Hubbard Street’s Season 37 Summer Series

on

Seas

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Glenn Edgerton Artistic Director

Summer Series June 11–14 An Evening of Work by Alejandro Cerrudo Gnawa by Nacho Extremely CloseDuato Quintett by William Forsythe (Thursday, Saturday and Sunday) Still in Motion World Premiere The Impossible, a World Premiere by Alejandro Cerrudo Little jump Fallingmortal Angels by Jiří Kylián (Friday only) PACOPEPEPLUTO by Alejandro Cerrudo (Friday only)

Thank you to our Season 37 Sponsors Official Provider of Physical Therapy

Official Health Club

Lead Community Programs Sponsor

Hubbard Street Dancer Kellie Epperheimer. Photo by Quinn B Wharton. hubbardstreetdance.com

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Summer Series 2015

A letter from Glenn Edgerton, Artistic Director Thank you for joining us to celebrate Alejandro Cerrudo’s continually creative residency at Hubbard Street. We’re looking forward to sharing this program with you.

Ever since our first performances in 1977, we have proudly been devoted to presenting a wide variety of contemporary choreography. That’s truer now than it’s ever been, as we’re currently adding new works to the repertoires of our main company and Hubbard Street 2 at the rate of about a dozen per year.

However, beginning with last year’s Spring Series featuring Jiří Kylián, we have set aside one program per season to focus on a single artist. This all-Cerrudo celebration is our second such evening and, October 15–18, 2015, we open Season 38 with three works by vanguard dancemaker William Forsythe: Quintett, N.N.N.N. and One Flat Thing, reproduced.

Forsythe and Kylián have each premiered more than 100 unique productions; presenting full evenings of their work only begins to illustrate the astonishing range of their ideas. In less than a decade, Alejandro himself has choreographed 14 original pieces for us, and his aesthetic continues to evolve. Some of his works lie firmly within the realm of dance-theater, while others are more abstract. These include large-scale, full-evening journeys like One Thousand Pieces, and intimate shorts such as Cloudless and PACOPEPEPLUTO. As an artistic director, one of my greatest joys is guiding an audience along the path of getting to know an artist. Our new single-choreographer evenings are great opportunities to enhance and enrich this process, bringing to dancegoers an experience akin to visiting an exhibition at an art museum.

I hope you enjoy the broad spectrum of images within Alejandro Cerrudo’s work. I also hope to see all of you again during Season 38, for exciting new creations and existing works, by major choreographers as well as from the artists of our company.

Yours truly,

Glenn Edgerton Artistic Director Hubbard Street Dance Chicago

Photo by Todd Rosenberg.

Left: Hubbard Street Resident Choreographer Alejandro Cerrudo. Photo by Todd Rosenberg.

Cover: Hubbard Street Dancers Kevin J. Shannon and Alice Klock in Little mortal jump by Hubbard Street Resident Choreographer Alejandro Cerrudo. Photo by Todd Rosenberg.

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Glenn Edgerton Artistic Director

Jason D. Palmquist Executive Director

Lou Conte Founder

Terence Marling Director, Hubbard Street 2

Lucas Crandall Rehearsal Director

Karena Fiorenza Ingersoll General Manager

Alejandro Cerrudo Resident Choreographer

Claire Bataille Director, Lou Conte Dance Studio Jason Brown Director of Production

Ishanee DeVas Company Manager

Kilroy G. Kundalini Audio Engineer

Rebecca M. Shouse Wardrobe Supervisor

Sam Begich Master Electrician

Stephan Panek Head Carpenter and Stage Operations

Marisa C. Santiago Manager, Artistic Operations and HS2 Company Manager

Julie E. Ballard Stage Manager and Properties Master

Season Sponsors

Series Sponsors

Community Engagement Partner

Diversity Partner

This project is partially supported by a grant from the Illinois Arts Council Agency.

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Summer Series 2015

Thank you to our Summer Series Sponsors Community Engagement Partner

Diversity Partner

Ross Bricker and Nina Vinik Dirk Denison and David Salkin Bill and Orli Staley Richard and Ann Tomlinson Randy and Lisa White Additional support is provided by Choreographer’s Circle members John and Caroline Ballantine, Shawn M. Donnelley and Christopher M. Kelly, Linda Hutson, Marc Miller and Chris Horsman, and Mary Kay Shaw.

This project is partially supported by a grant from the Illinois Arts Council Agency

Hubbard Street Resident Choreographer Alejandro Cerrudo. Photo by Todd Rosenberg.

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Extremely Close Alejandro Cerrudo, Choreography and Set Design Philip Glass, Dustin O’Halloran, Music Alejandro Cerrudo, Scenic Concept Trad A. Burns, Lighting Design, after Tanja Rühl Janice Pytel, Costume Design Enjoyed by audiences worldwide as part of numerous touring programs, Extremely Close has also been restaged for Compañía Nacional de Danza in Cerrudo’s native Spain, as well as by ballet companies in Cincinnati, Milwaukee and Tulsa.

Created for and premiered by Hubbard Street Dance Chicago at the Harris Theater for Music and Dance, Chicago, IL, March 26, 2008. Music by Philip Glass: “Metamorphosis Two,” from the album glass cage; and “Opening,” from the album Glassworks. Used by arrangement with Dunvagen Music. Music by Dustin O’Halloran: “Fine,” and “Opus 17,” from the album Piano Solos, courtesy of Splinter Records. Extremely Close was originally commissioned by The Joyce Theater’s Stephen and Cathy Weinroth Fund for New Work, with support from Principal Corporate Sponsor the Sara Lee Foundation, the Elizabeth F. Cheney Foundation, and Meg and Tim Callahan. The Season 37 Summer Series revival of Extremely Close is exclusively sponsored by Richard and Barbara Silverman.

Thank you to the sponsors of the Season 37 Summer Series revival of Extremely Close Richard and Barbara Silverman INTERMISSION

Still in Motion WORLD PREMIERE

Alejandro Cerrudo, Choreography Various Artists, Music Alejandro Cerrudo, Michael Korsch, Staging Concept Michael Korsch, Lighting and Set Design Branimira Ivanova, Costume Design Created for and premiered by Hubbard Street Dance Chicago at the Harris Theater for Music and Dance, Chicago, IL, June 11, 2015. Music by Johann Paul von Westhoff: “Sonata for Violin and Continuo III – Arranged by Christian Badzura – Imitazione delle Campane,” from the album Spheres – Einaudi, Glass, Nyman, Pärt, Richter, performed by Daniel Hope and Deutsches Kammerorchester Berlin, courtesy of Deutsche Grammophon GmbH, Berlin. Music by Max Richter: “The Departure,” from the album The Leftovers, courtesy of Warner Brothers Entertainment; “Fragment,” from the album Memoryhouse, courtesy of Fatcat Records; “Old Song,” from the album Blue Notebooks, courtesy of Deutsche Grammophon GmbH, Berlin; “Solitude,” from the album Die Fremde, courtesy of Colosseum Records; “Alone Together (3),” from the album La Prima Linea, courtesy of CAM Original Soundtracks. Used by permission of Embassy Music Corporation. Music by Chris Worsey, Ian Burdge, Max Richter, and Su-a Lee: “Broken Symmetries For Y,” from the album 24 Postcards In Full Colour, courtesy of Deutsche Grammophon GmbH, Berlin. Music by Ólafur Arnalds and Alice Sara Ott: “Eyes Shut – Nocturne in C Minor,” from the album The Chopin Project, courtesy of Mercury Classics. Still in Motion is exclusively sponsored by Marge and Lew Collens, J.B. and M.K. Pritzker Family Foundation, and John and Jeanne Rowe.

INTERMISSION

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Summer Series 2015

Little mortal jump Alejandro Cerrudo, Choreography and Set Design Various Artists, Music Michael Korsch, Lighting Design Branimira Ivanova, Costume Design Created for and premiered by Hubbard Street Dance Chicago at the Harris Theater for Music and Dance at Millennium Park, Chicago, IL, March 15, 2012. Music by Beirut: “A Call to Arms,” and “La Banlieue,” from the album The Flying Club Cup, courtesy of Ba Da Bing! Records. Used by permission of EMI Music Publishing. Music by Andrew Bird’s Bowl of Fire: “Beware,” from the album Oh! The Grandeur, courtesy of Warner Music Group. Music by Alexandre Desplat: “See How They Fall – Dans Les Champs De Ble,” and “A Self-made Hero – Theme De Heroes,” from the album Alexandre Desplat – Jacques Audiard’s Films, courtesy of Silva Screen Records. Music by Philip Glass: “Closing from Mishima,” from the album Philip on Film, as recorded by Kronos Quartet for Nonesuch Records. Used by permission of Dungaven Music Publishing. Music by Hans Otte: “Wassermannmusik,” from the album Aquarian Music. Amiata Records ARNR 0496 and ARNR 0394. Used by permission of Amiata Records. Music by Max Richter: “The Haunted Ocean 5,” from the album Waltz With Bashir, courtesy of Caroline World Service. Used by permission of Embassy Music Corp/LT Music Publishing; and “November,” from the album Memoryhouse, courtesy of BBC Worldwide. Used by permission of Universal Music Publishing Group. Music by Tom Waits and Kathleen Brennan: “Fawn,” from the album Alice, courtesy of Anti Records.

Used by permission of Jalma Music. Little mortal jump is sponsored by Bill and Orli Staley with additional support provided by members of the Choreographer’s Circle: Marc Miller and Chris Horsman, and Richard L. Rodes.

Thank you to the Sponsors of Still in Motion Marge and Lew Collens J.B. and M.K. Pritzker Family Foundation John and Jeanne Rowe Hubbard Street Resident Choreographer Alejandro Cerrudo applauds backstage at the Harris Theater following the world premiere of One Thousand Pieces in October 2012. Photo by Todd Rosenberg. hubbardstreetdance.com

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Summer Series 2015

Hubbard Street Salutes Allstate Insurance Company Hubbard Street is proud to salute Allstate Insurance Company, a major supporter of our work onstage, in schools, and in the community for more than 25 years.

Allstate serves as Hubbard Street’s Community Engagement Partner for the 2014–15 Season, providing accessibility to contemporary dance for students attending Chicago Public Schools in low-income neighborhoods across the city.

By using the creative power of dance, Hubbard Street’s Youth, Education and Community Programs transform the lives of thousands of students each year. Allstate’s support strengthens Hubbard Street’s work within Chicago Public Schools, allowing the company to extend its reach directly to communities.

“Hubbard Street’s work in the Chicago Public Schools is a wonderful example of how the arts can inspire and make lives better for our youth,” says Victoria Dinges, Senior Vice President of Corporate Responsibility at Allstate. “We know dance can be a transformative activity for students, strengthening their creativity and communication skills while increasing their self-confidence. As a major funder of the arts in Chicago, Allstate is proud to support partners like Hubbard Street who are committed to bringing quality arts education programming to CPS students, especially those who are traditionally underserved.”

Allstate contributes to a broad range of programs each year, directing its resources and support toward helping protect and prepare people across the nation. Since 1952, Allstate has invested more than $275 million, funding communities to address key social issues, building safe and vital neighborhoods, economic empowerment, tolerance, inclusion, and diversity.

Together, Allstate and Hubbard Street are dedicated to expanding the horizons of contemporary dance, to better serve more students and audiences with innovative and exciting cultural experiences.

To learn how your company can help support Hubbard Street’s vital programming, contact sponsorships@hubbardstreetdance.com.

Photo by Todd Rosenberg.

