Hubbard Street’s Season 38 Spring Series

Glenn Edgerton, Artistic Director

SPRING SERIES MARCH 17–20

Featuring I am Mister B by Gustavo Ramírez Sansano The Impossible by Resident Choreographer Alejandro Cerrudo Imprint by Lucas Crandall WORLD PREMIERE This publication sponsored by

Thank you to our Season 38 Sponsors Official Provider of Physical Therapy

Official Health Club

Hubbard Street Resident Choreographer Alejandro Cerrudo, left, in rehearsal for The Impossible with Andrew Murdock and Jessica Tong. Photo by Todd Rosenberg. hubbardstreetdance.com

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Thank you to our Spring Series Sponsors Diversity Partner

Lew and Marge Collens J.B. and M.K. Pritzker Family Foundation John and Jeanne Rowe Lead Individual Sponsors

Hubbard Street Dancer Jacqueline Burnett in I am Mister B by Gustavo RamĂ­rez Sansano. Photo by Todd Rosenberg.

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Spring Series 2016

A letter from Glenn Edgerton, Artistic Director Welcome to the Harris Theater, and to our Spring Series.

We’re glad you’re here.

So far this season, we’ve brought work into our company from around the globe. We began with major acquisitions created in Germany by William Forsythe, followed by the first U.S. production of a piece choreographed in Holland by Crystal Pite, and a premiere for Hubbard Street 2 by an artist who spends half her time in China, Yin Yue. This weekend, we celebrate three artists with long-standing, rich relationships with Chicago and with Hubbard Street.

Gustavo Ramírez Sansano first came to the U.S. as a member of Hubbard Street’s main company, after which he went on to direct Chicago’s Luna Negra Dance Theater. Lucas Crandall, a Michigan native, started his career as a performer with Milwaukee Ballet, and first joined our artistic team for the 2000–01 season. And Alejandro Cerrudo has of course been with us for more than a decade; his fifteenth Hubbard Street premiere as our Resident Choreographer is coming this fall.

While many of the works in our repertoire can be considered “abstract” or “pure dance,” you will notice our Spring Series lands a little closer to the theatrical end of the spectrum. Both The Impossible and I am Mister B feature distinct characters and scenic elements, as well as gestures which nod to pantomime. Our dancers have had the opportunity to develop these skills not just in rehearsals for this program, but also through our ongoing collaboration with The Second City. As such, this Spring Series is the perfect bridge to our season closer, the return by popular demand of The Art of Falling, opening June 9 with a gala performance, followed by our Season 38 Spotlight Ball.

I’m constantly impressed with the creative range and versatility of our dancers, who can transition in an instant from abstraction, to dance-theater, to physical comedy, and back again. You’ll see some of those qualities featured this weekend, but I hope you’ll stay with us for even more through The Art of Falling, and the 2016–17 season we’re unveiling soon. Stay tuned.

Warmly,

Glenn Edgerton Artistic Director Hubbard Street Dance Chicago

Above: Hubbard Street Artistic Director Glenn Edgerton.

Cover: Hubbard Street Dancers in I am Mister B by Gustavo Ramírez Sansano, from left: Andrew Murdock, Alicia Delgadillo, Jessica Tong, and Kevin J. Shannon. Photos by Todd Rosenberg. hubbardstreetdance.com

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Glenn Edgerton Artistic Director

Jason D. Palmquist Executive Director

Lou Conte Founding Artistic Director

Terence Marling Director, Hubbard Street 2

Lucas Crandall Rehearsal Director

Karena Fiorenza Ingersoll General Manager

Alejandro Cerrudo Resident Choreographer

Kathryn Humphreys Director of Youth, Education and Community Programs

Suzanne Appel Director of External Affairs

Claire Bataille Director of the Lou Conte Dance Studio

Jason Brown Director of Production

Ishanee DeVas Company Manager

Kaitlyn Breen Lighting Director

Rebecca M. Shouse Wardrobe Supervisor

Kilroy G. Kundalini Audio Engineer

Stephan Panek Head Carpenter and Stage Operations

Sam Begich Master Electrician

Julie E. Ballard Stage Manager and Properties Master

Season 38 Sponsors

Spring Series Sponsors

Diversity Partner Lew and Marge Collens

J.B. and M.K. Pritzker Family Foundation Lead Individual Sponsors

John and Jeanne Rowe

Bill and Orli Staley are the Leading Supporters of New Choreography Development

Season Media Sponsor

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Spring Series 2016

Season Radio Sponsor

I am Mister B Gustavo Ramírez Sansano, Choreography Pyotr Ilyich Tchaikovsky, Music Mario Alberto Zambrano, Text Jared B. Moore, Lighting Design Luis Crespo, Set Design Branimira Ivanova, Costume Design “It’s very special for me to return to Chicago, a city that’s shown so much love and support for my work, and to Hubbard Street, where I danced early in my career as a performer. This occasion has inspired me to create a little celebration of dance, in tribute to George Balanchine, whose Theme and Variations was a favorite work of mine to perform when I was a ballet dancer. With I am Mister B, I hope to keep the energy and feeling of that classic piece alive.” —Gustavo Ramírez Sansano This original work for Hubbard Street’s ensemble, set to the final movement of Pyotr Ilyich Tchaikovsky’s third suite for orchestra in G major (op. 55, 1884), reunites the creative team behind Ramírez Sansano’s 2012 choreographic interpretation of Bizet’s opera, CARMEN.maquia. As its narrator explains, all 12 of this work’s dancers represent the great choreographer George Balanchine, who is widely credited for reimagining classical ballet for the twentieth century and, in particular, for American audiences.

Created for and premiered by Hubbard Street Dance Chicago at the Harris Theater for Music and Dance, Chicago, IL, March 12, 2015. Music by Pyotr Ilyich Tchaikovsky: “Theme and Variations: Suite No. 3 in G, Op. 55, IV: Theme,” “Theme and Variations: Suite No. 3 in G, Op. 55, IV: Variations I–XII,” performed by Lovro von Matačić and Orchestra del Teatro alla Scala, Milano.

Courtesy of Warner Music Group. I am Mister B was commissioned by the Harris Theater for Music and Dance and the See the Dance Consortium, with additional support from the Imagine campaign provided by The Andrew W. Mellon Foundation.

INTERMISSION

The Impossible Alejandro Cerrudo, Choreography and Staging Concept Various Artists, Music Michael Korsch, Lighting Design Branimira Ivanova, Costume Design Alejandro Cerrudo’s thirteenth original work for Hubbard Street follows an aging couple looking back on their youth. Its poignant, surprising scenes — which appear at times as if seen through a prism, or in a hall of mirrors — raise intriguing questions about memory, mortality, partnership, and the resilience of the human spirit.

Created for and premiered by Hubbard Street Dance Chicago at the Harris Theater for Music and Dance in Millennium Park, Chicago, IL, June 5, 2014. Music by Nico Muhly: “Part IV” from the album Drones for Bedroom Community. Used with permission from Schirmer. Music by Fernando Velázquez: “Is It Over?” from the album The Impossible, and “The Illusive Spy” from the album The Spy. Used with permission from Fernando Velázquez. Music by Richard Hickox: “Barry Guy: After the Rain: Chorale” and “Barry Guy: After the Rain: Anitphon” as recorded by the City of London Sinfonia from the album NMC Revisited: Skempton, Muldowney, Guy for NMC Records. Used with permission from Warner/Chappell Music Publishing. Music by George Crumb: “Black Angels: Pavana” from the album George Crumb: Black Angels; Makrokosmos III: Music For A Summer Evening for Mode Records. Used with permission from Bridge Records Management. Music by Nils Frahm: “Familiar” from the album Felt.

Used with permission from Erased Tapes Music. Music by Patrick Doyle: “Cobblers” from the album Sleuth for Verese Sarabande.

Used with permission from Kobalt Music Publishing. Music by Jonny Greenwood: “Oil” and “Proven Lands” from the album There Will Be Blood. Used with permission from European American Music Distributers. Music by Nadia Sirota: “Ut” from the album First Things First for New Amsterdam Records. Used with permission from Nadia Sirota. Music by F.S. Blumm and Nils Frahm: “Juri” from the album Music for Wobbling Music Versus Gravity for Sonic Pieces Records. Used with permission from Manners McDade Music Limited. Individual Sponsors of The Impossible are Meg and Tim Callahan, Joel and Katie Cory, Lauren Robishaw, Richard and Barbara Silverman, Bill and Orli Staley, and Randy and Lisa White. Costumes are underwritten by John and Jeanne Rowe. Additional support is provided by Choreographer’s Circle Member Sarah J. Nolan.

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Spring Series 2016

Hubbard Street Dancers Jessica Tong, left, and Andrew Murdock in The Impossible by Resident Choreographer Alejandro Cerrudo.

Photo by Todd Rosenberg.

INTERMISSION

Imprint Lucas Crandall, Choreography and Original Concept Tábor Radosti, Lincoln Chase, Johann Sebastian Bach, Mikael Aldén, Music David Schultz, Live Percussion Jason Brown, Lighting Design Branimira Ivanova, Costume Design “Above all I’d like to thank the artists of Hubbard Street for their commitment to this creative process, and for their contributions in the studio. With Imprint, I sought to create an experience both visceral and visual — one which expresses a collective consciousness by exploring the dancers’ instinctive responses to natural and urban imagery.” —Lucas Crandall Created for and premiered by Hubbard Street Dance Chicago at the Harris Theater for Music and Dance in Millennium Park, Chicago, IL, March 17, 2016. Special thanks to Terence Marling. Music by Tábor Radosti: “Integrita,” from the album Agartta, recorded by Aliens Productions. Music by Lincoln Chase: “Nitty Gritty,” from the album In Action, as performed by Shirley Ellis, courtesy of Universal Music Group, published by Music Sales Group. Music by Johann Sebastian Bach: “Goldberg Variations, BWV 988: Aria,” as performed by Glenn Gould, from the album Bach: Goldberg Variations (1981) as recorded by Sony Music Entertainment. Music By Mikael Aldén: “That Which Remains,” from the album That Which Remains, recorded by Cold Meat Industry. The world premiere of Imprint by Lucas Crandall is funded in part by Season 38 Spring Series Sponsors Lew and Marge Collens, J.B. and M.K. Pritzker Family Foundation, John and Jeanne Rowe, Exelon, and Diversity Partner Baker & McKenzie. Bill and Orli Staley are the Leading Supporters of New Choreography Development.

hubbardstreetdance.com

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Hubbard Street Staff and Board Glenn Edgerton Artistic Director Jason D. Palmquist Executive Director Lou Conte Founding Artistic Director Karena Fiorenza Ingersoll General Manager Claire Bataille Director of the Lou Conte Dance Studio Terence Marling Director of Hubbard Street 2 Lucas Crandall Rehearsal Director Alejandro Cerrudo Resident Choreographer Belina Mizrahi Controller Krista Ellensohn Manager of Pre-Professional Programs Meredith Dincolo Artistic Associate and Coordinator of Pre-Professional Programs Alyssa Morales Accounting and Operations Coordinator Emma Speiser Management Associate LaMar Brown Artistic Administration Intern Alaya Turnbough Joey Gasso Erin Harner LCDS Interns External Affairs Suzanne Appel Director of External Affairs

