IDFA Industry Special 2015-01

special industry

INCLUDING SCHEDULE

THURS 19 & FRI 20 NOV

#1

For more news & full industry programme, see www.idfa.nl/industry

Filmmaker and consultant David Wilson of the First Appearance jury, critic Jonathan Rosenbaum, who is on the Feature-Length jury, with documentary great Errol Morris at the VIP drinks ahead of Wednesday night’s festival opening. photo: Nichon Glerum

Winning ways

Rofekamp takes on new role

“I’ve said this before, but when I do have a good Dutch

Films Transit chief Jan Rofekamp is at IDFA this year with a new string to his bow as the newly appointed head of studies at the Documentary Campus Masterschool.

film, I want to open the festival with it. IDFA is in the Netherlands,” Festival director Derks declares of her decision to kick off the festival with A Family Affair by Tom Fassaert, a young, local director.

“We have a good documentary tradition and this is a way to promote Dutch documentaries abroad”, Derks continues. Anyway, A Family Affair is just the kind of film you want to open a festival: funny, emotional, personal and it should strike a chord with every spectator, she says. “We all have grandmothers. It is kind of weird when your grandmother falls in love with you though!”

“It is kind of weird when your grandmother falls in love with you” As ever, the festival has attracted some of the biggest names in the documentary world to Amsterdam. Oscar winner Errol Morris will present his Top 10 and hold a masterclass, moderated by Bill Nichols. Many of Morris’ films have screened at IDFA over the years and Derks is delighted that the man himself will be in town for a full 6 or 7 days. “It took me a couple of years to get him here. I am happy we finally succeeded.”

Alongside Morris and Bill Nichols, various other big beasts of the documentary jungle are due to visit IDFA this year, including Barbara Kopple and Naomi Klein. Renowned film

By Geoffrey Macnab

critic Jonathan Rosenbaum is on the jury of the feature-length competition and Stanley Nelson and Victor Kossakovsky (“the unavoidable Victor” as Derks refers to him) are also ­festival-bound.

Derks is heartened by the increasing prominence of documentaries on cinema screens, but wary of the very short runs many of them have, and their struggles to find audiences. “The same goes for fiction. There are so many films out there and all these cinemas are very competitive,” Derks reflects. “It is very difficult, but I do think if docs could stay in the cinemas a little longer, they would really profit from this.” Derks points out that docs benefit from word of mouth. If they’re given time on the screen, audiences tend to increase. The IDFA ‘brand’ can also help attract spectators. Docs shown as part of IDFA on Tour tend to be sold out, but “when you put on the same films without the IDFA ‘quality stamp,’ there is nobody there.”

This year’s prizes are being awarded earlier in the festival (on Wednesday 25) and there is a new awards structure. Instead of a single winner, juries will give two awards: one for best documentary, and a special jury award. “The whole background is that we don’t have losers.

Now, we only have winners!”

Read more at www.idfa.nl/industry/daily

Organised by Berlin-based training and development agency the Documentary Campus, the Masterschool selects 16 director-producer teams a year and helps them develop their projects over the course of four five-day workshops running over a 10-month period.

As well as selling his slate, Rofekamp will also be keeping an eye out for suitable projects for the programme. The deadline closes just after IDFA, on November 30.

“I think one of the reasons they picked me is because of my long experience in sales.

I know inside-out the process of financing, selling and getting a film to a festival and what to do once it’s selected,” says Rofekamp.

Recent alumni of the Masterschool include Polish Hanna Polak, who developed IDFA Special Jury Award winner Something Better to Come with the support of the programme.

The veteran salesman says he did not think twice about accepting the role when Documentary Campus director Donata von Perfall approached him at MIPTV this year to see if he would be interested in replacing Elizabeth McIntyre, who is taking over the reins of the Sheffield Doc/Fest as of 2016.

The timing was perfect, notes Rofekamp, coming just as he was in the throes of restructuring 30-year-old Films Transit. “The company is doing well but I’ve decided to rein in our activities a bit and handle somewhat less films a year, with the focus on high-profile titles and maybe a bit more from the art

sector,” he explains. Over the summer, he also took the decision to stop handling library sales, brokering his 200-title back catalogue to Israel-based educational rights Filmplatform.net and Ellen Windemuth’s Amsterdam-based Off The Fence.

Rofekamp will be busy at IDFA with four festival titles: Guantanamo’s Child: Omar Khadr (Masters); Requiem for the American Dream (Best of Fests) and two IDFA Competition for Dutch Documentary contenders: Inside the Chinese Closet and Jheronimus Bosch, Touched by the Devil, which will be released to coincide with 500th anniversary of the 16th-century master’s death and is the directorial debut of prolific Dutch documentary producer Pieter van Huystee. Inside the Chinese Closet is a first-time work by Italian director Sophia Luvara, produced by Boudewijn Koole and Iris Lammertsma’s Amsterdam-based Witfilm, and explores the challenge of being homosexual in China. Melanie Goodfellow

Guests Meet Guests 19/11/2015, 18:00 hours De Jaren Café Hosted by the Documentary Filmmakers’ Association 20/11/2015, 18:00 hours De Jaren Café Hosted by IMCINE

SANT & USANT

PRESENTS 3 FILMS AT IDFA 2015

by ERLEND E. MO

WORLD PREMIERE

SAT 21.11 18:45 TUSCHINSKI 2

VA R I C E L L A

by VICTOR KOSSAKOVSKY

I N T E RNATI ONAL PR EM I ER E

S AT 2 1 . 1 1 1 8 : 4 5 T U S C H I N S K I 2

MAIKO

D A N C I N G C H I L D by ÅSE

MEET DIRECTOR & MAIKO F R I 2 0 . 1 1 1 7: 0 0 B R A K K E G R O N D

S. DRIVENES

Expanding industry IDFA’s Industry Office has expanded its activities this year to offer a new range of consultancy services to all its guests, ranging from co-production advice to rough cut editing support.

These can be found at a new hub in the NH Carlton Hotel.

“These new services will be accessible to all our guests, not just those with market or Forum passes,” explains IDFA’s Head of Industry Adriek van Nieuwenhuijzen. “Guests can either book a one-on-one meeting or attend one of the group sessions on topics like sales or how to submit to the Oscars, which will run once or twice a day.”

The new range of consultants includes Catherine Olsen, who left her role as head of documentary at Canada’s CBC New Network earlier this year to set up her own production company. She is participating as a script consultant. Other advisors will include Julie Vanherck of EU MEDIA Programme and digital rights specialist Wendy Bernfeld.

“The only type of consultancy we had in the past was the First Aid Doc Clinic, which was really well attended.

We still have that, but we thought it good to expand into other areas”, adds Van Nieuwenhuijzen.

Docs for Sale will remain in the Arti et Amicitiae arts club which has been its home for the last few years.

New activities at the market include the new Rough Cut Project section, which replaces the Forum’s Rough Cut sessions featuring a 20-minute screening and a panel discussion on the material with producers and potential buyers.

“We decided that it was too time-consuming for attendees, so we’ve put it online this year before the festival started although we still organise individual

meetings with the teams for interested parties during the festival,” says Van Nieuwenhuijzen.

The first projects to be selected for the new online version include Raoul Peck’s homage to African American writer James Baldwin, Remember This House, and Marco Williams’ Crafting an Echo, about the creative method of Greek choreographer Andonis Foniadakis.

Van Nieuwenhuijzen is expecting attendance of the market to be higher than last year with increased interest from the US as well as China. “We’ve sold at least 50 more market passes than last year and expect the number of attendees to be in excess of 2,600, compared to 2,300 in 2014. It’s quite a jump,” says Van Nieuwenhuijzen.

“I think the festival and the market is recognised as a place to network with people in the industry and people want to be part of that,” she says. “The appetite for documentary is still growing, which is why we continue to expand. I think one of our strengths is that we’re not focused on Europe but also do a lot to reach out to the other continents.”

Notable US companies attending for the first time this year or with a bumped presence include Netflix, represented by Jason Spingarn-Koff, former commissioning editor for The New York Times’ Op-Docs, who moved LA to work for Netflix over the summer.

Cinetic founder John Sloss will speak about how to be successful in the American market at IDFA Industry Talks, taking place once again in De Brakke Grond.

From China, a large delegation is attending under the auspices of the Beijing Documentary Development Association. “It’s an association of bigger independent producers. They really want to reach out to learn how the international and European market works.”

Melanie Goodfellow

Taskovski ramps up

a idf ws e n London-based sales and production outfit Taskovski Films has been ramping up its slate in advance of IDFA. The company has a number of new projects and will be representing five docs that are in official selection at the festival.

Taskovski’s most recent pick-up is feted Georgian doc When the Earth Seems to Be Light, screening in the IDFA Competition for First Appearance and directed by Salome Machaidze, Tamuna Karumidze and David Meskhi. “What is beautiful about this film is it gives the point of view of the youth of Georgia today. It is very cinematic with a strong director’s touch, but also deals with social issues,” Managing Director Irena Taskovski commented of the doc, which examines the plight of young Georgian skaters, artists and musicians who feel squeezed between the powers of the church and political world. Another world premiere at IDFA on Taskovski’s slate is Ukrainian Sheriffs by Roman Bondarchuk, which the company helped produce. Taskovski started a production company in Berlin two and a half years ago – Bondarchuk’s film is one of its first projects.

Another IDFA title co-produced by Taskovski as well as handled internationally is Surire, the Chilean-made doc by Ivan Osnovikoff and Bettina Perut, which was supported by the IDFA Bertha Fund. Among the more topical titles on Taskovski’s IDFA slate is Lampedusa in Winter (Winner of Viennale 2015 Best Documentary award), which looks at life on the Italian ‘refugee island’ from the point of view of the African boat people and the local fisherman.

Meanwhile, showing the scope of its appetites, Taskovski has also picked up Olmo and the Seagull, a more personal, feminist doc looking at the challenges facing Olivia, a free-spirited stage actress preparing for a starring role as Arkadina in a theatrical production of Chekhov’s The Seagull. As the play starts to take shape, Olivia and her boyfriend, Serge, whom she first met on the stage of the Theatre du Soleil, discover she is pregnant.

Another doc that Taskovski will be selling in Amsterdam is Chloe Ruthven’s Jungle Sisters. This is the story of two girls, Bhanu and Bhuntu, from rural India who travel to the big city in search of work. Ruthven’s sister, Orlanda, works with a company that places girls in textiles factories to produce clothes for corporate giants such as Gap. As Bhanu and Bhuntu travel to the city to take their places as part of India’s businessfriendly future, the reality of life on the factory floor forces all three of them to confront questions of social justice, family loyalty and the role of corporate responsibility. Geoffrey Macnab

First among equals Zurich and Berlin-based doc sales and distribution powerhouse First Hand Films is turning up the volume on its crowd-pleaser Thru You Princess. On the eve of IDFA, the company closed an eye-catching US deal on the film with Magnolia and Participant. Now, First Hand is fielding offers and expecting to close further deals on the film, which received glowing reviews in Toronto and is already being talked up as an Oscar contender for next year.

photo: Nadine Maas

No Kidding “There is no talking down to them. There are no taboos.

It is all about taking the audience very seriously,” is how Kids and Docs head Meike Statema underlines the commitment both of the festival and the doc sector to youth audiences. This year, the Kids and Docs programme of features and shorts has been elevated to competition status, with twelve films competing for a €2,500 prize.

Saturday 21 November sees the start of the competition with three Scandinavian co-pro titles. One of these is Victor Kossakovsy’s Varicella, pitched at the Forum in 2014. Four of the six Dutch films in competition were developed at the Kids & Docs Workshop 2014/2015, a joint venture between IDFA, Amsterdam-based kids fest Cinekid and the Dutch Cultural Media Fund. A fifth Dutch doc, Ninnac by Niki Padidar, was developed during the 2013/14 programme.

“Our dedication to documentaries for children is part of the same Dutch tradition that started in the 1970s of making quality kids films for television and fiction,” says Statema. “What I really like now is that there are higher budgets, which means that documentaries

can be made in a more cinematic way. If you look at the Scandinavian co-productions in the programme (Varicella, Dancing for You and Ruth), you see they are very innovative in their storytelling and cinematic approach and show ambition for the big screen. Don’t think because it’s for kids you can make it on the cheap. The audience may be young but they deserve high-quality films too.”

The Norwegian/Dutch kids doc Tongue Cutters, about young kids working in the fishing industry, will be pitched November 25 at Forum. Following this, an industry talk will assess shifting landscapes in terms of emerging platforms and new sources for funding, and as well as roundtable co-pro and distribution sessions. “Our focus on kids is getting bigger every year, especially with the support from Creative Europe,” continues Statema. “It’s really good that the industry gets to know the genre better. And we have to acknowledge that television is not necessarily the main platform anymore, so what are the new ways to reach audiences? That’s something everybody has to think about for this specific audience.”

Nick Cunningham

First Hand CEO Esther van Messel describes the doc as “a very modern fairy tale, like Romeo and Juliet but with music instead of love.” The film, directed

by Ido Haar, is about the collaboration between Israeli remix artist Kutiman and the talented but unknown and impoverished New Orleans singer and YouTuber, Princess Shaw. All the key protagonists behind the film are coming to Amsterdam and there will be a special concert with the Princess herself performing.

Thru You Princess headlines a packed First Hand slate. Another IDFA-bound film is doc-comedy Nice People, about Somali refugees living in a small backwater town in Sweden who form a “bandy” ice hockey team. First Hand has already sold the film, described by many as a doc version of Cool Runnings, to Canada (KinoSmith).

Also new on First Hand’s slate is Erik Gandini’s new feature doc, The Swedish Theory of Love, a quizzical look at the realities of Swedish society where emphasis on individualism is causing isolation.

Meanwhile, First Hand is aboard Forum project Ambulance, being made together with Norwegian outfit Jabfilm Production about a young Palestinian working in an ambulance crew in Gaza in the midst of war. Also in the Forum, First Hand has boarded Zhang Nan’s Stammering Ballad about a young Chinese folk singer who heads to the big city to pursue his dreams.

A topical new film on the company slate is The Crossing, about Syrian refugees fleeing their war-torn homeland and embarking on an epic journey toward Europe. Several broadcasters have already snapped up the film and it has been shown in some territories – only three weeks or so after First Hand launched it.

First Hand is “more and more coordinating” the twin sides of its business – international sales and domestic distribution. Van Messel acknowledged that the summer has been relatively slow. “What has been happening is that the industry is going in a very slow rhythm,” she observed.

Even so, the First Hand boss is confident in her ability to negotiate an upside. “The Hebrew word for negotiation is to give and to take. We are doing that. We love that and that is what our filmmakers hire us for.”

Geoffrey Macnab Read more at www.idfa.nl/industry/daily

3

RETURN OF THE ATOM

by Mika Taanila & Jussi Eerola

The construction of a nuclear reactor in the Finnish town of Eurajoki degenerates into a farce on administrative failings.

IDFA 2015 / Best of Fests 19.11. / 12:45 Tuschinski 4 20.11. / 14:00 EYE Cinema 1 22.11. / 21:00 Munt 12 24.11. / 15:45 Munt 9 29.11. / 14:30 Ketelhuis Zaal 1

produced by Kinotar / Finland in co-production with Blinker Filmproduktion / Germany, YLE, WDR and ZDF in collaboration with ARTE advertisement supported by the Finnish Film Foundation

World Sales: Deckert Distribution GmbH, www.deckert-distribution.com

Reaching further 2015 is shaping up as a vintage year for the IDFA Bertha Fund (which supports documentary filmmakers in developing countries). The richness of this year’s selection is attested to both by the number of IBF films in the festival – a full 12 – and by their quality. “I truly believe that this is the strongest harvest we have ever had,” declares Fund manager Isabel Arrate Fernandez.