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Hubbard Street Staff and Board Administration Karena Fiorenza Ingersoll General Manager

Katelyn Newcomer Marketing Intern

Richard L. Rodes, Assistant Treasurer

Sarah Godlewski Video Production Intern

Meg Siegler Callahan+, Immediate Past Chair Caryn Jacobs, VP of Development

Krista Ellensohn Manager, Pre-Professional Programs

Youth, Education and Community Programs Kathryn Humphreys Director of Youth, Education and Community Programs

Meredith Dincolo Artistic Associate and Coordinator, Pre-Professional Programs

Sarah McCarty Senior Manager of School Partnerships

Marisa C. Santiago Manager of Artistic Operations and Company Manager, Hubbard Street 2

Kelsey Allison Youth Programs Manager

Richard F. Tomlinson II, VP of Facilities

Michelle Modrzejewski Community Programs Manager

Marge Collens+ Sarah J. Nolan Byron Pollock++ Randy White

Colleen Sonnefeldt Senior Manager of Finance and Administration

Jessica Lotz Accounting and Operations Coordinator Meredith Bobber Alyssa Condotti Grace Kowalski Sofia Pilar Artistic Administration Interns Trinity Dent Administration Intern Natalie Breitmeyer LCDS Kemper Fellow Jennifer McAllister LCDS Intern External Affairs Kalena Chevalier Associate Director of Development Ronia Holmes Associate Director of Marketing Nicole Dionisio Annual Fund Manager Allan Waite Manager of Ticketing and Patron Services Zachary Whittenburg Manager of Communication Ron Wittman Manager of Corporate and Foundation Relations Victoria Palmer Marketing Coordinator

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Jennifer Gunter Youth Programs Fellow Jessica Madden Teaching Artist Fellow Jasmine Carrig Hannah Kearney Erin Puskar Kayla White Interns Production Staff Jason Brown Director of Production Ishanee DeVas Company Manager Julie E. Ballard Stage Manager and Properties Master Kilroy G. Kundalini Audio Engineer Stephan Panek Head Carpenter and Stage Operations Sam Begich Master Electrician Wardrobe Staff Rebecca M. Shouse Wardrobe Supervisor Carol Miller Constance Thome Drapers

Meghan Pioli Development Coordinator

Redding Baker Eli Hunstand Stitchers

Sidney Cristol Advertising, Sales and Ticketing

Jenni Schwaner Ladd Touring Wardrobe

Jose E. Gaona Rachel Ginsberg Racheal Pshok Holden Scheidel Development Interns

Board of Directors Mayor Rahm Emanuel Honorary Chair

Summer Series 2015

Executive Committee Ellis Regenbogen++, Chair Sara Albrecht, President Camille E. Rudge, Secretary Mary Kay Shaw, Treasurer

Karen H. Lennon+, VP of Board Development Alyssa Rapp, Assistant VP of Board Development Marc Miller+, VP of the Artist Training Continuum

Directors at Large Ross B. Bricker Corinne Brophy Joel Cory Dirk Denison Damian V. Dolyniuk Michael Downing Allan Drebin Paul Gignilliat Linda Hutson Karen Kuenster Betsy Stelle Morgan Maureen Mosh James F. Oates+ Sheila Owens Lauren Robishaw Katherine V. Schostok Denise Stefan-Ginascol Deborah Stonebraker John E. Vazquez Life Directors John W. Ballantine+ Edythe R. Cloonan++ Sondra Berman Epstein+ Stanley M. Freehling Charles R. Gardner Sandra P. Guthman+ James Mabie++ Marie E. O’Connor++ Timothy Schwertfeger++ Jack D. Tovin Sallyan Windt William N. Wood Prince+ + Past Board Chair ++ Past Board President

Program Book Ronia Holmes Zachary Whittenburg Editors Peggy Fink, Designer Sidney Cristol, Advertising Sales Ron Wittman, Corporate Relations

Alejandro Cerrudo

(Dancer and Resident Choreographer) was born in Madrid, Spain and trained at the Real Conservatorio Profesional de Danza de Madrid. His professional career began in 1998 and includes work with Victor Ullate Ballet, Stuttgart Ballet and Nederlands Dans Theater 2. Cerrudo joined Hubbard Street Dance Chicago in 2005, was named Choreographic Fellow in 2008, and became the company’s first Resident Choreographer in 2009. Thirteen works choreographed to date for Hubbard Street include collaborations with the Chicago Symphony Orchestra and Nederlands Dans Theater. These pieces and additional commissions are in repertory at companies around the U.S. as well as in Australia, Denmark, Germany and the Netherlands; touring engagements have brought his work still further abroad, to audiences in Algeria, Canada, Morocco and Spain. In March 2012, Pacific Northwest Ballet invited Cerrudo to choreograph his first work for the company, Memory Glow, upon receiving the Joyce Theater Foundation’s second Rudolf Nureyev Prize for New Dance. Additional honors include an award from the Boomerang Fund for Artists (2011), and a Prince Prize for Commissioning Original Work from the Prince Charitable Trusts (2012) for his acclaimed, first evening-length work, One Thousand Pieces. Cerrudo is one of four choreographers invited by New York City Ballet principal Wendy Whelan to create and perform original duets for “Restless Creature,” and he was recently announced the 2014 USA Donnelley Fellow by United States Artists. Photo by Jim Newberry. hubbardstreetdance.com

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PORTFOLIO Since creating the duet Come True in 2006 for Hubbard Street’s Inside/Out Choreographic Workshop, Alejandro Cerrudo has premiered more than two dozen original works, performed by companies across the U.S. and around the world. His major projects include the following:

2006

2007

Lickety-Split

Extremely Close

for Hubbard Street, 2006, acquired by Hubbard Street 2, West Australian Ballet, Point Park University’s Conservatory Dance Company, and Neos Dance Theatre

for Hubbard Street, 2007, acquired by Cincinnati Ballet, Tulsa Ballet, Compañía Nacional de Danza, and Milwaukee Ballet

2009

2010

First Light

Deep Down Dos

for Hubbard Street 2, 2009

for Hubbard Street with the Chicago Symphony Orchestra, 2010

2011

Malditos

As few as 3000

for Hubbard Street and created in collaboration with Nederlands Dans Theater 2, 2010

for Hubbard Street with the Chicago Symphony Orchestra, 2011

Little mortal jump

Last

for Hubbard Street, 2012, premiering at Pacific Northwest Ballet in March 2016

for Aspen Santa Fe Ballet, 2012

Ego et Tu

Cloudless

for Wendy Whelan’s “Restless Creature,” 2013

for Hubbard Street, 2013

2015

Still in Motion

World Premiere

for Hubbard Street, 2015

for Aspen Santa Fe Ballet, 2015

Hubbard Street Resident Choreographer Alejandro Cerrudo in rehearsal for Still in Motion. Photo by Todd Rosenberg.

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Summer Series 2015

Cerrudo 2008

Two Studies for Four Singles

Off Screen

for the Northwest Professional Dance Project, 2008

for Hubbard Street, 2008, acquired by Ballet Arizona

Blanco

Second Light

for Hubbard Street, 2010

for Augsburg Ballet Theater, 2010

2012

PACOPEPEPLUTO

Never was

for Hubbard Street, 2011

for Hubbard Street 2, 2012, acquired by Complexions Contemporary Ballet

2013

One Thousand Pieces

Second to Last

for Hubbard Street and Hubbard Street 2, 2012

for Ballet Arizona, 2013, acquired

by Hubbard Street in 2014 for The Art of Falling

2014

Memory Glow

The Impossible

for Pacific Northwest Ballet, 2014

for Hubbard Street, 2014

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Leave the drama to theChicago pros.

Loop Alliance WORLD-CLASS PRODUCTIONS. OMG, INDEED.

SEE. EAT. DRINK. SHOP. STAY. LoopChicago.com

Hubbard Street Dancers Jacqueline Burnett and Jonathan Fredrickson in Waxing Moon by Robyn Mineko Williams. Photo by Todd Rosenberg.

Inside the Series: Season 38 Years in the making, our four Season 38 programs at the Harris Theater will take you on a rich journey around — and through — the world of contemporary dance.

We begin October 15–18, 2015 with our Fall Series dedicated to vanguard dancemaker William Forsythe, featuring the first production by a U.S. dance company of his 2002 men’s quartet, N.N.N.N., called “astonishingly intense” by Anna Kisselgoff of The New York Times.

Luke Jennings, esteemed dance critic for London’s The Observer, describes N.N.N.N. as follows: “Set on a bare stage with flat white lighting, the piece develops from a quizzical display of arm movements to a high-voltage chaos event, with kinetic impulses flying from dancer to dancer, whose amplified breath provides the soundtrack. It’s a riveting exposition of Forsythe’s boneless style and also of a typically Forsythian paradox: that the harder you strive for antistructure, the more determinedly structure imposes itself. So amid the fluid convolutions, and the random-seeming focus-pulls directing our attention to the turn of a wrist or the heft of a shoulder, Forsythe permits us vestigial glimpses of earlier forms. Was that a flash of Paquita?

Of Pas de Quatre, or the Swan Lake cygnets? And the gestural heroics, the jeweled physical detailing: Don’t we recognize in these the hand of the 19th-century St. Petersburg master, Marius Petipa? ‘All is palimpsest,’ Forsythe tells us. The old ink bleeds through.”

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SummerSeries 2015

The Fall Series also includes the Hubbard Street premiere of One Flat Thing, reproduced. First presented in Frankfurt, Germany in 2000, it was adapted in 2006 for the camera by Belgian filmmaker Thierry de Mey, and in 2009, became the basis for Synchronous Objects, an interactive website developed at the Ohio State University’s Advanced Computing Center for the Arts and Design. For 14 dancers and 20 large, identical tables, One Flat Thing, reproduced is “a masterclass exemplifying the power of pure movement,” says The Guardian’s dance critic Judith Mackrell. Forsythe’s haunting 1993 work Quintett, in repertory at Hubbard Street since 2012, completes our season opener.

“I’m eagerly anticipating spotlighting Forsythe,” says Hubbard Street Artistic Director Glenn Edgerton, “with a program spanning 11 crucial years of his creative fortitude. From the postballetic landscape of Quintett, to the intricate, almost scientific environments of One Flat Thing, reproduced and N.N.N.N., our Fall Series aims to open Chicago’s hearts and minds to this fascinating artist, whose work isn’t shown here often enough.”

“If dance only does what we assume it can do, it will expire. I keep trying to test the limits of what the word ‘choreography’ means.” —William Forsythe December 10–13, 2015, our Winter Series brings the first production by a U.S. dance company of Solo Echo by Crystal Pite, which “speaks of hope and holding on through the dark, as the dancers move as liquid,” says Amsterdam-based dance writer Lambrecht Wessels.

Left: Hubbard Street Dancers Jesse Bechard, foreground, and Penny Saunders in Quintett by William Forsythe. Photo by Cheryl Mann.

Above: Hubbard Street Dancers in I am Mister B by Gustavo Ramírez Sansano, from left: Andrew Murdock, Alicia Delgadillo, Jessica Tong, Kevin J. Shannon, Ana Lopez, Jesse Bechard and Jacqueline Burnett. Photo by Todd Rosenberg.

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While snow falls gently and music by Brahms for cello and piano plays, “Solo Echo presents a man reckoning with himself at the end of his life,” explains Pite. “The character is echoed — copied, reiterated, by seven different dancers. He is portrayed through both male and female bodies, and through various physiques and strengths. Each performer is a distinct and nuanced version of the character, and the connections between them evoke a man coming to terms with himself.”

Penny Saunders, who first joined Hubbard Street in 2004, returns to the company for Season 38 and creates a world premiere for the Winter Series. The talented early-career dancers of Hubbard Street 2 also perform during this program, in a world premiere by ChineseAmerican choreographer Yin Yue, selected this spring through our 16th annual International Commissioning Project. First performed in December 2014, trio Waxing Moon by Robyn Mineko Williams returns for the Winter Series. “Williams, who danced with Hubbard Street for 12 years, has grown into a choreographer of great sophistication and power,” writes Hedy Weiss of the Chicago Sun-Times, while Miriam Finder of Gapers Block notes that “this is the type of dancing viewers get lost in,” and Laura Molzahn of the Chicago Tribune calls Waxing Moon “breathtaking.”

“There’s so much to be learned from that unspoken, wordless language of the body. And I find that endlessly fascinating and illuminating.” —Crystal Pite Season 38 continues March 17–20, 2016 with our Spring Series and yet another original work. Rehearsal Director Lucas Crandall, creator of witty and lighthearted Hubbard Street premieres such as Gimme and The Set, returns to the choreographer’s chair early next year.

We’ll unveil his latest alongside Gustavo Ramírez Sansano’s thrilling, fast-paced I am Mister B; Crystal Pite’s solo A Picture of You Falling; and the allegorical, theatrical world of Resident Choreographer Alejandro Cerrudo’s The Impossible.

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Summer Series 2015

Our 2015–16 season concludes next June 9–12 with our Summer Series, right here at the Harris Theater, with an encore presentation of The Art of Falling, created and produced in partnership with The Second City. (The Art of Falling also plays Los Angeles this fall, as part of the Glorya Kaufman Presents Dance series at the Music Center.) Braided around themes of risk-taking and letting go, three storylines follow the adventures of six unforgettable main characters, interspersed with improvised scenes, musical numbers, and hilarious vignettes.

Named to “best of 2014” lists by the Chicago Tribune, the Chicago Sun-Times and Newcity, and lauded by dance and theater critics throughout Chicago, The Art of Falling was declared “hugely entertaining and strikingly emotional,” and “not-to-be-missed” by Tribune chief theater critic Chris Jones. The production “has real legs,” wrote Hedy Weiss for the Sun-Times, “a buoyant spirit counterbalanced by a genuine sense of gravity.” Kris Vire, associate editor and chief theater critic at Time Out Chicago, said “it’s hard to imagine a more seamless marriage.”

