Special Program | Nosferatu: Silent Film with Live Organ

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InTUNE

Nosferatu: Silent Film with Live Organ

November 16

JONES HALL

Since the opening of Jones Hall in 1966, millions of arts patrons have enjoyed countless musical and stage performances at the venue. Dominating an entire city block, Jones Hall features a stunning travertine marble facade, 66-foot ceilings, and a brilliantly lit grand entrance. Jones Hall is a monument to the memory of Jesse Holman Jones, a towering figure in Houston during the first half of the 20 th century.

CONCERT DISRUPTION

We strive to provide the best possible auditory experience of our world-class orchestra. Noise from phones, candy wrappers, and talking is distracting to the performers on stage and those around you. Please help us make everyone’s concert enjoyable by silencing electronic devices now and remaining quiet during the performance.

FOOD & DRINK POLICY

The Encore Café and in-hall bars are open for Symphony performances, and food and drink will be permitted in bar areas. Food is not permitted inside the auditorium. Patrons may bring drinks into the auditorium for Bank of America POPS Series concerts and Symphony Specials. Drinks are not permitted inside the auditorium for Classical concerts.

LOST & FOUND

For lost and found inquiries, please contact Patron Experience Coordinator Lien Le during the performance. She also can be reached at lien.le@houstonsymphony.org. You may contact Houston First after the performances at 832.487.7050.

“WHEN SHOULD I CLAP?”

It’s a question we hear often! Traditionally, audiences wait to applaud until the very end of a piece, especially when it has several sections (called movements). This allows the music to flow without interruption and helps the performers stay focused. If you’re unsure, a simple cue is when the conductor lowers their arms and turns toward the audience—that’s your signal the piece has finished. That said, there’s no wrong way to show your appreciation. If the music inspires you in the moment, don’t hesitate to clap! Your enthusiasm and energy are always welcome at the Symphony.

CHILDREN

Children ages six and up are welcome to all Classical, Bank of America POPS, and Symphony Special concerts. Children of all ages are welcome at PNC Family Series performances. Children must have a ticket for all ticketed events.

LATE SEATING

Each performance typically allows for late seating, which is scheduled in intervals and determined by the conductor. Our ushers and Patron Experience Coordinator will instruct you on when late seating is allowed.

TICKETS

Subscribers of five or more concerts may exchange their tickets at no cost. Tickets to Symphony Specials or single ticket purchases are ineligible for exchange or refund. If you are unable to make a performance, your ticket may be donated prior to the concert for a tax-donation receipt. Donations and exchanges may be made in person, over the phone, or online.

