwater adventure at the Splish-Splash Bash, where children in grades K–6 will explore the everlasting love of God through games, snacks, Bible stories, crafts and fun water play. 9 a.m.–Noon. Cross of Christ Church, 39808 N. Gavilan Peak Parkway, Anthem. anthemcross.org/splish-splash
Veterans Heritage Project, a local nonprofit organization, has been awarded the Seal of Civics Literacy designation by the Arizona Department of Education. This distinction recognizes high school students who demonstrate outstanding proficiency in civics education. VHP’s character and civic education program, which encourages students to learn about history, citizenship, service and leadership by interviewing veterans and documenting their stories, is the first in Arizona to meet all four categories required for this accolade. The seal will be added to students' diplomas and transcripts, highlighting their civic knowledge and engagement. veteransheritage.org
AArizona, and the Valley of the Sun in particular, is not reputed to have four seasons. We are roughly confined to two seasons — what other states might consider cool fall temperatures alternating with scorching, oven-level heat. We’re also a state with unparalleled sunsets, natural beauty and talented artists and performers.
From May 15 to June 1, Ballet Arizona will bring together the best elements of life in the Grand Canyon State in a performance of Antonio Vivaldi’s “The Four Seasons” at Desert Botanical Garden.
The production, choreographed by celebrated artistic director Ib Andersen, takes the audience on a balletic journey through the seasons with the sky as proscenium and a scrim formed by the Papago Buttes and desert flora.
“This score has to be one of the most celebrated in the classical canon, and it is proving to be as fun as it is challenging to choreograph [for] our dancers,” Andersen says. “There is so much depth and so many layers to this piece. It is actually 12 different movements, and it changes constantly and dramatically. This piece will be a visual feast full of exquisite energy that can only be enhanced by the outdoor desert landscape.”
The beauty of the garden, and especially the backdrop provided by the Papago Buttes, provides the perfect outdoor stage for the magic that Ballet Arizona creates each year. I think it’s a match made in heaven and the results are divine. Ken Schutz
The company’s 30 professional dancers from around the world are adorned in beautiful costumes hand-painted by Andersen, designed and produced in partnership with costume director Leonor Texeira. The pieces highlight the grace and athleticism of the dancers and are enhanced as the lighting changes with each season.
Guests can arrive about 45 minutes before the familiar strains of the violins that begin the “Spring” concerto echo amid the spreading branches of the palo verde trees and may purchase a picnic dinner to enjoy while the dancers warm up on stage.
Seating is divided into stadium risers, standard and premium table seating that is closest to the stage. It’s a casual, summery setting that is certainly a departure from the company’s home stage at Phoenix Symphony Hall downtown. It’s also one of the most popular performances of the year and tends to sell out quickly.
Averi Gutierrez, the director of marketing for Ballet Arizona, says the performance start times each night are dictated not by the clock but by nature.
“We start just when the sunset kisses the horizon,” she says. “It’s an event that is uniquely Arizonan and cannot be replicated anywhere else in the country because of the uniqueness of the desert landscape. It’s the perfect marriage between art and nature.”
Ballet Arizona’s partnership with Desert Botanical Garden was first envisioned by Ballet Arizona board member emerita Carol Schilling and Desert Botanical Garden executive director Ken Schutz. Bringing arts experiences to the garden for its members has been a strategic priority for Schutz.
“The Garden and Ballet have been collaborating on the project for 12 years now and the results just keep getting
better,” Schutz says. “The beauty of the garden, and especially the backdrop provided by the Papago Buttes, provides the perfect outdoor stage for the magic that Ballet Arizona creates each year. I think it’s a match made in heaven and the results are divine.”
Audiences agree, and the feedback that Ballet Arizona has received has been glowing.
“The location of the stage and time of day was absolutely perfect — obviously chosen on purpose,” said one guest. “The sunset silhouetting the mountains with a crescent moon just hovering above was a magical backdrop to the... spotlight-intensified trees and cacti. The layers of nighttime sky, mountains, trees and performers were incandescent; truly magical.”
