Home Review January 2018

Designquest: The Mistri Tales

vol 17 issue 01

January 2018

Artform: Calvin Siebert

total pages 132

HOME IS A TWO-STOREY AFFAIR!

By NSquare Designs Wood, Grey, White & Orange

By RC Architects Innovation in Design Special Modern hues and solutions inspired by design

Uncovered: Studio Lagom

RS 100 HOME-REVIEW.COM

WORK. UNWIND. WORK. Shabnam Gupta designs a creativity infused studio for an artist in Mumbai

Photo: Cyrus Dalal

S

habnam Gupta is recognized for her bold design style and a twin-level studio created by her in Mumbai plays up this attribute wonderfully. Modelled for an artist who wanted a free-spirited space to create her renditions, Shabnam envisioned a scheme using stone, exposed brick and wood with occasional dollops of bright colour to activate a cheery vibe.

Cleverly positioning a staircase on the open-to-sky terrace that links the workspace above, she forces the occupant to engage with the outdoors throughout the day. This interstitial space blurs the boundary between the two studios on different levels, making the act of continuously engaging with the plants and vegetation cultivated here a step towards erasing the distinction between work and recreation.

Rohan Chavan of RC Architects fronts a young practice which is increasingly getting recognised for its simple and tasteful interventions. The firm was recently commissioned to renovate the centre for the Urban Development Research Institute to create a space which could store the precious books, maps, reports and publications as well as the Charles Correa Archives.

Restoring the existing wooden trusses of the old building to their true finish and character, Rohan re-configures the internal circulation pattern with a combination of white and orange partitions. He also adds a seamless grey epoxy floor to accentuate the feeling of space and create a surface averse to dirt.

This resource centre also does duty as an event venue for lectures and seminars and with RC Architect’s simple and elegant design scheme the aesthetics work hand-in-hand with its functionality - a response that is in perfect in sync with the vision of the Urban Development Research Institute.

Anish Bajaj, Editor anish@marvelinfomedia.com

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The CEPT library by Rahul Mehrotra Architect Rahul Mehrotra invites us into the Cept library in Ahmedabad. #Getinspired Season 2.

Subscribe to Design Owl on YouTube

28 art

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20

form

Calvin Siebert’s ephemeral artworks tend to cast a fragile and almost poetic perspective on the landscapes in which they are created Surat based design firm, NSquare Designs’ newest project is a sprawling bungalow that is a perfect blend of old charm and bespoke luxury

41

Cover Story Befitting the occupation of the owner, Shabnam Gupta has designed a two-level studio for an artist in Mumbai, by treating the light infused space with both wit and style

By Naitik Oswal

44 A quick look at Architect Shweta and Sarang Patil’s work will tell you that their work is colourful, artistic, innovative and original

50

January

Studio Lagom’s brilliance is in using natural elements, non-flashy colours, and carefully-picked, striking features to create homely spaces

54

Innovations In Design

Modern hues, solutions inspired by advanced electronics and new technology, a creative re-invention of vintage décor and green ideas - all cater to a beautiful assortment

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74 Centre Des Congrès De Haute Saintonge, designed by the architectural firm, Tetrarc, although a pragmatic composition is not lacking of its share of drama

87 104

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The 66-room boutique hotel in Wan Chai is a true reflection of the maritime heritage of the city

product

designer

A product of formal education in interiors and furniture design, Anki Gneib’s attention to detail with a playful streak reflects in her intricately detailed products

GREEN PROJECT Microlibrary Bima is not just a warehouse of knowledge, but also a confluence of sustainable architecture, positive social impact and a fascinating design

108 UDRI commissioned RC Architects to renovate the resource centre to house a greater number of books as well as to enable transformation into an event space

january

Landscapes

114 Nestled in the Provencal heartland of France is Tony Stone’s garden, landscape designer Anthony Paul’s resplendent ode to nature

120 ‘Stance’ the store has a definitive and unique bearing which promises to make a mark in people’s lives and the spaces they dwell in

124

Eclectic styles, varied themes, upcoming trends come together in our newly launched segment!

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THE MARKETPLACE Get your hands on the latest products to hit the market

129

LINEA WINS GOOD DESIGN AWARD

10 Home Home Review Review September January 2018 10 2017

Artize’s multiple award winning product Linea has once again garnered recognition at the Good Design Award Japan.

The Linea wash-basin mixer from Artize, the luxury bath brand of Jaquar, is original in both its form and function. Combining sleek geometric lines its gleaming chrome body it is a tribute to minimalism. It has been honoured with Good Design Award 2017. The Good Design Award is a comprehensive design evaluation and commendation system in Japan. Companies and designers from Japan and all over the world participate to enhance the industry and quality of life through design. The symbol “G Mark” represents the mark of good design.

“Linea is the epitome of minimalism,” says Parichay Mehra, Head of Design at the Jaquar Group.

“It eliminates every inessential layer between the user and the experience of the product.”

Inspired by the idea of minimalism, the basin mixer is as stylish and spectacular as it is impressive in the advanced technology it embodies. The most striking feature of the award-winning Linea basin mixer is its spout, which swings elegantly and also functions as the faucet’s on-off mechanism.

Mr. Parichay Mehra, Head of Design at the Jaquar Group.

The spout of the faucet moves in a graceful arc, controlling the temperature and flow of the water as it moves along its curve. The sleek, stylish, sophisticated Linea is designed so that the water always falls near the centre of the wash basin, safely away from its brim. The product’s intelligent design prevents hot water from coming into contact with its chrome body, allowing the Linea basin mixer to remain cool at all times.

This minimalist tap design integrates the handle with the spout. The hot water spout in the handle is activated by turning the handle. The angle of rotation is used to adjust the temperature. Targeting at the luxury bath market made it possible to simplify the way to use which has been expressed in this design. Judges praised this design for its pursuit of minimalism and simplicity, taking into account the twin perspectives of usage and form. www.artize.com

Home Review January 2017 2018 Home Review September

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Editor & Publisher Anish Bajaj Creative Director Natalie Pedder-Bajaj Features Editor Mala Bajaj

Virupa Kantamneni Architect and Writer Based out of Hyderabad, Virupa is an architect with a Masters’ degree in Sustainable Design from UK. She is an avid blogger, and has been exploring writing as a passion since her college days. Design and creative activities run her daily life apart from the young spark she has for a daughter.

Assistant Editor Shweta Salvi Sr. Sub-Editor Anindita Ganguly Contributing Writers Chryselle D’Silva Dias Devyani Jayakar Dhanishta Shah Himali Kothari K Parvathy Menon Kanupriya Pachisia Ramya Srinivasan Shruti Nambiar Virupa Kantamneni Designers Asif Shayannawar Darshan Palav Pooja Modak Snigdha Hodarkar

Shruti Nambiar Writer Freelance Writer and Photographer In 2010, Shruti quit three years of corporate drudgery in Bengaluru to start on a career in writing. A little over two years ago, she joined The Indian Express, Pune, as a Feature Writer. Currently based in Pune, she is pursuing freelance writing and photography.

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Editorial & Marketing Mumbai Mr. Saurabh Shah B-62, Cotton Exchange bldg., Cotton Green, Mumbai 400 033 T 022 23736133 / 23736131 / 23743069 E response@marvelinfomedia.com Chennai Mr. S. Venkataraaman Flat No. 2, 3rd Flr, E-Block, Hansa Garden, 30 Madampakkam Main Rd, Rajakilpakkam, Chennai 600 073 Tel 044 22281180 / 09444021128 Email: svenkat@marvelinfomedia.com Publishing Director Mr. R.I. Bajaj Distributed in India by India Book House Pvt. Ltd. 412, Tulsiani Chambers, Nariman Point, Mumbai 400 021.

This issue has a total of 132 pages comprising of a 4 page cover and 128 inside pages.

We welcome unsolicited material but do not take responsibility for the same. Letters are welcome but subject to editing. All rights reserved.

Nothing may beprinted in whole or part without written permission of the publisher. The editors do their best to verify the information published but do not take responsibility for the absolute accuracy of the information.

All objections, disputes, differences, claims and proceedings are subject to Mumbai Jurisdiction.

The Orange Lane Work. Unwind. Work. Page 20.

Shabnam Gupta’s work reflects a design language that has its basis in creativity.

Her firm, ‘The Orange Lane’ not only acts as a design consultant, but it also provides complete turnkey design solutions. Shabnam’s designs exude energy and spirit in a delicate yet subtle fashion. Her signature style has won her much global recognition and a long list of accolades at the national level as well.

The Design Alley A Spatial Autobiography, Page 44.

Founded in 2011 as an architectural and interior design studio, the design alley is motivated to create positive impact in the life of people and surroundings through its sensitive design approach. Spearheaded

by Sarang Patil, an urban designer graduated from Cardiff University UK and Shweta Patil, the design alley team is engaged in design of architectural, interior and urban projects.

Editor Mr. Anish Bajaj. Published and Printed by Mr. Anish Bajaj on behalf of the owner Marvel Infomedia Pvt. Ltd, B-62, Cotton Exchange bldg, Cotton Green, Mumbai 400 033.

RC Architects Wood, Grey, White & Orange, Page 108.

Rohan Chavan is an architect and planner based in Mumbai. His unique approach towards living patterns and bold style are the highlights of his design practice.

He loves to fuse modern materials in a vernacular pattern creating spaces that are rich in natural light and landscape.

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PAST & FUTURE

E V E N T S 15 DEC 2017 20 APR 2018 TO

iF Design Exhibition Hamburg, Shenzhen, China

The iF design exhibition Hamburg features excellent design from all over the world. On two floors and a total of 1,500 m² (16,146 square feet) of floor space, the exhibition presents outstanding innovations which have been recognized with an iF Design Award. Additionally, they display all entries and award winners from the iF awards for young designers. A must see for visitors looking for outstanding designs and trends in all disciplines. Each year, three different exhibition segments are presented in a row, with each segment featuring award-winning products from all categories of the latest iF Design Award.

Thus, there is always something new to discover.

Personalities from the design world define their understanding of design, tell stories from their life as a designer, introduce themselves, their company or team or talk about design philosophy.

Future Architecture is the first pan-European platform of architecture museums, festivals and producers, bringing ideas on the future of cities and architecture closer to the wider public.

Future Architecture Platform highlights the emerging generation of talents in various disciplines and explores and shares the ideas about the future of cities and architecture.

Eighteen organisers from fifteen countries are creating a pan-European programme, tour emerging creators and present their ideas at exhibitions, conferences, lectures and workshops, in books and on the web.

The platform makes complex issues of architecture comprehensible to everyone, and promotes a more sustainable living environment. The Future Architecture platform introduces and celebrates innovation, experimentation and the ideas of a generation that will design the architecture and build Europe’s cities in the years to come. It promotes European innovation, architecture, culture, knowledge and social capital through a single common platform.

www.heimtextil.messefrankfurt.com

TO 12Domotex, 14 JAN

Hannover, Germany

www.futurearchitectureplatform.org

TO 09Heimtextil, 12 JAN

Messe Frankfurt Domotex is the leading traide fair for floor coverings. The fair is constantly developing and we have increased our efforts to make it even more attractive to exhibitors and visitors by optimizing the exhibition layout, introducing annual keynote themes and placing greater emphasis on trends and creative inspiration.

www.ifworlddesignguide.com

09 JAN

Future Architecture Platform, Slovenia

Heimtextil is the biggest international trade fair for home and contract textiles, and will next be held in Frankfurt am Main from 9 to 12 January 2018. The first trade fair of the year for its sector, it is a climate and trend barometer for the new business year. About 69,000 trade visitors from 141 countries came to visit the leading international trade fair for home and contract textiles from 10 to 13 January 2017.

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A total of 2,965 exhibitors presented their innovations during the trade fair. The wide range of products showcased at Heimtextil is subdivided into the home textiles and the household textiles product segments, as well as a services segment. The clear way that the fair is structured is reflected in the layout of the exhibition halls, and this means you will find it easy to find the products that you are looking for.

In 2018 Domotex will for the first time focus on a keynote theme common to every area of the event and at the venue itself. Unique Youniverse represents a strong trend towards the individualization of products and services.

In other words, customization in response to individual needs and wishes. In future, customers will be more closely involved in the development of new products. New innovative technology makes it easier to offer a personal customer experience. The implications of this core trend for the flooring sector will be explored at Domotex 2018 with examples, presentations and discussions. www.domotex.de

PAST & FUTURE

E V E N T S 15 21 JAN TO

imm cologne, Cologne, Germany

The imm cologne, The international interiors show, isn’t just the very first interior design show of the year, it’s the first choice for renowned international exhibitors and decisionmaking professional visitors from all over the world as well. The imm cologne showcases inspiring interior design ideas for trendsetters and provides markets with new impetus.

And the major innovation drivers, market leaders and brands will be there. It presents the trends that will be shaping the furniture and interiors sector - and the products that are good for business. At the imm cologne, you will find a unique variety of interior design ideas for every room, every style and every requirement - from the basics all the way to designer items and luxury furnishings.

For suppliers and demanders from all the important markets, the imm cologne is the most important trading venue for the global furniture trade and its informed audience.

During one three-day weekend each January, the Interior Design Show shapes the industry for the year to come - in North America and beyond.

IDS Toronto is now in its 20th year. We hope you enjoy exploring the people, products and places that make the design world so exciting and inspiring.

The Interior Design Show is Canada’s premier showcase of new products and furniture, superstar designers and avant-garde concepts from North America and beyond. Over 3.5 action-packed days, the show captures the latest innovations for an engaged audience of consumers and professionals. With its ambitious programming, IDS Toronto is a driving force of the city’s flourishing design scene. The fair promotes rising design talents and attracts keynote speakers of international acclaim, making it the must-see event of the year for established and emerging design.

18 21 JAN

Toronto Interior Design Show, Toronto

TO 19Maison&Objet, 23 JAN Paris

21 TO 24 JAN

January Furniture Show, Birmingham

Since 1995, Maison&Objet has been the world’s foremost event for professionals of the lifestyle, interior and design industries. Every edition brings together some 3,000 brands and more than 85,000 unique visitors - of which 50% hail from outside France.

January Furniture Show 2018 is perfectly timed at the start of the year to reveal the newest launches, the biggest names and the freshest trends at the UK’s largest furniture event.

This is a comprehensive mix of classic and contemporary furniture, flooring, lighting and accessories anywhere else. Enjoy the widest choice of suppliers with exclusive beautifully presented showcases and thousands of products, all under one roof.

The show is held in Halls 1-5 at the National Exhibition Centre (NEC) in Birmingham. This part of the venue is sometimes referred to as ‘The Piazza’ due its horseshoe shape and central courtyard.

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www.januaryfurnitureshow.com

toronto.interiordesignshow.com

www.imm-cologne.com

TO

Visitors will be able to see dining and occasional furniture, all kinds of upholstery, flooring, fabrics, art, mirrors and decorative accessories.

The January Furniture Show provides the perfect opportunity for furniture buyers and interior specifiers in the hotel and leisure industry to see the newest launches and latest trends from the industry’s biggest names.

Promoting new contacts and emerging talents, Maison&Objet presents twice a year the latest sources of inspiration by shedding insight into current and future trends. As a result, the event has become an effective catalyst for brand development and business growth. Launched in September 2016, the digital platform.

