Architecture Portfolio

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Architecture Portfolio

Hirbod Norouzianpour
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Table of content:

Resume Albuquerque Performing Arts Center; Studio 603 (UNM)

The Puzzle House; Studio 602 (UNM)

Carpineto Mountain Refuge: Studio 601 (UNM)

Valles Caldera’s Visitor’s Center; Studio 601 (UNM)

Interior & furniture design; Professional

Qom CEO’s Office Building; Professional

Tehran Hall; Final master project (UT)

Center for Rural Studies; Studio III (UT)

Affordable housing with SuperAdobe system; Probono Project

Sham’s Mausoleum Complex; Competition

Garden of Memories; Competition

Albuquerque Performing Arts Center

Multi-Functional Public Mega Structure

Project: Architecture Design Studio 603, UNM

Type: Evidence-based design

Date: Fall 2016

This project investigates three conceptual design dualities: Solid/ Liquid, Static/Kinetic, and Transparent/Opaque. The main focus is a Performing Arts Center (APAC) in downtown Albuquerque, designed to house the New Mexico Philharmonic and the New Mexico Jazz Workshop, supporting both performance and education.

The program also includes hotel, housing, and retail components. Located just north of Civic Plaza, the site occupies a full city block currently used as surface parking. It sits across from the convention center and is within walking distance to transit hubs, restaurants, and other downtown amenities—positioning it as a key cultural and urban destination.

A sketch from the covered plaza in the middle and light catchers.

Cited by Archinect.com as student inspiring project.

Design Concept:

Influenced by Antoine Predock, I began by exploring my personal interpretation of New Mexico and its connection to music. Through research, I gathered visual materialsphotos from magazines, newspapers, and online sources, to organize both subconscious and conscious ideas. I assembled these into a collage and added sketches to further develop the concept.

From this process, the number three emerged as a recurring theme: three music halls, three historical eras, and three dominant cultures in New Mexico. Key concepts such as contrast, contradiction, evolution, and collision also surfaced.

Building on this, I crafted a narrative centered around three Native dancers moving in harmony with beams of light. As their surroundings transformed through design, their dance adapted to the changing environment. Eventually, strangers joined in, and together, the movement continued to evolve.

Part of the inspiration board.

A hotel with a private courtyard.

Two saloons and a restaurant for the hotel on top.

Three main music halls at the bottom.

Two condominium towers that would have separate access.

Possible solar panels on the towers.

The two stories commercial and service section.

The two-story parking would be connected to a public parking under the plaza.

Stairs to the upper plaza.

Open spaces stage.

Public plaza on the top with the feeling of the NM’s geologic features like; canyons and tent rocks.

Sections

View to the Jazz hall

Elevations

View to the hotel’s courtyard (roof garden)

eco-Mod 5- Puzzle House

Project: Studio 602, UNM.

Team Members: Hirbod Norouzianpour, and eco-Mod 5’s team

Date: Spring 2016

Type: Design-Build project

Location: Albuquerque, NM

Expandable living units for narrow lots of accommodation:

Puzzle House

This design-build project delivers a series of affordable housing units called the Puzzle House, which maximizes space by using voids created through subtraction and shifting of mass. The design eliminates wasted space while promoting environmental and social responsibility.

Developed through cross-disciplinary collaboration at the university, the project prioritizes affordability, sustainability, and high-quality design. It follows a three-phase process: Design, Build, and Evaluate. The home is prefabricated off-site and installed via crane, with funding from Habitat for Humanity and the Barrels Community Coalition.

Concept:

Secondary Modules plug into the primary module. As the families grow they can add new units to the central module.

Modules for prefabrication:

Studio
One Bedroom
Two Bedroom
Three bedroom

Sun Study of the project:

Carpineto Mountain Refuge

Project: Studio 601; Part I, UNM

Team Members: Hirbod Norouzianpour, Brayra Lara, Pegah Sakhtiyanchi

Date: Fall 2015

Type: Modular and transportable structures.