She points to the amount of “author-driven films” that IBF has backed – docs with real cinematic power.

There are three very strong IBF-backed titles in the feature competition alone: Ukranian Sheriffs from Roman Bondarchuk, Surire from Bettina Perut and Ivan Osnovikoff and Sonita from Rokhsareh Ghaem Maghami. Several other titles arrive in Amsterdam having already shown at major festivals. For example, Liang Zhao’s Behemoth was one of the hits of this year’s Venice festival. Checks and Balances was chosen for Locarno.

Now, with support from Creative Europe – MEDIA programme of the European Union – the IDFA Bertha Fund has been expanding its reach yet further, with the introduction of ‘IBF Europe’, the new scheme to foster collaborations between European documentary producers and producers from developing countries. Six projects have now received €40,000 each toward their production costs.

Just as important as production support, Arrate Fernandez suggests, is the backing now available for distribution. The first round of distribution funding will be made in February next year. “I am very curious to see how that will go,” she reflects.

“The idea is to create a space for trying out new ways of distributing a film.” Applicants (likely to be sales agents or coalitions of

Reality Check

DocLab’s Seamless Reality exhibition, exploring the blurring between physical and virtual realities in the digital age, opens its doors at Flemish Arts Centre de Brakke Grond Thursday evening.

“It looks at how virtual and digital realities are converging with our physical reality and how it’s becoming harder and harder to actually distinguish between the two. The internet is no longer a place you visit, it’s become a part of us,” explains DocLab director and curator Caspar Sonnen.

“Part of my memory has shifted from my brain to the phone I’m holding in my hand, only it’s not stored in that phone anymore but on a server somewhere. The internet is changing the reality we inhabit. It’s a topic we see a lot of New Media artists exploring.”

In Super Stream Me, for example, Dutch Tim den Besten and Nicolaas Veul stream their lives non-stop for 15 days to see what happens when life becomes one big ‘share’.

Other exhibits in the Seamless Reality line-up include Koert van Mensvoort’s Bistro in Vitro, revolving around a fictional, online restaurant serving lab-grown meat; That Dragon, Cancer, a Kickstarter-funded videogame devised by Ryan Green and Josh Larson as a way for Green to deal with his son’s terminal cancer, and war photographer Karim Ben Khelifa’s The Enemy, a virtual reality installation bringing the user into a potential mortal combat situation.

The latter is among a number of VR works featured at DocLab this year. “We looked at VR last year, but since then the scene has exploded”, says Sonnen. “What’s interesting is that it’s a very distinct new medium, unlike a lot of interactive story-telling projects which are harder to pin down.”

A number of the contenders in the IDFA DocLab Competition for Digital Storytelling have a VR component, including Dutch artist Jan Rothuizen’s and Sara Kolster’s Drawing Room, which enables the viewer to seemingly step into one of his detailed interior illustrations; Gabo Arora’s and Chris Milk’s Waves of Grace, capturing the reality of a village wracked by Ebola in Sierra Leone and Canadian Loïc Suty’s The Unknown Photographer, recreating an atmospheric old house in which a collection of forgotten WWI photographs is found.

The interactive, digital scene has exploded since Sonnen launched DocLab in 2007 to explore how the internet and digital revolution are impacting documentary storytelling.

“Interactive docs are growing up fast, and are at a crossroads: either join that undefined space where pop-up books, installation art and immersive theatre live – amazing and unique, but hard to turn into a broadcast medium industry – or become something more standardized and formatted, like multimedia publishing, 360 video and apps.”

Melanie Goodfellow

Polar apposites

a idf ws e n

The IDFA Paradocs programme has historically looked to the poles and peripheries of the doc-making community to find those cavalier filmmakers whose sense of daring and lunacy is equaled only by their vagabond mastery over the medium.

Isabel Arrate Fernandez

photo: Nadine Maas

distributors) stand to receive grants of up to €30,000 each. They are being encouraged to come up with bright ideas for outreach programmes, or for getting docs onto new VOD platforms or alternative screenings or publicity initiatives. “We are really open to seeing how people make use of it”, Arrate Fernandez says of the distribution support. Criteria are deliberately being kept flexible – although applicants are expected to be distributing in at least three territories.

The IBF hasn’t applied this year for lottery funding. Year after year, the Fund made its applications alongside the Hubert Bals Fund from Rotterdam. And year after year, in spite of encouraging noises about these applications, no awards were made.

As ever, Arrate Fernandez has been travelling widely throughout the year on Fund business. Her itinerary has taken in such locations as Ramallah (where she attended a pitch event) and Mexico, where she was at a workshop for Central American projects.

Not so long ago, IBF (previously known as the Jan Vrijman Fund) was in a state of near permanent siege as government funding threatened to dry up. Thanks to support from the Bertha Foundation, the Fund has stabilised. Even so, IBF is looking for new partners to enable it to resume ‘open calls’ for festival support. The Fund also faces losing support from aid organisation Hivos, which itself is facing drastic cuts. Arrate Fernandez and her team are therefore on the lookout for new backers.

Geoffrey Macnab

This year is no different, points out programme chief Joost Daamen, who has compiled a programme of 15 features and shorts comprising five world and six international premieres.

“I don’t want to measure the quality of the programme by the number of premieres, but I am happy,” he stresses. “Paradocs is the section for those brilliant off-the-frame and experimental documentaries, and video art. That’s how we make our selection.”

Daamen cites Mark Cousins’ Atomic both as an astounding piece of filmmaking and, within the context of the programme, a work that is itself a paradox. “It is a foundfootage, non-narrative, beautiful essayistic film on what atoms do in our lives – not just the cons but the pros, and with very impressive sound design and soundtrack. It was made for BBC television and just shows that this kind of film [made for a mainstream platform] is interesting enough to show in the Paradocs programme too.”

Another film that the Paradocs chief flags up is On Football

by Sergio Oksman, director of the multi award-winning short doc A Story for the Modlins (2012). “This is his first feature, a beautiful film about the love of football, even though there is no football in the film. It is more about his troubled relationship with his father. It is an incredible film, I think.”

“The films in the programme stand out because of their extraordinary or unusual form, or their relationship to the other arts, and they all try to say something about the world but not always in a straightforward way – you can call it poetic,” Daa men continues. “It’s also about using the elements of film, camera work, exceptional editing or use of sound, but with a different, stronger accent.”

Another key element of Paradocs 2015 is the Amsterdam Art Weekend, running during the final weekend of IDFA and organized in association with Amsterdam galleries De Rijksakademie and De Ateliers. Contributors include Dutch artist, filmmaker and IDFA regular Barbara Visser, who reworks four of her iconic pieces from the 1990s.

Nick Cunningham

Cinephil picks up Snow Monkey Cinephil has snapped up world rights to Australian activist, artist and filmmaker George Gittoes’ Afghanistan-set Snow Monkey ahead of its international premiere in IDFA’s Feature-length Documentary Competition.

Revolving around three street kid gangs in the Eastern Afghan city of Jalalabad, this is the final film in a trilogy inspired by Gittoes’ experiences in Pakistan and Afghanistan over the past decade.

Philippa Kowarsky, MD of Tel Aviv-based Cinephil, negotiated the deal with Snow Monkey producers George Gittoes and Lizzette Atkins of Unicorn Films. Norway’s Torstein Grude and Bjarte Mørner Tveit executive-produced for Piraya Film.

“We are thrilled to be working on this outstanding film, which offers an unprecedented understanding of the lives of the people of Jalalabad, breaking through stigmas and stereotypes using arts, music and fun. The film’s pace, colour and intellect truly captivated our hearts,” said Kowarsky.

Although based mainly in Jalalabad, Gittoes will flying into the Netherlands from Australia, where he has just received the Sydney Peace Prize for “exposing injustice for over 45 years as a humanist artist, activist and filmmaker.” Previous recipients include Bishop Desmond Tutu, Noam Chomsky and Arundhati Roy. This will Gittoes’ second visit to IDFA. He previously showed Miscreants of Taliwood at the festival, capturing the fate of Taliban-besieged filmmakers in Peshawar. Other films on Cinephil’s IDFA slate include David Osit and Malika ZouhaliWorrall’s Thank You For Playing. The work, which is screening in the Best of Fests sidebar, revolves around a game designer who devises a game called That Dragon, Cancer to help him cope with his son’s battle with terminal cancer. To see the actual game, IDFA attendees can head to IDFA DocLab’s Seamless

Snow Monkey

Reality exhibition in Flemish Arts Centre de Brakke Grond.

The company is also representing Tamar Kay’s short film The Mute’s House, about eight-year-old Yousef and his deaf mother Sahar, who are the last Palestinian residents in an abandoned building in the contested city of Hebron. The work will screen in the IDFA DOC U programme. Melanie Goodfellow

5

“A space between fiction and nonfiction that I never dreamed possible”

OLMO THE SEAGULL JOSHUA OPPENHEIMER

OLMO AND AND THE SEAGULL

Director of The Act of Killing

a film by PETRA COSTA and LEA GLOB

SCREENINGS

International Documentary Film Festival Amsterdam NOVEMBER 2015

Fri 20 13:45 MUNT 9

Sun 22 16:15 Thu 26 18:30 Fri 27 20:15 EYE CINEMA 2

MUNT 12

TUSCHINSKI 6

International Sales:

Taskovski Films - irena@taskovskifilms.com IDFA_2015.indd 1

11/16/15 2:27 PM

Sonita

Thy Father’s Chair

WORLD premiere

Sonita is the first feature-length documentary

by Iranian-born filmmaker Rokhsareh Ghaem Maghami, who studied filmmaking and animation at Tehran Art University. Her 2007 short doc Cyanosis combined these, animating the work of Tehran artist Jamshid Aminfar.

Maghami’s work tends to focus on ‘outsider artists’. For Sonita, she stuck to a more traditional documentary format. “Animated documentary is my passion,” the filmmaker says, “because I want to show people’s inner life, memories, dreams, nightmares... but when I meet somebody whose story catches my eye and mind, I just try to find the best way to tell that story.” This is clearly the case with the protagonist of Sonita – a double outsider, as an Afghan living illegally in Iran and a young woman interested in rap music in a culture that does not permit this.

“My cousin, a social worker, told me about Sonita,” Maghami recalls. “This girl who needs help recording music and making music videos. So I met Sonita, and started teaching her the basics of filmmaking. I also helped her make music videos. She was very clever, but cold and distant at first. She was obviously traumatized; it took a long time before she came to trust me as a friend.”

Maghami’s friendship and involvement with Sonita end up going much further than either of them anticipated at the beginning of the film; at a certain point,

WORLD premiere

Maghami becomes a character in her own film, stepping out of the role of filmmaker to intervene directly in Sonita’s problems.

“This caused me a lot of tension and concern”, Maghami says. “Somehow I was happy with this crisis I needed in my movie.

Friends warned me that I could be ripped off.

But I asked myself, what will Sonita think about me if I don’t try to help? Won’t she think that I only used her for my movie and abandoned her when she was in trouble?”

“In terms of thinking about stepping into the movie physically, I worried about making a narcissistic movie about a filmmaker acting like an ‘angel’ and saving her protagonist. If it wasn’t Sonita who was my protagonist, I am not sure if I would have helped her. I hope the

A Family Affair “Grandma is a great manipulator. First, you’re king and then you’re gradually relegated to a pawn,” Tom Fassaert is warned about his grandmother in his new feature doc, A Family Affair. The filmmaker’s grandmother was indeed an extraordinary woman: glamorous and very sophisticated but strangely distant and even cruel toward her own family. She blithely abandoned Tom’s father as a child, to be brought up in a home.

In A Family Affair, Fassaert explores his family’s complex and often fraught relationship with the grandmother. Over the eight years he spent making the film, Fassaert experienced the full force of the old lady’s charm. She took a particular – and sometimes passionate and cloying – interest in him.

“She was absent for most of my youth. I grew up thinking my father didn’t have any parents,” the director recalls. Tom noticed, though, that his father was sending videos and tape recordings to a mysterious woman in South Africa. Eventually, the father decided to leave the Netherlands and take the family

audience will come to its own decision about this. Also, I felt free to help Sonita because when I entered the movie, helping Sonita was not ‘interfering in the protagonist’s life’ anymore: Sonita and I are both protagonists.”

As well as sharing the role of protagonist, “the main way I relate to Sonita – and this is also the main theme of my previous movies – is the liberating power of art and being an artist in spite of the realities of your own life”, Maghami reveals. “Living as an artist when everything is against you. This is also my own story – I had, and still have, a lot of difficulties living as a filmmaker in my country.” Mark Baker IDFA Competition for Feature-Length Documentary IDFA Bertha Fund

WORLD premiere

to South Africa to build a new life, close to the mother who had abandoned him so many years before.

“Maybe the urge grew that he wanted to have a family again,” Fassaert speculates on the circumstances that led his father to South Africa. It wasn’t a happy arrangement. Soon, the father and his mother were arguing.

“What happened was, they broke up again,” the director recalls. Tom’s own parents were later to break up too, partly as a result of the “tremendous stress” put on the family by their time in South Africa.

When he retired in 2007, Tom’s father announced his intention to write a book about his mother. This prompted Tom to start his own “digging up” of the past. Tom’s first impressions of the grandmother were “this grand lady who had control of everything and everyone, this larger-than-life figure. She didn’t feel like a mother to my father.” In description, she sounds like a real-life Cruella De Vil. Fassaert drew on material stretching back to the 1920s – the tapes and videos his father

Carolina’s World Mariana Viñoles’ Carolina’s World may be stark in composition, but the film nevertheless packs a considerable emotional punch. Throughout its 70-minute duration it is shot from a single, static point and the frame is continually filled by the expressive face of Carolina, who has Down’s Syndrome (DS). Carolina is happy to talk on a range of subjects, from her parents’ divorce to the ways she prefers to be kissed. She discusses sex with director Viñoles (Carolina acknowledges the meaning of the new word ‘virgin’) and worries that her musing to camera will get her into trouble with the Down’s Syndrome Association. All the time we are given a unique glimpse into Carolina’s world, and before the film’s end we discover director Viñoles’ true reason for choosing her as a subject.

a idf s film

IDFA Competition for Feature-Length Documentary

WORLD premiere

The project originally started out as a study of a group of DS people learning to dance the tango. On the face of it, this initial approach had everything going for it. Carolina was a core element of the group and the story of triumph over adversity had an obvious commercial pull.

“But I was not happy with this,” stresses Viñoles. “I didn’t want to do another film about disabilities where you can see how they are great because they can be on stage dancing the tango or whatever. I wanted a special point of view.” Hence her pared down approach, which excises everything extraneous to Carolina’s nuanced articulation of her life story. There are no shots of her “brushing her teeth” and there is minimum interaction with her family. And no tango shots. “I didn’t want

For screenings, see the schedule in the middle of this paper

had sent out to South Africa, as well as home movies shot by his great-grandfather almost 90 years ago. One of the key themes of the film is the “longing for love” every child feels.

In “unmasking” his grandmother, Tom was able to see beyond her outer persona and understand the grief and pain she too had endured.