MOM (Maison&Objet and More) offers a comprehensive overview of the latest news and products by exhibiting labels, manufacturers, artisans, craftspeople and designers. In January 2018, it is Agence NellyRodi’s turn to design the Inspirations Space and the Bookshop-Café on the concept Showroom. www.maison-objet.com

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Befitting the occupation of the owner, Shabnam Gupta has designed a two-level studio for an artist in Mumbai, by treating the light infused space with both wit and style.

If a client buys two separate apartments, one on the fifth and one on the sixth floor of a building with a view to using them as a single studio, how does one connect them? By an internal staircase, one would imagine. “No, we decided not to cut the slab in this case…the two levels are connected from the terrace outside, via an external staircase which we constructed,” says Shabnam Gupta of The Orange Lane, ensuring small doses of fresh air and sunshine for anyone using the studio - just through the act of going from one floor to the other.

Text By Devyani Jayakar Photographs Courtesy Indrajit Sathe

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WORK. UNWIND. WORK. Home Review January 2018

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“Located in a quiet lane disconnected from the city, the space has the feel of Goa, with its view of swaying coconut palms,” says Shabnam. “The apartments were in a dilapidated condition and what is now the terrace, was previously an enclosed room. We simply ripped open everything to create unobstructed views.”

Facing east, the expanses of the glass windows are protected by motorised blinds, largely redundant post noon.

Natural light suffuses the spaces during the day, to be replaced by artificial light only after sunset. The lighting is functional, with dramatic accents created by spotlights which cast scallops of light on the floor when desired - including the eye-catching glow of the lit underbelly of a counter on the terrace.

“The brief included a free spirited space which stayed close to core materials.

The emphasis had to be on ecology and nature, exhibiting a strong connect with the outdoors,” says Shabnam. “The client has established an Art Village at Karjat for the meeting of creative minds. The structure which houses the facilities is in rammed earth, so I understood where she was coming from in terms of her convictions.”

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Deciding to use a neutral palette to enable the artist’s own collection and works to add the pops of colour, Shabnam has fallen back on stone flooring, brick and wood laid in a herringbone pattern together with white walls as the staples of her design, in addition to solid wood doors.

The upholstery on an occasional couch may add an exuberant punch of colour, while indigo has been used selectively in small doses as a cheerful accent, particularly on the chhajjas which extend outwards from the top of the windows.

The art keeps changing, bringing an unexpected and unpredictable dynamism to the space.

In the corridor which leads to the apartment from the lift, the grey tone of the concrete flooring climbs onto the walls, rendered in textured siporex which invites tactile exploration even as it adds visual interest. Within, the lower floor is used for meetings, while the upper one is a work space.

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The studio is replete with a bath, wardrobe, kitchen and a post-box red couch which doubles as a bed for a guest.

The washbasin has been carved from a single stone.The study has a brick floor with an arresting canvas by Julius Macwan depicting a female torso in a red bikini.

“Some of the furniture has been picked up by the client on her travels, reflecting her taste,” says Shabnam. “The client enjoys cooking, so we’ve given her a kitchen zone and an open glass house in which she grows her own greens and vegetables.”

The dado in the kitchen bears vintage European tiles, evoking a retro feel.

On the terrace outside, a green wall is a perfect addition to enhance the space. Climbing the height of the two floors, it has a niche bearing a sculpture of a winged horse. ”That’s a definite conversation starter,” says Shabnam. The flooring is in pale beige sandstone, almost colourless in its aesthetic.

Comfortable and easy going, the studio

encourages one to put

up one’s feet and relax, any

trace of stiff formality.

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The staircase connecting the two floors has been constructed from mild steel and brick, its slim profile appearing visually light and virtually weightless. “The floating feel has been enhanced by the sliced brick which we’ve used on the treads, hence reducing their thickness” says Shabnam.

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Shabnam has created a chic, welcoming space which overlooks the carefully cultivated greenery on the terrace outside; this space is also used for entertaining.

Blurring the boundaries between work and recreation, the spaces move effortlessly between enabling creativity and encouraging unwinding in a tranquil space. info@theorangelane.com shabnam@theorangelane.com www.theorangelane.com

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Calvin shares, “Sand is such an easy material to create form and because of this it is the perfect medium for my imagination.�

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art form

Ephemeral Works Of Art Calvin Siebert’s sandcastles teach us two things - first, everything you can imagine is real and second, nothing lasts forever.

His ephemeral artworks tend to cast a fragile and almost poetic perspective on the landscapes in which they are created.

Huge, beautiful and transitory, Calvin Siebert’s artistic and clever moulds of sand resembling brutalist architecture add a simple poignancy to their surroundings and force onlookers to pause and hold them in awe. Adopting a variety of abstract and concrete forms, these artworks have a preoccupation with and devotion to the landscape themselves, highlighting the natural process that helps to both create and destroy the pieces.

Talking to Calvin Siebert, the mastermind behind these stunning structures, we learnt that some of his best art is doomed to have but a limited existence and invariably disappears leaving behind no trace at all.

But, for the castles to stand proud, one needs strong sand. The strength of the sand depends upon the properties of its individual grains and on the water between them.

Text By Kanupriya Pachisia Photographs Courtesy Calvin Siebert Home Review January 2018

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Growing up in Colorado, Calvin spent a lot of time at construction sites. Back then the artist was thousands of miles away from a beach but that did not stop him from building castles out of the massive mounds of sand. Calvin, now 59, shares, “I was always interested in architecture. My abstract constructions often mimicked the buildings around my parents’ home. Whenever I had a pile of sand, I’d build sandcastles.”

A few decades later, Siebert is still building sandcastles. His castles resemble less the complicated towers and moats of fairy tales now and more the brutalist structures of his architectural inspirations.

Siebert doesn’t build with blueprints, nor does he aim to evoke any one style or another. In fact, he cringes at comparisons.

“Lots of people call them Mayan or Frank Gehry, when they look at them, but that tells me that I haven’t been focused enough. I’m not thinking Mayan! I’m just creating from this weird unconscious space I’m in.”Judging by his castles, Siebert would seem to have studied architecture but he actually attended art school in New York.

Drawn soon to the beach there, he started building sandcastles and exploring new forms. While some of his works are blunt, some are curvy. He shares, “Sand is such an easy material to create form and because of this it is the perfect medium for my imagination.”

Using a technique refined by years of practice, the artist is anything but rigid in his art. His castles have a geometrical crispiness and architectural realism.

Circles and curves are deliberate and methodically arranged.

Calling his art ephemeral, Siebert shares, “There is a thing on the horizon that is going to destroy it.

That’s what makes it unique and interesting.”

A lot of the work is done by hand with ordinary plastic speckling knives adding the signature geometric sides. He divulges, “I use an assortment of trowels and thin pieces of plastic. It’s all very basic. I start by creating a pile of sand with a 5 gallon bucket and then start pouring water into the caldera.

Layers are then stacked onto the initial pile.

The idea is to get all the sand damp and allow the water to drain out. As each packed layer begins to resemble the plan in my head, I start carving; shaping always takes place from top to down”.

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After all, nature is always against you and time is always running out. Sometimes they last a week if its overcast, at other times they are gone instantly - licked by a wave or tumbled down by a toddler.

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But for the castles to stand proud, one needs strong sand. The strength of the sand depends upon the properties of its individual grains and on the water between them. The finer the grains, the more they hold water and water matters. Calvin shares, “Once you have finished an area, it is best left alone as it is already drying out and becoming fragile. It is possible to make additions, but mostly in a sideways direction.”

He works for almost 8 to 10 hours on nearby beaches in New York City and the French Atlantic Coast; the beaches of Hawaii, Mexico and California have also been graced by his magnificent creations. “The best beaches are always the more quiet and undisturbed ones. Beaches with relatively short tide ranges are helpful as you need to collect water throughout the process.

I’ve been to beaches where the tide goes out for several feet and can become quite a challenge.” After all, nature is always against you and time is always running out.

Sometimes they last a week if its overcast, at other times they are gone instantly - licked by a wave or tumbled down by a toddler.

For the most of summer, Siebert is building sandcastles. For the rest of the year he makes sketches of sandcastles and sculptures out of cardboard. He informs, “I have also built sandcastles indoors but it is not a very satisfying activity.

While they will stand up for months, it really does not matter. I miss the elements and the ever changing light of the outdoors.”

Judging by his castles, Siebert would seem to have studied architecture but he attended art school in New York. Drawn soon to the beach there, he started building sandcastles and exploring new forms.

Calling his art ephemeral, Siebert shares, “There is a thing on the horizon that is going to destroy it. That’s what makes it unique and interesting.” Building on this reflection, who would imagine that the actual act of attempt and collapse could become so interesting that it would become an art form apart from giving birth to a curious and creative mind such as Calvin Siebert’s! boxbuilderbuilt@gmail.com www.facebook.com/calvin.seibert

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Somaiya riidl, Maker Mela; Nudes (Nuru Karim); and Jyna Packaging (Haresh Mehta) will make an Official Attempt at the Guinness World Record for the world’s Largest cardboard structure during the three day Maker Mela at the Somaiya Vidya Vihar campus in Mumbai.

An Official Attempt at Guinness World Record for the World’s largest cardboard structure.

#PaperBoat: World’s Largest Cardboard Structure

The Paper Boat made with 1000 sheets will be constructed using an Interlocking technique to minimise the use of glue and reduce wastage. Arrangement of the cardboards like a jig saw puzzle will help in faster assembly.

The Paper Boat project is being attempted to raise awareness about the Global Water Management crisis that the world faces as humans negotiate the conflicting needs arising from economic development, food security, poverty alleviation and climate change. Around 844 million people have no access to safe water.

In the words of Gaurang Shetty, CEO, Somaiya riidl, “What better way to inspire and innovate at Maker Mela than making something that is ecologically friendly, is challenging to build and creates awareness of environment protection – an issue that is close to the core value of Somaiya Vidya Vihar. Like a boat needs all people to work together and oar in a direction, it is only if we work together that we can address the water pollution crisis.”

According to Nuru Karim(NUDES - Founder & Principal Architect) “Water conservation has posed a challenge to humanity. Here at Maker Mela, we are working with eco-friendly cardboard to raise awareness about the Global Water Management crisis. By making this unique structure we will spread awareness amongst communities who will take notice through my inspiration for the cause.”

(L-R) Mr. Haresh Mehta, MD, Jayna Packaging, Prof. Yogesh Tamhane, Innovation Catalyst, RiiDL, Nuru Karim, Founder & Principal Architect, NUDES, Mr. Jurgen Wolf, MD, Hafele South Asia.

Haresh Mehta, Jyna Packaging, says, “Cardboard is eco-friendly, as it is made out of recycled paper. By making such huge sculpture with cardboard, we can demonstrate that with ideation and innovation – using recycling ideas, we can contribute to the cause of prevention of water pollution. I hope that seeing this will inspire Makers here to develop new ideas using recycled products” In the words of Mr. Jürgen Wolf (Managing Director, Hafele South Asia), “It is of utmost essence that all need to be made aware of the seriousness of the issue of Water Crisis that currently is prevailing. A project like this achieves that! The importance of water to human beings and planets cannot be emphasised enough. Hafele supports worthy causes and is happy to associate with this ‘#PaperBoat - World Record’ creating and eco-friendly initiative.”

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An interesting feature in the living room is the modern coffee table.

It provides a vivid contrast to the otherwise classically styled room.

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HOME IS A TWO-STOREY AFFAIR! Surat based design firm, NSquare Designs’ newest project is a sprawling bungalow that is a perfect blend of old charm and bespoke luxury.

Text By Priyanka Menon Photographs Courtesy NSquare Designs

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For husband and wife designer duo, Virang and Neha Patel, NSquare Designs is a collaborative expression of their philosophy of allowing the traditional as well as the modern to coexist in the same space.

Based out of Surat, the interior design firm has been making waves for its stylised depiction of new spaces and its insistence on striking a balance between classic and contemporary living. Home Review takes you on a tour of their latest project, a 4000 sq ft two-storey bungalow located in Dumas, Surat. “The house is an amalgamation of contemporary and traditional design carried out with perfect craftsmanship,� say Virang and Neha, who were assisted by their inhouse designers, Aastha and Narendra.

Every single element in this room is in keeping with the chosen colour tone.

One of the most fascinating features of the bungalow is its layout. The high ceilinged entrance gives volume and intensity to the overall space. Although the lobby opens to the living room, it also serves as a transition area, allowing access into other spaces on the ground floor.

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The conceptualised dining area runs along the ground floor, strategically overlooking a modern kitchen that has an attached washing and drying area.

The dining room is ideal for a night hosted by The Gatsby - understated ostentation with unique light fixtures that are suspended from the ceiling and a dining table that can easily serve ten to twelve guests. Both the kitchen and the dining areas open out to the backyard.

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Functioning as both a climatic and social device, the backyard boasts of a sprawling lawn as well as a covered patio, ideal for an intimate evening with family. A man-made waterfall adds to the serenity of the space and landscape. An outdoor gazebo makes the backyard ideal for parties and festivities.

An interesting feature in the living room is the modern coffee table. It provides a vivid contrast to the otherwise classically styled room. “The living and dining room are on a single-axis which creates a sort of visual transparency that results in the house being flooded with natural light,” the designers remark.

The master bedroom on the ground floor opens out to a covered sit-out that runs along the length of the room and its en-suite bathroom. With contemporary light fixtures, a unique headboard, and monochrome furnishings, the master bedroom is an elegantly designed private space.

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An intricately designed hanging staircase made of glass and wood connects the ground floor and the upper floor. Set against the backdrop of a textured wall, the staircase is hung from a beam and is further accentuated with a small alcove below that can be used for some personal quiet time even. The upper floor has the children’s bedrooms that have their own attached bathrooms. Each room has been uniquely designed for the son and daughter, keeping their individual personalities in mind.

Both the rooms open out to a joint balcony that offers panoramic views of the lush landscape and garden space. For guests, there is a third bedroom with an attached bathroom that opens out to its own private balcony.

The extended passageway is also a part of the design scheme of the house with elegant chandeliers, wall hangings and fixtures.

The most striking and common elements of the bedrooms are their unique textured headboards that add to the overall ambience and décor of the rooms.

The bathrooms are layered with Italian marble. The fittings and furnishings are in keeping with the design elements of the respective bedrooms.

While ensuring that the original structure is maintained, the base line is a combination of Italian marble and rustic wood.

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The almost-suspended staircase is perhaps the most striking feature in the house. Connecting both the floors, the staircase is strategically placed between the living and dining areas.

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View from the top! An aerial view of the garden from the upper floor.

“Constraints and challenges were looked at as opportunities,� Virang and Neha go on to say. This approach to designing has resulted in a space that is not only warm and inviting, but also classically charming and contemporary. And as difficult as it usually is to strike such a perfect balance, the design team at NSquare Designs has managed to achieve this synthesis and converted a 4,000 sq ft residential space into a home. nsquaredesignss@gmail.com

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Customized Chronicles

By Naitik Oswal

DESIGNQUEST

The Mistri Tales is the brain child of four friends coming from different backgrounds who came together for their love for design.

Taking The Mistri Tales from strength to strength, Naitik Oswal, Amirali Nancey, Imran Mukadam and Rohit Wadhawa - the four partners of the brand have come up with incredible designs executed with finesse. The Mistri Tales designs and manufactures a wide range of products ranging from furniture, light fixtures, upholstery, wall dĂŠcor, planters, accessories etc.

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The Globe Shelf

The Spring Table

Taking concept design to the next level, they have got the opportunity to cater for major restaurants including Sante spa Cuisine, Café Pondi, German Bakery, Persepolis etc.