Choosing a subscription to Season 38 at Hubbard Street is the only way to guarantee great seats for The Art of Falling, the Spring Series, Solo Echo, and our full evening of Forsythe.

Don’t miss a single thrilling moment.

hubbardstreetdance.com/subscribe Left: Hubbard Street Dancers Ana Lopez, left, and Jonathan Fredrickson in The Impossible by Resident Choreographer Alejandro Cerrudo. Photo by Christopher Duggan, courtesy of the Jacob’s Pillow Dance Festival.

Above: Hubbard Street Dancer David Schultz, below, with Travis Turner, Tim Mason, Carisa Barreca and Ensemble in Hubbard Street + The Second City’s The Art of Falling. Photo by Todd Rosenberg. hubbardstreetdance.com

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About Hubbard Street Hubbard Street Dance Chicago’s core purpose is to bring artists, art and audiences together to enrich, engage, educate, transform and change lives through the experience of dance. Celebrating its 37th season in 2014–15, Hubbard Street continues to be an innovative force, supporting its creative talent while presenting repertory by major international artists.

Hubbard Street Dance Chicago grew out of the Lou Conte Dance Studio at LaSalle and Hubbard Streets in 1977, when Lou Conte gathered an ensemble of four dancers to perform in senior centers across Chicago. Barbara G. Cohen soon joined the company as its first Executive Director. Conte continued to direct the company for 23 years, during which he initiated and grew relationships with both emerging and established artists including Nacho Duato, Daniel Ezralow, Jiří Kylián, Ohad Naharin, Lynne Taylor-Corbett and Twyla Tharp.

Conte’s successor Jim Vincent widened Hubbard Street’s international focus, began Hubbard Street’s collaboration with the Chicago Symphony Orchestra and cultivated growth from within, launching the Inside/Out Choreographic Workshop and inviting Resident Choreographer Alejandro Cerrudo to make his first work. Gail Kalver’s 23 years of executive leadership provided continuity from 1984 through the 2006–07 season, when Executive Director Jason Palmquist joined the organization.

Glenn Edgerton became Artistic Director in 2009 and, together with Palmquist, moved this legacy forward on multiple fronts. Inside/Out is now part of a three-pronged strategy for building repertoire, the Choreographic Development Initiative, aimed at being a national model for artistic development while proactively diversifying contemporary concert dance.

Partnerships with the Museum of Contemporary Art Chicago and other institutions keep Hubbard Street deeply connected to its hometown. To the company’s repertoire, Edgerton has extended relationships with its signature choreographers while adding significant new voices such as Kyle Abraham, Mats Ek, Sharon Eyal, Alonzo King and Victor Quijada.

Claire Bataille, left, and Ginger Farley in Case Closed by Lynne Taylor-Corbett, 1986. Photo by Jennifer Girard.

Isaac Spencer, left, and Erin Derstine in Float

by Julian Barnett, 2006. Photo by Todd Rosenberg.

Choreographer Mats Ek, left, rehearses Quinn B Wharton in Casi-Casa, 2012. Photo by Todd Rosenberg.

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Shannon Alvis, left, and Terence Marling in Extremely Close

by Alejandro Cerrudo, 2008. Photo by Todd Rosenberg.

Summer Series 2015

The main company’s 18 members comprise one of the only ensembles in the U.S. to perform all year long, domestically and around the world, while four nationally renowned Summer Intensive Programs bring young artists into its ranks. Hubbard Street 2, its second company for early-career artists, was founded in 1997 by Conte and Julie Nakagawa. Now directed by Terence Marling, HS2 cultivates young professional dancers, identifies next-generation choreographers, and performs domestically and abroad in service of arts education, collaboration, experimentation and audience development.

Hubbard Street’s Youth, Education and Community Programs are national benchmarks for partnership, dance education and urban school research. In 2008, the Parkinson’s Project became the first dance class in the Midwest for those affected by Parkinson’s disease and, with The Autism Project pilot in 2014, it’s now part of Hubbard Street’s growing Adaptive Dance Programs. Youth Dance Programs for students ages 18 months to 18 years emphasize creative expression and are offered year-round at the Hubbard Street Dance Center.

At the Lou Conte Dance Studio — where Hubbard Street began in 1974 — workshops and master classes allow access to expertise, while a broad variety of weekly classes offer training at all levels in jazz, ballet, modern, tap, African, hip-hop, yoga, Pilates® and dance fitness.

Visit hubbardstreetdance.com to learn more.

Above left: Frank Chaves and Leslie Stevens in Mae by Richard Levi, 1987.

Archival photo.

Above right: Hubbard Street 2 in The 40s by Lou Conte, 2003. Archival photo.

Center: Tobin Del Cuore, left, and Cheryl Mann in Gimme

by Lucas Crandall, 2004. Photo by Todd Rosenberg.

Ron De Jesús, left, Krista Ledden and Ensemble in I Remember Clifford

by Twyla Tharp, 1996. Photo by Ruedi Hofmann.

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STAFF PROFILES Glenn Edgerton (Artistic Director) joined Hubbard Street Dance Chicago after an international career as a dancer and director. At the Joffrey Ballet, he performed leading roles, contemporary and classical, for 11 years under the mentorship of Robert Joffrey. In 1989, Edgerton joined the acclaimed Nederlands Dans Theater (NDT), where he danced for five years. He retired from performing to become its artistic director, leading NDT 1 for a decade and presenting the works of Jiří Kylián, Hans van Manen, William Forsythe, Ohad Naharin, Mats Ek, Nacho Duato, Jorma Elo, Johan Inger, Paul Lightfoot and Sol León, among others. From 2006 to 2008, he directed the Colburn Dance Institute at the Colburn School of Performing Arts in Los Angeles. Edgerton joined Hubbard Street as associate artistic director in 2008; since 2009 as artistic director, he has built upon more than three decades of leadership in dance performance, education and appreciation established by founder Lou Conte and continued by Conte’s successor, Jim Vincent.

Jason D. Palmquist (Executive Director) joined Hubbard Street Dance Chicago in May 2007, after serving the arts community in Washington, D.C. for nearly 15 years. Palmquist began his career at the John F. Kennedy Center for the Performing Arts, completing his tenure there as vice president of dance administration. At the Kennedy Center, he oversaw multiple world-premiere engagements of commissioned works in dance, the formation and growth of the Suzanne Farrell Ballet and the inception in 1997 of the Millennium Stage, an award-winning, free daily performance series that to date has served more than 3 million patrons. Deeply enriching the Kennedy Center’s artistic programming, Palmquist successfully presented engagements of global dance companies including the Royal Ballet, Alvin Ailey American Dance Theater, the Kirov Ballet, Paul Taylor Dance Company, American Ballet Theatre and New York City Ballet. Palmquist also managed the Kennedy Center’s television initiatives, including the creation of the Mark Twain Prize for American Humor and a prime-time special on NBC memorializing the first anniversary of the September 11 attacks. In 2004, he accepted the position of executive director at the Washington Ballet. Under his leadership, the company presented full performance seasons annually at the Kennedy Center and the Warner Theater, and nurtured its world-renowned school and extensive education and outreach programs. A graduate of the University of Northern Iowa, Palmquist currently serves on the boards of the Arts Alliance of Illinois and the Harris Theater for Music and Dance.

Karena Fiorenza Ingersoll (General Manager) brings more than a decade of experience to Hubbard Street as a leader, fundraiser and producer in the performing arts. Most recently, she served as the associate managing director of Berkeley Repertory Theatre in California, where she line-produced and managed all new play development efforts, shepherding 30% growth in capacity. Previous tenures include executive director of contemporary dance company Robert Moses’ Kin (San Francisco, CA), associate managing director of Yale Repertory Theatre (New Haven, CT), management fellow during ArtsEmerson’s inaugural presenting year (Boston, MA), annual fund manager at Aurora Theatre (Berkeley, CA), and international experience in Mexico City working for a nonprofit humanitarian group. While in the Bay Area, Fiorenza Ingersoll was secretary and then president of the Berkeley Cultural Trust and a proud member of the Bay Area Latino Theatre Artists Network. She is also a freelance arts management strategist and artist representative, partnering with individual artists and ensembles whose work gives voice to underrepresented stories and perspectives. Recognized nationally, Fiorenza Ingersoll was invited in 2014 by Theatre Communications Group to be part of its SPARK Leadership Program’s inaugural class. She holds two bachelor’s degrees from the University of California at Berkeley and an MFA in Theater Management from Yale University, where she received the August Coppola Scholarship and the National Hispanic Foundation for the Arts Scholarship.

Terence Marling (Director, Hubbard Street 2), born and raised in Chicago, Illinois, trained at the Ruth Page School of Dance with renowned ballet teacher Larry Long. Following his professional work with Patricia Wilde and Terrence S. Orr at Pittsburgh Ballet Theatre, and at Germany’s Nationaltheater Mannheim with director and choreographer Kevin O’Day, Marling became a member of Hubbard Street Dance Chicago. During 16 years onstage, he performed works by George Balanchine, Nacho Duato, Johan Inger, Jiří Kylián, Ohad Naharin, Paul Taylor, Glen Tetley and others, originating numerous roles. Beginning in 2010 as Hubbard Street Rehearsal Director, Marling taught, coached and maintained works and premieres by Resident Choreographer Alejandro Cerrudo, Duato, Naharin, Aszure Barton, Mats Ek, William Forsythe, Alonzo King, Susan Marshall, Victor Quijada and Twyla Tharp. Marling’s own creations have been performed by Pittsburgh Ballet Theatre as well as both of Hubbard Street’s ensembles, and he co-choreographed with Robyn Mineko Williams the company’s first familyoriented production, Harold and the Purple Crayon: A Dance Adventure. Marling became Director of Hubbard Street 2 in April 2013.

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HUBBARD STREET DANCE CHICAGO Lucas Crandall (Rehearsal Director) began his dance career with the Milwaukee Ballet in 1979. In 1980, he joined the Ballet du Grand Théâtre de Genève, then directed by Oscar Aráiz. Under the direction of Jiří Kylián, he danced with Nederlands Dans Theater for two years before returning to Geneva, as soloist and later rehearsal assistant, under the direction of Gradimir Pankov. Crandall has performed and originated roles in works by notable choreographers including Aráiz, Kylián, Christopher Bruce, Nacho Duato, Mats Ek, Rui Horta, Amanda Miller and Ohad Naharin. In 2000, Crandall returned to the U.S. to join Hubbard Street Dance Chicago, as associate artistic director and staff at the Lou Conte Dance Studio. His teaching and coaching career includes residencies at various U.S. universities; master classes and repertory workshops, both domestically and abroad; and guest positions at companies including Les Ballets Jazz de Montréal, Northwest Professional Dance Project, and the Ballet du Grand Théâtre de Genève. Crandall’s choreographic work includes multiple premieres for Hubbard Street (Atelier, Gimme, The Set) and new works for Northwest Dance Project and Thodos Dance Chicago. Crandall was recently rehearsal director for Nederlands Dans Theater’s main company for three years, under the directorships of Paul Lightfoot and former Hubbard Street Artistic Director Jim Vincent. Crandall returned to Hubbard Street as Rehearsal Director in April 2013.

Alejandro Cerrudo (Dancer and Resident Choreographer) See Choreographer Profile.

Kathryn Humphreys (Director, Youth, Education and Community Programs) joined Hubbard Street in 2002.

She develops and implements dance education initiatives designed to improve teacher and teaching-artist practice and collaboration, to effect whole-school change and further the field’s understanding of the role of dance in public education. She oversees program development, implementation, and management of all of Hubbard Street’s in-school and community initiatives. With more than two decades of experience in arts education, her work supports local and national groups and, under her direction, the department has engaged in a series of in-depth research initiatives, contributing unique knowledge and assessment tools to the field, many of which have been widely published. Humphreys launched Hubbard Street Youth Dance Programs in 2007, connecting the choreographic process curricula Hubbard Street pioneered in schools with training in traditional dance techniques, for a unique and diverse slate of classes currently serving more than 1,000 students per year. The department’s Family Workshop Series brings generations together through dance, while Hubbard Street’s innovative Adaptive Dance Programs expand movement opportunities for Chicagoans with physical and mental disabilities. Humphreys consults locally and nationally on issues related to dance education, and holds an MA in Dance from Texas Woman’s University.

Claire Bataille (Director, Lou Conte Dance Studio) was a founding dancer with Hubbard Street from 1977 to 1992, performing works created by Lou Conte, Twyla Tharp, Lynne Taylor-Corbett, Daniel Ezralow, John McFall and Margo Sappington. She received the Ruth Page Award for Outstanding Dancer in 1992. From 1977 to 2001, Bataille also served the company as Assistant Artistic Director, Ballet Mistress and Rehearsal Director. She choreographed five works between 1978 and 1985 and toured nationally and internationally with Hubbard Street.