The director is delighted, but a little intimidated, to have A Family Affair opening IDFA. “One of the programmers saw the film at an early stage. He was very enthusiastic but had to show it to Ally Derks. On the final deadline, we presented the edit to Ally and the rest of the team. They were very quick deciding. The day after, they came back and said ‘OK, we want this as the opening film’,” Fassaert remembers. “Apart from the pressure, I feel, to say the least, happy and blessed that my film is getting this podium. I put my everything into it. I am very proud, but I’ll be very nervous too.” Geoffrey Macnab

to lose time through these superficial things. I really wanted to get in deeper with her. That way we got closer and she opened her heart to me, as I did to her at the end of the film.”

The film was offered up to numerous festivals before IDFA gave it the nod. “I put a lot of myself into this little film. We knew that we had arrived with a film that was special and different but told in a different way, but we knew also that it was going to be hard to get it seen. All the other film festivals in the world, less important than IDFA, gave me this answer hundreds of times, that my film is great – but they never chose it. So IDFA is a great surprise for us. We worked very hard on it. It is a great moment.” Nick Cunningham IDFA Competition for Feature-Length Documentary

When filmmaker Antionio Tibaldi took the subway to Brooklyn to visit twin brothers Abraham and Shraga in their apartment for the first time, he didn’t know what to expect. He was there on behalf of a businesswoman acquaintance who had two companies – Bedbug 911 and Home Clean Home. She was keen to have a film made about her business. Tibaldi told her that he didn’t have any interest in shooting an “info-mercial.” Nonetheless, when he saw images of the brothers’ apartment, he was intrigued. Abraham and Shraga were living in a supreme state of chaos and mess. It turned out that they had stopped throwing anything away after their parents died. In clinging to their possessions, they were trying to protect their memories. Tibaldi sees this as a very natural instinct. “There is a universality there that everybody should be able to relate to…”

The first meeting with the brothers, when Tibaldi “crunched” his way through the apartment, was nervous and awkward.

Nonetheless, the filmmaker realised that these elderly Orthodox Jewish brothers were potentially fascinating subjects for a documentary. In spite of the conditions in which they lived, they were smart, welleducated and honest. “As I was walking out, I thought ‘ah, this is an interesting set-up’.”

He told the businesswoman, “forget the info-mercial, I want to make a film.” That was how Thy Father’s Chair, which Tibaldi made with Alex Lora, was first conceived.

It was a tough film to make – repetitive, painstaking work. The documentary makers were in the apartment for ten days. Tibaldi was acutely conscious of his responsibility to his subjects. The brothers are intensely private individuals. Thy Father’s Chair is an observational film, which is still prising them out into the light. “I know when I am there with a camera it does things,” the director reflects. “I want to preserve their privacy as much as possible.”

Inevitably, over the course of the filmmaking, the relationship between Tibaldi and the brothers changed. “An intimacy grew up between us, and that is dangerous. You do want to keep your distance as a filmmaker.”

Now the film is complete, Tibaldi is still in touch with the brothers. “When I am in New York, I will go once or twice a month to say ‘hi!’ and to play chess. At first, they are very wary. Sometimes, we have to wait half an hour for them to open the door, but I know they are in there… it’s a very unusual relationship. I kind of care for them and want to know they are OK, but they are in a difficult situation, that’s the truth…

I learned a lot from this film as a human being, that’s for sure.” Geoffrey Macnab IDFA Competition for Feature-Length Documentary

7

by Sylvain Biegeleisen

Clear Years

a idf s film

WORLD premiere

Belgian director Frédéric Guillaume lays his life bare in his intimate debut feature-length docu­mentary Clear Years, charting the twists and turns in his relationship with Claire over a nine-year period.

Patient

WORLD premiere

“Before Patient, I made a film called Birth – Maternity Journal about births in Colombia’s public hospitals”, director Jorge Caballero says of the genesis of his featurelength contender. “I filmed Birth in one of the largest maternity hospitals in Colombia, which is curiously right next to the National Cancer Institute”, he says. “While filming Birth, I noticed many similarities between the way our state welcomes and says farewell to its citizens.”

A tightly structured observation of the Kafkaesque trials undergone by the mother of a cancer patient caught up in the bureaucratic Colombian health care system, Patient was “a very difficult film to make”, Caballero says. The title refers not only to the unseen cancer patient, but equally to her mother – “Sometimes the one who cares is as much a patient as the one who has the disease”, Caballero comments. Not only is the mother a ‘patient’ herself, but she has seemingly infinite patience with the slow-grinding wheels of the medical bureaucracy (the double meaning of ‘patient’ conveniently works both in the original Spanish and in the English title of the film).

“This is the third movie we’ve made within such institutions”, the director says of filming within the Colombian state health care system. “Entering the institutions is always one of the most complicated production processes; dealing with these different levels

The Road

of bureaucracy. But something curious happens with state systems – responsibility is distributed among many middle managers. So once you have got access, there is a kind of ‘freedom’. Explaining the project with honesty, meeting with many many people and assuring them there is no intention in criticize any specific person really helped. The second step was to explain what we are doing to the doctors, nurses, security, cleaners, etc., making it clear we are not a TV show. That we will be in there for a long time and that there’s nothing to worry about. With time, they forgot about us, then we could film better.”

Much more than the feature-length doc competing at IDFA, Patient is also a huge transmedia project encompassing a three-screen video installation with nine short films making use of interviews from the research phase of the project (“a collaborative project edited by nine of the most interesting non-fiction filmmakers in Colombia”), an interactive documentary and “serious games” tackling the subject of public health policy in Colombia, as well as a digital book telling the story of the project. All of which can be accessed at www.pacientedoc.com.

Caballero reveals he is now working on “a couple of web documentaries and virtual reality documentaries and a new transmedia project about the last ‘marriage bureau’ in Latin America and a new media documentary about the hidden signs of the cultural fanaticism represented in Christian churches and pyramid schemes, among others.” Mark Baker IDFA Competition for Feature-Length Documentary

The story is told in four chapters, focusing on the locals whose lives are severely affected by the building programme, the disgruntled workers who are continually awaiting payment or injury compensation, and the construction company that offers excuses (to its staff) and bribes (to Party members) in equal measure.

The final chapter chronicles the dispute between the construction company and the Public Road Bureau that culminates in an organized and very brutal attack on the workers, which leaves many permanently maimed.

“The Chinese people are so familiar… with each other, based on their relationships and family ties and all kinds of emotional connections,” comments Zhang of the scale of corruption in such public works projects.

“They [tend to] ignore laws and regulations.” Zhang argues that other provinces, such as Canton, are a lot more law-abiding and less corrupt, while pointing out that the featured highway was one of fourteen under construction in Hunan at the time of filming, suggesting that the corruption we see here is just the tip of the iceberg.

Beyond the big screen, Guillaume says the film helped the couple to come to terms with what happened to their relationship. “We both think it helped keep a dialogue open,” says the director.

Looking back over the footage has also helped Guillaume to form a clearer idea of its slow disintegration. “I filmed Claire, for example, when she was in love with another man and asks me to forgive her; if I had not filmed this scene I would have only kept the memory of my anger. But being forced to watch her on the screen has made me aware of her sincerity, the love that was in her voice and the complexity of the situation. The film forced us to see and digest our emotions. It helped us to be at peace with each other.”

He admits he is relieved to have finally finished the film and closed that chapter in his filmmaking. “To be honest, I hope I will never have to redo the work that I’ve just completed. It was long and painful and even if it was a therapeutic process that did me good, I wouldn’t recommend it to anyone else... I’m now preparing films in which I am not the subject, and that’s a relief.” Melanie Goodfellow IDFA Competition for Feature-Length Documentary

Snow Monkey

INTERNATIONAL premiere

George Gittoes’ Snow Monkey plunges the viewer into the heart of Jalalabad, the Eastern Afghanistan city that has been the celebrated activist artist’s home for much of the past decade.

The film’s final, untitled, section covers both the celebrations at the time of the road’s opening and the celebrations marking the 90th Anniversary of the founding of the Chinese Communist Party. These scenes find counterpoint in the angry criticism of disgruntled workers. One refers to the Communist Part as the Corruption Party. Another complains about the televised propaganda jamboree as “unconscionable lies” while another warns, “if this was Chairman Mao’s time, you would have been arrested.”

Foreigners are rare in that part of Afghanistan – on the frontline of the conflict between state forces and Taliban militants as well as, more recently, ISIL fighters – but Gittoes is a popular figure in the city where he runs an arts and drama sanctuary called the Yellow House, with partner Hellen Rose, and goes by the affectionate nickname of “Baba”.

Snow Monkey homes in on a Dickensian-style gallery of characters including Pul Mina, a five-year-old who spends her days collecting drinks cans for a living; a tiny smiling shoe-shine; a powerful local Taliban leader; Saludin, a stoic polio-stricken beggar, who crawls the streets each day begging, as well as a motley crowd of heroin addicts.

Asked if he ever feels in danger while walking about the city, he says: “It’s more than just that, it’s lying on the road and filming little Pul Mina at street level. To get that kind of footage takes a huge amount of time out on the street and, yes, you’re exposed. But we’ve been doing the Yellow House project for about ten years now. The police, the governor, the intelligence services and even the Taliban know us and are very grateful. They love us.”

The real stars of the documentary are the members of three child gangs who came to Gittoes with a plan to make an action movie: the ice-creamselling Snow Monkeys; the mystical Kochi outcast Ghostbusters, and the Gangsters, a group of razor-toting petty racketeers led by a ruthless chainsmoking nine-year-old called Steel, who is love with a beautiful young girl called Shazia.

Does Zhang believe that the characters in his film, especially the party officials openly involved in corruption, are susceptible to legal or political repercussions? “According to my judgement, this cannot be having much effect on the individuals. The first reason is that the things they reveal in the film are not big cases,” he stresses. “Secondly, if the government will take action according to the facts revealed within the film that is really… something good for the locals and for the country; but the government is not going to do this.

Generally it’s not going to treat the stories revealed by the film seriously.” Nick Cunningham

The idea for Snow Monkey – the third in a trilogy inspired by Afghanistan and Pakistan – came to Gittoes through the Snow Monkeys themselves.

Careering about the streets pushing crudely refrigerated pushcarts, the ice-cream boys attract attention with electronic horns blaring out the Happy Birthday tune, or whatever pop song happens to be in vogue.

It was after becoming exasperated with their “aggressive music” that Gittoes came into contact with the group. “We were working on one of our dramas – a comedy in which I get my head cut off – and we couldn’t continue because the kids kept going by with their ice-cream carts, making a racket, so I went to see what could be done,” says Gittoes. “When I started talking to these boys and discovered their stories, I realised I had the makings of a good film.” Melanie Goodfellow

WORLD premiere

At the beginning of Zanbo Zhang’s The Road, we are informed of the Chinese government’s decision in 2008 to invest €568 billion in its highway infrastructure, a measure designed to boost the country’s economy.

Zhang’s film, shot in Hunan Province over a turbulent four-year period, is about the construction of a mere 4.2 km of this highway, but it reveals astoundingly high levels of corruption, duplicity and violence on the part of businessmen and Communist Party officials alike.

The idea for the work, says Guillaume, came to him after he filmed his camerawoman partner Claire as she waited for the positive results of a pregnancy test in a mountain chalet. “I filmed it by chance because I had my camera on me but then looking at the images, I said to myself they were really beautiful and I wanted to film her more than any actress,” says Guillaume. “I decided to do a portrait of her during the pregnancy, but I never imagined it would be the catalyst for an autobiographical process that would last so many years.”

Guillaume admits the editing process was not always a comfortable one for Claire, but adds he was sensitive to her comments. “I invited her several times to watch the film at its various stages of editing. She would laugh, cry and then say, ‘No Frédéric, the film’s not fair’ or ‘I feel guilty’. I worked a lot on the basis of these comments and then one day she saw the film and said, ‘Bravo, I think it’s right.’

IDFA Competition for Feature-Length Documentary

For screenings, see the schedule in the middle of this paper

IDFA Competition for Feature-Length Documentary

9

Festival Venues

8 3

12

Take Buiksloterweg ferry

Festival Venues Cinemas/Theatres 1 2 3 4 5 6 7 8 9 10 11 12 13

Pathé

de Munt – Vijzelstraat 15

Pathé

Tuschinski – Reguliersbreestraat 26 EYE

– Ijpromenade 1

De Brakke Grond – Nes 45

Melkweg

– Lijnbaansgracht 234a Kleine

Komedie – Amstel 56-58

Stedelijk

Museum – Museumplein 10 Het

Ketelhuis – Pazzanistraat 4

De Balie – Kleine-Gartmanplantsoen 10

Podium

Mozaïek – Bos en Lommerweg 191

Bijlmer

Parktheater – Anton de Komplein 240 Tolhuistuin

– IJpromenade 2

DeLaMar

Theater – Marnixstraat 402

Industry Venues

10

14

4

Café

de Jaren – Nieuwe Doelenstraat 20-22

Festival Cafe & Restaurant/Guests Meet Guests

24 16

19

15

Hotel

NH Carlton – Vijzelstraat 4, 1st Floor

16

Compagnietheater

– Kloveniersburgwal 50

Industry Office/Guest Services/Guest Box Office

IDFA Forum/IDFAcademy 17

17

21

Docs for Sale 18

14

19

6 1

Calf

& Bloom – Singel 461

IDFA Forum Kick-Off Drinks

18

25 15

Arti

et Amicitiae – Rokin 112

Brasserie

Harkema – Nes 67 IDFA Forum Lunches

2

20

S luizer – Utrechtsestraat 45 Filmmakers Dinners

5

21 20

13

NFA

– Markenplein 1

IDFA Film Academy Day

22

22

Melkweg

– Lijnbaansgracht 234a Awards Ceremony

23

9

IDFA

Office – Frederiksplein 52

Hotels 24 25

Hotel

NH City Centre – Spuistraat 288-292 Hotel

NH Carlton – Vijzelstraat 4

23

11 7

Festivalcafé de Jaren All IDFA guests are invited to meet and exchange ideas at the daily Guests Meet Guests cocktail hour November 19 – 26 | 18:00 – 19:30 hours C afé open 09:00 – 01:00; Friday & Saturday until 02:00 R estaurant open 17:30 – 22:30 (1st floor) IDFA daily special €12.50

International Documentary Film Festival Amsterdam

Colofon FESTIVAL INFORMATION

Partners of IDFA

Main partners of the 28th International Documentary Film Festival Amsterdam

BDDA

Partners

IDFA is subsidized and funded by

The festival program is supported by

IDFA-Mediafonds Workshop is supported by

IDFA Forum is supported by

IDFA Bertha Fund is supported by

Club IDFA

ABN AMRO Bank NV, Cardano, De Breij Evers Boon, De Nederlandsche Bank, Houthoff Buruma, JBR, Jean Mineur Mediavision, M.N. Léons BV, Rabobank Amsterdam, Rotaform, Van Caem Klerks Group BV, Weekbladpers Media

Donations to IDFA

AVROTROS, BNNVARA, De Gijselaar Hintzen Fonds, Embassy of Israel, EYE International, Embassy of the United States of America, Goethe-Institut, HUMAN, IKON, Institut Français des Pays-Bas, Kattendijke/Drucker Stichting, KRO-NCRV, NPO Sales, OUTtv, P.W. Janssen’s Friesche Stichting, Stichting Elise Mathilde Fonds, Stichting VEVAM Fonds, Stichting Zabawas

Suppliers

3PO, Arti and Amicitiae, Art Support BV Theaterproductiebureau, Bijlmer Parktheater, Brasserie Harkema, Café de Jaren, Citroën, Compagnietheater, De Balie, De Kleine Komedie, DeLaMar Theater, Event Engineers, EYE Film Instituut, FestivalTickets, Haghefilm Digitaal, Het Ketelhuis, Het Internationaal Danstheater, IndyVideo, Lichtwerk, MacBike, Melkweg, MeneM Systemen, NH Hotel Group, Podium Mozaïek, Rex International, The Screening Factory, Stedelijk Museum Amsterdam, Tolhuistuin, VBVB Cultuurautomatisering, Videodock, Vlaams Cultuurhuis De Brakke Grond

Festival Trailer

Cape Rock, Jean Mineur Mediavision

IDFA would like to thank all friends of the festival.

