Sale 744 | Prints and Photographs by Hindman Auctions

P RINTS AND P HOTOGR APHS 5 | 21 | 2020

PR IN TS AN D PH O TO G R APH S Thursday May 21 | Chicago 2PM CT | Live + Online AUCTION THURSDAY MAY 21 | 2PM CT OLD MASTER PRINTS

LOTS 1-6

PROPERTY FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

LOTS 7-38

MODERN PRINTS

LOTS 39-101

POST WAR AND CONTEMPORARY PRINTS

LOTS 102-150

PHOTOGRAPHY

LOTS 151-183

P RO P E R T Y P I C K U P H O U R S MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale. Lots marked with an asterisk (*) are tax exempt as permitted by law. VIEW THE COMPLETE CATALOGUE AT HINDMANAUCTIONS.COM Photography Zoë Bare Alexandria Dreas Jason Mitchell Bill Ross Brodie Sturm

Front, Back Cover Lot 131 | Robert Longo (American, b. 1953) Men in the Cities: Raphael and Barbara, 1998 Inside Front Cover Lot 175 | Andy Warhol (American, 1928-1987) Liquid CDs, 1976-1986 Inside Back Cover Lot 129 | Andy Warhol (American, 1928-1987) Dracula (from the Myths portfolio), 1981

hindmanauctions.com © Hindman LLC 2020 C H IC AGO, IL L IN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

CO N T E N T S AUCTION 744 | LIVE + ONLINE THURSDAY MAY 21 | 2PM CT OLD MASTER PRINTS

LOTS 1-6

PROPERTY FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

LOTS 7-38

MODERN PRINTS

LOTS 39-101

POST WAR AND CONTEMPORARY PRINTS

LOTS 102-150

PHOTOGRAPHY

LOTS 151-183

ARTIST INDEX

112

AUCTION INQUIRIES

114

CONDITIONS OF SALE

116

TELEPHONE / ABSENTEE BID FORM

119

Opposite Lot 122 | Michelangelo Pistoletto (Italian, b. 1933) Panni (from the Drape Suite), 1981

P RO P E R T Y F RO M T H E C O L L E C T I O N S O F T H E APPL ET O N M U S EU M O F AR T, O C AL A, F L O R I DA C H AR L EN E S . B RY, S T. L O U I S , M I S S O U R I R H O DA H . C L AR K AN D T H E M O N AS T ERY H I L L B I N D ERY T H E EI S EM AN C O L L EC T I O N , M I LWAU K EE, W I S C O N S I N N O R EN E G O L D S T EI N , C H I C AG O, I L L I N O I S N I C O L E H ERW EC K , L A G R AN G E, I L L I N O I S S AR I AN D J AM ES K L EI N , C H I C AG O, I L L I N O I S C ARYL H . KO C H , T H E WO O D L AN D S , T EX AS C AR L L I N D EL L J R . B I L L AN D K AR EN L U T Z , C H I C AG O, I L L I N O I S M AU R EEN M AR K H AM , PH O EN I X , AR I Z O N A B . M ED OW, S T. L O U I S , M I S S O U R I M AT T H EW O ' D O N N EL L , C H I C AG O, I L L I N O I S A PR I VAT E C O L L EC T I O N P RO P E R T Y F RO M T H E E S TAT E S O F AN ARIZONA ESTATE MARY AND BRUCE GOODMAN, HIGHLAND PARK, ILLINOIS SHARON HARRIS HART, CHICAGO, ILLINOIS PEARL HIRSHFIELD, EVANSTON, ILLINOIS JORDON F. TODD, DENVER, COLORADO

Opposite Lot 87 | Edward Hopper (American, 1882-1967) East Side Interior, 1922

Heinrich Aldegrever (GERMAN, 1502-CA. 1561)

Wedding Dancers (one plate), 1538 engraving 4 1/2 x 3 inches. $600-$800

Monogrammist B.P. (After Albrecht Dürer) The Prodigal Son engraving 5 1/4 x 7 1/4 inches. $800-$1,200

Lucas Cranach the Elder (GERMAN, 1472–1553)

Christ Bearing the Cross (from The Passion) woodcut 9 3/4 x 6 3/4 inches. Provenance: Bearing stamp of Henry Foster Sewell (L. 1309) $800-$1,200

PRINTS AND PHOTOGRAPHS

OLD MASTER PRINTS 1-6 4

Albrecht Dürer

(GERMAN, 1471–1528)

Christ Nailed to the Cross (from The Small Passion), ca. 1509-1511 woodcut 4 7/8 x 3 3/4 inches. $800-$1,200

After Albrecht Dürer (sometimes attributed to Hans Baldung) (GERMAN, 1471–1528)

Virgin and Child woodcut 9 1/4 x 6 1/4 inches. $300-$500

Hendrik Goltzius (DUTCH, 1558–1617)

Christ Bearing the Cross (from The Passion), ca. 1598 engraving 7 3/4 x 5 inches. Provenance: Bearing stamp of Ernst Opperman (L. 887) $600-$800 6 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Fine Prints from the Collection of Rhoda H. Clark and the Monastery Hill Bindery Lots 7-38 Rhoda Hertzberg Clark, collector and businesswoman, became the fourth generation of her family, and the first woman, to helm Monastery Hill Bindery when she became President of the firm in 1974. She inherited a true Chicago institution, established by her great-grandfather in 1868 and patronized by the Armours, Fields, Swifts, Palmers, Carl Sandburg, Frank Lloyd Wright and many others. Their unique and intricate book bindings, are an example of fine craftsmanship and artistry, and continue to be a coveted asset among book and manuscript collectors for the bindings alone. The original bindery, located on Randolph Street above Henrici's Restaurant, was destroyed by the Great Chicago Fire of 1871, and several years later, Clark's great-grandfather reestablished his firm in its current location in Lakeview, at the corner of Belmont and Ravenswood, where they still operate today. Monastery Hill Bindery is one of the oldest family-owned companies in Chicago. Clark’s deep knowledge of Art History pushed her to expand the bindery’s scope to help establish and curate several corporate art collections. She sold etchings, lithographs, woodcuts, and engravings to clients which she adeptly sourced from all over the world. With discerning collectors as their clientele, the bindery had their own in house conservation services so that works on paper could be expertly cleaned and restored as necessary. The small sampling of prints presented here, from Clark's collection, clearly articulate her commitment to the intersection of Art History, paper, and the history of printing. From Old Master Prints by Lucas van Leyden and Pieter Bruegel the Elder to Modern Masters by Picasso and Cassatt, the collection embodies the sophistication and taste of a true scholar of the history of printing. Books and bindings from the Collection of Rhoda H. Clark and The Monastery Hill Bindery will be offered in our upcoming June 22 Fine Books and Manuscripts auction.