Youth, Education and Community Programs Kathryn Humphreys Director of Youth, Education and Community Programs Sarah McCarty Senior Manager of School Partnerships Keesha Beckford Youth Programs Manager Michelle Modrzejewski Community Programs Manager Jennifer Gunter Youth Programs Coordinator Kristen Rybicki Education Coordinator Stefany Cotton Angel Herrold Becca Kosminsky Lily Ryan Lozon Aidaa Peerzada Mecca Robinson Amanda Smith Work Study Staff Production Staff Jason Brown Director of Production Ishanee DeVas Company Manager Kaitlyn Breen Lighting Director Julie E. Ballard Stage Manager and Properties Master Kilroy G. Kundalini Audio Engineer Stephan Panek Head Carpenter and Stage Operations

Kalena Chevalier Associate Director of Development

Sam Begich Master Electrician

Zachary Whittenburg Associate Director of Marketing and Communication

Wardrobe Staff Rebecca M. Shouse Head of Wardrobe

Melissa Platt Board Liaison and Individual Giving Manager

Constance Thome Rachel Winborn Drapers

Allan Waite Manager of Patron and Data Services

Greta Humphrey Redding Baker Stitchers

Jose E. Gaona Corporate and Foundation Relations Coordinator Sofia Pilar Marketing Coordinator Meghan Pioli Development Coordinator Sidney Cristol Advertising, Sales and Ticketing

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Elise Belluccia Kiona Vickroy Development Interns

Spring Series 2016

Jenni Schwaner Ladd Touring Wardrobe Board of Directors Mayor Rahm Emanuel Honorary Chair Sara Albrecht++ Chair Richard L. Rodes President and Treasurer

Camille E. Rudge Secretary John E. Vazquez Assistant Treasurer Ellis Regenbogen+ Immediate Past Chair Denise Stefan Ginascol++ VP Development Caryn Jacobs Assistant VP Development Katherine V. Schostok Assistant VP Development Meg Siegler Callahan+ VP Board Development Marc Miller+ VP Artist Training Continuum Richard F. Tomlinson II VP Facilities Bija Bennett Berle Blitstein Ross B. Bricker Marge Collens+++* Joel Cory Dirk Denison Michael Downing Allan Drebin Miguel Edwards Paul Gignilliat Linda Hutson Karen H. Lennon+ Betsy Stelle Morgan Maureen Mosh Sarah J. Nolan Sheila Owens Byron Pollock++ Alyssa Rapp Lauren Robishaw Kelly Royer Mary Kay Shaw Deborah Stonebraker Randy White+ Life Directors John W. Ballantine+ Corinne Brophy Edythe R. Cloonan++ Sondra Berman Epstein+ Stanley M. Freehling Charles R. Gardner Sandra P. Guthman+ James Mabie++ Marie E. O’Connor++ Timothy Schwertfeger++ Jack D. Tovin Sallyan Windt William N. Wood Prince + Past Board Chair ++ Past Board President *Deceased

Program Book Zachary Whittenburg Editor Peggy Fink, Designer Sidney Cristol, Advertising Sales

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COSTUME DESIGN The Spring Series premiere of Imprint by Lucas Crandall marks 26 Hubbard Street productions with costumes by Chicago-based designer Branimira Ivanova. Her prolific partnership with the company began in 2002, when Crandall invited Ivanova to help him create a world halfclassic and half-contemporary for his biographical work Atelier, inspired by the relationship between Auguste Rodin and Camille Claudel. Over the 13 seasons since, Ivanova would go on to collaborate with both guest choreographers and in-house artists, including Marguerite Donlon, Brian Enos, Jonathan Fredrickson, Cheryl Mann, Terence Marling, Andrea Miller, Penny Saunders, Toru Shimazaki, and Robyn Mineko Williams, plus The Impossible and nine more of Alejandro Cerrudo’s premieres.

Branimira Ivanova is a graduate of both the University of Connecticut (MFA, Costume Design) and of the International Academy of Design and Technology (BFA, Fashion Design). In 2009 and 2010, Ivanova received Jeff Award nominations for her work for Lifeline Theatre’s productions of Treasure Island and Wuthering Heights; her work for the Gift Theatre’s Cloud 9 received a Jeff Award for Best Costume Design (Equity Wing) in 2012. In 2007, Ivanova received a Certificate for Excellence in Theatre Design from the United States Institute for Theatre Technology, and her designs were included in the United States’ National Exhibit at the Prague Quadrennial World Stage Expo. In 2002, she received Fashion Group International’s “Design Your Future Award,” and the Driehaus Award for Fashion Excellence. Ivanova is also the founder of House of Idolatry Clothing.

Top: Shannon Alvis, Terence Marling, and Alejandro Cerrudo, from left, in The Set by Lucas Crandall. Middle right: Alejandro Cerrudo and Branimira Ivanova onstage at the Harris Theater. Above: Design renderings by Branimira Ivanova for, left, I am Mister B by Gustavo Ramírez Sansano, with Hubbard Street Dancers Andrew Murdock and Ana Lopez; and at right, The Impossible

by Resident Choreographer Alejandro Cerrudo. Photos by Todd Rosenberg.

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Spring Series 2016

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CHOREOGRAPHER PROFILES Alejandro Cerrudo was born in Madrid, Spain and trained at the Real Conservatorio Profesional de Danza de Madrid. His professional career began in 1998 and includes work with Victor Ullate Ballet, Stuttgart Ballet, and Nederlands Dans Theater 2. Cerrudo joined Hubbard Street Dance Chicago in 2005, was named Choreographic Fellow in 2008, and became the company’s first Resident Choreographer in 2009. Fourteen works choreographed to date for Hubbard Street include collaborations with The Second City, the Chicago Symphony Orchestra, and Nederlands Dans Theater. These pieces and additional commissions are in repertory at companies around the U.S. as well as in Australia, Denmark, Germany, and the Netherlands; touring engagements have brought his work still further abroad, to audiences in Algeria, Canada, Morocco, and Spain. In March 2012, Pacific Northwest Ballet invited Cerrudo to choreograph his first work for the company, Memory Glow, upon receiving the Joyce Theater Foundation’s second Rudolf Nureyev Prize for New Dance. Additional honors include an award from the Boomerang Fund for Artists (2011), and a Prince Prize for Commissioning Original Work from the Prince Charitable Trusts (2012) for his acclaimed, first evening-length work, One Thousand Pieces. In March 2016, Switzerland’s Ballett Basel premieres his second evening-length work, Sleeping Beauty, at Theater Basel. Cerrudo was one of four choreographers invited by New York City Ballet principal Wendy Whelan to create and perform original duets for “Restless Creature,” and he is United States Artists’ 2014 USA Donnelley Fellow.

Lucas Crandall began his dance career with the Milwaukee Ballet in 1979. In 1980, he joined the Ballet du Grand Théâtre de Genève, then directed by Oscar Aráiz. Under the direction of Jiří Kylián, he danced with Nederlands Dans Theater for two years before returning to Geneva, as soloist and later rehearsal assistant, under the direction of Gradimir Pankov. Crandall has performed and originated roles in works by notable choreographers including Aráiz, Kylián, Christopher Bruce, Nacho Duato, Mats Ek, Rui Horta, Amanda Miller and Ohad Naharin.

In 2000, Crandall returned to the U.S. to join Hubbard Street Dance Chicago, as Associate Artistic Director and staff at the Lou Conte Dance Studio. His teaching and coaching career includes residencies at various U.S. universities; master classes and repertory workshops, both domestically and abroad; and guest positions at companies including Les Ballets Jazz de Montréal, Northwest Professional Dance Project, and the Ballet du Grand Théâtre de Genève. Crandall’s choreographic work includes multiple premieres for Hubbard Street (Atelier, Gimme, The Set) and new works for Northwest Dance Project and Thodos Dance Chicago.

Crandall was recently rehearsal director for Nederlands Dans Theater’s main company for three years, under the directorships of Paul Lightfoot and former Hubbard Street Artistic Director Jim Vincent. Crandall returned to Hubbard Street as Rehearsal Director in April 2013.

Gustavo Ramírez Sansano was artistic director of Chicago’s Luna Negra Dance Theater from 2009–13 following four years directing proyectoTITOYAYA in Valencia, Spain. Awards and recognitions he’s received for his choreography include first prizes at the Ricard Moragas competition in Barcelona, the Prix Dom Pérignon in Hamburg, and Las Artes Escénicas de la Comunidad Valenciana. International companies that have commissioned new works by Ramírez Sansano include Balé Teatro Guaíra, Ballet BC, Ballet Hispanico, Ballet Junior de Genève, BalletMet Columbus, Balletto dell’Esperia, Budapest Dance Theater, Compañía Nacional de Danza, Gyori Ballet, the Hamburg Ballet, IT Dansa, Nederlands Dans Theater, No(one. Art House Los Angeles, Norrdans, Otra Danza, Tanz Luzerner Theater, and TanzTheater München. During his career onstage, Ramírez Sansano performed works by choreographers Jacopo Godani, Johan Inger, Jiří Kylián, Paul Lightfoot, Hans van Manen, Ohad Naharin, Victor Ullate and others, often originating roles, at Ballet Joven de Alicante, Ballet Contemporáneo de Barcelona, Ballet de la Comunidad de Madrid, Nederlands Dans Theater 2, and Hubbard Street Dance Chicago. Ramírez Sansano was named one of 15 choreographers to watch by POR LA DANZA magazine for its 15th anniversary, one of “25 to Watch” by Dance Magazine, and a Chicagoan of the Year in the arts and entertainment by the Chicago Tribune in 2012.

Photo of Hubbard Street Resident Choreographer Alejandro Cerrudo by Jim Newberry. Photos of Lucas Crandall and Gustavo Ramírez Sansano by Todd Rosenberg.

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Spring Series 2016

MARGE COLLENS (1939–2015) Marge Collens was a force of nature, passionately committed to Hubbard Street Dance Chicago. As a member of Hubbard Street’s Board of Directors beginning in 1998, Marge generously shared her expertise, and led multiple initiatives over the past two decades. She served as President in 2002 and 2003, and as Chairman from 2003 to 2006.

Throughout her tenure Marge worked tirelessly on behalf of Hubbard Street.

When the company moved its studios and administrative offices to the West Loop, Marge spearheaded a fundraising campaign to renovate the façade of the Hubbard Street Dance Center, helping spur the growth of a vibrant new neighborhood. She fostered a groundbreaking collaboration between Hubbard Street’s artists and students of architecture at the Illinois Institute of Technology, and she inspired us all with her consistent efforts to grow Hubbard Street’s endowment.

Marge’s enthusiastic sponsorship of choreography enabled Hubbard Street to secure world premieres by ascending artists, as well as established masterworks from internationally recognized dancemakers, deeply connecting Chicago audiences to the world of contemporary dance.

Her love for her husband, Lew Collens, her son Steven Collens, and daughter-in-law Caralynn Nowinski Collens, is everlasting and, likewise, Marge made Hubbard Street a part of her immediate family. Her dedication and visionary leadership will not be forgotten. The legacy and impact of her work will continue for many years to come.

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lookingglasstheatre.org 312.337.0665 Lookingglass Theatre Company in the Water Tower Water Works on Michigan Avenue at Pearson

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PRODUCTION SPONSOR

PRODUCER’S CIRCLE

Elizabeth F. Cheney Foundation The Pauls Foundation

John McGowan and Dave Robbins

Spring Series 2016

OPENING NIGHT SPONSOR

Thank you to our Season 38 Media and Radio Sponsors

Hubbard Street Dancer Kevin J. Shannon. Photo by Todd Rosenberg.

hubbardstreetdance.com

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About Hubbard Street Hubbard Street Dance Chicago’s core purpose is to bring artists, art and audiences together to enrich, engage, educate, transform and change lives through the experience of dance. Celebrating its 38th season in 2015–16, Hubbard Street continues to be an innovative force, supporting its creative talent while presenting repertory by major international artists.