The dancers’ skill must contend with a few challenges of an outdoor performance.
“It’s an adventure for [the dancers] just as much as it is for the audience members,” says Gutierrez. “Dancing outdoors, dealing with the wind [while] landing on point, the environment and staging. It’s an opportunity to experience ballet in a new way [for the dancers and the audience].”
The popularity of these outdoor performances is something Ballet Arizona has seized on to create outreach to audiences that may not have ever considered setting foot inside a grand performance hall.
“Ballet Under the Stars” is a series of performances that take place in public venues around the Valley each September. Admission is free and presented by the Diane and Bruce Halle Foundation. The company’s professional dancers
Ruby and Diamond Earrings
2 Oval Red Ruby (8.23 ctw) set with 14 diamonds (4.38 ctw) set in platinum
Ruby and Diamond Bracelet
20 oval shape rubies (21.12 ctw) and and 20 cushion cut rubies (6.13 ctw) and 20 marquis shape diamonds (8.10 ctw) set in platinum
Ruby and Diamond Ring
Emerald cut ruby (3.01 ctw) set with two emerald cut rubies (.82 ctw) and 14 diamonds (1.77 ctw) set in platinum scalloped halo ring
Ballet dancers adorned in exquisite costumes hand-painted by artistic director Ib Andersen bring Vivaldi's “The Four Seasons” to life against the desert backdrop.
give audiences a sneak peek at each upcoming season with a medley of classical and contemporary performances that can be experienced during the season.
“Ballet Under the Stars is a fantastic opportunity for folks who are new to ballet as well as longtime ballet lovers to come together as a community and enjoy a free performance,” says Claire Schmaltz, Ballet Arizona’s community engagement manager.
A special performance is added each night featuring the young participants in Ballet Arizona’s Class Act program. In each host city, the initiative gives elementary students from one school the opportunity to pair up with the professionals. They learn ballet steps, choose music and create a completely unique work over the course of three hours before the stage lights come up, much to the delight of their parents and audience in attendance.
“Children arrive in tutus and dance the night away. Families have entire picnics before and during the performance, and the performance is always stunning, showing the full breadth of what Ballet Arizona can do. It’s the perfect community builder for anyone and everyone who is looking for an opportunity to relish the Arizona landscape right in their own cities.”
At the Desert Botanical Garden performances, the landscape becomes a main character in the production. The spiky ocotillo
and flourishing foliage of Mexican bird of paradise catch the light and shadows as the dancers spin and leap. Spring, summer, fall and winter take human form as the audience is swept up in rapt attention.
Ballet is often described as “poetry in motion,” and the description is particularly apt for a musical score like “The Four Seasons.” The Italian composer Antonio Vivaldi, who wrote the well-known group of four violin concertos in 1720, published them in Amsterdam in 1725 with a set of accompanying poems that many believe were written by him.
It’s a glimpse into what Vivaldi was trying to communicate and is written onto the pages of music. The seasonal scores are divided into three movements each, separated by tempos: fast, slow, fast. They echo the meter of a sonnet.
As the dancers jeté onto the stage, the sun dips low and stars begin to twinkle overhead. Audiences see Vivaldi’s words in motion:
“Spring has arrived with joy Welcomed by the birds with happy songs, And the brooks, amidst gentle breezes, Murmur sweetly as they flow.”
While we may not physically experience all four seasons here in the desert, we have glorious opportunities like this one — enjoying the arts surrounded by our unforgettable sunsets and natural environment.
balletaz.org
‘The Four Seasons’ May 15–June 1 | 8 p.m. | Desert Botanical Garden 1201 N. Galvin Pkwy, Phoenix | $60+ | balletaz.org
TTechnology seems to be woven into every aspect of life these days. Sometimes it makes life more convenient, and at other times it can be frustrating. Most of us have had to learn and adjust to each new development as it has advanced — from the advent of home computers to the connectivity of the internet and the ubiquity of smartphones.
Gen Alpha, on the other hand, has never known a world without the presence of technology.
Canyon Springs STEM Academy in Anthem is creating a complete curriculum and educational experience that combines the best of science, technology, engineering and mathematics and incorporates it into every facet of grades pre-K through 8.
