The Hong Kong Jockey Club Community Project Grant: stART Up Community Arts Project
香港青年藝術協會
HKYAF
⾹港⻘年藝術協會是 個⾮牟利的慈善機構，旨在為5⾄ 25歲的⻘少年提供⾼質素、⾮競爭性及費⽤全免的藝術活 動。於1993年由⿆蓮茜OBE太平紳⼠創辦，協會藉着多 元化和富啟發性的藝術計劃，讓不同⽂化、背景及才能的 年輕⼈發揮創意，並同時致⼒服務弱勢及有特殊需要的年 輕⼈。每年超過⼋⼗萬⼈次參加各項節⽬及觀賞表演及展 覽。
Hong Kong Youth Arts Foundation (HKYAF) is a charity that provides access to high quality, non-competitive free-of-charge arts experiences for young people aged 5 to 25. Established in 1993 by Lindsey McAlister OBE, JP, HKYAF organises inclusive and inspirational projects that reach out to youngsters of all cultures, backgrounds, languages and abilities, and actively creates opportunities for those who are disadvantaged and underprivileged. Each year, HKYAF reaches over 800,000 people through its projects, exhibitions and performances.
香 港 賽 馬 會 社 區 資 助 計 劃 ：
「 有 種 藝 術 」 社 區 藝 術 計 劃
藝術無分界限，不論年齡、文化、身體能力等,每 個人都可以享受藝術帶來的裨益與樂趣。第二年 香港賽馬會社區資助計劃「有種藝術」社區藝術 計劃於2024年9月至2025年3月期間舉行。我們
希望透過舉辦各類藝術活動，鼓勵背景和能力各 異的傷健人士合作，推動平等和創造共融無障礙 的社會，同時擴闊大眾對藝術的想像。
P R O J E C T
The second year of The Hong Kong Jockey Club Community Project Grant: stART Up Community Arts Project runs from September 2024 to March 2025 The programme provides accessible arts opportunities for people of all ages, cultures and abilities, promoting understanding and equity among people of diverse backgrounds, and expanding perceptions of who can create art and what art can be.
聲明：香港賽馬會慈善信託基金、香港賽馬會、其各自關聯公司或任何參與彙編此載內容或 與彙編此載內容有關的第三方（統稱「馬會各方」）皆無就內容是否準確、適時或完整或使 用內容所得之結果作任何明示或隱含的保證或聲明。任何情況下，馬會各方皆不會對任何人 或法律實體因此載內容而作出或沒有作出的任何行為負上任何法律責任。
Disclaimer: None of The Hong Kong Jockey Club Charities Trust, The Hong Kong Jockey Club, their respective affiliates or any other person involved in or related to the compilation of the contents herein (collectively, “the HKJC Parties”) makes any express or implied warranties or representations with respect to the accuracy, timeliness or completeness of the contents or as to the results that may be obtained by the use thereof In no event shall any HKJC Party have any liability of any kind to any person or entity arising from or related to any actions taken or not taken as a result of any of the contents herein
FEEL:CONNECT 感 : 觸
disabled. Feel:Connect offers a mesmerising and emotional journey, inviting you to experience dance anew with moments that heighten or dampen your senses.
設⼝述影像和休息區。如有需要，請向我們的職員查詢。
Audio description services and a relaxation zone are available. Please speak to our staff for more details.