Hubbard Street Dance Chicago grew out of the Lou Conte Dance Studio at LaSalle and Hubbard Streets in 1977, when Lou Conte gathered an ensemble of four dancers to perform in senior centers across Chicago. Barbara G. Cohen soon joined the company as its first Executive Director. Conte continued to direct the company for 23 years, during which he initiated and grew relationships with both emerging and established artists including Nacho Duato, Daniel Ezralow, Jiří Kylián, Ohad Naharin, Lynne Taylor-Corbett and Twyla Tharp.

Conte’s successor Jim Vincent widened Hubbard Street’s international focus, began Hubbard Street’s collaboration with the Chicago Symphony Orchestra and cultivated growth from within, launching the Inside/Out Choreographic Workshop and inviting Resident Choreographer Alejandro Cerrudo to make his first work. Gail Kalver’s 23 years of executive leadership provided continuity from 1984 through the 2006–07 season, when Executive Director Jason Palmquist joined the organization.

Glenn Edgerton became Artistic Director in 2009 and, together with Palmquist, moved this legacy forward on multiple fronts. Inside/Out is now part of a broader strategy for building new repertoire, the Choreographic Development Initiative, which aims to be a national model for artistic development while proactively diversifying contemporary dance.

Partnerships with the Museum of Contemporary Art Chicago and other institutions keep Hubbard Street deeply connected to its hometown. To the company’s repertoire, Edgerton has extended relationships with its signature choreographers while adding significant new voices such as Kyle Abraham, Mats Ek, Sharon Eyal, Alonzo King, Crystal Pite, and Victor Quijada.

Claire Bataille, left, and Ginger Farley in Case Closed by Lynne Taylor-Corbett, 1986. Photo by Jennifer Girard.

Isaac Spencer, left, and Erin Derstine in Float

by Julian Barnett, 2006. Photo by Todd Rosenberg.

Choreographer Mats Ek, left, rehearses Quinn B Wharton in Casi-Casa, 2012. Photo by Todd Rosenberg.

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Shannon Alvis, left, and Terence Marling in Extremely Close

by Alejandro Cerrudo, 2008. Photo by Todd Rosenberg.

Spring Series 2016

The main company’s members comprise one of the only ensembles in the U.S. to perform all year long, domestically and around the world, while four nationally renowned Summer Intensive Programs bring young artists into its ranks. Hubbard Street 2, its second company for early-career artists, was founded in 1997 by Conte and Julie Nakagawa. Now directed by Terence Marling, HS2 cultivates young professional dancers, identifies next-generation choreographers, and performs domestically and abroad in service of arts education, collaboration, experimentation and audience development.

Hubbard Street’s Youth, Education and Community Programs are national benchmarks for partnership, dance education and urban school research. In 2008, the Parkinson’s Project became the first dance class in the Midwest for those affected by Parkinson’s disease and, with The Autism Project pilot in 2014, it’s now part of Hubbard Street’s growing Adaptive Dance Programs. Youth Dance Programs for students ages 18 months to 18 years emphasize creative expression and are offered year-round at the Hubbard Street Dance Center.

At the Lou Conte Dance Studio — where Hubbard Street began in 1974 — workshops and master classes allow access to expertise, while a broad variety of weekly classes offer training at all levels in jazz, ballet, modern, tap, African, hip-hop, yoga, Pilates® and dance fitness.

Visit hubbardstreetdance.com to learn more.

Above left: Frank Chaves and Leslie Stevens in Mae by Richard Levi, 1987.

Archival photo.

Above right: Hubbard Street 2 in The 40s by Lou Conte, 2003. Archival photo.

Center: Tobin Del Cuore, left, and Cheryl Mann in Gimme

by Lucas Crandall, 2004. Photo by Todd Rosenberg.

Ron De Jesús, left, Krista Ledden and Ensemble in I Remember Clifford

by Twyla Tharp, 1996. Photo by Ruedi Hofmann.

hubbardstreetdance.com

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STAFF PROFILES Glenn Edgerton (Artistic Director) joined Hubbard Street Dance Chicago after an international career as a dancer and director. At the Joffrey Ballet, he performed leading roles, contemporary and classical, for 11 years under the mentorship of Robert Joffrey. In 1989, Edgerton joined the acclaimed Nederlands Dans Theater (NDT), where he danced for five years. He retired from performing to become its artistic director, leading NDT 1 for a decade and presenting the works of Jiří Kylián, Hans van Manen, William Forsythe, Ohad Naharin, Mats Ek, Nacho Duato, Jorma Elo, Johan Inger, Paul Lightfoot and Sol León, among others. From 2006 to 2008, he directed the Colburn Dance Institute at the Colburn School of Performing Arts in Los Angeles. Edgerton joined Hubbard Street as associate artistic director in 2008; since 2009 as artistic director, he has built upon more than three decades of leadership in dance performance, education and appreciation established by founder Lou Conte and continued by Conte’s successor, Jim Vincent.

Jason D. Palmquist (Executive Director) joined Hubbard Street Dance Chicago in May 2007, after serving the arts community in Washington, D.C. for nearly 15 years. Palmquist began his career at the John F. Kennedy Center for the Performing Arts, completing his tenure there as vice president of dance administration. At the Kennedy Center, he oversaw multiple world-premiere engagements of commissioned works in dance, the formation and growth of the Suzanne Farrell Ballet and the inception in 1997 of the Millennium Stage, an award-winning, free daily performance series that to date has served more than 3 million patrons. Deeply enriching the Kennedy Center’s artistic programming, Palmquist successfully presented engagements of global dance companies including the Royal Ballet, Alvin Ailey American Dance Theater, the Kirov Ballet, Paul Taylor Dance Company, American Ballet Theatre and New York City Ballet. Palmquist also managed the Kennedy Center’s television initiatives, including the creation of the Mark Twain Prize for American Humor and a prime-time special on NBC memorializing the first anniversary of the September 11 attacks. In 2004, he accepted the position of executive director at the Washington Ballet. Under his leadership, the company presented full performance seasons annually at the Kennedy Center and the Warner Theater, and nurtured its world-renowned school and extensive education and outreach programs. A graduate of the University of Northern Iowa, Palmquist currently serves on the boards of the Arts Alliance of Illinois and the Harris Theater for Music and Dance.

Karena Fiorenza Ingersoll (General Manager) brings more than a decade of experience to Hubbard Street as a leader, fundraiser and producer in the performing arts. Most recently, she served as the associate managing director of Berkeley Repertory Theatre in California, where she line-produced and managed all new play development efforts, shepherding 30% growth in capacity. Previous tenures include executive director of contemporary dance company Robert Moses’ Kin (San Francisco, CA), associate managing director of Yale Repertory Theatre (New Haven, CT), management fellow during ArtsEmerson’s inaugural presenting year (Boston, MA), annual fund manager at Aurora Theatre (Berkeley, CA), and international experience in Mexico City working for a nonprofit humanitarian group. While in the Bay Area, Fiorenza Ingersoll was secretary and then president of the Berkeley Cultural Trust and a proud member of the Bay Area Latino Theatre Artists Network. She is also a freelance arts management strategist and artist representative, partnering with individual artists and ensembles whose work gives voice to underrepresented stories and perspectives. Recognized nationally, Fiorenza Ingersoll was invited in 2014 by Theatre Communications Group to be part of its SPARK Leadership Program’s inaugural class. She holds two bachelor’s degrees from the University of California at Berkeley and an MFA in Theater Management from Yale University.

Terence Marling (Director of Hubbard Street 2), born and raised in Chicago, Illinois, trained at the Ruth Page School of Dance with renowned ballet teacher Larry Long. Following his professional work with Patricia Wilde and Terrence S. Orr at Pittsburgh Ballet Theatre, and at Germany’s Nationaltheater Mannheim with director and choreographer Kevin O’Day, Marling became a member of Hubbard Street Dance Chicago. During 16 years onstage, he performed works by George Balanchine, Nacho Duato, Johan Inger, Jiří Kylián, Ohad Naharin, Paul Taylor, Glen Tetley and others, originating numerous roles. Beginning in 2010 as Hubbard Street Rehearsal Director, Marling taught, coached and maintained works and premieres by Resident Choreographer Alejandro Cerrudo, Duato, Naharin, Aszure Barton, Mats Ek, William Forsythe, Alonzo King, Susan Marshall, Victor Quijada and Twyla Tharp. Marling’s own creations have been performed by Pittsburgh Ballet Theatre as well as both of Hubbard Street’s ensembles, and he co-choreographed with Robyn Mineko Williams the company’s first familyoriented production, Harold and the Purple Crayon: A Dance Adventure. Marling became Director of Hubbard Street 2 in April 2013.

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Spring Series 2016

HUBBARD STREET DANCE CHICAGO Alejandro Cerrudo (Resident Choreographer) See Choreographer Profiles.

Lucas Crandall (Rehearsal Director) See Choreographer Profiles.

Kathryn Humphreys (Director of Education, Youth and Community Programs) joined Hubbard Street in 2002.

She develops and implements dance-education initiatives designed to improve teacher and teaching-artist practice and collaboration, to effect whole-school change and further the field’s understanding of the role of dance in public education. She oversees program development, implementation, and management of all of Hubbard Street’s in-school and community initiatives. With more than two decades of experience in arts education, her work supports local and national groups and, under her direction, the department has engaged in a series of in-depth research initiatives, contributing unique knowledge and assessment tools to the field, many of which have been widely published. Humphreys launched Hubbard Street Youth Dance Programs in 2007, connecting the choreographic process curricula Hubbard Street pioneered in schools with training in traditional dance techniques, for a unique and diverse slate of classes currently serving more than 1,000 students per year. The department’s Family Workshop Series brings generations together through dance, while Hubbard Street’s innovative Adaptive Dance Programs expand movement opportunities for Chicagoans with physical and mental disabilities. Humphreys consults locally and nationally on issues related to dance education, and holds an MA in Dance from Texas Woman’s University.

Claire Bataille (Director of the Lou Conte Dance Studio) was a founding dancer with Hubbard Street from 1977 to 1992, performing works created by Lou Conte, Twyla Tharp, Lynne Taylor-Corbett, Daniel Ezralow, John McFall and Margo Sappington. She received the Ruth Page Award for Outstanding Dancer in 1992. From 1977 to 2001, Bataille also served the company as Assistant Artistic Director, Ballet Mistress and Rehearsal Director. She choreographed five works between 1978 and 1985 and toured nationally and internationally with Hubbard Street.

Bataille began teaching at the Lou Conte Dance Studio in 1975 and has been teaching dance in Chicago ever since. In 2003, she earned her certification in the Pilates Method with Romana’s Pilates in New York. In 2005, Bataille was appointed Associate Director of the Lou Conte Dance Studio at the Hubbard Street Dance Center and became its Director in 2008.

Suzanne Appel (Director of External Affairs) joined Hubbard Street in August 2015 following a decade of arts leadership roles with an emphasis on business development, revenue generation, and producing the work of formchallenging artists. Most recently she served as managing director of The Cutting Ball Theater in San Francisco, where she nearly doubled the organization’s operating budget and built a two-plus-month operating reserve in four years. Her previous roles include director of individual giving at Dance Theater Workshop in New York City, associate managing director at Yale Repertory Theater in New Haven, management fellow at Berkeley Repertory Theater, and assistant director of the annual fund at Wesleyan University. While in San Francisco, she served on the board of the Tenderloin Community Benefit District. Appel maintains a freelance practice as a financial and strategic management consultant for arts organizations, holds an MBA from Yale School of Management, an MFA in Theater Management from Yale School of Drama, and a BA from Wesleyan University.