Bataille began teaching at the Lou Conte Dance Studio in 1975 and has been teaching dance in Chicago ever since. In 2003, she earned her certification in the Pilates Method with Romana’s Pilates in New York. In 2005, Bataille was appointed Associate Director of the Lou Conte Dance Studio at the Hubbard Street Dance Center and became its Director in 2008.

Lou Conte (Founder), after a performing career that included roles in Broadway musicals such as Cabaret, Mame and How to Succeed in Business Without Really Trying, established the Lou Conte Dance Studio in 1974. Three years later, he founded what is now Hubbard Street Dance Chicago. Originally the company’s sole choreographer, he developed relationships with emerging and world-renowned dancemakers Lynne Taylor-Corbett, Margo Sappington and Daniel Ezralow as the company grew. Conte continued to build Hubbard Street’s repertoire by forging a key relationship with Twyla Tharp in the 1990s, acquiring seven of her works as well as original choreography. It then became an international enterprise with the inclusion of works by Jiří Kylián, Nacho Duato and Ohad Naharin. Throughout his 23 years as the company’s artistic director, Conte received numerous awards including the first Ruth Page Artistic Achievements Award in 1986, the Sidney R. Yates Arts Advocacy Award in 1995, and a Chicagoan of the Year award from Chicago magazine in 1999. In 2003, Conte was inducted as a laureate into the Lincoln Academy of Illinois, the state’s highest honor, and in 2014, was named one of five inaugural recipients of the City of Chicago’s Fifth Star Award. He has been credited by many for helping raise Chicago’s international cultural profile and for creating a welcoming climate for dance in the city, where the art form now thrives.

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2014–15 DANCER PROFILES Garrett Patrick Anderson (Tucson, AZ) began his training in Walnut Creek, California under the direction of Richard Cammack and Zola Dishong at the Contra Costa Ballet Centre. He went on to study at San Francisco Ballet School and in Pacific Northwest Ballet School’s Professional Division. In 2001, Anderson joined San Francisco Ballet as a member of the corps de ballet and in 2005 was promoted to soloist. In 2008, he joined the Royal Ballet of Flanders in Antwerp, Belgium as a first soloist, under the direction of Kathryn Bennetts. In January 2011, he returned to the United States to perform with Trey McIntyre Project and joined Hubbard Street Dance Chicago later that year. Anderson received a scholarship from American Ballet Theatre’s National Training Program and holds a BA in dance from St. Mary’s College of California.

Jesse Bechard (Bolton, MA) began his formal ballet training at age 16 and graduated from Walnut Hill School for the Arts. He attended summer programs at Boston Ballet, Alonzo King LINES Ballet and Ballet Austin. In 2000, having completed his freshman year at the University of Chicago, he returned to dance, performing for one year with Ballet Austin and for eight with Richmond Ballet, in works by John Butler, Jessica Lang, Val Caniparoli, William Soleau, Mauricio Wainrot and Colin Conner. Bechard joined Hubbard Street Dance Chicago in August 2010.

Jacqueline Burnett (Pocatello, ID) received classical ballet training in Pocatello, Idaho from Romanian ballet master Marius Zirra, with additional summer training at Ballet Idaho, Brindusa-Moore Ballet Academy, Universal (Kirov) Ballet Academy, the Juilliard School and the San Francisco Conservatory of Dance. She graduated magna cum laude with departmental honors from the Ailey School and Fordham University’s joint program in New York City in 2009. Burnett joined Hubbard Street Dance Chicago as a Center Apprentice in January 2008 while concurrently completing her BFA degree, and became a full company member in August 2009. She is also a 2011–12 Princess Grace Honorarium recipient.

Alejandro Cerrudo See Choreographer Profile.

Alicia Delgadillo (Charlotte, NC) began her classical training at the Susan Hayward School of Dance in San Francisco, California. She continued her studies in North Carolina with Gay Porter and Bridget Porter Young at the Charlotte School of Ballet. In 2004, Delgadillo began studying full time with Daniel and Rebecca Wiley at Piedmont School of Music and Dance. She has attended summer programs with Hubbard Street Dance Chicago, American Ballet Theatre, the Juilliard School, San Francisco Conservatory of Dance, and Springboard Danse Montréal. A graduate of the Ailey/Fordham BFA Program, Delgadillo has performed works by Sidra Bell, Jennifer Muller and Camille A. Brown, among others. She joined Hubbard Street 2 in August 2011 and was promoted to the main company in April 2014.

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HUBBARD STREET DANCE CHICAGO Kellie Epperheimer (Los Osos, CA) began her dance training in 1988 at the Academy of Dance and Civic Ballet of San Luis Obispo. She joined Hubbard Street 2 in January 2005 and was promoted to the main company in January 2007.

Jonathan Fredrickson (Corpus Christi, TX) studied ballet at the Munro Ballet Studios, home to Corpus Christi Ballet, under teachers Kay Boone and Cristina Munro. He received his BFA in Dance Performance and Choreography from California Institute of the Arts in 2006. Immediately thereafter, he joined the Limón Dance Company, performing lead roles and creating two original works. He is a former winner of Hubbard Street’s International Commissioning Project and was named one of Dance Magazine’s “25 to Watch” in 2011 for his choreography.

Fredrickson joined Hubbard Street Dance Chicago in February 2011.

Michael Gross (Poughquag, NY) earned a BFA in Dance from the University of Arizona and received much of his early training from Colorado Jazz Dance Company in Colorado Springs, CO, followed by further studies at the American Academy of Ballet and Springboard Danse Montréal. Formerly a member of River North Dance Chicago and Visceral Dance Chicago, Gross has also performed with Elements Contemporary Ballet and in the Chicago Symphony Orchestra’s holiday production, Welcome Yule! Gross joined Hubbard Street Dance Chicago in August 2014 and thanks his friends and family for their love and support.

Jason Hortin (Olympia, WA) graduated from the University of Nevada, Las Vegas with a BFA in Dance under the direction of Louis Kavoura. His performance career includes work with Moving People Dance Theatre, the Erick Hawkins Dance Company and River North Dance Chicago. Hortin joined Hubbard Street Dance Chicago as an apprentice in August 2007 and was promoted to the main company in July 2008.

Alice Klock (Bainbridge Island, WA) began dancing at age 11. In 2003, she attended Interlochen Arts Academy, graduating with artistic and academic high honors. In 2007, Klock relocated to San Francisco to enroll in Alonzo King LINES Ballet and Dominican University of California’s joint BFA program. Klock has also studied dance at San Francisco Ballet School, the National Ballet School of Canada, Miami City Ballet School, the San Francisco Conservatory of Dance, Springboard Danse Montréal and Hubbard Street Dance Chicago. She has worked professionally with San Francisco choreographer Gregory Dawson and performed with Alonzo King LINES Ballet during its fall 2008 season. Klock joined Hubbard Street 2 in September 2009 and was promoted to the main company in August 2011.

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2014–15 DANCER PROFILES Emilie Leriche (Santa Fe, NM) began her dance training at the age of eight. In 2007 she began her formal dance training at Walnut Hill School for the Arts, with additional summer study at Joffrey Midwest, Complexions Contemporary Ballet and the San Francisco Conservatory of Dance. Leriche has performed alongside the dancers of zoe | juniper, and at the WestWave Dance Festival as a member of Maurya Kerr’s tinypistol. Leriche joined Hubbard Street 2 in 2011, was promoted to the main company in 2013, and was named one of Dance Magazine’s “25 to Watch” for 2015.

Ana Lopez (A Coruña, Spain) began her formal training at Conservatorio de Danza Diputacion de A Coruña. Upon graduating Isaac Diaz Pardo High School, she continued her training at Centro Internacional de Danza Carmen Roche. Lopez danced with Joven Ballet Carmen Roche, Compañía Nacional de Danza 2 and Ballet Theater Munich before joining Hubbard Street Dance Chicago in January 2008.

Johnny McMillan (Sault Ste. Marie, ON) began his training at age 12 in Sault Ste. Marie, Ontario. He graduated from Interlochen Arts Academy, receiving its Young Artists’ Award in dance. He has also trained at the San Francisco Conservatory and Bartholin International Seminar and worked with Gleich Dances under the direction of Julia Gleich. McMillan joined Hubbard Street 2 as an apprentice in September 2010, became a Hubbard Street 2 company member in August 2011, and was promoted in April 2012 to the main company. McMillan was named one of Dance Magazine’s “25 to Watch” in 2013.

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HUBBARD STREET DANCE CHICAGO Andrew Murdock (St. Albert, AB) is a graduate of the Juilliard School, from which he received a BFA in Dance under the direction of Lawrence Rhodes. Prior to being a regular collaborator with Aszure Barton & Artists, Murdock performed with Gallim Dance and [bjm_danse], formerly Les Ballets Jazz de Montréal.

Additional collaborators and colleagues include Cherice Barton, Joshua Beamish, Andy Blankenbuehler, Nina Chung, Joe Lanteri, Austin McCormick, Michelle Mola, Abdel Salaam and Edgar Zendejas. He has appeared at the Greenwich Music Festival, with Zack Winokur, and with Geneviève Dorion-Coupal at Just for Laughs and Le 400e Anniversaire de la Ville de Québec. As a rehearsal assistant to Aszure Barton, he has worked with American Ballet Theatre, Canada’s National Ballet School and Ballet BC, New York University, the Steps Ensemble, Arts Umbrella and Springboard Danse Montréal. Murdock joined Hubbard Street’s main company in 2013.

Jane Rehm (Perrysburg, OH) trained at the Pittsburgh Ballet Theatre School and San Francisco Ballet School. Rehm danced with Ballet Memphis from 2001–10, then joined Smuin Ballet, where she was featured in works by choreographers including Julia Adam, Trey McIntyre, Mark Godden, Amy Seiwert, Adam Hougland and Helen Pickett. Rehm has also choreographed for Smuin Ballet and Ballet Memphis, and has appeared as a guest artist with Robert Dekkers’ Post:Ballet. Rehm is currently working toward her Bachelor of Arts degree in the LEAP program at St. Mary’s College, and joined Hubbard Street Dance Chicago in September 2014.

David Schultz (Grand Rapids, MI) began training in Michigan with the School of Grand Rapids Ballet and later studied at Canada’s National Ballet School in Toronto. He performed for four seasons with Grand Rapids Ballet and has danced works by George Balanchine, Gordon Pierce Schmidt, Peter Sparling and Septime Webre. Schultz joined Hubbard Street 2 in September 2009 and was promoted to the main company in August 2011. Schultz is the recipient of a 2012 Princess Grace Award.

Kevin J. Shannon (Baltimore, MD) began dancing under the guidance of Lester Holmes. He graduated from the Baltimore School for the Arts with additional training at the School of American Ballet, Miami City Ballet School, Paul Taylor Dance Company and Parsons Dance. He earned his BFA in 2007 at the Juilliard School, toured nationally with the Juilliard School Ensemble and appeared in the “Live from Lincoln Center” broadcast television special The Juilliard School: Celebrating 100 Years. Shannon joined Hubbard Street Dance Chicago in November 2007.

Jessica Tong (Binghamton, NY) received her formal training at the Ballet School in Salt Lake City, Utah under Jan Clark Fugit, as well as at the University of Utah, where she was a member of Utah Ballet. Her studies also included summer programs at American Ballet Theatre, San Francisco Ballet School and the Lou Conte Dance Studio. Tong danced with BalletMet Columbus, Eliot Feld’s Ballet Tech in New York and with Hubbard Street 2 before joining the main company in January 2007. Tong was named one of Dance Magazine’s “25 to Watch” in 2009.

Hubbard Street Dancers Emilie Leriche and Kevin J. Shannon. Photo by Quinn B Wharton. hubbardstreetdance.com

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2014–15 HS2 DANCER PROFILES Zachary Enquist (Plymouth, MN) began training at Summit School of Dance in Plymouth, MN. He holds a BFA in Dance from SUNY–Purchase College in New York, where he performed works by choreographers Doug Varone, Lar Lubovitch, Stephen Petronio, Bill T. Jones and Merce Cunningham. Other training includes summer studies at the Juilliard School, Movement Invention Project and Springboard Danse Montréal, where he performed repertory by William Forsythe, Stijn Celis and Robyn Mineko Williams. Enquist spent a semester abroad at Codarts in Rotterdam, the Netherlands, and was an apprentice at Mark Morris Dance Group. Enquist joined Hubbard Street 2 as a full company member in August 2014.