With lost art and nature as their major sources for creativity, they strongly believe that ‘Inspiration is atomic’ and the best source of inspiration are your surroundings. In addition to this, understanding their clients’ taste, their space, and their needs, also proves to be a major design inspiration for them.

Synonymous to their brand name, the main idea behind the company is to express a story through their products. By experimenting with different materials, such as cork, cane and concrete, they look forward to having a generic future for the brand and focus on creating eccentric products for their clients.

The Pop Planters

Right from conceptualisation to bringing the designs to life, everything is done by The Mistri Tales. While the designing takes place at the central office, the products are manufactured in a well-equipped factory and then finally delivered to the end client or displayed at their store situated on MG Road, Pune. ‘Total customisation’ being their brand’s USP, they promise to deliver their clients, products as per their demand.

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Sewing Machine Storage

The Trunked Seat

While they are already supplying their products to a few major Indian cities, apart from their home-ground Pune, they see themselves weaving stories across the world through their designs. With their new online marketplace their clients can now checkout their entire range of products and get them delivered at their doorstep with just a click!

While any product designed, manufactured and sold by them is guaranteed to be unique, they claim their best-selling items to be seating and light fixtures, both of which offer an amalgamation of functionality and design. Originality being their forte, they don’t find themselves competing with other brands and yet try to stay at the top of their game by bringing in newer innovations every month and by excelling at their products. themistritales@gmail.com www.themistritales.com

The Bugle Lamp

They believe that the decor for every establishment be it a home, office, or a cafe, should be thoughtful, aesthetically pleasing and perfectly functional. Thus, their designs speak the same language.

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A coloured cup fixture hanging down was last moment creativity. “The cups which are re-cycled, act as covers for the lights; this fixture serves to introduce some colour over the waiting area,� explain the architects.

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A SPATIAL AUTOBIOGRAPHY

A quick look at Architect Shweta and Sarang Patil’s work will tell you that their work is colourful, artistic, innovative and original. It is a reflection of modern culture that unites the past and present while consolidating the novel and traditional, unique and familiar and contemporary and vintage.

Text By Kanupriya Pachisia Photographs Courtesy Ira Gosalia, Photographix

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For an architect, designing their own office is no easy task. Well, it’s always difficult to narrate your own story!

Taking its cue from the famous saying, “A man is known by the design he keeps,” the office is set to reflect the firm’s design philosophy and style.

With a view to achieve an open office concept, the duo started by knocking down all internal walls of a 2BHK apartment. In fact, they even broke down the external walls bringing the outdoors inside.

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The studio has its indoor and outdoor spaces juxtaposed in a way that makes it merge into one and yet limit to its spatial definitions. The team shares, “The office is placed on the first floor of a triangular building with acute corners that serve as planters and faces mainly the North-West and South East.

Considering the hot and dry climate of Aurangabad, the western side is recessed with a densely planted court to cut down the harsh heat and opened up with huge openings to take the cool breeze inside.”

This does justice to the studio’s philosophy of ‘going and preserving green’ and being environmentally friendly.

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As you enter the studio, you witness an old world charm that blends with the contemporary as a bare brick wall accentuated by spotlights, reminds you of quaint lanes and guides you in through the entrance passage or ‘Alley’ as the name goes. The ‘Alley’ transpires into a small waiting area with the staff area and director’s cabin on either side.

The use of varying wood tones creates a layered look on a natural stone floor. While the tables square up straight lines in a modern modular shell, retro chairs on steel legs and exposed switchboards pull at the traditional. Every window needs a window treatment and the window in the staff area is a prodigy of the plot. It doubles up as a seating area where a vibrant knitted runner serves as the perfect canvas for a teak tray that serves refreshing cups of tea.

The abundant use of white on cabinets makes the space feel more airy. The directors’ cabin is predominated by a running expanse of glass windows along with shades of black and brown that keeps it looking formal and trendy.

The conference room overlooks a small terrace. A small, self-sufficient pantry and toilet are tucked on the other side. In design lexicon, every room needs a pop of colour.

The small conference table is surrounded by a team of three stark white chairs while the fourth is more playful dressed in a patchwork of patterns and colour. A rust wall defines the terrace as it complements its mosaic floor.

The directors’ cabin is predominated by a running expanse of glass windows along with shades of black and brown that keeps it looking formal and trendy.

The toilet door is cleverly concealed by wall graffiti. The architects share, “The graffiti is basically Le Corbusier’s module which depicts the human scale and proportion.

We had a granite platform, a toilet door and a table in front of the wall. The graffiti seamlessly blends all these.”

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If you take a closer look, you will notice a human figure sitting at the platform, another one reading a book that eventually forms the toilet door’s handle and one resting its arms on what is a switchboard.

The team shares, “We got the wall painted by college students and not by professionals as we didn’t want it to look very posh and finished.”

While the lighting is kept simple and modern, the ceiling is not free of innovation and design. A coloured cup fixture hanging down was last moment creativity. “The cups which are recycled act as covers for the lights; this fixture serves to introduce some colour over the waiting area,” explain the architects. Talking about re-use, one has to touch upon the other green elements included in the office.

“The graffiti is basically Le Corbusier’s module which depicts the human scale and proportion. We had a granite platform, a toilet door and a table in front of the wall. The graffiti seamlessly blends all these.”

“While designing the building, we avoided cutting existing trees on the plot. Even the windows of the studio have been set back to create courts for plants. The design facilitates ample light and breeze, such that we barely need to turn on the lights in the day and fans during summer, thereby saving electricity.”

The space is buzzing with personal touches.

The frames on the brick wall are visible from every corner of the office. They voice quotes of famous architects and sport scenes of digital art that are close to the architects sentiments. Explaining the presence of a guitar in the office, the duo says, “We are inspired by art and music.”

Signing off, they share, “We are fond of travelling and exploring different cities.”

Souvenirs like windmills from Amsterdam, boats from Kerala and caricature books from Goa fill up the empty pockets. And, now each corner hides a story within a story; what can be more creative than that!

info@thedesignalley.in

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Studio Lagom is based in Surat, Gujarat. The team’s brilliance is in using natural elements, non-flashy colours, and carefully-picked, striking features to create homely spaces.

Surat-based Studio Lagom believes that at the heart of design is the need to belong and which is exactly why the projects realised by the firm have a resolute feel of ‘home’. “We make space for nature: light, air and greenery,” states the team and that commitment is part of the overall vision to make every space welcoming and conducive to creative thought.

The right balance between less and more is what this consulting agency/architecture and interior design studio chases every time, and the following three efforts display that outlook perfectly.

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This office was built to represent the owners. In that sense, it had to be designed like a home, just with all the office requirements added in. Even when it is formal, the Samarth Office looks not like a stifling space built for impersonal interactions, but a calming expanse that will allow for an easy flow of discussions.

In terms of requirements, the penthouse space had to have “a main (owner’s) cabin that had to have a formal area and an informal lounge; connections between levels; links between inside and outside; and integration of greenery into the internal environment,” states the Studio Lagom team. The designers worked within these expectations but infused their own sensibilities to good measure.

The material choices and selection of hues tilted towards the sublime, which has meant a lot of timber, a solid degree of veneer (a favourite element of the designers), the use of both Kota and Kadappa stone, pastel furniture set-ups, and grey tones enhanced by a superb mirror polish. The reception section is unforgettably beautiful. The spatial sumptuousness of this double-heighted section takes over from the first step in.

The reception desk sits beneath a wood panelled staircase, party to the pleasantness of a small water body beneath the stairs, and the sights and sounds of the reception lounge. The latter is a plush space populated by comfortable cushions and a lovely coffee table. But the pièce de résistance is a fantastic chandelier looking down on everything - “The installation feature, an overlapping collage of weathered steel quadrangles of varying dimensions and heights, has concealed lighting for added effect,” states the team.

And beyond the double heighted windows is the spectacular sight of a vertical garden that has been pruned to occupy the building duct. The master cabin sits at an elevation and basks in the skylight-lit charms of an internal garden as well as the natural beauty of a connected terrace lounge.

On the upper level are the executive staff areas, guestroom and conference room.

By intelligently putting to use the best of lounge-cum-spa design features in a 6,000 sq ft space, this office just refuses to follow convention.

Text by Shruti Nambiar Photographs Courtesy the Architect Home Review January 2018

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At this office, like in the one mentioned above, the resident team’s creative language is on full display. Frames of their work is on the lead-up wall, the logo is etched on the door, and once in, one is treated to a white-and-black colour scheme that instantly reveals the broody magic of photo studios.

A ‘Pixel Wall’, composed of 20,000 individual Deodar wooden, grey matte-finished rectangular blocks of lengths varying from 1 ½ inches 9inches, establishes the visual grid from which some other elements flow out. A ceiling-mounted sliding glass wall serves as a partition between the main designers and the rest of the media team. Near unbroken connection and an insideoutside feel are important elements of the architecture team’s plan for any space and this studio is no different.

To make a creative studio capable of supporting discussions, hosting new and old clients, holding screenings and talks, and of igniting ideas is no mean task, and the trick that works in this linear swathe is of breaking any sameness with quirky props. Case in point is the low, MDF white matte finished table in the discussion zone that sports an artful crack and holds together multi-purpose seating furniture pieces.

“A pivoted dual use partition wall at the services corner can be used as a projector screen while the other side can become a photo-shoot background. The Studio Lagom team was also inspired to add their own abstract detail to the layout.

The whole main shelfing is “a white continuous element that represents the strap of the camera the photographer holds.”Another stroke of visual brilliance right there!

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This project was tricky, so the Studio Lagom team went with their most cherished design approach - build a place that is as home-like as possible. This women’s health centre can be a spot of intense emotions, what with expectant mothers and couples exploring IVF options experiencing some of their most intimate life moments here.

The design team was extremely sensitive to these needs and has strived to create a comforting environment. Light blue, pista green and greys dominate the first two levels of this centre that will ultimately occupy the 3rd, 4th, and 5th floors of a building. Helping along are the wide windows that offer views of the cityscape, making the space look open and airy.

Efforts have been made to make it a space that is fresh and not heavy with the smell of antiseptic.

The 3rd floor will host the OPD section and reception spaces while the 4th floor will be occupied by patient rooms. The terrace floor has been primed for admin use and for IVF-related areas. This spread establishes an upward gradation of privacy, with the presence of muted colours and warm lighting as constants.

Veneer and wood, browns and blacks, and features made of brass and bronze dot the design scheme.And the place has no interest in being bland either. “We wanted the ceiling and walls to be the canvas, so we didn’t rely much on framed art,” states Hardik Shah, principle architect of Studio Lagom. “Art is usually not a priority in such a place, but we wanted it to be so.” Good call we think! hello@studiolagom.in www.studiolagom.in

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INNOVATIONS IN DESIGN

56 Designing In Good Taste

62 The Style Quotient

68 Cultivating Innovation

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58 Luxe Living

64 An Innovative Study

70 Made Of Metal

60 Trendy And Emerging

66 Stealing The Show Outside

72 Trendy Winners!

A NEW DESIGN STRATEGY Text By Kanupriya Pachisia The design world was never black and white. With innovation taking charge it has only become more colourful. Driven by problem solving, the design world is only becoming more and more adaptable.

Design thinking has become a subject in its own right with innovation being one of its major components.

Today the interior design industry has combined efforts to envision a space that accelerates the shift towards creative and innovative design by supporting all the conditions it needs to thrive.

Home Review’s special issue this month taps on various designs and finishes that bring ‘Innovation in Design’ to the forefront. Modern Kitchens are becoming a culinary heaven as gadgets are becoming more user-friendly.

Space saving furniture

Bathrooms have completely revamped their personalities and turned from being dull to entertainers of style.

Bedrooms and living rooms are becoming more and more comfortable and design centric, equipped with ergonomic, functional design and acoustic solutions.

The modest study has also morphed from being uninteresting to interesting with furniture and accessories taking a more organized approach. Outdoor furniture is stealing the show with new eco-friendly silhouettes that extract sculptural forms. Living a hassle free life in the company of stunning aesthetics is becoming a realizable dream.

An analysis of prevailing trends this year once again proves how innovation was behind it all. Colours and materials blended originality and novelty in order to demonstrate unique design.

Connecting with the creative brains behind ‘Lohasmith’ and ‘Poppadum Art’ revealed how innovation forces design these days; not vice versa and how emotional design has paved the way for this new design thinking.

Sufi dancer light 2 bbay atelier

Creative fun design

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DESIGNING GOOD TASTE Today kitchen product design is giving your space a futuristic feel and simplifying your cooking experience.

Cool tools are no longer for chefs alone. Innovation is happening in the home kitchen as well.

BOFFI SALINAS - ISLAND KITCHENS The Salinas Kitchen concept by Boffi is highly eco-sustainable and carefully curated. Tubular metal structures made of modules, once matched lead to a fully functional composition. It could be either suspended or floor mounted for under mounted appliances and consists of doors made of PaperStone, wood or lacquer. It also displays a stone sink, fixed or pull-out wood peninsula top, ladle hangers, shelves and LED lights. www.boffi.com www.studiocreo.com

BULTHAUP B2 KITCHEN WORKSHOP Bulthaup B2 fuses three elements most interestingly, to become one kitchen. It is inspired by the golden rule that tools and materials must always be kept tidy and close at hand. Reducing the kitchen to three sculptural elements - the tool cabinet, workbench and appliance cabinet, it is liberated from static walls. The design’s flexibility and mobility allow it to adapt to new spatial circumstances. www.bulthaup.com

ELICA SPACE SIEMENS POWER INDUCTION HOB - IQ700 Power Induction from Siemens uses electromagnetism to generate heat only where you need it. The temperatures of all three heating zones can be adjusted quickly and precisely. If something boils over, it can’t burn on to the glass ceramic surface, because the surface hardly gets hot at all. FlexInduction allows you to combine several rectangular cooking zones into one large one allowing maximum flexibility. www.siemens-home.bsh-group.com

Space by Elica is probably one of the most silent hoods in the world.

The noise level of Space is only 40db. Finished in black or white glass it looks far from a conventional kitchen hood and adds charm to your kitchen walls. Taking another step forward with its design, it comes equipped with digital controls. It also features a grease filter and LED lamps. www.elicaindia.com

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MISO ROBOTICS FLIPPY - YOUR KITCHEN ASSISTANT Miso Robotics is bringing artificial intelligence into the restaurant kitchen and taking another leap forward in the arena of innovation by integrating robotic arms, sensors and cameras into a ‘kitchen assistant’. It can identify patties on a grill, track them as they cook, flip them over and place them on the bun when done, making cooking several burgers a task to enjoy. www.misorobotics.com

GRAFF SOSPIRO FAUCET LINE

KOHLER PROLIFIC SINK WITH ACCESSORIES

Sospiro by Graff is an innovative faucet line inspired by the silhouette of the Venice bridge.

Available as both single hole and ‘bridge’ models it comes in four stunning finishes. Equipped with a revolving spout, the single-hole model comes with a pull down spray head with dual spray and steam water flow functions. Its small space design makes it perfect for in-house bars.