Jaime Hansen is the STEM specialist at Canyon Springs, a native of Cave Creek, and a Northern Arizona University graduate with 17 years of teaching experience. She’s
We have such a supportive system. STEM is truly embedded in everything; it’s in all that we do here. Jaime Hansen
brought her vision, creativity and talent for procuring adequate grant funding to help develop this program and its students to their fullest potential. Canyon Springs STEM Academy has been in partnership with Northern Arizona University since 2012 to promote STEM and STEM education in the classroom.
Hansen’s dedication and success have earned her accolades as Deer Valley Unified School District Teacher of the Year for 2021–22 and Rotary Teacher of the Year for 2018–19.
“When I began working at Canyon Springs in the gifted kindergarten classroom 10 years ago, STEM was a concept drawing attention,” Hansen recalls. “It was new to get tech embedded into education, but we really didn’t know how to integrate it. I learned through training and experience of finding how STEM could be supported in learning standards. The kids loved it. They embraced it. They love STEM. Their reaction encouraged me to do more. They were so invested.”
Her efforts, combined with those of the STEM Professional Learning Community team at Canyon Springs, are a major factor in the school’s recent STEM recertification award from Cognia STEM Certification. The Cognia Global Commission is a nonprofit working in more than 80 countries, and its STEM certification is highly prized. Fewer than 400 institutions worldwide have received this certification that indicates the highest dedication to STEM education and a commitment to building awareness in the community.
“The reviewers said that we have outshined any other school that has been recertified,” Hansen points out.
One of the primary qualities of the STEM-focused education at Canyon Springs is “problem-based learning” and infusing it into every aspect of a child’s day.
That’s where Hansen’s position shines, and she says the job is a bit of a unicorn. Not many educators get to have STEM as their primary focus in the classroom, the school’s makerspace and its Renaissance program that serves highly gifted students.
She was recently chosen to attend the International Society for Technology in Education conference in Philadelphia.
“It was wonderful,” Hansen says. “Tech is ever-changing. There’s always something new happening, especially with AI. You have to stay one step ahead. [Deer Valley Unified School District K-12 instructional technology manager], and I spent time learning, collaborating and bringing that experience back to our campus. There were so many opportunities to learn about tech in the classroom, and I [was inspired to] write a grant for esports through SRP.”
Back in Anthem, the makerspace is a classroom dedicated to STEM and the engineering design process. Materials on hand range from Popsicle sticks to robotics components. As literacy is also embedded in the program, there’s a library of books she’s collected with stories to inspire exploration. A Humpty Dumpty book, “After the Fall,” prompted the creation of egg drop devices, for example. Hansen says starting with a book gets kids thinking inquisitively. The students learn problem-solving and critical thinking skills by applying STEM concepts.
“I became the STEM specialist three years ago and helped to create the Makerspace,” Hansen says. “You’d be amazed by the amount of materials I’ve accumulated in those years. When I taught fifth grade, I began grant writing and reached out to entities like SRP, the Phoenix Suns and Arizona Diamondbacks; everyone jumped on to support us. They saw the importance of STEM, too. We’ve also received many donations from our community, and our PTSA is extremely supportive with raising funds. A certain percentage of those funds goes to the Makerspace and STEM education.”
Hansen says she’s thankful for the dedication of the school and school district administration to STEM education. It’s gratifying to be able to fulfill teacher requests for materials that promote STEM and engineering in the classroom, which can often be expensive.
“I’m glad they see the value of that investment because, truly, every grade level will come to me at some point with materials or things they need,” Hansen says. “I feel like I can empower them with what I’m able to provide. It almost brings tears to my eyes because I’ve heard of situations where that’s not the case at other schools.”
The youngest students enjoy Sphero Indi, coding robots that can be programmed using colored tiles. In third grade, Lego Essential kits continue the foundations, which are often the building blocks of computer coding. Canyon Springs also sponsors a FIRST LEGO League robotics team, which students in grades six through eight can join and participate in FIRST LEGO League competitions.