Lou Conte (Founding Artistic Director), after a performing career that included roles in Broadway musicals such as Cabaret, Mame and How to Succeed in Business Without Really Trying, established the Lou Conte Dance Studio in 1974. Three years later, he founded what is now Hubbard Street Dance Chicago. Originally the company’s sole choreographer, he developed relationships with emerging and world-renowned dancemakers Lynne Taylor-Corbett, Margo Sappington and Daniel Ezralow as the company grew. Conte continued to build Hubbard Street’s repertoire by forging a key relationship with Twyla Tharp in the 1990s, acquiring seven of her works as well as original choreography. It then became an international enterprise with the inclusion of works by Jiří Kylián, Nacho Duato and Ohad Naharin. Throughout his 23 years as the company’s artistic director, Conte received numerous awards including the first Ruth Page Artistic Achievements Award in 1986, the Sidney R. Yates Arts Advocacy Award in 1995, and a Chicagoan of the Year award from Chicago magazine in 1999. In 2003, Conte was inducted as a laureate into the Lincoln Academy of Illinois, the state’s highest honor, and in 2014, was named one of five inaugural recipients of the City of Chicago’s Fifth Star Award. He has been credited by many for helping raise Chicago’s international cultural profile and for creating a welcoming climate for dance in the city, where the art form now thrives.

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2015–16 DANCER PROFILES Jesse Bechard (Bolton, MA) began his formal ballet training at age 16, graduated from Walnut Hill School for the Arts, and attended training programs at Boston Ballet, Alonzo King LINES Ballet and Ballet Austin. In 2000, having completed his freshman year at the University of Chicago, he returned to dance, performing for one year with Ballet Austin and for eight with Richmond Ballet. Bechard joined Hubbard Street in August 2010.

Jacqueline Burnett (Pocatello, ID) received classical ballet training in Pocatello, Idaho from Romanian ballet master Marius Zirra, with additional summer training at Ballet Idaho, Brindusa-Moore Ballet Academy, the Universal (Kirov) Ballet Academy, the Juilliard School and the San Francisco Conservatory of Dance. She graduated magna cum laude with departmental honors from the Ailey School and Fordham University’s joint program in New York City in 2009, while an apprentice with Hubbard Street. She was promoted to the main company in August 2009 and is a 2011–12 Princess Grace Honorarium recipient.

Alicia Delgadillo (Charlotte, NC) began her classical training at the Susan Hayward School of Dance in San Francisco, California, and continued her studies in North Carolina with Gay Porter and Bridget Porter Young at the Charlotte School of Ballet. In 2004, Delgadillo began studying full time with Daniel and Rebecca Wiley at Piedmont School of Music and Dance. She has attended summer programs at Hubbard Street, the Juilliard School, San Francisco Conservatory of Dance, and Springboard Danse Montréal. Delgadillo graduated with honors from the Ailey School and Fordham University’s joint program in New York City in 2012, while a member of Hubbard Street 2, and was promoted to the main company in April 2014.

Jeffery Duffy (Adamsville, GA) began dancing at age three and attended the Cobb County Center for Excellence in the Performing Arts at Pebblebrook High School in Mableton, Georgia; Talent Unlimited High School; and the Juilliard School in New York City. He has performed with the Juilliard Dance Ensemble at Lincoln Center and the Chicago Dancing Festival, and as a guest artist with Dance Theatre of Harlem. At the McCallum Theatre Institute’s 2013 Choreography Festival, Duffy and Alexander Jones received the Division I Second Place Prize for their original work, Open it to Speak; Duffy is also the recipient of an Alan D. Marks Entrepreneurship Grant, and winner of the Robert and Mercedes Eichholz Arts Entrepreneurship Prize. He joined Hubbard Street in August 2015.

Kellie Epperheimer (Los Osos, CA) began her dance training in 1988 at the Academy of Dance and Civic Ballet of San Luis Obispo, and attended training programs at the Joffrey Ballet School and the Juilliard School in New York City. A founding member of Cedar Lake Ensemble (later Cedar Lake Contemporary Ballet), she joined Hubbard Street 2 in January 2005, and was promoted to the main company in January 2007.

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HUBBARD STREET DANCE CHICAGO Michael Gross (Poughquag, NY) earned a BFA in Dance from the University of Arizona and received much of his early training from Colorado Jazz Dance Company in Colorado Springs, followed by further studies at the American Academy of Ballet and Springboard Danse Montréal. Formerly a member of River North Dance Chicago and Visceral Dance Chicago, Gross has also performed with Elements Contemporary Ballet and in the Chicago Symphony Orchestra’s holiday production, Welcome Yule! Gross joined Hubbard Street in August 2014 and thanks his friends and family for their love and support.

Jason Hortin (Olympia, WA) graduated from the University of Nevada, Las Vegas with a BFA in Dance under the direction of Louis Kavouras. His performance career includes work with Moving People Dance Theatre, Erick Hawkins Dance Company and River North Dance Chicago. Hortin joined Hubbard Street as an apprentice in August 2007 and was promoted to the main company in July 2008.

Alice Klock (Whidbey Island, WA) began dancing at age 11. She trained at Interlochen Arts Academy from 2003–07, and in Alonzo King LINES Ballet and Dominican University of California’s joint BFA program from 2007–09. Klock then joined Hubbard Street 2 in September 2009 and was promoted to the main company in September 2011.

Emilie Leriche (Santa Fe, NM) began her dance training at the age of eight. In 2007 she began her formal dance training at Walnut Hill School for the Arts, with additional summer study at Joffrey Midwest, Complexions Contemporary Ballet and the San Francisco Conservatory of Dance. Leriche has performed alongside the dancers of zoe | juniper, and at the WestWave Dance Festival as a member of Maurya Kerr’s tinypistol.

Leriche joined Hubbard Street 2 in 2011, was promoted to the main company in 2013, was named one of Dance Magazine’s “25 to Watch” for 2015, and is the recipient of a 2015 Dance Fellowship from the Princess Grace Foundation–USA. Florian Lochner (Frankenhardt, Germany) trained at Ballettschule Malsam in Schwäbisch Hall, Germany, and the Staatliche Hochschule für Musik und Darstellende Kunst in Mannheim, where he was the recipient of its Birgit Keil Dance Foundation scholarship. Lochner earned his master’s degree in the performing arts and joined Gauthier Dance Company in Stuttgart in 2011, performing works by numerous choreographers including Mauro Bigonzetti, Jiří Bubeníček, Alejandro Cerrudo, Alexander Ekman, Itzik Galili, Eric Gauthier, Marco Goeke, Johan Inger, Jiří Kylián, Christian Spuck, Cayetano Soto, Philip Taylor, Stephan Thoss, Paul Lightfoot and Sol León. He received a “Best of the Season” nomination in Germany’s Dance for You! Magazine in September 2013, and joined Hubbard Street in August 2015.

Ana Lopez (A Coruña, Spain) began her formal training at Conservatorio de Danza Diputacion de A Coruña. Upon graduating Isaac Diaz Pardo High School, she continued her training at Centro Internacional de Danza Carmen Roche. Prior to joining Hubbard Street in January 2008, Lopez danced with Joven Ballet Carmen Roche, with Compañía Nacional de Danza 2 in works by Nacho Duato and Tony Fabre, and at Ballet Theater Munich under the directorship of Philip Taylor. She was named one of Dance Magazine’s “25 to Watch” for 2012. hubbardstreetdance.com

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2015–16 DANCER PROFILES Andrew Murdock (St. Albert, AB) is a graduate of the Juilliard School, from which he received a BFA in Dance under the direction of Lawrence Rhodes. Prior to being a regular collaborator with Aszure Barton & Artists, Murdock performed with Gallim Dance and BJM Danse, formerly Les Ballets Jazz de Montréal. Additional collaborators and colleagues include Cherice Barton, Joshua Beamish, Andy Blankenbuehler, Nina Chung, Joe Lanteri, Austin McCormick, Michelle Mola, Abdel Salaam and Edgar Zendejas. He has appeared at the Greenwich Music Festival, with Zack Winokur, and with Geneviève Dorion-Coupal at Just for Laughs and Le 400e Anniversaire de la Ville de Québec. As a rehearsal assistant to Aszure Barton, he has worked with American Ballet Theatre, Canada’s National Ballet School and Ballet BC, New York University, the Steps Ensemble, Arts Umbrella and Springboard Danse Montréal. He joined Hubbard Street in 2013.

Penny Saunders (West Palm Beach, FL) graduated from the Harid Conservatory in 1995.

She then began her professional career with the American Repertory Ballet under the direction of Septime Webre, danced with Ballet Arizona and MOMIX, and was a founding member of Cedar Lake Contemporary Ballet (then Cedar Lake Ensemble). In 2004, Saunders joined Hubbard Street, where she began to pursue her choreographic interests, creating for Hubbard Street 2 in 2011 through its International Commissioning Project, and premiering her first work for Hubbard Street’s main company in 2013. She has since choreographed for the Nexus Project, Owen/Cox Dance Group, SFDanceworks, Whim W’Him, Grand Rapids Ballet, and Neos Dance Theatre as a choreographer in residence at the University of Akron. In 2015 Saunders returned to Hubbard Street’s main company and began a three-year choreographic residency with Grand Rapids Ballet. She thanks her lovely husband and beautiful son for all of their support.

David Schultz (Grand Rapids, MI) began training in Michigan with the School of Grand Rapids Ballet, where he then performed for four seasons with its company, Grand Rapids Ballet. Schultz joined Hubbard Street 2 in September 2009 and was promoted to the main company in August 2011, and he is the recipient of a 2012 Princess Grace Award.

Kevin J. Shannon (Baltimore, MD) began dancing under the guidance of Lester Holmes. He graduated from the Baltimore School for the Arts with additional training at the School of American Ballet, Miami City Ballet School, Paul Taylor Dance Company and Parsons Dance. He earned his BFA in 2007 at the Juilliard School, toured nationally with the Juilliard Dance Ensemble and appeared in the “Live from Lincoln Center” broadcast television special The Juilliard School: Celebrating 100 Years. Shannon joined Hubbard Street in November 2007.

Jessica Tong (Binghamton, NY) received her formal training at the Ballet School in Salt Lake City under Jan Clark Fugit, as well as at the University of Utah, where she was a member of Utah Ballet. Tong danced with BalletMet in Ohio, Eliot Feld’s Ballet Tech in New York City and with Hubbard Street 2 before joining the main company in January 2007. She was named one of Dance Magazine’s “25 to Watch” for 2009, and currently serves on Chicago Dancers United’s Ambassador Committee for Dance for Life Chicago.

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2015–16 HS2 DANCER PROFILES Katlin Michael Bourgeois (Gonzales, LA) began dancing in 2010 at various studios in Louisiana including NOCCA (the New Orleans Center for the Creative Arts) and A Touch of Class Performing Arts. After attending Alonzo King LINES Ballet’s Summer Program in San Francisco in 2012, he accepted a full scholarship to join the Alonzo King LINES Ballet Training Program, from which he graduated in May 2014. Bourgeois has performed in works by numerous choreographers including Andrew Brader, Sandrine Cassini, Lee-Wei Chao, Kara Davis, Gregory Dawson, Maurya Kerr, Nikoloz Makhateli and Uri Sands. He joined Hubbard Street 2 as an apprentice in August 2014 and was promoted to full company member in August 2015.