Location: Crapineto Romano, Italy

Italy

Site Locations on the mountain

The Lepini Mountains, part of the South Lazio Anti-Apennines, span the provinces of Rome and Frosinone. Known for their rich vegetation, the area features beech, oak, hornbeam, chestnut trees, and olive groves. At the heart of this landscape lies Carpineto Romano, a medieval town of winding cobbled streets and scenic views.

The proposed hut design draws inspiration from the structural, geometric, and performative systems of the fern, Romanesco broccoli, and snowflake. These natural forms informed both the shape of the hut and the integration of active and passive energy systems.

Lazio
Sun Path:

Study model of Fibonacci growth sequence for creating self-sustainable structure.

Design Concept:

In this project, our team researched about three different natural phenomena and tried to mixed their core concept. The main commonality among them was modular growth with a golden ratio. The nature of the Romanesque Broccoli follows a triangular geometry and also Fibonacci sequence. Each bud grows in a way that allows it to get optimal sunlight.

The Fern’s structure and growth are determined by the Fibonacci sequence, which shows the dynamism and flexibility feature. The structure of a snowflake is determined by the temperature and moisture levels. Different temperatures can create different patterns, but they are all based on hexagonal geometry.

Snowflake growth

Geometry:

The BroFernFlake follows a hexagonal geometry that allows it to be flexible in order to adapt to any form. The module is small enough to be portable and easy to assemble.

System

Structural
Foldable Panels

Project: Studio 601; Part II, UNM.

Team Members: Hirbod Norouzianpour, Daniel Jose Balam

Date: Fall 2015

Type: Biomimicry architecture

Location: Valles Caldera National Park, NM

Valles Caldera’s Visitor’s Center

This landmark project in New Mexico is designed to welcome families, hikers, and campers into the natural beauty of the park. The concept merges the Fibonacci growth pattern of a fern with the structural abstraction of a weaver bird’s nest. Using a modular triangular system scaled according to Fibonacci principles, simple forms evolve into a complex, organic structure.

The interior is open and spacious, featuring a large framed view of Valle Grande and a glass roof section for passive solar heating. The structure is primarily steel, with Corten panels on the exterior, wood finishes on the interior, and structural insulated panels supported by a steel frame.

Formation: the modules are rotating in a different direction to represent the weaver bird’s nest’s structure and following different sizes (with Fibonacci sequence).

Parking
First floor Plan Site Plan

Interior & Furniture Design for an Apartment

Team Members: Hirbod Norouzianpour Farbod Norouzianpour

Location: Tehran, Iran.

Type: Private procreational project.

Date: Spring 2013

In this project, the client asked us to resolve several design paradoxes: to create an interior that feels both classical and modern, while retaining a distinctly Persian identity. We reinterpreted traditional Islamic patterns and window motifs into contemporary forms.

Instead of using a conventional wall to divide the living room, we designed a multifunctional suspended shelf that elegantly separates the hall from the reading area. It also serves as a TV stand and a display for the client’s tea set collection, blending functionality with cultural expression.

Fast sketches that were done during meetings with the client
The casework design for the TV room.
Set of of custom-made/designed furniture.

Qom CEO’s Office Building

Project: Professional Team Members: Hirbod Norouzianpour

Farbod Norouzianpour

Hoda Ganji

Location: Qom, Iran

Type: A Schematic office design

Date: Summer 2013

This project combines traditional Persian architecture with modern technologies for office buildings in a desert climate. A cone subtracted from a box defines the form.

The facade pattern references historic motifs, reimagined with green walls, brick, and glass to blend heritage and sustainability.

Tehran Hall; multi-functional public megastructure

Project: Final master project, University of Tehran

Passed with Distinction.

Type: Evidence-based design

Date: Fall 2013

The building is a vast agora with a pixelated ceiling that acts as a giant screen reflecting the city’s spirit and serving as a media platform. It captures the paradox of our time, showing moments of destruction and creation.

Designed in response to key landmarks and streets, the postmodern structure invites diverse interpretations and storytelling. Interiors are thoughtfully planned to serve people from all socioeconomic backgrounds, creating an inclusive public space.

structural System of Pixels

Design Concept:

TEHRAN HALL is a new multi-functional public space designed for the second millennium. It houses a city hall, cultural center, modern art museum, youth center, and convention center. Its primary goal is to create a setting where citizens feel recognized and connected, to live, express and identify themselves, while bridging the gap between city officials and the public.