In middle school, STEM electives utilize RVR and VEX robots to extend coding knowledge, opening the door to learning JavaScript. Boulder Creek High School’s engineering program stays in contact with Hansen and Canyon Springs and is ready to welcome STEM-educated students into high school-level programs and an engineering club.
So how does the STEM focus manifest in everyday classroom activities?
Hansen describes a first-grade classroom studying animal habitats using picture books and simple nonfiction with plans to create dioramas as a science and art project. The teacher asked Hansen how she could extend the lesson plan in the Makerspace. The children used iPads to create stop-motion animations of their dioramas.
“Once the children had completed the creation of their clay animals in art class, they came into the Makerspace,” Hansen says. “They made stop-motion videos of their clay figure eating or swimming, or a little sloth going up and down a tree. It was truly adorable and such a perfect collaboration of efforts. [The children] were invested — hook, line and sinker. They were so into it.”
A QR code was created so families visiting for a gifted night could scan the code and view the videos produced by each child.
In the middle school grades, Hansen cites another animal-centric project where the Renaissance students were researching organizations that focus on animal rehabilitation. The students used Tinkercad software for the 3D printers in the makerspace to design and produce animal prosthetics. Visitors to the school’s STEM night were able to view the prosthetics.
Hansen and the Canyon Springs team are dedicated to community engagement, a vital element to Canyon Springs’ Cognia certification. Each fall, a STEM Career Day is held to connect students and STEM industry representatives. Each spring, the
school invites the entire community to visit Canyon Springs Family STEM Night. There are lessons for grades K-4 and 5-8, and families are encouraged to explore the campus.
In February, more than 1,100 people attended STEM Night. Two flyovers by the Phoenix Police Department SWAT team and Civil Air Patrol (carrying the assistant principal, Mrs. Talley) zoomed overhead as families experienced how the school incorporates core concepts into every classroom.
Hansen credits the leadership and volunteerism of the school’s chief science officers as playing a huge role in the event’s success. More than 20 students serve as chief science officers, a student organization for grades five through eight that provides an avenue for those passionate about STEM to promote the concepts in the classroom.
“They are incredible,” Hansen says of the group. “We couldn’t have STEM night be what it is without them. We meet every other week in the makerspace in the early morning before school. We have student officers; the president creates an agenda, and the expectation is that they come in with ideas, solutions and an open mind.”
The chief science officers help run stations during big events, gather materials, give presentations and create STEMfocused lessons that they teach to the younger grades. The program, which began with just five students, is growing each year.
Hansen says she also benefits from a Professional Learning Community with STEM teachers from around the district.
“We meet and talk and share ideas,” Hansen says. “Our focus is the same, and it keeps tabs on the pulse of the STEM community. We are all focused on the engineering design process. We are each other’s cheerleaders and lend support to each other.”
Just as STEM careers in the work world depend on collaboration of many bright minds, so does building a top-rated STEM education for students. The Deer Valley Unified School District Technology Division has begun rolling out big tech pieces, including curriculum-based computer science technology pieces by grade level to support computer science standards.
Hansen says this support from Canyon Springs administrators, district leadership, fellow teachers, families, students and the community has combined to produce something very special. Young people who are encouraged to reach their potential from the first time they step foot in a classroom are destined to do great things for the world when they enter the workforce someday.
“We have such a supportive system,” she explains. “STEM is truly embedded in everything; it’s in all that we do here.”
dvusd.org/canyonsprings
Did you know that the Grand Canyon creates its own weather?
Due to its immense size and depth, temperature and air pressure differences between the top and bottom of the canyon can create unique weather patterns, including sudden changes in wind direction and speed and even isolated thunderstorms.
WWhile discussing ideas for this month’s photo essay, Flagstaff-based landscape and wildlife photographer Eric Flatt posed a thoughtprovoking question: “Have you heard about the quintessential elements that define Arizona, famously known as the five Cs?”
For those who need a refresher, Arizona’s original five Cs were engraved on its state seal when it achieved statehood, representing cattle, citrus, climate, copper and cotton.