Zachary Enquist (Plymouth, MN) began training at Summit School of Dance in Plymouth, MN. He holds a BFA in Dance from SUNY–Purchase College in New York, where he performed works by choreographers Doug Varone, Lar Lubovitch, Stephen Petronio, Bill T. Jones and Merce Cunningham. Other training includes summer studies at the Juilliard School, Movement Invention Project and Springboard Danse Montréal, where he performed repertory by William Forsythe, Stijn Celis and Robyn Mineko Williams. Enquist spent a semester abroad at Codarts in Rotterdam, the Netherlands, and was an apprentice at Mark Morris Dance Group. Enquist joined Hubbard Street 2 as a full company member in August 2014.

Elliot Hammans (Santa Fe, NM) began his formal dance training in 2008 with Robert Sher-Machherndl and continued his ballet and modern dance education with Moving People Dance in Santa Fe, NM, under the direction of Curtis Uhlemann. Hammans joined Moving People Dance Company as an apprentice in 2010, trained on full scholarship at the Alonzo King LINES Dance Center in San Francisco, and attended Hubbard Street Dance Chicago’s 2011 and 2012 Summer Intensives. Following one season with Cherylyn Lavagnino Dance and studies abroad at Austria’s Tanzzentrum SEAD (Salzburg Experimental Academy of Dance), Hammans earned his BFA in Dance in 2014 from Tisch School of the Arts at NYU. Choreographers whose work he has performed include Sean Curran, Gail Gilbert, Crystal Pite, Kendra Portier and Nathan Trice. Hammans joined Hubbard Street 2 as a full company member in August 2014.

Jade Hooper (Riverside, CA) began training under the direction of Clifford J. Breland and Anthony Jackson at Bre Dance Studio, continuing at the California Institute of the Arts (CalArts) and Alonzo King LINES Ballet’s Summer Program, where she received its Homer Avila Scholarship Award. She earned her BFA in dance with a minor in math and science from CalArts and joined Hubbard Street 2 as a full company member in August 2015.

Natalie Leibert (Moorpark, CA) began training at various dance schools in the Los Angeles area including company work with Westside Dance Project in Redondo Beach, and Pacific Festival Ballet in Agoura Hills. She continued training at the Miami City Ballet School and, most recently, completed a year in Alonzo King LINES Ballet’s Training Program. Leibert has attended workshops and programs at the San Francisco Conservatory of Dance, the Joffrey Ballet School, the School of American Ballet, Pacific Northwest Ballet and the Juilliard School, in addition to Nederlands Dans Theater and Batsheva Dance Company. She has performed works by choreographers including Iratxe Ansa, Sandrine Cassini, Jessie Hartley, Will Johnston, Menghan Lou and Carmen Rozestraten. Leibert joined Hubbard Street 2 as an apprentice in August 2014 and was promoted to full company member in August 2015.

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HUBBARD STREET 2 Adrienne Lipson (London, ON) began her dance training in London, Ontario under the tutelage of Jennifer Swan, and continued her studies at Ryerson University, where she received a BFA with honors upon her graduation in spring 2013. While in Toronto, Lipson performed with Typecast Dance Company and was a founding member of Rock Bottom Movement. Lipson attended the Proarte Danza Summer Intensive and Kenny Pearl’s Emerging Artists Summer Intensive, in addition to training programs at Hubbard Street Dance Chicago, LADMMI (Montréal’s L’École de Danse Contemporaine), the Jacob’s Pillow Dance Festival and Springboard Danse Montréal, where she performed works by choreographers Aszure Barton, Barak Marshall and Robyn Mineko Williams.

Lipson joined Hubbard Street 2 as an apprentice in August 2013 and was promoted to full company member in August 2014.

HS2 Apprentice Christina Vargas (Bowie, MD) began her early training in the Cecchetti technique of ballet under the guidance of Pamela Moore, and continued her studies at Maryland Youth Ballet followed by two years in Alonzo King LINES Ballet’s Training Program, from which she graduated in May 2015. She also attended summer programs and workshops at the Alonzo King LINES Dance Center, Cedar Lake Contemporary Ballet, and the Peridance Capezio Center. Choreographers whose works Vargas has performed include Iratxe Ansa, Sidra Bell, Sandrine Cassini, Gregory Dawson, Joanna Haigood, Maurya Kerr, Jenny Stulberg and Liu Yi-feng. She joined Hubbard Street 2 as an HS2 Apprentice in August 2015.

Hubbard Street Dancers Kevin J. Shannon and Alicia Delgadillo. Photo by Todd Rosenberg.

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Hubbard Street Dance Chicago gratefully acknowledges the support of the following corporations, foundations, government agencies, and individuals who made gifts to our Annual Fund between January 1, 2015 and February 15, 2016.

CORPORATE SUPPORT $50,000 and above Archer Daniels Midland Company Athletico Physical Therapy Chicago Athletic Clubs Harris Theater for Music and Dance Target $25,000–$49,999 Allstate Insurance Company The Chicago Community Trust/ The Sun-Times Foundation Exelon Grosvenor Capital Management, LP $10,000–$24,999 AbbVie ACME Hotel Company Baker & McKenzie LLP Deloitte Embeya GoodSmith Gregg & Unruh LLP ITW Jenner & Block, LLP MAC Cosmetics Neal, Gerber & Eisenberg, LLP Northern Trust The PrivateBank Tiedemann Wealth Management USG Corporation Walgreens Wessex 504 Corporation $5,000–$9,999 Advertising Resources, Inc. Arnstein & Lehr, LLP Blue Cross Blue Shield of Illinois

Brown Brothers Harriman Jackson National Life Insurance Company Katten Muchin Rosenman, LLP Neiman Marcus Power Rogers & Smith, P.C. State Farm Insurance United Airlines Zachys Wine and Liquor $2,500–$4,999 AT&T Attorneys’ Title Guaranty Fund, Inc. Berger Schatz, Matrimonial and Family Law Attorneys Bottlenotes, Inc. Citizens for John Cullerton Clark Hill PLC Deluxe Corporation Foundation HBK Engineering, LLC PhRMA Wells Fargo William Blair & Company $1,000–$2,499 Amsted Industries Austriaco and Associates LTD Baxter International Belgravia Group, Ltd. Blue Plate Events Chef Fredy Greenberg Traurig, LLP KPMG Mesirow Financial Sahara Enterprises, Inc. Schiff Hardin LLP Tito’s Handmade Vodka

Hubbard Street Dancer Jacqueline Burnett and alumnus Jonathan Fredrickson in I am Mister B by Gustavo Ramírez Sansano.

Photo by Todd Rosenberg.

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FOUNDATION & GOVERNMENT SUPPORT $100,000 and above The Davee Foundation Doris Duke Charitable Foundation National Endowment for the Arts Polk Bros. Foundation

The Irving Harris Foundation Jack and Goldie Wolfe Miller Fund The Elizabeth Morse Charitable Trust Tawani Foundation

$50,000–$99,999 The Elizabeth F. Cheney Foundation Lloyd A. Fry Foundation Illinois Arts Council Agency The John D. and Catherine T. MacArthur Foundation The Nancy Lauter and Alfred McDougal Charitable Fund Princess Grace Foundation–USA The Shubert Foundation $25,000–$49,999 Anonymous (2) Colonel Stanley R. McNeil Foundation, Bank of America, N.A., Trustee Julius N. Frankel Foundation Prince Charitable Trusts The Rhoades Foundation The Sage Foundation $10,000–$24,999 Robert & Isabelle Bass Foundation, Inc. Helen Brach Foundation The Nathan Cummings Foundation, with the support and encouragement of Harry Phinney

$5,000–$9,999 The Max and Victoria Dreyfus Foundation, Inc. Golder Family Foundation Charles and Joan Gross Family Foundation John R. Halligan Charitable Fund Mid Atlantic Arts Foundation Edmond and Alice Opler Foundation Jerome Robbins Foundation Charles & M. R. Shapiro Foundation The Siragusa Foundation A. Montgomery Ward Foundation, John A. Hutchings, Richard W. Oloffson and Bank of America, N.A., Trustee $1,000–$4,999 Anonymous Modestus Bauer Foundation Butler Family Foundation Walter and Karla Goldschmidt Foundation Levitetz Family Foundation The Farny R. Wurlitzer Foundation

INDIVIDUAL SUPPORT Artistic Director’s Society $50,000 and above Meg and Tim Callahan Joyce Chelberg Kenneth C. Griffin Sandra and Jack Guthman Jay Franke and David Herro $25,000–$49,999 Sara Albrecht Best Portion Foundation Lew and Marge Collens Paul and Ellen Gignilliat Latsko Family Foundation Ellis and Sally Regenbogen Lauren Robishaw John W. and Jeanne M. Rowe Dirk Denison and David Salkin Timothy R. Schwertfeger and Gail Waller Richard and Barbara Silverman Bill and Orli Staley Denise Stefan Ginascol and John Ginascol Sarah J. Nolan Richard and Ann Tomlinson

$10,000–$24,999 Marlene Breslow-Blitstein and Berle Blitstein Ross B. Bricker and Nina Vinik Joel and Katie Cory Pamela Crutchfield Patti Eylar and Charles Gardner Caryn and King Harris, The Harris Family Foundation Caryn Jacobs and Dan Cedarbaum James and Margaret Johnson Marc Miller and Chris Horsman Adrienne Parker and Peter Foley J.B. and M.K. Pritzker Family Foundation Richard L. Rodes R. Penny Rodes DeMott Donald and Eileen Schiller Mary Kay Shaw Elizabeth Louise Smith Revocable Trust Deborah and Kelly Stonebraker Dr. John Vazquez and Dr. Paul Gleixner Randy and Lisa White Elizabeth Yntema

$5,000–$9,999 The AMD Family Fund Robert and Marilyn Arensman John and Caroline Ballantine Neil Bluhm Julia Buckingham James and Edie Cloonan Allan and Ellen Drebin Shawn M. Donnelley and Christopher M. Kelly Paul and Dedrea Gray Harry and Marcy Harczak Trish and Harp Harper Carey Heckman Linda Hutson Karena Fiorenza Ingersoll and Emrys Ingersoll Anne Kaplan Karen Kuenster and Jim Osick John E. Miller, Jr. Jim and Linda Mitchell Jane Ellen Murray David and Suzu Neithercut Alexandra and John Nichols Abby McCormick O’Neil and D. Carroll Joynes Byron and Judy Pollock hubbardstreetdance.com

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Eleanor and William Revelle Burton and Sheli Rosenberg Marilee C. Unruh Greg and Colleen Webb Sallyan Windt Patricia Woertz Sustaining DanceMakers $2,500–$4,999 Anonymous (2) Jeffery Bauer Corinne Brophy Nancy J. Brown Sidney and Sondra Berman Epstein Richard and Mary Gray Bruce and Jamie Hague John and Leslie Henner Burns Ronald Jensen Dietrich and Andrew Klevorn Dale and Julie Leibert Jim and Kay Mabie Ron and Elise Magers Sally and Ted Miller Patricia and Candace Parchem Victoria Priola Eric and Tammy Steele Jack and Niki Tovin Premier DanceMakers $1,000–$2,499 Anonymous (6) Greg Albiero and Mark Zampardo Joanne Baizer Paul and Sylvia Bateman Bija Bennett Susan Berlijn Lawrence Berlin John Blosser Paul and Christine Branstad Jeanne Brett Steven Brown Linda S. Buckley Gregory Cameron and Greg Thompson Valerie Carberry and Richard Wright Rebecca Carlins Gwen Carroll and Michael Rigney Steven Collens Mary and Jack Connelly Jack Cooksey and Brenda Russell Tamara and Robert Cosentino Dr. and Mrs. Robert A. Cutietta Jeffrey Davis Damian Dolyniuk and Kelly Royer Marsha and Philip Dowd Michael Downing and Kathy Bernreuter Alexander Dubé Warren and Joan Eagle Lois and Stephen Eisen Bill Escamilla and Lisa Dollar Buehler

