show and tell july 2013

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1 2 . 0 7 . 1 3

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W e ' r e p r o u d to p r esent th i s v i s u al sna p shot o f S how and T ell . a g l i m p se o f the p r od u c ts and p eo p le that w i ll b e f eat u r ed at o u r e v ent .

W e ho p e y o u w i ll j o i n u s on the 1 2 th J u l y to s u p p o r t o u r c olle c t i v e o f des i g ne r s and m a k e r s – a hand p i c k ed sele c t i on who all ha v e so m eth i n g to show , and lots to tell .

wh y show and tell ?

We have an incredible stable of designers at the market and show and tell for us, was a chance to show off our local creatives in a different context than the usual hustle and bustle of market day.

We invited our exhibitors to give us one product of their choosing... be it a piece they strongly identified with, a product iconic to their label, or something entirely new...we asked them for the piece that best represents them as a designer or maker.

Then we set about being extremely inquisitive...nosy even.

We wanted to find out LOTS of things, things such as, why does Sam Lyne like drawing tree houses? What prompted Emily Arlotte to make jewellery from real butterflies? And why is Angela Lowe so enamoured with vintage spoons?

We also wanted to know more general things, such as what are the best bits about being a Tasmanian designer? And what are the hardest parts? We wanted to uncover it all, the whole journey of concept to creation and everything in between.

It is a privilege for us to present show and tell, we hope you enjoy getting to know our local creatives, and find their stories and products as fascinating and inspiring as we do.

S hannon

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H O L LY

T he r elat i on to nat u r e i s a b i g p a r t o f wh y p eo p le r es p ond to th i s des i g n .

Most p eo p le l i k e t r ees i n so m e wa y o r anothe r - see i n g f o r m s r e m i n i s c ent o f the m , I th i n k , i s a c o m f o r t i n g th i n g .

T he f a c t that these l i g hts a r e m ade f r o m sal v a g ed t i m b e r and the u ne x p e c ted nat u r e o f the l i g ht c o m i n g th r o u g h the c r a c k s adds to the i r a p p eal .

D u n c an Mee r d i n g

D u n c an ‘ D u n c an

Mee r d i n g

Mee r d i n g

D es i g n ’

Duncan Meerding is a Furniture and Lighting Designer/Maker who creates strikingly beautiful products. Much of his work concentrates on overall form rather than intense detailing, with a focus on the dispersion of light through and around objects.

Working predominately in timber, his pieces often use and are inspired by organic forms.

What gave you the idea/inspiration for this particular product?

This piece is driven by the material. I bought a log of wood for another project and realized it may not be suitable due to the cracks in the timber. I then thought about what the log would look like if the light came out of the dark fissures. This way I embraced what is usually avoided in wood based designs and made it a feature.

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‘ C r a c k ed

E L L

lo g

la m p s ’

Cracked Log Lamps are made from salvaged logs which would otherwise have been burnt. They embrace, rather than avoid the naturally occurring cracks in refuse logs. By turning them into a vessel for light, we can bring the outside in, and be reminded of our intrinsic connection with nature. Being legally blind, this vision of light emanating from the peripheries and the highly tactile nature of my work, reflects the alternative sensory world within which I design.

I p i c k ed u p a b r u sh a f te r se v e r al y ea r s o f ne g le c t i n g i t ; I r e m e m b e r ed the ho u r s I s p ent as a c h i ld d r aw i n g the nat u r al wo r ld . T h i s p la c e has r e k i ndled a lo v e f o r c a p t u r i n g the b ea u t y and i nt r i c ate des i g n o f the a m a z i n g c r eat u r es that i nha b i t th i s wo r ld .

HELEN BARNARD

H E L E N ‘ the

B A R N A R D

l i ttle

w r en ’

Helen Barnard, is a young Natural History Illustrator who bravely moved to Tasmania from England in 2011. She has since been completely captivated by the unique flora and fauna of the island and has produced a range of watercolour paintings, cards and other lovely products. Her obvious love of our feathered friends and her self - confessed obsessive attention to detail in her artwork has resulted in a body of work that is incredibly endearing, and showcases her very serious talent.

What do you personally love about this piece?

The quality represents the time and care I put into my artwork, it is simple and understated and lets the artwork speak for itself. They are such a colourful bunch and their beauty is completely natural and unchanged, which is pretty awesome!

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‘ B i r d

b ox ’

A beautifully presented gift box containing 6 specially selected bird cards made from watercolour paintings by Helen Barnard.

W e lo v e that l i ttle tw i g i s a c r eat i v e o u tlet f o r u s o u ts i de o f o u r da y j o b s , and that i t doesn ’ t e v e r f eel l i k e wo r k .

E m i l y S nadden & Peta O wen

E m i ly

S nadden ‘ l i ttle

&

Peta

O wen

tw i g ’

little twig is the label of Hobart-based design duo, Emily Snadden, jeweller, and Peta Owen, graphic designer. Through a shared love of illustration and design they developed their range of hand crafted jewellery pieces (including earrings, brooches and pendants), and a collection of greeting and gift cards. All little twig designs feature their original illustrations, inspired primarily by nature, and are produced locally in Tasmania.

What gave you the inspiration for this particular product?

This product was inspired by one of our earliest tree illustrations, a design that has featured consistently across many products in our range.

The design is simple but abstract and appeals to a broad range of customers.

l i ttletw i g b i ts . b lo g s p ot . c o m

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‘ T w i g

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st u ds ’

These Myrtle and sterling silver twig studs feature one of our earliest illustrations and have been part of our collection since we began in 2009.

I lo v e how p eo p le r es p ond to the p atte r n I des i g ned . It m a k es m e , and the m , th i n k o f the i r g o r g eo u s g r and m a who s m ells o f wool and r oses , o f a snea k y t i p p le b e f o r e noon , o f le m on sho r t b r ead i n the g a r den , and who del i g hts i n an ele g ant tea c u p .

