Andalusianworld magazine aug 2014

August 2014 Issue 3

The Ultimate Source for the Iberian Horse!

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PLAY VIDEO

Available for Purchase Now Schooling Third Level

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INSIDE 6 9 12 16 20 25 26 30 34 40 42 45 48 52 56 58 61 61 64 70 72 75 76 82

Youth Spotlight Things to Know About Vegas 2014 Mayfest 2014 Warlanders Branding Irons, Pt 2 USPRE TRC Clinic Working Equitation Schooling Show Laminitis and Founder Drive On! Developing the Andalusian Dressage Horse Pin Oak Charity Horse Show Warm Up Arena Etiquette and Safety Historical Sires Amateur Spotlight The Ultimate Horse Show Checklist Fiesta of the Spanish Horse Tips for Trail Riding Trips FOR Safely Planning a Trail Riding Day Trip Behind the Art Feria Del Caballo EspaNol Iberian Halter Training Series Events Stallion Showcase Sales Horse Spotlight

AndalusianWorld.com is a website dedicated to the Iberian Breeds worldwide; providing news, information, and live broadcasting of events. AndalusianWorld is not affiliated with any one association or organization, but strives to provide up-to-date breed information and news.

On the Cover: Deceada MA and Foal Dulcinea de la Selva Berkshire Iberians 4

AndalusianWorld

(805) 467-7325 P.O. Box 56708 Riverside, CA 92517 Publisher/Editor Amber Lentz Asst. Editor Katherine Edwards Design/Photographer Kevin Kidder Advertising Sales Contribute a Story Add Event Have a comment or suggestion?

(We would love to hear it)

Contributors Kate Edwards Linda Graham Barbara Clark Barbara Price Julie Alonzo Sean Lorenzana Susan Peacock Jennifer Ann Coyle Johnson

Highlights

YOUTH SPOTLIGHT

KEEGAN O’BRIEN A trip to IALHA Nationals

Ahhhh Summer!

For some, this is the opportunity to take advantage of the longer days by spending time with your horse, catching up on chores, and long trail rides. For others it brings the smell of competition, and all that the show circuit has to offer.

Regardless of “your” motivation, we are all here because we love the breed, that horse - human bond, and all that goes with it.

This issue marks the beginning of some of the year’s most exciting shows: IALHA Nationals, Feria Nationals, and our own Andalusian World Cup in Las Vegas with competition coming from as far as Mexico, Canada, and Spain.

How did you spend your summer?

Have a story or adventure to share?

CAROL NIERENBERG

BEHIND THE ART Artist Interview

EVENTS

fiesta of the spanish horse

SPOTLIGHT

STALLIONS AT STUD AndalusianWorld Stallions

We would love to hear about it!

~Kevin

IBERIAN HORSE

warlanders It’s not all Black & White

HOOF CARE

FOUNDER Diagnosis & Treatment

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Summer Star

Youth Spotlight

Summer Kyniska Star is 10 years old and lives in Tucson, AZ. She attends Sunrise Drive Elementary and will be entering the 5th grade this fall. She is also a type 1 diabetic and an honors student as well as being a budding horsewoman. Summer tells us: “I have been riding all my life. I love to play with my dog and ride my horse. I started riding western stock seat, and about 2 years ago I started riding English hunt seat.

The best part about riding my horse is that I always have something new to do and I never have to repeat the same thing over again.”

1. How long have you been riding?

I have been riding ever since I can remember 2. Name of horse/horses you ride: My first horse was a miniature horse named Happy. I went on trail rides with my family when I had Happy.

My second horse was a paso fino mare named Peaches. She was very energetic and exciting to ride. Then I started riding Xila Star, a purebred Andalusian mare.

She was the first horse I took to the IALHA National Show, and I won the walk trot equitation class in 2009, when I was just 6 years old. Today I ride Reina Amberina and on a few occasions I ride my mom’s favorite horse Belle Star. I have shown Reina 2 years at the Nationals. Reina is a very special horse to me, she is a friend.

3. What is your favorite discipline?

Working Equitation 4. Was this year your first time attending the IALHA National Show? If not, how many times have you attended?

No, it was not my first. I have been attending the national show for 3 years now.

5. What was your favorite moment of this year’s National Show?

My favorite moment of this national show was when I entered the dressage ring for working equitation and everyone looked so surprised that a girl was competing.

6. Who is your favorite horse? Why? My favorite horse is Reina. I love her because she wants to work and move forward, she is not at all lazy.

She is a beautiful buckskin with lots of dapples and she 6

lets me do anything with her.

We wish Summer the best in her future endeavors and look forward to seeing her in the show ring for years to come. At 7. Is it hard for you to find a balance between riding and 10 years old, she is already an accomplished equestrian, as school? How often do you get to ride during the school year? anyone that has seen her ride can attest to. Congratulations Sometimes in the winter when the sun sets early and we to Summer on her success and love of the sport. Youth riders have any more light it is hard to ride. I only ride 2 times a like Summer are the future of our breed! week on school weeks in the winter.

8. What has been your most embarrassing/silliest moment at a show?

My silliest moment at the show was when I got the wrong trophy for English equitation, I had to go back into the arena and exchange the awards.

9. Is there anything that horse shows can do to make your show experience better?

It would be more fun with more youth riders. I wish there was a trail class, and more western classes at the IALHA shows. I wish the judges at open breed shows could appreciate my Andalusian mare.

10. Do you have any advice for other youth riders?

I say just go out and have fun a good memory with friends is worth more than a trophy.

11. How do you feel the level of competition was this year in the youth classes?

Pretty good, I could have used some more practice. There were a few in English but really no one else competing in western.

12. Did you win any titles this year? If so, which ones?

Yes in 2013 I won: Half Andalusian western pleasure champion/17 and under Half Andalusian western pleasure champion/amateur Half Andalusian western equitation champion/17 and under Half Andalusian stock horse reserve champion Half Andalusian English equitation reserve champion /17 and under 13. What are your plans for the future?

I want to go to Colorado State University and earn a degree in equine science and make training horses and boarding horses my living.

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CLICK for more information

THE DEFINITIVE SHOW

FOR THE

PURE SPANISH HORSE

Tilley Andalusians

Things to Know About Vegas 2014 For Competitors: • Stalls at Vegas come with 3 bags of shavings and stall mats are available for a rate of 40.00 per stall for the duration of the show • There are no automatic waters in the facility, so be sure to bring buckets!

• You can not nail or screw anything into the stalls, this includes cross – ties, etc.

• If you forget something – don’t worry, the onsite feed and tack store has most common products and if they don’t have it, can order it in from the main store which is just down the freeway.

• You can also visit one of our growing list of vendors, including Dale Chavez and Iberian Connection.

• The show will be broadcast to your hotel room, so you may watch in comfort • We ask that each competitor consider sponsoring at least one class. This allows us to continue awarding prize money and other awards.

For Sponsors:

We are still accepting sponsors and have put together some great sponsorship packages. Click here to download the Sponsorship Package, or if you would prefer to receive one by email: info@andalusianworld.com.

Sponsorship packages include fantastic perks such as complementary advertising, live broadcast advertising, complementary stabling / hotel, ringside seating and other special services, depending on your sponsorship commitment.

For Vendors:

Limited vendor space is still available, click here: for the Vendor Application Form We are currently working out mapping out the vendor area and will have this information available, as we get closer to the show.

Hotel:

Limited Rooms are available, so please book ahead to avoid disappointment! Use code: AND0922 or visit SOUTH POINT RESERVATIONS

Spectators:

Please see above information regarding booking hotel; we are delighted to have you at our show! Horses will be showing at the same time in two arenas with exciting events such as Working Equitation, Morphology, Functionality, Halter, Western, Driving and many more.

See you in

! s a g e V

Dream Horse No matter what your

Looks like

match

we have the

for you!

design by

Photos: Lee Locke, Rick Osteen, Lesley Harrison

General inquiries: Nancy and Joe Latta Burbank, CA nlatta@iape.org

Visit our for sale page online for videos and multiple photos of our horses for sale and arrange a visit today!

All horses offered by private treaty. A good home is our priority!

www.AmandalusianFarm.com

For breeding and sales horse information contact: Sandy Shields, Trainer 661-713-0492 sandy3136@aol.com

Home of Multi-National Champions: Kripton SENI II • Mayoral LA • Fabuloso XLI • Orgulloso XLIX • Afrodita M Suay • Robusto AF

by Barbara Clark

...Because it is a fun thing to do!

Many of us get into horses because we love them, love to ride them, breed them, show them, learn about them, and just be with them. Once we begin this journey, we discover that we also make lifelong friendships with other horsemen who enhance the fun of the experience. There is an endless amount of learning connected to hav having horses. You might want to ride a particular sport better, learn the latest veterinary ad advances in breeding, or simply learn how to purchase and evaluate hay.

Horsemen are always expanding their knowlknowl edge of horse related things.

Judy and Walter Henslee of Rancho Del Lago in McDade, TX have invented a way for everyone to have fun, learn, show, and make new friends at the same time.

They also structured the cost so that it is affordable for everyone.

This all-encompassing event is called Mayfest. They have become so good at hosting Mayfest, it just celebrated its 10th

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anniversary. Through the years we have discovered that this venue is the perfect way to introduce new folks to our incredible breed. If we want our horses to become more popular and saleable, we should follow Walter and Judy’s lead all over the country.

Even though the P.R.E. Breed is the star of Mayfest, anyone with any type of horse, or even those who don’t have horses, are welcomed and invited. It might seem a bit confusing to let people with other breeds and types of horses join in on all the aspects of the competition, since so much is geared to the Spanish Horse, but it is quite a clever way to introduce other horsemen to the exceptional abilities of our breed.

and Erica Peet, who worked tirelessly to help folks learn the secrets of handling horses in a Spanish morphology class. Judy and Walter Henslee graciously lent students horses to practice with if they didn’t bring their own, so no one was left out.

At the end of the clinic there was even a schooling show, where students displayed what they The Henslees have consistently produced a popular event learned. Everyone left with a where the cost to the participant is minimal, with a great greater understanding of how to value for all. The main event is on a Saturday, and busy handle a horse in the show ring, equestrians are greeted in the morning with a delicious, and was anxious to practice but easy to make breakfast buffet. Participants bring with all their horses at home. their favorite dish to share for the very popular “Pot Luck” lunch. The cost of the event is kept to a minimum The Peets were amazing! by asking everyone to bring a dish to share, and the They encouraged and crifun of the unexpected, but delicious food serves as tiqued without embarrassing a wonderful contrast to the catered dinner that anyone. Their good humor occurs during the evening meal. Beer, wine, and and willingness to share their winning lemonade are served at dinner on Saturday ways make their clinics extremely popto satisfy the deep thirst that comes with an ular everywhere they are held. They are active day with horses. We all know that just not afraid to share their knowledge, and talking about horses makes you thirsty!

Howard says he is looking forward to beEach year Judy and Walter determine ing beaten in the what subjects the crowd of horsemen show ring by one might find interesting, and try to supply of his students. various experts who can coach participants to increase their knowledge and Michael Vermaas participation in the events. The 10th proved once again anniversary consisted of three days of why he is the most learning, practice showing, and solidifying requested dressage wonderful new friendships. There was a lot instructor in the of hands on experiences. state of Texas. His dressage lessons were New this year were the additions of Howard so full that he had to

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start a day early just to satisfy all the requests for his time. He also served as a Working Equitation judge in the schooling show and provided us with his entertaining dry wit.