Elliot Hammans (Santa Fe, NM) began his formal dance training in 2008 with Robert Sher-Machherndl, former principal dancer with Het Nationale Ballet (the Dutch National Ballet), and continued his ballet and modern dance education with Moving People Dance in Santa Fe, NM. Hammans joined Moving People Dance Company as an apprentice in 2010, trained on full scholarship at the Alonzo King LINES Dance Center in San Francisco, and attended Hubbard Street Dance Chicago’s 2011 and 2012 Summer Intensives. Following one season with Cherylyn Lavagnino Dance and studies abroad at Austria’s Tanzzentrum SEAD (Salzburg Experimental Academy of Dance), Hammans earned his BFA in Dance in 2014 from Tisch School of the Arts at NYU. Choreographers whose work he has performed include Sean Curran, Gail Gilbert, Crystal Pite, Kendra Portier and Nathan Trice.

Hammans joined Hubbard Street 2 as a full company member in August 2014.

Jules Joseph (Brockton, MA) started his dance training at the Gold School in Brockton, Massachusetts under the direction of Rennie Gold. With the Gold School he had the opportunity to perform at the Joyce Theater in New York City as part of a dance-focused anti-bullying program. After training in the Alvin Ailey School’s Certificate Program, Joseph joined Hubbard Street 2 as an apprentice in September 2012 and was promoted to full company member in August 2014.

Katie Kozul (Medford, MA) began her dance training at the Gold School in Brockton, Massachusetts under the direction of Rennie Gold and her mother, Kathy Kozul. She attended the Walnut Hill School for the Performing Arts, where she had the honor of performing George Balanchine’s Serenade. She completed two years at the Ailey/Fordham BFA program, placing on the Dean’s List both years. At Fordham, she had the opportunity to perform works by Francesca Harper, Jennifer Archibald, Alenka Cizmesija, and Malcolm Lowe. Most recently she had the pleasure of performing in the annual “Ailey at the Apollo” event.

Kozul joined Hubbard Street 2 as an apprentice in September 2012 and was promoted to full company member in August 2014.

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Adrienne Lipson (London, ON) began her dance training in London, Ontario under the tutelage of Jennifer Swan, and continued her studies at Ryerson University, where she received a BFA with honors upon her graduation in spring 2013. While in Toronto, Lipson performed with Typecast Dance Company and was a founding member of Rock Bottom Movement. Lipson attended the Proarte Danza Summer Intensive and Kenny Pearl’s Emerging Artists Summer Intensive, in addition to training programs at Hubbard Street Dance Chicago, LADMMI (Montréal’s L’École de Danse Contemporaine), the Jacob’s Pillow Dance Festival and Springboard Danse Montréal, where she performed works by choreographers Aszure Barton, Barak Marshall and Robyn Mineko Williams. Lipson joined Hubbard Street 2 as an apprentice in August 2013 and was promoted to full company member in August 2014.

HUBBARD STREET 2 Andrea Thompson (Maplewood, NJ) trained at the New Jersey School of Ballet, American Ballet Theatre’s Jacqueline Kennedy Onassis School and the Ailey School in New York City. Thompson has also studied at the Juilliard School, Northwest Professional Dance Project, Springboard Danse Montréal, Nederlands Dans Theater and Batsheva Dance Company, which brought opportunities to perform choreography by Gregory Dolbashian, William Forsythe, Natalia Horecna, Jessica Lang, Marina Mascarell, Idan Sharabi, Robyn Mineko Williams, Paul Lightfoot and Sol León. At the San Francisco Conservatory of Dance, under the direction of Summer Lee Rhatigan, she trained with and performed works by Christian Burns, Alex Ketley, Thomas McManus, Robert Moses, Ohad Naharin, Alessio Silvestrin and Bobbi Jene Smith. Thompson joins Hubbard Street 2 following work in San Francisco and New York with Zhukov Dance Theatre, Chang Yong Sung, LoudHoundMovement, Backwoods Dance Project and the Foundry. Thompson joined Hubbard Street 2 as a full company member in August 2013.

HS2 Apprentice Katlin Michael Bourgeois (Gonzales, LA) began dancing in 2010 at various studios in Louisiana including NOCCA (the New Orleans Center for the Creative Arts) and A Touch of Class Performing Arts. After attending Alonzo King LINES Ballet’s Summer Program in San Francisco in 2012, he accepted a full scholarship to join the Alonzo King LINES Ballet Training Program, from which he graduated in May 2014. Bourgeois has performed in works by numerous choreographers including Andrew Brader, Sandrine Cassini, Lee-Wei Chao, Kara Davis, Gregory Dawson, Maurya Kerr, Nikoloz Makhateli and Uri Sands. He joined the company as an HS2 Apprentice in August 2014.

HS2 Apprentice Natalie Leibert (Moorpark, CA) began training at various dance schools in the Los Angeles area including company work with Westside Dance Project in Redondo Beach, and Pacific Festival Ballet in Agoura Hills. She continued training at the Miami City Ballet School and, most recently, completed a year in Alonzo King LINES Ballet’s Training Program. Leibert has attended workshops and programs at the San Francisco Conservatory of Dance, the Joffrey Ballet School, the School of American Ballet, Pacific Northwest Ballet and the Juilliard School, in addition to Nederlands Dans Theater and Batsheva Dance Company. She has performed works by choreographers including Iratxe Ansa, Sandrine Cassini, Jessie Hartley, Will Johnston, Menghan Lou and Carmen Rozestraten. Leibert joined the company as an HS2 Apprentice in August 2014.

HS2 Apprentice Megan Myers (West Chester, OH) began her formal training in dance at age 13, with Z Company in Monroe, OH under the direction of Zandra Thomas, Aly Moss, and Justin Daniel. She then continued her studies at Cincinnati’s de la Dance Company with Meridith Benson, Mario Nuez and Amy Harold. Myers worked in Chicago with teachers Brian McGinnis, Cheryl Mann and Laura Wade, and has attended summer training programs at Hubbard Street Dance Chicago, Complexions Contemporary Ballet and the Juilliard School. She joined the company as an HS2 Apprentice in August 2014.

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Crain’s Best New Restaurant Food & Wine’s People’s Best New Chef nominee (2013, 2014) Esquire’s 20 Best New Restaurants (USA) Embeya invites you to join us for a phenomenal tasting menu prepared by nationally acclaimed executive chef Mike Sheerin before your Hubbard Street performance for only $35.

Hubbard Street. Be sure to make this special request when making your reservation.

Call 312.612.5640 or reserve online at

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HUBBARD STREET INSPIRES! UNIVERSITY OF IOWA DANCE LOVES HUBBARD STREET!

BA • BFA • MFA 32

IN DANCE

Summer Series 2015

319.335.2228 • DANCE.UIOWA.EDU • IOWA CITY, IOWA

Hubbard Street Dance Chicago gratefully acknowledges the support of the following corporations, foundations, government agencies and individuals who made gifts to our Annual Fund between September 1, 2014 and April 30, 2015.

ATHLETICO CORPORATE SUPPORT

Logo + Tag must be no less than 1.5” wide at final size Acceptable Colors: PMS2945, Black, reverse white If placed on web, must click through to athletico.com

MARKS

Logo + Tag must be no less than 1 wide at final size Acceptable Colors: PMS2945, Black, reverse white If placed on web, must click through to athletico.com

In type, our name should now appear as “Athletico” with a lower-case “c.”

If using our tagline, it should always appear as a complete sentence: Better for every body.

$50,000 and above Archer Daniels Midland Company Athletico Physical Therapy Chicago Athletic Clubs Harris Theater for Music and Dance Target $25,000–$49,999 Allstate Insurance Company The Chicago Community Trust/ The Sun-Times Foundation Exelon Grosvenor Capital Management, LP $10,000–$24,999 AbbVie ACME Hotel Company Baker & McKenzie LLP Deloitte GoodSmith Gregg & Unruh LLP ITW Jenner & Block, LLP MAC Cosmetics Neal, Gerber & Eisenberg, LLP Northern Trust The PrivateBank Tiedemann Wealth Management USG Corporation Walgreens Wessex 504 Corporation $5,000–$9,999 Advertising Resources, Inc. Arnstein & Lehr, LLP Blue Cross Blue Shield of Illinois Brown Brothers Harriman Higgins Development Partners Jackson National Life Insurance Company Katten Muchin Rosenman, LLP

Neiman Marcus Power Rogers & Smith, P.C. Schiff Hardin LLP State Farm Insurance United Airlines Ventas Charitable Foundation Winston & Strawn, LLP Zachys Wine and Liquor $2,500–$4,999 Advocate Commercial Real Estate AT&T Attorneys’ Title Guaranty Fund, Inc. Citizens for John Cullerton Clark Hill PLC Deluxe Corporation Foundation Drinker Biddle & Reath LLP HBK Engineering, LLC Instant Technology NorthMarq Capital PhRMA William Blair & Company $1,000–$2,499 Allied Live, LLC Amsted Industries Ariel Investments Austriaco and Associates LTD Baxter International Belgravia Group, Ltd Greenberg Traurig, LLP Ideal KlearSky Solutions, Inc. KPMG Priester Aviation Sahara Enterprises, Inc. Tito’s Handmade Vodka

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E M E R G E F R O M T H E O R D I N A R Y.

U N A S S I M I L AT E .

FOUNDATION & GOVERNMENT SUPPORT

$100,000 and above The Davee Foundation National Endowment for the Arts $50,000–$99,999 The Elizabeth F. Cheney Foundation Lloyd A. Fry Foundation Illinois Arts Council Agency William Randolph Hearst Foundation The John D. and Catherine T. MacArthur Foundation Polk Bros. Foundation Princess Grace Foundation-USA The Rhoades Foundation The Shubert Foundation $25,000–$49,999 Anonymous (2) The Chicago Community Trust Julius N. Frankel Foundation Walter E. Heller Foundation Prince Charitable Trusts The Sage Foundation

$10,000–$24,999 Robert & Isabelle Bass Foundation, Inc. Helen Brach Foundation Children’s Care Foundation The Irving Harris Foundation Jack and Goldie Wolfe Miller Fund The Elizabeth Morse Charitable Trust $5,000–$9,999 The Max and Victoria Dreyfus Foundation, Inc. Golder Family Foundation John R. Halligan Charitable Fund Mid Atlantic Arts Foundation Edmond and Alice Opler Foundation Jerome Robbins Foundation Charles & M. R. Shapiro Foundation The Siragusa Foundation $1,000–$4,999 Anonymous Butler Family Foundation Charles and Joan Gross Family Foundation Levitetz Family Foundation Modestus Bauer Foundation The Farny R. Wurlitzer Foundation

Connect with sophisticated consumers Advertise in Hubbard Street’s 35 35 magazine-quality program.

Glenn Edgerton, Artistic

YEARS

Director

Glenn Edgert on, Artistic

YEARS

Director

35YE

ARS

Hubbard Street Dance Chicago performing arts audiences are affluent, socially active and have lifelong, emotional connections to arts and culture in Chicago.

Season-long packages keep your distinct brand front of mind with our forward-thinking audience.

View past programs at hubbardstreetdance.com/ programs. For more information or to request a media kit, contact Sidney Cristol at 312-850-9744 ext. 164, or at scristol@hubbardstreetdance.com.

Glenn Edgerton,

Glenn

Edgerton,

Artistic Director

Andrew Alexa CEO/Executi nder ve Produ cer Kelly Leona rd Executive Vice Presid ent

Glenn Edger ton Artistic Director Jason D. Palmquist Executive Director

Director Artistic

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Hubbard Street gratefully acknowledges these donors for their generous support of the Hubbard Street Parkinson’s Project, one of our Adaptive Dance Programs.

Warren and Joan Eagle Richard and Marjorie Ettlinger

Michael and Roslyn Lieb Hiroshi and Kathleen Okano Mary Splude

National Parkinson’s Foundation Edmond and Alice Opler Foundation

Learn more online at hubbardstreetdance.com/adaptivedance Photo by Todd Rosenberg.

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Summer Series 2015

Hubbard Street’s Corporate Circle These generous companies support our work onstage, in schools, and in communities through membership in our Corporate Circle:

Hubbard Street Dancer Jacqueline Burnett.

Photo by Quinn B Wharton.

Corporate Leaders $5,000 and above

Corporate Companions $2,500–$4,999 Allegro Dance Boutique Deluxe Corporation Foundation The PrivateBank William Blair & Company LLC Corporate Friends $1,000–$2,499 Amsted Industries Belgravia Group LTD Sahara Enterprises, Inc.

When your company joins Hubbard Street’s Corporate Circle, it receives exclusive benefits including performance tickets and an invitation to observe company rehearsal in our West Loop studios.