Cal i sta A nde r son - L e i t c h

C A L I S TA

A N D E R S O N - L E I TC H

‘ G i g g l i n g

Ge r t i e ’

Giggling Gertie’s mission is to provide quality, functional, beautiful accessories to all discerning ladies. Designer and maker Calista Anderson Leitch produces a range of seriously adorable purses (the fun clutch type ones that close with a satisfying snap!) along with a selection of simple fashion garments. We love her carefully considered and limited run designs, along with her personally designed fabrics.

Why do you think people respond to this item?

Gladys delivers convenience, elegance and tailored beauty in a world full of thoughtless, mass-produced throw away items.

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‘ Glad y s

p u r se ’

While many girls spent their weekends learning to sew and bake, Gladys spent hers with Grandma Esmée learning history and the tricks of Gin Rummy. Now, all grown up, Gladys spends her mornings in bed sipping black coffee, and her nights at book clubs.

Gladys is inspired by the simple things in life, such as the way buds form on new spring growth and how a squeeze of lemon can change the flavour of tea. Gladys would love to spend time with you shopping with friends, indulging in a sweet treat on a Thursday afternoon, or frequenting a jazz club to flirt with the dapper gents.

T H I S i s a p a i nt i n g a b o u t ho p e , i t f eels l i k e an i m a g i n i n g ; the i dea o f ho p e , the g l i m m e r o f ho p e . Peo p le ha v e r es p onded to the st i llness i n th i s p i c t u r e , l i k e e v e r y th i n g i s hold i n g i ts b r eath and i s on hold f o r a l i ttle wh i le .

S a r ah M i ll i c ent E ll i ott

S a r ah

M i ll i c ent ‘ E L L I OT T

MY

E ll i ott

D E A R ’

Elliott My Dear is a series of original artworks created by Sarah Millicent Elliott. She paints illustrations of the childhood moments and feelings that are hard to put into words, the things, children especially, feel and can’t say. Working with little brushes and oil paints, her work evokes a lovely nostalgic feeling, and a gentleness which we love.

What gave you the idea/inspiration for this particular product?

We have just moved to a rain forest. We border a protected park and are busily planting natives and exploring our beautiful old garden, feeling our way. It’s uncanny how similar the garden is to my childhood one, this will inform a new body of work.

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‘ Gl i m m e r ’ A3 Prints taken from an original oil painting of a girl in the woods.

W o r k i n g w i th a new r an g e o f m ate r i als i s v e r y sat i s f y i n g . I a m alwa y s loo k i n g to lea r n new te c hn i q u es and s k i lls , and to c hallen g e m y sel f w i th i n m y des i g n .

I th i n k p eo p le a p p r e c i ate the hand m ade nat u r e o f what I do alon g w i th MY e v ol v i n g u se o f m ate r i als and des i g n .

S i m one P f i ste r

s i m one ‘ h u nte r

p f i ste r

see k e r

m a k e r ’

Simone Pfister has been working as a fine art printmaker and jewellery designer/maker in Tasmania for a number of years. She divides her time equally between the two disciplines, and often develops a new jewellery line after the intensity of preparing for exhibitions for her print based work. Her new label Hunter Seeker Maker is a range of jewellery made from brass, silver and textiles and occasionally features prints and home-wares too.

What gave you the idea/inspiration for this particular product?

The Triple Hex Necklace was the first design to set the tone for the rest of the range. This piece is bold in geometric shape and softened with the casual ribbon tie. I wanted it to reflect a simplicity and casual elegance.

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‘ T r i p le

E L L

H e x

N e c k la c e ’

A simple geometric design made from brass, using traditional jewellery techniques - cutting with jewellers saw, soldering, filing, polishing, with a casual ribbon tie to fasten.

E v e r f o u nd y o u r sel f da y d r ea m i n g o f so m ewhe r e else ?

Mo m ents i n the da y w H e r e y o u want to sta r e o u t the w i ndow o r at a p i c t u r e o f so m e f a r awa y p la c e w i th no deadl i nes , b ad c o f f ee o r p a r k i n g f i nes ?

T e r r a r i u m s a r e q u i et , o r nate p la c es that b r i n g a l i ttle b i t o f that nat u r al wonde r m ent , add i n g b ea u t y and p ea c e to an y l i v i n g s p a c e .

Jos i e H u r st & S ha u na Ma y b en

Jos i e &

H u r st

S ha u na ‘ S m all

Ma y b en

wo r lds ’

Shauna Mayben is a contemporary jeweler who loves to work on a small scale. Captivated with terrariums, her house is full of these wonderful little worlds.

Josie Hurst has limited making skills and often kills indoor plants. Terrariums however offer a unique solution that fits within her narrow skill set.

What do you like about what you do?

It’s not serious. It’s relaxing to make these little worlds that are introverted and untouched by daily life.

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‘ T e r r a r i u m s ’ A terrarium is a miniature ecosystem. It is a self-contained, selfsustaining environment. When water in the soil and between the rocks comes in contact with sunlight, the water evaporates, condenses on the walls of the container, and eventually falls down as droplets of rain, continuously watering and nourishing the plants. This complete water cycle will continue as long as there is moisture and sunlight.

Fo r est W h i s p e r i s an i ll u st r at i on i ns p i r ed b y the E u r o p ean f o r ests whe r e I c o m e f r o m . T hose b a r e f o r ests u nde r snow , the so u nd o f the w i nd th r o u g h the b r an c hes , the f eel i n g o f b e i n g alone and o f i nt r os p e c t i on . . . and the c old .

Ra c hel T r i b o u t

R AC H E L ‘ C A P TA I N

T RIB O U T B L U E B E RRY ’

Rachel Tribout hails from France and has lived in Tasmania for 4 years. By day she works as a freelance illustrator and studies graphic design. By night she draws and tells the tales of Captain Blueberry, the mighty French sailor adventuring the world and discovering sea monsters. Her body of work includes prints, cards and clothing, screen printed with her fearless and distinctive illustrations.

What do you think the best thing about being a creative in Tasmania is?

There’s less pressure here, more crafty people and a lot of nature to find inspiration. It’s a good place to have a balanced life and I don’t think there’s as much pressure to make heaps of money like in a bigger city.