PRINTS AND PHOTOGRAPHS

FINE PRINTS FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

Heinrich Aldegrever (GERMAN, 1502-CA. 1561)

Wedding Dancers (four plates, various sizes), 1538 engraving largest: 4 1/2 x 3 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $600-$800

Heinrich Aldegrever (GERMAN, 1502 – CA. 1561)

Hannibal Fighting Scipio, 1538 engraving 2 x 8 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $600-$800 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

After Pieter Bruegel the Elder by Pieter van der Heyden

Gérard Edelinck

(FLEMISH, B. CA. 1525–1569)

The Last Judgement, 1558 engraving 8 3/4 x 11 5/8 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $4,000-$6,000

PRINTS AND PHOTOGRAPHS

(FLEMISH, B. CA 1525–1569)

(FRENCH, 1640–1707)

Anger (Ira) (from The Seven Deadly Sins), 1558

The Battle of Anghiari (After Peter Paul Rubens, 1577-1640, after Leonardo da Vinci, 1452-1519)

engraving 8 3/4 x 11 1/2 inches.

engraving 17 3/4 x 24 inches.

Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery

$3,000-$5,000

$700-$900

FINE PRINTS FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Lucas van Leyden (DUTCH, 1494-1533)

Susanna and the Two Elders, ca. 1509 engraving 7 3/4 x 5 3/4 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $700-$900

Lucas van Leyden (DUTCH, 1494–1533)

Ornament with the Head of a Soldier, 1527 copper engraving 4 1/2 x 3 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $400-$600

After Lucas van Leyden (DUTCH, 1494-1533)

Solomon Prays in front of a Graven Image, 1519 engraving 6 7/8 x 5 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $50-$100

14 12

PRINTS AND PHOTOGRAPHS

FINE PRINTS FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY 15

After Adriaen Jansz van Ostade (DUTCH, 1610–1685)

La famille (together with four old master engravings) engraving 7 x 6 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $500-$700

Rembrandt Harmenszoon van Rijn (DUTCH, 1606-1669)

Three Oriental Figures, 1641 etching 5 3/4 x 4 1/4 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $2,000-$4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

James Abbott McNeill Whistler (AMERICAN, 1834–1903)

Les Bonnes du Luxembourg, 1894 lithograph 8 x 6 1/2 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $600-$800

No Lot 17

Pierre-Auguste Renoir (FRENCH, 1841-1919)

Trois esquisses de maternity (Three Studies of Motherhood), 1893 heliogravure 8 x 9 5/8 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $400-$600

PRINTS AND PHOTOGRAPHS

FINE PRINTS FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

Pierre-Auguste Renoir (FRENCH, 1841-1919)

Baigneuse Debout à Mi-Jambes, 1910 etching 6 1/2 x 4 1/2 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $400-$600

Pierre-Auguste Renoir (FRENCH, 1841-1919)

Sur la plage, à Berneval, ca. 1892 etching 4 3/4 x 3 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $500-$700

No Lot 21

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

André Dunoyer de Segonzac

Pablo Picasso

Les demoiselles de la Marne, 1921

Les Saltimbanques (from the Saltimbanque Suite), 1905

(FRENCH, 1884–1974)

etching signed in pencil 11 1/8 x 16 1/2 inches.

(SPANISH, 1881-1973)

drypoint 11 1/4 x 12 7/8 inches.

Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery

$400-$600

$4,000-$6,000

PRINTS AND PHOTOGRAPHS

FINE PRINTS FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Pablo Picasso

(SPANISH, 1881-1973)

Deux Buveurs catalans, (plate 12 from La Suite Vollard), 1934 etching signed in pencil 9 1/4 x 11 3/4 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery Provenance: Kovler Galleries, Chicago $8,000-$12,000

PRINTS AND PHOTOGRAPHS

FINE PRINTS FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

Maurice Vlaminck (FRENCH, 1876-1958)

Sunset in a Village, ca. 1956

color lithograph signed and numbered 9/10 in pencil 11 7/8 x 15 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $400-$600

Fernand Leger

(FRENCH, 1881-1955)

Tête de femme, 1949 color lithograph signed with dedication from 1952 in pen 23 x 14 1/2 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $800-$1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Pierre Bonnard (FRENCH, 1867-1947)

Place Clichy, 1922 color lithograph numbered 49/100 18 1/2 x 25 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $800-$1,200

29 30

Pierre Bonnard (FRENCH, 1867-1947)

Femme debout dans sa baignoire, 1925

Armand Rassenfosse (BELGIAN, 1862–1934)

L’Art Independant, 1896

lithograph signed in pencil 7 1/4 x 10 1/4 inches.

color lithograph 26 x 18 inches.

Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery

$1,000-$2,000

$700-$900

PRINTS AND PHOTOGRAPHS

FINE PRINTS FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

Paul Gaugin

(FRENCH, 1848–1903)

Nave Nave Fenua, 1893-1894, 1921 woodcut posthumous printing by Pola Gaugin 16 1/2 x 10 1/2 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $3,000-$5,000

Henri Matisse

(FRENCH, 1869-1954)

Le Repos du Modèle (First State), 1922 lithograph on chine volant signed in pencil 8 5/8 x 11 7/8 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery Literature: Duthuit 416 $2,000-$4,000

32 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

George Bellows

(AMERICAN, 1882-1925)

Between Rounds, 2nd stone, 1916 lithograph signed and titled in pencil 18 x 14 3/4 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $3,000-$5,000

John French Sloan (AMERICAN, 1871–1951)

A group of four prints (Patience; Dolly; Serenade; Woman with Etching Tray) etchings each signed and titled in pencil largest: 6 x 8 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $600-$800

34 22

PRINTS AND PHOTOGRAPHS

FINE PRINTS FROM THE COLLECTION OF RHODA H. CLARK AND THE MONASTERY HILL BINDERY

Grant Wood

(AMERICAN, 1891-1942)

Tree Planting Group, 1937 lithograph signed and dated in pencil 8 1/2 x 11 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $2,000-$4,000

Thomas Hart Benton (AMERICAN, 1889-1975)

Threshing, 1941 lithograph signed in pencil 9 1/4 x 14 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $3,000-$5,000

Birger Sandzén

(AMERICAN, 1871-1954)

Kansas Creek woodcut signed and titled in pencil 6 1/2 x 9 1/2 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $600-$800

37 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Gustave Baumann

(AMERICAN/GERMAN, 1881–1971)

Mending the Seine, 1917 color woodcut signed and numbered 32/125 in pencil 9 1/2 x 11 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery $10,000-$15,000

PRINTS AND PHOTOGRAPHS

MODERN PRINTS 39-101

James Abbott McNeill Whistler

The Rag Gatherers, 1858

Black Lion Wharf, 1859

etching 5 7/8 x 3 1/2 inches.

etching 5 7/8 x 8 3/4 inches.