“These pillars served as the foundation for the state’s early economy, with a strong emphasis on agriculture, ranching and mining,” Flatt explains. “Even today, they continue to significantly influence Arizona’s economic landscape and cultural identity.”
However, Flatt believes there’s more to Arizona’s identity than these five elements alone. He proposes an expansion of this iconic list to include two more quintessentially Arizonan features.
“Allow me to advocate for expanding this list to include canyons and cacti,” he asserts.
“After all, Arizona boasts the awe-inspiring Grand Canyon and many cactus varieties that adorn the state’s landscape. These two additions enrich the list and encapsulate the distinctive essence of Arizona’s geography and natural allure.”
In this month’s photo essay, Flatt takes us on a visual journey through Arizona’s seven Cs, offering a captivating exploration of the state’s diverse landscapes and rich cultural heritage. Each image, masterfully captured, invites us to reflect on the enduring influence of these seven elements and their profound impact on Arizona’s identity.
Join us as we dive into the heart of Arizona’s past, present and future through the lens of Flatt’s evocative photography, which brings the state’s seven Cs to life with striking beauty and depth. Through his keen eye and artistic vision, Flatt reminds us of the importance of preserving Arizona’s unique cultural and natural treasures for generations to come.
The iconic saguaro cactus, which can grow to an impressive height of over 40 feet, has a unique and extensive root system. Despite the cactus’s towering height, most of its roots are only 4–6 inches deep, and they can extend as far from the plant as it is tall, helping the saguaro gather and store water in Arizona’s arid desert environment.
The citrus realm encompasses a variety of fruits, such as oranges, lemons, grapefruits and more. There is nothing quite like the aroma of orange blossoms in the spring or the exquisite taste of freshly picked oranges.
Eric Flatt
Arizona has three distinct regions: plateau, mountain and desert. Each boasts unique geographical features, wildlife, natural resources and climatic conditions. Within a two-hour drive, you can go from the arid expanses of the Sonoran Desert to the lofty peaks of mountain ranges.
Eric FlattSince 1910, Arizona has been the nation’s leading producer of copper. A whopping 68% of all the copper produced in the U.S. comes from our state.
Eric Flatt
Cotton cultivation has a rich history spanning more than a millennium, tracing back to the Hohokam and Akimel O’odham in central Arizona and the Hopi and other Puebloan communities in northern Arizona. Currently, Maricopa and Pinal counties are prime cottongrowing regions, offering the ideal long and warm growing seasons.
Eric Flatt
Arizona’s cattle date back to 1690 when Spanish settlers introduced the first cows. The state’s vast rangelands, managed by the federal government, span about 11.5 million acres and provide essential grazing grounds for livestock.
Eric FlattEric Flatt, affectionately known as “E” among friends, is a Flagstaff-based photographer with a deep passion for capturing the raw beauty of nature through his lens. Specializing in landscape and wildlife photography, Flatt has a keen eye for detail and an unwavering commitment to authenticity.
“I immerse myself in nature’s tonic by capturing images of textured landscapes below moody skies and stealthily pursuing wildlife in their remote habitats,” Flatt says, highlighting his dedication to exploring the diverse elements of the natural world.
In an era dominated by AI-generated images and heavy editing, Flatt takes pride in keeping his work as true to life as possible.
“What you see in my images is what you see in nature,” he explains.
This commitment to realism allows viewers to fully appreciate the beauty of the landscapes and wildlife he captures.
Flatt’s journey to obtain the perfect shot often involves navigating challenging terrain, whether it’s “four-wheeling on gnarly dirt roads, hiking into remote wilderness areas or finding solace awaiting perfect light.” He believes these experiences add depth and character to his work, allowing him to share the beauty of the natural world with others.
To those admiring his photographs, Flatt encourages them to fully immerse themselves in the images and embrace the sense of wonder they evoke.
“Get lost in the images, let your eyes dance and your mind wanderlust,” he says. “Enjoy the journey!”