Program Guide HOOFD-/ EINDREDACTIE NL Nicole Santé KEES driessen

INTERNATIONAL EDITION Nick Cunningham Mark Baker Melanie Goodfellow Geoffrey Macnab REDACTIE NL Olga van Ditzhuijzen Omar Larabi Sasja Koetsier Maricke Nieuwdorp Sietse Meijer

FOTOGRAFIE Felix Kalkman Bram Belloni Nichon Glerum Ruud Jonkers Corinne de Korver INTERNET Tisha Eetgerink (eindredactie NL) Sjaan de Bruin (eindredactie ENG) IDFA REPORTS Charlie Dronkers Resi Lankester Anke Teunissen

VORMGEVING Sjoukje van Gool Laurenz van Gaalen Gerald Zevenboom ILLUSTRATIE BAFA (Bas van der Schot en Farhad Foroutanian) Drawing the Times (Stijn Schenk, Mara Joustra, Merel Barends, Gijs Kast, Aart Taminiau)

PRODUCTIE Cathalijne de Wilde

Mediafonds stimuleert 5

IDFA Frederiksplein 52 1017 XN Amsterdam info@idfa.nl www.idfa.nl

ACQUISITIE Daily Productions DRUK Rodi Media

A Family Affair van Tom Fassaert, IDFA openingsfilm Mogelijk gemaakt door het Mediafonds, net als 20 andere Nederlandse documentaires op IDFA 2015

www.mediafonds.nl/idfa

Program TUSCHINSKI TUSCHINSKI 1 1

Thursday 19 November

TUSCHINSKI TUSCHINSKI 2 2

TUSCHINSKI TUSCHINSKI 3 3

TUSCHINSKI TUSCHINSKI 4 4

TUSCHINSKI TUSCHINSKI 5 5

TUSCHINSKI TUSCHINSKI 66

DE MUNT DE MUNT 4

4

DE MUNT DE MUNT 5

5

DE MUNT DE MUNT 9

9

DE MUNT DE MUNT 10 10

DE MUNT DE MUNT 11

11

DE MUNT DE MUNT 12 12

DE MUNT DE MUNT 13 13

9:00 9:00

9:00 9:00

10:00 10:00

10:00 10:00

Compilation Compilation program program put up putbyup by 10:30 mainmain partner partner VPRO. VPRO. For tickets For tickets10:30 see www.vpro.nl/evenementen. see www.vpro.nl/evenementen.

Masterclass Masterclass

Eduardo Eduardo Coutinho Coutinho

VPRO Preview Preview 10:00 10:00VPRO

LastLast Conversations Conversations Masters Masters , 87’ , 87’

10:00 10:00

TheThe Black Black Panthers: Panthers: Vanguard Vanguard of the of the Revolution Revolution

TheThe Unknown Unknown Known Known ErrolErrol Morris Morris

Masters Masters , 114’ , 114’

UsingUsing examples examples fromfrom her her work,work, director director Suzanne Suzanne RaesRaes talkstalks about about the art theofart knowing of knowing everything, everything, and then and then forgetting forgetting as much as much as you ascan. you can.

DutchDutch Competition Competition , 85’ , 85’

Jean-Gabriel Jean-Gabriel Périot Périot

Best ofBest Fests of, 76’ Fests, 76’

TheThe Emperor’s Emperor’s Naked Naked Army Army Marches Marches On On

Best ofBest Fests of, 89’ Fests, 89’

Werner Werner Herzog Herzog

Masters Masters , 188’ , 188’

16:00 16:00 Industry Industry Screening Screening

16:00 16:00

17:30 17:30

Alisa Alisa in Warland in Warland

Adam Adam Curtis Curtis

Followed Followed by anbyin-depth an in-depth conversation conversation between between sports sports commentator commentator MartMart Smeets Smeets and and director director Jørgen Jørgen Leth.Leth.

19:00 19:00

Masters Masters , 71’ , 71’

Best ofBest Fests of, 92’ Fests, 92’

Best ofBest Fests of, 89’ Fests, 89’

19:00 19:00

Best ofBest Fests of, 77’ Fests, 77’

A Family A Family Affair Affair

21:00 21:00

Feature-Length, Feature-Length, DutchDutch & & , 110’ , 110’ DOC UDOC Competition U Competition

Pere Pere JoanJoan Ventura Ventura

10:00

stry Screening

d According ur Khiar 11:00 tra

on, 55’

eam

iaoyu Qin

Competition, 96’

15:00

arland

kova, nko

19:00

10:00

10:00

10:00

The Pearl Button 10:00 10:00VPRO Preview The Pearl Button

12:00 Pieter van Huystee Pieter van Huystee

12:00 12:00

12:00

Dutch Competition, 83’Dutch Competition, 83’ Coming of Age Coming of Age

Teboho Edkins Teboho Edkins

12:30 Student Competition , 63’ Student Competition, 12:30 63’

13:00 13:00

10:00

Last Conversations

iz

The Black Panthers:

12:00 Industry Screening

Best ofBest Fests of, 71’ Fests, 71’

21:00 21:00

22:00 22:00

Oriented 22:00 22:00Oriented

22:15 22:15

Jake Jake Witzenfeld Witzenfeld

Salero Salero

MikeMike Plunkett Plunkett

Panorama Panorama , 80’ , 80’

22:45 22:45

Kingdom Kingdom of Shadows of Shadows Panorama Panorama , 73’ , 73’

Catherine van Campen Dutch 12:30 Competition, 85’

14:00 14:00

Panorama, 80’

23:00 23:00

16:00

Dutch spoken.

Mid-Length Competition Mid-Length , 50’ Competition, 50’

Pelota II with Extended Q&A

Followed by an in-depth Hot Sugar’s Cold HotWorld Sugar’s Cold Worldconversation 18:15 18:15 between sports 18:00 18:00 Adam Bhala Lough Adam Bhala Lough Mart Smeets and Fassbindercommentator Fassbinder Music Documentary, 85’ Music Documentary, 85’ director Jørgen Leth.

Annekatrin Hendel Annekatrin Hendel

19:00 19:00

Panorama Pelota II , 92’

Jørgen Leth, Olatz González Abrisketa

22:00

Oriented 22:00 22:00

Feature-Length, Dutch & DOC U Competition, 110’

22:00

Oriented

Exotica, Erotica, Etc.

22:45

France Is Our Mother Country Rithy Panh Masters, 74’

14:00

The Dybbuk: AThe Tale Dybbuk: A Tale of Wanderingof Souls Wandering Souls with Extended with Q&A Extended Q&A 11:00 After the screening After Chris theKijne screening Chris Kijne

19:45

Best of Fests, 76’

Panorama, Benjamin Barber Panorama, Program Benjamin , 85’ Barber Program, 85’

12:00

16:00

18:00

19:00

20:00

21:00

Errol Morris Retrospective Errol , 82’ Morris Retrospective , 82’ Jörg A. Hoppe, Klaus Jörg A. Hoppe, Klaus

Maeck, Heiko Lange Maeck, Heiko Lange Music Documentary, 92’ Music Documentary, 92’

In Defense of the Rocket Martin Ginestie

Masters, 93’

Mark Cousins

12:00

After the screening After Chris theKijne screening Chris Kijne and Benjamin Barber and talk Benjamin with Barber talk with director Sean McAllister. director Sean McAllister.

14:00

A Syrian Love A Story Syrian Love Story

13:30 Industry Screening 14:00 Industry Screening

Chinese Verses

14:15

Feiyue Wu, Xiaoyu Qin

Birobidzhan

Grumant: Island of Communism

14:00

16:00

Panorama, 125’

15:00

15:15

Master and Tatyana 16:00

16:15 Industry Screening

Holy Cow

Imam Hasanov

17:45

22:00

First Appearance Competition, 80’

David Aronowitsch, Ahmed Abdullahi, Sharmarke Binyusuf, Anna Persson

Land Grabbing Land Grabbing Kurt Langbein Kurt Langbein 19:00 Panorama, Benjamin Panorama, Benjamin

Laura Israel

19:15

Cecilia

19:30

Laura Israel

Pankaj Johar

20:00

Panorama, 85’

Alex Gibney

Brakke Grond Grond Feature-Length Competition , Brakke 70’ 9:00 – 23:00

With an introduction Withbyan introduction by 22:00 Benjamin Barber. Benjamin Barber.

9:00 – 23:00

18:00

1:001:00

20:00

De Jaren – 09:00 Jaren Café – 09:00 Dutch Competition , 85’ CaféDe

20:00

20:45 IDFA Filmmakers IDFABreakfast Filmmakers Breakfast The DocLab: Seamless The DocLab: Reality exhibition Seamless Reality showcases exhibition thirty showcases thirty by meeting your fellow dayand byfilmmakers meeting Jonas the fellow filmmakers installations and interactive installations projects, and interactive includingprojects, experi- including experi-Kick-start your dayKick-start and IDFA staff over and coffee IDFAand staff croissants. over coffee Hosted and croissants.

by ARRI. Hosted by ARRI. Backyard Circus ments with artificial ments intelligence with artificial and smell intelligence as a narrative and smell as a narrative 21:00 Paula Gomes means. The selection means. includes The selection a strikingincludes numberaofstriking virtualnumber of virtual By invitation By invitation

18:00

Hot Sugar’s Cold World Adam Bhala Lough

20:15

Flotel Europa Vladimir Tomic Best of Fests, 71’

First Appearance Competition, 80’

21:30 reality projects, transporting reality projects, the audience transporting to different the audience to different In installations California realities. Some installations realities. Some have varying opening havehours varying opening hours De Jaren CaféDe – 18:00 Jaren Café – 18:00 Charles Redon (11:00–21:00). On site (11:00–21:00). reservation On may sitebe reservation required. may be required.

22:00 First Appearance Competition, 78’ Tig Admission FreeAdmission Free Kristina Goolsby, Ashley York Best of Fests, 90’

Guests Meet Guests Meet Guests

the daily ideas cocktail at hour! the daily cocktail hour!

22:15Exchange ideas atExchange

Hosted by the Documentary Hosted by the Filmmakers’ Documentary Association.

Filmmakers’ Association.

Salero

22:00

For all passholders For all passholders Mike Plunkett Panorama, 76’

Kingdom of Shadows Bernardo Ruiz

23:00

24:00

24:00

24:00

1:00

1:00

1:00

Panorama, 73’

22:00

Oriented

Jake Witzenfeld Panorama, 80’

22:45

23:00

International Documentary Film Festival Amsterdam

DONDERDAG DONDERDAG DONDERDAG 19 19NOVEMBER NOVEMBER 19 NOVEMBER

Mid-Length Competition, 50’

Music Documentary, 85’

23:00

Paradocs, 71’

24:00 24:00 24:00

16:30 Industry Screening

Iraburu, Documentary experts Documentary JanniePablo Langbroek experts Jannie and Marijke Langbroek and Marijke Migueltxo Molina Rawie answer your Rawie questions answer about yourall questions aspects of about the all aspects of the Panorama, 83’ 19:00 documentary industry, documentary from distribution industry, from to financing, distribution and to financing, and from co-productions from toco-productions festival strategy. to festival strategy.

Garage 2.0 DOCLAB EXPO: DOCLAB SEAMLESS EXPO: SEAMLESS REALITY REALITY SOCIAL EVENTS SOCIAL EVENTS Catherine van Campen

Mariana Viñoles

Steve Jobs: The Steve ManJobs: The Man in the Machine in the Machine Masters, Benjamin Barber Masters, Program Benjamin , 128’ Barber Program, 128’

In Transit NH Carlton E-floor NH Carlton 9:00 – 21:00 E-floor 9:00 – 21:00 Albert Maysles, Lynn IDFA Walker, Writing Room IDFA Writing Room True, Nelson

17:00

First Aid Doc Clinic First AidWalls Doc Clinic

Don’t Blink: Robert Frank Don’t , 82’Blink: Robert Frank , 82’ Carolina’s World

Alex Gibney

Christophe Reyners

Piotr Bernas

DAILY SERVICES DAILY SERVICES

18:30 NH Carlton E-floor NH Carlton 10:00 – 17:00 E-floor 10:00 – 17:00

Best of Fests, 75’

18:45

17:15

Ben Wu, David Usui Workspace for all Workspace accredited guests. for all accredited Wifi connection guests.and Wifi connection and Masters, computers 76’ available. computers available.

I Am Dublin

18:00

21:15

Coups de foudre

Life of a Butterfly

First Appearance Competition, 90’

17:00

Mohammed Ali Naqvi Mohammed Ali Naqvi

19:30

16:00

Liubov Durakova, Alisa Kovalenko

Among the Believers Among the Believers 17:00 Hemal Trivedi, Hemal Trivedi,

21:1521:00

15:00 Industry Screening Mid-Length Competition, 51’

Alisa in Warland

Chris Kijne speaksChris afterKijne the speaks after the screening with Benjamin screening with Benjamin Barber and the directors.

Barber and the directors.

20:00

Mid-Length Competition, 54’

Best of Fests, 84’

Among the Believers Among the Believers 16:00 with Extended with Q&A Extended Q&A

Barber Program, 94’ Barber Program, 94’

Ivan S. Tverdovskiy

First Appearance Competition, 96’

Guy-Marc Hinant

15:00

Dutch Competition, 83’

13:00

Nikolaus Geyrhalter Masters, 188’

Pieter van Huystee

Dutch Competition, 75’

Over the Years

Paradocs, 5’

Atomic: Living in Dread and Promise

Jheronimus Bosch, Touched by the Devil

Best of Fests, 106’

13:30

By invitation By invitation

Barbara Kopple

11:30 Industry Screening

Walther Grotenhuis, Cinta Forger

12:45

Du Haibin

Robert Frank Robert Frank

Hot Type: 150 Years of The Nation

22:15

12:15 Industry Screening

A Boy’s Dream A Young Patriot

13:15

With an introduction Withbyan introduction by Don’t Blink: Don’t Blink: Benjamin Barber. Benjamin Barber.

21:45

Fast, Cheap and Fast, Cheap and B-Movie: Lust Time B-Movie: &Suspended Lust & Natalia Bruschtein Out of ControlOut of Control Sound in WestSound in WestBest Fests, 64’ 1979 - 1989 Errol Morris Errol Morris Berlin 1979 - of1989 Berlin

12:00

Elizabeth Chai Vasarhelyi, Jimmy Chin

Best of Fests, BenjaminBest of Fests, Benjamin Barber Program, 84’ Barber Program, 84’

Nicola Bellucci

22:00 22:00

Dutch Competition, 55’

Meru

A Syrian Love A Story Syrian Love Story with Extended with Q&A Extended Q&A

11:00

Sjors Swierstra

Giedre Zickyte

Errol Morris Retrospective, 103’

Robert Gordon Robert Gordon A festive introduction A festive to the introduction to the Masters, 88’ Masters, 88’ DocLab: SeamlessDocLab: Reality Seamless Reality program, exploring program, the exploring the 21:00 blurring lines between blurring ourlines between our physical and virtual physical realities. and virtual realities.