A group of three lithographs (Tyresmith; Firelight: Joseph Pennell No. 1; Little Evelyn)

$400-$600

$800-$1,200

(AMERICAN, 1834–1903)

(AMERICAN, 1834-1903)

lithographs largest: 6 3/4 x 6 3/4 inches. $800-$1,200

41 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

James Abbott McNeill Whistler (AMERICAN, 1834-1903)

Bibi Lalouette, 1859 etching bearing signature and butterfly monogram in pencil 9 x 6 inches. $3,000-$5,000

PRINTS AND PHOTOGRAPHS

MODERN PRINTS *43

James Abbott McNeill Whistler (AMERICAN, 1834-1903)

The Two Ships, 1875 etching inscribed ‘no. 12’ in pencil 8 1/4 x 5 1/4 inches. Property from the Collection of Nicole Herweck, La Grange, Illinois Provenance: Albert Roullier Art Galleries, Chicago $6,000-$8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Anders Zorn

(SWEDISH, 1860-1920)

Against the Tide, 1910 etching signed in pencil 6 x 4 3/4 inches. $400-$600

James Jacques Joseph Tissot (FRENCH, 1836–1902)

L’Enfant Prodigue (The Prodigal Son complete set of 5), 1882 etchings 12 1/4 x 14 1/2 inches (each). $700-$900 44

PRINTS AND PHOTOGRAPHS

MODERN PRINTS 46

Manuel Robbe (FRENCH, 1872-1936)

Dans l’atelier, c. 1907 etching and aquatint on paper signed in pencil 19 x 13 1/4 inches. Provenance: Merrill Chase Galleries, Chicago $500-$700

Paul César Helleu (FRENCH, 1859–1927)

A pair of prints (La femme dans le profil; Femme aux cheveux roux de profil) etchings each signed in pencil largest: 21 1/4 x 13 1/4 inches.

Paul César Helleu (FRENCH, 1859–1927)

$1,000-$2,000

A pair of prints (Madame de Saint-Sauveur, de profil; La femme au grand chapeau) etchings each signed in pencil 21 1/4 x 13 1/4 inches. Exhibited: Evansville, Indiana, Evansville Museum, From Impressionism to Belle Epoque 19th Century Master Prints, May 28-August 20, 2017 $1,000-$2,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Edouard Manet (FRENCH, 1832-1883)

Olympia, 1867 etching 3 1/2 x 6 3/4 inches. Exhibited: Evansville, Indiana, Evansville Museum, From Impressionism to Belle Epoque 19th Century Master Prints, May 28-August 20, 2017 $1,500-$2,500

Pierre-Auguste Renoir

Pierre-August Renoir

Femme au cep de vigne, Variation 1, ca 1904

Femme au cep de vigne, Variation 1, ca. 1904

lithograph stamped 6 3/4 x 4 1/2 inches.

lithograph on vellum stamped 6 3/4 x 5 inches.

$300-$500

Provenance: Frederick Holmes and Company

(FRENCH, 1841-1919)

$1,000-$2,000

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

Pierre-August Renoir (FRENCH, 1841-1919)

Femme au cep de vigne, Variation 2, 1904 lithograph on vellum 4 1/2 x 3 1/4 inches. $1,000-$2,000

Pierre-Auguste Renoir (FRENCH, 1841-1919)

L’Enfant au Biscuit, 1899 lithograph 12 1/4 x 10 inches. $700-$900

Pierre-Auguste Renoir (FRENCH, 1841-1919)

Ambroise Vollard, (from L’album des douze lithographies originales de Pierre-Auguste Renoir), 1904 lithograph stamped 11 x 9 inches. Provenance: Merrill Chase Galleries, Chicago $1,000-$2,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

*55

Pierre-Auguste Renoir (FRENCH, 1841-1919)

Le chapeau épinglé, 1897 lithograph stamped 23 3/4 x 19 1/4 inches. Property from the Collection of Mr. Matthew O’Donnell, Chicago, Illinois $8,000-$12,000

Aristide Maillol (FRENCH, 1861-1944)

Crouching Woman, 1927 etching monogrammed and numbered 92/150 in pencil, bearing blindstamp of H. Petiet, Paris 8 1/4 x 10 3/4 inches. $500-$700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Pablo Picasso

(Spanish, 1881-1973) Sueno y Mentira de Franco (The Dream and Lie of Franco, the complete set of 2), 1937 etchings with aquatint each signed and numbered 49/150 in pencil 12 3/8 x 16 5/8 inches (each). $8,000-$12,000

"Art is not made to decorate rooms. It is an offensive weapon in the defense against the enemy." – Pablo Picasso

Commenced by Picasso in January 8, 1937, Sueno y Mentira de Franco (The Dream and Lie of Franco) is a vitriolic artistic response to the onset of the Spanish Civil War, which began in July 1936. Although the artist had left Spain for France at the turn of the 20th century, his former home continued to exert an influence. The atrocities committed by General Francisco Franco’s military campaign spurred Picasso to openly condemn the regime with the creation of the present work. Composed as a grim comic, the two prints are each subdivided into three rows of three scenes that together form an eighteen-scene narrative. Picasso executed the images on the plates from left to right, but because of the printing inversion of etched plates, the scenes on paper must be read right to left. Rather than correcting the mistake, the artist chose to keep the reversal in order to express the chaos of war. Beginning in the first plate, General Franco is depicted as a grotesque medieval knight carrying out parodies of heroic feats. He is shown being gored by a bull, a symbol of Spain; dressed as a woman; and riding a pig. On the second plate, in the upper right image, the general is devouring the innards of his own horse, which he has just killed. The remaining scenes were added on June 7, six weeks after the Basque town of Guernica was levelled by bombs. The images include a portrayal of a screaming figure and a wailing woman grieving over a dead child. These scenes are directly related to Picasso’s powerful mural Guernica, also created in 1937. On each plate, Picasso has etched the date he began the work. Not only does this document the artworks, but also overtly declares his critique of the violence. In yet another act of defiance, all proceeds from the sale of prints were donated by Picasso to Spain’s Republican government. The pair of prints were produced in an edition of 800 with a stamped signature as well as an edition of 150 on larger sheets with pencil signatures. The present works are part of the rare hand-signed edition of 150.

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*59

Pablo Picasso

After Pablo Picasso

Couple regardant une toile où figurent les trois grâces, 1966

Crâne de Chèvre sur la Table (Goat's Skull on the Table), 1953

etching and aquatint numbered 45/50 in pencil, stamped lower right 8 1/2 x 12 1/4 inches.

aquatint in colors, on Rives BFK paper signed and numbered 38/150 in pencil 19 7/8 x 25 1/2 inches.

Literature: Bloch 1439 Baer 1469

Property from the Collection of Carl Lindell Jr.