First floor

Center for Rural Studies and Festivals

Project: Studio III, University of Tehran

Date: Fall 2011

Type: Vernacular architecture

Location: Anbooh Village, Qazvin, Iran

Anbooh village, located in a remote mountainous region, features vernacular architecture built with adobe and stone walls and wooden ceilings.

With easy access to materials and skilled carpenters, wood is the primary construction material.

A defining characteristic of the village is its wooden pergolas, covered in vine plants, found throughout the settlement.

Concept:

The village’s most sustainable and available materials are stone, adobe, and timber. Wooden roofs span up to 14 feet, so the design uses parallel walls facing the sun, rotated 120 degrees for better views. The architecture blends seamlessly into the hillside.

Affordable housing with SuperAdobe

Project: Volunteer & Pro-Bono Project.

Team Members: Hirbod Norouzian pour

Mehdi Raissi

MohammadReza Amini

Rasoul Hosseini

Ali Ghorbani

Mostafa Seyrafianpour

AliReza Golkarie

Mohammad Mohammadi

Type: Design-Built

Location: Kashan, Iran

Date: 2012

This was a voluntary project in a rural suburb located in the desert near Kashan, Iran. To create an affordable and safe cottage, we adapted Nader Khalili’s SuperAdobe system to fit the local context. We studied various aspects of the system and built models before beginning construction. All materials were sourced locally, and the work was carried out by both indigenous people and our team. Many details, including doorways and windows, were designed collaboratively during the building process.

Sham’s (a Great Sufi) Mausoleum Complex

Project: International competition; Published at AA Magazine.

Team Members: Hirbod Norouzianpour

Farbod Norouzianpour

Ashkan Behjo

Mehri Morahari

Location: Khoy, East Azerbaijan, Iran.

Type: Conceptual design

Date: Spring 2012

Dancing architecture.

Design process:

Preserving historical Site

Giving access to the main street

Keep part of the current open space for the traditional community gathering

Providing daylight for underground spaces

Giving access from the surrounding neighborhood to the plaza

Defining the for

Applying the concept of dancing to the design

Landscape binding all masses together

While studying the site’s history, we came across a remarkable miniature painting showing the tomb as it appeared 500 years ago. What stood out was the presence of three minarets— an uncommon feature, since traditional buildings typically have one or two. This detail became a key reference in our design, which reimagines rather than replicates the original elements.

Through Shams’ biography and writings, we understood his nomadic life and rejection of materialism. This inspired a design approach rooted in fluidity, purity, and simplicity, avoiding heavy or ostentatious forms. The new structures symbolically dance like Sufis around the historic minaret, which we preserved as the site’s central monument. A passage from Shams’ own words became the guiding concept for our design narrative.

There was a calligrapher who could write in three different scripts.

he first could be read by anyone.

The second one was the writing that he was the only one who could read.

The second, only by those educated in the art.

But the third—only he himself could read it. I am the third!

Garden of Memories

Awarded at Sixth Annual Award of Mirmiran Architectural Competition.

Project: Competition

Date: Spring 2012

Type: Minimal Landscape Design

Location: Central Desert, Iran

This project creates a space that evokes memory and sparks imagination. Across Iran’s desert towns and villages, neighborhoods once flourished with gardens and courtyards, enclosed by mud walls. The narrow paths through them, known as Garden-alleys, have largely vanished due to modernization and climate change.

In response, this conceptual landscape reimagines those lost spaces. Set in the desert, fragmented mud walls are arranged into a maze, inviting visitors to envision the vibrant gardens that once existed. The design remains purposefully incomplete, leaving room for personal memory and imagination.

The result is a quiet, reflective space: sun-baked alleys shaped by silence, sand, and wind. These walls not only provide shelter from the elements but also act as poetic prompts, remnants of a past that must be reassembled in the mind.

Sometimes with a bucket of water and a pile of soil, you can make a wall that provides a sustainable shadow as same as a tree, which needs at least thousands of buckets of water in a year.

“Nader Khalili”

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