Architecture Portfolio 2022 - 2023 | H.NganHa

architecture

design

portfolio.

2022 - 2023 | hoang ngan ha

about me.

infor.

exprience.

hoang ngan ha

05/2020 - 05/2021

19/09/1999 0383198728 hnganha1909@gmail.com behance.net/vii1920

education.

10/2022 - 10/2023 reseacher | junior architect Hanoi Ad Hoc | Atelier M32

05/2022 - 10/2023

09/2014 - 05/2017 literature Nguyen Tat Thanh High School for the Gifted, Yen Bai

project assistant Hanoi Ad Hoc

competition.

09/2017 - 07/2022 architecture Hanoi Architectural University

skills. softwares photoshop illustrator indesign sketchup 3ds max auto cad

visualizer Q9 Studio

enscape conona lumion office other web design

third place “high rise apartment” project AA Awards 2020 special mentions “the inhabited garden” Europan 17 - Barcelona

language. vietnamese english

content.

(01)

tri thien historical museum. graduation project

06

(02)

the inhabited garden. europan 17 - barcelona

18

(03)

two loops and a knot. europan 17 - berlin

26

(04)

tartu downtown cultural centre. estonia

30

(05)

the grid.

hanoi ad hoc 1.0 exhibition

34

(06)

other works.

38

(01)

tri thien historical museum. graduation project

The project aims to continue the unfinished story of Martyr Nguyen Van Thac in the famous diary “Forever 20”: “If I don’t come back - Who will keep on the story?”.

The project focuses on preserving history but not keeping it in a glass cage or just an object in a display box. The project goes beyond the ordinary archival nature of the museum, aims to turn the museum into a living testimony, a living body, keeping the history exactly as it was, in which people can fully feel what have happened.

The location is on the northern bank of the Thach Han River, one of the strategic locations of the 1972 Tri Thien Campaign, which witnessed the famous 81 day and night battle.

Drawing inspiration from the symbol of waves on the riverbed: “Đò lên Thạch Hãn xin chèo nhẹ/ Đáy sông còn đó bạn tôi nằm/ Có tuổi 20 thành sóng nước/ Vỗ yên bờ bãi mãi ngàn năm…”. The wave is a symbol that carries memories, representing the eternity of time as well as the condensation of time, eternally stopped at the moment when each soldier fell, lying down forever and ever in the riverbed. It is something that cannot be erased.

Brings back the waves in the riverbed, which symbolize rebirth. To have water is to have life. Let the museum revive a prideful stage of the history, so we can last forever in a majestic moment. And the flower will bloom in the dry land, bomb holes will be filled by lives, people will continue to write the story of the history so that the sacrifices will never be in vain.

6

7

Administration Conference hall

Reseach zone Storage and technics

Service area

8

Exhibition area

2-layer roof system

1st floor

ground floor

-1st floor

column system

Service area

Conference hall

Reseach zone

Exhibition area

Administration

Storage and technics

9

8 Back entrance 4 5

3

3

6

2

2

1

12

9

7

Internal entrance

3

Main entrance

11 10

10 0

Site plan 1. Main lobby 2. Service area 3. Exhibition area 4. Research - storage and technics 5. Administration department 6. Conference hall

10

7. Memorial garden 8. Parking area 9. Lake 10. Memorial 11. Flower release house 12. Thach Han River

20

30m

11

Ground floor plan Welcome and service area: 1. Main lobby 2. Side lobby 3. Cloakroom 4. Introductory screening room 5. Tool instruction room 6. Equipment storeroom 7. Souvenir room 8. Cafe 9. Kitchen 10. WC 12

Exhibition area: 11. Reception hall 12. Permanent exhibition area 13. Temporary exhibition area 14. Memorial garden 15. Memorial room

Conference hall 16. 200-seat conference hall Storage and technical room: 17. Lobby 18. Receive and classify items 19. Quality inspection 20. Item repair and restoration workshop 21. Artifact storeroom 22. Supplies and tools storeroom

23. Electrical and water engineering room 24. Installed central air conditioning system room 25. Artifact preservation room 26. WC

Administration department: 27. Lobby 28. Traditional room 29. Workroom 30. Reception room 31. Equipment repository 32. Director’s office 33. Deputy director’s office 34. Meeting room 35. Accounting room 36. Medical room 37. WC

Research department: 38. Reading room 39. Thematic room 40. Document repository 41. Documentary screening room 42. Technical department 43. Tool warehouse 44. WC 10 0

30m 20 13

1st floor plan Welcome and service area: 1. Main lobby 2. Side lobby 3. Cloakroom 4. Introductory screening room 5. Tool instruction room 6. Equipment storeroom 7. Souvenir room 8. Cafe 9. Kitchen 10. WC 14

Exhibition area: 11. Reception hall 12. Permanent exhibition area 13. Temporary exhibition area 14. Memorial garden 15. Memorial room

Conference hall 16. 200-seat conference hall Storage and technical room: 17. Lobby 18. Receive and classify items 19. Quality inspection 20. Item repair and restoration workshop 21. Artifact storeroom 22. Supplies and tools storeroom

23. Electrical and water engineering room 24. Installed central air conditioning system room 25. Artifact preservation room 26. WC