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The Patti Selander Eylar Scholarship Fund Ginger Farley Thomas J. Feie Jodie Gates Julie L. Gentes Phil Geyskens Bill and Ethel Gofen David and Carol Golder James and Andrea Gordon Michael Grant and Carol McMahan Carmela and Chris Griffin John Grinney and Heidi Westland Brian Herbstritt Sheldon Holzman Ian Jacobs and Valerie Chang Jastromb Family Philanthropic Fund Daniel Joseph Joe and Leanne Klein James and Lisa Knight Christine E. Knuth Koldyke Family Fund Matt and Mikelle Kruger Monica Leccese Howard and Gail Lanznar Karen and Peter Lennon Philip Lumpkin and William Tedford Sandra McNaughton Bill Melamed and Jamey Lundblad Helen Melchior Richard Melman Diane and Bob Merna Gary Metzner and Scott Johnson Pamela G. Meyer Michael Moriarty Maureen Mosh Bradley T. Nelson Kenneth Norgan Julie O’Connell Thomas J. O’Keefe Charlene Osborne Jason Ott Sheila Owens Don and Carol Randel Alyssa Rapp and Hal Morris Naomi and John Reese The J. Rich Company LLC Eve Rogers Kevin and Camille E. Rudge Steven and Lauren Scheibe Katherine V. Schostok Carleen Schreder and Ralph Musicant TJ Saye Dawn Stanislaw Robin Steans and Leonard Gail Jane and Michael Strauss James Tanner and Catherine Allegra Peter Q. and Michelle S. Thompson Michael and Linda Welsh Daniel Wheeler William Ziemann and Virginia Tallman

DancePartners $500–$999 Anonymous (3) Steve Abrams James and Sheila Amend Tom and Tina Berry Sherrill Bodine Stuart Brainerd and Elise Paschen Janet Dauparas Sandra Jaggi DiPasquale Tom Doherty Craig and Janet Duchossois Bryan Dunn and Barbara Larsen Jennifer Edgcomb Richard and Marjorie Ettlinger Tom Fahey Joel Frader Amy Francetic Lio Getty Jill Glaser Morris Goodman Madeleine Grynsztejn and Tom Shapiro Jayne Hanauer Peter Hood and Christine Worley Jim Huberty and Marc Giles Mira Iliescu John Jawor Alan Jones George T. Jones, M.D. and V. Lynn Jones Lisa Key Krystyna Kiel and Alexander Templeton Kevin Kranzusch Linda and Peter Krivkovich Scott Lang Victoria Lautman Lew and Laurie Leibowitz Sydney Leung Robert Liem Laura Lindner Margie Liotta Kitty McNamee Theodore Milby Jon and Lois Mills Robert Mueller Laura Myntti Edward and Gayla Nieminen Hiroshi and Kathleen Okano Kevin Ozan Steve Palmquist and Kathryn Nuss Aaron and Helene Paris Diane and John Patience Cathy Peponis Karen Pierce Jonathan and Robin Plotkin Bonnie Podolsky Eleanor Pollack Elizabeth Price and Louis Yecies J. Timothy Ritchie Michael and Bonnie Rothman

Katie Sakach Jennifer Senior Shelly Shannon Patricia Sternberg Gregory and Cynthia Taylor Kimberly Taylor Michael and Sharon Tiknis Wayne F. Tjaden Mary Ellen Toll and William Heimann Wendy Vishny Paul Waas Douglas and Pam Walter John and Amy Ward Jerold Wasserman Keven and Nick Wilder Karen Wilmot Dr. Sherry Young and Family $250–$499 Anonymous Carolyn Andrews Gregg Auby Randy and Lorraine Barba Linda Bierig The Robert Thomas Bobins Foundations Greg and Cassie Boyle Robert and Joell Brightfelt Bonnie Brooks Janet Carl Smith and Mel Smith Catherine and Hugo Chavez Sally Coder Elizabeth and William Coleman Helene Connolly Barbara Coussement V. Alexandra Darrow Beth Davis Robert and Quinn Delaney Cindy Delmar Duane M. DesParte and John C. Schneider Andrew and Diann Dincolo Buck Dodson Timothy and Gina Dunning

Thomas Durica Todd Elhman Elizabeth Fama and John Cochrane William and Jean Fischer Paul and Christine Fisher Jim and Deb Ford Arthur L. Frank, M.D. Jennifer Gavelek Alan and Linda Goldberg Lori Gordon Harry and Lyne Halme Katharine Hathaway Ben Hladilek Charles and Caroline Huebner Bonnie Humphrey and John O’Donnell Craig Hanenburg and Bill Kuczek Lori Hess Pleiss and Clark Hess Charles and Caroline Huebner Mary Jakocko Janet Kalbhen Mary Kamraczewski Linda and Bernard Kastory John and Anne Kern Brian and Elizabeth Kluge James and Jeannette Kreston Megan Levin Ron and Fifi Levin Joan Lovell Steven Maass Donald L. MacCorquodale Harry and Karyn Madorin Walter Mah and Margaret Mattsson Jessica Malkin Melissa Matarrese and Dan McEnerney Stephen and Susan Bass Marcus Richard Martinotti Maria McCabe Michelle McCarthy Renee Menegaz-Bock and R. Darrell Bock Loren Miller Stacey Newman Marie E. O’Connor

Tom and Jeanne Olofson Audrey and John Paton Sarah Pesetsky John F. Podjasek III Charitable Fund Andrew and Judy L. Porte John Powers Gail Regenbogen Ruud Roggekamp Linda Rosencranz Harriet and Irwin Ross Gregory and Sloan Salah Nick Sarros Patricia Schostok Reese Linda Schurman Mary Splude Randel Steele and Margaret Gonzales Nikki and Fredric Stein Hal S. Stewart George Streeter and Kristina Howard William and Mary Summers Dan Thorson Bernard Vrijburg Stacy Wells Julia Wheeler Jennifer Weuve and Jeffrey Gitelle Jon Will Jay and Donna Williams Ruth Ann Wisener Kirk and Jasmine Young Sharlene Young Hubbard Street appreciates the support of the corporations, foundations and individuals that contribute gifts up to $250 and regrets the inability to list their names due to space limitations.

For any corrections to program name listings please call the Development Office at 312-850-9744 ext. 172 or email mplatt@hubbardstreetdance.com.

Hubbard Street Dancer Michael Gross. Photo by Todd Rosenberg.

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GIFTS IN HONOR AND MEMORY Gifts made on behalf of others in tribute and memory are meaningful ways to recognize individuals who have connections to Hubbard Street. For more information or to make a gift, please call the Development Office at 312-850-9744 ext. 172 or email mplatt@hubbardstreetdance.com.

In Honor of Sara Albrecht Sandra Jaggi DiPasquale Madeline Grynsztejn and Tom Shapiro Beth Heller Anne Kaplan Lisa Key Bill Melamed and Jamey Lundblad In Honor of Meg Callahan Jonathan and Robin Plotkin David and Gabrielle Rousso In Honor of Carol Coletta Lio Getty Philanthropy Ohio In Memory of Marge Collens Anonymous Lindsay Avner and Gregg Kaplan David Baker Harold and Roberta Barron Melvyn H. Bloom Abram and Ilene Bluestein The Robert Thomas Bobins Foundations Michael and Sheila Bradford Kathleen Buenik Vincent and Ann Cabansag Judith Carr Pamela Crutchfield Lynn Cutler Craig and Janet Duchossois Rachel and Fred Dulin Bryan Dunn and Barbara Larsen Sidney and Sondra Berman Epstein Burt and Marion Fainman Patti Eylar and Charles Gardner Robert and Linda Dunn Glick Naama and David Goldenberg Steven Gould, M.D. Martin Grochala and Fred Reuland Sandra and Jack Guthman Yvonne Heyden Austin Hirsch Kathleen Hurley Linda Hutson Gary Johnson Melvin Katten Kelly Kleiman Robyn Kobes Gary and Joan laser Stephanie Letchinger Adam Levine Hazel Lewis Jessica Malkin Charlotte Marks Marc Miller and Chris Horsman

34

Spring Series 2016

William E. Moeller Maureen Mosh Thomas and Valerie Nowinski Gustavo Pesquin William Pomerantz Lisa Reeder John and Jeanne Rowe Jeffrey and Susan Rubenstein Lewis and Barbara Schneider Douglas and Pam Walter Randy and Lisa White Keven and Nick Wilder Jay and Donna Williams Sallyan Windt Nan and Shelly Winner In Honor of Patti Eylar Linda Hutson In Honor of Charles Gardner and Patti Eylar Greg Cameron and Greg Thompson In Memory of Gilbert Ghez Michael Grossman Katharina Kopp Melynda Lopin Maurice Rabb In Honor of the Marriage of George Halik and Scott Wechsler George and Mary Perlstein In Memory of Dr. Jack Hsu Steve Brown Warren and Joan Eagle Bonnie Humphrey and John O’Donnell Diana Lee Kathleen McComb Joy Meek Hiroshi and Kathleen Okano Dale Schlafer Peter Shull Daniel Wheeler Kirk and Jasmin Young Dr. Sherry Young and Family Julia Wheeler In Honor of Linda Hutson’s Birthday Sallyan Windt In Honor of Dietrich Klevorn Amy Carbone In Honor of Karen and Peter Lennon Keven and Nick Wilder

In Honor of Cheri Lundi Cassidy Lundin In Honor of Marc Miller’s Birthday David and Kathryn Donovan June Dorn Michael Grant and Carol McMahan Renee Haber-Schwartz George Horsman Linda and Bernard Kastory Steven Maass Ron and Elise Magers Robert and Barbara Mason Sally and Ted Miller Wayne Myers and Sarah Caldicott Ruth Nelson Tom and Jeanne Olofson In Honor of Marc Miller Beth Davis In Memory of Jim Oates Corinne Brophy Kirk and Beverly Busby Linda Hutson The Rhoades Foundation In Honor of Melissa Platt Karen Platt In Honor of Sally and Ellis Regenbogen Lisa Regenbogen In Honor of Rich Rodes Thomas J. Feie Kevin Kranzusch In Memory of Susan Schlafer Anonymous In Honor of Kevin J. Shannon Fred Follansbee In Honor of Katherine Schostok Paul and Ann Krouse Patricia Schostok Reese In Honor of Deborah Stonebraker Steven and Lauren Scheibe In Honor of Sallyan Windt Henry and Cookie Kohn Patricia Pell In Memory of Yuk Yiu Yee Wai Gen Yee

SPECIAL SERVICES ACME Hotel Company Preferred Hotel Partner

M/D/R Creative Gala Lights and Sound

Adler Associates, Ltd. Mesirow Insurance Services Insurance Services

Park Grill Preferred Restaurant Partner

Allied Live Advertising Athletico Physical Therapy Official Provider of Physical Therapy Baker Tilly Virchow Krause, LLP Auditor Blue Plate Events Catering Partner Chicago Athletic Clubs Official Health Club Communiqué Graphic Design Graphic Design Embeya Preferred Restaurant Partner HMS Media Gala Décor KlearSky Solutions, LLC Web Development and Design LAZ Parking Parking Partner MAC Cosmetics Official Make-Up Sponsor