Kohler’s Prolific Sink creates a highly functional kitchen workstation. This innovative stainless steel sink comes with three graduated ledges in the basin and allows you to place the bamboo cutting board, two multipurpose grated racks, colander and washbasin exactly where you want them for maximum efficiency. Equipped with a cone shaped drain for easier cleanup it also features SilentShield - a mechanism that provides sound absorption. www.kohler.co.in

www.graff-faucets.com

HACKER COMET GRAPHITE KITCHENS The new concrete look by Hacker Kitchens - Comet Graphite explores an even darker area of the colour spectrum, responding to the high demand of darker granite look finishes. Shown for the first time at ‘Kuchen Wohntrends 2017’, this sophisticated yet understated colour way emphasizes the clear lines of the kitchen. The handless design and state of the art technology are also impressive. www.haecker-india.com

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LUXE LIVING Today designers and companies have become a lot more conscious towards the environment and practicality of their designs. This has led to a whole new design lexicon which is changing the story of our homes.

ORIENT BELL LIMITED PLANK TILES - WOOD SERIES Orientbell’s ‘Wood Finish Plank Tiles’ are the new age green tiles. Their design and style range from rustic to contemporary binding various interior design styles into one eclectic whole. While they imitate the authenticity of wood, they are as durable as tiles. The vaporized wood look emits a more pronounced grain and texture. It is an impressive and environment friendly innovation. www.orientbell.com

IDUS LACOON IDUS the luxurious furniture store has launched its elegant Collection of “Loungers” for infusing elite and invitingly cozy feel to your modern living spaces. Lacoon is a red colored lounge with padded backrest, seating, and tapered legs. The lounger is made with unique stitching details to hold refined finishing touches and to adorn the living spaces with an extraordinary touch. www.idus.in

SANS SOUCI BOWLS TUMIDEI LALTROGIORNO COLLECTION ‘Laltrogiorno’ by Tumidei is a never ending developing product.

Its meandering and gentle lines evoke the fascination of a harmonious body, applied together with skillfulness to a new set of bended doors which represent an important technological and formal innovation in the project. Sure to make people envious, its helicoidal doors exuberate pure modern charm. www.tumidei.it www.ottimo.in

This innovative light fixture’s beauty center’s on the simple shape of a bowl and its everattractive contrast. The smooth hand blown bowls were rotated ninety degrees and suspended with the convex parts facing one other, thereby creating a wave that was elegant and disordered.

The play of contrasting colours and metallic coatings make it more a piece of art in your living room. www.ss-gd.com

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WISMA ATRIA SESTIERE TRIO TABLES The ‘Sestiere Trio Tables’, part of the Rubelli Casa Coffee Table Collection launched

by Wisma Atria are a set of three occasional tables finished in dark wenge stained beech. The special feature of these tables is that they come with a removable tray top.

The trays also have inserts in Diamantino - a new and exclusive material patented

by Rubelli. www.wismaatria.in

ELEMENTTO LIVE ON THE EDGE COLLECTION

CASSINA 529 RIO COFFEE TABLE

Wallpapers no longer narrate a simple plain story. Innovation in design has opened up a new world for wall coverings.

Elementto’s ‘Live on the Edge Collection’ clads your walls in quaint and bold edgy prints as they become conversation starters in the room. With a hint of renaissance like richness, they not only grant glamorous and festive makeovers but also display a striking flamboyance.

The 529 Rio Coffee Table includes six wedge sections of varying radii, set out of alignment alongside each other with natural oak or openpored black stained oak at the circumference. The table top is available in three different finishes: Rattan, Carrara marble and black Marquina marble. Each section can be pulled out for use as a single table or put together for a larger gathering. www.cassina.com

www.elementto.in

OTTIMO EC WALLS The ‘EC Wall’ is an important concept in architectural partitioning and designing. Borne out of collaboration between the Emil Group and King and Miranda Design it is an ideal solution to define spaces and create accent walls. Specially designed tiles that induce a play of light are fitted on to its aluminum structure. These brick less partitions can easily be remodeled and removed. www.ottimo.in

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TRENDY AND EMERGING A bathroom is often perceived as the dullest place in the house - tributary to its simple and prosaic means but new technologies are totally giving it a new personality. Let’s take a look at some.

HANSGROHE METROPOL COLLECTION The hansgrohe Metropol in collaboration with Phoenix Design is the brand’s first range to include a free standing mixer.

Available in four different tap heights, it comes as a free standing, wall mounted and basin mounted mixer. Moreover, it features a flat handle, loop shaped handle and a ‘Select’ button handle. Water temperature can be selected by simply turning the handle. www.hansgrohe.in

INBANI BOWL Inbani’s Bowl, talks about beauty. Its versatile personality makes it double up as a bathroom stool and a laundry container. Inspired by the harmony and contrast between forms, volumes, spaces and materials, its thin metal pieces and marble details stand out against the purity of white.

Winner of German Design Awards and Iconic Awards it is an eye catching piece in your bathroom. www.inbani.com

AXOR AXOR SHOWER PIPE 800 JAQUAR GROUP WELLNESS GEMINI SPA Gemini being a compact luxury spa comprises of stainless steel jets, water features, and a fantastic lighting package. The spa consists of target jets that give a precise massage that stimulates specific muscles. Comfort jets are enclosed to send out a flow whose direction and intensity can be adjusted. Random Pulse Jets enables unique and random pulsating massage. www.jaquar.com

A perfect purist, the AXOR Shower Pipe 800 comes with reduced control units, ‘Select’ buttons for easy and precise operation of the overhead shower and a genius thermostat.

The smart thermostat of the shower pipe doubles up as an elegant and spacious shelf made of mirror glass.

Its innovative, gentle PowderRain feature provides a unique lightness in the shower making it an enjoyable experience. www.axor-design.com

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GRAFF TEPHI BATHTUB Contemporary in its design, Tephi by Graff brings forth a minimalistic appeal. Its bathtub is manufactured entirely out of Sleek-Stone - a new technology that combines dolomite marble with a unique resin, to create a solid compound that has the same appeal as natural stone. Sleek-Stone’s stain and UV resistant properties make the surfaces easy to clean, with minimal maintenance. www.graff-faucets.com

DURAVIT LUV

LAUFEN CLEANET RIVA SHOWER TOILET

Luv’s unusual design combines Nordic purism and timeless elegance. Gentle forms follow a sharp geometry. The selection of materials and colors is testament to Cecilie Manz’s refined sense for nuanced form. Luv also offers no-nonsense bathtubs that are based on the shape of the wash bowls. S eamless, and made from DuraSolid A, they offer a pleasantly warm feel and highquality matte look.

The Cleanet Riva Shower Toilet by Laufen uses a wide range of intuitive shower functions enclosed within its ceramic body. In everyday use the shower toilet is operated by pushing or twisting the stainless steel rotary button or by selecting settings on the touch screen remote control. Its multi stage hygiene concept enables thermal cleaning of its circulation system at regular intervals. www.laufen.in

www.duravit.in

MICROSOFT MAGIC MIRROR Microsoft’s Magic Mirror is a smart mirror that can recognize and greet users and detect emotions. Now, when you wake up and stare in the mirror to brush your teeth, you can simultaneously read the news and know the weather of the day. It also displays app-fed news allowing you to browse through Facebook and Twitter. Who said the bathroom was a boring place! www.microsoft.com

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THE STYLE QUOTIENT The bedroom being your private sanctuary, everything in it needs to be just right! With design and technology crossing boundaries, transforming your bedroom into a piece of your dreams is only becoming simpler.

TUMIDEI LUDO - WALK-IN-WARDROBES Ludo is a simple yet sophisticated modular system that offers endless variations in design and size. A selection of cupboard accessories and internal fixtures make it an aesthetic and functional addition to your room. Created using ecofriendly wood panels, non-toxic solvents and water based paints, it also makes an ideal health choice. It is a perfect solution to a crammed wardrobe. www.tumidei.it www.ottimo.in

HUNTER DOUGLAS LUMINETTE PRIVACY SHEERS ‘Luminette Privacy Sheers’ by Hunter Douglas combine a sheer fabric facing with soft, vertical rotating vanes affixed to the back of the sheer. They not only look beautiful but also provide variable light and privacy. The vanes can be rotated to direct the light. Available in multiple trendy fabric options they also protect your furniture and floors from fading by preventing UV damage. www.hunterdouglas.com

INBANI FLIP AROUND SIDE TABLE MOMENTI CRAZY FURNITURE COLLECTION With Momenti’s ‘Carzy Furniture Collection’ your bedroom is sure to look like a piece of art. The technique of printing on glass fiber has been immensely used for this collection. Its ‘free-art’ range is as easy to customize as it is to design. Lacquered panels with artistic prints and manual application of resins make your space come alive, with one single piece becoming a statement. www.eng.momenti-casa.it www.ottimo.in

The ‘Flip Around’ table

by Inbani is a two in one functional table that can convert from a stool to a side table. A few simple adjustments and you can transform it into a tray to hold your essentials at night. Fabricated out of ash wood, plastic and steel it is light weight and can be moved all over the house easily. www.inbani.com

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NATUZZI THE VELA BED Designed by architect Claudio Bellini, the ‘Vela’ bed by Natuzzi features a comfortable design. With a few simple movements the position of each individual headboard can be adjusted to ensure maximum comfort when you want to read or work comfortably. In the back of the headboard, there is a compartment to store bed linen and pillows. Its metal legs make it look light and sleek. www.natuzzi.com

IDUS THE VOYAGE BED COLLECTION

MAGIS BUNKY

Designed by Kenneth Cobonpue, the ‘Voyage Bed’ by Idus is made of abaca woven on a steel frame and nylon. The beds and cribs of this collection are reminiscent of papyrus and reed boats. Rustic in appeal they are sure to transport you to your last resort vacation.

Available in King and Queen sizes it comes with a matching night table and a pet bed.

Designed by Marc Newson, ‘Bunky’ by Magis is an important part of the Magis, ‘Me Too’ collection for kids. Assembled from just four pieces it is made of rotational-moulded polyethylene and creates a sturdy, secure play and sleep environment for kids.

All surfaces are smooth with no sharp edges and it is highly durable and easy to clean. Perforations under the mattress allow for ventilation. www.magisdesign.com

www.idus.in

RIMADESIO SLIDING DOORS Lightness, transparency and the ability to separate and at the same time connect is the most striking feature of Rimadesio sliding doors.

Combining high technical and functional performance, they are dust proof and come in a variety of designs. They are also a perfect solution to close niches and walk-in-closets. Made of aluminum and glass, the Graphis sliding doors are also ecofriendly. www.m.rimadesio.com

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AN INNOVATIVE STUDY Today design buoyancy has sprung up because clients are not merely ordering desks, chairs and simple rooms. This shift in demand has completely reconfigured the study in terms of materials and choices.

DULUX DESIGN CHALKBOARD EFFECT When paint turns into slate, we only have an innovative mind to credit! Dulux’s ‘Design Chalkboard Effect’ is a water based, flat sheen, 100% acrylic paint that makes your child’s study room interactive and playful. Literally a chalkboard it not only allows them to write on walls but also makes for a playful furniture finish. It is available in multiple colours. www.dulux.in

MAGIS MY FIRST OFFICE Designed by Marti Guixe, ‘My First Office’ by Magis is a working and storage unit in which children can play and learn. The cubicle like structure is made of plywood and has an entrance and walls, built upwards like open book shelves.

It also houses a table, accessible from both inside and outside. It enables kids to have an adult-like experience which they enjoy. www.magisdesign.com

STEELCASE LESS THANFIVE CHAIR KNOLL FILZFELT FilzFelt by Knoll carries German milled 100% Wool Design Felt in sixty-three colours and five thicknesses. Wool felt, one of the oldest man-made textiles, undergoes a wet felting process that involves matting, condensing and pressing of fibers. The resulting Design FilzFelt is a high quality, ecofriendly product.

FilzFelt provides acoustic solutions and acts as a wall and floor covering and hanging panel. www.knoll.com

A collaboration between Coalesse and Michael Young, the ‘Less ThanFive Chair’ by Steelcase weighs less than five pounds, thanks to its carbon fiber design.

Being lightweight, it’s perfect for children to handle. The adaptable design comes in customizable colours making it apt for your chosen colour palette. Its ability to be stacked, one over the other makes it easy to store as well. www.steelcase.com

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DRIPTA ROY OUSAMA BOOKSHELF The ‘Ousama Bookshelf’ by Dripta Roy is yet another of her attempts to create fun in her consumer’s life. It is not only a perfect element for your child’s study; your child can also have fun assembling its puzzle pieces. An all-white interlocking structure, it provides ample storage facility. It can be customized and configured into different models at the pure will of your little one. www.dripta.com

HAWORTH THE CLOUD

PAUL STUDIO DOODLE CREATIVITY SET

A modular, stack and store storage unit - ‘The Cloud’ by Haworth is a playful addition to your study interiors. Its design appeals to kids and adults alike.

Configured in various organic shapes and sizes to meet your needs, it is made of rotationally moulded plastic. Giving plastic a brand new personality, its light hearted design is easy to clean and acts as a subtle space divider.

All work and no play made Jack a dull boy!

Designed by Sandip and Suhasini Paul, the Doodle Creativity Set, acts as a drawing cum study table. It unleashes the kid’s creativity by allowing the child to fill up drawings on the table in their own choice of colours. It has a removable pencil holder and the chair has Eva foam to provide extra comfort. www.paulstudio.in

www.haworth.com

HERMAN MILLER FLUTE PERSONAL LIGHT The Flute designed by Tom Newhouse is a versatile, compatible and economical lighting solution by HermanMiller. The best part about it is that it leaves a miniscule carbon footprint on your desk. Using the latest LED technology, it has an inbuilt heat sink which keeps it cool to touch.

Made of 37% recycled material, at the end of its useful life it is 85% recyclable. www.hermanmiller.com

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STEALING THE SHOW OUTSIDE With exciting and innovative products in the market, doing up your outside patch is fast becoming a challenge you’d love to undertake. Let’s turn the spotlight on some protagonists that are stealing the show.

LOOM CRAFTS SYNTHETIC BRAID AND ROPE OUTDOOR COLLECTION Loom Crafts the pioneers of outdoor lifestyle in India yet again set a brand new landmark with their outdoor furniture range crafted out of UV stabilized Polynol synthetic braids and ropes.

Styled to evoke international sensibility, each product is a mix between classic and contemporary available in six distinct shades. Robust in nature they rest on aluminum, stainless steel or wooden frames. www.loomcrafts.com

BLACK + BLUM HOT POT BBQ Pressed for space? Black + Blum have designed a clever solution in the form of the Hot Pot BBQ! This grill incognito looks like a terracotta pot and actually hides a charcoal grill within. Herbs can be grown on the top making it a part of your vegetable garden. Removing the top reveals a stainless steel grilling surface. The inside is ceramic coated to retain heat. www.black-blum.com www.amazon.in

STEELCASE EMU IVY SEATING NARDI THE NET SERIES Who would have thought that an amalgamation of fiberglass, polypropylene resins and UV additives would result in comfortable seating but Nardi’s ‘Net Series’ have accomplished this interesting concoction! These stylish stackable benches and armchairs are uniformly coloured and available in three models, namely ‘Net Bench’, ‘Net Chair’ and ‘Net’. Equipped with non-slip feet they are matte in finish. Cushions are available on request. www.nardiindia.com

Inspired by the art of topiary, the flowing ‘Emu Ivy Collection’ evokes a sense of sculptural design with each piece. Striking silhouettes provide a light and versatile seat.

The chairs can be easily stacked and stored. Made of 31% recycled content the collection comprises of a chair, pouf, sofa and lounge. It also has optional cushions in the offering. www.steelcase.com

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ALEX DAVIS MY LAZY GARDEN COLLECTION ‘My Lazy Garden’ literally plants you a whole garden of steel. Meandering reflections in chrome through organic forms of ferns and cacti translate into this interesting collection which also includes steel-crafted bamboo groves, benches, vertical gardens and lily ponds.