Administration department: 27. Lobby 28. Traditional room 29. Workroom 30. Reception room 31. Equipment repository 32. Director’s office 33. Deputy director’s office 34. Meeting room 35. Accounting room 36. Medical room 37. WC

Research department: 38. Reading room 39. Thematic room 40. Document repository 41. Documentary screening room 42. Technical department 43. Tool warehouse 44. WC 10 0

30m 20 15

Section A - A 16

-1st floor plan 1. Exhibition area 2. Memorial garden 3. Technical room 4. Items storeroom 5. WC 10 0

30m 20

17

(02)

the inhabited garden. europan 17 - el besòs i el maresme, barcelona

Located in the part of Barcelona closest to the city of Sant Adrià de Besòs, the El Besòs i El Maresme neighbourhood is the result of an urgent mass house-building project in response to the housing shortage of the 1950s and 1960s. However, in response to today’s social and economic context, the neighborhood has become degraded and requires more to meet the needs and quality of life of the people. Therefore, the project aims to redeem the intent and spirit of the modern movement whose dreams have been overshadowed by the narrative of degradation.

In the spirit of the modern movement, collective housing estates responded to profound social changes with the hope that highdensity living would liberate open space on the ground for gardens as a true public space. In place of the undefined and monotonous character that has come to define modernism’s failures, this space can be repositioned as a network of productive gardens.

Voids become opportunities for micro interventions and new uses, with greater public-private gradation and multi-dimensional use that reflects the community’s dynamic immigrant spirit. In face of increasing commodification of public space, the garden provides an opportunity to expand inclusivity for nature and other species, while cultivating collective self-sufficiency. The city itself becomes an inhabited garden.

18

19

Rooftop Agrivoltaics

Suspended physiotherapy walk

Daylighted Riera de Horta and rain gardens +O2

+O2

Urban sustainable energy system on Maresme flat roof

Permeable parking

+O2

Herbal garden, shops and terraces

+O2

Horticulture gardens on roof

Double layered public space playground and pocket garden

+O2

Pedestrian street with commercial space

+O2 +O2

Green Rambla's pedagogical platform

+O2 Open-ground aromatic garden

Gree

+O2 +O2

+O2

+O2

+O2

Rooftop vineyard

Vertical garden Tennis, Pétanque courts

20

Sensory garden - Multilayered communal space

Gregal’s kitchen garden

Sport facilities

fs

Gathering space

Playground and educational garden Rooftop vineyard

Collective garden

+O2

+O2

+O2

+O2

enhouse rooftop garden

+O2

+O2

+O2

Educational garden +O2

Temporary tree-nursery and picnic area

n

21

22

23

24

25

(03)

two loops and a knot. europan 17 - berlin

The northeast of Berlin is a significant part of an expanding “megalopolis” marked by fragmented, closed-off settlement areas with little relation to their surrounding landscapes. The transformation of the Karower Kreuz intermodal hub is a unique opportunity to transition towards a more sustainable polycentric model with compact, accessible districts that balance ecology and urbanity. The combination of multiple micro-centralities for live, work, and play offers a level of diversity and interest found in urban cores, but is often lacking in suburban and peripheral areas.

The project’s proposed new corridor connections at three scales stimulate strategic densification along a network of public spaces, while restructuring neighborhoods with well-defined centers and edges to limit sprawl.

26

27

28

29

(04)

tartu downtown cultural centre. estonia

The purpose of the Tartu Downtown Cultural Centre is to create synergy between various cultural sectors, organizations and creators in order to facilitate innovation and encourage cooperation. This includes a public library, an art museum, an event centre with a large multifunctional hall and other spaces supporting the cultural centre, as well as a biodiverse and varied park landscape and a public space on a human scale.

Located in the city center, on the banks of river Emajõgi, in the buffer zone of the Tartu Old Town heritage conservation area, Estonia. The project aims to create a space that is as open, inviting, barrier-free, logical and flowing as possible, which suits the given location and atmosphere and forms a whole with the urban space along river Emajõgi.

30

31

32

33

(05)

the grid. hanoi ad hoc 1.0 exhibition

The project delves into the concept of provocation and experimentation in repurposing the factory.

Located in the warehouse of the Gia Lam Train factory. The project draws inspiration from the warehouse’s intricate ceiling structure, reminiscent of its mid-20th-century construction. Sunlight filters through the ceiling panels, casting a warm and ghost-like glow on the showcased artifacts and stories, creating a thematic and visual link to the factory’s history. In this way, the grid layout signifies the factory’s dedication to efficiency and progress while embracing and we witness its preserved structure as you walk through the space.

Along with that, the grid layout evokes the urban planning of Ildefons Cerdà for Barcelona’s Eixample district in the 19th century. We took from Cerdà’s design the principles of equality, efficiency, and systematic organization as inspiration, those were pivotal to Vietnam’s industrialization journey that began in the mid-20th century.

34

35

MDF wooden partition

Galvanized Grating panels

MDF wooden floor Wooden box with glass surface FRP Composite floor panels

Sand Plywood wooden frame system

36

37

(06)

other works.

38

39

40

41

hoang ngan ha

0383198728 hnganha1909@gmail.com behance.net/vii1920