Life’s simpler, which leaves a lot of mind space to be creative.

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‘ Fo r est

E L L

W h i s p e r ’

Forest whisper is an illustration inspired by the European forests, when the trees are bare and everything seem so still, except for when the wind rushes through the branches. Limited edition prints.

M y wo r k i n g en v i r on m ent i s a s m all g r een shed i n m y b a c k y a r d that i s f r ee z i n g i n w i nte r and b o i l i n g i n s u m m e r . I sha r e i t w i th m y p a r tne r ’ s m oto r b i k e p a r ts ; we ha v e a g r eat wo r k i n g r elat i onsh i p .

T han k f u ll y I don ’ t ta k e u p m u c h s p a c e .

L a r i ssa Ke m p

L a r i ssa ‘ L i ttle

Ke m p L a r i ’

Larissa Kemp is a part time fairy helper and a part time talented jeweller. Her cleverly crafted jewellery designs, are all about freedom of expression. We love her playful use of bright colours, the unexpected choice of components and the not quite perfect shape and size of each piece.

What do you think the best thing about being a creative in Tasmania is?

I think Tassie being the size that it is works to my advantage. I can get feedback from a broad spectrum of people and relatively quickly on my products. It’s also lovely to be able to catch up with regular customers.

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‘ k i m ono

E L L

ea r r i n g s ’

Hand made from recycled silver and vintage kimono silk these earrings are so individual they don’t even match each other!

Pa r t o f m y a i m f o r 8 - b i tt y i s to des i g n t - sh i r ts that a r e a de p a r t u r e f r o m t r ad i t i onal t - sh i r t des i g n . 8 - b i tt y ’ s des i g ns a r e q u i te s i m p le w i th st r on g c olo u r s wh i c h r eall y hel p the m to stand o u t and g et not i c ed . A nd o f c o u r se the r e a r e p eo p le that j u st lo v e the i dea o f wal k i n g a r o u nd l i k e a b lood y p i x elated z o m b i e .

L UK E M O RG A N

Lu k e

Mo r g an

‘ 8 - b i tt y ’

8-bitty is a radical indie video game clothing brand that chews up old school video games and spits them out onto t-shirts.

Luke Morgan is the founder, Master Jedi and Final Boss of 8-bitty.

What is your working environment like?

Comfortable, well lit, good tunes and prone to occasional mutant and werewolf attacks.

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‘ Zo m b tee :

2 ’

Same Z-virus, different t-shirt.

The Zombtee: 2 is the official sequel to the 8-bit Zombtee, the t-shirt that has infected people worldwide with the 8-bit Z virus.

The Zombtee: 2 features elegant hack and slash injuries on the front whilst on the back a delightful spinal column is exposed.

Impress your dinner guests with the Zombtee: 2.

T h i s p i e c e i s des i g ned to b e wo r n as a state m ent – i t i s a b old p i e c e wh i c h r e f le c ts the f r a g i l i t y and deta i l w i th i n nat u r e . A n endless c i r c le .

e m i l y snadden

E m i ly ‘ E m i ly

S nadden

S nadden

D es i g n ’

Emily Snadden is a manufacturing jeweller who produces handmade, unique, contemporary pieces. Her incredible body of work (with which she has won her fair share of awards!) is developed in response to the flora and the architecture of Tasmania; recurring references include twigs, seeds and organic form contrasted against geometric shapes and clean lines.

Jaw droppingly beautiful pieces and awe – inspiring talent.

What is the most exciting thing about this product?

This piece indulges my passion for creating works which are inspired by Tasmanian flora – I am excited by the possibility of capturing intricate and fine details in nature and translating them into metal.

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‘ S i g nat u r e w i th

E L L

w r eath

o x i d i z ed

ne c k la c e

b e r r i es ’

This piece is from my signature range of works inspired by Tasmanian flora, handmade and cast in sterling silver accentuated with small oxidized berries. The intricate detail and scale makes this a statement piece.

T he r e ’ s so m eth i n g a b o u t des i g n i n g , sew i n g and wea r i n g that e x p oses a v u lne r a b le and b ea u t i f u l p a r t o f y o u . i t ’ s l i b e r at i n g and e x p r ess i v e .

D es i g n i n g c loth i n g i s l i k e p u tt i n g y o u r i ns i de on y o u r o u ts i de .

Jane H i ll i a r d

Jane ‘ B L U E PRI N T

H i ll i a r d ( des i g n

sew

wea r ) ’

Blueprint began in Janurary 2012 as a collaborative design + make project between a handful of talented women and grew into a flourishing micro business within 6 months. Founding designer Jane, along with other members Lisa, Sarah, Victoria and Kate, produce limited runs of unique garments with a flair for unusual cuts, interesting textiles and spot on colours. Blueprint has a strong focus on keeping things local and sustainable, and their clothes are designed to empower.

What do you like about what you do? What is the biggest challenge?

I love watching the transformation of a 2D drawing or piece of fabric turn into a 3D wearable piece of design – it is so satisfying!

Blueprint is my therapy – the most challenging thing is getting my daily dose.

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‘ M y

E L L

Fa v o u r i te

Ja c k et ’

A versatile jacket you can wear all year round and perfect for layering. The generous cut can be worn two ways, is flattering and oh so comfortable – a staple garment that is equally stylish dressed up or down - My Favourite Jacket.

T he i ns p i r at i on f o r th i s p a r t i c u la r p r od u c t i s a p i e c e o f wall p a p e r I f o u nd at the t i p sho p - I j u st lo v ed the p atte r n .

I also lo v e how th i s p i e c e i s p r ett y , y et f u n c t i onal and v e r y v e r sat i le .

J u l i e H odd y

J u l i e ‘ m a g ool i e

H odd y des i g ns ’

Magoolie Designs creator Julie Hoddy produces a seriously stunning collection of ceramics from her small Hobart studio. Her dainty and delicate wares are handmade using her favourite ingredient - Southern Ice Porcelain and include an assortment of jewellery, decorations and home wares in soothing blues and whites, with the extra enticement of a gold or platinum lustre.