The PrivateBank Financing and Banking Services Franczek Radelet, P.C. Jenner & Block, LLP Mosher & Wagenmaker, LLC Legal Services Seasons 52 Preferred Restaurant Partner Sunny Artist Management Inc. North American Representation Ilter Ibrahimof, Director ilter@sunnyartistmanagement.com Synapse Networks, Inc. IT Services Tito’s Handmade Vodka Spirits Sponsor Todd Rosenberg Photography Photography Tourwerks, Inc. Tour Housing Negotiation Kathleen Weber, M.D. Midwest Orthopedic at Rush

CONTRIBUTED MATERIALS AND SERVICES ACME Hotel Company Andy Cohen Athletico Robert and Joan Baizer Bates Designs Donald and Donna Baumgartner Bloomingdales Blue Plate Events Ross B. Bricker C3 Presents Cannonball Wine Company Chateau Marmont Hotel Chef Fredy Cuisine Chicago Athletic Clubs Chicago Opera Theater Chicago Shakespeare Theater Lester Coney Bob Coscarelli Photography Embeya EXPO Chicago Goose Island Brew Co. Kenneth C. Griffin

Intro Chicago Peter Ivanovich Kehoe Designs John Kelly Jr. LAZ Parking Lettuce Entertain You Lollapalooza MAC Cosmetics Mott Street Sarah J. Nolan Park Grill Joe Perillo Jane Post James Raff Alyssa Rapp and Hal Morris Ellis and Sally Regenbogen Ravinia Festival Gabrielle Rousso Andrew Salzman Seabourn Seasons 52 Sepia Restaurant

Ross Shelleman and Tricia Rooney Southwest Airlines The Denim Lounge The Langham Chicago The Ritz Carlton The Second City Tiffany & Co. Tito’s Handmade Vodka Tru United Airlines Keven Wilder Zachys Wine and Liquor A Zaffarano Production Hubbard Street appreciates the support of in-kind contributors of gifts with values up to $250 and regrets the inability to list their names due to space limitations.

hubbardstreetdance.com

35

THANK YOU TO THE SPONSORS OF HUBBARD STREET’S 13TH ANNUAL BOLD MOVES FOR BOLD WOMEN EVENT Lead Sponsors

Diversity Partner

Contributing Sponsors

Event Sponsors Attorneys’ Title Guaranty Fund, Inc Austriaco & Associates, Ltd Citizens for John Cullerton Gallery19

HBK Engineering, LLC Karen H. Lennon Sarah J. Nolan PhRMA

Spirits Sponsor

Power Rogers & Smith, P.C. Lauren Robishaw Wells Fargo Elizabeth Yntema

Catering Sponsor

Hubbard Street Dancers in I am Mister B by Gustavo Ramírez Sansano, from left: Jessica Tong, Jacqueline Burnett, and Kellie Epperheimer. Photo by Todd Rosenberg.

“

” (out of four) –Chicago Tribune

Winner of the 2014 Pulitzer Prize for Drama

“Gorgeous, angst-ridden… superbly cast and richly textured production” –Chicago Tribune

By

Annie Baker

Featuring Will Allan

Directed by

“A theatrical homage to human nature and the silver screen” –Chicago Sun-Times

Dexter Bullard

| Danny McCarthy | Caroline Neff

and Travis Turner (seen in HSDC & The Second City’s The Art of Falling)

Three central characters, one run down movie house and the complicated bond of workplace friendships.

Tickets start at just $20 | steppenwolf.org | 312-335-1650 Corporate Production Sponsors

hubbardstreetdance.com

37

Clef N tes

Chicagoland Journal for the Arts

Photo © F11Photo

There’s No City That Gives You Arts & Culture Quite Like Chicago!

Clef N tes

4th Anniversary Issue

JEWEL

Chicagoland Journal for the Arts Summer 2013

We go one-on-one with the artist as she gets set to make her Ravinia debut this summer.

SUMMER PILLOW at the

Rest your head at the epicenter of dance this summer

Available in print and digital editions

AMERICA'S Self-Image Smart Museum exhibit focuses on the national identity



5

Top Vineyards

Read Clef Notes Journal’s DIGITAL Edition Just a short drive from the Windy City

And There’s No Publication that Covers Chicago Arts & Culture Quite Like

Clef Notes Journal

Clef N tes Chicagoland Journal for the Arts

JOAN ALLEN

Back on the Steppenwolf stage

EXPO CHICAGO

A Decade At The Harris

Clef N tes Chicagoland Journal for the Arts

BETWEEN the LINES

Alonzo King's LINES Ballet returns to the Windy City

Griffin's Take Preeminent Sondheim interpreter Gary Griffin mounts two highly anticipated productions of the composer's works at Shakespeare Theater this season.

YOUR

to the 2013-2014 season of fine arts in Chicagoland!

Chicagoland Journal for the Arts

The

SPACE PLANNING The bold global vision of visionary architect David Adjaye on display at the Art Institute this fall

Guide

Cultivating a genuine corporate sponsor partnership based on shared values and mutual goals



NEWBIES World's finest cultural newborns slated for Chicago audiences this winter

7

ESSENTIAL FALL CULTURAL GALAS

Autumn 2015

Chicagoland Journal for the Arts SUMMER 2011

Lyle's Large Life Paris Comes to Millennium Park

A preview of the historic Paris Opéra Ballet as they kick off their American Tour at Harris Theatre.

+

A look into the culture of commitment and excellence behind Chicago’s iconic ensemble theater company at their fourth decade

Philanthropy & The Arts

Clef N tes

The crooner talks life, music and bringing his Large Band to Ravinia

Steppenwolf at 40!

A global spotlight on Chicago's culture scene

Guide

Clef N tes

25 YEARS & COUNTING Chicago Shakespeare Theatre celebrates a quarter century celebrating Shakespeare.

FINDING THEIR ROOTS Stephen Petronio's new Dance Center production looks back to find the roots of the innovative choreographer's early inspirations

a Legacy unveiled

San Francisco Museum of Modern Art examines the impact of the Steins Family and and the passion they inspired in the appreciation of modern art.

Subscribe at ClefNotesJournal.com

Crain’s Best New Restaurant Food & Wine’s People’s Best New Chef nominee (2013, 2014) Esquire’s 20 Best New Restaurants (USA) Embeya invites you to join us for a phenomenal tasting menu prepared by nationally acclaimed executive chef Mike Sheerin before your Hubbard Street performance for only $35.

Hubbard Street. Be sure to make this special request when making your reservation.

Call 312.612.5640 or reserve online at

embeya.com

Join now for $0

enrollment fee.

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First time guests. One time use.

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Life requires balance.

Success in business is measured by more than just dollars and cents. It’s measured by doing things that improve the communities in which we live. Baker Tilly is proud to support Hubbard Street Dance Chicago’s dedication to transform and enrich lives through the experience of dance.

Connect with us: bakertilly.com Brian Bulkley, CPA, Partner 312 729 8112 | brian.bulkley@bakertilly.com © 2016 Baker Tilly Virchow Krause, LLP Baker Tilly refers to Baker Tilly Virchow Krause, LLP, an independently owned and managed member of Baker Tilly International.

HUBBARD STREET’S CORPORATE CIRCLE These generous companies support our work onstage, in schools, and in communities through membership in our Corporate Circle.

CORPORATE LEADERS $5,000 and above

CORPORATE COMPANIONS $2,500–$4,999 Allegro Dance Boutique The PrivateBank William Blair & Company LLC CORPORATE FRIENDS $1,000–$2,499 Amsted Industries Belgravia Group Sahara Enterprises, Inc.

When your company joins Hubbard Street’s Corporate Circle, it receives exclusive benefits including performance tickets and an invitation to observe company rehearsal in our West Loop studios.

For more information, contact Kalena Chevalier, Associate Director of Development, at kchevalier@hubbardstreetdance.com or call 312-850-9744 ext. 141. hubbardstreetdance.com

41

DANCE WITH US

Claire Bataille, Director Lou Conte, Founder

Photos by Todd Rosenberg.

Movers of all ages and abilities are welcome to dance year-round at the Lou Conte Dance Studio. With more than 70 classes each week, we’ve got moves for everyone from absolute beginners to seasoned professionals.

ballet jazz modern tap contemporary

African hip-hop musical theater Dance Latin Groove BeMovedÂŽ

Lou Conte Dance Studio at the Hubbard Street Dance Center 1147 W. Jackson Blvd.

Chicago, Illinois 60607 312-850-9766

Pilates yoga jazz funk Vixen Workout

To learn more and browse our complete schedule, visit hubbardstreetdance.com/LCDS 312-850-9744 Jane Ellen Murray Foundation Official Provider of Physical Therapy

42

Spring Series 2016

Dancer Development Patron

The Patti Selander Eylar Scholarship Fund hubbardstreetdance.com

42

ABOUT

HARRIS THEATER FOR MUSIC AND DANCE

The Joan W. and Irving B. Harris Theater for Music and Dance is a 1,500-seat state-of-the art performance venue located in Chicago’s Millennium Park. Opened in November 2003, the nonprofit Harris Theater was the first multi-use performance venue built in downtown Chicago since 1929. Harris Theater serves as a unique national model of collaboration between the philanthropic community and performing arts organizations in music and dance. More than a decade later, the Theater features the most diverse offerings of any venue in Chicago, hosting local, national, and internationally renowned artists and ensembles.

The Harris Theater’s primary mission is to partner with an array of Chicago’s music and dance performing arts organizations to help them build the resources and infrastructure necessary to achieve artistic growth and long-term organizational sustainability. The Harris Theater’s original group of 12 resident companies has grown to include 35 diverse and exceptionally talented performing arts organizations, including internationally acclaimed Hubbard Street Dance Chicago, Music of the Baroque, Chicago Opera Theater, Chicago Symphony Orchestra’s MusicNow, and collaborations with Lyric Opera of Chicago, National Museum of Mexican Art, Museum of Contemporary Art Chicago, and Columbia College Chicago. Through these partnerships, the Theater has earned national recognition as a distinctive model for collaboration, performance, and artistic advancement.

The Theater supports this mission by providing these partner organizations with subsidized rental, technical expertise, and marketing support, allowing the organizations to focus on what they do best—bringing the finest in music and dance performances to the public. The Theater offers professional development opportunities, including the innovative Learning Lab, endorsed with grants from the National Endowment for the Arts.

The Harris Theater is also dedicated to presenting internationally acclaimed music and dance organizations to enhance its reputation as well as to help build audiences for the Theater’s resident companies. Through the Harris Theater Presents series, the Theater has achieved widespread recognition as a vital cultural anchor in Chicago. Daniel Barenboim, Mikhail Baryshnikov, Renée Fleming, the Hamburg Ballet, Lang Lang, the New York City Ballet, the Paris Opéra Ballet, the San Francisco Ballet, Stephen Sondheim, Chamber Music Society of Lincoln Center, and many others have graced the Harris’ Elizabeth Morse Genius Stage through this series.

The Harris maintains a strong emphasis on community engagement through enrichment activities and their Access Tickets Program, in which the Harris Theater partners with health and human services agencies and community organizations to provide underwritten performance tickets for individuals facing illness, disability, and challenging life circumstances.