We Are Not Alone Pere Joan Ventura By invitation By invitation

22:00

13

10:45 Industry Screening

The World According to Monsieur Khiar

Best of Fests, 93’

Magnus Gertten

Krzysztof Kopczynski Krzysztof Kopczynski

13:1513:00

A German Youth

Every Face Has a Name

Masters, Benjamin Barber Masters, Program Benjamin , 76’ Barber Program, 76’

15:00

One Day in the Life of 17:00

Errol Morris

Grozny Blues

DE MUNT

10:00

10:30

Jean-Gabriel Périot

11:15

talks to Benjamintalks Barber. to Benjamin Barber.

Paradocs, 73’

21:45

Masters, 90’

Sean McAllister Sean McAllister

Errol Morris’s Top 10, 54’

The Thin Blue Line 19:30

Panorama, Benjamin Barber Program, 78’

21:45

By invitation By invitation Liang Zhao

10:30

Best of Fests, 89’

Adam Curtis

19:00

Best of Fests, 77’

12

10:00 Day IDFA Film Academy IDFA Film DayAcademy Kick off with all international Kick off withfilm all international students. film students.

Behemoth

10:00

18:45

Bill Guttentag, Michael Ware

Tom Fassaert

Jake Witzenfeld Jake Witzenfeld

23:00 23:00

It Felt Like a Kiss

Panorama, 87’ Best ofPanorama Fests, 89’, 87’

Only the Dead

Best of Fests, 190’ Best of Fests , 190’ A Family Affair

Best of Fests, 73’

IDFAcademy IDFAcademy Welcome Drinks Welcome Drinks

16:15

A Family Affair with The 20:00 Road 20:00 20:00 20:00 20:00 Best of20:00 Fests, 104’ Zanbo Zhang Extended Q&A Sketches of Siberia Sketches of Siberia Best of Enemies Best of Enemies DocLab Live: Seamless DocLab Live: Seamless Feature-Length Competition, 95’ Followed by an in-depth Ben van LieshoutBen van LieshoutMorgan Neville, Morgan Neville, Reality Opening Reality Night Opening Night conversation between director

20:15

22:30 Panorama, 80’

BG15:00 Rode15:00 Zaal BG Rode Zaal

19:00

Masters, 71’

21:00 21:00

& Invitees

BG Rode16:30 Zaal BG Rode Zaal

DE MUNT

9:00

The Dybbuk: AThe Tale Dybbuk: A Tale of Wanderingof Souls Wandering Souls

13:00

Werner Herzog BGErrol Rode ZaalTop 10BG 13:30 Morris’s , 79’Rode Zaal

IDFAcademy and DocLab IDFAcademy and DocLab Andrei Arsenevitch 17:15 Academy participants Academy participants Marker meet each other meet each the other during the Chris Niceduring People 17:30 17:30 17:30 Errol Morris’s Top 10, 55’ IDFAcademyAnders Welcome IDFAcademy drinks. Welcome drinks.

Helgeson, I Am Sun Mu The ISiren Am Sun of Faso Mu IDFAcademy Fani Karin af Klintberg passholders passholders IDFAcademy Adam Sjoberg Michel Adam K. Zongo Sjoberg & Invitees Best of& Fests , 92’ Invitees

17:00 17:00

18:00

11:00

14:45

16:30

Feature-Length Competition, 150’

10OTHER VENUES DE MUNT VENUES 11 OTHER

9:00

10:30

Paradocs, 68’

Afghanistan Night Stories Wastecooking - Make Industry Talk: Industry Talk: Alka Sadat Food, Not Waste Talent Master and Talent Panorama, 60’ Banking 15:30 15:30Nature Master and Georg Misch A conversation between A conversation Victor between Victor Sandrine Feydel, Panorama, 80’ Maiko - Dancing Child - Dancing Child and DenisMaiko Delestrac Kossakovsky Tom Kossakovsky Fassaert. and Tom Fassaert.

De Nederlandse De Nederlandse Snow Monkey George Gittoes documentairefilm documentairefilm 19651965-

Piotr Bernas

10:00

Sergio Oksman

Fata Morgana

Åse Svenheim Drivenes Åse, 90’ Svenheim Drivenes Panorama For all passholders For all passholders 16:00 Industry Screening Panorama, 70’ Panorama, 70’

16:30 Industry Screening 16:30 Industry Screening 1990 boekpresentatie 1990 boekpresentatie

18:00

Panorama, 49’

15:00

Panorama, 102’

16:00

16:00 16:00

On Football

15:15

Valentin Thurn

Christophe Reyners Christophe Reyners

10:15

13:00

Anne-Marieke Graafmans Anne-Marieke Graafmans & Invitees

Feature-Length Competition, IDFA DOC U Panorama, 49’ Competition, Music Documentary, 80’

on Your Plate?

Coups de foudre Coups de foudre 15:00 15:00

13:30

DE MUNT

NederlandseNederlandse Filmacademie Filmacademie – 09:45 – 09:45

Calling Ukraine Calling Ukraine IDFAcademy Welcome IDFAcademy Welcome Jean Counet Jean Counet & Introduction: & Introduction: Meet Meet 14:00 Industry Screening Panorama, 12’ Panorama, 12’ the Participants the Participants Thru You PrincessAccording to Protocol According to IDFAcademy Protocol passholders IDFAcademy passholders Ido Haar

14:45 15:00 Industry Screening 15:00 Industry Screening 10 Billion - What’s

13:30

9

Errol Morris’s Top 10, 122’

Return of the Atom Best of Fests, 110’

STEDELIJK KLEINE 4KLEINE DE MUNTSTEDELIJK 5 DE MUNT KOMEDIE KOMEDIE MUSEUM MUSEUM

DE MUNT

Kazuo Hara

Mika Taanila, Jussi Eerola

13:30

9:00

The Emperor’s Naked12:00 Army Marches On

Garage 2.0

Dutch Docs 65-90 and Dutch Docs 65-90 and Their Shadows, 184’ Their Shadows, 184’

Mid-Length Competition Mid-Length , 54’ Competition, 54’ Panorama, 80’

Evangelia Kranioti

1:00

Kristina Kristina Goolsby, Goolsby, Ashley Ashley York York

Bernardo Bernardo Ruiz Ruiz

12:00

Best of Fests, 91’

Ivan S. Tverdovskiy Ivan S. Tverdovskiy Chloe Ruthven Chloe Ruthven

Panorama, 80’

23:00

Vladimir Vladimir Tomic Tomic

First Appearance First Appearance Competition Competition , 80’ , 80’

Panorama Panorama , 76’ , 76’

10:00

12:45

Grumant: Island Grumant: Island 13:45 13:45 of Communism of Communism Jungle SistersJungle Sisters

Competition, 80’

of Shadows

First Appearance First Appearance Competition Competition , 78’ , 78’

Tig Tig

Best ofBest Fests of, 90’ Fests, 90’

GROND BRAKKE BRAKKE GROND BRAKKE TUSCHINSKI 4GROND TUSCHINSKI 5 GROND MELKWEG TUSCHINSKIMELKWEG 6 2BRAKKE EXPOZAAL EXPOZAALRODE ZAAL RODE ZAAL RABOZAAL RABOZAAL

Woodstock Woodstock

Yann Arthus-Bertrand Yann Arthus-Bertrand

22:00

Flotel Flotel Europa Europa

20:45 20:45

PaulaPaula Gomes Gomes

MarkMark Cousins Cousins

Poverty, Inc.

Flotel Europa Flotel Europa20:30 20:30 Paradocs, 73’ Vladimir Tomic Vladimir Tomic Fassaert and film theorist Human Tom Human Best of Fests, 71’ Best of Fests, 71’ Bill Nichols.

s

DutchDutch Competition Competition , 85’ , 85’

Charles Charles Redon Redon

22:00 22:00

Martin Martin Ginestie Ginestie

Compilation program Patricio put up byGuzmánPatricio Guzmán Eduardo Coutinho Vanguard of the 10:30 10:30 Rode10:30 Zaal BG Rode Zaal 10:30 BG10:30 , 82’ 10:30 Masters, 82’ Masters , 87’ main partner VPRO. ForMasters tickets Revolution see www.vpro.nl/evenementen. Masterclass Stamping Ground Stamping Ground The Project Unknown Known Stanley Nelson Project Presentation Presentation Masters, 114’ Hans Jürgen Pohland, ErrolIDFA-Mediafonds Morris Suzanne Raes Hans Jürgen Pohland, IDFA-Mediafonds 11:00 George Sluizer George Sluizer 11:00 Retrospective, 104’ Using examples from her WorkshopErrol Morris Workshop DutchShadows Docs 65-90 , 83’andIn Their Shadows, 83’ In Limbo Limbo work, director SuzanneDutch RaesDocs 65-90 and Their 11:00 11:00 Antoine Viviani Antoine Viviani talks about the art of knowing By invitation By invitation 11:30 Industry Screening 11:30 Industry Screening everything, and then forgetting Panorama, 85’ Panorama, 85’ as much as you can.

Jheronimus Bosch, Jheronimus Bosch,

20:15 20:00 20:00 20:00

21:00

Catherine Catherine van Campen van Campen

Paradocs Paradocs , 71’ , 71’

19:45

the Circus

20:15 20:00 20:0020:15

Garage Garage 2.0 2.0

In California In California

Barbara Barbara Kopple Kopple

DONDERDAG DONDERDAG1919NOVEMBER NOVEMBER

9:00 9:00

Panorama, 92’

u, Molina

20:00 20:00

Carolina’s Carolina’s World World

Atomic: Atomic: Living Living in in Dread Dread andand Promise Promise

17:30

18:00

20:00 20:00

1:001:00

Piotr Bernas

17:00

Panorama Panorama , 85’ , 85’

1:001:00

Life of a Butterfly Life of a Butterfly Dutch spoken.

Competition, 90’

Pankaj Pankaj JoharJohar

24:00 24:00

Mid-Length Competition Mid-Length , 51’ Competition, 51’

stry Screening 16:00

Cecilia Cecilia

Paradocs Paradocs , 5’ , 5’

Michael Matheson Miller Mike Wadleigh Mike Wadleigh

14:00

19:00 19:00

Panorama Panorama , 83’ , 83’

19:15 19:15

Errol Morris Errol Morris Retrospective Retrospective , 103’ , 103’

Masters Masters , 93’ , 93’ In Defense In Defense of the of the Rocket Rocket

Best ofBest Fests of, 64’ Fests, 64’

13:30 Industry Screening 13:30 Industry Screening

erses

MusicMusic Documentary Documentary , 85’ , 85’

24:00 24:00

on, 75’

stry Screening

Adam Adam Bhala Bhala Lough Lough

18:30 18:30

PabloPablo Iraburu, Iraburu, Migueltxo Migueltxo Molina Molina

HotHot Type: Type: 150 150 Years Years of The of The Nation Nation

22:15 22:15

RithyRithy PanhPanh

tenhuis,

13:00

18:00 18:00

Sugar’s Sugar’s ColdCold World Worl 18:00 18:00HotHot

Walls Walls

21:45 21:45

France France Is Our Is Our Mother Mother Country Country

Touched by the Touched Devil by the Devil

stry Screening 12:00

Albert Albert Maysles, Maysles, LynnLynn True,True, Nelson Nelson Walker, Walker, Ben Wu, Ben David Wu, David UsuiUsui

21:30 21:30

Panorama, Panorama, Benjamin Benjamin BarberBarber Program Program , 78’ , 78’

TUSCHINSKI 2 EYE TUSCHINSKI 3 DE MUNTTUSCHINSKI 13DE MUNT113EYE CINEMA EYE 1 CINEMA 1 CINEMA EYE 2 CINEMA

9:00

Mid-Length Mid-Length Competition Competition , 50’ , 50’

Jonas Jonas andand the the Backyard Backyard Circus Circus

Masters Masters , 74’ , 74’

12

PiotrPiotr Bernas Bernas

In Transit In Transit

We We Are Are NotNot Alone Alone

22:45 22:45

LifeLife of aof Butterfly a Butterfly 17:00 17:00

17:15 17:15

Masters Masters , 76’ , 76’

David David Aronowitsch, Aronowitsch, Ahmed Ahmed Abdullahi, Abdullahi, Sharmarke Sharmarke Binyusuf, Binyusuf, AnnaAnna Persson Persson

Feature-Length Feature-Length Competition Competition , 70’ , 70’

22:30 22:30

NT

I AmI Am Dublin Dublin

Mariana Mariana Viñoles Viñoles

Natalia Natalia Bruschtein Bruschtein

23:00 23:00

17:45 17:45

Feature-Length Feature-Length Competition Competition , 95’ , 95’

Time Time Suspended Suspended

Best ofBest Fests of, 73’ Fests, 73’

Imam Imam Hasanov Hasanov

Best ofBest Fests of, 104’ Fests, 104’

Zanbo Zanbo Zhang Zhang

22:00 22:00

Evangelia Evangelia Kranioti Kranioti

First Appearance First Appearance Competition Competition , 80’ , 80’

ChrisChris Marker Marker

Nicola Nicola Bellucci Bellucci

TheThe Road Road

22:00 22:00

Exotica, Exotica, Erotica, Erotica, Etc.Etc.

Errol Morris’s Errol Morris’s Top 10Top , 55’ 10, 55’

HolyHoly CowCow

ErrolErrol Morris Morris

Grozny Grozny Blues Blues

19:45 19:45

Followed Followed by anbyin-depth an in-depth conversation conversation between between director director Tom Tom Fassaert Fassaert and film and theorist film theorist Bill Nichols.

Bill Nichols.

