

Migration Nation is an extensive project and exhibition thinking through the human impact of climate migration by London-based Maltese artist Iella.
Rising sea levels, extreme weather events, and resource scarcity are now a reality for large numbers of people around the world, many of whom have no choice but to leave their homes in search of safety. Migration Nation is a direct reaction to this reality, and an attempt to attach a humanity and emotion to events which seem so vast and incalculable as to be beyond our understanding. Barn Swallows (Huttafa) and other birds take the place of peoples in transit, as their journeys unfold, in a narrative which runs through the exhibition.
Through large-scale acrylic paintings and intricate etchings, Iella offers a moving portrayal of the human experience of displacement; her imagery evokes a deep empathy for the displaced, highlighting the shared struggles of humanity across borders.
Alongside Iella’s work, invited artist Christian de Souza Jensen (aka SeaPuppy) shows a new animated work, echoing its call for climate justice and a humane treatment of migrants. Towards the end of the exhibition path, the installation created in a collaboration with the Malta Community of Illustrators, is reflective of a collaborative instinct in which the physical act of building a structure from many contributions can also be seen as a call for solidarity and empathy with those less fortunate than ourselves. The public is invited to interact and contribute to this piece.
The works in this exhibition were created in London where the artist lives and in Sydney during an extended residency in 2023, but a link with Malta is retained through references to the luzzu, to Mediterranean shorelines, and to birds which stop on our islands during their long migration. The story told is universal, and the problems posed are existential; not only for the human race, but for life on this planet as we know it.
Migration Nation is part of the Spazju Kreattiv programme and runs from 10th September - 13th November at Spazju Kreattiv, Space C.
Creative team:
Artist and project management: Iella (Daniela Attard)
Curator: Margerita Pulè
Invited artist: SeaPuppy (Christian de Souza Jensen)
Collaborators: Malta Community of Illustrators, Clara Azzopardi, Zoe Briffa, Jessica Cutajar, Shanice Farrugia, Kath Flask, Miriam Galea, Mel Grech, Zoe Marsh, Ellie Scerri, Matthew Schembri, Moira Scicluna Zahra, Naomi Smith, Steffi Venturi, Kyle Xuereb Cunningham
Portrait of a migrant
Copper plate etching – hard ground, aquatint and soft ground, 2023, London, UK
The crops have failed again.
Drought plate
Copper plate etching – hard ground, aquatint and soft ground. 2024, London, UK
Fires plate
Copper plate etching – hard ground, aquatint and soft ground. 2024, London, UK
Migration at Sea 1: Beginning
It finally rained. But there is nothing left to absorb the deluge and we are swept away in a flood.
Flooding plate
Copper plate etching – hard ground, aquatint and soft ground. 2024, London, UK
Acrylic paint on canvas, 2024, London, UK
Migration at Sea 2: Beginning 2
Acrylic paint on canvas, 2023, Sydney, Australia
Migration at Sea 3: Journey’s end
Acrylic paint on canvas, 2023, Sydney, Australia
Our group had no choice but to attempt the journey by sea.
Journeys at sea plate 1a
Zinc plate etching – hard ground, aquatint and soft ground. 2023, London, UK
Journeys at sea plate 1b
Copper plate etching – hard ground, aquatint and soft ground. 2024, London, UK
Journeys at sea plate 2
Copper plate etching – hard ground, aquatint and soft ground. 2024, London, UK
Some of us would survive the journey but many were lost.
Journeys at sea plate 3
Copper plate etching – hard ground, aquatint and soft ground. 2024, London, UK
Survivors found themselves fighting over resources of the new land.
Acrylic paint on canvas, 2024, London, UK
Mother and child plate
Copper plate etching – hard ground, aquatint and soft ground. 2023, London, UK
Downed Boat plate
Copper plate etching – hard ground, aquatint and soft ground. 2023, London, UK
So many of us died.
Survivors ended up in a processing center with no clear future.
There is nowhere else for us to go.
Acrylic paint on canvas, 2024, London, UK
Resource wars – Citizenship
The future is unknown, but we have to keep trying.
Resource wars 2: The Consequences of War
paint on canvas, 2024, London, UK
wars – Petroleum