The HINGE MANUAL & Related Articles

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HOWLING DOG P RESS

M ICHAEL A NNIS

Alternative Progressive Publishing Since 1981

Founder & Senior Ed.

An INTRODUCTORY “MANUAL” for HINGE THEORY LINGUISTIC METAMORPHOSIS THROUGH HINGE THEORY DYNAMICS IN THE LANGUAGE STRUCTURES OF HELLER LEVINSON: HINGE EXPANSION IN RELATION TO PRECEDING THEORIES OF LINGUISTIC FUNCTION

“At the level of Hinge Production, each word insists on its word associates. In this sense, the practice of the author is to detect (to identify) the reproductive impulses inherent in the word being witnessed.” —HL HELLER LEVINSON, the author and creator of Hinge Theory, has spent his entire literary career inventing and reinventing poetic form, theory, voice, structure, style, and the nurturing of those component applications into the expansion and alteration of what he envisions as universal linguistics, particularly as applied to poetics. Thus far in his work in language development, he has yet to devise or discover any existing theory more revealing of the building blocks and social tools incorporated in linguistics, than that of the matrices evolving within applied Hinge Theory. Heller Levinson engages, unearths, and unleashes universal forces of language: interconnectivity of spirit, emotional intercourse, primeval revelation. His work is “hinged” not only to history, but reveals an essential coda for reinterpreting it. During world crises, the overwhelming impulse of social structure is to homogenize and uniformly shrivel the human spirit. Levinson’s work salvages and empowers our interior landscape, creates tools/techniques to enrich, deepen, and vitalize it. Hinge is conceptual and inceptional. The philosophical interweavings of Levinson’s work (most vividly implemented through Hinge Theory) embrace Derrida, Foucault, Mallarmé, and Wittgenstein, musically harmonizing and resonating with Prokofiev, Thelonious Monk, and avant garde jazz musicians such as Ornette Coleman, John Coltrane, and Eric Dolphy. It’s argued that “anti-poetry” is “non-linear,” convulsive. Some perceive Hinge to be “nonlinear” rather than linear. Hinge is no more anti-poetry than it is word salad. Hinge is poetry evolved: “multi-linear,” revealing a multiplicity of meanings from multiple angles, from multiple matrices simultaneously; it “hinges” onto work from past or present, recreating it at any given point with new layers of meaning and application. The more one engages it, the more Hinge unfolds fluidly, dynamically, to expand one’s consciousness and perceptions; the more that a line is Hinged, the more Hinge operates to expand the conscious perception of subject. It is a “power shift” of language and empowers the use of language into a wholly unique paradigm of linguistic applications. It is associative, but it is not random, though randomness can evolve, then devolve back into non-random constructs, even though Hinge unfoldings may take odd turns of consciousness. Levinson works throughout the paradigm of language metamorphosis, specializing in poetry & prose. His compositions run from traditional to highly esoteric and visionary in function, application, and what he terms "species impact," i.e., how language/linguistics change the brain's synaptic chemistry and physiology. Conceptually, it aligns with broad theories of the "meme," and Wittgenstein's "language games." States Levinson, “Language evolved from original interstellar gases which brought forth life. It is the primal source of creation.” Hinge Theory portends no less than the profound renewal and revivification of language through exploring infrequently used terminology, word juxtapositions and connotations (and the invention thereof), and poetic examination of the interconnectivity of the word matrix, therefore, of concepts and life experience, individually and in social groups. Hinge Theory explores the intrinsic musicality of language, aligned in respect to some of the precepts of Ezra Pound [for one, “a poet who does not study music, is deficient”]; it thrusts P.O. Box 853 · Berthoud · CO · 80513-0853

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www.HowlingDogPress.com

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WritingDangerously@HowlingDogPress.com


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