SCENES 分 場
第一章 - 視覺
Chapter 1 - Seeing
第二章 - 聽覺
Chapter 2 - Hearing
- 觸感
Chapter 3 - Touching
Chapter 4 - Dance for all 第四章 - 共舞
音樂 - 《沉浸式感・動》 作曲: 梁樂天
MUSIC: “Don't think, feel” by leung lok-tin Peter
凡星 STARS
作詞：陳蕾
Lyrics: Panther Chan
做甚麼都不被看好 自問資質不算高 做/甚麼/看/不好 問/自己/能力/高/不能 但亦有自己相信的事 仍想去做
但/自己/相信/想/做 那個可以給我甚麼法寶? 誰/可以/法寶/給我 能一朝得志 免受煎熬 明天/可以/成功/刻苦/不用
我也很想可被看到 用盡努力但求要你替我感到驕傲 想/看我/努力/讚/榮幸 可在親友面前提到 亦不會像從前那般吞吐 親戚/朋友/問/好像/以前/講/困難/不會
曾經想過活著到底為甚麼 生存/為了/甚麼/到底？ 平凡人那麼多 多了我這麼一個
普通/人/多/加/我/ 個 然而是說再見沒有勇氣 或是我暗裡卻拼命相信 說/再見/勇敢/沒有/但/我/心裡/拼命／相信
誰都可發光只要找對地方 誰/發光/找/對/地方 誰人都可發光像星火隨空氣繪畫曙光 誰/發光/像/星星/閃閃/光 (煙花的手語) 管他怎麼看 人生只得 次為自己瘋狂 不理/看我 人生/一次/瘋狂/要 假使相信就拼命去闖 泥濘路笑著走過 假使/相信/拼命／去闖 路/困難/踏上 (微笑)
平凡像我亦可 做我的主角 像/我/可以 做/主角
譚渼樺
鄭慧君 @藝造人才
陳衍泓 @藝造人才
吳盈慧
共舞音樂作曲
CONCEPT AND DIRECTION
Malvina Tam
Scarlette Cheng
Comma Chan
Woo Florence Ying-Wai
HOUSE MUSIC / DANCE FOR ALL MUSIC COMPOSER
梁樂天 leung lok-tin peter
手語傳譯員
黃慧萍
謝慧敏
口述影像員
創作舞者 @ Artscompana @ Artscompana
SIGN LANGUAGE INTERPRETERS
Shu Wong
Tse Wai-Man
AUDIO DESCRIBER
蘇曼玲 Mona So
DANCERS
陳洛媛
鍾志紅
婉 儀
何榮新
林潔盈
梁少眉
梁潔心
梁羡旻
盧心瑜
呂克文
吳 靜
彭洛鍶
徐潁欣
胡贊容
王雪盈
瑞 芬
Chan, Elizabeth Wirawan
Chung Chi-Hung
Cheng, Diane
Ho, vincent
Lam Kit-Ying, kimmy
Leung, Connie
Leung Kit-Sum
Leung Sin-Man, sophie
Lo Sum-Yu, lucy
Lui Hak-Man, herman
Ng Jing, Serena
Pang Lok-Sze
Tsui Wing-Yan
VASWANI, Janki
Wong Suet-Ying, heidi
Wong, Fanny
孫嘉禧
服裝設計
林曉燕
燈光設計
邱芓茹
音響設計
PRODUCER
Carmen Suen
COSTUME DESIGN
Gauze lam
LIGHTING DESIGN
Athena Yau
SOUND DESIGN
魏凱儀 Cato Ngai
舞台監督
STAGE MANAGER
Draco Lo 羅詠僖
執行舞台監督
DEPUTY STAGE MANAGER
謝梓嵐 Candace Tse
助理舞台監督
賴仲燊
舞台工作人員
張卡娜
何悉賢
彭椏雯
賴兆錚
佘善衡
工作團隊
鍾胤淇
林芷欣
邱凱澄
洪美珠
ASSISTANT STAGE MANAGER
Clement Lai
CREW
Color Cheung
Ho Sik-Yin
Janice April Pang
Lai Siu-Tsang
Sheh Sin-Hang
PROJECT TEAM
Anca Chung
Janice Lam
Lezlie Yau
Mag Hung
CONCEPT & DIRECTION: MALVINA TAM
感謝⾹港⻘年藝術協會邀請我為是次以感官為主題的⿊盒舞蹈劇場作編 舞。我的靈感來源主要來⾃各位不同能⼒的舞者，我感興趣的是看⾒和 探索舞者在擁有和限制之間的各種未知，重新定義舞蹈的可能性。我的 ⼯作就是呈現各舞者最好的 ⾯。
今次的創作我給舞者們很多任務去試驗，感謝他們不斷去嘗試和尋找解 決⽅法，找出合適的調配，這是令我很享受創作的過程。每⼀次排練我 都在學習溝通、製造共融的合作環境，我的創作團隊Scarlette和逗點 亦經常給予我很多想法去優化創作。
節⽬名稱《感．觸》 ⾸先是感受，希望觀眾能夠增潤感官的體驗， 同時可以欣賞舞者們如何利⽤他們的感官去創作舞蹈。「觸」 接 觸：打破 些固有的框架。希望⼤家欣賞節⽬後，可以在⽣活的任何⻆ ⾊當中多 點善良和包容，建⽴共融社會。
I want to thank HKYAF for inviting me to choreograph this blackbox dance theatre performance, centered around the theme of the senses. My inspiration comes from the diverse abilities of the dancers. I am intrigued by the exploration of the space between their strengths and limitations as we redefine the essence of dance My role is to highlight the unique qualities of each dancer.