The artist makes the shiny, sturdy metal appear softer. Perfect for your outdoor pad, the collection adds a contemporary charm and irreverent luxury to your space. www.alexdavisstudio.com

SICIS MOSAIC SWIMMING POOLS

IDUS CABARET SOFA

Calling the world a mosaic, Sicis has most innovatively turned the humble swimming pool into a design project. Its ‘Mosaic Swimming Pools’ are absolute stunners. Infinite chromatic and decorative combinations make it an object of expression both in the public and private domain.

Made of marble and glass, the mosaic patterns lend an aura of luxury to your pools.

Knitting, stitching and weaving are synonymous to the fashion industry but innovation has introduced it to the interior design fraternity as well. Kenneth Cobonpue’s ‘Cabaret Sofa’ by Idus, is essentially a steel framework. While woven fabric tubes create a structural pattern, its elegant webbed form is available in acrylic and reticulated foam in yellow, pale grey and silver for the outdoors. www.idus.in

www.sicis.com

BOFFI MINIKITCHEN With Boffi’s ‘Minikitchen’ it won’t be wrong to say that expert imagination lent kitchen functions to a large trolley! Fitted with a hob unit, mini refrigerator, storage compartments, small cutlery drawers, sockets for small appliances, a big chopping board and pull-out work top, it is perfect for your cook-out sessions outdoors. www.boffi.com www.studiocreo.com

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CULTIVATING INNOVATION With a background in advertising and a mind to always build a creative career for herself, Saanwari - the brain behind indie brand, PoppadumArt that generates a line of happy home décor and lifestyle accessories, shares her views on design innovation.

How did you conceive your eclectic mix of trendy products and where do you get your inspiration from?

I get my inspiration from things around me. I’m hugely influenced by the whole ‘jugaad’ mindset that we see so much around us in India. We Indians have a knack for frugal innovation. In our own homes and in day to day lives there’s so much ‘jugaad’ that we may not even realize it. I’ve seen it in my house growing up, I’ve seen it outside in shops and at street vendors, in ultra-urban set-ups and at grass root levels - it’s just about everywhere.

That, I think, is what has shaped my design sensibility to quite an extent and contributes immensely to my creative process. As crazy as it may sound, I’m always looking for what a usual object can be if it weren’t itself or how I can up-cycle something and give it a new life.

Saanwari

Today ‘innovation’ has become the key word in design. What is your latest innovation and how did you develop it’s ‘formula’?

The idea for a product can come from anywhere - from a need I feel in my own home or I could have observed a gap elsewhere. We also try and ensure that the idea works for that particular product/context to keep it unique and exciting.

A simple question, but no two people have the same answer! What is ‘innovation in design’ to you?

To me, ‘innovation in design’ is solving the toughest problem/need in the simplest and most creative way. I say simplest, because the solution needs to flow organically and not seem labored and of course there is no point in innovation if the form doesn’t function. All design eventually needs to first solve the problem and then be aesthetically pleasing.

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Your products strike a personal note with the customer! How far do you think can we take ‘emotional design’ into the nuts and bolts of a product?

Every product generates an emotional reaction - good or bad. We strive to leave our audience surprised and smiling when they see our product. Every step of our design process is geared towards delivering that reaction. We’re always thinking about how our products’ form can be surprising and memorable, which in turn leads to word-of-mouth sales and overall brand love.

This is reflected very strongly in our design principles right down to the smallest touches. It begins with honing down to a fresh, innovative product idea and then finessing it with little touches all through, be it colour choices, illustrations, copy or branding. Every design choice is aimed at eliciting that emotional reaction.

When did you start ‘Poppadum Art’ and how has the journey been?

I started PoppadumArt about six years ago. I had moved houses and wanted to do it up to reflect who I was. But there was just nothing in the market that catered to people like me. Nothing was fun, young and casual. It was all the same pretty stuff we had been seeing for years. That’s when I decided to take the leap and quit my job to make happy things!

The journey so far has been exciting to say the least. There have been so many ups and downs in the market, the audience has evolved so much, new sales channels have opened up, there’s really never a dull moment!

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MADE Of METAL Launched by husband and wife duo Karun and Meghna Malik, the young metal home décor brand - The Lohasmith reflects a penchant for clean lines, bold natural finishes and daring treatments. Talking about innovation, they tell us how the modern Indian’s aesthetic personality is global in perspective but traditional by choice.

Why did you choose metal for your products? What is it that you prefer about this material when compared to its counterparts?

We at The Lohasmith love working with metal for its versatility and the minimalistic designs we can achieve using it as a base material. Another reason we favour working with metal is that products can be finished and presented in a variety of ways like plating, antiquing, patinas and of course powder coating in any colour.

Working with metal allows us to play with clean designs that are functional in nature since metal has great load bearing abilities as well. The only downside we have faced in using metal as our core design element is that Indian customers have not traditionally seen a lot of metal in high-end settings before, and therefore associate metal with mostly outdoor/ garden furniture. We consider it our mission to change this mindset.

Karun and Meghna Malik

Today ‘innovation’ has become the key word in design. What is your latest innovation and how did you develop its ‘formula’?

To us, the word innovation simply means trying to figure out ways to achieve outcomes that others would ordinarily find difficult to even fathom.

When we decided to make a vase out of test tubes, it was really important to us that the whimsicality and playfulness of using laboratory equipment as a décor centerpiece should be fortified with the functionality of being entirely movable. Another example of innovation in our designs can be seen in our range of Diamond Cut Mirrors, which required geometric precision in the metal frame, which when reflected in the mirror re-creates the facets of a diamond.

In the year since we launched our brand, we’ve interacted with customers, architects and interior specialists, learning that there is a need today for high-quality functional products that look great, adding to the overall vibe of a space even when they are not in use.

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‘Innovation in Design’ has led to a new kind of design thinking. How would you describe the process in your words?

Design trends are evolving at an ever-quickening pace thanks to design-oriented publications, social media and design fairs across the globe and 2018 promises to bring even more excitement and innovation to the interior and product design space. Innovation in design today has led to a process driven by ease of use.

Everything we buy, eat or use today is ‘designed’ to be easier than it was before. This has given rise to a nonclutter living movement seen for centuries in countries like Japan and the Scandinavian region and is now part of how the entire world wants to live.

People have a varied take on the subject. Some say, design research doesn’t innovate, technology does. As a designer, what do you think? What is your take on the subject?

Frankly all design is inspired by other previously existing design; to say design research does not innovate is unfair since interpretation of design is also innovation.

We find that at The Lohasmith, a lot of our inspiration comes from shapes and forms we find in nature like the bee-hive or a bird’s nest and at other times from manmade forms like the brilliant cut given to a rough diamond.

When did you start ‘The Lohasmith’ and how has the journey been?

The idea for The Lohasmith came from our shared desire to start something that made high-end yet affordable decor products exclusively for India. It was this idea that culminated in the birth of the brand in early 2016 and the subsequent unveiling of the website and collections in November the same year.

We decided to go ahead and start The Lohasmith when we realised two things that the modern Indian consumer’s tastes have evolved to include a more global viewpoint, and that a there was a need for brands like ours.

We also knew that we had the ability to bring our customer a range of decor products that were not only well-designed but also functional, on-trend, and most importantly of a quality that would allow people to enjoy our products in their homes for a long time. With Meghna’s eye for clean, interesting design and Karun’s obsession with adherence to quality, we make a formidable team.

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TRENDY WINNERS! With each year, there is a big shake up of interior trends predicted. Some leave a mark and some fade away. We’ve scooped out five prominent trends that emerged victorious.

Certain trends garner several votes and

turned these trends into dazzling décor.

Every year sees new trends and must-have pieces that we can’t wait to get our hands on and update our homes with. The stable of tastemakers across the globe have turned the spotlight on certain trends that garnered several votes and turned these trends into dazzling décor. Let’s take a look at five such trends that are selling like hot cakes in the market.

Green - Nature’s Neutral Rightly coined as ‘Nature’s Neutral’, the 2017 Pantone Colour of the Year, Green played a vital role on the interior palette.

While some brought the outdoors in and created a lush green paradise indoors, others decided to stay content by scattering a few plants here and there. Those who didn’t have a green thumb embraced the concept by relying on faux ferns.

Rightly coined as ‘Nature’s

Neutral’, the 2017 Pantone Colour of the Year, Green played a vital role on the interior palette.

Brass - The New Metal of Choice Rose gold and copper seem to have run their course but lights, furniture, panels and other home accessories continued to shine as brass becomes the new metal of choice. When mixed and matched with other materials like marble and wood, brass renders glamorous drama and luxe living spaces.

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By using rich materials like velvet and leather which both reflect and absorb light and add drama and depth, in nature inspired tones of green such as olive and sage, it once again made an entry through your living rooms. Leaf prints were also widely applauded. It was easy to inject a touch of the tropics through leaf prints on wallpapers, furnishings and art.

A touch of the tropics through leaf prints on wallpapers, furnishings and art.

With its excellent corrosive resistance and natural patina, it adds a distinct weathered look to interiors. The heavy metal also contributes to environmental advantages as it can be recycled infinite number of times - one more reason why it has become a popular choice. Whether it’s found as a smart accent light or a staircase railing or even as cabinet shutters, brass has made its way home in the most charming ways possible.

Cement Tiles - Becoming Nostalgically Modern Another trend that is certainly nothing new but seems to be cementing itself as the style element is the age old cement tile.

Each tile being handcrafted, each piece displays a slight variation. This organic ‘perfect imperfection’ is the reason why homeowners never end up with a look that is mass produced. Being another eco-friendly option, it has fast become the new ‘go-to’ for those who want to ‘go green’ without sacrificing on style.

Blending Art with Furniture Another trend that really picked up was one of blending art with furniture. Designers had always given immense importance to the art quotient in the house by way of limited edition paintings and sculptures but this time around, the creative brains very adeptly stitched it into their building fabric and produced statement pieces of furniture.

When mixed and matched with other materials like marble and wood, brass renders glamorous drama and luxe living spaces.

The Louis Ghost Chairs are a postmodern triumph of technical innovation and historical style. Giants like Kartell and Tokidoki reinvented the range by adding playful graphics, starting and all new trend.

Smart Homes - Connected Living Smart homes are no longer a thing of the future. They are very much the present!

Connected living has been one of the hottest trends and homeowners and designers have whole heartedly adopted this useful and novel idea.

We have devices that we can talk to that will respond in kind. We have showers that will play our favourite playlists and faucets that are enabled with facial recognition features to set the water at the right temperature for you. We have refrigerators that will plan grocery lists and Bluetooth enabled cutlery.

Now we can even control our home air conditioning sitting at office through our smart phones, so we don’t come back to a cold apartment!

The Louis Ghost Chairs are a postmodern triumph of technical innovation and historical style.

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Artemis Cast Stone is a bespoke studio manufacturing a variety of products while keeping in mind clients’ preferences and requirements - right from a conceptual stage till the time the final product is delivered.

Tessalated small planter from Artemis Cast Stone.

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REDEFINING AESTHETICS TEXT BY ANINDITA GANGULY

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The Spiralize Wall Clock is a flawless work of art.

A wide range of products are designed in-house into various applications to showcase the possibilities and to be ordered off the shelf. The versatility of cast stone, adept craftsmanship and creative vision has enabled the brand to create customised products that cater to a variety of needs.

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The brand offers a series of products which are minimalist in design, simple in function, sustainable and customised to cater to a variety of segments like interiors, exterior architectural facades and surfaces, landscaping elements, furniture pieces, counter tops and wash basins.

According to owner Parshva Shah, “While designing our products one thing that is consciously taken care of is the simplicity and aesthetics along with functionality. While many find their source of inspiration in a person or their work, we draw inspiration from minimalist culture.

Our products are heavily inspired by industrialist aestheticism. Major shortcomings in quality of concrete and other materials in the market inspired us to create a material and product range that could offer both strength and fine finishing, with a sustainable touch�.

The products are heavily inspired by industrialist aestheticism.

Artemis Cast Stone is based on the idea of using quarry dust and waste produced from sandstone mines and quarries, utilising it to cast and recreate stronger, reinforced, lighter stones in various possible shapes and products.

The inspiration behind the brand is a simple balancing act between conserving resources by using stone dust in its products and giving a seamless modern look to the objects created.

Artemis Cast Stone attempts to create awareness about sustainable products and living. The brand is currently processing 25 tonnes of stone dust annually and is looking forward to reaching 100 tonnes annually soon as well as building an industrial scale stonecrete 3d printer for super-fast manufacturing of bespoke pieces.

Crescent Custom-made.

Eames Chair in Cast Stone.

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Joining hands with the Bakeri Group, one of the oldest developers in Gujarat has given the brand the necessary boost to establish itself as a market leader. In the words of Parshva, “Our top best-selling product is our standard cuboid planter. It offers a simple clean minimal look along with providing the best micro environment for the plants to grow and blossom with longevity, least maintenance and floor protection.Also, we are extensively customising bespoke wash basins, counter tops and architectural facades”.

Decor embellishments from the brand are immensely popular.

The products that the brand makes are unique, light in weight and can be easily customised. They are low maintenance yet amazingly long lasting and extremely affordable. “What is the use of a splendid house if you don’t have a decent planet to put it on,” believes Parshva Shah.

Artemis Cast Stone

Gf, 17, Unique Park, Opp ISRO, Satellite, Ahmedabad, Gujarat- 380015.

09909914247/ 07926745030 inquiries@artemiscaststone.com www.artemiscaststone.com

The products are low maintenance yet amazingly long lasting.

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Home Review September 2017

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From the outside to the inside to the outside.

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FUNCTION DRIVEN DESIGN Centre Des Congrès De Haute Saintonge, designed by the architectural firm, Tetrarc, although a pragmatic composition is not lacking of its share of drama.

Text By Virupa Kantamneni Photographs Courtesy Charly Broyez, Cdchs Véronique Sabadel, Area & Tetrarc Home Review January 2018

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Functionality often defines design and especially when the design is intended for a public use space, functionality is seen to drive the design. “Combining business, cultural and leisure activities on a single site, the Haute Saintonge Congress Centre complements the range of existing facilities and represents a unique catalyst for dynamic development, both for the municipality and for all of Haute Saintonge,” highlighted the design team.

A strong vision in place right from the beginning, the Centre Des Congres needed to be cohesive with its surrounding terrain, but yet present itself as an exceptional public space. Dealing with the requirements of a public building that has various functionality zones and ensuring that the end vision is delivered is quite a daunting task, but the team at Tetrarc handled it with flair.

When a government building is commissioned, the overall design has an added responsibility of ensuring that the exterior massing and aesthetics are neutral and have longevity. “Taking into account the sensitive features of the Val de Seugne landscape, we chose to design a building in the form of a monolith half-embedded in the valley landscape.” The team at Tetrarc consciously took a vernacular approach for this by letting the terrain mould the design.

A single access point to the building ensures the hierarchy of space planning can be done with ease. Playing the philanthropist in a design context, the Grand Circulation gallery links all the major planning features of the centre. It serves as a point of convergence - a confluence for the various user groups of the facility while giving the visitor a sneak peek into the design concept of the building but mostly also serving as a crucial functional necessity for a large public building with a responsibility to host large volumes of people at one go.