What do you like about what you do? What is the biggest challenge?

I love the freedom and the chance to create an item that someone else wears or uses with love. The biggest challenge is deciding what to make next...so many ideas and so little time.

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‘ m i n i

p ot

E L L

w i th

s p oon ’

These gorgeous mini pots are crafted from Southern Ice Porcelain, embossed with vintage wallpaper and enhanced with platinum lustre. Use for salt, pepper, mustard, bud vase, sake cup or anything else you fancy.

A n y th i n g to do w i th t y p o g r a p h y has alwa y s f as c i nated m e and f o r the lon g est t i m e I ha v e done c all i g r a p h y , g r a p h i c a r t and s i g n w r i t i n g . M y olde r S i ste r was a T i c k et W r i te r , b e f o r e c o m p u te r s too k o v e r and I lo v ed wat c h i n g the p r o c ess to th i s u n f old . W o r k i n g w i th c e r a m i c s and lo v i n g t y p o g r a p h y see m s l i k e the p e r f e c t p a i r i n g ‌

N ess L o c k y e r

N ess ‘ Ma r le y

Lo c ky e r &

Lo c ky e r ’

Ness Lockyer launched Marley & Lockyer in 2008. It all started with small, simple pieces, and evolved into a broad and beautiful range of ceramic/ porcelain serving pieces, lights, jewellery and vintage linen home wares.

We love the soft neutral colour palette, the simple but clever designs, and the interesting facts, like that Ness sources her vintage linen from all over the world, and hand works her clay pieces.

What is your work space like?

I love where I work…I really do. Marley & Lockyer’s headquarters is in a 6 x 5 meter space in our 1883 home here in Beaconsfield. The walls and floors are all white with a fireplace that has a blackboard chimney breast. I work on an old Coogan’s dining table from the centre of the space, surrounded by all of the creative things I love…my drawings, my creations, stashes of 100 year old European linens and all of the tools I need. The outlook is onto green fields, hydrangeas and an old Twisted Willow tree. To me, it is Heaven.

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‘ C i ne m at i c -

L i g ht

A MP E R S A N D ’

Based on the original porcelain Cinema lights, which were created in the 1800’s. A piece of modern history that can adapt to any indoor/outdoor space without the worry of unsightly power cords.

Runs for approx. 100 hours on one set of batteries.

H a v i n g b een a p a r t o f T as m an i a ’ s c r eat i v e c o m m u n i t y f o r the p ast 4 y ea r s , we ’ v e r eall y c o m e to a p p r e c i ate the o p en and m u t u all y s u p p o r t i v e att i t u de o f othe r des i g ne r - m a k e r s . T he r e i s a st r on g sense o f lo c al m a k e r s st r i v i n g to c ont i n u all y i nno v ate and ele v ate T as m an i a ’ s c r eat i v e p r o f i le .

Zoe S m i th & D an i el P u r ton

Zoe

S m i th

&

D an i el

P u r ton

‘ s m i th + p u r ton ’

Design duo Daniel Purton and Zoe Smith, launched their aptly named business smith+purton in June of 2012. With a combined background in illustration, graphic design, furniture design and printmaking, they felt compelled to find a way of living a life of creative productivity, with an emphasis on long-lasting products produced in as sustainable a manner as possible. Their textile range is thoughtful, durable and beautiful.

Why do you think people respond to this item?

Our printed cushions have proven to be one of our most popular products.

They’re soft and huggable with a recycled PET insert, the hemp-organic cotton is hard-wearing but feels great and our bright, original, hand-drawn prints and vibrant colour palette please the eye.

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‘ A z te c

E L L

T r i an g les ’

The Aztec Triangles 45cm cushion comes in five colourways – mandarin+tomato, musk+violet, banana+slate, sky+ocean and mint+leaf. Our hand-drawn and hand printed designs, Aztec Triangles on the front and Crosshatch Diamonds on the back, give you a two-in-one, reversible cushion!

A s p a r t o f m y Ph D r esea r c h I s p ent a lon g t i m e loo k i n g down the m i c r os c o p e st u d y i n g p lan k ton and was a m a z ed b y the b ea u t y o f the i r f o r m s . I r eal i sed m ost p eo p le don ’ t g et to see these c r eat u r es , no r a p p r e c i ate the i r i m p o r tan c e i n r e g u lat i n g o u r en v i r on m ent . T he al g ae ‘ D a c t y l i osolen anta r c t i c u s ’ i s a t u b u la r al g ae and I i m m ed i atel y saw th i s as a des i g n f o r a c u f f b r a c elet .

Ka r i n Bea u m ont

Ka r i n

Bea u m ont

‘ O c ean i des ’

Karin Beaumont is a Tasmanian visual artist, marine biologist, tour guide, and Antarctic voyage leader. Inspired by her scientific research, she draws upon microscopic patterns and forms to create sculptural jewellery and objects that combine an aesthetic of marine fragility with quiet environmentalism.

Why do you think people respond to this item?

I think people respond to the organic nature of the design. While it may not resemble anything specific to them, it reminds them of patterns in nature and perhaps evokes memories of being in the bush or by the sea. I think we all feel some innate connection to the natural environment that brings a sense of peace and rejuvenates us.

By wearing this cuff perhaps it reminds people of that.

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‘A lu m a

c u f f ’

The Aluma cuff bracelets are inspired by Dactyliosolen antarcticus, a minute plant that floats in the oceans surrounding Antarctica. The delicate pattern pressed into the surface of the bracelet is its porous surface that allows it to ‘breathe’. While little known, it plays an essential role in regulating the world’s climate. Made of anodised aluminum, the cuffs are durable, adjustable, and light to wear. Available in two styles (two-tone and monochrome) and five assorted colours, the cuffs are contemporary yet timeless in their design.

I ado r e the s i m p l i c i t y o f f old i n g p a p e r and how a f lat p i e c e o f p a p e r i f f olded c o r r e c tl y and asse m b led i n the r i g ht o r de r c an p r od u c e so m eth i n g so b ea u t i f u l and i nt r i c ate .