Tom Tom Fassaert Fassaert

OneOne DayDay in the in the LifeLife of of Andrei Andrei Arsenevitch Arsenevitch

TheThe ThinThin BlueBlue LineLine 19:30 19:30

16:30 16:30 Industry Industry Screening Screening

First Appearance First Appearance Competition Competition , 90’ , 90’

17:00 17:00

19:00 19:00

OnlyOnly the the Dead Dead

16:00 16:00

Liubov Liubov Durakova, Durakova, AlisaAlisa Kovalenko Kovalenko

Best ofBest Fests of, 75’ Fests, 75’

A Family A Family Affair Affair withwith Extended Extended Q&A Q&A

21:00 21:00

Michel Michel K. Zongo K. Zongo

Bill Guttentag, Bill Guttentag, Michael Michael WareWare

19:45 19:45

20:00 20:00

NiceNice People People

Anders Helgeson, Helgeson, TheThe Siren Siren of Faso of Faso FaniFani Anders KarinKarin af Klintberg af Klintberg

Pelota Pelota II with II with Extended Extended Q&A Q&A

Jørgen Jørgen Leth,Leth, OlatzOlatz González González Abrisketa Abrisketa

17:30 17:30

Mid-Length Mid-Length Competition Competition , 51’ , 51’

16:15 16:15 Industry Industry Screening Screening

It Felt It Felt LikeLike a Kiss a Kiss

17:15 17:15

Christophe Christophe Reyners Reyners

Best ofBest Fests of, 84’ Fests, 84’

16:15 16:15

17:00 17:00

Coups de foudre de foudre 15:00 15:00Coups

Giedre Giedre Zickyte Zickyte

Errol Morris’s Errol Morris’s Top 10Top , 54’10, 54’

Pelota Pelota II II

First Appearance First Appearance Competition Competition , 96’ , 96’

15:00 15:00 Industry Industry Screening Screening

Panorama Panorama , 90’ , 90’

Feature-Length Feature-Length Competition Competition , 150’ , 150’

Ivan Ivan S. Tverdovskiy S. Tverdovskiy

Mid-Length Competition Competition , 54’ , 54’ 14:00 14:00Mid-Length

Master Master andand Tatyana Tatyana

Panorama Panorama , 80’ , 80’

George George Gittoes Gittoes

18:00 18:00

Feiyue Feiyue Wu, Xiaoyu Wu, Xiaoyu Qin Qin

Grumant: Grumant: Island Island of Communism of Communism

15:15 15:15

Georg Georg Misch Misch

Snow Snow Monkey Monkey

13:00 13:00

Panorama Panorama , 125’ , 125’

Afghanistan Afghanistan Night Stories Stories Wastecooking Wastecooking - Make - Make Night Alka Alka Sadat Sadat Food, Food, NotNot Waste Waste Panorama Panorama , 60’ , 60’

Sandrine Sandrine Feydel, Feydel, Denis Denis Delestrac Delestrac

DutchDutch Competition Competition , 75’ , 75’

Chinese Chinese Verses Verses

Guy-Marc Guy-Marc Hinant Hinant

14:45 14:45

15:00 15:00

Banking Banking Nature Nature

Pieter Pieter van Huystee van Huystee

13:30 13:30 Industry Industry Screening Screening

Birobidzhan Birobidzhan

15:15 15:15

Jheronimus Jheronimus Bosch, Bosch, Touched Touched by the by the Devil Devil Competition Competition , 83’ , 83’ 12:00 12:00DutchDutch

Walther Walther Grotenhuis, Grotenhuis, CintaCinta Forger Forger

14:00 14:00 Industry Industry Screening Screening

14:15 14:15

Ido Haar Ido Haar

Panorama Panorama , 102’ , 102’

11:30 11:30 Industry Industry Screening Screening

Over Over the the Years Years

ThruThru YouYou Princess Princess

Valentin Valentin Thurn Thurn

12:45 12:45

Nikolaus Nikolaus Geyrhalter Geyrhalter

Feature-Length Feature-Length Competition, Competition, IDFA DOC IDFAUDOC U , 80’ , 80’ Competition, Competition, MusicMusic Documentary Documentary

11:00 11:00

Best ofBest Fests of, 106’ Fests, 106’

13:30 13:30

14:00 14:00 Industry Industry Screening Screening

15:00 15:00

A Boy’s A Boy’s Dream Dream Du Haibin Du Haibin

Errol Morris’s Errol Morris’s Top 10Top , 79’10, 79’

10 Billion 10 Billion - What’s - What’s on Your on Your Plate?

Plate?

12:15 12:15 Industry Industry Screening Screening

A Young A Young Patriot Patriot

FataFata Morgana Morgana

Best ofBest Fests of, 110’ Fests, 110’

14:45 14:45

12:00 12:00

Elizabeth Elizabeth ChaiChai Vasarhelyi, Vasarhelyi, Jimmy Jimmy ChinChin

Errol Morris’s Errol Morris’s Top 10Top , 122’10, 122’

TheThe World World According According to Monsieur to Monsieur Khiar Khiar DutchDutch Competition Competition , 55’ , 55’

13:00 13:00

MikaMika Taanila, Taanila, JussiJussi Eerola Eerola

10:45 10:45 Industry Industry Screening Screening

SjorsSjors Swierstra Swierstra

Meru Meru

Kazuo Kazuo HaraHara

Return Return of the of the Atom Atom

Best ofBest Fests of, 91’ Fests, 91’

14:00 14:00

Best ofBest Fests of, 93’ Fests, 93’

11:15 11:15

12:00 12:00

12:45 12:45

Michael Michael Matheson Matheson Miller Miller

13:00 13:00

A German A German Youth Youth

Paradocs Paradocs , 68’ , 68’

Magnus Magnus Gertten Gertten

Catherine Catherine van Campen van Campen

Poverty, Poverty, Inc.Inc.

10:30 10:30

Masters Masters , 90’ , 90’

Sergio Sergio Oksman Oksman

Every Every FaceFace HasHas a Name a Name

Garage Garage 2.0 2.0 12:30 12:30

LiangLiang ZhaoZhao

On Football On Football

Errol Morris Errol Morris Retrospective Retrospective , 104’ , 104’

12:00 12:00 Industry Industry Screening Screening

12:00 12:00

10:00 10:00

Behemoth Behemoth

10:15 10:15 10:30 10:30

Stanley Stanley Nelson Nelson

Suzanne Suzanne RaesRaes

11:00 11:00

10:00 10:00

Program TUSCHINSKI TUSCHINSKI 1 1

Friday 20 November

TUSCHINSKI TUSCHINSKI 2 2

TUSCHINSKI TUSCHINSKI 3 3

TUSCHINSKI TUSCHINSKI 4 4

TUSCHINSKI TUSCHINSKI 5 5

TUSCHINSKI TUSCHINSKI 66

DE MUNT DE MUNT 4

4

DE MUNT DE MUNT 5

5

DE MUNT DE MUNT 9

9

DE MUNT DE MUNT 10 10

DE MUNT DE MUNT 11

11

DE MUNT DE MUNT 12 12

DE MUNT DE MUNT 13 13

9:00 9:00

9:00 9:00

10:00 10:00 Industry Industry Screening Screening

10:00 10:00

In Transit 10:00 10:00In Transit

10:15 10:15

Albert Albert Maysles, Maysles, LynnLynn True,True, Nelson Nelson Walker, Walker, Ben Wu, Ben David Wu, David UsuiUsui

10:30 10:30 Industry Industry Screening Screening

Aracati Aracati

Masters Masters , 76’ , 76’

AlineAline Portugal, Portugal, JuliaJulia De Simone De Simone

11:00 11:00

Cecilia Cecilia

Masters Masters , 115’ , 115’

Best ofBest Fests of, 89’ Fests, 89’

Elizabeth Elizabeth ChaiChai Vasarhelyi, Vasarhelyi, Jimmy Jimmy ChinChin

Masters, Masters, Benjamin Benjamin BarberBarber Program Program , 76’ , 76’

11:30 11:30

Panorama Panorama , 85’ , 85’

No Home No Home Movie Movie

12:00 12:00

SeanSean McAllister McAllister

Pankaj Pankaj JoharJohar

11:30 11:30

Chantal Chantal Akerman Akerman

Meru Meru

A Syrian A Syrian LoveLove Story Story 11:00 11:00

Mid-Length Mid-Length Competition Competition , 62’ , 62’

10:30 10:30

Patience, Patience, Patience Patience You’ll You’ll Go To GoParadise!

To Paradise!

ErrolErrol Morris Morris

Errol Morris Errol Morris Retrospective Retrospective , 87’ , 87’

TheThe FogFog of Srebrenica of Srebrenica

Hadja Hadja Lahbib Lahbib Panorama Panorama , 85’ , 85’

Samir Samir Mehanovic Mehanovic

Mid-Length Mid-Length Competition Competition , 60’ , 60’

13:15 13:15 Industry Industry Screening Screening

Director Director ErrolErrol Morris Morris will talk will talk withwith film theorist film theorist Bill Nichols Bill Nichols about about his own his own filmsfilms and the and the insights insights offered offered by hisbyTop his10 Top 10 14:00 14:00 selection. selection.

14:00 14:00

13:15 13:15

Boudewijn Boudewijn de Groot de Groot - - Ingrid Ingrid Bergman: Bergman: Come Come Closer Closer In Her In Her Own Own Words Words Suzanne Suzanne RaesRaes

TheThe Confessions Confessions of of Thomas Thomas Quick Quick

AmyAmy BergBerg

MusicMusic Documentary, Documentary, Masters Masters , 104’ , 104’

12:00 12:00 Industry Industry Screening Screening Mariana Mariana Viñoles Viñoles

12:45 12:45

A Poem A Poem Is a Is a Naked Naked Person Person

Eritrea Eritrea Stars Stars JohnJohn Appel Appel

14:30 14:30 Industry Industry Screening Screening

Yan Ting Yan Ting YuenYuen

TheThe Mute’s Mute’s House House

Hemal Hemal Trivedi, Trivedi, Mohammed Mohammed Ali Naqvi Ali Naqvi

Jérôme Jérôme Clément-Wilz Clément-Wilz

Student Student Competition, Competition, IDFA IDFA , 31’ , 31’ DOC UDOC Competition U Competition

15:15 15:15

ElisaElisa Paloschi Paloschi

Erik Gandini Erik Gandini

Tamar Tamar Kay Kay

Horse-Being Horse-Being

15:30 15:30

16:30 16:30 Industry Industry Screening Screening

Beata Beata Bubenets Bubenets

First Appearance First Appearance Competition Competition , 76’ , 76’

TheThe Successor Successor Mattia Mattia Epifani Epifani

16:00 16:00

Jonas Jonas andand the the Backyard Backyard Circus Circus

Best ofBest Fests, of IDFA Fests,DOC IDFAUDOC U , 54’ , 54’ Competition Competition

Competition Competition , 83’ , 83’ 18:00 18:00DutchDutch

18:00 18:00

Coming Coming of Age of Age

Patient Patient

Teboho Teboho Edkins Edkins

18:30 18:30

JorgeJorge Caballero Caballero

Student Student Competition Competition , 63’ , 63’

Eritrea Eritrea Stars Stars

Feature-Length Feature-Length Competition Competition , 70’ , 70’

Sempervirens Sempervirens

Student Student Competition Competition , 46’ , 46’

DutchDutch Competition Competition , 55’ , 55’

19:00 19:00

Student Student Competition Competition , 22’ , 22’

18:00 18:00

Look Look LoveLove Class Class Struggle: Struggle: FilmFilm from from the the Clyde Clyde

First Appearance First Appearance Competition Competition , 146’ , 146’

DutchDutch Docs 65-90 Docs 65-90 and Their andShadows Their Shadows , 83’ , 83’

20:15 20:00 20:0020:15

Sonita Sonita withwith Extended Extended Q&A Q&A

20:30 20:30

Inside Inside the the Chinese Chinese

Zanbo Zanbo Zhang Zhang

Feature-Length Feature-Length Competition Competition , 95’ , 95’

SteveSteve Hoover Hoover

Samir Samir Mehanovic Mehanovic

Daniel Daniel CrossCross

MusicMusic Documentary Documentary , 96’ , 96’

Annekatrin Annekatrin Hendel Hendel Panorama Panorama , 92’ , 92’

LukeLuke Lorentzen Lorentzen

20:00 20:00

20:15 20:15

Ukrainian Ukrainian Sheriffs Sheriffs

Antonio Antonio Tibaldi, Tibaldi, AlexAlex Lora Lora

Feature-Length Feature-Length Competition, Competition, , 80’ , 80’ Benjamin Benjamin BarberBarber Program Program

Roman Roman Bondarchuk Bondarchuk

ThyThy Father’s Father’s Chair Chair

Feature-Length Feature-Length Competition Competition , 72’ , 72’

Student Student Competition Competition , 77’ , 77’

20:00 20:00

Remember Remember YourYour Name, Name, Babylon Babylon

20:00 20:00

Marie Marie Brumagne, Brumagne, BramBram Van Cauwenberghe Van Cauwenberghe

First Appearance First Appearance Competition Competition , 77’ , 77’

21:00 21:0021:15 21:15 Please Please Remember Remember Me Me

LastLast Conversations Conversations Eduardo Eduardo Coutinho Coutinho Masters Masters , 87’ , 87’

24:00 24:00

Feature-Length Feature-Length Competition Competition , 150’ , 150’

22:15 22:15

22:30 22:30

LiveLive from from NewNew York!

York!

Bernard Bernard MacMahon MacMahon

Bao Nguyen Bao Nguyen

MusicMusic Documentary Documentary , 146’ , 146’

Austerlitz Austerlitz

22:00 22:00

StanStan Neumann Neumann Panorama Panorama , 90’ , 90’

Best ofBest Fests of, 90’ Fests, 90’

23:00 23:0023:15 23:15 Poverty, Poverty, Inc.Inc.

Bernard Bernard MacMahon MacMahon

23:30 23:30

Best ofBest Fests of, 80’ Fests, 80’

George George Gittoes Gittoes

TheThe American American EpicEpic Sessions Sessions

American American Epic:Epic: TheThe Big Big Bang Bang

Surire Surire

Panorama Panorama , 78’ , 78’

Snow Snow Monkey Monkey

22:45 22:45

DutchDutch Docs 65-90 Docs 65-90 and Their andShadows Their Shadows , 31’ , 31’

QingQing ZhaoZhao

21:45 21:45 22:15 22:15

TrinoTrino Flothuis, Flothuis, Jan de JanBont de Bont

23:00 23:00

Bettina Bettina Perut, Perut, Ivan Ivan Osnovikoff Osnovikoff

MusicMusic Documentary Documentary , 80’ , 80’

Sounds Sounds Real, 105’ Real, 105’

Panorama, Panorama, IDFA DOC IDFAUDOC Competition U Competition , 91’ , 91’

Passing Passing

By By

I AmI Am the the Blues Blues

ManMan Falling Falling

AnneAnne Regitze Regitze Wivel Wivel

Kari Anne Kari Anne MoeMoe

DutchDutch Docs 65-90 Docs 65-90 and Their andShadows Their Shadows , 58’ , 58’

22:30 22:30

Best ofBest Fests of, 77’ Fests, 77’

19:00 19:0019:15 19:15 NewNew YorkYork CutsCuts

19:15 19:15

Rebels Rebels Robert Robert DrewDrew

Bill Guttentag, Bill Guttentag, Michael Michael WareWare

Fassbinder Fassbinder

Feature-Length Feature-Length Competition, Competition, , 90’ , 90’ IDFA DOC IDFAUDOC Competition U Competition

18:00 18:00

First Appearance First Appearance Competition Competition , 74’ , 74’

Best ofBest Fests of, 96’ Fests, 96’

21:15 21:15

Mid-Length Mid-Length Competition Competition , 60’ , 60’

21:45 21:45

OnlyOnly the the Dead Dead

22:45 22:45

Jessica Jessica Edwards Edwards

Crocodile Crocodile Gennadiy Gennadiy

TheThe FogFog of Srebrenica of Srebrenica

22:15 22:15

, 90’ , 90’ IDFA DOC IDFAUDOC Competition U Competition

Mavis!

23:00 23:00Mavis!

20:30 20:30

On the On the PolePole

Rokhsareh Ghaem Ghaem Maghami Maghami 22:00 22:00Rokhsareh Feature-Length Feature-Length Competition, Competition,

23:00 23:00

TheThe Road Road

Mid-Length Mid-Length Competition Competition , 40’ , 40’

Student Student Competition Competition , 47’ , 47’

Mattia Mattia Epifani Epifani Tomas Tomas Delsing Delsing (VPRO (VPRO 3voor12).

3voor12).Mid-Length Mid-Length Competition Competition , 52’ , 52’

Followed Followed by anbyin-depth an in-depth Closet Closet conversation conversation between between writer writer Sophia Sophia Luvara Luvara ChrisChris Keulemans Keulemans and director and director DutchDutch Competition Competition , 70’ , 70’ 21:00 21:00Rokhsareh Rokhsareh Ghaem Ghaem Maghami, Maghami, followed followed by a performance by a performance of of Sonita Sonita herself. herself.

