KEY PLAN LOCATION PLAN
DOOR SCHEDULE
D-02GROUND FLOOR900820 2400FLUSH, L'DRY, INTERNAL1
LAMINATED
SD-01GROUND
D-04GROUND FLOOR900820 2400SWING,GARAGE, INTERNAL1 GDGROUND FLOOR24402440 2420GARAGE DOOR 1
D-02BFIRST FLOOR900820 2100FLUSH,BED,INTERNAL4 D-03BFIRST
ENTRY, FLUSH
FLOOR24009008204INTERNAL, FLUSH, MOISTURE RESISTANT D-02BGROUND FLOOR24009008201INTERNAL, FLUSH, BEDROOM D-03GROUND FLOOR24008007201INTERNAL, FLUSH, MOISTURE RESISTANT
D-04GROUND FLOOR2400900 2INTERNA, GARAGE
GDGROUND FLOOR2420484048001EXTERNAL, GARAGE
SD-01GROUND FLOOR2400321532151SLIDING STACKER DOOR
D.02AFIRST FLOOR21609008204INTERNAL, FLUSH, BEDROOM
D.03AFIRST FLOOR21608007202INTERNAL, FLUSH, MOISTURE RESISTANT
SD-02FIRST FLOOR2100241024102SLIDING STACKER DOOR FIRST FLOOR: 8
GW-0120508503502400AWNING WINDOW WITH FIXED BOTTOM PANELS
GW-0220508503502400AWNING WINDOW WITH FIXED BOTTOM PANELS
GW-03(OBS)600121018002400SLIDING WINDOW
GW-0420507243502400AWNING WINDOW WITH FIXED BOTTOM PANELS
GW-0520507243502400AWNING WINDOW WITH FIXED BOTTOM PANELS
GW-06145012109502400SLIDING WINDOW
GW-07145024109502400SLIDING WINDOW
GW-0820508503502400AWNING WINDOW WITH FIXED BOTTOM PANELS
GW-09600217018002400SLIDING WINDOW GROUND FLOOR: 9 FIRST FLOOR
FW-01600217015402140SLIDING WINDOW
FW-02600181015402140SLIDING WINDOW
FW-03(OBS)60085015402140SLIDING (OBS) FW-04120021709402140SLIDING WINDOW
FW-05120021709402140SLIDING WINDOW
FW-06600217015402140SLIDING WINDOW
FW-07(OBS)180014503402140FIXED WINDOW (OBSCURE)
FW-08(OBS)60073015402140SLIDING (OBS)
FW-09(OBS)60073015402140SLIDING (OBS)
FW-1060061015402140SLIDING (OBS)
FW-1160061015402140SLIDING (OBS) FIRST FLOOR: 11 TOP OF WALL FRAME
SL-01700550 FIXED (NON OPERATING) SKYLIGHT TOP OF WALL FRAME: 1 Grand
The project was a second residence to an existing home. My contribution was preparing construction drawings on ArchiCAD assisting the lead architect. GROUND FLOOR PLAN 1:100
NEWSAGANECY
KEBABNARREWARREN TURKISH
SYLVIA LANE
The
FLOOR PLAN/LAYOUT PLAN
1:100
TIMBER PARTITION WALL
TIMBER BOOTHS WITH DETACHABLE SYNTHETIC CUSHION TIMBER SLAT/LATTICE WITH PLANTS
SECTION 3 1:50 TOILET KITCHEN +2700 SUSPENDED CEILING WALLPAPER GLAZING SLIDING DOOR 2 PANELS 2143H 2150W
KITCHEN EXHAUST HOOD TO COMPLY WITH AS1668.1 AND AS1668.2
CANOPY RANGE HOOD STAINLESS STEEL FINISH
KITCHEN SPLASH BACK STANLESS STEEL
HUNG BOWL
ENCLOSED WORK TABLE 875H 1400W
WALVIT HUNG BOWL
NOTE: ONLY PROPOSED ELECTRICAL FITTINGS ARE SHOWN ON THE PLAN. ANY EXISTING ELECTRICAL OUTLET AND LIGHTS THAT IS TO BE REMAINED MUST BE CONSULTED BY CLIENTS WITH THE ELECTRICIAN ALL WORKS MUST COMPLY WITH BUILDING REGULATIONS OF AUSTRALIA. ALL LIGHT FITTINGS TO BE CHOSEN BY CLIENT (AESTHETIC AND MANUFACTURER).
UNIVERSITY PROJECT 1: FLUID CITY
(all projects in ArchiCAD)
The existing sound intensity from site analysis underpins how the interventions ‘flow’ along the site. The left end of the strip was recorded to have higher public activity and gathering thus having higher sound intensity and then it gradually decreases towards the right end of the strip near Russel street. Thus for the proposal, residentials dominate on the right while public theatre is at the left end. The addition of the metro tunnel to the city attracts more housing option connecting to it for ease of access to transport.The activities are both above and below ground, depicting the continuous up and down movement of a sound wave throughout the journey.
Proposed Section of the 200m strip of Melbourne CBD along Bourke street where there is public space above and below ground to connect the pedestrian flow with Metro tunnel station. Underground gardening with solar lens
Proposed Roof Plan
Fluidity is defined by the flow of motion of the traveller within the cityscape and the experience that space is fluid (continuous , three dimensional). In this project, fluidity is defined by architecture that is able to adapt with needs and necessities with time. Time is the fourth dimension of space and thus design adresses it with adaptible architecture both above and below ground, public and private. FLUID CITY CHARACTERISTIC
ARCHITECTURE
and Infill Construction
FLUID CITY
Collage-To represent past, present and future in the city context
FLUID CITY
PROJECT 2 : LOWLANDS
To provide home for 500 people to accomodate growing population of Melbourne
The development is an urban spine with a row of houses on either side of the axis with the tram line in between.The constructed wetland is within a low land zone mimicng its existing swampy land and it recyles rainwater from the rooftop catchment.The axis also cuts through the Melbourne Market, allowing more street encounter, public transport connection and changing the land use types of the broader area.
SOUTH KENSINGTON STATION
SOUTH KENSINGTON STATION
FOOTSCRAY STATION
FOOTSCRAY STATION
NORTH MELBOURNE STATION
BUILT ENVIRONMENT TYPE
NORTH MELBOURNE STATION
MELBOURNE MARKETS
MELBOURNE MARKETS
PROPOSED FERRY TERMINAL
PROPOSED FERRY TERMINAL
SOUTHERN CROSS STATION
SOUTHERN CROSS STATION
URBAN CIVIC SPINE WITH TRANSPORT LINK
URBAN CIVIC SPINE WITH TRANSPORT LINK
The ‘reed’ structures are columns that allow the rainwater to be collected into the wetland. The facade has pivoted dorrs and windows formed by the spaces in between the reeds that allows the interior spaces to be rearranged as wished by the occupants.
FIltering and Catchment Body
From the Bay of Bengal towards the site
to the world’s largest refugee camp in Cox’s Bazar, another popular city Naval Academy
Site Map: Four axes crossing through the site. PROJECT 3 : CHAITANYA(University Project)
Memorial for assassinated intellects
The project is inspired by the work of Surrealism. The fundamental aspect of Surrealism is to pose a question about people’s perception of space and time, past and future as a means to tap the unconscious mind. True intelligence and judgement power surpasses the usual conventions of space and reality that we are conscious or aware of. Peter Eisenman’s giving presence to absence idea and deconstructivist architecture was used to have the surreal gesture of the project.
‘Architecture should speak of its time and place, but yearn for timelessness.’ - Frank Gehry