Ma y a M c D onell

Ma y a

M c D onell

‘ T as m an i a

by

hand ’

Maya McDonell’s love of paper started from a very young age. She was taught the art of folding origami from her Japanese mother before she had started school and she hasn’t stopped playing with paper since. Maya works under the name ‘hideyo’ in honour of her mother, who still remains a creative and inspiring influence. For the past 5 years Hideyo’s distinctive origami pieces and more sculptural forms have found new homes all over Australia. These are handmade in their studio on the northern edge of Tasmania’s World Heritage Area.

Why do you think people respond to this item?

It is something very different. When we started this business origami was not commonplace and especially these very complex modular origami pieces seemed to be new to most people.

Also the choice to use old books as our main material base drew people in. There is something nostalgic about old books. Books that have been passed around and finally end up in the rubbish have a history and story of its own that stays with it. Using this as our starting point and giving it a new life we keep this story going.

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‘ k u s u da m a ’ Each kusudama is lovingly folded from 60 individual pieces of paper.

Then the tricky and complicated process of building begins. Each piece is folded in a way that can interlock with another piece. A kusudama can be constructed out of paper alone but as it is for sale we use a little bit of help from double sided tape in case you drop it and you end up with 60 pieces instead of one ball.

It i s not alwa y s o b v i o u s to p eo p le what the m ate r i al o f the ea r r i n g s i s . A t f i r st g lan c e so m e th i n k i t ’ s ena m el , g lass o r g e m stones .

It ’ s s u r p r i s i n g and i nt r i g u i n g when the y f i nd o u t i t ’ s a c t u all y te x t i le and not a p e r m anent f i x t u r e , b u t c an b e c han g ed .

Melan y F r an k l i n

Melan y ‘ Mell y

F r an k l i n F r an k ’

Melany Frank is a silversmith with a passion for making jewellery.

Particularly fond of creating wonderfully unique rings and earrings, her work reflects a strong interest in simple shapes, open spaces and the law of nature - that of change.

What is the most satisfying thing about creating this product?

The fact that it started out as an experiment in my studio and ended up being a product that people are interested in is very exciting for me.

Having a simple idea and then bringing that idea to life is very satisfying.

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‘ Vessel

E L L

E a r r i n g s ’

The Vessel Earrings are hand made from sterling silver and contain removable textiles. The vessel is created with a lip to prevent the materials from falling out. The materials can easily be changed with the use of a pair of tweezers.

I t r y to let the i nd i v i d u al c o m p onents s p ea k f o r the m sel v es , to c r eate a u n i q u e , u ne m b ell i shed p r od u c t . T he p eo p le who i dent i f y w i th these th i n g s , see m to i dent i f y w i th the p r od u c t .

Kate A llen

Kate

A llen

‘ q u i es c en c e

c andles ’

Quiescence candles hopes to create a visual and sensory experience, using honest and simple materials that are renewable or recycled. Old-fashioned jars and glassware are purposefully collected to house soy wax candles, which are hand-poured and scented with essential oil blends.

What gave you the inspiration for this particular product?

My inspiration comes from all things natural and respectful to the environment, expressed foremost through the use of recycled jars and naturally-sourced materials. Fowlers Vacola preserving jars are an iconic Australian brand that represents to me, a simpler way of life.

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‘ Fowle r s s i z e

N o.

3 1

Va c ola c andle ’

Hand-crafted soy wax candle that will burn for approximately 60 hours, in a recycled glass jar, lightly scented with essential oils that have been carefully blended for candles to help preserve their aromatherapy benefits.

I th i n k p eo p le r es p ond to th i s i te m b e c a u se o f i ts u n c l u tte r ed des i g n .

Glass i s s u c h a ta c t i le m ate r i al , y o u j u st want to to u c h i t .

Re b e c c a Coote

Re b e c c a ‘ Re b e c c a

Coote Coote ’

Rebecca Coote is a renowned Tasmanian glass artist and sculptor with her sculptures showcased nationally and internationally. Rebecca also produces production works, like this glass platter, for design outlets and MONA.

What is the most satisfying thing about creating this product?

The most satisfying thing about designing this work is that it was my first new design after heading back into the studio from an extended break after having twins in 2011!

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‘ g lass

E L L

p latte r ’

Stylish platters made from kiln formed glass, ideal for cheese or sushi.

It ’ s so s p e c i al when so m eone p i c k s u p a c r eat u r e , loo k s at i t and c o m p letel y a p p r e c i ates the m and at the sa m e t i m e f u ll y u nde r stands the f eel i n g s that y o u ’ v e wo r k ed i nto i t .

L i l i Foste r

L i l i ‘ O n c e

Foste r

u p on

a

t i m e . . .’

Lili Foster is a crafter based on the North West Coast of Tasmania who launched her business after many years playing with her great grandmothers felt patterns. Lili’s fondness for felt and the animal kingdom has produced an adorable herd of quirky little woodland softies that are sewn by hand and come complete with their own story and personality.

What is the most satisfying thing about creating this product?

I’ve had this little idea floating about in my head for months and never found the time to experiment with it or put it into a real form. When I was given the excuse to actually have a chance to play around with scraps of felt and create a whole new character, that was a pretty amazing experience. After the hours it took to do the first prototype, and how it came to life in my hands, I was pretty ecstatic with the outcome.

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‘ Ot i s ’ Down a little woodland lane you’ll find a tiny burrow under an oak tree that grows this way and that and has been home to many little hedgehogs. If you look very carefully you’ll see one such hedgehog; a boy that goes by the name of Otis. He and his friends spend their days baking delightful morsels in their hollowed out kitchen. When they’re not baking you’ll find them gathering wild food for new creations that most likely popped into their heads that morning whist nibbling on dandelion toast.

I lo v e r e v i v i n g p ast f ash i ons and g i v i n g the m a m ode r n i nte r p r etat i on . T h i s des i g n ste m s f r o m c h i ldhood m e m o r i es o f wat c h i n g shows s u c h as ‘ H a p p y D a y s ’ , ‘ L a v e r n & S h i r le y ’ and ‘ Cha r l i e ’ s A n g els ’ .

