The PCO September 2021

Page 12

EDUCATION SPECIAL

GRAPHIC RECORDING AND EDUCATION

meetings and events by listening to their messages and ideas and translating them into visual narratives through drawing. I got into the field from meeting a fellow graphic recorder at a networking event and had the opportunity to train with them

Graphic recording, sketch-noting, visual summaries,

before starting out on what has been an incredibly fulfilling

live drawing; these are a few terms used, sometimes

journey which has had its fair share of ups and downs.

interchangeably, for the visual interpreting and documenting of events, conferences, meetings and seminars. We caught up with Graphic Recorders Laura Sorvala and Eleanor Beer to ask them about their work, adapting during the pandemic and the value of combining art and information. Can you tell me a little bit about what you do and how you got started in the field? Laura Sorvala I am an illustrator and graphic recorder with

I often receive feedback about how seeing the visuals develop throughout an event is helpful for re-enforcing key messages

a knack for visualising ideas into inspiring visuals. I'm based

How do you think graphic recording adds value to an

in Cardiff, Wales but work with clients across the UK and

event on, or, offline?

Europe. My background is in graphic and branding design and I discovered the joys of graphic recording about 10 years ago

LS: You can break this into three areas: learning, engagement

trying it out at a workshop and thinking 'this is exactly how my

and marketing. Live graphic recording can help with

brain works!' Back then there weren't many people doing live

memory retention and recall and it supports multimodal

illustration in the UK so while I entered a niche area, it

learning. Another benefit is seeing key points visualised as a

was also harder to explain the benefits and value of graphic

group memory, a powerful tool for facilitation and group

recording. It's great to see how the industry and discipline

discussion. I often receive feedback about how seeing the

have flourished and these days it's easy to find different styles

visuals develop throughout an event is helpful for re-enforcing

and approaches for different event engagement purposes.

key messages especially with those with dyslexia or autism. For offline events seeing the physical piece works especially

Eleanor Beer I have a rather unusual job which supports and

well for people to come and help reflect on what they have

empowers people in having better working relationships via

heard and the visual always creates a natural networking area.

creative means. That is, I help organisations to improve their

Finally the visuals often prompt people to take photos for their own record and share them on social media: this extends the event audience and can make conversation continue even after the event has finished. So for marketing purposes that works a treat but finished event visuals can also be used in reports, blog posts, newsletters and in training materials provided that the image use and license has been agreed on. In the digital realm things can work a

© Laura Sorvala

bit differently: I mostly create visual summaries that are used after the event to show impact and promote engagement. For many of my clients a live, digital illustration feed in a virtual 12

| September 2021


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