Writer
IIn the quiet suburb of Glen Ellyn, Illinois, a young man named John Bruce Capel was making his mark on the world, one athletic achievement at a time. Known simply as “Bruce” to his friends and family, he was a standout in baseball and football at Glenbard High School, known for his courage and character, both on and off the field.
“He lived around the corner from the high school football coach, Bill Duchon, who watched him grow up as an athlete and young man,” recounts Lisa Jones, Capel’s niece. “He was recruited to play at a lot of Division I universities, but he had always dreamed of playing at the University of Illinois.”
It was on the gridiron at Illinois where Capel truly shone, playing alongside football legend Dick Butkus.
“They roomed together on away games,” Jones shares. “Bruce recovered the game-changing fumble during the Rose Bowl [in 1964] and they went on to win the game.”
His talent and dedication were unmatched, earning him Academic All-American honorable mention and the admiration of his coaches, who marveled at his friendly demeanor and unwavering spirit.
After graduating, Capel’s path took an unexpected turn when he was commissioned as a second lieutenant in the Marine Corps and sent to The Basic School at Quantico, Virginia. There, he continued to excel as a linebacker on the football team, leaving a lasting impression on his coaches and teammates.
“I have met several of his coaches, and they have all told me that they commented, ‘Why haven’t we heard of this guy? He is such a good football player,’” Jones recalls. “Bruce’s response was, ‘I played opposite Butkus in college, basically in his shadow.’”
Every paver at the Anthem Veterans Memorial has a story and some pavers represent those who made the ultimate sacrifice. I was thrilled to be able to help the Quantico Marine Athletes of the Sixties honor their fallen brothers with pavers at our memorial. Lisa Jones
Tragically, Capel’s promising future was cut short in May 1966 when he was killed in action while leading a patrol that was ambushed by Viet Cong forces in Vietnam, just six weeks after his arrival.
“They came under Viet Cong fire and because Bruce was so tall when he stood up to assess the situation, the Viet Cong shot him in the head,” Jones says solemnly. “I believe only two of his platoon survived that day.”
His sacrifice, however, has not been forgotten. In Glen Ellyn, the Bruce Capel Hitters Club Award continues to inspire young football players to embody the courage and character that defined Capel’s life.
“To this day, the Glenbard West High School football team is nationally ranked and called ‘The Hitters,’ and my uncle was ‘The Original Hitter,’” Jones proudly notes. “He truly is a hometown hero of Glen Ellyn.”
Capel’s story is just one of many that emanate from the hallowed grounds of Quantico, where a remarkable group of athlete Marines trained and played together before being called to serve in Vietnam. These 12 men — hailing from diverse backgrounds but united by their athletic prowess and unwavering dedication to duty — would go on to make the ultimate sacrifice, leaving behind a legacy of valor and sacrifice that continues to resonate today.
Gridiron greats who once graced Quantico’s fields made their mark through coaching and combat leadership. Capt. Ronald Howard Brown, a two-year letterman at Montana State University, transitioned from the trenches to mentoring as the offensive line coach for the Quantico staff team in 1965. Tragically, he was killed near Hue City in 1968 while heroically leading a convoy ambushed by superior North Vietnamese forces. Brown’s nephew remembers him as a larger-than-life figure who balanced professionalism with making football fun.
Joining Brown from the football ranks was Capt. Walter Judson Spainhour Jr., an All-American quarterback from the University of North Carolina. After undergoing elite training at Quantico, including reconnaissance and ranger courses, Spainhour reaffirmed his devotion through a letter home before making the ultimate sacrifice while leading his platoon during 1966’s Operation Deckhouse IV, earning a posthumous Silver Star.
The esteemed ranks of the Naval Academy proved a fertile ground for valor. First Lt. Thomas James Holden was a threesport star at Annapolis known for his prankster spirit, earning recognition like the Most Valuable Defensive Player award at the 1964 Cotton Bowl. His grit and determination as an offensive lineman and linebacker with the Quantico team were immortalized through a posthumous Silver Star.