For more information, contact Kalena Chevalier, Associate Director of Development, at kchevalier@hubbardstreetdance.com or call 312-850-9744 ext. 141. hubbardstreetdance.com

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INDIVIDUAL SUPPORT Artistic Director’s Society $50,000 and above Meg and Tim Callahan $25,000–$49,999 Joyce Chelberg Marge and Lew Collens Paul and Ellen Gignilliat John W. and Jeanne M. Rowe Bill and Orli Staley $10,000–$24,999 Sara Albrecht Ross Bricker and Nina Vinik Joel and Katie Cory Dirk Denison and David Salkin James and Margaret Johnson Sarah J. Nolan J.B. and M.K. Pritzker Family Foundation Richard L. Rodes R. Penny Rodes DeMott Richard and Barbara Silverman Elizabeth Louise Smith Jane and Michael Strauss Richard and Ann Tomlinson Randy and Lisa White Elizabeth Yntema $5,000–$9,999 John and Caroline Ballantine James and Edie Cloonan Shawn M. Donnelley and Christopher M. Kelly Allan and Ellen Drebin Denise Stefan-Ginascol and John Ginascol Harry and Marcy Harczak Carey Heckman Linda Hutson Karen and Peter Lennon Jim and Kay Mabie John E. Miller, Jr. Marc Miller and Chris Horsman Jane Ellen Murray James F. Oates Adrienne Parker and Peter Foley Byron and Judy Pollock Eleanor and William Revelle Jack and Niki Tovin Mary Kay Shaw Sallyan Windt Sustaining DanceMakers $2,500–$4,999 Anonymous (2) Corinne Brophy Jack Cooksey and Brenda Russell

38

Summer Series 2015

Richard and Mary Gray John L. Hammond II Trish and Harp Harper Karena Fiorenza Ingersoll and Emrys Ingersoll Dietrich and Andrew Klevorn Ron and Elise Magers Nancy Lauter McDougal Abby O’Neil and D. Carroll Joynes John and Mary Raitt Eric and Tammy Steele Premier DanceMakers $1,000–$2,499 Anonymous (4) Greg Albiero and Mark Zampardo Joanne Baizer Gary and Carolyn Beller John Blosser Stuart Brainerd Paul and Christine Branstad Jeanne Brett Nancy J. Brown John and Leslie Henner Burns Charles Capwell and Isabel Wong Gerald and Susan Cohen The Patti Selander Eylar Scholarship Fund Patti Eylar and Charlie Gardner Jana French and Peter Gotsch Julie L. Gentes Ethel and Bill Gofen The Jastromb Philanthropic Fund David Johnson Jim and Lisa Knight Christine E. Knuth Martin and Patricia Koldyke Howard and Gail Lanznar Michael and Roslyn Lieb Sandra McNaughton Richard Melman Diane and Bob Merna Pamela G. Meyer Sally and Ted Miller Alexandra and John Nichols Julie O’Connell Sheila Owens Patricia and Candace Parchem Eleanor Pollack Ellis and Sally Regenbogen Tom and Cece Ricketts Burton and Sheli Rosenberg Dawn Stanislaw Dusan Stefoski and Craig Savage Marilee C. Unruh Michael and Linda Welsh

DancePartners $500–$999 Steve Abrams James and Sheila Amend Robert Arensman Denise and Duncan Ashurst Lawrence Berlin Tom and Tina Berry Marlene Breslow-Blitstein and Berle Blitstein Mary and Jack Connelly Michael Downing and Kathy Bernreut Jim and Deb Ford Joel Frader Jill Glaser Jo Ellen and Peter Granson Michael Grant and Carol McMahan Madeleine Grynsztejn and Tom Shapiro Alan Hinds George T. Jones, M.D. and V. Lynn Jones Krystyna Kiel Kevin Kranzusch Linda and Peter Krivkovich Monica Leccese Lew and Laurie Leibowitz Sydney Leung Robert Liem Jessica Kaplan Lundevall and Torjus Lundevall Michelle McCarthy Helen Melchior Mara Miller Jon and Lois Mills Edward and Gayla Nieminen Hiroshi and Kathleen Okano Charlene Osborne Karen Pierce Jonathan and Robin Plotkin Elizabeth Price and Louis Yecies Sarah Reynolds Janice Rodgers Michael and Bonnie Rothman Shelly Shannon Nikki and Fredric Stein Patricia Sternberg Gregory and Cynthia Taylor Kimberly Taylor Wayne F. Tjaden Mary Ellen Toll and William Heimann Paul Waas Keven and Nick Wilder Susan Wright William Ziemann and Virginia Tallman

LOU CONTE

founders society

The Lou Conte Founders Society recognizes individuals whose generosity and foresight provide future gifts to Hubbard Street Dance Chicago through planned giving. Members of the Society receive special invitations throughout the year and ongoing recognition of their commitment but, most importantly, members have the deep satisfaction of supporting Hubbard Street’s future.

Including Hubbard Street Dance Chicago in your estate plans will: upport the continued artistic growth of the company S Bring the newest choreographic voices to the stage n Enrich the lives of students both in and out of the classroom n Broaden and engage new audiences through Youth, Education and Community Programs n Build our endowment to guarantee the future of Hubbard Street n n

Hubbard Street Dance Chicago is grateful to the following individuals who have included us in their estate plans. Our future is more secure because of their generosity.

Meg and Tim Callahan Josephine H. Deutsch* Marge and Lew Collens Edward and Gayla Nieminen Richard L. Rodes

Sarah J. Nolan James F. Oates Edna K. Papazian* Byron Pollock Alyssa J. Rapp

Denise Stefan-Ginascol and John Ginascol Landon N. Stigall* J. Randall White *deceased

Notifying us of your commitment to Hubbard Street allows us to thank you today for your future generosity. Please join the Lou Conte Founders Society and help ensure the future of Hubbard Street Dance Chicago. Kalena Chevalier, Associate Director of Development, at kchevalier@hubbardstreetdance.com or call 312-850-9744 ext. 141.

If you have already included us in your estate plan, please let us know so you can enjoy the many benefits of the Lou Conte Founders Society.

Hubbard Street founder Lou Conte, center, founding member Claire Bataille, left, and former Rehearsal Director Monica Trogani rehearse Conte’s The 40s for the company’s 25th anniversary season and tour, December 2003. Photo by Todd Rosenberg.

Marley Member Join Hubbard Street’s monthly giving program.

Your monthly gift can have a tremendous impact: n

10 a month will fund the construction $ of a costume for a dancer in a World Premiere production.

n

20 a month allows us to license a piece of $ music for a new choreographic work.

n

50 a month will give a Chicago Public $ School student a scholarship to the Youth Dance Program.

n

$100 a month allows us to create and present a professional development workshop for an entire school’s teachers.

n

200 a month allows hundreds of students $ to attend an interactive Hubbard Street performance at the Harris Theater for Music and Dance.

With your monthly gift, you will invest in dance, and we will keep making it.

For more information, contact Nicole Dionisio, Annual Fund Manager, at 312-850-9744 ext. 172 or ndionisio@hubbardstreetdance.com

40

Hubbard Street Dancer and Resident Choreographer Alejandro Cerrudo in Jiří Kylián’s 27’52”. Photo by Todd Rosenberg.

Summer Series 2015

$250–$499 Gregg Auby Randy and Lorraine Barba Linda Bierig Robert and Joell Brightfelt Kristen Brogdon and David Ulaszek Linda S. Buckley Janet Carl Smith and Mel Smith Helene Connolly Janet Dauparas Robert and Quinn Delaney Cindy Delmar and Dwight Dick Duane M DesParte Barry and Vicki Dickerson Andrew and Diann Dincolo Buck Dodson Thomas Durica Warren and Joan Eagle Jennifer Edgcomb Elizabeth Fama and John Cochrane William and Jean Fischer Paul and Christine Fisher Arthur L. Frank, M.D. Alan and Linda Goldberg Charles and Caroline Huebner John Jawor Alan Jones Janet Kalbhen Mary Kamraczewski

Linda and Bernard Kastory John and Anne Kern Alexandra Klein Henry and Cookie Kohn Ron and Fifi Levin Steven Maass Donald L. MacCorquodale Peggy Madden and Richard Phillips Harry and Karyn Madorin Stephen and Susan Bass Marcus Maria McCabe Jim McMillan David Mekemson and Irene Petruniak Theodore Milby Leo and Cathy Miserendino Jonna Mogab Faye and Victor Morgenstern Stacey Newman Marie E. O’Connor Tom and Jeanne Olofson Steve Palmquist and Kathryn Nuss Christopher Parker and Anni Luneau Cathy Peponis Sarah Pesetsky John F. Podjasek III Charitable Fund Andrew and Judy L. Porte

Ruud Roggekamp Warner and Judy Rosenthal Richard Rusz Nick Sarros Barbara Singer Randel Steele and Margaret Gonzales Hal S. Stewart George Streeter and Kristina Howard William and Mary Summers James Tanner and Catherine Allegra Stacy Wells Jennifer Weuve and Jeffrey Gitelle Karen Wilmot Sharlene Young Hubbard Street appreciates the support of the corporations, foundations and individuals who contribute gifts up to $250 and regrets the inability to list their names due to space limitations.

For any corrections to program name listings please contact the Development Office at 312-850-9744 ext. 172 or ndionisio@hubbardstreetdance.com.

GIFTS IN HONOR AND MEMORY Gifts made in honor and memoriam are meaningful ways to recognize individuals with special connections to Hubbard Street. For more information or to make a gift, please contact the Development Office at 312-850-9744 ext. 172 or email ndionisio@hubbardstreetdance.com.

In Honor of Sara Albrecht Sandra Jaggi DiPasquale Madeleine Grynsztejn and Tom Shapiro Bill Melamed and Jamey Lundblad In Honor of William Carlos Angulo Esther Angulo In Honor of Meg Callahan Jonathan and Robin Plotkin In Honor of Edie and James Cloonan Harry and Karyn Madorin In Honor of Meredith Dincolo Andrew Dincolo In Honor of Patti Eylar Linda Hutson In Honor of Chris Horsman’s birthday Donald Santoski and April Brazell

In Honor of Ben Johnson and Katie Blaski Drew Bishop In Honor of Dietrich Klevorn Amy Carbone In Honor of Bill Melamed and Jamey Lundblad Buck Dodson In Honor of Marc Miller’s birthday David and Kathryn Donovan June Dorn Michael Grant and Carol McMahan Renee Haber-Schwartz George Horsman Linda and Bernard Kastory Steven Maass Ron and Elise Magers Robert and Barbara Mason Sally and Ted Miller Wayne Myers and Sarah Caldicott

Ruth Nelson Tom and Jeanne Olofson In Honor of Jim Oates’ 90th Birthday Randy and Lisa White In Honor of Marie O’Connor’s induction as a Hubbard Street Life Director Rosemary McManamon In Honor of Jason Palmquist Brooke Flanagan In Honor of Rich Rodes Thomas J. Feie Kevin Kranzusch In Honor of Anya Jean Sweetwood John W. Sweetwood In Honor of Sallyan Windt Henry and Cookie Kohn Patricia Pell

hubbardstreetdance.com

41

MORE THAN 70 CLASSES PER WEEK

Claire Bataille, Director Lou Conte, Founder

Photos by Todd Rosenberg.

DANCE

Lou Conte Dance Studio at the Hubbard Street Dance Center 1147 W. Jackson Blvd.

Chicago, Illinois 60607 312-850-9766

all summer long. ballet jazz modern tap contemporary

African hip-hop musical theater Dance Latin Groove BeMoved速

Pilates yoga jazz funk Club Cardio

hubbardstreetdance.com/LCDS Jane Ellen Murray Foundation The Patti Selander Eylar Scholarship Fund Official Provider of Physical Therapy

42

Summer Series 2015

Dancer Development Patron

THE BRITISH ARE COMING!

ONLY 5

PERFORMANCES!

Don Quixote June 18–21

Presenting Sponsor

TICKETS START AT ONLY $32!

AuditoriumTheatre.org PHONE 800.982.ARTS (2787) ONLINE

BOX OFFICE 50

E Congress Pkwy GROUP DISCOUNTS (10+) 312.341.2357

Additional support for The Royal Ballet provided by the ELIZABETH F. CHENEY FOUNDATION. Saturday evening performance made possible through the generosity of HELEN HALL MELCHIOR. Sunday matinee performance made possible through the generosity of PATTI SELANDER EYLAR.

125TH ANNIVERSARY SPONSORS

International Dance Sponsor

©ROH / Johan Persson, 2013

Lead Corporate Sponsor

Lead Foundation Sponsor

Official Hotel Partner

Join now for $0

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First time guests. One time use.

Enjoy Hubbard Street AS a group Did you know Hubbard Street offers specially priced packages for groups of ten or more for performances at the Harris Theater? Group ticket packages are affordable and exciting ways to reward and entertain colleagues, classmates, clubs, conventions, family members and more.