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Wooden staircases play the supporting actor in this carefully orchestrated scheme.

The vision for the Centre Des Congres to host large conferences gave root to the ‘Agora’, a large multifunctional hall capable of hosting various types of events with its flexible planning and technical detailing. The hall in a single level can play host to large exhibitions and trade shows, whereas the optional introduction of tiered seating can turn the space around to welcome seminars, conferences and ceremonies.

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“Large curtains contribute to acoustic comfort while allowing users to conceal, if required, the opening to the excavated limestone steps that form a small openair theatre.” Crediting the team where it’s due, this technical detailing ensures flexible planning and multi-functionality thereby ensuring longevity of the design.

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Perhaps the crown jewel of the building is the 500 seat auditorium space that took precision acoustical engineering along with high-end aesthetic finishing.

Planned as a cohesive space with the rest of the building’s features, the auditorium has seamless circulation in conjunction with the circulation gallery to access the different levels.

Locating the auditorium near a zone like the multi function hall with high noise levels is tricky but with the team at Tetrarc introducing a band of technical rooms and tertiary zones between both spaces, thereby ensuring the acoustic emphasis of the auditorium is not lost.

Acoustics play the lead role in any auditorium’s design and planning done in conjunction with the acoustical requirements is essential for the success of the design. Wooden waves create a dramatic aesthetic to the interiors of the auditorium that boasts of premium acoustic sensitivity.

The wooden waves made of rattan which when used in conjunction with plaster for fixing, create an acoustically sound space while giving the entire auditorium a rather shell-like visual impact. “The audience area is designed as an enveloping shell.

Its asymmetrical shape, which appears to be a product of the architect’s unique imagination, is in fact carefully calculated to meet acoustic requirements: each element of the shell is designed so that sound coming from the stage is distributed over the whole of the tiered seating and control desk, and so that part of the acoustic energy returns to the stage,” detailed the team.

Bright coloured upholstery and top end furniture ensures that this auditorium has all the workings mentioned in the brief.

Stark white interiors of the main lobby or circulation gallery directly contrast the vivid interiors of the auditorium.

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The interiors mimic the massing giving it a mammoth cave like appeal.

Large glass facades envelope the entire building ensuring that terrain and the surrounding natural landscape also form a part of the visual aesthetics of the interiors of the building.

The eminent Louis Kahn once said “Architecture is the thoughtful making of space.� The team at Tetrarc have emulated exactly that! info@tetrarc.fr

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anki 6nei8

A product of formal education in interiors and furniture design, Anki Gneib’s attention to detail with a playful streak reflects in her intricately detailed products.

Text By Virupa Kantamneni Photographs Courtesy The Designer Home HomeReview ReviewJanuary January2018 2018

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Unraveling the world of craftsmanship, Anki Gneib’s work is characterised by constant experimenting and playful expressions through the entire process of design right from start to finish. Her focus on cultural exploration and the various crafts from around the world over showcases her concept driven design detailing. Involving herself in a project from the concept stage ensures she has an exclusive result as a whole.

Case in point, her Jimi Too outdoor pendant lamp made of metal shavings reflects the earthy almost gothic texture of nature and its roots.

Jimi Too

A product series that looks quite familiar is the Cricket series of outdoor and indoor chairs. Based on a concept lead by the classic garden chair that focuses on intricate woven texture, these chairs are not only visually light in weight but with a metal frame in a micaceous moka finish and a synthetic string woven body.

Magical to the soul, and warmth for the dreary, a candlestick holds everything important to this world - light. Holy

by Anki Gneib is a range of organic candlesticks carved out of a single piece of wood. Organic in its entirety, the design draws inspiration from classical Scandinavian models. Proportionally conducive and with a shape that embraces its material, finesse is a repetitive goal. With their own individual expression, these sticks are one of a kind - quite literally.

Mirror mirror on the wall, who’s the brightest of them all! Rightfully characterised as an artist that focuses on experimental and playful expressions right from the concept stage, the Eyeshine Mirrors are an amalgamation of her eclectic thought process with very specific inspiration. “The mirror has historically been associated with mysticism and magic. One is that the mirror can “see” and “tell” what took place in the room for someone who has not been present.

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Cricket series

My intention is to illustrate the mirror as an eye. And my inspiration is the playful straightforward expression of Comic and Manga eyes.” Presented in different sizes, these mirrors are like an artwork installation on your wall. Further highlighting the salient inspiration for the design, “The name Eyeshine comes from when light shone into some animals’ eyes makes them appear to be glowing in the dark. Animals have a reflective mirror layer in the eye called the “tapetum lucidum”, that helps the eye gather more light and improve night vision.”

Holy

Whoever said cultural exploration and futuristic expressions can never merge.

“The natural and soft feeling of turned wood meets a very precise, distinct almost futuristic light source. The four acrylic inlays that are integrated into the body as a cross section create vertical light beams which elegantly define the silhouette.”

The Light Troopers series are a definition of everything the designer stands for.

Precise LED light beams glow from within creating life for the objects. The end result invokes an anticipation of awakening.

Pendant lights and standing fixtures capped with a dome are all contemporary interpretations of her artistry. But what catches your eye the most are the candlesticks that almost breathe out from within enhancing an envious silhouette.

Modular seating components are the most practical investment for any interior space. Flexibility and manageable sizes ensure that they’re the popular choice.

The Potomac range does all this and more. “Inspired by the irregular pentagon tessellation allows an infinite variety of multiple compositions.” Of course the inspiration roots the design and allows it to become a reality, but the playful composition shown in the end result only cements the designer’s penchant for merging expressions.

Eyeshine Mirrors

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Steve Jobs said “Design is not just how it looks like and how it feels like. Design is how it works.” Rooted to functional detailing aided by a constant touch with the various crafts of the world, Anki Gneib ensures that her fluid designs reflect very straight forward traditions that form its cores.

While keeping in touch with reality, these products have an almost whimsical approach thanks to the designer’s playful expressions mostly seen at the end. Based out of Stockholm, Anki has a comprehensive approach to products designing right from the start of the projects. Apart from various awards, her work has been presented at The Röhsska Museum of Fashion, Design and Decorative Arts in Gothenburg.

Light Troopers anki@ankigneib.se www.ankigneib.se

Potomac

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The entrance doorway of The Fleming Hotel is a time machine that transports one back to the industrial era of Hong Kong in the 70’s. The 66-room boutique hotel in Wan Chai is a true reflection of the maritime heritage of the city.

Ten years after its original opening in 2006, the owners of The Fleming Hotel commissioned the firm ‘A Work of Substance’ to redesign and rebrand their Victoria Harbour front property. Before beginning their design process, the studio carried out in-depth research on The Fleming’s predominant clientele - business travellers - as well as on the prevailing international and local hospitality landscape.

Text By Priti Kalra Photographs Courtesy Dennis Lo

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PORTHOLES INTO THE PAST

Movable backrests in the lounge chairs allow for multiple configurations of seating, creating a flexible social space.

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A large wood-framed opening set in a glossy blue-tiled wall looks from the restaurant into the kitchen.

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Among their findings was the fact that future business travellers were increasingly keen on engaging in art and culture. “As opposed to the traditional trade-focussed mentality, people were expecting an emotional experience,” said the studio. In response to this demand, efficiency, sociability and culture became the backbone of the new and improved Fleming experience. goes beyond meeting } design the needs of business travellers.

In terms of functionality, the new Thoughtfully zoned rooms satisfy versatile possibilities of usage. From the extra large room with a king size island bed to the medium room with two single beds, customers have a wide array to choose from. Strategically placed light switches, power points, and practical systems of storage offer convenience in operation.

Ledges and tracks along the walls allow for unlimited configuration of the local artwork. Spacious bathrooms and walk-in closets with high-end amenities ensure optimum efficiency and luxury.

“While designing the layout and furniture, sociability was of key importance,” said the studio. The design strives to create interfaces for two-fold interaction - the first is between the guests themselves, and the second, between the guests and the staff. An example of this is seen in the reception.

Movable backrests in the lounge chairs allow for multiple configurations of seating, creating a flexible social space.

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In the hotel’s restaurant, Osteria Marzia, a centrally located bar counter surrounded by high stools creates a sense of openness and unhindered communication. A large wood-framed opening set in a glossy blue-tiled wall looks from the restaurant into the kitchen enhancing visual connectivity with the chefs. The hotel’s main façade is predominantly in glass, making the restaurant’s interiors largely visible from the outside, enhancing a notional interaction with the street.

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The studio’s multilayered concept draws inspiration from the Star Ferry to create a design that is both culturally and socially relevant. For over a century, the Star Ferry has connected people across the harbour.

“It is a unique and elegant icon of Hong Kong’s past and present, a crucial piece of its collective memory and identity.

Thus, it is the foundation for every design detail inside the hotel,” says the studio.

The furniture and lighting are custom designed to evoke a sense of nostalgia.

The choices of colours and scents reiterate the concept. Seen on the hulls of Hong Kong’s ferries, fishing boats and delivery trucks, carmine reds and bottle greens play an important role in the colour palette of the interiors.

Toiletries inspired from apothecaries and the custom aroma of sandalwood and amber further create an authentic sense of place. A reception area clad heavily in wood is reminiscent of naval architecture. Circular mirror frames in the bathrooms and elevators mimic the portholes of ships while the combination of grey and brass finishes in the common areas and corridors creates a pleasant longing for the years gone by.

A Work of Substance is a 22-person studio that revels in using design as a tool to culturally rejuvenate local neighbourhoods. Founder and creative director, Maxime Dautresme, was surrounded by Asian antiquities and the works of 20th century masters while growing up. His great uncle, a tireless captain of oversees courier crossings, was fascinated by the forgotten treasures of the Middle Kingdom.

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The furniture and lighting are custom designed to evoke a sense of nostalgia. The choices of colours and scents reiterate the concept.

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Another uncle, a talented photographer, was equally inspired by China and opened a concept store in Paris in 1965 as a tribute to the poetry of Asian daily life. His mother, daughter of Brazilian painter Cicero Dias and goddaughter of Pablo Picasso, spent most of her life submerged in the prolific work of her ancestors.

With a childhood that traversed Brazil, Korea, Japan, France and the USA, it was no surprise that Maxime developed a keen eye for beauty and culture. The founding pillars of his studio are a love for research and historical style, and an intention for cultural revival.

Strategically placed light switches, power points, and practical systems of storage offer convenience in operation.

The Fleming Hotel meets and exceeds the needs of its target audience, giving its customers a memorable aesthetic of what Hong Kong feels like. Apart from the experience within the building, the new design has a profound impact on its context. “It contributes majorly to driving foot traffic to the industrial Wan Chai, uplifting the aesthetics of the neighbourhood and rejuvenating the cultural quotient,� says the studio. A Work of Substance has curated a multisensory experience which ensures that each guest leaves Hong Kong with a dollop of nostalgia. nicole@substance.hk

Spacious bathrooms and walk-in closets with high-end amenities ensure optimum efficiency and luxury.

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A flight of steps was added and the library elevated to the first floor so that the existing stage used by the local community for events and sports activities could remain intact.

GREEN PROJECT

BINARY BUCKETS

Microlibrary Bima, Indonesia, is not just a warehouse of knowledge, but also a confluence of sustainable architecture, positive social impact and a fascinating design. The first in the ‘100 Microlibraries’ program, it demonstrates how sensible architecture can unify communities.

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Microlibrary Bima is the first of the ‘100 Micro Libraries’ program aimed to rekindle interest in books by offering a place for reading while exploring the role of sustainable design in a social space.

The role of an architect can be imagined in myriad ways. Is he an engineer who crafts a creation to perfection? Is he someone who translates the dreams of a client onto a real canvas? Is he someone whose design has the potential to create a sense of belonging?

Perhaps, he is a blend of all these. But, can an architect also become a community engager and an active stakeholder in society?

The Mayor of Bandung, Ridwan Kamil, proposed to embed the message ‘bukuadalahjendeladunia’, which means ‘books are the windows to the world’, in a binary code on the façade of the library.

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Affirmative, says SHAU, a multi-award winning architecture practice, with its ‘100 Microlibraries’ program. The objective was to counter the high illiteracy rate and lack of reading facilities in Indonesia. The first prototype of this initiative was built in Taman Bima in Bandung, Indonesia with the support of the Mayor of Bandung and the sponsorship of Dompet Dhuafa (Pocket for the Poor) and the Indonesian Diaspora Foundation.

The SHAU design team decided to use a binary code to communicate a message and arranged the ice-cream buckets with either the open end outward, to create ones or with the closed end outward to create zeros so as to implement the design strategy derived with the help of ‘Grasshopper’ a graphical algorithm editor.

The library site that stands at the intersection of middle and lower income communities is a small square with a preexisting stage that was already being used by the local community for gatherings, events and sports activities.“When we decided to build this library, we were clear that we wanted to add something more, rather than take away what existed. People came there mainly to play and mingle, and we didn’t want to take away that very reason,” explains Florian Heinzelmann, one of the project architects.

So, the team added another floor to situate the library. The stage was reworked in concrete and was shaded to protect it from rain. What emerged as an end result was a form of a floating library box.

Then came the crucial aspect of selecting the material for the façade. The SHAU team wanted to experiment with something different here. However, they had a few factors to consider. First, it was essential that the material be suitable for the tropical conditions, enable cross-ventilation and ensure a pleasant indoor climate without the use of air conditioning. Second, they wanted to raise awareness on plastic waste, a critical issue in Indonesia.

“Initially, we chose to use jerry cans.

However, when it came nearer to the time of construction the jerry cans were no longer available in the quantities we needed.

Then, we actually found a vendor who was reselling used plastic ice cream buckets,” says Heinzelmann.

The ice-cream buckets were just what the team was looking for. “This actually worked out better as jerry cans would have been wobbly. But these were stable, and with part of the sunlight being absorbed by the buckets, it was as an efficient way to daylight the building,” explains Heinzelmann.

Sustainability has been a consistent theme in SHAU projects and this is another example of how a bit of out-ofthe-box thinking can generate a brilliant, environment-friendly yet inexpensive solution. Of course, mounting 2000 buckets, making the fixture and punching out bottoms was time consuming.

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The ice-cream buckets diffuse daylight perfectly.

2000 used ice-cream buckets were upcycled in the construction of Microlibrary Bima, making this an architectural model for sustainability initiatives.

However, the local craftsmen made their own cutting tools to expedite matters, while also ensuring sharp and clean edges.

The buckets were then placed in between vertical steel ribs, and positioned at an inclined angle to let rainwater slide down.

There is also a quirky, fun element to this micro library. While studying design options of how to arrange the buckets, the SHAU team realised that it was possible to embed a message in the façade in the form of a binary code. To implement this, the buckets were either arranged with the open end outward to create ones, or with the closed end outward to create zeros.

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Using the combination of ones and zeros in a binary code format, words were spelt out. The Mayor of Bandung, Ridwan Kamil, suggested the message ‘bukuadalahjendeladunia’, which means ‘books are the windows to the world’. This message starts from the top left and spirals down around the perimeter repeatedly.

Microlibrary Bima was both the jury and public choice winner in the Architizer A+ Awards 2017 in the ‘Community + Architecture’ category.

Heinzelmann acknowledges that the binary representation was one of the most enjoyable aspects of designing this project.

“Drawing the design, using ‘Grasshopper’ a graphical algorithm editor tightly integrated with Rhino’s 3-D modelling tools to make the pattern, then going onsite to check whether a particular bucket needs to be turned around to fit the pattern and finally seeing the words come alive in the design it was all very exciting,” he shares.