The Working Equitation demo by Antonio Garcia Roldán, from Harras Dos Cavaleiros was inspiriting for everyone who participates in the sport.

The precision and elegance of his ride made it look easy. Bruce W. Menke put on a Working Equitation schooling show, in which every slot was totally full. Riders had a great time and learned a lot competing in the three phases of the sport at every possible level. Many thanks to Bruce and the cadre of volunteers for doing all the support work required with the schooling show.

There were two informative clinicians whose presentations held the group’s attention, and provided answers to their many questions. Piper Norton, DVM, spoke about what problems breeders should look for in veteritheir new foals and even told us how to avoid them when possible. Dr. Parker, also a veteri narian, works for the state of Texas, and spoke about recent veterinary concerns that equines in Texas face this year.

We were treated to an amazing dinner, consisting of two different types of Paella, which tasted like it was shipped in from Spain. There was a seafood Paella, and also a Chicken and vegetable Paella. It was so popular, that not even one grain of rice was left in the any of the huge pans.

Everyone who attended Mayfest would agree that the Champion Stallion and Champion Mare of the event were Walter and Judy Henslee. They worked diligently to make everyone feel like they were family, and their beautiful Rancho Del Lago was home to all who were visiting. People came from all over the country to participate and share in the fun of Mayfest. When people ask “What was it like in the old days when P.R.E.s were just being introduced into the USA?” You can say it was a lot like Mayfest. It was fun.

If Mayfest sounds intriguing to you and you would like to have an event like this in your area…………you can! The Foundation is here to help and make it happen. It is a win-win situation for everyone involved and helps promote the breed in a very positive way. Simply contact us at 505.294.0800 or info@prehorse.org and we will help make it happen. Don’t forget to make plans for Mayfest 2015!

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There is no doubt that the Iberian horse holds a special place in the general public’s psyche when it comes to the romantic equine ideal. With thousands of years of genetic isolation and painstaking breeding practices behind them, our horses are held in high esteem worldwide, and are frequently the subjects of fine art photography, paintings, sculpture, and film. Open virtually any equine calendar, and you will find Iberian horses. Look to any equestrian statue, from the ancient era of Roman Emperors to modern day American and European war heros, and you will find the likeness of an Iberian horse in all it’s rounded, stately glory.

However, one other breed rivals the Iberian horse in the art department; the magnificent Friesian horse. Hailing from a region within the Netherlands called Friesland, the Friesian is one of the most popular and abundant Baroque horses in the US and Europe. They are a common sight throughout the Netherlands and neighboring countries, such as Germany.

The Friesian was developed during the Middle Ages. Through selective breeding of native forest horses, Shire horses from Great Britain (which were in high demand at the time as Knights’ horses), and Iberian horses, which were crossed to heavy war horses during the Crusades, the Friesian was born. Today, the studbooks are all closed, and the horses are one of the purest breeds in existence today.

Built like a light, relatively agile draft horse, the Friesian was later fine tuned to be an elegant, solid black carriage horse, but today is right at home in dressage courts, saddle horse shows, and renaissance faires. Known also for their stately good looks, generous spirits, and kind demeanors, it should come as no surprise that perhaps one of the greatest Iberian crosses to ever exist in the world is the Friesian and Andalusian cross; The Warlander.

Warlanders may be registered Half Andalusian with IALHA, part Friesian with the various Friesian associations, or as actual Warlanders with the International Warlander Society & Registry. Provided that each parent is of excellent quality and complimentary to one another, the cross can yield spectacular results.

Warlanders are most commonly bred as F1 crosses, or first generation crosses. Because of varying breed type, later generations often become inconsistent in their production, passing on unbalanced numbers of traits from one breed or the other, but some breeders are tackling this challenge with gusto. Warlanders are one of the most sought after and valued Iberian (or Friesian crosses, for that matter) because of their adaptability to such a wide variety of disciplines, and of course, their astonishing good looks, flashy motion, and outstanding character.

High quality Warlanders have strong, upright necks, which are well-set upon a laid back shoulder. They have longer backs than purebred Iberians, and variable facial characteristics which tend to reflect one parent or the other. They typically have

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heavier bone than a purebred Iberian, large feet, and light feathering around the pasterns. While Friesian horses only come in black (and very rarely chestnut) Warlanders come in virtually every solid color imaginable, thanks to the genetic color palate provided by Spanish and Portuguese parents.

When breeding for Warlanders, look for parent horses whose motion and conformation will suit one another. Select the best individuals available, and carefully research your registration options. Breed with a purpose in mind. Multiple types exist within both Friesian horses, and Iberian breeds, and when breeding for a warlander, it is prudent to match the parents’ type as best as possible.

When purchasing a Warlander, be sure to do your homework and make sure it’s registration papers will accommodate your competition goals. Beware of backyard-bred warlanders from sub-par parents. While it is true that many Baroque horses will go through an unusually brutal “ugly phase” as youngsters, not all ugly ducklings will grow into beautiful swans. Some breeders will relegate their questionable purebred stock to the task of creating crossbreds, in an effort to mask their horse’s poor production with exotic looking blood. If you have any question about the quality of a young horse you are looking at, request to see both parents before making a decision, and ask a trusted mentor for their opinion.

Ultimately, the Warlander is a modern work of art. It is the confluence of two exquisitely developed, ancient bloodlines. Just enough alike to generously compliment each other, and just different enough to lend their offspring an unusual “look”. With all this in mind, as well as the perfect skillset for the modern equestrian across disciplinary lines, the Warlander is poised to become just as popular as its purebred parents. Competition opportunities abound, and these beautiful horses are worth owning for their merits as friends, objects of beauty, and pleasurable riding alone. Will your next purchase be a Warlander?

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Part 2

by Katherine Edwards, Berkshire Iberians

The Making of a Modern Branding Iron Originally, the “Branding Traditions Pt. 1” article was supposed to have a follow-up article outlining the basic creation process of a modern freeze brand. It was going to be another impersonal, but informative essay written in the third person. I later realized that I was uniquely positioned to write a more engaging article on the topic, as I was ready to order my own freeze brand. So, if you have been thinking about having a brand made, but are unsure of the process, or you are simply curious, follow along for a first-hand experience into the making of a top quality branding iron.

Branding Iberian horses is a very important tradition, and shouldn’t be taken lightly. Like a tattoo, the marking is permanent, and as such you should take the appropriate precautions to ensure that the marking is desirable on a long term basis. Make sure your brand design is registered with your state’s department of agriculture, and the studbook into which it will be going. Most importantly, make sure your brand is something you will still like in 20 years.

To be absolutely sure you will still like it after an extended period of time, you may want to design your brand, and then spend a year mulling it over before it’s made. You must also decide if you would rather use a hot brand made of iron, or a freeze brand made of a copper and tin alloy. Each has its own attributes and drawbacks. To read more, check out Pt 1 in our December 2013 Issue. The final part of your role in the creation of your brand is to submit your design to a trusted brand maker.

In my case, I selected Felix Prieto, of Prieto Branding Irons.

Not only does he have a sterling reputation as an international brand maker, he is also my neighbor! Through a funny twist of fate, I ended up living on the same street in California as Felix. I am a huge fan of supporting local artisans, and it doesn’t get any more local than a few doors down.

Felix worked with me over the course of several months designing the brand. Felix is a true artisan within the trade, and his brands are known for having finer details which transfer well onto hides. Always quick with a thoughtful reply, Felix carefully explained why each attribute of my designs would, or would not work. My initial designs were too complex; the lines too fine for making a normal-sized brand under 6 inches in length. While he can physically cast any design you could possibly imagine, the flesh of a living horse does not always cooperate with fine lines. The lines can become blurred and “bleed” into one another, as the marking heals and the horse itself grows. Finally, I came up with a simpler design.

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Like many before me, I selected an image, rather than lettering, to represent my vision for my horses. I borrowed a design from a 5000 year old neolithic Standing Stone in Ireland, to reflect my family’s predominantly Celtic heritage. Then, I put it inside of a circle, not only to make it my own, but to tidy up the final overall image. I feel like a brand is part of the artistic value of a horse. It’s not a microchip - it should be aesthetically pleasing. Following this submission, Felix gave me the green light to select it as my final design!

After requesting a high resolution version of the image and the mensions in which I would like the brand cast, Felix took the raw photoshop file, and began the process of having the brand cast in metal. The freeze brands are made of a particular copper and tin alloy, which allows the metal to retain the extremely cold temtem peratures required to successfully freeze brand a horse. Hot brands are made of iron, which alternately retain a great deal of heat. In my case, I ordered a freeze brand.

di-

We would be branding my yearling filly, so preparations were made to have her right hindquarter shaven to the skin, disinfected, and for her to be given a heavy dose of sedatives to keep her still and free of pain. While hot brands can be applied in a flash to an alert horse with little to no ill effect, a freeze brand must be applied for a comparatively lengthy period of time. Liquid nitrogen and dry ice (carbon dioxide in solid form) are the two coolants used for freeze branding.

Depending on the horse’s coat color and coolant used (liquid nitrogen requires less time than dry ice, and dark coats require less time than light coats), the brand must be continuously applied for 6 to 25 seconds without any movement on the part of the horse, so sedatives are not optional. Unlike hot brands, freeze brands function by altering hair follicles. By freezing, but not killing hair follicles, hairs grow in white, which is often a more aesthetically pleasing alternative to the bare-skin scars left by hot brands. However, in order for a brand to be visible on a pure white coat, the freeze brand is applied until the follicles actually die, mimicking the finished product of a hot brand, without the pain.

A few months later, my brand returned from being cast, and we were ready to brand the filly. Felix arrived at my barn with his helper, and proudly produced the gleaming brand for my inspection; and it was absolutely perfect. Felix clearly takes great pride in his work, and enjoys what he does; his pleasure is infectious. First, we took the cooler filled with dry ice, and poured some rubbing alcohol into it to create a super-cold slush for the brand to sit in for several minutes.

Next, my yearling was sedated with xylazine, the same drug typically used to sedate colts during 21

castration. There was little risk of her experiencing discomfort, or moving around for any reason, though she remained standing. Her right hip was shaven with both clippers and a razor, to fully expose the skin. cleansed with soap and rubbing alcohol, to remove any dirt or oils from the surface Her skin was on her skin, ensuring an even application of the brand.

Felix then lined up the brand at the correct location for an Andalusian mare, received confirmation from me in regards to the exact placement and angle, and carefully drew a straight line with a sharpie. She was then led into her stall, where Felix’s helper backed her into a corner (so she could lean on the wall) and Felix firmly pressed the brand to her hide, and held it tight. Though she was dark at the time of branding, she is graying, and will eventually turn pure white.

Felix pushed the brand into her skin for nearly 30 seconds to ensure that some of the hair follicles died, so as to prevent her eventual whitening to overrun the design.

Immediately following removal of the brand, the skin remained frozen in place, revealing a crisp mirmir ror image of the metal brand. Quickly, however, the skin thawed, and a series of changes began to take place. First, the design flattened, and disappeared entirely. Within minutes, however, the lines reappeared in the form of a raised welt, which spread into a solid circle. The filly was waking up and wondering what was going on, but did not seem to notice what we had done.

Felix advised me that tempting though it may be, I should not apply any creams or salves to the brand while it healed. Any interference could compromise the integrity of the design. I refrained, and the welt quickly cooled off and scabbed up. The filly never seemed to notice it, despite her sensitive disposition. She never rubbed it, or showed any kind of distress. The scabs fell off entirely within 6 weeks, revealing pink skin, with a halo of white hair, just in time for a show.