DOCDOC U U Sonita Sonita

FelixFelix Röben, Röben, Ajay Ajay Koli Koli

TheThe Wedding Wedding Contract Contract VPRO VPRO Extra: Extra: TheThe Road Road 20:15 20:15 David David Dawkins Dawkins WithWith an introduction an introduction and and TheThe Successor Successor First Appearance First Appearance Competition Competition , 92’ , 92’ extended extended Q&A.Q&A. Moderator Moderator

Toomas Toomas Järvet Järvet

Salamanca Salamanca

DutchDutch Docs 65-90 Docs 65-90 and Their andShadows Their Shadows , 42’ , 42’

20:00 20:00

Rough Rough Stage Stage

Student Student Competition Competition , 20’ , 20’

Moriom Moriom

CoalCoal India India

Pieter Pieter Verhoeff Verhoeff

18:00 18:00 Industry Industry Screening Screening

Maysoon Maysoon El-Massry El-Massry

18:30 18:30

Francesca Francesca Scalisi, Scalisi, MarkMark Olexa OlexaRuslan Ruslan Fedotow, Fedotow, Panorama Panorama , 12’ , 12’ Alexandra Alexandra KulakKulak

Cinema Cinema Action Action

Rokhsareh Rokhsareh Ghaem Ghaem Maghami Magham

Grozny Grozny Blues Blues Best ofBest Fests of, 104’ Fests, 104’

AidaAida

Yun Ye Yun Ye

18:30 18:30

17:00 17:0017:15 17:15 Industry Industry Screening Screening Sonita Sonita

17:30 17:30

Nicola Nicola Bellucci Bellucci

18:00 18:00

On Behalf On Behalf of...of...

TheThe Union Union andand Its Members Its Members 20:00 20:00

Feature-Length Feature-Length Competition Competition , 72’ , 72’

DéjàDéjà vu vu

A Tale A Tale of Love, of Love, Madness Madness andand Death Death

Raphaël Raphaël Dubach Dubach

JohnJohn Appel Appel

Antonio Antonio Tibaldi, Tibaldi, AlexAlex Lora Lora

16:00 16:00

First Appearance First Appearance Competition Competition , 92’ , 92’

Masters Masters , 85’ , 85’

Mijael Mijael Bustos Bustos Gutiérrez Gutiérrez

ThyThy Father’s Father’s Chair Chair 16:00 16:00 Industry Industry Screening Screening

TheThe Wedding Wedding Contract Contract

17:00 17:00

17:45 17:45 18:00 18:00

15:00 15:00 15:30 15:30 Industry Industry Screening Screening

David David Dawkins Dawkins

Jon Bang Jon Bang Carlsen Carlsen

Pieter Pieter van Huystee van Huystee

Masters Masters , 80’ , 80’

First Appearance First Appearance Competition Competition , 80’ , 80’

Errol Morris Errol Morris Retrospective Retrospective , 91’ , 91’

17:30 17:30

Jheronimus Jheronimus Bosch, Bosch, Touched Touched by the by the Devil Devil

DutchDutch Competition Competition , 55’ , 55’

TheThe Swedish Swedish Theory Theory of Love of Love

PaulaPaula Gomes Gomes

ErrolErrol Morris Morris

Mid-Length Mid-Length Competition Competition , 52’ , 52’

17:00 17:00

Paradocs Paradocs Shorts Shorts 1 1 Compilation of beyond of beyond the the Imagine Imagine Waking Waking Up Up Compilation frame frame docs:docs: Captive Captive Horizon, Horizon, Tomorrow Tomorrow andand All Music All Music Still Holding Still Holding Still, The Still,Rate’s The Rate’s Cut, Cut, 16:15 16:15 HasHas Disappeared Disappeared (Self)exhibitions, (Self)exhibitions, Exodus, Exodus, 90’ 90’ Mr. Mr. Death: Death: TheThe RiseRise Stefan Stefan Schwietert Schwietert MusicMusic Documentary Documentary , 86’ , 86’ andand Fall Fall of Fred of Fred A. Leuchter, A. Leuchter, Jr. Jr. 15:45 15:45

16:15 16:15

Chechen Chechen

Driving Driving withwith SelviSelvi

14:00 14:00DutchDutch Competition Competition , 55’ , 55’

Mr. Mr. Hu and Hu and the the Temple Temple

14:45 14:45 15:00 15:00 Industry Industry Screening Screening

16:00 16:00

13:00 13:00

First Appearance First Appearance Competition Competition , 85’ , 85’

13:45 13:45 Industry Industry Screening Screening

Paradocs Paradocs , 82’ , 82’

Masters Masters , 94’ , 94’

Best ofBest Fests, of Benjamin Fests, Benjamin , 84’ , 84’ BarberBarber Program Program

VladiVladi Antonevicz Antonevicz

PetraPetra Costa, Costa, Lea Glob Lea Glob

Masters Masters , 93’ , 93’

Mid-Length Mid-Length Competition Competition , 63’ , 63’

Credit Credit for Murder for Murder

Olmo Olmo andand the the Seagull Seagull

15:00 15:00

Among the the Believers Believers 15:00 15:00Among

Feature-Length Feature-Length Competition Competition , 70’ , 70’

12:45 12:45 Industry Industry Screening Screening

13:45 13:45

Barbara Barbara Kopple Kopple

BrianBrian Hill Hill

11:00 11:00

Carolina’s World World 12:00 12:00Carolina’s

MusicMusic Documentary, Documentary, Masters Masters , 90’ , 90’

HotHot Type: Type: 150 150 Years Years of The of The Nation Nation

Masters Masters , 114’ , 114’

Feature-Length Feature-Length & Dutch & Dutch Competition Competition , 90’ ,

First Appearance First Appearance Competition Competition , 100’ , 100’

Les Blank Les Blank

13:45 13:45

Stig Björkman Stig Björkman

DutchDutch Competition, Competition, MusicMusic , 89’ , 89’ Documentary Documentary

EsterEster Gould Gould

Hassen Hassen Ferhani Ferhani

VitaVita activa, activa, the the Spirit Spirit of Hannah of Hannah Arendt Arendt Panorama Panorama , 124’ , 124’

Janis: Janis: Little Little GirlGirl BlueBlue

Masterclass ErrolErrol Morris Morris 13:00 13:00Masterclass

Affair Affair withwith EgoEgo

Roundabout Roundabout in My in My Head Head

12:00 12:00

Ada Ada Ushpiz Ushpiz

12:45 12:45

13:00 13:00

A Strange LoveLove 10:00 10:00A Strange

11:30 11:30

Tabloid Tabloid

12:00 12:00 Industry Industry Screening Screening

10:30 10:30 Industry Industry Screening Screening

MusicMusic Documentary Documentary , 53’ , 53’

Michael Michael Matheson Matheson Miller Miller

We’re We’re StillStill Here: Here: Johnny Johnny Cash’s Cash’s Bitter Bitter Tears Tears Revisited Revisited

Best ofBest Fests of, 91’ Fests, 91’

24:00 24:00

Antonino Antonino D’Ambrosio D’Ambrosio MusicMusic Documentary Documentary , 53’ , 53’

1:001:00

NT

1:001:00

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12 9:00

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10:00

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Competition, 100’

11:00

10:00 Industry 10:00 Screening 10:00 Industry Screening 10:00

10:00

A Strange Transit A Strange Love Pelota II Pelota II 10:00 10:00InLove Maysles, Lynn Jørgen Leth, OlatzJørgen Leth, Olatz Affair withAlbert Ego Affair with Ego

10:30 10:30 10:30 Industry Screening Nelson Walker, González Abrisketa González Abrisketa Ester Gould True,Ester Gould David, 90’ Usui , 71’ , 90’ Masters, 71’ Feature-Length &Ben DutchWu, Feature-Length Competition & DutchMasters Competition Smith, James Aracati Smith, O. – James O. – Masters, 76’ Aline Portugal, Julia Organist USA: Europe Organist (Part USA: 1) Europe (Part 1) 11:00 De Simone Klaus Wildenhahn Klaus Wildenhahn

Mid-Length Competition , 62’Their Shadows, Cecilia Dutch Docs 65-90 and Their DutchShadows Docs 65-90 , 55’and 55’

11:00 11:00

Feature-Length Competition Feature-Length , 70’ Competition Chad, 70’ Gracia Best of Fests, 82’

stry Screening

Murder

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13:00

Competition, 85’

stry Screening

14:00

Partly German and Partly English German and English spoken and not subtitled. spoken and not subtitled.

Best of Fests, 82’

13:00

13:00 13:00Masterclass Errol Morris

Director Errol Morris will talk with film theorist Bill Nichols about his own films and the 13:45 Industry Screening 13:45 Industry Screening insights offered by his Top 10 Eritrea Stars Eritrea Stars 14:00 14:00 14:00 selection.

John Appel John Appel

Beyond My 15:00 Industry Screening 15:30

Feature-Length Competition Feature-Length , 72’ Competition, 72’

16:00 16:00

16:15

Sonita

Sonita 17:30

Best of Fests, 75’

age

Best of Fests, 98’ 15:30 Mid-Length Competition, 63’

Mid-Length Competition, 52’17:00

et

Competition, 74’

18:30

Barbara Kopple Masters, 93’

19:15

Best of Fests, 98’

19:00

Panorama, 70’

Patient

Jorge Caballero

Student Competition, 63’

19:00, 78’ First AppearanceDutch Competition First Competition Appearance , 78’ , 55’ Competition

Feature-Length Competition, 70’

19:00

19:00

Unmistaken Child Unmistaken Child Democracy Democracy David Bernet David Bernet with Extended with Q&A Extended Q&A

New York CutsNew York Cuts

agne, Bram nberghe

Competition, 77’

21:00

Panorama, 78’

22:00

DOCPanorama U , 78’ Sonita

22:15

IDFA DOC U Competition, 90’

22:45

23:00

23:00 23:00Mavis!

23:15 23:15

24:00 24:00 24:00

Panorama, 76’

Panorama, 76’

Only22:30 the Dead Bill Guttentag, Michael Ware From the Depths From the Depths Best of Fests, 77’

16:00

22:30

Daniel Cross

Sounds Real, 73’

23:30

11:00

Robert Frank Shorts Robert 2Frank Shorts 2 11:00 Welcome to Leith Welcome to Leith Compilation program Compilation with program with

Michael Beach Nichols, Michael Beach Nichols, shorts by Robert Frank: shorts by Robert11:30 Frank: Christopher K. Walker Christopher K. Walker The Present; PaperThe Route; Present; I Paper Route; I Patience Patience, Best of Fests, BenjaminBest of Fests, Benjamin Remember; Flamingo; Remember; SummerFlamingo; Summer You’ll Go To Paradise!

Barber Program, 86’ Barber Program, 86’ Cannibals, 75’ Cannibals, 75’ Hadja Lahbib

12:00

Panorama, 85’

I Am the Blues Music Documentary, 96’

23:30

We Are Not Alone We Are Not Alone

Cartel Land with Cartel Land with 13:00 Extended Q&A Extended Q&A

13:30 13:30 After the screening After Chris theKijne screening Chris Kijne and My Brother Me and My Brother talks to Benjamintalks Barber to and BenjaminMe Barber and 13:45 Frank Robert Frank director Matthewdirector Heineman.

MatthewRobert Heineman.

Cartel Land Cartel Land

Olmo and the Seagull

Don’t Blink: Robert Frank Don’t , 91’Blink: Robert Frank, 91’

Petra Costa, Lea Glob

14:00 Matthew Heineman Matthew Heineman

Paradocs, 82’

Best of Fests, BenjaminBest of Fests, Benjamin Barber Program, 98’ Barber Program, 98’

Errol Morris

Errol Morris Retrospective, 91’

17:00

17:45

A Tale of Love, Madness and Death Mijael Bustos Gutiérrez Student Competition, 22’

Sempervirens Raphaël Dubach

Student Competition, 46’

18:30

18:00 18:30 18:30

Panorama, 90’ Cinema Panorama , 90’ Action Dutch Docs 65-90 and Their Shadows , 83’ 19:00

The Redemption The Redemption 21:45 of the Devil of the Devil On the Pole Alex Hoffman Alex Hoffman Robert Drew

22:00

Music Documentary, 81’Music Documentary, 81’ Dutch Docs 65-90 and Their Shadows, 58’

16:00

16:00

shorts by Robert Frank: shortsPull

by RobertPaula Frank:Gomes Pull IDFAcademy passholders IDFAcademy onlypassholders IDFAcademy onlypassholders IDFAcademy onlypassholders only First Appearance My World Daisy; Conversations My Daisy; in Conversations in Competition, 80’ At Home in the AtWorld Home in the Vermont; How to Energy and How to Andreas KoefoedAndreas KoefoedVermont; Energy and 17:00 Get It, 90’ Get It, 90’ Mid-Length Competition, Mid-Length Competition, Panorama, 12’

Déjà vu

Jon Bang Carlsen

18:00

Masters, 85’

Look Love 18:00

Aida

Yun Ye

18:30

My Aleppo Moriom

Melissa Langer Melissa Langer Francesca Scalisi, Mark Olexa Student Competition, 18’ Student CompetitionPanorama , 18’ , 12’

This19:00 Is Exile: Diaries This Is Exile: Diaries Coal India Felix Röben, Ajay Koli of Child Refugees of Child Refugees

13:45 Industry Screening

14:30 Industry Screening

14:00

Ruslan Fedotow, Alexandra Kulak

Mid-Length Competition, 40’

With an introduction Withbyan introduction by 20:00 Benjamin Barber. Benjamin Barber.

20:30

Crocodile Gennadiy 21:00

Steve Hoover Best of Fests, 96’

Checks and Balances Checks and Balances 21:00 21:15

with Extended with Q&A Extended Q&A Rebels After the screening After Chris theKijne screening Chris Kijne

Kari Anne Moe talks to Benjamintalks Barber, to Benjamin Omar Barber, Omar Panorama, IDFA DOC U Competition, 91’ Belhouchet and director Belhouchet Malek and director Malek Bensmaïl.

Bensmaïl.

22:00 Checks and Balances Checks and Balances

Dutch Competition, 55’

Eduardo Coutinho

19:15

Man Falling Sounds Real, 105’

David Dawkins

15:00 Antonio Tibaldi, Alex Lora

16:00

DAILY SERVICES DAILY SERVICES

17:00

17:30NH Carlton E-floor NH Carlton 9:00 – 21:00 E-floor 9:00 – 21:00

Antonino D’Ambrosio Music Documentary, 53’

Feature-Length Competition, IDFA DOC U Competition, 90’

Documentary experts Documentary Jannie Langbroek experts Jannie and Marijke Langbroek and Marijke Rawie answer your Rawie questions answer about yourall questions aspects of about the all aspects of the 19:00 documentary industry, documentary from distribution industry, from to financing, distribution and to financing, and from co-productions from toco-productions festival strategy. to festival strategy.

20:00

20:00

Feature-Length Competition, 150’

22:15

Filmsales, CAT&Docs Filmsales, and RiseCAT&Docs and Shine.and Rise and Shine.

Austerlitz 22:30 Stan DocsNew for Sale &Docs IDFAfor Forum SaleNeumann & passholders IDFA Forum passholders Live from York!

