The Pas Seul has been around for many years and indeed the Side Saddle Associa on has had a class of this type since the 1980’s. More recently the Pas Seul has made a big come back at the Side Saddle Associa on Na onal Show where the Rococo Memorial Class invites the juniors to have a go and the Caro Cripps Memorial Class has become an Interna onal gala evening performance for the seniors. It has proved to be so popular that it has become one of the biggest classes at this pres gious three day show. Pas Seuls can be found at shows around the country and may be ridden astride or side saddle depending on the rules stated by the organising body. It is hard work but so much fun!
What the judges are looking for Judges are looking for harmony between horse and rider and entertainment value. The over all picture must be pleasing to the eye and most of all the theme must be apparent regarding the costume and the music. Scoring is worked on a 40/60 ra o. 40% of marks are given by Judge 1. This will include the way of going of the horse, the harmony between horse and rider and the
correctness of the movements that have been performed. Higher level movements may be performed but unless correct will not always gain higher marks. 60% of marks are given by Judge 2.This includes marks for the music and how it enhances the story that is being told. Marks for the suitability to the horses foo alls are also included. The costume is also judged on how it enhances the theme and relates to the story being depicted. The entertainment value is also important.
Training The training is the same for any horse on the flat. They need to be working at Novice level BD and able to stay balanced as the rider does the "ac ng" part. Training needs to be intricate and well thought out. It is really not a great idea to ride for the first me in your full costume on the day of the class to discover that your horse is terrified of it, remember there may be mirrors, or that part of your clothing comes un done when it is not required to do so! Your horse also needs to be well accustomed to both your helpers and sta c props and not jumpy or worried by the props that you may wish to use when aboard. As with all theatre produc ons, prac ce makes perfect!
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