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The overall process was long, but simple, and very rewarding.

Brands represent both a legacy and a vision. Not just the vision and legacy of a single breeder, but the collective vision of a dynasty of breeders. Famous brands are handed down and revered almost religiously by later generations, and smaller brands are a source of familial pride.

They are an important part of Iberian horse culture, and shape the way we view our horses.

In no other breed is heritage so important as it is to the Iberian horses, and in no other breed are onlookers so curious about a given horse’s origins.

You can carry on this tradition of pride with your own brand. Enjoy the time honored, and almost ceremonious nature of branding your stock, and strive to create a brand you can truly be proud of. Not just the design of your branding iron, but the vision and legacy your branding iron represents.

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USPRE TRC CLINIC SERIES

PLAY VIDEO

Were you unable to attend the 2014 TRC series of clinics? No problem!

Whether you plan to present horses at the TRC, Feria del Caballo Espa単ol National Show in Vegas; or at a show in the future, this video will give you and edge.

Watch online as Sebastian Bastida Porras, ANCCE judge, professional handler and rider, shares with us what it takes to be successful at the TRC or at shows.

We hope you enjoy it as much as we did. Thank you to USPRE for sponsoring the clinics and making it possible to have this video available for everyone!

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WEIAUSA Schooling Show Recap June was a busy month for WEIAUSA-licensed Learner judge Barbara Miller Price, with two schooling shows in two states in back-to-back weekends. The first event, the multi-breed Far West Championship Show June 20 in Redmond, OR, had seven entries in all: 4 in Introductory, 2 in Novice, and 1 in Intermediate. The second event, the WEIAUSA recognized schooling show at Saul’s Andalusians / Peet Equestrian in Mira Loma, CA on Saturday, June 28th, drew 14 competitors, with 6 in Novice and 4 each in Introductory and Intermediate.

Results for the Redmond, OR, show are as follows: REDMOND, OREGON, OVERALL COMPETITION CHAMPIONS Introductory Level Overall Placing Rider Ch Gary Camp Res Chemelle Stark rd 3 Kaylene Toews th 4 Marty Hearn

Horse Pampero’s Fuego Brillante Alomowr Mercedes Dulce Louise

Breed Andalusian/Morgan Haflinger Friesian/Morgan AQHA

Novice Level Overall Placing Rider Ch Sarah Kress Res Caitlin Huntress

Horse Lebrijano LIV Fleetwood

Breed Andalusian Oldenberg

Intermediate Level Overall Placing Rider Ch Julie Alonzo

Horse Armani LFA

Breed Andalusian

Dressage Trial Introductory Dressage Placing Rider 1st Chemelle Stark nd 2 Gary Camp rd 3 Kaylene Toews th 4 Marty Hearn

Horse Alomowr Pampero’s Fuego Brillante Mercedes Dulce Louise

Breed Haflinger Andalusian/Morgan Friesian/Morgan AQHA

Novice Dressage Placing Rider 1st Sarah Kress nd 2 Caitlin Huntress

Horse Lebrijano LIV Fleetwood

Breed Andalusian Oldenberg

Ease of Handling Trial Introductory EOH Placing Rider 1st Gary Camp nd 2 Kaylene Toews rd 3 Chemelle Stark th 4 Marty Hearn

Horse Pampero’s Fuego Brillante Mercedes Alomowr Dulce Louise

Breed Andalusian/Morgan Friesian/Morgan Haflinger AQHA

Novice EOH Placing Rider 1st Caitlin Huntress nd 2 Sarah Kress

Horse Fleetwood Lebrijano LIV

Breed Oldenberg Andalusian

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Intermediate EOH Placing Rider 1st Julie Alonzo

Horse Armani LFA

Breed Andalusian

Speed Trial Novice Speed Placing Rider DQ Caitlin Huntress DQ Sarah Kress

Horse Fleetwood Lebrijano LIV

Breed Oldenberg Andalusian

Intermediate Speed Placing Rider Scratched Julie Alonzo

Horse Armani LFA

Breed Andalusian

MIRA LOMA, CALIFORNIA, OVERALL COMPETITION CHAMPIONS Introductory Level Overall Ch John Thomson Res Pamela Bies rd 3 Tenara Blood 4th Bonnie Thomson

Brumbys Run One Kingaroy Gunner Spark Brumbys Run One Karalee

Novice Level Overall Placing Rider Ch Erica Peet Res Cynthia Kiser 3rd Howard Peet 4th Malu Yunez 5th Kayla Partridge 6th Fausto Meza

Horse Barquillero Red CDC Memoria El Guapo Orgullo de Tranco Marengo

Breed Andalusian AQHA Andalusian AQHA Andalusian Andalusian

Intermediate Level Overall Placing Rider Ch Robin Bond Res Anne Nanej 3rd Robin Bond 4th Roberta Tarnove

Horse Especially Colonel Orio KaChoo Terra Santa HM

Breed AQHA Lusitano Paint Lusitano

Dressage Trial Introductory Dressage Placing Rider 1st John Thomson 2nd Pamela Bies rd 3 Tenara Blood

Horse Brumbys Run One Kingaroy Gunner Spark

Breed

Australian Stock Horse Paint Morgan Australian Stock Horse

Australian Stock Hors Paint Morgan 27

4th

Bonnie Thomson Brumbys Run One Karalee

Australian Stock Horse

Novice Dressage Placing Rider 1st Erica Peet 2nd Cynthia Kiser 3rd Howard Peet 4th Kayla Partridge 5th Malu Yunez DQ Fausto Meza

Horse Barquillero Red CDC Memoria Orgullo de Tranco El Guapo Marengo

Breed Andalusian AQHA Andalusian Andalusian AQHA Andalusian

Intermediate Dressage Placing Rider 1st Robin Bond 2nd Robin Bond 3rd Roberta Tarnove 4th Anne Nanej

Horse KaChoo Especially Colonel Terra Santa HM Orio

Breed Paint AQHA Lusitano Lusitano

Horse Brumbys Run One Kingaroy Spark Gunner Brumbys Run One Karalee

Breed Australian Stock Horse Morgan Paint Australian Stock Horse

Horse Barquillero CDC Memoria Red Orgullo de Tranco Marengo El Guapo

Breed Andalusian Andalusian AQHA Andalusian Andalusian AQHA

Intermediate EOH Placing Rider 1st Robin Bond 2nd Anne Nanej 3rd Robin Bond DQ Roberta Tarnove

Horse KaChoo Orio Especially Colonel Terra Santa HM

Breed Paint Lusitano AQHA Lusitano

Speed Trial Novice Speed Placing Rider 1st Malu Yunez DQ Cynthia Kiser DQ Howard Peet DQ Kayla Partridge DQ Fausto Meza DQ Tenara Blood DQ Erica Peet

Horse El Guapo Red CDC Memoria Orgullo de Tranco Marengo Spark Barquillero

Breed AQHA AQHA Andalusian Andalusian Andalusian Morgan Andalusian

Intermediate Speed Placing Rider 1st Robin Bond 2nd Anne Nanej DQ Robin Bond

Horse Especially Colonel Orio KaChoo

Breed AQHA Lusitano Paint

Ease of Handling Trial Introductory EOH Placing Rider 1st John Thomson nd 2 Tenara Blood 3rd Pamela Bies 4th Bonnie Thomson Novice EOH Placing Rider 1st Erica Peet 2nd Howard Peet 3rd Cynthia Kiser 4th Kayla Partridge 5th Fausto Meza DQ Malu Yunez

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Scratched

Roberta Tarnove

Terra Santa HM

Lusitano

Other WEIAUSA News Over 85 Working Equitation fans from California, Oregon, Washington, and Colorado took advantage of the opportunity to learn from Portugal’s 2006 Working Equitation Reserve National Champion Nuno Matos, as he moved from state to state in a series of clinics hosted in Eugene, North Plains, and Corvallis, Oregon; Olympia and Ridgefield, Washington, and Plane View, Colorado. Working with riders and horses of all levels, Matos ensured that everyone left with at least one “aha” moment.

Meanwhile, Tiago Ernesto, one of the Working Equitation trainers from Haras dos Cavaleiros, had a very successful clinic in Illinois in June and is scheduled to return for a second round August 2-3.

Those interested in becoming immersed in the sport are invited to attend the WEIAUSA judge training seminar (silent auditor spots are available for those who want to learn more about the sport but are not seeking licensure) and rider clinic with Portuguese clinicians Dr. Claudia Elsner Matos, the World Association for Working Equitation’s International Judge Trainer, and Jorge de Sousa, one of the first International Champions in the sport. The five-day intensive seminar will be taking place in Eugene, Oregon September 3-7, 2014. For more information, contact Julie@weiausa.com.

And, of course, we are all looking forward to the AndalusianWorld Working Equitation competition in Las Vegas, Nevada September 25-27, 2014 and the potentially very lucrative Haras Cup in Magnolia, Texas October 24-26, 2014 (with $50,000 in prize money, this championship competition promises to be spectacular)!

Look for more upcoming events on the AndalusianWorld.com website as well as on the Events calendar at weiausa.com.

Special Thanks to Peet Equestrian for provided pictures!

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Laminitis Founder

by Sean Lorenzana

No horse owner wants to hear the words “founder” or “laminitis”. Once these words have been uttered, they conjure up a bleak outlook for the future of our equines. But, before we throw in the towel and give up hope, there are a few things we should know about these diseases. What is the difference between laminitis and founder, and what are their symptoms and treatment options? Prior to discussing the aforementioned topics, be advised that treatment is an expensive and lengthy process, which will include some degree of trial and error.

Your Team of Professionals As a horse owner, surround yourself with seasoned professionals who work well together; your veterinarian needs to have the ability to take radiographs and be up to date on current farrier methods. Not all farriers are equally skilled and educated when it comes to treating laminitis, so make sure your farrier has the proper equipment and skill level that will be needed for the many different treatment options. Once you have your team in place, you need to discuss the treatment options with your vet and farrier. As a team, you need to decide ultimately what the worst case scenario is, and what the expectations are for the soundness and usability of your horse. Most importantly, your team needs to be committed to seeing your horse through the entire process, from beginning to end.

Founder vs Laminitis There is a difference between laminitis and founder; laminitis is the predecessor to founder, and a horse can suffer from laminitis without foundering. Laminitis is the inflammation of the sensitive laminae resulting in the blood supply being restricted or interrupted. What causes the onset of laminitis is not known for sure, but it’s believed that trauma to the hoof capsule, diet, illness, and high insulin levels contribute to the disease.

Symptoms Once laminitis begins to take hold, it results in the tearing of the laminae which hold the coffin bone in place inside the hoof capsule. This results in the white line to be distended as seen in photo A. The white line should be the same thickness from the heel through the toe and as opposed to stretched as pictured. The horse will usually exhibit a digital pulse and will often stand “camped out” in front, transferring its weight from its fore feet to its hind end. Often times, a horse will not show the above symptoms but will be slightly off, and this could be contributed to a mild case of the disease.

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A Photo

Treatment During the initial onset, there are drug treatments available that are best discussed with your veterinarian. As a farrier, I prefer to not shoe a horse during this period; it is usually very painful and difficult for a horse to stand on one front leg and handle the concussion required to nail on shoes. Instead, I will use EDSS styrofoam blocks duct taped to the hoof. Another option is to use dental impression material in the back half of the hoof to help support the bony column. Once the initial onset is through, shoeing with a wide web shoe and adding a pad that includes some sort of frog support is an option. A heart bar shoe can also be used depending on how extensive the damage is to the hoof capsule.