ORCHESTRA ROSTER

Juraj Valčuha

Music Director

Roy and Lillie Cullen Chair

FIRST VIOLIN

Yoonshin Song, Concertmaster

Max Levine Chair

Vacant, Associate Concertmaster

Ellen E. Kelley Chair

Boson Mo, Assistant Concertmaster

Qi Ming, Assistant Concertmaster

Fondren Foundation Chair

Marina Brubaker

Tong Yan

MiHee Chung

Sophia Silivos

Rodica Gonzalez

Ferenc Illenyi

Si-Yang Lao

Kurt Johnson*

Christopher Neal

Sergei Galperin

Timothy Peters+

Tianxu Liu+

SECOND VIOLIN

Vacant, Principal

Vacant, Associate Principal

Amy Semes

Annie Kuan-Yu Chen

Mihaela Frusina

Jing Zheng

Tianjie Lu

Anastasia Iglesias

Tina Zhang*

Yankı Karataş

Hannah Duncan

Alexandros Sakarellos

Samuel Park+

Teresa Wang+

VIOLA

Joan DerHovsepian, Principal

Wei Jiang, Acting Associate Principal

Samuel Pedersen, Assistant Principal

Paul Aguilar

Sheldon Person

Fay Shapiro

Keoni Bolding

Jimmy Cunningham

Yvonne Smith+

CELLO

Brinton Averil Smith, Principal

Janice H. and Thomas D. Barrow Chair

Christopher French, Associate Principal

Jane and Robert Cizik Chair

Anthony Kitai

Louis-Marie Fardet

Jeffrey Butler

Maki Kubota

COMMUNITY-EMBEDDED MUSICIAN

Lindsey Baggett, Violin

ASSISTANT LIBRARIANS

Ali Verderber

Hae-a Lee

Xiao Wong

Charles Seo

Jeremy Kreutz

DOUBLE BASS

Robin Kesselman, Principal

Timothy Dilenschneider, Associate Principal

Steven Reineke, Principal POPS Conductor

Andrés Orozco-Estrada, Conductor Laureate

Gonzalo Farias, Associate Conductor

Andrew Pedersen, Assistant Principal

Eric Larson

Burke Shaw

Donald Howey

Avery Weeks

Michael Zogaib+

FLUTE

Aralee Dorough, Principal

General Maurice Hirsch Chair

Matthew Roitstein, Associate Principal

Judy Dines

Kathryn Ladner

PICCOLO

Kathryn Ladner

OBOE

Jonathan Fischer, Principal

Lucy Binyon Stude Chair

Anne Leek, Associate Principal

Colin Gatwood

Adam Dinitz

ENGLISH HORN

Adam Dinitz

Barbara and Pat McCelvey Chair

CLARINET

Mark Nuccio, Principal

Bobbie Nau Chair

Vacant, Associate Principal

Christian Schubert

Alexander Potiomkin

Ben Freimuth+

E-FLAT CLARINET

Vacant

Ben Freimuth+

BASS CLARINET

Alexander Potiomkin

BASSOON

Rian Craypo, Principal

Isaac Schultz, Associate Principal

Elise Wagner

Adam Trussell

STAGE PERSONNEL

Stefan Stout, Stage Manager

José Rios, Assistant Stage Manager

Nicholas DiFonzo, Head Video Engineer

Justin Herriford, Head Audio Engineer

Connor Morrow, Head Stage Technician

Giancarlo Minotti, Audio Production Manager

CONTRABASSOON

Adam Trussell

HORN

William VerMeulen, Principal

Mr. and Mrs. Alexander K. McLanahan

Endowed Chair

Robert Johnson, Associate Principal

Nathan Cloeter, Assistant Principal/Utility

Brian Thomas*

Brian Mangrum

Ian Mayton

Barbara J. Burger Chair

Spencer Bay+

TRUMPET

Mark Hughes, Principal

George P. and Cynthia Woods

Mitchell Chair

John Parker, Associate Principal

Robert Walp, Assistant Principal

Richard Harris

TROMBONE

Nick Platoff, Principal

Bradley White, Associate Principal

Phillip Freeman

BASS TROMBONE

Phillip Freeman

TUBA

Dave Kirk, Principal

TIMPANI

Leonardo Soto, Principal

Matthew Strauss, Associate Principal

PERCUSSION

Brian Del Signore, Principal

Mark Griffith

Matthew Strauss

HARP

Allegra Lilly, Principal

KEYBOARD

Vacant, Principal

LIBRARIAN

Luke Bryson, Principal

*on leave + contracted substitute

PERFORMANCE CALENDAR

2025-26 se a son

Journey to Light: Valčuha Conducts

Shostakovich 10

November 21, 22* & 23

Chamber Music Series: Chamber 2

November 23

Thanksgiving Weekend: Tchaikovsky’s

Piano Concerto No. 1

November 28, 29* & 30

S H and e l s M es si a h

D ec e mb e r 5 , 6* & 7

S J oy f u l Fa n fa r e s ! H o l i d ay B r a s s S p ec t ac u l a r

D ec e mb e r 6 & 7

S Voctave: It Feels Like Christmas

D ec e mb e r 8

Ve r y M e rr y Po ps

D ec e mb e r 11 , 13* & 14

O h , W h at Fu n ! A H o l i d ay C o n c e r t f o r K i d s

D ec e mb e r 13

S S Elf i n C on c e r t !