(SPANISH, 1881-1973)

(SPANISH, 1881–1973)

$6,000-$8,000

$2,000-$4,000

59 36

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

*60

Pablo Picasso

(SPANISH, 1881-1973)

Le Modèle et Deux Personnages, 1954 lithograph signed and numbered 13/50 in pencil sheet: 22 x 30 1/4 inches. Property from the Collection of B. Medow, St. Louis, Missouri Provenance: Ferdinand Roten Galleries, Inc., Baltimore, Maryland Literature: Bloch 759 $8,000-$12,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Pablo Picasso

(SPANISH, 1881-1973)

Fille au Bracelet, avec Degas les Mains dans le Dos, from 156 Series, 1971 etching stamped and numbered 36/50 in pencil 14 1/8 x 19 1/8 inches. Literature: Bloch 1958 $1,500-$2,500

*62

Pablo Picasso

Divers, 1956

Trois Personnages sur un tremplin, 1956

partially glazed terre de faïence convex wall plaque stamped Madoura Plein Feu and Empreinte Originale de Picasso diameter: 7 inches.

partially glazed terre de faïence convex wall plaque stamped Madoura Plein Feu and Empreinte Originale de Picasso diameter: 7 3/8 inches.

Property from the collection of Sari and James Klein, Chicago, Illinois

Literature: Ramié 375

Literature: Ramié 377

$2,000-$4,000

(SPANISH, 1881-1973)

$2,000-$4,000

PRINTS AND PHOTOGRAPHS

(SPANISH, 1881-1973)

MODERN PRINTS 64

Jacques Villon (FRENCH, 1875-1963)

Composition (Abstraction), 1927 color aquatint with roulette signed and numbered 125/200 in pencil 19 1/2 x 13 3/4 inches. $1,000-$2,000

Pierre Bonnard (FRENCH, 1867-1947)

One panel from La promenade des nourrices, frise des fiacres, 1899 graphite, crayon, lithography and collage on heavy wove paper 41 x 19 inches. Provenance: The Estate of Sidney and Marilyn Pink Acquired from the above by the present owner Literature: Bouvet 55 Once in the collection of the eponymous Los Angeles dealer, Marilyn Pink, the work presented here appears to be an early working proof for one of the panels of Bonnard’s most accomplished printed works. $3,000-$5,000 65 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Lucien Pisarro

(FRENCH, 1863-1944)

Queen of the Fishes, 1894 color woodblock print 4 1/2 x 3 1/8 inches. $300-$500

Henri Matisse

Tête de jeune fille, 1925

Untitled

lithograph signed and numbered 29/50 in pencil 7 1/4 x 5 1/8 inches.

linocut numbered 76/100 in pencil 9 1/2 x 7 inches.

Literature: Duthuit 453

Property from the Collection of Norene Goldstein, Chicago, Illinois

$1,000-$2,000

$1,500-$2,500

(FRENCH, 1869-1954)

PRINTS AND PHOTOGRAPHS

(FRENCH, 1869-1954)

MODERN PRINTS

Karl Schmidt-Rottluff (GERMAN, 1884-1976)

Maria, 1918 woodcut signed in pencil 19 3/4 x 15 1/2 inches. $5,000-$7,000

Max Beckmann (GERMAN, 1884-1950)

Der Grosse Mann, 1921 drypoint signed in pencil and bearing blindstamp of the publisher 11 7/8 x 8 inches. $1,000-$2,000 70

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*71

Joan Miró

(SPANISH, 1893–1983)

Fusée (Rocket): one plate, 1959 color aquatint and etching signed and numbered 13/50 in pencil 4 5/8 x 6 3/4 inches. Property from the Eiseman Collection, Milwaukee, Wisconsin $2,000-$4,000

*72

Joan Miró

(SPANISH, 1893-1983)

La Frappeuse de silex, 1973 color aquatint signed and numbered 44/50 28 x 41 inches. Property from the Collection of Maureen Markham, Phoenix, Arizona $4,000-$6,000

*73

Joan Miró

(SPANISH, 1893-1983)

Album 21: one plate, 1978 color lithograph signed and numbered 12/75 in pencil 25 1/2 x 19 1/2 inches. Property from the Collection of Maureen Markham, Phoenix, Arizona $1,500-$2,500

73 42

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

Joan Miró

(SPANISH, 1893-1983)

Escalade vers la Lune, 1969 etching and aquatint on paper signed and numbered 42/75 in pencil 40 1/2 x 29 3/4 inches. Provenance: Fitch Galleries, Rolling Meadows, Illinois $8,000-$12,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Joan Miró

(SPANISH, 1893–1983)

Prise à l’hameçon, 1969 etching and aquatint with carborundum signed and numbered 56/75 in pencil 39 x 23 1/2 inches. $8,000-$12,000 44

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

David and the Lion (from the Bible Series), 1958 hand colored etching initialled and numbered of 81/100 in pencil 12 1/2 x 9 3/4 inches. $1,000-$2,000

Salvador Dali

(SPANISH, 1904-1989)

Lincoln in Dalivision, 1977 color lithograph signed and numbered 212/350 in pencil 24 1/4 x 17 3/8 inches. $1,000-$2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Salvador Dali

(SPANISH, 1904–1989)

Visions of Chicago (the complete set of four), 1972 color drypoints each signed and numbered XXXVI/L in pencil 19 1/2 x 12 1/2 inches (each). Provenance: Merrill Chase Galleries, Chicago Literature: Michler & Löpsinger, 529-532 $3,000-$5,000

Salvador Dali

(SPANISH, 1904-1989)

Marguerite, 1969 etching with hand coloring in watercolor and gold leaf signed and numbered 54/145 in pencil 12 1/2 x 9 1/2 inches. Literature: Field 69-1 $3,000-$5,000 46

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

Salvador Dali

(SPANISH, 1904-1989)

Les Diners de Gala (complete portfolio of 12 with original box), 1977 color photolithographs with drypoint remarqués on Japon nacré each signed and numbered 60/195 in pencil 22 1/8 x 29 1/2 inches. Literature: Field 77-5 $5,000-$7,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Alexander Calder

Untitled

Composition (Yellow Boomerang with Red, Blue, Yellow and Black Shapes)

(AMERICAN, 1898-1976)

color lithograph signed and inscribed epreuve d’artiste in pencil 21 1/4 x 16 inches. $600-$800

(AMERICAN, 1898-1976)

color lithograph signed and numbered 15/100 in pencil 19 3/4 x 25 1/2 inches. $800-$1,200

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

Rufino Tamayo

(MEXICAN, 1899-1991)

Perfil de hombre, 1979 color etching with carborundum signed and numbered 94/99 in white chalk 29 1/2 x 21 3/4 inches. $2,000-$4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Rufino Tamayo

(MEXICAN, 1899-1991)

Portrait de Femme (from Mujeres), 1969 lithograph in colors, on Rives BFK paper signed and inscribed ‘H.C.’ in pencil 27 x 20 3/4 inches. $1,500-$2,500

Rufino Tamayo

(MEXICAN, 1899-1991)

Figura etching signed and numbered H.C. 4/5 in black crayon $1,000-$2,000

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

Rufino Tamayo

(MEXICAN, 1899-1991)

Torso Blanco, 1978 mixografía print on handmade paper signed and numbered HC 9/10 in pencil 32 x 22 inches. Property from the Collection of Norene Goldstein, Chicago, Illinois $4,000-$6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Edward Hopper

(AMERICAN, 1882-1967)

East Side Interior, 1922 etching on wove paper signed and titled in pencil 8 x 10 inches. Property from a Private Collection Literature: Levin 85, Zigrosser 8 $20,000-$30,000

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

George Bellows

(AMERICAN, 1882-1925)

Introductions, 1921 lithograph signed by the artist and printer in pencil 8 1/2 x 7 inches. $3,000-$5,000

George Bellows

(AMERICAN, 1882-1925)

Artists Judging Works of Art, 1916 lithograph on thin cream wove paper signed posthumously by the artist’s daughter, Jean Bellows Booth, and inscribed ‘no. 4’ in pencil 14 3/4 x 19 inches. This print depicts the judging of artworks at the National Arts Club. Bellows is pictured in the upper right of the image. Robert Henri, a mentor of Bellows, is portrayed seated bottom right. $2,000-$4,000

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

George Bellows

(AMERICAN, 1882-1925)

Family, 1916 91

lithograph signed, titled and inscribed ‘no. 60’ in pencil 4 1/2 x 7 inches.