Please be aware that any time you are adding any form of frog support, radiographs should be taken before shoeing to identify the exact location of the coffin bone, which will determine where the frog support must be placed. Not all horses will react well to frog pressure, so each case must be evaluated on a individual basis.

Sean Lorenzana has been a professional farrier for 18 years. His practice covers southern California,central california and southern Nevada. His bulk Cliental are show horses including hunter/Jumper dressage with a diverse list of breeds including TB, warmbloods, Andalusians,Friesians,lipazoners,and paso finos. Sean was worked closely with the western states farriers association on their annual conference.

His responsibilities included the organization of the trade show, competition and sponsorship. Sean was recognized two times By the W.S.F.A for promoting continued education in the farrier industry. Sean also has a certification from the American Farriers association since 1997 and currently works with the AFA on their marketing committee.

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Design by AndalusianWorld

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By Jennifer Ann Coyle Johnson

A tall lanky gelding had traveled across the United States and stepped off the trailer back onto the soil where he was foaled. He was coming back to Virginia for a few months of training to give him something to do over the summer when his owner was too busy to keep him in consistent work. He came to learn to drive, just to see if he might like it. His name is JC Chico de Amante (known adoringly as just Chico). That was two years ago. He drives now, and he likes it. He likes it a lot!

I know Chico likes to drive in the same way I knew his dam, JC Andaluza, loved to jump. She had intensity about her - ears up, eyes on the next fence, always wanting to take the long spot. Chico gets the same look as we drive into an obstacle on the course. He is totally game for every challenge.

I bred Chico. Chico’s owner, Laurie Houck, bought him from me as a suckling. I always knew he was special, and she saw it too. Chico stayed in my young horse -raising program and left as a long yearling.

He wintered over at our farm before making the week - long trip out to his new home in Walla Walla, Washington, where Laurie lived at the time. I wasn’t sure if I’d ever see him again, and it was tough to see him pull out of the driveway for his long trip west. Six years later he returned in the summer of 2012 as a well rounded seven year old, ready for his next adventure. In his time away he’d worked cows, packed in the mountains and shown over fences.

Chico has what I call “happy horse syndrome.” He’s a pleaser with a fabulous attitude, ready and willing to learn. He’s goofy, playful and he’s always smiling. Anyone that spends time with Chico quickly becomes smitten with his personality.

Combined driving horses need to be brave, strong, forward and supple. They must exhibit grace for dressage, Speed, endurance and handiness on marathon and handiness for precision in cones. Chico took to Combined Driving like he was born to it.

After only a couple of months in harness, I felt Chico was ready for his first show. In the fall of 2012, I competed Chico at his first Combined Driving Event (CDE) in Aiken, SC at the Katydid CDE. We showed training level (the lowest level at recognized shows) and went for the experience and miles.

We planned the big, safe, routes and met all of our goals. At training level the hazards on marathon are not timed, there is just a time allowed on course. We easily made the time and were careful not to come in too fast. After going clean in marathon and cones, we finished second in a large class.

After this first show it was clear to me that Chico could excel in Combined Driving. We had a lot to work on but it was a good start and I could tell he enjoyed it, just as his dam enjoyed competing over fences.

By this time we were heading into winter and Chico was scheduled to go home to Laurie (now living in Ohio). Her life had become busy with family and work, and the winter weather in Ohio would make it challenging to keep a now fit Chico on a regular training schedule back home. Laurie asked if I could continue to train him through the winter. I thought, sure, twist my arm! I’m pretty sure I had told her at least a few times 34

Combined Driving Events (CDE) has its roots in

driving and inspiration in 3 day Eventing. Competition among drivers and their horses began ages ago, but the organized sport of Combined Driving of today bears little resemblance to the chariot races of old. The sport we know as combined driving is relatively young on the world scene, the first comprehensive and standardized rules having been laid out in the early 1970s under the leadership of HRH Prince Philip, Duke of Edinburgh.

Combined Driving has been patterned after ridden Three-Day Eventing, which in turn has its roots in the exercises of comprehensive mounted military exercises.

Tradition and modern innovation are melded in these resourceful competitions. Combined Driving is one of eight equine sports governed at the international level by the FEI and at the National Federation level by USEF. Sometimes likened to a team triathlon, a Combined Driving Event consists of three competitions – Dressage, Marathon, and Obstacle/Cones -- that are held over one, two, or three days. The sport is intended to showcase the versatility, training and talents of both horse and driver.

she couldn’t have her horse back anyway.

Spring 2013 came and went and Chico stayed on. We worked regularly (and still do) with my coach, Paul Maye, hauling the four hour round trip for weekly lessons. I moved him up to Preliminary level at his second show and Laurie met us in Kentucky and navigated for us on marathon. Hazards were now being timed, but as a relatively green horse in harness our speed was of little importance.

In Dressage, horses or ponies and their drivers drive individually in specified patterns and gaits to demonstrate the skills, obedience, and development appropriate to their levels of training before the watchful eyes of one or more judges. Dressage develops and displays polish, discipline, and athleticism of equine and driver dancing together.

We started cantering in and out of hazards so he could get the feel of being forward, but continued to trot our turns within the obstacle. Chico’s ground covering stride made up time in the hazards. Even taking the long routes at a trot we were faster than most. Our dressage score gave us enough of a lead that even with a rather weak cones course, it didn’t affect our placing.

We finished first in a large, Preliminary single horse class at the Gayla Bluegrass CDE - It was pretty awesome! We won our preliminary class again at the Elk Creek CDE in Maryland that summer. It was an especially fantastic show for me.

Since I couldn’t show two horses in the same class, my fabulous coach Paul Maye showed my mare JC Viva (also a homebred and Chico’s half sister) for me in preliminary single horse division as. We came in first and second in that division! With Andalusians coming in at the top of the class, people were noticing us and we had a great time talking up the breed.

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After the showcase of beauty and control that is Dressage, the next competition is often the cross-country Marathon. Here, the driver tests his mettle and that of his horses or ponies in control of paces and speeds, agility, obedience, and endurance over distances of eight to eighteen kilometers. Not only do competitors cover distance, they also negotiate challenge “obstacles” every kilometer or so, in which they choose their paths to go through “gates” in the correct direction and sequence. It is on Marathon that Dressage training really pays off, and thrills abound.

Having proven their mettle in the control of Dressage and the jubilation of Marathon, pony or horse and driver must finally find that combination of boldness, agility, energy and precision that is Obstacle/Cones driving. In this competition, drivers and their steeds drive between precisely spaced pairs of cones over a prescribed course of up to 20 “ obstacles” driven in correct sequence and direction and within an allowed time based on the size of equine and level of advancement. Cones may be seen as that meld of elegance and thrills that consummate the competition, set to demonstrate the fitness, mind and training of the horse following the more physical challenges of the Marathon.

(Credit: American Driving Society website, http://www. americandrivingsociety.org)

That fall we showed at the Glen Willow CDE in Pennsylvania. It was the highlight of the show season at a beautiful venue. Chico and I tallied the best dressage score of the entire show, winning our class of nine and missing best overall score by just one ball in cones. win Darn those cones! Much of the fall and winter would be spent at home working on our accuracy.

In the fall of 2013, I made the difficult decision to sell my mare JC Viva and partner with Laurie on Chico, so I could focus my resources on him and my goals. She sold within a week of listing her. I think that really goes to show that this (driving) is a market untapped by Andalusian breeders. I would love to see more involved in the sport.

I now regularly get inquiries for Andalusians that are started, competing, or suitable for Combined Driving and cannot fulfill the demand.

It is my goal to compete Internationally and someday represent the United States at a World Championship.

Early this winter (2014) I competed with Chico in Ocala, FL, where we moved up to Intermediate level. We placed at both the Kingdom of the Sun CDE and the prestigious Live Oak International, both in large single horse classes. At Live Oak I was approached by one of the national team coaches and invited to participate in the USEF Developing Driver program. The purpose of this program is to increase the number of drivers and horses competing at the highest levels of Combined Driving, helping to set the stage for them to be future International competitors representing the United States.

About Jenni: Growing up in Cleveland, OH, Jenni competed in dressage, hunters, jumpers, and eventing. Her first horse, Recluta III, was bred by her aunt, Carolyn – one of the first Andalusian breeders in the United States. After college, Jenni moved to Virginia to follow her dream of being the second generation of Andalusian breeders in the USA. More than a decade later, the dream continues. Learn more about Jenni and JC Andalusians at: http://www.jcandalusians.com/ or Facebook.com/JCAndalusians

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I attended my first USEF clinic in June 2014 with Chico. The clinic was three intense days of lessons with Thorsten Zarembowicz of Germany, and it was a wonderful opportunity to work with a world-class driver and teacher. Working and learning with some of the best drivers in the country was a great experience, and has really challenged me to set new goals for both Chico and myself.

I hope to move up with Chico to FEI Advanced next year, with our sights set on the 2016 Single Horse World Championships. We have a lot to work on to get there, but that is my goal. I’m motivated to continue improving myself as a driver and I always believed in dreaming big! I have a fantastic horse with a wonderful owner, a great coach and a strong support system back home at the farm. Being invited into the Developing Driver program has been a big honor, but it’s also a challenge that I’m prepared to meet. The challenge is to always be learning more, pushing harder and using every lesson and every show an opportunity to take another step forward.

It has been an amazing journey to get to where we are today and an honor to have our national team making an investment in me, and in Chico. As a breeder, it is very fulfilling to have ones breeding goals realized so fully in such a great horse, and in JC Viva. It is hugely rewarding to have the support of great clients, such as Laurie. I can’t wait for the next lesson, the next show and the next opportunity for Andalusians to prove that they have a place in Combined Driving.

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Tips for Developing the

Andalusian Dressage Horse

by Susan Peacock

For me one of the most appealing things about Dressage has been the ability to train multiple breeds of horses.

While I enjoy working with the typical dressage star, I have always been drawn to the boutique breeds as well. Dressage is all about the systematic development of any horse in order to move upward in the training and showing worlds.

The most common horse to find in the dressage arena has become the modern Warmblood, but that has not always been the case. When I started riding dressage we rode a lot of Thoroughbreds, Arabians and Quarter Horses. I can remember the first imported warmblood that I rode. He was a big heavy horse that stood about 17.1 hands. He was powerful but not so good at softness and self carriage. The first warmbloods that came to our country had a lot of bone, power and a quiet temperament. These horses mixed well with our hotter breeds and the dressage horses started to change.

The horses in Europe were also changing into the more modern type of sport horse. The dressage world also evolved to encourage this more modern type of sport horse. I feel that the Andalusian can be the perfect choice for dressage. They embrace the goal of an athletic and lighter dressage horse and they are fun to ride.

When I discovered the Andalusian breed I liked that they were light and forward moving horses with such willing temperaments. The initial problem for me was that there weren’t very many Andalusian horses around. This has changed as the promotion of the breeders of Spanish horses has helped to increase the number of quality horses in the USA. The second problem was that many of the dressage experts tried to train them exactly like the warmblood horses.

There are some differences that I have found need to be addressed. These flashy, beautiful moving horses have been taking over the hearts of dressage enthusiasts for some time.

The first difference to address is the temperament. The Andalusian horse is very willing. They have such a strong desire to please that they often become anxious when in information is presented in a way that causes them stress. I find that it is very important to introduce new information in a very systematic way. I use the training scale of dressage, as found on the USDF website, as my daily guideline for training all horses.