Also, he agrees that seeing people use the facility was immensely gratifying. “It is satisfying to see how people are happy about the building and like hanging out here. A local school that does not have a library of its own visits this facility a couple of times during the week as part of its curriculum,” shares Heinzelmann.

In that sense, the micro library is not just an architectural creation but has also become an identity and a source of pride for the people in the neighbourhood.

info@shau.nl

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CASSUSGRILL One of the finalists in the category is CasusGrill, which has developed an ingenious, sustainable, disposable grill.

Today’s disposable grills are suitable for all sorts of food, from grilled steaks to sticky marshmallows, but the designs and materials for these grills are not very sustainable, and the functionality for most of them is doubtful.

As travel seems to appear more and more on everybody’s to-do list, so do camping trips; but staying in the outdoors means cooking without the convenience of a kitchen or its appliances. The next time you embark on a camping expedition, try CassusGrill, an eco friendly, non-polluting, one time use disposable grill that cooks all types of food. The sheer genius behind it may just change your style of roughing it forever.

The award for the Building Markets category in the Danish Design Award is given to a solution that scales or enhances existing products or services or that which develops brand-new products or services.

Text Compiled By Mala Bajaj

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Oftentimes, the much anticipated camping trip materialises, but what greets you is a mini dump yard. Wrappers and beer cans litter a once pristine and scenic spot.

Additionally fire rings are seen to have left indelible marks on the meadow. Mother Nature has been abused once again!

This is exactly where CassusGrill scores, as it offers a solution to enjoying a completely hassle free camping trip without bearing the cross of having damaged the environment.

“We were on an auto camping trip in France in 2009, and we brought traditional aluminium disposable grills. We observed two things during the trip: 1) aluminium grills were all over the surroundings, we visited, and 2) regular disposable grills were not that easy to use and light, and the heat was not evenly distributed by the grills,” says Carsten Nygaard Brøgger, CEO and founder of CasusGrill.

The idea behind CasusGrill’s eco-friendly alternative to single-use grills was born nearly ten years ago.

The CassusGrill, Brøgger shares, is made from FSC certified cardboard lined with lava stone. The grill rack is made of bamboo, and the briquettes are made of bamboo charcoal. In contrast to regular disposable grills, which can burn for hours without ever being ready to use, the CasusGrill is ready to cook your food in only five minutes. This grill uses nature’s own building blocks, brought together in the simplest possible design.

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The natural materials ensure even, high heat for an hour, and when you’re full and done cooking or barbequing, you can just throw the CasusGrill in the bin without leaving behind any environment polluting trash or fire rings.

“There are three aspects of our grill that make it stand out compared to other disposable grills. One thing is sustainability, which is a cornerstone of our company and second comes performance.

With three patent applications pending, the company is currently looking for wholesale companies and distributors globally.

CasusGrill has good odds of winning the Building Markets category at the Danish Design Award since it uses less coal; provides better, more evenly distributed heating; and emits around 50% less CO2 than traditional disposable grills.

Through hard work, innovation and sustainable design, the team at CassusGrill has managed to produce an organic biodegradable disposable grill at an affordable price.

It doesn’t matter if your design looks good if it doesn’t function properly. The third thing is security, such as heat emissions. In fact, you can hold the grill in your hands while it’s fully lit”, says Brøgger.

“As an innovative and green company, we want to become a role model for the market in disposable grills and inspire others to live more healthy and also be environmentally conscious about the products they may use,” says Brøgger. www.casusgrill.com

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Another defining characteristic of the ultra-silent EDS3 system is the three dimensional aluminium filter that offers exceptionally high airflow coverage.

This makes it possible for an air filter capacity of 94% while maintaining the noise far lower than the conventional Hoods.

Elica Hoods have robust built and quality hence you can look forward to years of using this kitchen solution without the need for replacement.

TRANSFORMING THE COOKING EXPERIENCE Elica presents the new range of Deep silence Hoods with unique silence technology and impressive functionality.

Introducing the new dynamic range Mr. Pralhad Bhutada, CEO, Elica PB India said “We at ELICA have always worked to introduce innovative and smart kitchen solutions. Our Deep Silence Hoods are no exception! This new range of Elica Hood boasts of deep silence technology which reduces the domestic noise pollution by over 35 percent with respect to traditional ones. These models are kitchen-friendly, with an exceptional performance and superb design. They certainly make a great value addition to any kitchen, providing an enjoyable cooking experience.”

These Hoods come with world class aesthetics and are easy to clean and maintain. 0Transform the way your kitchen looks feels and breathes with Elica! www.elicaindia.com

Elica, a leading name in Kitchen hoods across the globe has introduced patented innovative noise reduction system “Elica Deep Silence” (EDS3). The Hoods that comes with EDS3 are the quietest in the world. With Elica Hood models featuring this extraordinary silence technology, you will barely hear the sound at all at low speeds, that is, there is no perceptible noise at all!

The range also incorporates a sleek new design and enhanced features for greater efficiency. EDS3 system reduces noise without compromising on performance. The models equipped with EDS3 are among the most powerful and efficient ones in the market.

This kitchen solution by Elica also refines your kitchen appearance with its polished look. The irresistible Deep silence Hoods’ offer great design combined with harmonious simplicity.

It is a magical merge of technology and form. Uber-stylish and highly-aesthetic, the new range is also energy efficient.

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WOOD, GREY, WHITE & ORANGE When Ratan Tata, Nani Palkhiwala, Nana Chudasama, Wadud Khan, Keshub Mahindra and Charles Correa founded the Urban Design Research Institute (UDRI) in Mumbai in 1984, they were merely a group of citizens concerned about the future of their city. Today, UDRI has grown into a platform that engages with the society, publishes relevant studies, and implements key urban projects in Mumbai.

The vision of UDRI is to create a city where living, working and mobility are less stressful and more enjoyable, with easily accessible amenities and public spaces for all. Their mandate is to make Greater Mumbai and the Mumbai Metropolitan area an inclusive region which is humane, and balances its cosmopolitan cultural heritage and social fabric with equitable growth and efficient infrastructure. UDRI is structured around 5 programmes - the resource centre, public forum, projects, publications and the Mumbai Studio.

Text By Priti Kalra Photographs Courtesy Rohan Chavan

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The main reception boasts of an orange backdrop with the UDRI logo painted in white.

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To give the citizens of Mumbai an understanding about the city’s issues, UDRI instituted the Research and Resource Centre (RRC) in 2003. The centre hosts a collection of books, reports, maps and newspaper clippings on Mumbai, which are accessible to all.

In the year 2016, UDRI commissioned RC Architects to renovate the resource centre.

RRC was to be expanded to house over 2000 books, 500 maps, 600 reports, 35 publications and over a 100,000 newspaper clippings documenting the history, development, culture and issues of Mumbai and the Metropolitan Area.

Further, it was to house the Charles Correa Archives, a unique, digitised collection of the work of the renowned architect, and LoginMumbai, an online GIS database on the city. The new resource centre also had to transform into an event space that would cater to intellectual public events, lectures, seminars and board meetings.

Located at Kala Ghoda, the address of the resource centre is strategic to its intention and content. It is situated in the heart of the fabric that UDRI wishes to document and restore. Upon opening the door to the terrace, the famous Rajabai tower along with the skyline of the Fort Area reflects on the glass shutters of the centre’s bookshelves.

This gesture subtly ties the resource centre with its surroundings. Like a borrowed landscape, the image of the skyline finds its way into the space lending it a stoic backdrop. It is almost as if the vision of UDRI, both metaphorically and literally, lingers over the centre to ensure that its occupants do not waver from their mission.

Floor plan

Rohan Chavan, the principal designer of RC Architects, had several considerations while selecting the material palette for the renovation of the 3100 sq ft space.

“Easy accessibility for users, a fresh look and ease of maintenance were of prime importance,” he said. The palette was, thus, divided into different components based on the function and surface on which the material was to be applied.

The layout of the original resource centre had to be modified in order to house a greater number of books as well as to enable transformation into an event space. For this purpose, walls made of ply partitions were put up which define the scale and proportion of the space.

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Orange accents reappear on the walls of corridors, flush doors and the sides of bookshelves.

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Based on circulation pattern and aesthetic appeal, these walls were painted in a combination of white and orange. The main reception boasts of an orange backdrop with the UDRI logo painted in white. Walls with art, posters, paintings and maps largely remain white. Orange accents reappear on the walls of corridors, flush doors and the sides of bookshelves.

The floors of the resource centre are covered uniformly in grey epoxy. “The benefits of this gesture are two-fold. Firstly, the seamless nature of the flooring allows the space to feel larger than it is. Secondly, the dirt saturation that is common in tiled flooring is avoided, and sweeping and mopping become easier,” says Rohan.

“We restored the existing wooden trusses to their true finish in order to retain the old characteristic and charm,” says Rohan.

Because the primary function of the resource centre is to house research material, ample focus went into the design of the bookshelves. The shutters of the bookshelves are conceived in 25mm thick aluminium channels with 8mm thick toughened glass in-fills. The shelves themselves are built out of 10mm thick toughened glass, the purpose of the thicker glass being to hold the weight of the books.

“We have used thin aluminium sections so that one can easily see the books inside.

At the same time, the shelves are lockable ensuring safety of the books,” says Rohan.

The bookshelves are predominantly white in colour, allowing the bindings of the books to bring in the element of colour. A set of box steps on lockable wheels enables access to the topmost shelves.

The bookshelves are predominantly white in colour, allowing the bindings of the books to bring in the element of colour.

In terms of the shell of the space, the original structure has been preserved. “We restored the existing wooden trusses to their true finish in order to retain the old characteristic and charm,” says Rohan.

The intervention at RRC is simple and elegant. The aesthetics work hand in hand with the functionality of the space, ensuring that the UDRI vision is never overshadowed. The combination of wood, grey, white and orange manages to retain the original character of the space, while simultaneously introducing highlights and accents in areas that deem it necessary.

rohan.rca@gmail.com

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The infinity pool creates a wonderful bridge between what is natural and man-made.

The panoramic views it presents are nothing short of breathtaking. Even the skies appear to be part of the colour scheme.

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Landscapes

IN LAVENDER HEAVEN Nestled in the Provencal heartland of France is Tony Stone’s garden, landscape designer Anthony Paul’s resplendent ode to nature.

“Gardens and buildings are too precious a possession to be left to chance,” says Anthony Paul, landscape designer and the man behind this outrageously beautiful garden that breathes life into the agricultural heart of Provence. The garden was a part of the retirement dream of an English couple.

With the majestic Mont Ventoux bringing up panoramic views on the east, the garden is surrounded by a wealth of apricot and almond orchards, vineyards, olive fields, vegetable patches, and lavender fields.

The result is a splendid retelling of nature, in a myriad of colours and undulating landscapes, in the north-east part of Avignon, in the Vaucluse region of France.

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The infinity pool’s deck has some minimalist, yet exclusive furniture, designed by Anthony himself.

This is also part of his holistic approach towards landscape design.

“My designs are built on practical experience, along with a sensitive understanding of materials, plants, and spatial use,” Anthony says. The broad lines of the Tony Stone Garden are kept simple and clean. Considering the country house stands at a height that presents stunning views of natural landscapes, this was obviously the best policy to incorporate into the design.

Designed and created in a span of just six years, the garden is a veritable coming together of bold designs and vigour that along with the existing natural landscape creates a setting so majestic and idyllic, that one simply cannot be elsewhere.

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“The way a garden sits in its landscape is my main concern,” Anthony continues.

“I sometimes feel that I fill in the background like a stage and the rest is done by a far bigger hand than mine.”

Natural landscape is an important part of Anthony’s design scheme.

“The borrowed scenery gives presence and credibility to my designs,” he adds.

But predominantly his designs follow the principle of never leaving gardens to chance. Though its lines are simple, the garden is made up of pockets. In fact, it boasts of pockets within pockets! Drystone walls and hedges of teucrium make easy compartments that winds cannot disturb.

The mulberry tree seen here is central to the courtyard and accentuates its size. “Most of the planters are designed by us,” Anthony says.

These planters create a sense of scale and even enclosure.

Within these compartments is a wider array of plants. With such a limited palette, the landscape has some plants that are repeated. “So many gardens fail because in these the plants are simply not repeated,” Anthony says. The approach of repeating plants typically strengthens the overall design.

At the entrance that boasts of a driveway and rill garden, one meets with a wooden gate that leads to what can only be described as a fairytale-like sheltered courtyard. An old mulberry tree is central to this setting along with a campsis covered pergola. From here, there are steps leading up and away from the house, and onto the west where what meets the eye is a wild host of flora.

Wild gladioli are contrasted by phlomis and fried-egg flowers (Cistus corbariensis).

It is here that Anthony’s artistic side kicks in, with the placement of a well-chosen sculpture. “Modern art and sculptures,” Anthony says, “play a big part in my life and sharing my wife’s passion for it has broadened my horizons.” A wandering olive-lined walkway trudges along the lower edge of the terrace, past clusters of wild poppies, salvias, allium, and several other fragrant flowers.

In the northern side of the house, sits an enclosed garden space, replete with a crooked rill, which is part of the original irrigation system dating back to the eighteenth century.

The small chapel in the corner has been remodeled into a limonaia ideal for overwintering citruses. Clusters of lavender, rosemary, sage, doronicum, phlomis and helichrysum accentuate the balmy air with enthralling fragrances and freshness.

Perhaps the most inspiring and delightful element in the designscape is the luxurious infinity pool and its deck. For Anthony, “the design of a garden does not end with the hard landscaping.” Along with the greens and colours, come finishing touches and dimensions like water features, lighting, furniture, sculptures, etc. Furniture and sculptures are also a part of Anthony’s portfolio of work.

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Another ode example of Anthony’s artistic genius can be seen here. These pebble installations are so creatively and strategically placed that they blend in with the surrounding landscape. What a delight these must be to chance upon when you’re out for a stroll through this idyllic garden!

From building pieces of furniture from scratch to working on sculptures along with his wife - the infinity pool at this site is a fixture that does well to bring together what is natural and man-made, thereby upholding Anthony’s holistic approach to landscape design. Situated at the east of the house, the grassy terrace by the pool is covered with old olive trees on the above wall along with nepetas, salvia, and even a pomegranate tree.

“The art of designing a garden is not as easy as it looks,” Anthony says. “You need many skills and not just those of a horticulturist.” He starts with researching the local flora and fauna.

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He adds, “What’s growing well will give you insight into the right plant to use for the main backbone of the garden.” This is perhaps why there are rows and rows of traditionally planted brilliant lavender. These rows in turn give way to banks of Iris pallida, and subsequently to a mini orchard at the edge of the garden.

“Great planting is the key to all stunning gardens and arrangement, choice and setting are paramount to good design.”

This part of the garden is where nature beams the brightest! No wonder the garden won the first prize for ‘best private garden’ in the 2009 Torsanlorenzo International Design Competition.

What’s signature to Anthony’s design aesthetic is his use of simple shapes, forms, and colour palettes that require little maintenance. His contemporary designs can blend in seamlessly with nature and can still manage to stand apart. He does this by keeping the palette simple and as close to the surroundings as possible, as well as by using material and plants that appear to be extensions of the existing environment.

www.anthonypaullandscapedesign.com

“Without flowing water a garden seems lifeless,� Anthony says. While including a water fixture in his designs, he makes sure it is fundamental to the overall design aim.