Merry-Achi Christmas

Dec e mb e r 15

D ec e mb e r 1 9, 20 & 2 1

A N at K i ng C o l e N ew Ye a r

J a nu a r y 2 , 3* & 4

S St a r Wa r s : Re t u rn of t h e J e d

C on c e r t J a nu a r y 9 & 1 0

S Mr. Symphonic: Shaggy with the Houston Symphony

J a nu a r y 11

A r t u r o S and oval : J o u rn ey t o Fr e edo m

J a nu a r y 17 & 1 8*

M a ri n A ls o p C on du c t s B r a h m s 2

J a nu a r y 23 , 24* & 25

P i an o M a n : T

& 8

W h e n I n s t r u m e nt s Ro a m e d t h e E a r t h

Fe br u a r y 7

Sy m p h on ie e s p a g n o l e + Sy m p hon ie f a nt asti q u e

Fe br u a r y 13 , 14* & 1 5

Chamber Music Series: Musician Spotlight

Fe br u a r y 15

Tch a i kovs k y ’s Ro m e o a n d J u l ie t

Fe br u a r y 20, 2 1* & 2 2

Wa g n e r ’s Tri s t a n a n d I so l d e

Fe br u a r y 28 & M a r c h 1

Mozart + Elgar’s Enigma Variations

M a r c h 13 , 14* & 1 5

Chamber Music Series: Chamber 3

March 15

B e et h ove n’s Fi f t h Symp ho ny +

T i m pa n i Wo rl d P r e m ie r e

M a r c h 20, 2 1* & 2 2

G ri eg ’s Pe e r G y nt

M a r c h 2 7, 28* & 2 9

S L a ng L a ng i n Re c it a l

A p ril 1

D isn ey s Fa nt a s i a i n C on c e r t

A p ril 3 & 4

S A p ril 17

A d a m s C on du c t s A d a m s & A p p a l a c hi a n S p ri n g

A p ril 1 8 & 1 9*

I c o n : T h e Vo i c e s Th at C h a nge d M u s i c

A p ril 24 , 25* & 26

A b r ac ad a b r a ! A Ma g i c a l M u s i c a l A d ve nt u r e

A p ril 25

S Chanticleer: Our American Journey

A p ril 28

J os h u a B e l l Ret u rn s : T h e El e m e nt s i n C on c e r t

M ay 7, 9* & 1 0

T h e Pl a ne t s + Tcha i kovs k y ’s V i o li n C o n c e r t o

M ay 1 5 , 1 6* & 17

Chamber Music Series: Chamber 4

May 17

Val č u h a C on du c t s M a hle r 9

M ay 2 2 , 23* & 24

NOSFERATU: SILENT FILM WITH LIVE ORGAN

As one of the youngest in a rare art form, Brett Miller is an active organist, conductor, and arranger specializing in silent film accompaniment. Currently, he is the Assistant Conductor of the Eastman School Symphony Orchestra and the Eastman Philharmonia.

In the Spring of 2021, he was appointed Music Director of the Empire Film and Media Ensemble, an ensemble based in Rochester, NY, that advocates for the education, performance, and production of film music. In the Fall of 2022, he was appointed Artistic Director of the organization. Brett shares a close relationship between the ensemble and the Beal Institute of Film and Contemporary Media at the Eastman School of Music.

His recent scores have been recorded with organizations such as the Eye Filmmuseum, the FriedrichWilhelm-Murnau Foundation, and Kino Lober Classics. He has been featured in the past at various film festivals and has played events in conjunction with film preservationists from the Library of Congress and George Eastman House. Highlights include sold-out performances of Nosferatu at Verizon Hall in conjunction with the Philadelphia Orchestra, The Boston Pops, and Houston Symphony. He is a frequent recitalist at Boardwalk Hall in Atlantic City, playing the world’s largest pipe organ.

Brett studied organ with renowned organist Jelani Eddington and piano with Beth Crompton. He studied film accompaniment with Ben Model and Bernie Anderson. He is currently pursuing a Master’s degree in Orchestral Conducting at the Eastman School of Music where he studies with Neil Varon.

AD HANDEL’S MESSIAH

Dec. 5, 6* & 7

*Livestream Performance 7:30 p.m.

Holiday Series

A NAT KING COLE NEW YEAR

Enjoy an “Unforgettable” start to 2026 as Byron Stripling, Denzal Sinclaire, and the Houston Symphony Big Band perform the timeless hits of Nat King Cole, along with well-known songs by other jazz legends. Hear the songs you know and L-O-V-E, including “Mona Lisa,” “Nature Boy,” “When I Fall in Love,” “Just One of Those Things,” and more.

Jan. 2, 3* & 4 *Livestream Performance 7:30 p.m.

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Special Program | Nosferatu: Silent Film with Live Organ by Houston Symphony - Issuu