Since 2009, the Theater has provided over 8,800 tickets to children and families, representing 25 neighborhoods across the city of Chicago. Learn more about Community Engagement programs at engage.harristheaterchicago.org.

hubbardstreetdance.com

43

BOARD OF TRUSTEES

HARRIS THEATER FOR MUSIC AND DANCE

Officers Alexandra C. Nichols, Chairman Peter M. Ellis, Vice Chair Elizabeth Hartigan Connelly, Vice Chair Ricardo T. Rosenkranz, MD, Vice Chair Mary Kay Sullivan, Vice Chair Marilyn Fatt Vitale, Secretary David Snyder, Treasurer Caryn Harris, Executive Committee, Member at Large Michael Tiknis, Alexandra C. and John D. Nichols President and Managing Director Endowed Chair

Trustees James L. Alexander, Past Chairman John W. Ballantine Lee Blackwell Baur Paul S. Boulis Peter M. Ellis, Vice Chair Louise Frank Jay Franke Robert J. Gauch, Jr. Sandra P. Guthman, Past Chairman Caryn Harris, Executive Committee, Member at Large Joan W. Harris, Past Chairman Elizabeth Hartigan Connelly, Vice Chair Christine N. Evans Kelly Deborah A. Korompilas Merrillyn J. Kosier Mac MacLellan P Douglas McKeen

Zarin Mehta Judith Neisser Alexandra C. Nichols, Chairman Kenneth R. Norgan Abby McCormick O’Neil, Past Chairman Jason Palmquist, Ex-Officio Ricardo T. Rosenkranz, MD, Vice Chair William Ruffin, Ex-Officio Patrick M. Sheahan John Q Smith David Snyder, Treasurer Jeffrey D. Steele Mary Kay Sullivan, Vice Chair Michael Tiknis, Ex-Officio Marilyn Fatt Vitale, Secretary Elliot Weissbluth Dori Wilson Maria Zec Life Trustees Peter M. Ascoli Cameron S. Avery Marshall Field V James J. Glasser Sarah Solotaroff Mirkin Harrison I. Steans Robin S. Tryloff

(Listing as of February 24, 2016)

44

Spring Series 2016

STAFF

HARRIS THEATER FOR MUSIC AND DANCE

Executive Staff Michael Tiknis, Alexandra C. and John D. Nichols President and Managing Director Endowed Chair Cheryl Mendelson, Chief Operating Officer, Executive Vice President External Affairs Laura Hanssel, Chief Financial Officer, Senior Vice President Administration Administration Lori Dimun, Vice President of Operations & Production Mary Jo Rudney, Director of Finance Jake Anderson, Manager of Artistic Administration Gena Lavery, Finance Manager Meghan McNamara, Manager of Community Engagement & Partnerships Emily Macaluso, Manager of Operations John McDonagh, Facilities Mananger Hillary Pearson, Operations Coordinator Dawn Wilson, Technical Coordinator Erin Swanson, Assistant to the President and Managing Director Production Andy Principe, Head Carpenter Jeff Rollinson, Flyman Jeffrey Kolack, Head of Props Don Dome Jr., Head of Audio Kevin Sullivan, Electrician

(Listing as of February 22, 2016)

Development Jodi Kurtze, Vice President of Development Amanda Lawson, Director of Annual Giving & Sponsorships Josh Fox, Manager of Corporate & Foundation Relations Elizabeth Halajian, Manager of Annual Giving & Special Events Catherine Miller, Manager of Campaign Gifts & Board Relations Samantha Shay, Development & Stewardship Assistant Marketing Patricia Barretto, Vice President of Marketing & Communications Jamie Sherman, Manager of Public Relations & Communications Samantha Allinson, Digital Production Designer Mary Larkin, Marketing Coordinator Ticketing Services Gregg Brody, Box Office Treasurer Front of House Kay Harlow, House Manager Jamelle Robinson, Concessions Manager Melaney Reed, Saints Coordinator The Saints, Volunteer Usher Corps

INFORMATION

HARRIS THEATER FOR MUSIC AND DANCE

Rental information: If you have any questions about the Harris Theater, including rental of the facility, group tours, or volunteer opportunities, please call the administrative office Monday through Friday, 9AM–5PM, at 312.334.2407.

Ticket purchases: To purchase tickets, visit HarrisTheaterChicago.org. Call or visit our Box Office at 312.334.7777 Monday through Friday, 12–6PM or until curtain on performance days.

For group tickets for 10 or more people, call our Sales Office at 312.334.2419.

In consideration of other patrons and the performers: Please turn off all cell phones.

Photography is not permitted in the Theater at any time. Film or digital images will be confiscated or deleted by the Harris Theater house staff; violators will be subject to a fine.

Latecomers will be seated at the discretion of the house management. Smoking is prohibited within the Harris Theater. Allowance of personal items and baggage into the auditorium space is at the sole discretion of House Management For your safety: Please take a moment and note the nearest exit. In the event of an emergency, follow the directions of the Harris Theater house staff. In the event of an illness or injury, inform the Harris Theater house manager.

Accessibility: Infrared assisted listening devices are available from the Harris Theater house staff. The Theater is equipped for easy access to all seating levels for patrons needing special access. Please advise the Box Office prior to the performance for any special seating needs.

Parking: Discounted parking validation is available for all ticket holders using the Millennium Park Garage. A validation machine is located next to the Box Office on the Orchestra Level, as you enter the Theater lobby.

Lost and found: Retrieved items will be held for 30 days with the Harris Theater house staff at 312.334.2403.

46

Spring Series 2016

CRAIN’S IS PROUD TO BE THE SEASON 38 MEDIA SPONSOR FOR

HUBBARD STREET DANCE CHICAGO

Crain’s is a long-time supporter of the Chicago arts as well as the publisher of the Chicago Symphony Orchestra, The Goodman Theatre and The Joffrey Ballet program books.

For program book information contact Chris Janos at ) 312-280-3132 or 8 cjanos@crain.com hubbardstreetdance.com

47

Point taken.

“Two companies from Chicago…have created something truly original.” —KPCC Los Angeles

n

@gapersblock: @TheSecondCity +

@HubbardStreet’s dance collaboration is a stunning success, says @MiriamFinder n @raelaforce: THANK YOU 4 a beautiful show! The Art of Falling is the most magical piece of theater I’ve ever seen. n @antoniacallas: The Art of Falling easily one of the best things I’ve seen all year. n “We’re not talking pantomimed, pie-in-the-face kind of shtick… [It’s] a whole new creation that fuses comedy and dance into a single form.” —RedEye n @MediaCupid: Literally laughed and cried at @HubbardStreet + @TheSecondCity’s The Art of Falling — encore, please!

The Art of Falling returns towasthe Harris Theater, Falling one of the best things I have ever seen. I laughed + cried. Amazing work by @TheSecondCity + @HubbardStreet. @shellster129: This @HubbardStreet + @TheSecondCity collaboration is hilarious and touching with so many surprises. Go see it. @Stephiebeth: Ahhh! beginning June Best show ever! Seriously this is so much9. happiness I want to see it again tomorrow! @MCMathis: Head over heels for @HubbardStreet’s n

@MOZAWA_: The Art of Falling was masterful. Moments of deep beauty, immeasurable joy, and heartfelt laughter! On point! n “[The Art

of Falling] has real legs — a buoyant spirit counterbalanced by a genuine sense of gravity.” —Chicago Sun-Times n @kristenbritt_: The Art of n

n

n

collaboration with @TheSecondCity. Don’t miss this show! n @ConzaCorn: Wishing I could see Hubbard Street again today! Still excited, still laughing, and still inspired. n “The theme is falling — in love, primarily — and requisite risk-taking to make it happen…the methods of exploration seem to range from the understated to the spectacular.” —Newcity

n

@andersonej: Unforgettable evening of contemporary

dance + sketch comedy, beautifully woven together. Congrats @HubbardStreet @TheSecondCity n @MarcusSakey: The Art of Falling by @HubbardStreet and @TheSecondCity is stellar. Happiest I’ve left the theater in a long time. Go go go. n @Fad23: As an advocate of both dance and comedy (and each vis-à-vis the other) this show is vital and powerful. n “Life-affirming, amusing, and — best of all — constantly surprising and innovative… A fresh fusion of fun and form.” —Stage and Cinema n @mama2guido: What a brilliant show! n @johannastein: You MUST see The Art of Falling… It blew my socks off. GO! n

@boopityba: Spectacular!

n

n

@theresallen5: Super awesome collaboration! Bravo, encore, more!

“An innovative blend of choreography, comedy and improvisation.” —LA Weekly

n

@onlyalily: I need to

see @HubbardStreet + @TheSecondCity’s The Art of Falling again. n @_christinetran: Thumbs up! n @cinnachick: This show is so good — great dancing and hilarious n @courtalaneriz: “Best show I’ve seen this year! LOVE innovative collaborations like this.” n @krystakematsu: Love how dance is being collaborated with! <3

n

@melcristol: Amazing and so special. Go! n “Lively, tender, fresh and adorably absurd…

moving, entertaining, mesmerizing, and laugh-out-loud funny.” —The Chicago Maroon n

n

@andrewpearsondance: What a great show.

@natezeisler: Profoundly funny, beautiful, and memorable performance. The Art of Falling was spectacular

you’re a fan of dance, comedy or music, check out this show. It’s awesome. I absolutely loved it.

n

n

@mrjakejohnson: If

@careybennettd: Sublime modern

mashup! Laughing, crying, wanting more! n @PolycrystalhD: Go see @HubbardStreet + @TheSecondCity in The Art of Falling! #TrustMe #ItsAmazing

n

“The Second City may have pioneered sketch comedy…but this latest collaborative project takes the art form to visually

spectacular and emotionally satisfying new heights.” —The Huffington Post n @wesaidgotravel: Inventive, fun, creative and amazing! What a great celebration of life and “the art of falling.”

n

@dstonehamilton: Amazing, an incredibly joyful merging of movement and humor!

n

@careybennettcostumes: A truly sublime modern mash-up… Sweetest, funniest, most innovative performance I’ve seen in years!

n

@a_wah: Match made in movement and comedy heaven. So clever… The biggest smile on my face at the end. n “A mash-up to end all mash-

ups.” —NBC4 Los Angeles

n

@rachel.axler: Good Lord, this was so wonderful.

n

@beauryan: What a night!

n

“A thoroughly entertaining

evening that’s certain to put a smile on your face.” —Chicago Theater Beat n @pasonactress: Hubbard Street + The Second City: Amazing show!

My new #favorite. n @axisconnect: What an amazing show! Big congrats to all! #dance #comedy #allsmiles

n

@peachhead: Fabulous night

of dance and comedy with @TheSecondCity + @HubbardStreet. Full of laughter and joy. n @denisesarah: Inspired! One of the best dance shows I have EVER seen! Hands down. What a brilliant collaboration. We laughed, we cried. So moved, reminded of why dance is SO important to me. n “Goes down like a favorite cocktail: familiar and exhilarating all at once.” —Seen and Heard International n @emaritraffie: Man… @TheSecondCity meets @HubbardStreet was something else. n @TheAmyBrenneman: Holy moly. Heart split open by The Art of Falling.

When I grow up, I wanna do that. n “Dance will never be funnier, and comedy will never be more graceful.” —Downtown Los Angeles News

“Hugely entertaining and strikingly emotional…not-to-be-missed.” ★★★★/4 —Chris Jones, Chicago Tribune “It’s hard to imagine a more seamless marriage.” ★★★★★/5 —Kris Vire, Time Out Chicago

BACK TOGETHER BY POPULAR DEMAND. TICKETS ON SALE NOW. hubbardstreetdance.com/summer 312-850-9744 Special rates available for groups of ten or more — visit hubbardstreetdance.com/groups or call 312-850-9744 ext. 164.

HubbardStreetDance TheSecondCity

Summer Series Sponsors

Performing at

Commissioning Sponsor

@HubbardStreet @TheSecondCity

Commissioned by the Harris Theater for Music and Dance in Millennium Park, with support from Sandra and Jack Guthman through the Imagine Campaign.

Hubbard Street Dancer Jessica Tong with actor Travis Turner of The Second City. Photo by Todd Rosenberg.

Diversity Partner