The Andalusian horses need more patience in their training programs. They need to spend much more time developing the basics of rhythm and relaxation than some other breeds.

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This can be difficult for many riders because the horses are so quick to learn that riders are often in a hurry to move on to the next step before the horse has actually become comfortable with the foundation for the level.

Another issue for the Andalusian horse is the development of the back and pushing power from the haunches. It can be difficult to develop the strength in the top line for this breed. These horses are often compact in their build and lack the shear strength in the loin that many warmbloods have. Careful developdevelop ment of connection and impulsion (See the training scale of dressage) must be addressed with the Anda-lusian horses to develop them correctly.

This area of training must be developed through a systematic plan. I utilize schooling exercises that I have specifically developed for this breed.

My program focuses on slow, repetitive development of the horse. It is very important to work the horse for shorter sets and let the horse have moments of rest between the sets. This is key in avoiding mental tension that can make the horse less elastic in their gaits and tense in the back. A tense back develops in a way that makes the muscles tight and short. Problems with connection and thoroughness are a major indication of a tight or hollow back.

The Spanish horses respond well to a learning environment that challenges them without overstressing them. They become fantastic show animals when they have confidence in their jobs. I have included some photos that show the physical changes that a systematic approach has on the horse’s physique and movement.

Each horse and each breed needs to be handled like an individual. Every horse has areas that need to be developed and different techniques used help different breeds. The key to success is to have a fair and well thought out plan that evaluates the horse in a systematic way.

About the Author: Susan Hoffman Peacock is the owner and operator of Eastvale Equestrian in Eastvale, CA.; a private farm that specializes in training Dressage horses. Susan is dedicated to continuing her knowledge and is a long time student of Conrad Schumacher. She is a USDF medalist and Certified Instructor/Trainer, International Clinician and current competitor. Her unique system of Rider Biomechanics and Lesson Planning sets her apart from the rest.

For more information please visit www.dressagepeacock.com Photos: Author riding Pescador ESF, owned by Pamela and John Pirkle

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Pin Oak Charity Horse Show

by Linda Graham

Spring comes in like a lamb at the Pin Oak Charity Horse Show Largest ever turnout for IALHA Andalusian / Lusitano classes and Working Equitation Katy, Texas – April 1, 2014 The 69th Pin Oak Charity Horse Show just wrapped its largest and most successful show ever for IALHA competition and the emerging discipline of Working Equitation, underwritten by title sponsors Haras Dos Cavaleiros of Magnolia, Texas. It was the tenth year for IALHA and the third year for All-Breed Working Equitation competition at Pin Oak, which also hosts classes for American Saddlebreds, Hunters and Welsh Ponies, plus two Olympic-level Grand Prix jumping events.

The tradition-rich, Houston-based Pin Oak show benefits children’s charities, and has given more than $5.5 million to Texas Children’s Hospital since its inception in 1945.

This year, there were 53 entries in Andalusia / Lusitano classes and 32 entries in Working Equitation, with just four horses competing in both for 81 horses total. Pin Oak was the largest show in the United States for Andalusian and Lusitano horses (except for the U. S. National show) in 2011, 2012, and 2013. Overall, Pin Oak attracts approximately 2,000 horses over its two-week run, A week of stellar spring weather was the icing on the cake. The halter and All-Breed Working Equitation classes were held outside in the Haras Dos Cavaleiros arena, while IALHA performance classes alternated with Saddlebred events in the Irish Day Farm indoor arena. Sponsors enjoyed food and cocktails ringside each night in the Sponsor’s Club, with a soldout seated Gala Dinner on Saturday night during the $30,000 Grand Prix.

Although Andalusian and Lusitano classes are over after Week One, Waller Farms’ movie-star Andalusian stallion Novelisto D (who starred in Winter’s Tale with Colin Farrell and Will Smith) guest starred in an exhibition with Hollywood trainers Rex Stevens and Cari Swanson before the International Hunter Derby.

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All-Breed Working Equitation definitely offered the most excitement on the showgrounds, with $5,000 prize money available in each of the three adult levels offered. This three-phase competition includes a dressage test, ease of handling performance over obstacles and a speed phase, and was judged by Claudia Elsner Matos of Portugal.

Haras Dos Cavaleiros’ trainers Antonio Garcia and Tiago Ernesto and last year’s IALHA champion Randy Byers battled it out in the Advanced division on Haras Dos Cavaleiros’

Lusitanos, with Garcia’s Adagio DC taking first, and Ernesto’s two entries Diablo DC and Cossaco taking second and third, with Byers fourth on his quarter horse Carbon.

The Basic division was run on the same course as the Advanced, with owner-rider Doreen Atkinson on Half-Lusitano Obadi Del Dios taking first, followed by Australian Stock Horse Sandhaven Pagan Dancer owned by Kellee Campbell and ridden by Tarrin Warren as Reserve. Three Lusitanos rounded out the ribbons: Demi Latte Con Leche ridden

by Raul Arrodondo and owned by Donna Beddingfield was third, Campino DC ridden by Juan Jose Brilha and owned by Dr. Carlos Ramirez was fourth, and owner-rider Linda Graham on Amuleto VO took fifth, along with the $500 bonus prize for top scoring amateur.

The Novice division fielded 17 entries with many breeds represented. Professional trainer and rider Tarrin Warren of TNT Farms in Milano, TX, had a busy day with multiple rides in two divisions. Her quarter horse TNT The Blind Side took home the $2,500 first prize in the Novice Championship. Warren also rode the reserve champion, Sandhaven’s Copy Cat, owned

by Kellee Campbell. She also started the third-placed horse Sandhaven Promise, ridden by Dori Johnson and also owned by Kellee Campbell. Tara Dahnke took fourth place on Eldan’s Warlord, a *Bask-bred Arabian stallion. Owner-rider Jade Watts Gonzales captured fifth place on her quarter horse Fineleehetouchedme along with the top-scoring amateur prize for the Novice division.

The Working Equitation 13-and-Under championship awarded a Pin Oak cooler, trophy

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and an i-pad to Madison Waller on Rollingwood’s Double Stuff, with ribbons and i-pods for each of the other five entries. “Stuffy,” a charming pony marked like an oreo cookie, was trained for Working Equitation by Haras dos Cavaleiros’ Tiago Ernesto and owned by Waller Farms.

In the IALHA classes, exhibitors came from as far away as Florida and Illinois to compete under judge Bill Hughes. Katie Berger from Napperville Illinois won the $500 High Point Junior Exhibitor award on Apollo SA. Apollo SA also won $500 as High Point Andalusian for owner Eleanor Haynes of Plantersville, TX. Linda Graham and Amuleto VO won the $500 High Point Lusitano award, the third year in a row for this pair from Magnolia, TX. Amuleto VO also won the Isabel Delgado Memorial Trophy for the Native Tack and Attire Championship.

Pin Oak audiences were glad to see Francine Dismukes back in the ring on her Joyante H, capturing the Andalusian Western Pleasure Championship.

Taking more awards back to Luling, TX, Lista MC owned and ridden

by Dismukes’ training partner Malen Dell won the Andalusian Dressage Suitability Championship and the Andalusian English Pleasure Hunt Seat Championship. Dardanos RDL, owned by Walter Henslee and ridden

by Michael Vermass were first in the Andalusian English Show Hack Championship.

In the halter ring, Bill Hughes pinned the imported PRE Chulo XXXII owned

by Scarlett Gauthier Champion Stallion, the first year that the new stallion functionality component has been included at Pin Oak, while Christa Probson’s Jalisco Dominante was reserve. Lista MC, owned by Malen Dell took home top honors for the mares, with Eleanor Hayne’s Cautivara EJH in the reserve slot.

Dressage Sport Horse in Hand gave halter exhibitors a chance to show on the triangle to judge Claudia Matos, an international-level dressage judge credentialed in Portugal. Haras Dos Cavaleiros entries Cartier and Cristal shown by Tiago Ernesto took home the Champion and Reserve spots for the purebreds, while their Holstana DC was Champion in the Half-Andalusian division, with TDR Rockin Sjoerd Swag shown by Nicole Hill for owner Dawn Anderson was reserve.

More money was up for grabs in the Specialty Yearling Futurities with the first place purebreds each taking home $225. These were Invulgar DC owned by Haras Dos Cavaleiros and shown by Tiago Ernesto, and Infanta RAF owned by Linda Graham and shown by Pablo Mata. Mata also showed first-place HalfAndalusian colt Cortez RER owned by Tara Dahnke.

Photos of the Working Equitation, in-hand and dressage sport horse competition by photographer Lisa Harding be seen and purchased online at www.photosbylm.com Pictures of the IALHA performance classes shot by www.photosbylm.com.

Casey McBride can be viewed at caseymcbridephotography.com.

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Warm Up Arena Etiquette and Safety Question: I have been to a few shows this winter and I am unsure of the proper riding procedure in the warm up pen. Actually I have been run into by a couple of people that were going the wrong way and not paying attention, what can I do?

Answer: The warm up pen is a pretty dangerous place when every rider is concentrating on his or her own program and getting ready for their classes. I will give you some general rules to follow that will make navigating the warm up arena easier and safer for you and your horse.

• Always go with the flow of traffic. If the warm up arena is large enough to allow for two sets of circles, one circle should be loping to the left and one loping to the right, they should pass left hand to right hand in the center of the arena. If the warm up pen has only enough space to lope one circle, ask when you want to change direction, as most people will want to go both directions before they show.

• Stay to the inside of the circle if you want to go slow, and to the outside of the circle if you want to go fast.

• NEVER, NEVER, NEVER stop your horse in traffic. If you are at a reining event, there will be time to work on fencing and stopping your horse so that you will not have to avoid other riders that are circling.

• If you need to school your horse, work on spins, or adjust equipment, move to the middle of a circle so that you’re not in the flow of traffic.

• Do not pony horses in the warm up pen.

• Always look where you are going, and watch out for other riders. You don’t drive your car while looking at the hood ornament and you shouldn’t ride your horse looking at his head, eyes up.

• Don’t exercise young or green horses in the warm up pen while it is crowded; wait until later in the evening or early in the morning. Safety first.

• Yield to the tractor, and always listen to the arena announcer and ring steward. They are there for your safety and to keep the show running smoothly.

Remember, every minute you waste when asked to leave the arena is just another minute longer that the show will last.

• Don’t tie your horses in the warm up arena. No one wants to dodge a kicking or loose horse while they are getting ready to show.

• If you have a question, ask. The only dumb questions are the ones that are never asked.

• Always try to maintain a good sense of humor. People may be tired and nervous. Be patient with newcomers and try to help them learn by referring them to these guidelines.

It is our job as riders to ensure the safety of ourselves, horses and others. Remember that some people don’t know that they don’t know, so take the time to explain to them the proper rules, I would rather them be mad at me for trying to keep them safe than to have them hurt one of my customers or family. RIDE SAFE!

Courtesy of Kutie Performance Horses www.stevekutie.com 45

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Taking a look at...

Historical Sires

Historical Sires

The Historical Sires section of Andalusian World Magazine honors Andalusian stallions of particular distinction who have spent time in the USA and left an indelible mark on the Andalusian community. This edition we are proud to feature the late, great Genio III.