Classmate Capt. John Lee Prichard etched his name among Annapolis’ legendary athletes, starring in football and track. After transitioning to various coaching roles, Prichard displayed exceptional courage leading assaults against entrenched North Vietnamese forces in the battle for Khe Sanh in 1968, earning him the Silver Star and Bronze Star with valor before succumbing to wounds.
Another Marine who traced his athletic roots to Annapolis, Col. Robert Norman Smith, had carved an impressive path as a three-sport letterman and class president at Wyoming Seminary before the Naval Academy. His athletic prowess extended to the gridiron and throwing circles of the Quantico teams in the late 1940s. Smith’s unwavering leadership took him to the skies, but on an ill-fated 1969 reconnaissance mission over Vietnam, his aircraft disappeared without a trace, though his daughter’s solemn journey decades later honored his enduring legacy.
The quarterback ranks included Second Lt. Paul Frederick Cobb, known as Freddie, whose enthusiasm and leadership at Virginia Tech outshone any philosophical differences with coaches. At Quantico, Freddie showcased his abilities and inspirational tactics as the starting quarterback, which carried over to his courageous actions during Operation Allen Brook in 1968, rallying his men against intense enemy fire to earn a posthumous Navy Cross.
Second Lt. Paul Martin McGrath confronted skeptics of his size at Villanova, making a name for himself on the Quantico gridiron with a memorable tackle despite never playing for the Wildcats. The disappointment gave way to pride when McGrath’s poignant farewell letter, addressed “To Whom It May Concern,” received a posthumous reading in Congress after he fell as a member of the Basic School class with the highest casualty rate since the Korean War.
The trails and fields revealed athletic excellence in their own right. Second Lt. Tyrone Sidney Pannell was a Manhattan College track star, setting hurdle records and earning accolades at major meets before being commissioned as a Marine. While stationed at Quantico, he added his name to the base’s athletic lore before being killed in action while leading a patrol in Vietnam in 1967. His legacy lives on through honors like a namesake trophy at the Quantico Marine Track Competition and portrayals of the letters he penned home to his daughter in the book and film “Dear America.”
Representing the long-distance ranks, Capt. Willard Dale Marshall, a 1961 Naval Academy graduate, competed on the Navy track team before undergoing language training and serving as an interrogator and translator in Vietnam. He displayed heroic actions when his patrol was ambushed in 1968, posthumously earning the Bronze Star and forging an extraordinary bond with a former enemy who returned his poncho to his son decades later.
In Hawaii, Second Lt. Gene Smedley McMullen presaged his athletic skill, excelling in football, basketball and track at the prestigious Punahou School before
starring on the gridiron at Penn State. Though his quiet demeanor earned him the nickname “Long Gene,” he found his warrior ethos through training at Quantico and artillery assignments prior to being killed by enemy fire in 1966 while serving as a forward observer.
These men, once teammates and brothers-in-arms, now stand as enduring symbols of the costs of war and the enduring bonds forged in service to our nation.
On Monday, May 27, as the Anthem community gathers for its annual Memorial Day ceremony at the Anthem Veterans Memorial, the stories of fallen heroes will take center stage. Organized by the Daisy Mountain Veterans, VFW Post 12031 and American Legion Post 128, the ceremony will highlight the personal stories of service members commemorated at the memorial who were killed in action or remain missing.
“Behind every veteran paver is the story of a spouse, mother, father, son, daughter and friend who served our nation with honor,” says Elizabeth Turner, a Daisy Mountain Veterans board member and Memorial Day ceremony organizer. “Sadly, 86 veterans commemorated at the AVM made the ultimate sacrifice during their service, and two are among the 83,204 unaccounted-for veterans. Memorial Day is a day set aside to remember them.”
For Jones, who donated funds to have one of the Marine seals on the AVM Marine Pillar dedicated to her uncle, the ceremony holds special significance.
“Every paver at the AVM has a story, and some pavers represent those
who made the ultimate sacrifice,” she reflects. “I was thrilled to be able to help the Quantico Marine Athletes of the Sixties honor their fallen brothers with pavers at our AVM. While they have a memorial at The Basic School at Quantico for their fallen brothers, as a civilian, I cannot go on the base to see the memorial. At the AVM, these Marine athletes will be remembered and family members can come anytime to our memorial.”