Group packages are ideal for Company/corporate outings Client appreciation socials Alumni club events Convention activities

School fundraisers Family reunions Donor appreciation nights Senior group trips

Special perks for groups of 25 or more Groups of at least 25 attendees may host a pre- or post-show reception in the Harris Theater’s Donor Room for their guests. Please note all food, beverages and other related costs are the direct responsibility of the hosting organization. Use of the Donor Room is extended on a first-come, firstserved basis and is subject to availability.

Backstage tours Groups may also take guided backstage tours! These include visits to the green room, wardrobe, rehearsal hall and a walk onstage. Tours are on a first-come, first-served basis and subject to availability.

Take Hubbard Street home Give your group members a memento to take home with them! Hubbard Street Dance Chicago apparel and souvenirs may be purchased at a quantity discount for your group event. Additional details available upon request.

Group pricing Contact us for pricing — dependent upon the size of the group and placement in the theater.

For more information, pricing, or to book your group, visit hubbardstreetdance.com/groups, or contact Sidney Cristol at scristol@hubbardstreetdance.com.

Hubbard Street Dancer Jessica Tong. Photo by Quinn B Wharton.

“Brilliant, engaging, moving.

I was completely overcome with emotion. The way the entire piece moved from solo, to duets, to trios, to groups was striking.

I loved it.”

—Ericka Lashley, audience member

hubbardstreetdance.com

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46

Summer Series 2015

YOUTH, EDUCATION AND COMMUNITY PROGRAMS Hubbard Street Dance Chicago thanks these donors for helping us in our mission to bring dance into classrooms and communities:

Additional Funding Robert and Isabelle Bass Foundation, Inc. Helen Brach Foundation Children’s Care Foundation The Crown Family Golder Family Foundation Harry and Marcy Harczak William Randolph Hearst Foundation Jackson National Life Insurance Company Edmond and Alice Opler Foundation Byron and Judy Pollock The PrivateBank Charles & M.R. Shapiro Foundation The Siragusa Foundation Target

Hubbard Street 2 Butler Family Foundation Lou Conte Dance Studio Jane Ellen Murray Foundation Principal Contributor

Dancer Development Patron The Patti Selander Eylar Scholarship Fund

Hubbard Street 2 Dancer Jules Joseph with Mitchell Elementary School students at the Hubbard Street Dance Center.

Photo by Todd Rosenberg.

hubbardstreetdance.com

47

MATCHING GIFTS

These companies contribute through matching gift programs. Ask your company to match your donation to Hubbard Street.

Aetna Foundation, Inc. Allstate Insurance Company American Airlines Amsted Industries Aon Foundation Bank of America Elizabeth F. Cheney Foundation The Chicago Community Trust Citicorp/Citibank, N.A. Deutsche Bank Americas Foundation GE Foundation IBM Corporation Johnson Controls Foundation JPMorgan Chase Foundation Kimberly Clark Foundation Leo Burnett Company, LLC

McDonald’s Corporation Merrill Lynch & Co. Inc Motorola, Inc. Nike, Inc. Northern Trust Nuveen Investments Pepsico PNC Polk Bros. Foundation PricewaterhouseCoopers Foundation Quaker Oats Company The Rhoades Foundation UBS The Walt Disney Company Washington Mutual Wells Fargo

SPECIAL SERVICES ACME Hotel Company Preferred Hotel Partner

M/D/R Creative Gala Lights and Sound

Allied Live Advertising

The PrivateBank Financing and Banking Services

Athletico Physical Therapy Official Provider of Physical Therapy

Franczeck Radelet, P.C. Jenner & Block LLP Mosher & Wagenmaker, LLC Legal Services

Baker Tilly Virchow Krause, LLP Auditor Chicago Athletic Clubs Official Health Club Communiqué Graphic Design Graphic Design Embeya Preferred Restaurant Partner HMS Media Video Services Kehoe Designs Gala Décor KlearSky Solutions, LLC Web Development and Design LAZ Parking Parking Partner Park Grill Preferred Restaurant Partner MAC Cosmetics Official Make-Up Sponsor

48

Summer Series 2015

Seasons 52 Preferred Restaurant Partner Sunny Artist Management North American Representation Ilter Ibrahimof, Director ilter@sunnyartistmanagement.com Synapse Networks, Inc IT Services Tito’s Handmade Vodka Spirits Sponsor Todd Rosenberg Photography Photography Tourwerks Entertainment Travel Tour Housing Negotiation Kathleen Weber, M.D. Senaida Echevarria Midwest Orthopedic at Rush

Ignite a lifelong passion for the arts

ARTS BOARDING HIGH SCHOOL SUMMER ARTS CAMP

www.interlochen.org

Creative Writing • Dance • Motion Picture Arts • Music • Theatre • Visual Arts hubbardstreetdance.com

49

Ensemble Espanol

CONTRIBUTED MATERIALS AND SERVICES ACME Hotel Company Andy Cohen Robert and Joan Baizer Baker & McKenzie, LLP Bartlit Beck Herman Palanchar & Scott Llp Donald and Donna Baumgartner Bloomingdales Cannonball Wine Company Charles Gardner and Patti Eylar Chasm Group Château Marmont Hotel Chef Freddy Cuisine Chicago Athletic Clubs Chicago Bulls Sandi Cooksey Bob Coscarelli Photography Creative Artists Agency Embeya Everest Fairmont Le Château Frontenac Lindsey French Goose Island Brew Co. Kenneth Griffin HMS Media Hogsalt Hospitality Jetblue Juyamcyn Theaters Kehoe Designs John Kelly Jr. LAZ Parking Limelight Catering Lollapalooza

Lynfred Winery MAC Cosmetics Meg and Tim Callahan Modern Luxury, Chicago Moët & Chandon Sarah J. Nolan Park Grill James Raff Andrew Salzman Seabourn Seasons 52 Sepia Restaurant Ross Shelleman and Tricia Rooney Skandal SkinnyPop Popcorn Southwest Airlines John Svoboda Terlato Wine Group, The Hinckley Company The Nines, A Luxury Collection Hotel, Portland The Plaza Hotel Tito’s Handmade Vodka Constance Thome United Airlines Kellen Walker Zachys Wine and Liquor A Zaffarano Production Hubbard Street appreciates the support of in-kind contributors of gifts valued up to $250 and regrets the inability to list their names due to space limitations.

Hubbard Street Dancer Andrew Murdock. Photo by Quinn B Wharton.

hubbardstreetdance.com

51

ENDOWMENT SUPPORT Hubbard Street gratefully acknowledges the support of the following donors to the Endowment for Health and Wellness and the Endowment for Artistic Programs, established with a generous grant from the Ford Foundation: $100,000 and above Meg and Tim Callahan Pamela Crutchfield David Herro and Jay Franke Jim and Kay Mabie Alfred L. McDougal and Nancy Lauter McDougal Timothy R. Schwertfeger and Gail Waller $50,000–$99,999 Sara Albrecht John and Caroline Ballantine Ms. Deborah A. Bricker Sidney and Sondra Berman Epstein Jack and Sandra Guthman The Rhoades Foundation Earl J. and Sandra Rusnak Randy and Lisa White William N. Wood Prince $25,000–$49,999 Marge and Lew Collens Harold Florsheim Paul and Ellen Gignilliat Averill and Bernard Leviton Dale R. Machalleck James F. Oates Randy A. White

$10,000–$24,999 Mr. Dean Balice Christopher J. and Kate Barber Roger and Julie Baskes Joseph and Anne Bohne Janice Y. Burnham and Raymond B. Carney Edie and James Cloonan Joel and Katie Cory Allan and Ellen Drebin Susan and Bryan Erler Trudene Giesel Mary Louise Gorno Jacqueline A. Hurlbutt Sarah J. Nolan Dina Norris and Steve Young Byron and Judy Pollock Sally and Ellis Regenbogen William and Eleanor Revelle Dana and Andre Rice Kevin and Camille Rudge Warren D. Shifferd, Jr. Denise Stefan-Ginascol Richard and Ann Tomlinson Robert and Nancy Unglaub Earl and Susan Webb Sallyan Windt $5,000–$9,999 Julia and Larry Antonatos Thomas F. Barnum The Sidney and June Barrows Foundation Corinne E. Brophy Carla J. Eyre and Peter F. Gallagher

Patti Eylar and Charlie Gardner Judith Grubner and Craig Jobson Linda Hutson Marc Miller and Chris Horsman Sally and Ted Miller Pat Pulido Sanchez and Manuel Sanchez John B. and Dianne L. Schwartz Ken Shanoff Deborah and Kelly Stonebraker Jack and Niki Tovin $1,000–$4,999 Kathy Catrambone Carolyn H. Clift Tom and Lois Colberg Elizabeth F. Cheney Foundation Jocelyn B. Hamlar and Leighton J. Toney Joel and Diane Jastromb Rachel Corn Kluge Todd E. Magazine David Mekemson and Irene Petruniak Maureen Mosh Bill Nygren Foundation Sheila Owens Donald H. Ratner Patrick J. Schieble Steven and Frances Shapiro Richard B. Turner

Theater rental and services have been generously underwritten through the support of the Harris Theater for Music and Dance.

205 E. Randolph Dr. 312-334-7777

harristheaterchicago.org Photo by Todd Rosenberg.

52

Summer Series 2015

AUGUST 25 – 29, 2015

FOUR NIGHTS FREE

THE JIG IS UP PERFORMED BY THE JULLIARD SCHOOL PHOTO BY CHERYL MANN

TUE AUG 25, 7:30 PM OPENING NIGHT CELEBRATION

THU AUG 27, 7:30 PM DANCING AT THE HARRIS

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HubbardAd92014.pdf 1 9/18/2014 9:09:42 AM

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56

Summer Series 2015

Saturday, August 15, 2015

PERFORMANCES BY Giordano Dance Chicago, Hubbard Street Dance Chicago, Joffrey Ballet, River North Dance Chicago, Chicago Human Rhythm Project, Same Planet Different World, C5 presenting a world premiere, and choreographer Randy Duncan’s highly acclaimed work STAND BY ME with special music arrangement by Ira Antelis BENEFICIARIES AIDS Foundation of Chicago and The Dancers’ Fund GALA LEVEL TICKETS $250-$600

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hubbardstreetdance.com

PHOTOGRAPHY Sandro | DANCERS Jessica Tong, Jason Hortin Hubbard Street Dance Chicago

5pm Hilton Chicago’s Grand Ballroom | 7:30pm Auditorium Theatre of Roosevelt University

57

2015 2016 SEASON SUBSCRIPTIONS START AT $84

SUBSCRIBE TODAY

Enjoy Exclusive Benefits & Special Invitations

312.386.8905 | joffrey.org/subscriptions

CELEBRATING 60 YEARS OF THE JOFFREY BALLET SEASON SPONSORS

SEASON PARTNERS

Daniel and Pamella DeVos Foundation OFFICIAL PROVIDER OF PHYSICAL THERAPY

58

OFFICIAL HOTEL

OFFICIAL HEALTH CLUB

Joffrey Dancers Miguel Angel Blanco & Christine Rocas | Photo by Cheryl Mann

Summer Series 2015

ALL PERFORMANCES TAKE PLACE AT:

50 EAST CONGRESS PARKWAY

Youth SUMMER

Camps

2015 Hubbard Street’s Youth Summer Camps offer creative and technical performance opportunities all summer long for young dancers, beginning to advanced.

IT’S NOT TOO LATE TO REGISTER!

✉ youth@hubbardstreetdance.com ☎ 312-850-9744 ext. 139

hubbardstreetdance.com/YouthDance Photo by Todd Rosenberg. hubbardstreetdance.com

59

Photo © F11Photo

There’s No City That Gives You Arts & Culture Quite Like Chicago

Clef N tes

4th Anniversary Issue

JEWEL

Chicagoland Journal for the Arts Summer 2013

We go one-on-one with the artist as she gets set to make her Ravinia debut this summer.

SUMMER PILLOW at the

Rest your head at the epicenter of dance this summer

AMERICA'S Self-Image Smart Museum exhibit focuses on the national identity



5

Top Vineyards

Read Clef Notes Journal’s DIGITAL Edition Just a short drive from the Windy City

Clef N tes Chicagoland Journal for the Arts

And There’s No Publication that Covers Chicago Arts & Culture Quite Like Clef Notes Journal Clef N tes

A Decade At The Harris

Clef N tes

Clef N tes

Chicagoland Journal for the Arts

Concert Journal for the Arts

Chicagoland Journal for the Arts

SUMMER 2011

W i n t er 2 0 1 0

Lyle's Large Life The crooner talks life, music and bringing his Large Band to Ravinia

Bringing Broadway to chicago

JOAN ALLEN

Back on the Steppenwolf stage

EXPO CHICAGO A global spotlight on Chicago's culture scene

Guide YOUR

Paris Comes to Millennium Park

A preview of the historic Paris Opéra Ballet as they kick off their American Tour at Harris Theatre.