Virtually every horse owner in the US has seen Genio, but they might not know it. A spectacular painting by Lesley Harrison titled “,” graces every box of the hugely popular Equiox anti-parasitic paste by Pfizer. Genio was a sight to behold indeed.

nce” a D sh “Spla

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Genio was a surprise, in that he was a black stallion born of two gray parents. Of the 30 horses in his immediate lineage, there are only two non graying horses; two bays on the last line. Non-graying horses purposefully bred for color tend to lack the quality of their brethren bred exclusively for morphological traits. Genio was the exception, since he was not bred for color. His outrageous quality and exotic coat almost singlehandedly brought on the craze for solid black Andalusian horses in North America in the 1990’s. Bred by the legendary Lovera stud in Spain, Genio was imported to Mexico in-utero in 1986 by another legendary breeder; Luis Arenas Garcia of Rancho Esmeralda. He was eventually exported to the US, and spent many years in the Southern California show and breeding scene with the now defunct, but world renown Jdon Farms.

All told, Genio produced 68 PRE offspring, and about the same number of IALHA horses, including Spanish-Portuguese horses and Half-Andalusians. Genio was an excellent example of the type of powerfully-producing, high quality horse that can result from bold, but artfully executed linebreeding.

Genio’s parents were half siblings, by the same magnificent sire, Jardinero V, bred by Isabell Merello, of the Terry dynasty. True to Lovera breeding, most of Genio’s ancestors were extremely famous Bocado horses, including Jardinero V, Descarado II, Primoroso III, Nevado III, and Nevada.

Genio was well known, or even infamous for his uncanny ability to pass on something perhaps less desirable; his propensity for nipping. Those who knew him chuckle and admit though it was wise to watch his teeth, he was a “giant teddy bear” and more inquisitive and tactile than outright aggressive. He was just a sensitive horse with a busy mouth, who demanded a fair handler.

Genio was noted and highly valued for producing not only black and chestnut horses, but for producing particularly lovely and athletic horses with uniform type, and correct, sub-convex profiles. Some of Genio’s famous get include the wildly successful show and breeding horses; Kianto, Mayoral LA, and Molinete 48

IV, and some of his equally accomplished second generation get are Sandokan IV, Klickitat, and Sonaja II. There are more successful Genio offspring than can be listed here.

Many high quality American-bred Andalusian horses have Genio somewhere in their pedigrees, and his unmistakable likeness is seen by millions of horse owners on a daily basis, even if they do not know his name. Truly, an ambassador for the breed and an influential sire. Andalusian World proudly recognizes Genio III as a Historical Sire!

photos compliments of 88 Dragon Design Studio

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Amateur Spotlight

Colleen Wright

About Colleen: I was born and raised in sunny San Diego, California. I grew up riding and boarding at a military facility, known then as Fightertown Stables on the Miramar Naval Air Station. After finishing my graduate work at Fresno State, I quickly returned to San Diego and began working full time as a physical therapist, specializing in acute and critical care. I've loved horses since I can remember, and am the only horse-person in my family thanks to my mother, Lynda O'Byrne, who always encouraged me follow my dreams (even if it meant climbing on a giant furball!). A horse, a cat, and a wonderful husband now complete my furry family!

1) How long have you been involved in the breed and how did you become involved?

Nearly 20 years ago (when I was just a kid!) a dear friend and lifelong mentor, Sharon Haynesworth, bred her Thoroughbred mare to an Andalusian, and I met my first Iberian horse. He went on to be a National Champion and Half Andalusian of the Year. I've had the luck to ride him many times. It was the seed that grew and has now blossomed so many years later with the purchase of On Fire, my Andalusian-Oldenburg cross gelding, in 2010. I've been training hard since and got my feet wet at my first Andalusian breed show in 2013. Now I'm hooked!

2) When did you start showing and what has been the highlight of your show career so far?

I started showing multiple disciplines at local open-breed horse shows in the San Diego area when I was 11 years old. I kept at it and worked my way up to earning a spot on the nationally ranked Fresno State Equestrian Team from 2003-2005. I took time off from the show ring for a number of years, but started getting the itch to get back to it after purchasing On Fire.

I started training with Lindsey Minor (Lindsey Minor Performance Horses) shortly thereafter, and she has taken my horse and my riding to all new levels. But the absolute highlight for me has been winning High Point Champion Half Andalusian at Fiesta of the Spanish Horse for both 2013 and 2014 with my gelding, On Fire! When I think of all the hard work, sweat and tears that got me to those two shows in particular, it makes me so proud of what we accomplished. My horse was also awarded 2013 USEF Region Horse of the Year Champion Half Andalusian in both English Pleasure and Specialty (for Dressage Suitabili Suitability) and Fourth place National USEF Horse of the Year for English Pleasure. That was sure a nice surprise!

3) What is your opinion on what can be done to encourage more people to show in the breed shows?

I would love to see the breed shows be more accessible. Of course lower fees and costs help, but also trying different venues and having more shows each year would be excellent. I would love to see more local networking of Andalusian enthusiasts. I can say from personal ex ex-perience, that it's a little intimidating to get started when you don't ride with an "Andalusian trainer" at an "Andalusian barn" and you travel to these shows with a single horse. The show schedules can also be tough, especially when your class times conflict or you have a near impossible tack/attire change. But once you get there, the people and horses are AMAZING and that's what we need to show the world.

4) How do you find Andalusians/half Andalusians compared with other breeds you have ridden?

I have always loved and owned cross-bred horses, and my Half Andalusian is the best one yet.

I find Iberian horses to be exceptionally versatile compared to other breeds I've ridden. I'm 52

amazed how many disciplines they are able to do, and so well! They have a ton of personality and a wonderful demeanor.

Andalusians have the perfect blend of intelligence, sensitivity, and heart. They are great companions, workers, and competitors.

5) What is your ultimate goal with your horse?

I'm really excited to take my horse to the Western States Regional Championship Horse Show this year for the first time, but my ultimate goal is to take him all the way to Nationals!

6) Besides showing, what other types of things do you do with your horse?

When we're not riding and competing in the hunt seat and dressage arenas, we're working on getting On Fire stronger in the western saddle. We do some jumping and pole work to keep things interesting and challenging. And best of all, we've started doing some Working Equitation and love it. Of course, we love to hack around the barn and have "spa days" to manage all that Andalusian mane and tail!

Congratulations to Colleen on her success so far and we hope to see her at many shows in the future!

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The Ultimate Horse Show Checklist

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Horse Items

Personal Attire & Equipment

☐ Bridles ☐Saddles ☐Girths ☐Show Pads ☐Schooling Pads ☐Martingale (if needed) ☐Show Halter ☐Show Lead, Conchos, Throatlatch (and spares) ☐Show Chain ☐Lead Rope ☐2 Water Buckets ☐Long Hose (for filling water buckets) ☐Standing Wraps ☐Polo Wraps/Boots ☐Liniment ☐Stud Chain ☐Grain Bucket/Feeder ☐Shampoo Bucket ☐Shampoo and Conditioner ☐Sweat Scraper ☐Eyescrews (for buckets and tie chains) ☐Horse Name Plate ☐Emergency Contact Info card for stall ☐Horse First Aid Kit ☐Supplements ☐Hay / Grain ☐Shavings ☐Sponges ☐Whips (for halter/performance classes) ☐Lunge Line and Whip ☐Cross Ties ☐Tie chains (for stalls) ☐Blankets, Sheets, Coolers ☐Hose with nozzle for bathing ☐Tack Cleaning Kit ☐Silver Polish ☐Muck Bucket / Wheelbarrow ☐Forks/Rakes/Shovel ☐Small Trash Can for Groom Stall ☐Double Ended Snaps

☐Show Helmets / Hats ☐Stocks / Ties ☐Show Shirts ☐Show Jackets ☐Show Gloves ☐Show Breeches ☐Belts ☐Show Boots ☐Boot Jack ☐Hair Nets ☐Hair Spray ☐Make Up ☐Bobby Pins ☐Brush or Comb ☐Crop ☐Spurs ☐Safety Pins or Number Holder ☐Stock Pins ☐Schooling Helmet ☐Schooling boots/half chaps ☐Black Socks ☐Nylons or tall socks for boots ☐Baby Powder ☐Earrings / Broaches ☐Sunblock ☐Shoe Polish Kit

Decorating / Hospitality ☐Drapes ☐Stapler and Staples ☐Hammer ☐Screw Driver ☐Wood (if needed) ☐Saw ☐Screws ☐Bark Chips ☐Photos / Logos ☐Brochure Holders ☐Table and Chairs

Decorating / Hospitality (con’t)

Other Items

☐Folding Table for Hospitality Room ☐Table Cloths ☐Coffee Maker and Coffee ☐Snacks ☐Cooler ☐Refreshments ☐Paper Plates, Forks and Knives ☐Plastic Cups ☐Sharp Knives ☐Cutting Board ☐Corkscrew ☐Garbage Can ☐Carpeting/Mats for Groom Stalls, Change Room , Hospitality Area

☐Saddle/Bridle Racks ☐Clothes Rack ☐Whip Holders ☐Electrical Cords and Lights ☐Wrap & Bandage Holder ☐Pocket Knife ☐Pen or Pencil ☐Small Bungee Cords ☐Sewing Kit ☐First Aid Kit (Human) ☐Locks

Grooming Supplies ☐Hoof Pick ☐Curry Comb ☐Hard Brush ☐Soft Brush ☐Mane & Tail Brush ☐Hoof Black ☐Show Sheen ☐Fly Spray ☐Finishing Spray ☐Face Highlighter ☐Braiding Kit ☐Rubber Gloves (for applying hoof treatment) ☐Blow Dryer ☐Towels ☐Hoof Sanding Equipment ☐Clippers and Cool Spray ☐Razors (for last minute touch ups) ☐Twitch ☐Scissors ☐Electrical Tape ☐Safety Pins ☐Vaseline ☐Stain/Spot Remover ☐Rubbing Alcohol ☐Step stool ☐Mounting Block ☐Locks ☐Locking Tack Trunk for purses/paperwork

Don’t Forget!

Entries Copies of Horse’s Registration Papers Health / Coggins Papers Show Premium Directions to Show Directions to Hotel Current Rule Book Contact Information for Show Manager/Stabling Manager HAVE FUN AND BE SAFE!!

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Charity Horse Show & Spectacular

Joins Horses & Humans in the Fight Against Cancer Hundreds of beautiful Spanish-bred horses and their owners joined with celebrities, entertainers, exhibitors and thou-sands of spectators in support of cancer research at the 16th Annual Fiesta of the Spanish Horse held May 1-4 at the Los Angeles Equestrian Center. The show, one of Southern California’s largest charity horse show events, raises funds for the USC Norris Comprehensive Cancer Center and Children’s Hospital Los Angeles.

For many area horse enthusiasts, the four-day Fiesta of the Spanish Horse and its popular Saturday evening Spectacular has become an established annual tradition. The 2014 show attracted over 200 horses for the various competitions, and nearly 50 additional horses were a part of the Saturday Spectacular activities. More than 10 different breeds were represented, including some of the country’s rarest such as the Costarricense, a treasured Costa Rican breed which is seldom seen in North America.

With all the magnificent horses, pageantry, and first-class equestrians at Fiesta of the Spanish Horse, one might think the original concept behind the show -- the fight against cancer -- could fade into the backdrop amid the competitions and entertainment, but year after year that has not been the case. There are reminders throughout the show grounds that the show is a fundraiser for cancer research, and some of the riders themselves are cancer survivors. Special honorees for 2014 included Paul DeNubilo, Kimberly Hale, Patty Galvez and Amber Lentz.