The Quantico Marine athletes were an extraordinary group whose athletic abilities were matched only by their courage and dedication to service.
“What is so incredibly cool to me, and I just learned in the last few years, is that these 12 athletes were world-class athletes,” Jones marvels. “The track guys were truly some of the fastest men in the world. They held national and world records that still stand today in some of the relays. They were Olympians who represented our country and won gold medals. The football and basketball players could have played in the NFL and NBA, but they chose a different path for their athletics ... and ultimately died defending their country.”
As the ceremony unfolds, with keynote addresses, the POW/MIA Missing Man Table ceremony and the symbolic ringing of a naval ship’s bell to honor each of the 86 veterans commemorated at the AVM who were killed in action, the echoes of these 12 Quantico Marine athletes will reverberate through the hearts and minds of all in attendance.
“As these Quantico Marine athlete octogenarians are becoming fewer, I represent the next generation to carry their torch and will always remember their fallen brothers and their sacrifice,” Jones vows solemnly.
“Sharing the stories behind the pavers will bring the pavers to life and give them meaning. I think that highlighting the personal stories of servicemen and women at the AVM who were killed in action or remain missing in action really strengthens the meaning of Memorial Day.”
For Jones, ensuring these remarkable men are never forgotten is a profound duty.
“These veterans were spouses, parents, sons, daughters, aunts, uncles and friends who served our nation with honor, and we must remember them and their contribution to our country,” she says resolutely.
As “Taps” plays and the community observes a moment of reverent silence, the lives and legacies of the many selfless servicemembers who were killed in action or remain missing, including these 12 Quantico Marine athletes, will be celebrated — reminders of the profound costs of freedom and the enduring impact of courage in the face of adversity. Their stories, once echoing on the fields of Quantico, will resonate eternally as a testament to the unbreakable spirit of the U.S. Marine Corps.
Makes: 25–30 Brownies
For the Chocolate Chip Cookie Crust:
3/4 cup butter, room temperature
1/2 cup sugar
1/2 cup brown sugar
1 teaspoon vanilla extract
1 1/2 cups flour
1/4 teaspoon kosher salt
1 1/2 cups mini chocolate chips
For the Salted Caramel Sauce:
1 cup sugar
1/3 cup butter
1/2 cup heavy cream, warmed
1 teaspoon sea salt
For the Brownies:
1 cup Heath bits, divided
18 Oreo cookies
3/4 cup butter, melted
3/4 cup sugar
3/4 cup brown sugar
2 eggs
1 teaspoon vanilla extract
3/4 cup flour
1/2 cup cocoa powder, sifted
1/2 teaspoon baking powder
1/4 teaspoon kosher salt
Preheat oven to 350°F. Line the bottom of a 13x9-inch baking pan with parchment paper.
These Scandalous Brownies, originally known as Slutty Brownies, are a layered dessert featuring chocolate chip cookie crust, salted caramel sauce, Heath bits, Oreo cookies and fudgy brownies. These indulgent treats will satisfy even the most intense sweet cravings!
For the chocolate chip cookie crust, cream butter, sugar and brown sugar using an electric mixer on medium speed. Add vanilla extract, then mix in flour, salt and mini chocolate chips on low speed. Press the mixture into the bottom of the prepared pan.
For the caramel sauce, melt sugar in a medium, heavy-bottomed saucepan over medium heat. Whisk until completely melted, then let the sugar cook to a deep amber color without whisking. Add butter, then remove from heat and stir in cream and sea salt.
Pour 1/2 cup caramel sauce over the chocolate chip cookie crust, sprinkle 1/2 cup Heath bits over caramel and place Oreos on top.
To prepare the brownie batter, whisk together melted butter, sugar, and brown sugar in a large bowl. Add eggs and vanilla extract, then mix in flour, cocoa powder, baking powder and salt. Spread batter over Oreos and top with remaining 1/2 cup Heath bits.
Bake for 25 minutes, then let cool completely before refrigerating for 1 hour for easier cutting.