Bao Nguyen

1:00

1:001:00

VRIJDAG 20 NOVEMBER

1:00

International Documentary Film Festival Amsterdam

VRIJDAG VRIJDAG 20 NOVEMBER 20 NOVEMBER

19:15

New York Cuts Luke Lorentzen

Student Competition, 77’

20:00

21:00

21:15

Please Remember Me Qing Zhao Panorama, 78’

22:00

Panorama, 90’

De, 90’ Jaren CaféDe – 18:00 Jaren Café – 18:00 Best of Fests Guests Meet Guests Meet Guests

23:00

Exchange ideas at Exchange the daily cocktail ideas athour! the daily Hosted cocktail

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For all passholders For all passholders

De Jaren CaféDe – 22:00 Jaren Café – 22:00 IDFA Dance Night IDFA Dance Night

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23:15

Poverty, Inc.

Michael Matheson Miller Best of Fests, 91’

24:00

Admission freeAdmission free

1:00

Sonita

18:00

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We’re Still Here: Johnny Cash’s Bitter Tears Revisited

17:15 Industry Screening Rokhsareh Ghaem Maghami

Grozny Blues IDFA Writing Room IDFA Writing Room

Roman Bondarchuk Name, Babylon Feature-Length Competition, De Jaren CaféDe – 09:00 Jaren Café – 09:00 Bram Marie Brumagne, Antonio Tibaldi, Alex Lora Benjamin Barber Program, 80’ Van Cauwenberghe IDFA Filmmakers IDFABreakfast Filmmakers Breakfast Feature-Length Competition , The 72’ DocLab: The DocLab: Seamless Reality exhibition Seamless Reality showcases exhibition thirty showcases thirty First Appearance Competition, 77’ by meeting yourfellow day byfilmmakers meeting fellow filmmakers installations and interactive installations projects, and interactive includingprojects, experi- including experi-Kick-start your dayKick-start and IDFA staff over and coffee IDFAand staffcroissants. over coffee Hosted and croissants.

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Music Documentary, 146’

Feature-Length Competition, 72’

First Appearance Competition, 92’

Thy Brakke Father’sGrond ChairBrakke 9:00 – 23:00 Grond 9:00 – 23:00

Bernard MacMahon

Dutch Competition, 55’

Thy Father’s Chair 16:00 Industry Screening

The Wedding Contract

Ukrainian SheriffsSOCIALRemember Your 20:15 DOCLAB EXPO: DOCLAB SEAMLESS EXPO: SEAMLESS REALITY REALITY EVENTS SOCIAL EVENTS

The American Epic Sessions

John Appel

15:30 Industry Screening

Toomas Järvet

Anne Regitze Wivel

22:15

Eritrea Stars

First Aid Doc Clinic First Aid Doc Clinic

Salamanca

Mid-Length & IDFA DOCMid-Length U Comp., & IDFA DOC U Comp., Benjamin Barber Program Benjamin , 56 Barber Program, 56

24:00

13:00

First Appearance Competition, 85’

NH Carlton E-floor NH Carlton 10:00 17:00 E-floor Competition 10:00 – 17:00 First–Appearance , 74’

Student Competition, 20’

Student Competition, 47’ Mani Y. Benchelah Mani Y. Benchelah

Masters, 87’

Vladi Antonevicz

Rough Stage

Maysoon El-Massry

Mariana Viñoles

Feature-Length Competition, 70’

Nicola Workspace Bellucci for all Workspace accredited18:00 guests. for all accredited Wifi connection guests.and Wifi connection and Industry Screening Best of Fests, 104’ computers available. computers available.

18:00

Carolina’s World

Yan Ting Yuen

15:15

, 54’ meetings Competition Round table meetings Round and table meetings Roundand table Round and table meetings and

With an introduction Withbyan introduction by Benjamin Barber. Benjamin Barber.

12:00 Industry Screening

Mr. Hu and the Temple

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, 58’ Barber Program, 58’ Benjamin Barber Program Benjamin 17:00

A Strange Love Affair with Ego

Feature-Length & Dutch Competition, 90’

Swedish 15:30 Compagnie 15:30 - FoyerCompagnie 15:30 - FoyerCompagnie 15:30 - GroteCompagnie Zaal The- Grote Zaal

Last Conversations

24:00

IDFAcademy passholders IDFAcademy onlypassholders only

10:00 Industry Screening

11:00

Credit for Murder

How do you createHow production do you create production strategies when itstrategies comes to when it comes to different platforms? different platforms?

Student Competition, IDFA DOC U Competition, 31’

Please note that due Please to the note that due to the Malek Bensmaïl Malek Bensmaïl Passing By tragic events in Paris tragic on events in Paris on Masters, Benjamin Barber Masters, Program Benjamin , 97’ Barber Program, 97’ Trino Flothuis, Jan de Bont 22:45 November 13Dutch JesseNovember "The Devil" 13 Jesse "The Devil" Docs 65-90 and Their Shadows, 31’ Hughes and his band Hughes Eagles and his band Eagles American Epic: 23:00 of Death Metal have of Death cancelled Metal have cancelled The Big Bang Surire 23:00 23:00 their European tour. their This European means tour. This means Bernard MacMahon Bettina Perut, Ivan Osnovikoff that there will notthat be athere Q&A.will not be a Q&A. Music Documentary, 53’ 23:30 Best of Fests, 80’

Pere Joan Ventura Pere Joan Ventura

13

Ester Gould

12:45 Industry Screening

12:45

Naked Person IDFAcademy Small IDFAcademyLes Small Blank Session: Producing Session: forProducing for Masters, 90’ Music Documentary, different platforms different platforms

Tamar Kay

16:00

21:00

10:00

12:00

Vita activa, the Spirit of Hannah Arendt

The16:00 Sniper of The Kobani Sniper ofRobert KobaniFrank Shorts Robert 1FrankJonas Shorts and 1 the One-on-One meetings One-on-One with meetings One-on-One with meetings One-on-One with meetings with Reber Dosky Reber Dosky Compilation program Compilation with program with professionals.

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My Aleppo

On Behalf of... The Union and Its Members

Panorama, Benjamin Barber Panorama, Program Benjamin , 78’ Barber Program, 78’

12:00

The Mute’s House

18:30 18:30 First Appearance Competition , 146’

Martha &Class NikiMartha Struggle: & Niki Tora Mårtens Mårtens FilmTora from the Clyde

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IDFAcademy passholders IDFAcademy passholders & Invitees & Invitees

14:45

15:00

16:00

12

How can a soundscape How can define a soundscape define Elizabeth Chai Vasarhelyi, Roundabout in My Head Industry Industry Today’s Session: Talent Today’s Talent Jimmy ChinSession: your film, and when your dofilm, sound and when do sound Hassen Best of day, Fests ,meet 89’to IDFA’s Each Eachrising day, meet stars IDFA’s and take rising aFerhani stars and take a designers and directors designers startand to directors start First Appearance Competition, 100’ Foratalltheir passholders For all passholders peek at their work.peek work. collaborate? collaborate?

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13:00

Panorama, 12’

and Fall of Fred A. Leuchter, Jr.

Mike Plunkett

Valentina Pedicini Valentina Pedicini

Fassbinder 23:00 Sounds Real, 73’ Hendel A GermanAnnekatrin Youth A German Youth Panorama, 92’ 23:00

Michael Matheson Michael MillerMatheson Miller Best of Fests, 91’

Salero

22:30

Jessica Edwards Jean-Gabriel Périot Poverty, Inc. Poverty, Inc. Jean-Gabriel Périot Music Documentary, 80’ Best of Fests, 93’ Best of Fests, 93’ Best of Fests, 91’

Salero

Mike Plunkett

Ghaem Maghami 22:00 22:00Rokhsareh Feature-Length Competition,

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23:00

15:00

DE MUNT

IDFAcademy Plenary IDFAcademy10:15 Plenary Session: CloseSession: your eyes Close your NH eyes Meru 10:30 Industry Screening 10:30 Carlton 10:30 E-floorNH Carlton E-floor

15:30

Student Competition, 77’ Student Competition, 77’

20:00

BG Rode Zaal

100’ Panorama, 100’ Film critic NicolasFilm Rapold critic talks NicolasPanorama Rapold,talks to sound designertoAlex sound Claude designer Alex Claude Pieter Verhoeff about his sound design about for his sound design for Dutch Docs 65-90 and Their Shadows, 42’ 20:00 20:00 20:00 Unmistaken Child Unmistaken for which Child for which 20:00 there was hardly there location was hardly any locationVPRO Extra: The Road Theany Wedding Contract DocLab Live: DocLab Live: 20:00 20:15 20:00 20:0020:15 sound to work with. sound to work with.

David Dawkins With an introduction and Performing Reality Performing Reality Sonita with The Successor 20:30 20:30 20:30 First Appearance Competition, 92’ extended Q&A. Moderator One-off event where One-off digital event where digital Unmistaken Child Unmistaken Child Mattia Epifani Extended Q&A Clear Years Tomas Delsing (VPRO 3voor12).

Inside Clear theYears Chinese artists like Bianca artists Giaeverlike and Bianca Giaever and Mid-Length Competition, 52’ Nati Baratz Nati Baratz Followed by an in-depth Frédéric Guillaume Frédéric Guillaume Anagram play with Anagram reality and play with reality and Closet Sounds Real, 102’ Sounds Real, 102’ The Road conversation betweenFeature-Length writer Fogaudience. of Srebrenica Competition Feature-Length , 75’ Competition, 75’ the audience.The the Sophia Luvara Zanbo Zhang Chris Keulemans and director Samir Mehanovic Dutch Competition, 70’ 21:00 21:00 21:00Rokhsareh 21:15 21:15Ghaem Maghami, Feature-Length Competition, 95’ Mid-Length Competition, 60’ followed byMe a performance Please Remember Please RememberofMe 21:30 21:30 21:30 21:30 herself.

Qing Zhao Sonita Qing Zhao

Luke Lorentzen Luke Lorentzen

er Your bylon

14:00

14:45

18:00

Teboho Edkins

18:30 18:30

Charles Redon JohnCharles Appel Redon

19:00 19:00 19:15

Hot Type: 150 Years of The Nation

Åse Svenheim Drivenes Åse Svenheim Drivenes

Coming of Age In California Eritrea In California Stars

19:00

13:45

Maiko - Dancing Maiko Child - Dancing Child

18:00

Pieter van Huystee

18:00 18:00Dutch Competition, 83’

13:00

Music Documentary, Masters, 104’

17:00

Panorama, 70’

Jheronimus Bosch, Feature-Length Competition, Feature-Length Competition, Touched the Devil , 90’ , 90’ IDFA DOC U Competition IDFA DOCby U Competition

18:00

Amy Berg

Beyond My 15:00 BG Rode 15:00 Zaal Grandfather Allende Grandfather Allende

Best of Fests, 75’

After the screening After Chris theKijne screening Chris Kijne talks to Benjamintalks Barber to and Benjamin11:00 Barber and director Christopher director K. Walker.

Christopher K. Walker.

13:00

11

INDUSTRYINDUSTRY OFFICE OFFICE

10:00 Compagnie 10:00 - GroteCompagnie Zaal - Grote Zaal 10:15

Welcome to Leith Welcome to Leith with Extended with Q&A Extended Q&A

Panorama, 124’

Janis: Little Girl Blue

DE MUNT

9:00

Ada Ushpiz

Challenges and opportunities Challenges and opportunities Rocky Road toRocky Dublin Road to Dublin 15:45 Paradocs Shorts in working with impact in working metrics with 1impact metrics Peter Lennon Peter Lennon Compilation of beyond the today. in documentary today.

Imagine Waking in Updocumentary Dutch Docs 65-90 and Dutch Docs 65-90 and frame docs: Captive Horizon, For all passholders For all Still, passholders Tomorrow and All Music Still Holding Their Shadows, 69’ Their Shadows, 69’ The Rate’s Cut, 16:15 Has Disappeared (Self)exhibitions, Exodus, 90’ There’s Always There’s Always Mr. Death: The Rise Stefan Schwietert 16:30 Industry Screening

Peter Hutchison,Peter Kelly Hutchison, Kelly Nyks, Jared P. Scott Nyks, Jared P. Scott 17:00 17:00 17:15 Industry Screening 17:15 Industry Screening

12:00

Marcia TambuttiMarcia AllendeTambuttiIndustry Allende Talk:Industry Talk: Jérôme Clément-Wilz Evaluating Impact Evaluating Impact

Rokhsareh Ghaem Rokhsareh Maghami Ghaem Maghami

stry Screening

Errol Morris Retrospective, 87’

Chechen 16:30 the Mailboat the Mailboat Music Documentary, 86’ Beata Bubenets Requiem for the Requiem for the The Hans Successor Hans Keller First Appearance Competition , 76’ Keller Dutch Docs 65-90 and Their Dutch Shadows Docs 65-90 , 63’and Their Shadows, 63’ Mattia Epifani American Dream American Dream 16:30

Competition, 92’

17:00

Tabloid

Stig Björkman

Horse-Being

Hemal Trivedi, 15:30 Industry Screening 15:30 Industry Screening Mohammed Ali Naqvi Antonio Tibaldi, Alex Antonio LoraTibaldi, Alex Lora

ins

11:30

9 COMPAGNIE DE MUNT 10 COMPAGNIE

12:45

14:45

15:00

11:00 Errol Morris

13:00

Suzanne Raes

15:00 15:00Among the Believers

Best of Fests, Benjamin Thy Father’s Chair Thy Father’s Chair Barber Program, 84’

ing Contract 16:00

Masters, Benjamin Barber Program, 76’

Dutch Competition,with Music Good People with Good People Masters, 114’ , 89’ IntentionsDocumentary Intentions Return of The the Return Atom Confessions of theof Atom 14:00 14:00 Dutch Competition, 55’Dutch Competition, 55’ Hans Koekoek Hans Koekoek Mika Taanila,Thomas Jussi Mika Eerola Taanila, Eerola Quick Jussi Dutch Docs 65-90 and Their DutchShadows Docs 65-90 , 42’and Their Shadows, 42’

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stry Screening

10:00 10:15

Sean McAllister

Panorama, 85’

The Things I The Things I 13:15 Industry Screening 13:15 Cannot Change Cannot de Change Boudewijn Groot Ingrid Bergman: Tanya BallantyneTanya Ballantyne Come Closer In Her Own Words Dutch Docs 65-90 and Their DutchShadows Docs 65-90 , 55’and Their Shadows, 55’

Best of Fests, 110’BrianBest Hillof Fests, 110’ Masters, 94’

15:00

10:00 A Syrian Love Story

Pankaj Johar

Mid-Length Competition, 60’

Chad Gracia

13:00

d the Temple

on, 55’

9:00

10:30

No Home Movie Big Ben: Ben Big Ben: Ben Chantal Akerman Webster in Europe Webster Europe 12:00 Industry Screening 12:00 Industry Screening 12:00 12:00 12:00 Industry in Screening Masters , 115’ Johan van der Keuken Johan van der Keuken Carolina’s Carolina’s World The Russian The Russian Dutch Docs 65-90The FogShadows of 65-90 Srebrenica 12:00 12:00World and Their Dutch Docs , 31’and Their Shadows, 31’ Mariana Viñoles Mariana ViñolesWoodpecker Woodpecker Samir Mehanovic

STEDELIJK KLEINE 4KLEINE DE MUNTSTEDELIJK 5 DE MUNT KOMEDIE KOMEDIE MUSEUM MUSEUM

DE MUNT

9:00

9:00 9:00

11:30

12:00

BRAKKE GROND BRAKKE GROND BRAKKE GROND BRAKKE TUSCHINSKI TUSCHINSKI 5 GROND MELKWEG TUSCHINSKIMELKWEG 6 EXPOZAAL EXPOZAALRODE ZAAL RODE ZAAL RABOZAAL RABOZAAL

1:00