L i sa L i n k

L i sa ‘ P i x e

L i n k L i n k ’

Pixe Link is a clothing and accessories label designed and made in Tasmania. The ‘Pixe Mix’ is a love of both art and fashion fused together. Pixe (aka Lisa Link) is a Graphic Designer and self taught seamstress/pattern maker. Each garment is designed and constructed by Pixe using quality fabrics, some of which are her own signature designed prints using digital and screen printed mediums.

What do you think the best thing about being a creative in Tasmania is?

The remoteness and beauty of Tasmania makes it a great artists oasis and destination. Making the move myself 8 years ago, I discovered a wonderful supportive art community with which to engage, grow and share ideas.

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‘ Che r r y

on

To p ’

Original pattern designed and drafted by Pixe Link.

Design features ¾ sleeves, fitted waistband with front side slit and collar necktie.

H i i Ra g i c loth i n g i s not j u st c loth i n g .

It ’ s y o u r a r m o u r .

It ’ s y o u r se c u r i t y .

It ’ s y o u r m essa g e to the wea k , c on f o r m i st wo r ld we l i v e i n .

It sa y s I ’ m a m i n i on o f an u nsto p p a b le , d i a b ol i c al a r m y and H i i Ra g i has m y b a c k .

W ea r y o u r alle g i an c e .

H oll y f a r le y

H oll y

Fa r le y

‘ H i i Ra g i ’

HiiRagi. I am the final word in World Domination. However it is an expensive calling, so to raise funds for my genius plans, I hand make plush toy replicas of my diabolical robot army, screen print tees depicting our triumphant exploits and draw propaganda to sway the unswayable.

Resistance is Futile.

What do you like about what you do? What is the biggest challenge?

I spend my days training and creating my robot army. I get to live my calling every day.

My biggest challenge is reality and getting it through my head that I really do this and make a living. That and finding arch nemeses, you can never have too many…

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‘ S u nda y

E L L

O u t i n g

T ee ’

Imagine this. You’re staggering through the desert, you’ve used up the last of the water, eaten enough scorpions for protein to last a lifetime and contemplated drinking your own urine (the debate is still out). You can barely take another step when you see it. It’s not a mirage, it’s not a cardboard cut-out, it’s a group of rescuers looking for you. They gather around exclaiming how you should not be alive but you know. You’re alive because you are a HiiRagi minion, you’re tough and you know your stuff. Now, what are you wearing? You’re wearing your HiiRagi ‘Sunday Outing’ Tee because HiiRagi tees survive the distance with you.

I en j o y c a p t u r i n g the i nd i v i d u al c ha r a c te r o f ea c h nest . T he v a r i et y i s endless ‌ S o m e a r e ha p ha z a r d and c haot i c , othe r s a r e b ea u t i f u ll y neat ; ea c h i s a r e f le c t i on o f the one who m ade i t .

b e k b u r r ows

b e k ‘ c he r i sh

b u r r ows by

b e k

b u r r ows ’

Bek Burrows is a designer /maker who applies her whimsical illustrations to a range of textiles and stationery. The Cherish range is made up of luxe linen and pure woollen home wares, alongside bespoke handwritten and illustrated works. A carefully selected mix of products that combine to create the essence of home.

What do you love about this piece?

These pieces are snapshots that represent what drives me as an artist.

For me nests represent the concept of home. Each is a unique collection of items personally selected and assembled by an individual. If I were to liken mine to a kind of nest, it would definitely be that of a bowerbird!

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‘ nest ’ Framed original pen and ink drawings of nests in watercolour on paper.

I ado r e the f r eedo m o f what I do , b u t f i nd i t a c hallen g e to f o c u s .

T he d i c hoto m y o f l i f e .

RACHEL DEAN

Ra c hel ‘ Pon y

D ean

Bla c k

Co . ’

Pony Black Co. is an independent textile studio located in deep dark Southern Tasmania. Designer and maker Rachel Dean says all her products have an ethical bent, show a love of personal adornments and each has a story. All Pony Black Co. creations are beautifully made and as functional as they are fabulous.

What do you love about this product?

Adaptation – the design, the fabric – she worships all.

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‘A DA’ Full and fabulous. Ada is made from an all black Indian silk dupion and has an excellently full asymmetrical skirt and has two ties on the front that create a beautiful line when tied in the back. Ada is adorable.

T he p atte r ns i m p r essed i nto the c la y c r eate c r e v i c es and p ea k s wh i c h a r e s m ooth f r o m the g la z e c o v e r i n g the m . I th i n k the p atte r ns also c r eate a f eel i n g o f nostal g i a . T o m e , the i m p r i nts o f do i l i es r e m i nd m e o f b e i n g a v e r y y o u n g c h i ld ha v i n g a f te r noon tea and p la y i n g the p i anola at m y g r and m a ’ s ho u se a f te r s c hool .

S all y E ll i ss

S all y ‘ S all y

E ll i ss

Cassand r a ’

Sally Elliss creates handmade porcelain, stoneware objects and jewellery.

By incorporating unusual lace patterns and simple, effective colours within her designs, Sally has produced a range of ceramic pieces that are rich with texture and beautiful in their design.

What gave you the idea/inspiration for this particular product?

This particular product was first made as a gift for my parents wedding anniversary.

The piece of lace impressed into the clay for their gift was the off cut of lace from mum’s wedding dress. The vase for them was finished with a red glaze as the anniversary was their Ruby (40th) anniversary. I like to think of this product as an omen for a long and happy marriage.

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‘ Vase ’ Lace impressed ceramic vase.

Available in a variety of patterns and colours.

O ne da y I f o u nd a l i f eless b u tte r f l y i n the p a r k ; i t was so b ea u t i f u l I de c i ded i t had to l i v e on so m ehow . T h i s e v ol v ed i nto a se r i es o f j ewelle r y . I ha v e also b een i ns p i r ed b y ea r l y 2 0 th c ent u r y j ewelle r y , when sett i n g b u tte r f l i es was q u i te c o m m on .