“Every year I’m so amazed, and grateful, for the commitment and enthusiasm shown by the horse owners, competitors, sponsors and other supporters for this event and the charities it supports,” said Joanne Asman, Fiesta of the Spanish Horse founder and executive director. “People come from all over the Southern California area, some even from out-ofstate, to celebrate the horses they love and support a great cause.”

For Show Results, visit: www.fiestacharityshow.com

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10 TIPS FOR Safely Planning a Trail Riding Day Trip

Trailering out to a local state park or land conservancy property can be a fun way to liven up your schooling routine with almost any horse. However, unless you are a veteran trail rider, there may be a few things to think about first, before learning the hard way.

1. Always inspect your rig for safety before loading any horses. This includes your truck, trailer, and hitch. Make sure all tires have enough pressure, and check the hitch every time before loading up. Inspect the floors at least once a year. Make sure your truck has a full tank of gas and that all doors open, close, and lock properly.

2. Plan your day before you leave. Make sure that the trails you intend to access are open to horses, and make sure that you know how to navigate to the trailhead before you start exploring potentially poorly marked or maintained roads in the wilderness. The last thing you want to do with a loaded trailer is to follow GPS instructions down a dead end jeep trail.

3. Check the weather before you leave, and plan accordingly. If it might storm, bring a rain slicker for you, and a warm cooler for your horse to ride home in. If it is going to be hot, pack extra water for yourself and your horse, and remember to bring sun screen and sunglasses. Or, stay home until you have perfect riding weather.

4. Inform someone of where you will be headed, and what time you expect to return.

5. Pack your tack the night before, and make sure you brought everything!

6. Check any shoes in the morning, to make sure none are loose before you leave.

7. Pack some hay nets with your horse’s usual hay, and hang it high enough to where it will not be able to put a foot into it during transit.

8. Be sure to park in a safe area with no moving vehicles, so you can unload, groom, and tack your horse up safely.

9. Use splint boots for leg protection, if any. Polos can become unraveled and tangle on the trail, and SMB boots are too hot for extended trail rides. These also retain water and sand.

10. Wear a helmet, and carry your cell phone on your body, not your horse, especially if you are riding alone. You really never know.

Happy Trails!

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with Sculptor Carol Fensholt Nierenberg Carol Fensholt Nierenberg is a bronze sculptor based out of Carefree, AZ. Her deeply emotional and energetic sculptures expertly convey the raw, elemental majesty and power of the Horse, all the while highlighting the detailed and sometimes delicate beauty which has inspired human beings for mil millennia. Andalusian World recently had the opportunity to interview and ask her about her work.

AW: What first inspired you to begin sculpting equines?

Carol: About the age of two, I started drawing the horses that mesmerize me. I have no idea why horses draw me so, or why I was compelled to draw them. What IS the source of a passionate interest in equids? A great many people seem to be born with this “bug.” Perhaps there is an evolutionary advantage to loving horses? Perhaps, millennia ago, people who, genetically, were drawn to and understood horses were those able to harness their power, those best constituted to co-opt the horse’s strength and speed to their own survival advantage?

Later, deciding on college and a career, I could not imagine how to make a living as an artist, so I became a journalist and, eventually, a magazine publisher in New York City. I always knew I would one day return to my first love, fine art, and that my subject would be the horse. But it wasn’t until after I decided, on a whim several years ago, to take a course from sculptor Rod Zullo at the Scottsdale Artists’ School, that I knew for certain that sculpture would be my medium. Rod taught me the fine art of armature-building. The armature is the frame –– the essential backbone, the skeleton and support –– of the clay model that eventually becomes the bronze. Until I learned how to make and proportion an armature, I would not have known how to begin to produce a bronze.

Now, my inspiration is found in my barn: the halter Arabians, and the Baroque horses –– two PREs and a Lusitano stallion –– that my husband, Stu, and I keep for classical riding. They are wonderfully opposite in aesthetic qualities: the Arabians are concave in profile, refined in body and neck, explosive and fiery; the Baroques are convex in profile, with the round, powerful build of the war horses, and expressive of such contained power in their natural ability to collect. A mere glimpse of them –– the arch of a neck, the curve of a croup –– makes my sculpting fingers twitch.

AW: What is your favorite part of the sculpting process?

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Carol: Two points in the process are fun. Once the wire armature is built, there is the fun of deciding exactly what the gesture will be. Of course, you need to have some idea before building the armature -- for example, will the horse be rearing? If so, once the armature is finished, now I am committed. But as long as the horse will be horizontal (and even, to some degree, when it is rearing or bucking), I can play with any configuration of legs to express motion, emotion and energy --- for example, in the case of the Lusitano stallion on which am now working, the piaffe.

I

I always start the armature with an idea of what the gesture will be, but it never turns out quite that way. I usually let the armature -- which at this point is merely a wire “stick figure” of a horse -- sit for a day or three, while I contemplate it, imagine it completed. It is amazing how expressive mere wire can be -- an arch to the neck or an angle of a leg can tell you exactly what my stick horse is feeling, doing or saying. I am always reluctant to begin covering it -- once I do, for days afterward the clarity of the gesture is obscured in a thick fog of clay.

Then come several days to a week of roughing out the horse. This is the least fun part. It involves fine-tuning the proportions, and there is always a lot of “creative destruction” happening -- a neck pulled off, and a new one set on at a different angle; a leg repositioned; a back shortened; a hip lengthened. And during this time, the horse never looks like much -thick, stumpy, lumpy. It can be quite discouraging.

Finally, after the horse is roughed out and the proportions are right, come weeks of detailing –– active work on the surface, alternating with letting the horse just sit, while I come back again and again to look at it and decide, with the benefit of a fresh eye, what needs to be different.

Eventually, through a process of continuous evolution, the horse that wants to be takes shape. It is always a distinct individual, and never what I had in mind at the start -- just as I suppose no child is ever what its parents envisioned while they were awaiting its birth. That is the really fun part -- the horse that emerges always surprises me.

AW: How long does it take to fully realize a sculpture, from the beginning armature, to the final casting in bronze, and finishing touches?

For me, the typical time span is six months. The armature takes an hour, perhaps. Once I am happy with the gesture, the wire can be covered in clay, and take the rough shape of a horse in just two or three days. To all appearances, by this time it is 90 percent of the way to completion. But in fact, it is the refining and finishing that take so much time -- the “last mile” takes weeks. This includes time to just let the piece sit –– time for me to walk away from it, and come back, as I tioned above, with a fresh eye. menRod Zullo has a diplomatic way of responding to students who show him a piece in process and ask what he thinks. “Hmmmm,” he will reply. “I think it could use more butt time.” Which is to say, the student might wish to spend more time just sitting on a stool, contemplating the piece, really LOOKING at it, and figuring out what its problems are, and how to fix them.

Which is not easy -- often, I too know that something about a piece is just not working, but not where, or why, or what to do about it. So I do a lot of just looking at it.

One it is finished, which becomes apparent when the piece starts to go backward instead of getting better –– it is easy to work a piece of art to death -- it goes to the foundry. The process there takes another eight to 12 weeks, from initial rubber mold-making to wax chasmodel to concrete mold to casting with molten metal to final metal-smithing and chas ing; mounting on its base of iron, marble or granite; and application of its patina.

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It is a long, multi-step, meticulous, hand-craft process that hasn’t changed since the Bronze Age.

AW: You mentioned that your own hand picked horses are your inspiration. How does an idea for a gesture ‘hit’ you?

Does it come in a flash, as fast as a horse can posture and then move away, or does it come more slowly than that, as you envision a particular horse making a particular pose? Is it something else?

It comes in a flash -- it is almost always something I see in my field, or in a presentation of sale horses at liberty, or in the show ring. It is always fleeting, so I try to stop whatever I am doing, re-see it in my mind, and “fix” it there –– consciously commit it to memory. Once in a while, I get lucky –– I get a picture for later reference. For example, my sculpture of three fighting stallions –– which I call “Ring of Fire” –– started with one sculpture, which started as a fabulous gesture in my field. It happened this way: My husband Stu and I had just purchased Dynazty PGN, the Number Two all-time top-winning halter gelding in the Arabian breed.

Until we brought him home, he had been pretty much kept in “bubble wrap” -- he lived in a stall at a show barn, getting out only for controlled exercise on a lunge line, and into the show ring on the end of a lead.

AW: What do you hope that people will see and feel when they view your works?

Carol: As Tolstoy once said, “Art is not a handicraft –– it is the transmission of feeling that the artist has experienced.”

So I hope that viewers of my sculptures are able to register not just the form of these horses –– their shape, size and detailing –– but their vitality. I hope people do not merely think they are pretty, but that they feel their power. I hope viewers feel a shock or smile of recognition -- that of the horse as metaphor for our own human feelings and emotions: interest and curiosity; anger, possessiveness and defensiveness; ardor and resistance; the feats possible by collecting, containing and channeling one’s power through training and self-discipline; and of course exuberance –– the sheer joy of being alive.

I hope that the inner life of the horse comes through my pieces –– that those who see them will, by dint of adequate expression at my hand, be enabled to see past the bronze surface, and to empathize with the emotions portrayed –– because they too have felt these same emotions.

When he was delivered to Silver Box Southwest, our little ranch, it was a gorgeous day -- sunny, cool, breezy. I decided that freedom to do whatever he wanted would be the best welcome home gift for Dynazty, so I turned him out in our large walled field. He trotted a few feet, stopped, looked around as if trying to figure out what to do with this unprecedented ability to decide for himself what he would do next, and then he began trotting and then cantering back and forth, accelerating around and around, the wind whipping his mane, as he ran faster and faster. I had one of those little pocket cameras to my eye, and I was snapping picture after picture, but always there was the cheap camera’s maddening shutter delay. Then, it was as though it suddenly clicked with Dynazty that was really and truly F-R-E-E! -- he suddenly leaped into the air! I pressed the shutter -- nothing, nothing, nothing ... !

He kept going up, up, up, and then, at the top of the arc, he shot a back foot out sideways; it looked for all the world as if he were giving a giant middle finger to all those who had kept him locked up for so long --- and I finally heard the shutter click! I quickly looked in the camera to see what I had -- and I had IT! I immediately deleted the other scores of shots I had just taken, and that lucky shot eventually became the model for “The Defender,” one of the three horses in “Ring of Fire.”

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THE DEFINITIVE SHOW

FOR THE

PURE SPANISH HORSE

June 2014’s Feria del Caballo Español in Industry Hills, California, was yet another successful, well attended show. A three day show, featuring ANCCE sanctioned Morphology and Functionality classes, Feria is a chance for owners and breeders to present their animals to Spanish judges looking for the latest attributes most valued by ANCCE in Spain.

The event showcased some of the best PRE specimens and handlers to be found in the US, from tiny yearlings with their closely cropped tails, elegant mare cobras, to the quintessential Spanish stallions in all their exuberant glory. The atmosphere at the show was fantastic, with everyone socializing and congratulating each other on success.

Many of the breeders / owners plan to compete at the upcoming Feria del Caballo Español Championship Show, held September 25-27 in Las Vegas, NV and anticipation of the Vegas show definitely added some excitement. With horses travelling from all over the US, Mexico and possibly even Canada to attend, it is sure to be a true Championship, showcasing the best of the best PRE horses.

USPRE was represented by Sally Rodriguez and Ricardo Nigaglione, who manned the member’s area. Beverages and snacks were provided, along with leather couches and an opportunity to meet or ask questions of these representatives.

