Four Bagatelles for Clarinet and Piano

IAC011

by Ian A. Cook 2011

Four Bagatelles for clarinet and piano

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Four Bagatelles

Transposed Score

for clarinet and piano

I

Ian A. Cook (b. 1990) 2011

Andante q=c.80

Clarinet in Bb

            

 

   

    

   

   

r Pe

                mp

Piano





  



mf

         

        

  



Pno.

 

 

f

 

     

 

mf

 

     





mf

e or Sc

       

             

      





                   mf

9

Cl.

    

al

Pno.

mp

 



mp

   



            

5

Cl.

 



us

 

mf

 

  f

   

 

   

Copyright © 2011 by Ian A. Cook All Rights Reserved www.ianacook.com

 



          

 

  

 

  3          

 

13

Cl.

 

   



   

mf

  



mf

 

     

us

Cl.

20

Cl.





p



Pno.



  

   



  

   



rit.



  

     

   







  

mp



 



  

  



 



mp

        



 



     

     

p

    

   

             

 



e or Sc



  

 

al

Pno.

3

 



       

           

     

         

17

  

    

r Pe

Pno.

3

         

    pp

 

 

II Grave q=c.60

 

Clarinet in Bb

   p    

 



Cl.



Pno.

  











poco cresc.

 

p



 





 

 

Pno.



     



 







        

 

 

 





 







   



  







 

 

 



e or Sc



9

Cl.



 

al

   

 

us

 

5

 

 

  

r Pe

Piano





 



 



4

 

5 13

Cl.

  



 



 

sfz

19

Cl.

 



 





 

 n

 

mf

  



  

 

  

cresc.

 



 

  

Pno.



 

mf



 









 

  

 



  

e or Sc



 

 





 



 

pp

  

 

  

   



al

Pno.



mp

    

 

mp



 

mp

 

us

  

16

Cl.

mf









 



r Pe

Pno.

 



   





 

III 6

  

Andante q=c.80

Clarinet in Bb

   

f





f



 



9

Cl.



           

          

Pno.



  

    

 

 

         



f

          



e or Sc

 

f

al



3

pp

                                                  3  

      

Pno.

   



pp

              

          

us

r Pe Cl.

f

          

 

6

         pp

  

Piano

e=e sempre

              3                      

  

    

3



      p



 

        p

             





   

  

13

Cl.

Pno.

    

     

               



r Pe 18

Cl.

 



Pno.



   

25

Cl.

p

Pno.

       





    

                  

 f

3

       

3

f

    

     

f







        



 

          f

 

 



         

 

 

    



 

 

 

          mp

   

 

3

 



e or Sc

 

sfz



al

     

 

mp

   

             

    Pno.

           



                          

21

Cl.







us

   

  

  



      



7



   

        

IV 8

Allegro q=c.120

 

Clarinet in Bb

Piano





r Pe 







 

al

 f



 

 

                   









 

 

    



    

             

                                                                        

    

e or Sc

Pno.



                     

12

Cl.

  

f

                                 

 

Pno.



         



us



 





9

Cl.





 

Pno.



                 mp cresc.                                                                          

6

Cl.



 

 

p

     p              

16

Cl.

  

                        

      

Pno.







r Pe  

       



         sub. p        

   

              



ff

      

     

 









 



 

                                      

 

                        

Pno.

 

                                        

27

Cl.

 



e or Sc

Pno.

 

p

al



23

Cl.

 

9

us

Pno.

  

ff



                              

19

Cl.

   

 

 

f

          

                     

          

f

   

      

 

          

   

 

IAC011

Four Bagatelles

by Ian A. Cook

Duration: 5'15''

Program Note Four Bagatelles for Clarinet and Piano is a grouping of four short pieces composed using the technique of 12-tone serialism. All four pieces use the same tone row, but each one contrasts with the others. The intention was to create works which, although serial and atonal, were accessible and not overwhelmingly dissonant, and the final product contains passages which even sound like momentary tonal progressions.

Four Bagatelles for Clarinet and Piano tied for second place in the 2011 Minnesota Music Educators Association (MMEA) Collegiate Composition Contest in the Chamber Group division.

Four Bagatelles for Clarinet and Piano is copyrighted Š 2011 by Ian A. Cook All rights are reserved.

Ian A. Cook is a member of ASCAP and receives royalties for all performances of his compositions. Please report all performances at ianacook.com/performance-notification

ianacook.com