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A very conspicuous element is that the ceiling in most areas of the store appears to have the effect of a “starry sky�.

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Retail Therapy

Take A Stance…..

Stance means a way of thinking about something or a publicly expressed attitude. ‘Stance’ the store has a definitive and unique bearing which promises to make a mark in people’s lives and the spaces they dwell in.

Text By Dhanishta Shah Photographs Courtesy Stance team

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Most of the light fittings are directional, thus allowing the store owners to position them strategically over the products in focus.

Stance is a new home décor store located in Jayanagar in Bengaluru, which proudly displays its ‘indie’ identity. The brainchild of Ninu Ahluwalia, Girish Mysore, Sanjay Jain and Magesh Manohar, the 1200 sq ft area is designed like a home where the visitor is welcomed with open arms.

One of the very first things you notice as you enter is the sheer variety of products on display. “We source everything from other labels, allowing us to have this wide range. This also enables us to showcase product lines with a regular frequency of change in designs; this keeps the interest of people going.

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The labels constantly keep recreating their product range and we try to have most of their new arrivals keeping in line with the store’s design intent. The product sourcing ranges from Kurma from Dehradun in the North to Arture from Chennai in the South,” explains Abhinav Gopal from the Stance team.

The idea behind the displays is to make anyone who walks in to feel at ease instantly. It’s a display of a typical house setup done tastefully and with an assortment of varied crafts and materials from different corners of the country.

However, curation of the products and the labels is where Stance really stands out. “We do not intend on it becoming a supermarket of labels, a crowd of products which takes away from the individual importance of each label or product.

The 1200 sq ft area is designed like a home where the visitor is welcomed with open arms.

We have tried to keep as much breathing space as possible, so that the customers can cleanse their taste palates when they move from one section to another. The materials chosen to display are also wide ranged so as to provide maximum possible options,” adds Gopal.

Cement and wooden flooring have been used throughout the store and another very conspicuous element is that the ceiling in most areas of the store appears to have the effect of a “starry sky”. This was actually a lucky coincidence! The intention was to have uniform lighting, without it becoming jarring. The selection and placement of the lights ended up becoming an aesthetic view point as well.

Just like a well-designed home, the store also has a sense of balance, where no element supersedes the other.

Most of the light fittings are directional, thus allowing the store owners to position them strategically over the products which need to be brought in focus.

Just like a well-designed home, the store also has a sense of balance, where no element supersedes the other. “If the artworks are not in place, the walls look empty, so we have chosen some excellent photographs by Anand Jaju. If the floor coverings are in stark contrast to the surroundings that upsets the look; if the bed linen is purely utilitarian, then the bedroom looks shabby, so we have Bandhni Home’s phulkari range for the rich look.

A center table without accents and table tops looks naked, so we have Atelier and Saswata to accentuate them. Similarly, thanks to Rayden and Studio Asao we can provide an interesting range of stoneware, which is natural and dishwasher and microwave friendly, all this while being completely utility oriented and not just show pieces. Our home range ‘Stance furniture’ is incomplete without all the above and vice versa,” says Gopal.

Right from the huge entrance that lets in natural light, the varied windows of the store allow sunlight to stream in. The plan may be open flooring, but the team has ensured that the products are placed in context. This adds an interesting visual element as one can see the entire area divided into sub-areas just like different locations in a house.

Some items have been placed out of their usual setting, allowing the customer to see the possibility of change or a rethink of their own home decor, using products not just for what they are meant to be but somewhat creatively as well. Most products have been grouped such that the visitors are able to visualise them in their own homes.

Since the Stance team does place a lot of emphasis on the display of products, it helps that the walls are neutral, enabling a lot of playing around when it comes to displays. There is always something new and interesting constantly coming up at the store….but the stance however remains the same! www.stance.in

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Design INSTAPIZZA, DELHI ‘Ambience can affect everything from perception to responsiveness and reliability.’ Renesa Architects in New Delhi have tried to create interiors of an upcoming pizza chain to complement the young audience the chain intends to cater to.

The eclectic interiors of the café inspired by the very process of pizza making, connects to the conveyor belt process of pizza making. A pipeline light installation has been crafted inside the café to guide the visitors to various pockets of spaces where they can sit and unwind with some scrumptious food.

Emulating tubes of mustard and ketchup, the interiors have been painted red and yellow; and the rough plastered brick walls have been rendered white, giving the existing small space an airy feel.

Metal framed chairs and wooden tables enhance the raw look of the space, offering customers a cozy spot to eat their pizzas and admire the trendy interiors of the restaurant The outdoor ambience is embellished with innovative and upbeat glass decals which were designed in accordance to the brand strategy and its aim to attract a predominant youth audience.

With its appealing lighting and aesthetically assembled tubing, the quirky but simple interiors of the chain make a bond with foodies and design enthusiasts. sanchit.renesa@gmail.com

Text By Avani Patwardhan

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Intelligent design need not be restricted to mammoth-sized spaces. Sometimes, even a small idea can lead to stunningly brilliant interior themes.

Mixology Design Mixology spotlights innovative design in various domains such as showrooms, bars, clinics, spas and much more.

Mangalas, Vadodara Nested on the outskirts of Baroda, ‘Mangalas’, a 3000 sq-ft farmhouse sits in harmony in a 1,00,000 sq-ft plot. Surrounded by a beautiful rural landscape, the structure is a simple and single storied with sloping roof and exposed brickwork.

The interiors have been inspired from the rural setting it dwells in.

The house conceptualized by Dipen Gada & Associates is one with a rustic feel. Keeping with their decision to make optimum use of natural materials, one can see abundant use of Kota and Jaisalmer stone as well as teak wood furnishings.

Inside the house lies the mindfully decorated living room accessorized with soft furnishings and accents that provide a contemporary touch. Adjacent to the living room is the central courtyard which acts as a transition space between the more private bedroom areas, the living and dining areas.

Terracotta tiles have been used in the flooring and the blue china mosaic border highlights the terracotta as well as Jaisalmer used in this area.

The kitchen area also follows the rustic theme with its antique looking tiles and teak wood cabinets complementing the exposed brick walls. ‘Mangalas’ farmhouse is a perfect representation of Indian aesthetics blended with contemporary designs. dipen317@gmail.com

Text By Vandana Krishnan Home Review January 2018

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Multi-storeyed Home, New Delhi An expansive, multistoreyed home, brought together by a unique decor language owes its grandeur to interior designers Monica and Hardesh Chawla of Essentia Environments.

Though divided into multiple levels, the spaces had to be merged and somehow interconnected with each other.

Essentia Environments achieved this through intelligent spatial planning and a consistent palette of surfaces, colours, textures, accessories and materials.

The stilt sees the entrance foyer and a home office. A geometric pattern of veneer panelling around the lift adds warmth and details to the space. The piano inspired staircase, a typical Essentia design, brings the guest on the ground floor.

The first and the second floor have three bedrooms each with a living area in the centre connected with a pantry.

The terrace floor has a long pool running aside with a lounge cum bar area. The front of the house has an open to sky terrace with manicured grass on the ground with planters and sculptures from Essentia stacked around. The furniture is modern with crisp straight lines finished in leather and dark stained oak wood. Moreover, minimalistic decor with over-sized mirrors and suspended lights add glamour and vogue to the property. info@essentiaenvironments.com Photo courtesy: Nitin Seth

Text By Anindita Ganguly

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MODERNIZING LIFESTYLES Carysil Kitchen Appliances launches Schock Sinks under their TEK Carysil range.

Schock is the manufacturer of premium quartz composite sinks and inventor of the first quartz composite sink headquartered in Germany. Schock, being a global leader in world quartz composite industry in 2016, with 21% market share and Acrysil being no 1 in the Indian market and the only manufacturer of quartz kitchen sinks with Schock technology, provides huge potential for the products in India.

Schock sinks are tough and hard wearing; 60% of the world’s quartz composite sinks market uses Schock technology. All Schock sinks are produced and handmade in Germany with more than 200 sink models in more than 43 colors.

Society, technology and the economy are in a permanent state of change.

Schock has always seen this as an opportunity to shape developments, actively influence trends and creatively model the future.

Schock has thoroughly modernized its structures in recent years achieving market leader, quality leader and design leader status is the company’s new aspiration. Some product features of the Schock Sinks include dirt repellent, odour free, heat proof, impact resistant and hygienic.

Acrysil Ltd. is a premium brand for residential and commercial kitchen equipment committed to supply high quality products that enrich the daily kitchen experience. Born in 1987, the fast growing Acrysil brand brings together the best of German design, engineering and world class manufacturing practices, reflecting their philosophy of ‘Technology and Innovation’.

manufacturing of Residential and Commercial Kitchen appliances and products engineered with German technology, marketing the products under the brand name “Carysil”.

The brand sells to discerning customers in over 40 countries worldwide like USA, UK, Germany, France, Canada, China, Far East and Gulf Countries.

Acrysil has also set up a wholly owned subsidiary, Acrysil GmbH in Germany in order to further strengthen its presence in the demanding European markets.

Carysil kitchens are uniquely stylish yet practical creating a perfect environment for storing, creating and sharing food.

Functionality is the key to Carysil designs which reflects in their easy to use kitchen appliances while also maintaining the aesthetics and visual appeal.

Acrysil Limited, part of Acrysil Group, one of the world leaders in

The brand has recently launched their lifestyle range of products catering to

Chairman and Managing Director, Acrysil Group, Mr. Chirag Parekh with CEO. Schock GmBH, Mr. Ralf Boberg

a wider gamut of audience under the name TEK Carysil. TEK Carysil, a luxury high end collection designed in Europe is a premium product line, offering products in the finest materials with elegant and modern finishing.

Some of the highlights of the range are built in coffee makers, built in wine chillers, combination ovens and wall mounted and island chimneys. Not only are all Carysil products compliant with the highest quality standards, they are also expertly designed to ensure reliability, ease of use and durability. www.carysil.com Home Review January 2018

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THE INSIDE TRACK NOW ON APPLE AND ANDROID

DOWNLOAD YOUR FREE COPY* OF THE INSIDE TRACK AND STAY CONNECTED All you need to do is download the free Magzter app.

Apple users can download Magzter from the App Store.

Android users can download Magzter from Android Market.

Try it out today.

* Limited Period Offer

THE MARKETPLACE Plüsch Introduces Unique By Eggersmann

Plüsch brings you the German based kitchen brand Eggersmann’s Unique kitchen to the Indian market. The concept of the Eggersmann Unique kitchen places prominence on its timelessness and minimalism.

The name Unique really says it all.

The focus is on individuality as well as exceptional and exquisite materials. A decisive and fundamental idea for this system is the homogeneity of all relevant surfaces. The front and side surfaces of the Unique kitchen along with its handles and working surfaces are made of just one identical material.

Various types of stones, granite, exquisite veneers as well as mineral materials can be used to build the kitchen. Each kitchen is inimitable as defined by the individual character of materials such as soapstone, limestone, antique granite and quartz.

Intricate details such as mitre joints are applied on fronts and side panels. The designs are free spirited and completely open to suggestion yet the aesthetics are timeless. www.pluschliving.com

Jaquar Group Presents Wellness Gemini Spa

Jaquar Group, the leader in bath fittings category has come up with its magnificent designer wellness product- Gemini Spa. Gemini being a compact luxury spa, comprises of stainless steel jets, water features, and a fantastic lighting package. The spa consists of target jets and give a precise massage that stimulates specific muscles. One can generate a sensation of dynamic massage with rotating nozzles.

knees and thighs. Comfort jets are enclosed to send out a flow whose direction and intensity can be adjusted. Rotating Jets enables a stationary or rotary flow i.e., the flow of water can be adjusted by turning the outer ring.

Random Pulse Jets enables unique and random pulsating massage. Airpool jets help in generate thousands of pure air bubbles to caress the body whereas Pulse Target Jets enables a pulsating and rotary massage through special nozzles.

The jets may be positioned on the floor of the Spa for a gentle massage of the feet, ankles,

www.jaquar.com

Parryware Introduces Droplet Faucets Parryware, India’s contemporary bathroom solutions launches new range of ‘Droplet faucets’, inspired by the shape of a water drop. The new quarter turn range of faucets comes with unique lever design providing a sturdier grip, thereby adding to the overall aesthetics and style of one’s bathroom. Parryware’s new range of faucets are engineered with superior quality and sturdy built resulting in better life of the product.

homeowner to personalize the space as per his or her need. Enhancing our product portfolio, Droplet faucets are a perfect combination of design, technology and innovation. The idea was to eliminate the chaos of choice and bring function and fashion together.” www.parryware.in

Commenting on the launch of the range, K E Ranganathan, Managing Director, Roca Bathrooms Product Pvt Ltd. said, “At Parryware, we constantly strive to create elegant and durable products for our discerning customers and are always searching for new technologies to improve the consumer experience.

Faucets serve as the finishing touches of bathroom spaces, allowing the Home Review January 2018

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THE MARKETPLACE Antica Ceramica Introduces Weathered Wooden Tiles

Hafele Presents Dekton Surfaces

Häfele introduces the world’s first ultra-compact surface Dekton®, under its vertical Häfele Surfaces. These surfaces are made up of sophisticated raw materials used in the glass, porcelanic and quartz surface production.

The latest weathered wood collections introduced by Antica Ceramica beautifully mimics reclaimed antique wood, distressed wood and also faithfully rendering hand-scraped hardwoods with superior attention to detailed highresolution which captures the naturalistic wood format.

According to Mr. Rahul Bhugra, DirectorAntica Ceramica, This range of tiles are for people who fancy the modern and contemporary style of decorating, but yet want to keep the natural touch, the cozy soul and the homey feel of the interior, the rustic decor. Create a weathered feel in the modern living room will allow the place to breath and to reflect warmth and natural energy.

Our tiles close to the nature fills the cold room with warm substance and profound style. The weathered wooden feel is perfect for you if you are fan of the lush landscapes, if you feel the most comfortable while hiking in the midst of a forest and you enjoy the genuine warmth of the fireplace. We’ve a showroom in Raja Garden, visit for an inspiring showcase of tiles. Check out and get inspired at Raja Garden” for a really fantastic collection of tiles. www.anticaceramica.in

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Dekton® with its large format slabs (3200 x 1420 mm) has the ability to fit into and redefine a multitude of applications flooring, cladding, and facades for both inside and outdoors.

toughest and most durable products in the market today with colours that replicate and reimagine everything that nature has to offer.

Capable of resisting almost everything that is thrown at them from scratches to stains to surviving blowtorches, sun rays, icy storms, mildew and mold, all the while looking good and offering a large selection of colour options, Dekton just might be the architects’ and designers’ dream solution.

Dekton surfaces are designed to be the

K-Lite Presents Architectural Lighting K- Lite has showcased an all new product portfolio under Architectural Lighting.

The application includes Facade Lighting, Pathway Lighting, In-ground Luminaire, Uplighter, Up-down Lighting, Billboard Lighting, Vertical Light Bars, Wall Washers, Area Lighting poles and sleek polar lighting solutions.

The solutions offered are backed by extensive understanding of illumination in urban spaces and the expertise gained over a period of three decades. The fixtures are designed to provide value technology.

The outstanding item of the series viz., the Sleek Polar Lighting Solutions is a contemporary design. Compact without visible mounting equipment and optimised integration, Polar Lighting is in perfect continuity with the geometric lines of the square column. www.klite.in

www.hafeleindia.com