$400-$600

George Bellows

(AMERICAN, 1882-1925)

Solitude, 1917 lithograph signed posthumously by the artist’s daughter, Jean Bellows Booth, and inscribed ‘no. 47’ in pencil 17 1/8 x 15 1/4 inches. $500-$700

George Bellows

(AMERICAN, 1882-1925)

The Sawdust Trail, 1917 lithograph signed posthumously by his daughter, Jean Bellows Booth, and inscribed ‘no. 2’ in pencil 25 1/2 x 20 1/8 inches. $700-$900 92

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

George Bellows

Morning, Nude Sketch, 1921

Speicher Seated in a Chair (Portrait of Eugene Speicher), 1924

(AMERICAN, 1882-1925)

lithograph signed in pencil by the artist and printer 9 1/2 x 7 1/8 inches.

lithograph signed posthumously by the artist’s daughter, Jean Bellows Booth, in pencil 14 3/4 x 11 5/8 inches.

$600-$800

$400-$600

George Bellows

(AMERICAN, 1882-1925)

Old Irish Woman, 1924 lithograph signed by the artist and printer and titled in pencil 9 1/2 x 7 1/2 inches. Provenance: Gallery 230, Manhattan, Kansas Acquired from the above by Cedric Denman, 1976 $300-$500

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

Charles Sheeler (AMERICAN, 1883-1965)

Architectural Cadences, 1954 silkscreen signed, dated and numbered from the edition of 100 in pencil 6 1/4 x 8 5/8 inches. $3,000-$5,000

*97

Barbara Hepworth (BRITISH, 1903-1975)

Mycenae, 1969 color lithograph signed and numbered 20/30 in pencil 24 x 19 inches. Property from the Estate of Mary and Bruce Goodman, Highland Park, Illinois $1,000-$2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Henry Moore

(BRITISH, 1898-1986)

Four Standing Figures, 1978 lithograph signed and numbered X/XV in pencil 12 1/4 x 15 inches. $1,000-$2,000

Henry Moore

(BRITISH, 1898-1986)

Six Stone Figures, 1973 lithograph signed and numbered 52/75 in pencil 14 x 9 7/8 inches. $1,000-$2,000

PRINTS AND PHOTOGRAPHS

MODERN PRINTS

100

Henry Moore

(BRITISH, 1898-1986)

Four Mother and Child Studies, 1976 color etching and aquatint signed and numbered VII/X in pencil 13 X 9 1/2 inches. $1,000-$2,000

101

Henry Moore

(BRITISH, 1898-1986)

Ideas for Sculptures, 1975 lithograph signed and numbered 66/100 in pencil 18 1/4 x 23 1/2 inches. $800-$1,200

100

101

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*102

Kiyoshi Saito

(JAPANESE, 1907-1997)

Knitting, 1966 woodcut signed, titled, dated and numbered 39/100 21 1/4 x 16 1/4 inches. Property from the Estate of Jordon F. Todd, Denver, Colorado $300-$500

102

103

*103

Mark Tobey

(AMERICAN, 1890-1976)

Awakening Dawn and Awakening Night (a pair of works), 1974 etchings signed and numbered XLVI/L and XIX/L in pencil 11 x 14 inches (each). Property from the Collection of the Appleton Museum of Art, Ocala, Florida $200-$400

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS 102-150

104

105

*104

*105

Mark Tobey

Psaltry-2nd Form, 1974

Awakening Dawn, 1974

etching signed and numbered 140/150 in pencil 14 x 11 inches.

etching signed and numbered 16/150 in pencil 11 x 14 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida

$100-$200

(AMERICAN, 1890-1976)

106

William T. Wiley (AMERICAN, B. 1937)

Seasonal Gate, 1975 etching and lithograph signed, dated and numbered 6/50 in pencil 28 x 22 inches. $500-$700

106

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*107

Red Grooms

(AMERICAN, B. 1937)

Bronco Buster, 1992 color lithograph signed and numbered 43/75 in pencil 8 1/2 x 8 1/4 inches. Property from the Estate of Jordon F. Todd, Denver, Colorado $200-$400

107

*108

Red Grooms

(AMERICAN, B. 1937)

Hot Dog Vendor, 1994 three dimensional color lithograph signed, dated and numbered 5/5 31 x 24 x 7 inches. Property from the Estate of Jordon F. Todd, Denver, Colorado $2,000-$4,000

108

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

109

*109

Various Artists (20TH CENTURY)

Conspiracy Portfolio (complete set of 12 prints with linen portfolio case), 1971 each signed and inscribed A.P. in pencil largest: 20 3/4 x 28 1/2 inches. Property from the Estate of Pearl Hirshfield, Evanston, Illinois $7,000-$9,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

110

*110

Sam Francis

(American, 1923-1994) Untitled (Blue Squares) monotype unsigned, estate stamped 27 1/4 x 30 3/4 inches. Property from the Collection of Bill and Karen Lutz, Chicago, Illinois Provenance: This work is registered with the Sam Francis Estate (SFM78-023) $10,000-$15,000

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

*111

Larry Zox

(AMERICAN, 1937-2006)

Moro I, 1981 serigraph signed and numbered 59/185 in pencil 30 x 21 inches. Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-$500

111

112

Karel Appel

(DUTCH, 1921-2006)

Abstract Composition color lithograph signed and numbered H/C III in white pencil 21 x 29 inches. $500-$700

112

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

113

Josef Albers

(AMERICAN/GERMAN, 1888-1976)

Homage to the Square: Ten Works by Josef Albers, 1962 complete set of 10 screenprints on Mohawk Superfine Bristol paper numbered 197/250 on colophon 11 x 11 inches (each). $7,000-$9,000

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

113

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

114

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

115

114

*115

Sol Lewitt

Sol LeWitt

Serial System Using Lines and Color (set of five screenprints with cover sheet), 1977

Brushstrokes in All Directions, 1994

(AMERICAN, 1928–2007)

screenprints signed and numbered from the edition of 45 in pencil 13 1/4 x 8 3/4 inches. Provenance: Barbara Krakow Gallery, Boston Acquired from the above by the present owner in 2003