I’ve encouraged the dancers to experiment, and I’m grateful for their willingness to explore solutions and find balance, making the creative journey enjoyable. Each rehearsal has been an opportunity to learn to communicate and foster an inclusive atmosphere, with Scarlette and Comma providing valuable insights that enhance our work
As the title suggests, I hope the audience can both feel and connect. "Feel" invites them to engage their senses and appreciate how the dancers use their perceptions to create movement. "Connect" signifies the importance of connection and encourages breaking down established boundaries. After the performance, I hope everyone feels inspired to bring more kindness and inclusiveness into their lives, contributing to a more harmonious society.
CONCEPT & DIRECTION:
SCARLETTE CHENG
& COMMA CHAN
是次演出以感官為主要編舞的元素，例如觸感，舞者透過觸碰不同物料 ⽽發展成動作。舞者的⾃⾝特質、排練時不經意的⽚段也成為了演出編 排的元素。⼝述影像亦成為是次演出的
部份，希望在舞台上呈現藝術 通達的元素。
這次跟Malvina這個好拍檔合作，她編舞的經驗⽐較豐富，⽽我們跟不 同⾝體特質⼈⼠跳舞的經驗較多，我們⼀起創作，還彼此互補。表演者 之間也有互相學習，⻘年舞者學了些⼿語，輪椅舞者亦會跟⼤家分享如 何跟輪椅使⽤者跳舞。除了舞蹈上⼤家的交流，還有⽣活上的分享。
希望觀眾欣賞不同⾝體特質舞者共舞，感受舞者們既不同⼜相容。體驗
不同群體無障礙欣賞藝術的⽅式，在⽣活中多點欣賞多元的美麗。
同時，希望觀眾可以多感受⾃⼰和⾝旁的⼈事物。
Senses are the inspiration for our choreography. Touch is one of them. Dancers create movements based on the sensations they experience when interacting with various materials. Each dancer's individuality and spontaneity further shape the overall experience. Audio description enriches this performance, allowing us to weave accessibility into the artistry unfolding on stage
Working with Malvina is amazing. Her extensive choreography experience blends beautifully with our strength in working with dancers of diverse abilities, fostering mutual support and learning. Young dancers learn sign language, while our wheelchair dancers share insights on navigating the dance floor. These conversations extend beyond dance and enrich our lives offstage
We hope the connection and harmony formed in our diverse team bring joy to the audience and offer a fresh perspective on appreciating art, fostering inclusivity and diversity.
We also invite you to connect with yourself and those around you.
THOUGHTS FROM THE DANCERS
舞蹈無分國界。
Dance has no boundaries.
吳靜 Serena Ng
聽不到⾳樂，無聲的世界無阻我對跳舞的熱誠。我享受於在舞台上 展所⻑、發光發熱。我盼望以舞蹈感染他⼈，以⽣命影響⽣命， 成就夢想，把「將不可能成為可能」的正能量傳揚出去。
Despite not being able to hear music, the silent world has not dampened my passion for dancing. I find joy in showcasing my talents and shining on stage. I hope to inspire others through our dance, impact lives with my journey, achieve my dreams, and spread the positive energy of "making the impossible possible."
王雪盈 Heidi Wong
在這次表演中，我們嘗試跨越不同的感官體驗，⽤⽿朵看、⽤眼睛 聽、不⽤觸摸去感受。這將重新定義我們過去感知世界的⽅式。
In this performance, we aim to fuse different sensory experiences: to see with our ears, listen with our eyes, and feel without touching. This will redefine how we perceive the world.
呂克⽂
Herman Lui
⾃從發⽣意外使我坐上輪椅後，我經常感到⾃卑，覺得以前能做到 的事情現在都做不到。但現在與年輕舞者⼀起跳舞，我慢慢開始欣 賞⾃⼰，認為可以嘗試，⼀步步重新接觸和接受新事物。
Since the accident that put me in a wheelchair, I’ve often felt insecure, fearing that I can no longer do the things I used to. However, dancing alongside young performers has helped me appreciate myself again I’ve started to believe that I can explore new opportunities and gradually accept new experiences.