E m i l y E l i z a A r lotte

E m i ly

E l i z a

‘ E m i ly- E l i z a

A r lotte

A r lotte

Jewelle r y ’

Emily Arlotte’s self titled jewellery collection is full of interesting natural elements and intriguing designs. Emily is equal parts designer, collector and hoarder…and her work reflects this, with a range of products spanning from whimsical butterfly specimen pieces to striking silver and semi – precious stones crafted into one off designs. Emily is currently studying Fine Art and Design at UTAS, exploring even more mediums to further her work.

What do you love about making this piece?

I enjoy the delicate process of making the jewellery and handling the butterflies.

I also love the mixed responses I get when I tell people it is a real butterfly!

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‘ B u tte r f l y

F r a g m ents

Pendant ’ My current collection, titled Autumn Debris, draws inspiration from the living jeweled kingdom. This collection incorporates butterfly wings, set in recycled sterling silver, recycled Perspex and glass. No precious stone can claim the same impermanence and fragility of being, but through encasing the butterflies in these settings, the beauty of life once lived continues on.

I th i n k i t ’ s the f antas y p eo p le r es p ond to i n th i s i ll u st r at i on , t r ee ho u ses a r e a v e r y c h i ldl i k e , i m a g i nat i v e t y p e o f dwell i n g .

A p la c e h i g h a b o v e that ’ s j u st f o r y o u , a p la c e to es c a p e to . I r e m e m b e r b e i n g i n c r ed i b l y j ealo u s o f one o f m y f r i ends when we we r e c h i ld r en . H i s D ad was b u i ld i n g an a m a z i n g t r ee ho u se i n the i r b a c k y a r d .

E v e r s i n c e then , I ’ v e d r ea m t o f l i v i n g i n a f antast i c al t r ee ho u se o f m y own des i g n .

S a m L y ne

S a m ‘ S a m

L y ne

L y ne

Ill u st r at i on

&

D es i g n ’

Sam Lyne is a freelance illustrator and designer, graduating from UTAS Arts School in 2010. At a young age he was a big fan of the intricately illustrated style of books by Colin Thompson, Shaun Tan and Graeme Base, and believes this has influenced his work to date.

We love his fastidious attention to the most minute of details and the everyday but faraway feel his illustrations have.

What do you love about this piece?

I’m very happy with how the colours came up, it’s probably my favourite in the series I’ve been working on so far. The cats, the lanterns, I always enjoy getting caught up in those little extras.

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‘ T i r e

E L L

Sw i n g ’

Part of a series of treehouse illustrations.

This being the first I’m releasing in colour, after previously being sold only as a pencil drawing print.

I lo v e the f r eedo m and f le x i b i l i t y I g et f r o m b e i n g i n c ha r g e o f m y own c r eat i v e p r o c ess , b u t the r eal i t y o f ha v i n g a g ood i dea and then ta k i n g i t to m a r k et i s to u g h . A s a des i g ne r y o u ne v e r r eall y sto p th i n k i n g a b o u t what y o u ’ r e wo r k i n g on so when y o u c o m p lete a des i g n , i t ’ s an o v e r whel m i n g sense o f a c c o m p l i sh m ent .

Jana Gowans

Jana ‘JA N A

Gowans &

B O D I E ’

JANA & BODIE is a Hobart brother and sister duo - a contemporary jewellery label, featuring geometric inspired designs. Their products are crafted from hand painted sustainable fine Tasmanian timber, bold colour and stainless steel. The current collection includes pendants, necklaces, brooches, earrings and cufflinks, all in their lovely fluid, textural style, with the noble mission of showcasing Tasmania’s natural resources in new and innovative designs.

Why do you think people respond to this item?

Our designs incorporate natural materials with a sharp edge, I find using the soft aspect of Blackwood with industrial touches of stainless steel provides a depth and interest that people respond to.

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‘ T as m an i an S ta i nless

E L L

Bla c k wood

S teel

&

Pendant ’

This unique hand painted Tasmanian Blackwood and stainless steel pendant is available in 3 colours.

We only use certified sustainable Tasmanian timber.

All our designs are carefully handmade by us.

A hal f - r e m e m b e r ed l i ne f r o m a R u ss i an Fa i r y tale was the i ns p i r at i on f o r th i s p i e c e . In the sto r y , the he r o / he r o i ne m u st g o on a q u est – E ast o f the S u n and W est o f the Moon . Va g u e d i r e c t i ons at b est , b u t l i f e i s so m et i m es l i k e that ‌

N atasha L an g ha m

N atasha ‘ T he

S now

L an g ha m

Q u een ’ s

Ga r den ’

The Snow Queen’s Garden is one local label guaranteed to induce a semi stampede of devoted followers at every market appearance. Drawing on her Russian heritage, Natasha Langham creates amazingly intricate and painstakingly handmade (down to to every teeny tiny stitch!) one of a kind items. Her felt matryoshka dolls are her signature item, and each reflects Natasha’s heritage and has an intriguing story to share.

Why do you think people respond to this item?

People sometimes make a very personal connection with a doll, becoming involved in the story inspiring its creation or the unique facial expressions. There is so much heart and soul going into each piece that people are often able to relate it back to their own experiences.

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‘ Mat r y osh k a W est

– o f

E L L

E ast the

o f

the

S u n ,

Moon ’

Inspired by a Russian heritage and childhood memories of traditional Russian Fairytales, East of the Sun and West of the Moon is about the journey each of us take. The path is not always clear, but every new dawn is a chance to remake ourselves, while every night is an opportunity to reflect on the day that has been.

I ha v e a s m all st u d i o s p a c e i n the O ld Coats Patons b u i ld i n g i n L a u n c eston whe r e I ’ m s u r r o u nded b y m y sew i n g m a c h i nes and m y f a b r i c stashes . I ’ m l u c k y to ha v e w i ndows on two s i des wh i c h o f f e r s a g r eat o u tloo k , p l u s loads o f nat u r al l i g ht and wa r m th i n the c olde r m onths .

