September 2014
Philip Stoecker
Curriculum Vitae
Associate Professor of Music 101C New Academic Building 160 Hofstra University Hempstead, NY 11549-1600
(516) 463-7227 (office) (516) 463-6393 (fax) (347) 343-1109 (cell) philip.s.stoecker@hofstra.edu
EDUCATION PhD, Graduate Center, City University of New York (2003) MM, University of Ottawa, Ontario, Canada (1997) BM, The Ohio State University (1995)
PUBLICATIONS “Perle, George, Twelve-Tone Tonality, Berkeley 1977, 2. revidierte und erweiterte Ausgabe Berkeley 1996.” In Musikschrifttum, vol. 1, “Musiktheorie” (Bärenreiter and Metzler). Forthcoming in 2015. (Invited) “Aligned Cycles in Thomas Adès’s Piano Quintet.” Music Analysis 33, no. 1 (2014): 32–64. “Upon Further Reflection: Teaching Inversion through Jean Papineau-Couture’s Nuit.” Journal of Music Theory Pedagogy 25 (2011): 129–153. Co-authored with Brian Alegant (Oberlin College Conservatory). “A Revised Taxonomy for Music Learning.” Journal of Music Theory Pedagogy 25 (2011): 155–189. Co-authored with Deborah Rifkin (Ithaca College). “Review of Miguel Francoli’s Understanding Post-Tonal Music and Anthology of Post-Tonal Music.” Theory and Practice 35 (2010): 191–205. (Refereed) “ ‘Composing with Symmetry’: George Perle’s First Bagatelle for Solo Piano.” Theory and Practice 33 (2008): 159–170. (Invited) “Without a Safety (k)-Net.” Music Theory Online 13, no. 3 (2007). (Refereed) “Klumpenhouwer Networks, Trichords, and Axial Isography.” Music Theory Spectrum 24, no. 2 (2002): 231–245. (Refereed)
Stoecker, Curriculum Vitae, page 1