婉儀 Diane Cheng
為舞蹈動作提供⼝述影像時，對我來說既有趣⼜具有挑戰性。作 為 位舞者，我常使⽤⾝體來創作動作、表達和分享，這是我第 次從新的⻆度詮釋舞蹈動作。通過與 Comma、C+、編舞和舞
者進⾏各種練習和討論，我從不同的⻆度（例如，客觀與主觀、 想像與事實）更深⼊地了解他們的需求。
Providing audio descriptions for dance movements was both interesting and challenging for me. As a dancer, I typically express and share through bodily movements, so this was my first time interpreting dance from a different perspective Through various exercises and discussions with Comma, C+, Mi Mi and the dancers, I gained a deeper understanding of their needs from diverse viewpoints—such as objective versus subjective and imaginative versus factual.
盧⼼瑜 Lucy Lo
每當舞者間透過⾝體感受對⽅，⽤⾮⾔語⽅式溝通， 起創作舞 蹈，就有連結起來的感覺。
A moment of connection arises among dancers when they engage through their bodies, communicate without words, and collaborate to create a dance
林潔盈 Kimmy Lam
參與《感：觸》令我學到不同的舞蹈意義. 讓⾳樂帶領⾃⼰的四 肢擺動搖擺等動作, 以表達的⾝體語⾔釋放出情感, 以⽣命影響⽣ 命。⼤家可以融⼊聾健世界，互相扶持，互相包容，互相體諒。 Participating in Feel: Touch has taught me different meanings of dance. Music guides my movements as I swing and sway, using expressive body language to release my emotions and make an impact Audiences can immerse themselves in the world of the deaf, fostering support, acceptance, and understanding.
梁潔⼼ (包包) Leung Kit-sum
與輪椅跑步不同，輪椅跳舞需要好好控制，必須留意四周，注意 安全。在排練過程中，⼀開始我和舞伴相隔很遠，擔⼼輪椅的⾞ 輪會碰到舞伴。後來，我會先快後慢地控制輪椅的移動速度，提 ⾼輪椅移動的準確性。
Unlike wheelchair racing, wheelchair dancing requires careful control and awareness of the surroundings for safety. During the early rehearsals, I kept my distance from my partner, worried my wheelchair might bump into them As time went on, I learned to adjust the speed of my wheelchair, which helped me move more precisely.
梁少眉 Connie Leung
每位舞者、編舞者與⼿語傳譯共同創作舞步，是 件很美妙的 事。
Every dancer, choreographer, and sign language interpreter collaborate to create this dance piece, making it a wonderful experience.
鍾志紅 (⼩紅) Chung Chi-hung
與聽障朋友⼀起排練時，我觀察到他們的其他感官更敏感。他們 透過觀察其他舞者的動作和位置來數拍⼦。當我們⼀起跳舞時， 我感受到我們之間有 種強烈的聯繫。
When I was dancing with hearing-impaired individuals, I was impressed by their heightened senses. They count by observing the movements and positions of other dancers I felt a strong connection while we were dancing together.
梁羡旻 Sophie Leung
觀眾問卷調查
請填寫問卷，分享你的意見！
Help us create impactful experiences
— share your thoughts in our audience survey
「同聲同作」⾳樂計劃 — 網上發⾏
“Voices Unleashed” Music Programme – Digital Release
隨 着 時 間 、 心 情 、 境 況 的 轉 換 ， 音 樂 帶 來 的 感 觸 都 是 獨 無 二 的 領 悟。
群年輕作曲作詞家於計劃首階段先了解社區上不同背景的人士，在 他 們 啟 發 創 作 出 三 首 原 創 廣 東 歌 ： 《 迴 ∞ 》 、 《 多 感 官 體 驗 館 》 及 《靜默的短鞘》，希望透過音樂向世界宣揚正面信息。
其後，作品經過專業音樂家團隊編曲，交由不同能力人士組成的合唱 團綵排及演出，鼓勵背景和能力各異的傷健人士合作。合唱團更 嘗 現場演出及專業錄音製作，歌曲現已於音樂串流平台發布，令更多人
可以體會音樂的力量，同時推動平等和創造共融無障礙的社會。立即 掃描二維碼收聽「同聲同作」音樂計劃三首原創歌曲。
Music has a unique ability to reveal deep insights as our emotions evolve over time
Three original Cantonese songs L∞p, Uni-senses, and Silent Embrace were written by young songwriters, inspired by diverse individuals' stories. Arranged by professional musicians, they are performed by a mixed-ability choir, culminating in live performances and professional recordings.
These songs are now available on music streaming platforms. Scan the QR code to listen and experience the transformative power of music, celebrating collaboration and promoting equality and inclusion