A r na S weene y

A r na ‘ A r na

S weene y

S weene y

D es i g n ’

Each item Arna Sweeney makes combines high quality materials and components, featuring unique hand screen printed, ethically produced and sustainable fabrics such as organic cotton, linen and hemp. Arna pairs her passion for sewing with an environmental consciousness and an interest in good, sustainable and functional design. Her impressive collection of purses, bags and home wares are stylish, fun, and extremely well made.

What do you think the best thing about being a creative in Tasmania is?

You don’t have to go or look far to find inspiration living in Tasmania.

We are so incredibly lucky to have the most beautiful environment producing amazing food, wine and art. It’s exciting being part of a very vibrant handmade movement.

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‘ G r e y w i th

E L L

ta r tan

s q u i r r el

z i p

p o u c h

s i lho u ette ’

This zip pouch with squirrel silhouette is the perfect companion for the cold Tasmanian winter, featuring cosy woolen tartan, flannel and sturdy leather.

I lo v ed these i m a g es wh i c h we r e ta k en on a w i nte r y wal k i n the m o u nta i ns o f Coll i ns v ale , whe r e I s p ent a la r g e p a r t o f m y c h i ldhood .

I f o u nd the i nte r p la y o f da r k and l i g ht , l i ne and f o r m and ne g at i v e and p os i t i v e s p a c es i nt r i g u i n g .

j ann y m c k i nnon

JA N N Y ‘JA N N Y

MCKI N N O N MCKI N N O N ’

Janny McKinnon is a photographer of nature and the simple moments of beauty she encounters in everyday life. We love how Janny’s work induces a stillness and a sense of self reflection in us, she considers her practice to be an act of contemplation, and each image a reflection of the sublime that resides within all things.

What do you like about what you do?

The process of taking photographs keeps me inspired and connected to the beauty in this world … and I love to share that inspiration and appreciation with others.

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‘ W i llow i n

G r ov e

W i nte r ’

Limited edition archival quality photographic prints.

M y s p oons al r ead y e x i st .

T he r e i s no need to m i ne the ea r th f o r m o r e p r e c i o u s m etals ; i nstead I need onl y s c o u r the noo k s and c r ann i es o f o u r wo r ld , see k i n g s p oons that a r e i nt r i g u i n g and b ea u t i f u l .

an g ela lowe

A N G E L A ‘ S P O O N

LOW E

S A VVY ’

Angela Lowe is a ‘Spoon Savvy’ silverware smith. She resurrects spoons, forks and relics from the past; reincarnating these into jewellery designs, reviving their beauty and reinventing their purpose.

What is your working environment like?

I work from a shipping container in a paddock, under a hill in Murdunna. I had the container plonked down here after the fires took my home and workshop in January. When I’m beating spoons on the anvil, I gaze out over King George Island, watching the clouds and tides shift.

My studio/workshop is rudimentary, a work in progress - the surrounding environment is inspiringly beautiful, a healing place.

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‘ S p oon

R i n g ’

Simple yet beautiful silver spoons. Discovered in dark dusty corners. Resurrected into intriguing jewellery designs.

Spoon Rings feature patterns; etched, engraved, embossed and cast. From the past - shining in a new form.

the market curators Shannon Robertson and Holly Webber, present show and tell, a winter wonderland featuring a collection of bespoke local designers and makers‌the independent, small-in-scale but big-on-talent types Tasmania is famous for.

Staged in Hobart’s intriguing Masonic Temple, show and tell invites guests to find their way through the forest, view the exhibition of exclusively local labels tucked amongst the woodland, purchase the products on show in our pop up shop, all the while enjoying the beautiful soundscape of haunting forest style music.

While the show and tell exhibitors differ creatively in almost every way, they all have a common thread; creative talent, a demonstrated integrity in their business ethos and original thought in their design process.

With this firm focus on authenticity, show and tell aims to showcase the best locally made products along with sharing the secret stories and intriguing people behind them. show and tell will heighten the senses through its visual feast and mesmerising soundscape and will encourage visitors into a state of exploration and a consciousness about where things originate and why.

f r i da y 1 2 j u ly VI S I T A N Y T IM E B E T W E E N

5–9pm m ason i c te m p le 3 s a n d y b ay r d , h o b a r t * p o p - u p sho p * a l l p r o d u c t s ava i l a b l e f o r p u r c h a s e f r ee ent r y / r e f r e s h m e n t s a v a i l a b l e

S hannon

Ro b e r tson

Shannon Robertson is the whimsical designer behind the fashion accessories label, Whatever Heather.

Launched in the Summer of 2008 Whatever Heather is a confident, fiercely pretty label full of the eclectic and the intriguing,and well known for its decidedly quirky outlook and daintily dishevelled aesthetic.

Shannon produces bespoke seasonal ranges for stockists nation – wide, and a coveted Heather Forever Collection, available from her online shop.

Whatever Heather is created from her attic studio in Battery Point, which is overflowing with all manner of Shannon type inspiration...oversized flowers, swans, chandeliers, battered crowns, and sometimes (if he fancies) her imperious but seriously beloved ginger cat Raspberry can be found perched on her desk, playing muse.

Alongside these creative pursuits, Shannon also works in an old fashioned antique shop on Hobart’s Waterfront.

H oll y

W e b b e r

Holly Webber is a freelance graphic designer and art director. A graduate of the University of Tasmania with a Bachelor of Fine Arts (Graphic Design and Photography 2004), she has spent the past eight years building up her design practice, delivering creative solutions for clients on a State and National level.

Alongside this, under her self-titled label, Holly has developed a range of handmade products, which draw on her design and photographic abilities. These works can be found in retail boutiques and online stores both locally and nationally.

Holly is a keen supporter of the graphic design and advertising industry, volunteering her time as the current elected State President of the Australian Graphic Design Association (AGDA).

She's also currently studying to become a health coach ...for something a bit different!

shannon@themarkethobart.com.au

holly@themarkethobart.com.au

whateverheather.com.au

hollywebber.com.au

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