Mayor Daley’s grand vision for a revitalized Chicago Theater District has been a long time coming, and Broadway In Chicago has had a significant role in making that a reality.

+ 25

YEARS & COUNTING Chicago Shakespeare Theatre celebrates a quarter century celebrating Shakespeare.

By Patrick M. Curran II

to the 2013-2014 season of fine arts in Chicagoland!

a Legacy unveiled

Clef N tes Chicagoland Journal for the Arts

BETWEEN the LINES

Alonzo King's LINES Ballet returns to the Windy City

Griffin's Take Preeminent Sondheim interpreter Gary Griffin mounts two highly anticipated productions of the composer's works at Shakespeare Theater this season.

Philanthropy & The Arts

Cultivating a genuine corporate sponsor partnership based on shared values and mutual goals

Stirring UP LAUghter Chicago’s 2009 Humanities Festival and its celebration of the many sides of laughter

San Francisco Museum of Modern Art examines the impact of the Steins Family and and the passion they inspired in the appreciation of modern art.

Clef N tes Chicagoland Journal for the Arts

BRIGADOON! Goodman Theatre will transport audiences this summer to that enchantingly wistful Scottish village with the first major US revival of the beloved Lerner and Lowes classic in 30 years.

GTheuide

Q&A

with hot young symphonic conductor Andrew Grams Up Close & Personal Emily Disher chats it up with Hubbard Street Resident Choreographer Alejandro Cerrudo.

Clef N tes Chicagoland Journal for the Arts

Stephen Petronio Company is just one of our picks for the best and the brightest in Chicagoland's amazing new cultural season!

The

Guide

Your guide to Chicago's new fine arts season, packed with our editors' picks for the 'Best of the Best' performances and exhibitions in the new season.

A Tale of Two Cities

Andreas Mitisek takes the helm of Chicago Opera Theater with a new collaborative model that just may take COT to a whole new level

Lens of authenticity Interview with Steppenwolf Theatre ensemble member K. Todd Freeman

Co Celeb ve ra rin ti n Art g Ch g 5 s & icag Gre Cu o's A at Y ltu m ears re azin g

Gene Siskel Film Center Under Glass

World's finest cultural newborns slated for Chicago audiences this winter

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the Uncommon DivA A look at opera star Frederica von Stade as she prepares for her last staged Chicago performance

Feast for the Eyes

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NEWBIES

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A ProgrAm of merit Merit Music’s incredible contribution to the city’s music education legacy

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Questions for Steppenwolf Theatre's Francis Guinan

Transgalactic Journey The Adler Planetarium gets downright theatrical in its newest tour of the cosmos.

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Meet the international dream team that will design Chicago's new Lucas Museum

Available in print and digital editions

Subscribe at ClefNotesJournal.com

hubbardstreetdance.com

61

CONNECT WITH HUBBARD STREET Like us on Facebook. Follow us on Twitter. Go into the studio on Instagram, pin us on Pinterest, listen to playlists from our repertoire on Spotify, watch videos on YouTube and more.

Choreographers Gustavo RamĂ­rez Sansano, foreground, and Alejandro Cerrudo with Aurora Abella Austriaco and Pamela Cullerton at Bold Moves for Bold Women 2015. Photo by Robert F. Carl.

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Summer Series 2015

ABOUT HARRIS THEATER FOR MUSIC AND DANCE

The Joan W. and Irving B. Harris Theater for Music and Dance is a 1500-seat state-of-the art performance venue located in Chicago’s Millennium Park. Opened in November 2003, the nonprofit Harris Theater was the first multiuse performance venue built in downtown Chicago since 1929. Harris Theater serves as a unique national model of collaboration between the philanthropic community and performing arts organizations in music and dance. More than a decade later, the Theater features the most diverse offerings of any venue in Chicago, hosting local, national, and internationally renowned artists and ensembles.

The Harris Theater’s primary mission is to partner with an array of Chicago’s music and dance performing arts organizations to help them build the resources and infrastructure necessary to achieve artistic growth and long-term organizational sustainability. The Harris Theater’s original group of 12 resident companies has grown to include 35 diverse and exceptionally talented performing arts organizations, including internationally acclaimed Hubbard Street Dance Chicago, Music of the Baroque, Chicago Opera Theater, Chicago Symphony Orchestra’s MusicNow, and collaborations with Lyric Opera of Chicago, National Museum of Mexican Art, Museum of Contemporary Art Chicago, and Columbia College Chicago. Through these partnerships, the Theater has earned national recognition as a distinctive model for collaboration, performance, and artistic advancement.

The Theater supports this mission by providing these partner organizations with subsidized rental, technical expertise, and marketing support, allowing the organizations to focus on what they do best—bringing the finest in music and dance performances to the public. The Theater offers professional development opportunities, including the innovate Learning Lab, endorsed with grants from the National Endowment for the Arts.

The Harris Theater is also dedicated to presenting internationally acclaimed music and dance organizations to enhance its reputation as well as to help build audiences for the Theater’s resident companies. Through the Harris Theater Presents series, the Theater has achieved widespread recognition as a vital cultural anchor in Chicago. Daniel Barenboim, Mikhail Baryshnikov, Renée Fleming, the Hamburg Ballet, Lang Lang, the New York City Ballet, the Paris Opéra Ballet, the San Francisco Ballet, Stephen Sondheim, and many others have graced the Harris’ Elizabeth Morse Genius Stage through this series.

The Harris Theater maintains a commitment to engaging Chicago residents of all ages and communities. Programs like the popular Eat to the Beat and Exelon Family Series advance access to and understanding of the performing arts. The Theater partners with health and human service agencies, K–12 schools, and community arts organizations, providing more than 8,450 underwritten performance tickets through the Access Tickets Program since 2009. The Theater also connects gifted young artists and students to presented artists through master classes, artist talks, and other enrichment activities. Learn more about Community Engagement programs at engage.harristheaterchicago.org. hubbardstreetdance.com

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BOARD OF TRUSTEES HARRIS THEATER FOR MUSIC AND DANCE

Officers James L. Alexander, Chairman Alexandra C. Nichols, Executive Vice Chair and Chair Elect Elizabeth Hartigan Connelly, Vice Chair Caryn Harris, Vice Chair David Snyder, Treasurer Peter M. Ellis, Secretary Michael Tiknis, Alexandra C. and John D. Nichols President and Managing Director Endowed Chair Trustees James L. Alexander John W. Ballantine Lee Blackwell Baur Paul S. Boulis Sunny Chico Elizabeth Hartigan Connelly Peter M. Ellis Louise Frank Jay Franke Sandra P. Guthman, Past Chairman Caryn Harris Joan W. Harris, Past Chairman Christine N. Evans Kelly Deborah A. Korompilas Merrillyn J. Kosier Mac MacLellan P Douglas McKeen

Zarin Mehta Judith Neisser Alexandra C. Nichols Kenneth R. Norgan Abby McCormick O’Neil, Past Chairman Jason Palmquist, Ex-officio Ricardo T. Rosenkranz William Ruffin, Ex-officio Patrick M. Sheahan David Snyder Jeffrey D. Steele Mary Kay Sullivan Michael Tiknis Marilyn Fatt Vitale Elliot Weissbluth Dori Wilson Maria Zec

Life Trustees Peter M. Ascoli Cameron S. Avery Marshall Field V James J. Glasser Sarah Solotaroff Mirkin Harrison I. Steans Robin S. Tryloff

(Listing as of May 5, 2015)

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STAFF HARRIS THEATER FOR MUSIC AND DANCE

Executive Staff Michael Tiknis, Alexandra C. and John D. Nichols President and Managing Director Endowed Chair Steve Abrams, Executive Vice President & General Manager Laura Hanssel, Executive Vice President & Chief Financial Officer Cheryl Mendelson, Interim Chief Operating Officer & Executive Vice President of External Affairs Administration Lori Dimun, Director of Operations & Production Mary Jo Rudney, Director of Finance Emily Macaluso, Operations Coordinator Dawn Wilson, Technical Coordinator Meghan McNamara, Manager of Community Engagement & Partnerships Derek Raridon, Staff Accountant Jake Anderson, Assistant to the President & Managing Director Production Andy Principe, Head Carpenter Jeff Rollinson, Flyman Jeffrey Kolack, Head of Props Don Dome Jr., Head of Audio Kevin Sullivan, Electrician

Development Jodi Kurtze, Director of Campaign & Major Gifts Amanda Lawson, Director of Annual Giving Jenna Cataldi, Annual Giving & Special Events Manager Catherine Miller, Manager of Corporate & Foundation Relations Elizabeth Halajian, Campaign & Major Gifts Coordinator Emma Palermo, Development Assistant Marketing Kelly Degenhart, Director of Sales & Marketing Elizabeth Ress, Sales & Marketing Manager Jamie Sherman, Manager of Public Relations & Communications Ticketing Services Gregg Brody, Box Office Treasurer Facilities Doug Gorzycki, Facilities Engineer Herbert Carter, Facilities Staff Shawn Robinson, Facilities Staff Lashawn Whitehead, Facilities Staff Front of House Hillary Pearson, House Manager Jamelle Robinson, Concessions Manager Melaney Reed, Saints Coordinator The Saints, Volunteer Usher Corps (Listing as of May 5, 2015)

hubbardstreetdance.com

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INFORMATION HARRIS THEATER FOR MUSIC AND DANCE

Rental information: If you have any questions about the Harris Theater, including rental of the facility, group tours, or volunteer opportunities, please call the administrative office Monday through Friday, 9AM–5PM, at 312.334.2407.

Ticket purchases: To purchase tickets, visit HarrisTheaterChicago.org. Call or visit our Box Office at 312.334.7777 Monday through Friday, 12–6PM or until curtain on performance days. For group tickets for 10 or more people, call our Sales Office at 312.334.2419.

In consideration of other patrons and the performers: Please turn off all cell phones.

Photography is not permitted in the Theater at any time. Film or digital images will be confiscated or deleted by the Harris Theater house staff; violators will be subject to a fine. Latecomers will be seated at the discretion of the house management. Smoking is prohibited within the Harris Theater.

For your safety: Please take a moment and note the nearest exit. In the event of an emergency, follow the directions of the Harris Theater house staff. In the event of an illness or injury, inform the Harris Theater house manager.

Accessibility: Infrared assisted listening devices are available from the Harris Theater house staff.

The Theater is equipped for easy access to all seating levels for patrons needing special access.

Please advise the Box Office prior to the performance for any special seating needs.

Parking: Discounted parking validation is available for all ticket holders using the Millennium Park Garage. A validation machine is located next to the Box Office on the Orchestra Level, as you enter the Theater lobby.

Lost and found: Retrieved items will be held for 30 days with the Harris Theater house staff at 312.334.2403.

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Studio Rentals

Conveniently located in Chicago’s West Loop, the Lou Conte Dance Studio has plenty of space to fit your needs! Our state-of-the-art facilities and studio spaces are available for auditions and rehearsals, as well as photo and video shoots. Studios are equipped with mirrors, sprung Marley floors, pianos and high-quality sound systems.

LCDS has rented its studios to more than 90 organizations, hosting auditions and rehearsals for musicals, dance companies and internationally renowned performers such as: American Ballet Theatre Beyoncé Carnival Cruises Dancing with the Stars Disney’s The Lion King The Julliard School Pilobolus Riverdance San Francisco Ballet School Universal Studios Japan Wicked

America’s Best Dance Crew Busch Gardens The Color Purple Destiny’s Child Goodman Theatre Mamma Mia! Princess Cruise Lines River North Dance Chicago Savion Glover Urban Bush Women

Call 312-850-9766 to make your studio reservation today.

DANCE TRANSFORMS LIVES. SUPPORT DANCE AND DANCE EDUCATION Hubbard Street Dance Chicago brings dance into local classrooms while our Adaptive Dance Programs provide support and new ways of moving.

Your contribution supports health and wellness and keeps communities culturally vibrant.

We bring artists, art and audiences together to enrich, engage and change lives through the experience of dance.

Nurture this mission with a gift of support today.

Visit hubbardstreetdance.com/support or call us at 312-850-9744 ext. 130

Photo by Todd Rosenberg.

on

Seas

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Thank you for a fantastic year.

We can’t wait to see you for Season 38.

Hubbard Street Dancers Ana Lopez, foreground, and Jesse Bechard. Photo by Quinn B Wharton.

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Hubbard Street Dancer Jason Hortin in A Picture of You Falling by Crystal Pite. Photo by Todd Rosenberg.