USPRE also presented some very special awards. These “Born in America” were given to the highest scoring American bred horses in several divisions. They are a great way to promote some of the fantastic horses being bred in the U.S. and provide recognition to the breeders who are producing them.

Top honors went to the following horses, riders, handlers, and breeders:

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Carinosa RM/Rancho Madrigal America KR/Ketcham Ranch Estrellita GD/Rancho El Afortunado Estrellita GD/Rancho El Afortunado Inquieto RM/Rancho Madrigal Que Linda AM/Rancho El Encanto Caspian KR/Ketcham Ranch Revoltoso LXXVIII/Rancho El Encanto Secretaria XLII/Yeguada Salvatore Sanchez America KR/Ketcham Ranch Luna CCXCIV/Rancho El Encanto Farruca MON/Yeguada Salvatore Arriaga Centenario del Kiko/Yeguada Herrera Travieso B II/Miguel Nunez Diaz America KR/ Ketcham Ranch Revoltoso LXXVIII/Rancho El Encanto Rancho El Encanto Yeguada Herrera Manuel Pena

Champion Mare Born in America Champion Functionality Born in America Reserve Young Mare Champion Champion Filly Born in America Champion Stallion Born in America Champion Young Horse Champion Colt Born in America Champion Stallion of the Show Champion Best Movement Young Horse Champion Best Movement Adult Horse Champion Mare of the Show Reserve Champion Mare Champion Young Stallion Reserve Champion Stallion Absolute Champion of Functionality Reserve Champion of Functionality Champion Exhibiting Breeder Champion Breeder Champion Presenter For full results, see: AndalusianWorld Feria Results

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Iberian Halter Training Series

by Amber Lentz

Introduction: The show season is starting and you have been considering showing your horse at halter, or maybe you have been showing your horse at halter and would like some tips to improve your performance. This series is designed to help both the amateur and professional to succeed in the show ring.

To find shows, clinics and events in your area, visit: AndalusianWorld Events This series will be covering the training, conditioning and showing of the halter horse with installments over the next several weeks. This will cover preparing the horse and handler to compete at any “type” or “style” of show with modifications for the different styles of showing halter included.

While there are many different methods for training, conditioning and showing halter horses, I will be sharing what has worked for me in the past and do my best to help you with any questions or problems you may have along the way.

We will be starting with the training process, which is not only a benefit for horses who are going to be shown at halter, but also for all horses to learn basic ground manners and respect for their handlers. Each horse is different, and while some will grasp the training steps very quickly, some will take longer than others. It is important to remain patient and practice each step to perfection before moving on to the next. If you start having problems, or your horse doesn’t understand, take a step backward until you and your horse are ready to move on.

Showing will cover the halter pattern(s) as well as what is expected from the horse and handler in the show arena. Rules and regulations will briefly be discussed and I will also be sharing some tips and tricks to help you succeed and shine in the show ring.

Clothing for the handler and grooming techniques will also be shared.

It is my hope at the end of this series, you feel prepared and excited to get out there and show your horse at halter!

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Iberian Halter Training Series Part 1– Preparation Before we began the actual training process, there is a list of equipment and requirements you will need in order to get started and a daily at home grooming routine. Show Grooming will be covered when we get to the “show” section.

Equipment: I order all my schooling equipment from Schneider’s. Please note, the original Preparation article contains a links directly to items for ease of ordering.

You will need: 1) A Schooling Halter 2) A Lead - this can be used for schooling and show. The 10 foot lead is fine for getting started.

3) A Chain - I do not use stud chains for training, as they tend to catch on the horse’s skin. Remember, the thicker the chain, the milder it is on the horse.

4) A Whip – If you plan to use the whip for showing, make sure it does not exceed 6 feet, including lash!

5) One set of Splint Boots for schooling days and one set of Sports Medicine & Bell Boots for conditioning days The reason for schooling with this type of halter and equipment is that you will be using it to show your horse in, unless you plan on using a serreta, then by all means, school with that. Serretas can be ordered from Iberian Connection.

Although you may show in a bridle, it is not encouraged as that is mainly reserved for Sport Horse Classes. If you feel you need the extra control of a bit, bit hangers for halters can also be ordered at Schneider’s In a pinch, for schooling, a chain (not stud chain) can be used with a well fitting regular nylon or leather halter. You will however, need to invest in a lead with a buckle, not use a regular lead with a snap on it, it will only get in your way.

Requirements: - A fenced arena or enclosure - Gloves are recommended - A time commitment of a minimum of 30 min 5 days per week to get ready to show At Home Grooming Routine: - Establish a daily grooming routine. This is a VERY important part of preparing a halter horse and also vital bonding time for horse and handler.

- Curry or vacuum the horse all over to remove excess hair and debris - Follow this with a stiff bristled brush to lift out dust and dirt - Mist the horse all over with coat, mane and tail with a conditioning spray - Brush this into the coat with a soft brush - Brush out the mane and tail (if not braided/up) - Pick out the feet and apply either splint or sports medicine boots. NEVER train or work your halter horse without boots on!!

- With a damp rag, wipe out muzzle and around eyes - VERY important – fly spray the entire body, paying close attention to legs and face. You will be asking your horse to stand still and it is unfair to ask them to do this if they have flies all over them - If you haven’t already, this is a good time to introduce your horse to having it’s whiskers, ears and legs clipped once a week or as needed - Put your schooling halter, chain and lead on your horse. If your chain is too long and swinging around, put a wrap or two of black electrical tape around it. You don’t want it too tight either, leave approximately 2 inches of “play”.

- Put on your gloves, grab your schooling whip and lead your horse to your fenced enclosure. You are now ready to start the halter training process…

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Events

Check out the Events Calendar for the latest shows and events Have an event to share? You can add it HERE

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Stallion Showcase

Fainero ADP Birthdate: 3/11/2009 Sire/Dam: Noble GF X Joya D Color: Black Height: 16.1 hands

Stud Fee: 2000.00 / PRE Mares 1000 / other

Andaluz ANG Birthdate: 6/14/2002 Sire/Dam: Jocoso XXXI X Andaluza LXXIII Color: Grey Height: 16.1 hands Stud Fee: 1700.00 / purebred

800 / other

Debitoso PM Birthdate: 15/10/2010 Sire/Dam: Divo PM X Delita PM Color: Buckskin Pearl (One of only two in the U.S.) Height: 15.3 h and growing!

Stud Fee: $4000.00 / $2000.00 – Approved Mares Only

Estupendo PM Birthdate: 1/5/2008 Sire/Dam: Revoltoso XXIX X Estupena XV Color: Buckskin PRE Height: 16.2 hands Stud Fee: 2500.00 76

Fauno VP Birthdate: 6/29/2007 Sire/Dam: Dante V x Casiana Color: Buckskin PRE Stallion Height: 15.3 hands Stud Fee: 2000.00

Magiar MAC Birthdate: 2002 Sire / Dam: Legionario XIX X Palmera V Height: 16.2 Color: Grey Stud Fee: $1500/$1000

Legacy’s Conquistador Del Sol Birthdate: 3/2/2000 Sire/Dam: Ebanisto X Galuza Color: Black (homozygous) Height: 16.2 hands Stud Fee: 2500.00 / 1500.00

Ciclon VIII Birthdate: 2/4/2003 Sire/Dam: Jaranero XXVII X Limonera XXIII Color: Black Height: 16 hands Stud Fee: $1500.00 LFG

Obelisco MAC Birthdate: 1/14/2004 Sire/Dam: Clasico – MAC X Donana MAC Color: Grey Height: 16.2 hands Stud Fee: $2000 LFG 77

Peregrino De Fraile III Birthdate: 08/25/2007 Sire/Dam: Utebo II X Peregrina de Fraile Color: Grey Height: 16.2 hands Stud Fee: 2500.00 LFG

Vaquarius CD Birthdate: 06/12/2002 Lusitano Stallion Sire/Dam: Quarteto do Top X Rainha E Color: Rose Grey Height: 16.0 Hands Stud Fee: $1500 pure bred/ $1000.00 part bred

Zutano EDA Birthdate: 1/27/07 Sire: Dominante XIXX Qualified X Santana MHF Color: Bay Height: 17 hands Stud Fee: $2000/$1000 part bred

Bocelli Birthdate: 7/2/2005 Sire/Dam: Camaron IX x Anarosa De Teodoro Color: Bay PRE Stallion Height: 16.3 hands Stud Fee: $1500 Pure Andalusian/$800 Non-Andalusian

Faralay II Birthdate: 4/2004 Sire/Dam: Ebanisto X Galuza Color: Bay Height: 16.2 hands Stud Fee: Contact for 2013 Fees 78

Glorioso YR

Birthdate: 05/27/2009 Sire/Dam:Romerito II x Fantasia PMF Color: Black (E/E, a/a) Height: 16.2 hands Stud Fee: $1,750 Purebred / $900 outcross

El Rey Sol – aka “Chacal”

Birthdate: January 3, 1997 Registry: IALHA Registered Pure Spanish/Portuguese Sire/Dam:Mosquetero Del Viento x Faranoa II Color: Heterozygous Gray Height: 16.1 hands Stud Fee: $1,600 Purebred / $1000 Out

El Chupacabra

Birthdate: 2007 Sire/Dam: Sandokan X Mitotera MA Color: Grey Height: 16 hands Stud Fee: 1500.00 / purebred 750 / other

Son JIM

Birthdate: 2010 Sire/Dam: Remador II X Zorzalena V Color: Grey Height: 16.o hands

Stud Fee: 1500.00 / PRE Mares 900 / other

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Sales Horse Spotlight “Thank you AndalusianWorld! I listed my mare Quirica on your site and she was sold to a great home in Michigan within 2 weeks.” ~Eduardo Espinoza Rancho El Triunfo

Mariscala ARM

Confirmed Second Level, Amateur Safe Mare Birthdate: 2005 Color: Grey Height: 16.1 Price: $30,000.00 Registration: IALHA Location: Southern California

Argento RSS - PRE Gelding First Level Dressage Birthdate: 2009 Color: Grey Height: 16 Price: $ 35,000.00 Registration: IALHA & ANCCE Elegible Location: Northern California

Gentil MOR - PRE Stallion Qualified Dressage Stallion, 4th Level Birthdate: 2000 Color: Grey Height: 16.1 Price: $ 70,000.00 (neg to right home) Registration: ANCCE Revised Location: WI

Jupiter Moon

Great quality gelding Birthdate: 2012 Color: Grey Height: growing Price: $ 15,500.00 Registration: ANCCE Pending Location: California 82

Contessa de Oro - PRE Mare

Great Working Equitation Mount Birthdate: 2006 Color: Bay Height: 15.1 Price: $ 14,500.00 Registration: ANCCE, IALHA & FPSH – UEF Location: Texas

Solferino TOR

PRE Andalusian Gelding Birthdate: 2010 Color: Bay Height: 16.1 Price: $ 15,000.00 Registration: IALHA Location: Southern California

Trovadora Moon -Filly

Stunning filly out of Qualified Mare Birthdate: 2012 Color: Grey Height: Tall Price: $19,500.00 Registration: ANCCE Pending Location: Southern California

Acertijo JIM

National Champion PRE Stallion Birthdate: 2006 Color: Grey Height: 16.1 Price: $50,000.00 Registration: ANCCE &IALHA Location: South Carolina

Carbonera - Black Mare

Fancy Mover!

Birthdate: 2010 Color: Black Height: 15.1 Price: $ 10,000.00 OBO Registration: IALHA Pending Location: Southern California

!

D SOL

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