(AMERICAN, 1928-2007)

color silkscreen signed and numbered 114/500 in pencil 16 x 16 inches. Property from the Estate of Jordon F. Todd, Denver, Colorado Literature: Krakow 1994.05 $1,000-$2,000

Literature: Krakow 1977.06 $8,000-$12,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

116

Jim Dine

(AMERICAN, B. 1935)

Etching, Self-Portrait (Ivory), 1969-1972 three etchings on one sheet of Hodgkinson handmade paper signed, dated and numbered 7/15 in red pencil 11 3/4 x 8 3/4 inches (each). Provenance: Richard Gray Gallery, Chicago $1,000-$2,000

116

*117

Jim Dine

(AMERICAN, B. 1935)

Carnegie Hall Heart , 1986 color lithograph signed and numbered 136/150 in pencil 23 x 19 inches. The Estate of Sharon Harris Hart, Chicago, Illinois $3,000-$5,000

117

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

118

Jim Dine

(AMERICAN, B. 1935)

Two Florida Bathrobes, 1986 two color etchings with lithograph signed, dated and inscribed A.P. in pencil 24 x 36 inches. Richard Gray Gallery, Chicago $5,000-$7,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

119

Alex Katz

(AMERICAN, B. 1927)

Gray Interior, 1967-1968 screenprint signed and numbered 26/50 in pencil 16 3/4 x 21 1/2 inches. Provenance: Leslie Hindman Auctioneers; May 23, 2017, Lot 446 $1,500-$2,500

119

120

Lawrence Weiner (AMERICAN, B. 1942)

Iceland Homily, 2010 lasercut aluminum with mirrored backing signed and numbered 14/30 10 14 x 16 1/4 inches. Provenance: i8 Gallery, Reykjavík, Iceland $1,000-$2,000

120

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

121

Ed Ruscha

(AMERICAN, B. 1937)

Eye, 1969 color lithograph signed, dated, and numbered 3/20 in pencil 17 x 24 inches. $4,000-$6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

122

Michelangelo Pistoletto (ITALIAN, B. 1933)

Panni (from the Drape Suite), 1981 color silkscreen on polished stainless steel signed and numbered 36/60 47 1/4 x 39 1/4 inches. Property from the Collection of Norene Goldstein, Chicago, Illinois Provenance: Dorothy Blau Gallery, Inc., Bay Harbour Islands, Florida $25,000-$35,000 74

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

123

Claes Oldenburg (AMERICAN, B. 1929)

A pair of prints (Scissors Cut Out; Scissors as Monument from The National Collection of Fine Arts Portfolio), 1967 color lithographs initialled and numbered 101/144 in pencil 30 x 20 inches (each). Property from the Collection of an Arizona Estate $2,000-$4,000

123

*124

Helen Frankenthaler (AMERICAN, 1928-2011)

Untitled, 1967 screenprint signed, dated and numbered 66/100 in pencil 26 x 18 inches. Property from the Collection of Charlene S. Bry, St. Louis, Missouri Provenance: Forsyth Gallery, St. Louis, Missouri $1,500-$2,500

124

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

125

*125

126

Roy Lichtenstein

American Indian Theme II, 1980

Blonde (from the Brushstroke Figure Series), 1989

(AMERICAN, 1923-1997)

woodcut on paper signed, dated and numbered 12/50 in pencil 24 x 28 1/2 inches. Property from the Collection of Charlene S. Bry, St. Louis, Missouri Provenance: William Shearburn Gallery, St. Louis, Missouri Literature: Corlett 161 $6,000-$8,000

PRINTS AND PHOTOGRAPHS

(AMERICAN, 1923-1997)

lithograph, waxtype, woodcut and screenprint signed, dated and numbered 60/60 in pencil 55 x 35 inches. Provenance: Richard Gray Gallery, Chicago Literature: Corlett 230 $10,000-$15,000

POST WAR AND CONTEMPORARY PRINTS

126

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

127

Roy Lichtenstein (AMERICAN, 1923-1997)

Crying Girl, 1963 offset lithograph signed in pencil 17 1/4 x 23 1/4 inches. Provenance: Collection of S. Bradley Gillaugh, Chicago Gift from the above to the Present Owner Literature: Corlett 1 $15,000-$20,000

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

128

Jasper Johns

(AMERICAN, B. 1930)

Evian Black State, 1972 9-color lithograph signed, dated and numbered 23/64 in pencil 43 x 29 inches. $5,000-$7,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

129

Andy Warhol

(AMERICAN, 1928-1987)

Dracula (from the Myths portfolio), 1981 screenprint on Lenox Museum Board signed and numbered 198/200 in pencil 38 x 38 inches. Literature: Feldman & Schellmann II.264 $15,000-$20,000

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

130

Andy Warhol

(AMERICAN, 1928-1987)

Mammy (from the Myths portfolio), 1981 screenprint with diamond dust on Lenox Museum Board signed and numbered 198/200 in pencil 38 x 38 inches. Literature: Feldman & Schellmann II.262 $15,000-$20,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

131

Robert Longo

(AMERICAN, B. 1953)

Men in the Cities: Raphael and Barbara, 1998 lithographs signed, dated and numbered 25/120 in pencil sheet 45 1/2 x 29 1/2 inches (each). Property from the Collection of Norene Goldstein, Chicago, Illinois $40,000-$60,000 82

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

131

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

132

James Rosenquist (AMERICAN, 1933-2017)

Silver Skies, 1970 color lithograph signed, titled, dated, and numbered 26/65 in pencil 34 x 29 1/2 inches. $400-$600

132

133

134

James Rosenquist

Free For All, 1976

Shy (from Myth & Technology), 1981

lithograph signed, dated, titled and numbered 25/25 H.C. in pencil 26 x 19 1/2 inches.

color lithograph signed, titled, dated and numbered 111/150 in pencil 27 3/4 x 27 3/4 inches.

$600-$800

$1,500-$2,500

(AMERICAN, 1933-2017)

134

PRINTS AND PHOTOGRAPHS

(AMERICAN, 1933–2017)

POST WAR AND CONTEMPORARY PRINTS 135

Lorna Simpson (AMERICAN, B. 1960)

Cure/Heal (from the portfolio 10 Artists as Catalyst published by the Alternative Museum, New York), 1992 color screenprint on Lenox paper signed and numbered 6/100 in pencil 18 x 19 1/2 inches. $800-$1,200

135

136

April Gornik

(AMERICAN, B. 1953)

Mirrored Trees, 2000 etching signed, titled, dated and numbered 7/30 in pencil 17 x 11 3/4 inches. $600-$800

136

137

Lesley Dill

(AMERICAN, B. 1950)

White Hinged Poem Dress (#3), 1993 mixed media paper construction signed, dated and numbered 12/20 in pencil 18 x 13 inches. $800-$1,200 137 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

138

Biron Valier

(AMERICAN, B. 1943)

A group of four prints (Celestial Star Express; Rambler Two; Turbo Two; Silver Top) screenprints each signed and numbered $400-$600

138

139

Ron Davis

(AMERICAN, B. 1937)

U-Shape, 1974 18-color screenprint signed, dated and numbered 30/40 in crayon 19 3/4 x 42 inches. Literature: Gemini 13.20 $400-$600 139

140

Pat Steir

(AMERICAN, B. 1938)

A pair of prints (Wish #2 Breadfruit; Wish #3 Transformation), 1974 color lithographs signed, dated and numbered 50/50 and 3/50 in pencil 31 1/2 x 32 1/2 inches (each). $800-$1,200

140 86

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

141

Roger Brown

(AMERICAN, 1941-1997)

Rolling Meadows, 1979 lithograph signed, titled, dated and numbered 19/20 in pencil 5 1/2 x 10 inches.

142

$800-$1,200

142

Joe Coleman

(AMERICAN, B. 1955)

Houdini silkscreen signed and numbered 23/66 in pencil 28 x 22 inches. $1,000-$2,000

143

Jim Nutt

(AMERICAN, B. 1938)

I’m Not Stopping, 1976 etching signed, dated and numbered 15/50 in pencil 4 x 7 inches. $1,500-$2,500

143

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

144

Ed Paschke

(AMERICAN, 1939-2004)

Klaus, 1976 lithograph signed, titled, dated and numbered 2/20 in pencil 29 x 22 inches. $1,000-$2,000

144

145

Karl Wirsum

(AMERICAN, B. 1939)

Mouse Meow, 1983 color silkscreen signed, titled, and numbered 2/55 in China marker 26 x 20 inches. $600-$800

145

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

146

The Hairy Who? (Jim Faulkner, Art Green, Jim Nutt, Gladys Nilsson, Suellen Rocca and Karl Wirsum) (AMERICAN, 20TH CENTURY)

The Hairy Who Sideshow, 1967 bound offset lithographs 11 x 7 inches (each). $1,000-$2,000

146

147

The Hairy Who? (Jim Faulkner, Art Green, Jim Nutt, Gladys Nilsson, Suellen Rocca and Karl Wirsum) (AMERICAN, 20TH CENTURY)

The Hairy Who Sideshow, 1967, Smoke Hairy Who, 1968 and Hairy Who (Cat-a-log), 1969 bound offset lithographs 11 x 7 inches (each). $2,000-$4,000

147

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

148

Julian Opie

(ENGLISH, B. 1958)

View from my Bedroom Window, 2007 computer animation, LCD screen signed and numbered 260/300 10 x 12 x 1 1/2 inches. Provenance: Alan Cristea Gallery, London $2,000-$4,000

148

PRINTS AND PHOTOGRAPHS

POST WAR AND CONTEMPORARY PRINTS

149

*149

Howard Hodgkin (BRITISH, 1932–2017)

Put Out More Flags, 1992 etching with aquatint and carborundum printed in colors, with extensive hand-coloring signed and numbered 19/75 in pencil 20 1/2 x 16 inches. Property from the Collection of Caryl H. Koch, The Woodlands, Texas $3,000-$5,000

*150

Howard Hodgkin (BRITISH, 1932–2017)

In Touch, Checking In, 1991 color lift-ground etching with aquatint and handcoloring initialed and numbered 39/50 in pencil 16 1/2 x 11 1/2 inches. Property from the Collection of Caryl H. Koch, The Woodlands, Texas $2,000-$4,000

150 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

PHOTOGRAPHY 151-183

151

Eadweard Muybridge

(AMERICAN/BRITISH, 1830-1904)

Animal Locomotion: Plate 261 (Woman Getting into Hammock) vintage gravure from original collotype 7 1/2 x 15 inches. Provenance: Dean Jensen Gallery, Milwaukee, Wisconsin Acquired from the above by the present owner $200-$400

151

152

Frank Eugene

(AMERICAN, 1865-1938)

Adam and Eve (from Camerawork issue #30), 1910 photogravure signed lower right 6 3/4 x 4 3/4 inches. Provenance: Michael H. Lord Gallery, Milwaukee, Wisconsin Acquired from the above by the present owner $700-$900

152

PRINTS AND PHOTOGRAPHS

PHOTOGRAPHY

153

154

Henri Cartier-Bresson

Seville, Espagne

Roman Amphitheater, Valencia, Spain

gelatin silver print signed in black ink and bearing artist’s blindstamp 9 1/4 x 14 inches.

gelatin silver print signed in black ink 9 1/4 x 14 inches.

(FRENCH, 1908-2004)

$6,000-$8,000 $6,000-$8,000

154 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

155

Arthur Rothstein (AMERICAN, 1915-1985)

Dust Storm, Cimarron County, Oklahoma silver print signed in pencil 8 1/8 x 8 1/8 inches. $2,000-$4,000

PRINTS AND PHOTOGRAPHS

PHOTOGRAPHY

156

*156

Yousuf Karsh

(ARMENIAN/CANADIAN, 1908-2002)

Georgia O’Keeffe, 1956 gelatin silver print signed in ink 19 5/8 x 15 3/4 inches. Property from the Collection of Carl Lindell Jr. $4,000-$6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

157

Edward Weston

(AMERICAN, 1886-1958)

Nude 62N (Dancer’s Knees) gelatin silver print; printed later by Cole Weston stamped and signed by Cole Weston 7 x 8 inches. $1,500-$2,500

158

Edward Weston

(AMERICAN, 1886-1958)

Shell gelatin silver print 9 x 7 inches. $3,000-$5,000 157

158

PRINTS AND PHOTOGRAPHS

PHOTOGRAPHY

160 159

159

160

Imogen Cunningham

Alan Ross

Two Callas

Light Storm, Yosemite National Park, 1975

gelatin silver print 13 3/8 x 10 1/8 inches.

gelatin silver print signed, stamped, titled and dated 15 1/2 x 19 1/8 inches.

(AMERICAN, 1883–1976)

(AMERICAN, B.1948)

$800-$1,200 $300-$500

161

Howard Bond

(AMERICAN, B. 1931)

Procession gelatin silver print signed titled and stamped in ink 11 1/8 x 19 3/4 inches. $300-$500

161

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

162

Richard Avedon

(AMERICAN, 1923-2004)

John Ford, Director, Bel Air, California, 4. Nov. 1972, 1972 gelatin silver print signed, dated in ink and copyright credit label on the verso 7 1/2 x 7 1/2 inches. Literature: Avedon, Richard, Portraits, Farrar, Straus and Giroux, 1976 Avedon, Richard, An Autobiography, Random House, 1993, pl. 186 $4,000-$6,000

163

Alfred Eisenstaedt

(AMERICAN/GERMAN, 1898-1995)

La Scala c-print bearing blindstamp of signature, numbered 15/250 in ink 18 1/2 x 5 1/2 inches. Provenance: VP Gallery, Milwaukee, Wisconsin Acquired from the above by the present owner $3,000-$5,000

163

PRINTS AND PHOTOGRAPHS

PHOTOGRAPHY

164

Helmut Newton

(AUSTRALIAN/GERMAN, 1920-2004)

Naomi Campbell, Cap d’Antibes, 1998 color coupler print signed, titled and dated (on verso) 21 1/2 x 15 1/5 inches. $5,000-$7,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

165

Helmut Newton

(AUSTRALIAN/GERMAN, 1920-2004)

Smoking Machine, 1991 gelatin silver print signed, titled, inscribed, dated, and numbered ‘#5’ in ink 11 3/4 x 14 3/4 inches. Provenance: Gift of the artist to Robert (Bob) Evans, Beverly Hills, CA Gift from Evans to Jennifer Howard Kessler Private Collection, New York, NY Note: This work was photographed in Robert Evans' Beverly Hills home. $5,000-$7,000

166

Helmut Newton

(AUSTRALIAN/GERMAN, 1920-2004)

Red Gorgeous or Gorgeous Red, 1991 gelatin silver print initialed and numbered (verso) 8 x 10 inches. Provenance: Robert (Bob) Evans and Jennifer Howard Kessler Private Collection, New York, New York With letter of provenance from Jennifer Kessler Note: This work is part of a unique series shot in Newton’s Beverly Hills, California projection room for Bob Evans and Jennifer Howard Kessler. Ms. Kessler is the subject of the photograph $5,000-$7,000

100 P R I N T S A N D P H O T O G R A P H S

166

PHOTOGRAPHY

168

167

168

Helmut Newton

Red Gorgeous or Gorgeous Red, 1991

Pool Girls, 1991

gelatin silver print signed, dated and inscribed 10 x 8 inches.

gelatin silver print initialed and numbered 14 x 11 inches.

Provenance: Robert (Bob) Evans and Jennifer Howard Kessler Private Collection, New York, New York With letter of provenance from Jennifer Howard Kessler

Provenance: Gift from the artist to Jennifer Howard Kessler Private Collection, New York, NY With letter of provenance from Jennifer Kessler

Note: This work is part of a unique series shot in Newton’s Beverly Hills, California projection room for Bob Evans and Jennifer Howard Kessler. Ms. Kessler is the subject of the photograph.

Note: This work was photographed in Robert Evans' Beverly Hills home. Ms. Kessler and Debra (a model) are the subjects of the photograph.

(AUSTRALIAN/GERMAN, 1920-2004)

$5,000-$7,000 $5,000-$7,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 101

169

Jean (Johnny) Pigozzi (AMERICAN, B. 1952)

A pair of photographs (Helmut Newton, “Gorgeous Red”; Tatiana Von Furstenberg and friends) gelatin silver prints 4 3/4 x 7 inches (each). Note: These photographs were taken in Helmut Newton's Monte Carlo Home. $600-$800

170

Bob Willoughby

(AMERICAN, 1927-2009)

A pair of photographs depicting Jennifer Howard Kessler, 1992 gelatin silver print signed, inscribed, numbered, dated and stamped 11 3/4 x 8 inches. $1,000-$2,000 169

170

102 P R I N T S A N D P H O T O G R A P H S

PHOTOGRAPHY

171

172

173

171

172

173

Luis González Palma

Untitled

La Luna

Untitled

collaged gelatin silver print 23 x 41 inches.

gelatin silver print 20 x 20 inches.

collaged gelatin silver prints 39 x 9 1/2 inches.

Provenance: Schneider-Bluhm-Loeb Gallery, Chicago

$2,000-$4,000

Provenance: Schneider-Bluhm-Loeb Gallery, Chicago

(GUATEMALAN, B. 1957)

$2,000-$4,000

(GUATEMALAN, B. 1957)

$2,000-$4,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 103

174

104 P R I N T S A N D P H O T O G R A P H S

PHOTOGRAPHY

174

Joel Meyerowitz (AMERICAN, B. 1938)

Bay/Sky/Porch (complete with burgundy linen clamshell portfolio case with gilt title), 1979 fifteen chromogenic prints each signed, dated and numbered 49/75 in ink each approximately 7 7/8 x 9 5/8 inches. $6,000-$8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 105

175

Andy Warhol

(AMERICAN, 1928-1987)

Liquid Cds, 1976-1986 four stitched gelatin silver prints signed in pencil 21 3/8 x 27 3/8 inches. Provenance: Robert Miller Gallery, New York Michael H. Lord Gallery, Milwaukee, Wisconsin Acquired from the above by present owner Literature: Koch, Steven; Andy Warhol Photographs, Robert Miller Gallery, 1987 (illustrated p. 46) $20,000-$30,000

"I didn’t believe in art; I believed in photography." – Andy Warhol

Andy Warhol brought a camera, often a polaroid, with him everywhere. In his factory or his home, while in restaurants or clubs, on walks, on trips, nights with friends, a camera was always present. A short survey of his artistic output makes it very clear that photography was the central theme in his practice. The bulk of source material for his most well-known artworks are his own or someone else’s photographs. Portraits of celebrities such as Mick Jagger and Muhammad Ali, his legendary works depicting Marilyns, Flowers, Shoes, Knives, and Guns all began as a photograph before being replicated through screenprinting in the bright and vibrant colors we all associate with Warhol. Late in his career, when 35mm black and white cameras became more portable, he turned to the medium more seriously. He began creating multiple 11 x 14 black and white prints of the same image that he stitched together in grids of four or six. The grids, immediately recalling his ground-breaking 1962 painting Green Coca Cola Bottles with its overt yet not quite mechanical repetition, were first exhibited in his first photography exhibition in 1987. It happened to be his only photography exhibition as he died six weeks later. Liquid Cds, presented here, is rife with the repetition and everyday subject matter that Warhol is best known for. This work was exhibited in his sole photography exhibition in January 1987 at the Robert Miller Gallery. Only about 500 stitched photographs were created during the Warhol's lifetime, each unique in many ways, but all exuding the qualities that are the culmination of the legendary artist’s career.

106 P R I N T S A N D P H O T O G R A P H S

PHOTOGRAPHY

175

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 107

176

Lee Friedlander (AMERICAN, B. 1934)

Akron, Ohio, 1979 gelatin silver print stamped, titled, dated and signed in pencil 8 x 12 inches. $800-$1,200

176

*177

William Wegman (AMERICAN, B. 1943)

Untitled (from Puppies Portfolio), 1989 ektacolor photograph edition 3/28 11 x 14 inches. Property from the Estate of Jordon F. Todd, Denver, Colorado $300-$500

177

178

Harry Shunk

(GERMAN, 1924–2006)

Andy Warhol and Gerard Malanga, 1965 gelatin silver print 10 1/2 x 14 inches. Provenance: Artist Studio Private Collection Christie’s, New York; Photographs; 20 Feb 2008, Lot 322 Private Collection, Miami $800-$1,200

178

108 P R I N T S A N D P H O T O G R A P H S

PHOTOGRAPHY

179

Robert Mapplethorpe (AMERICAN, 1946-1989)

Sebastian and Nda, 1981 gelatin silver print signed, dated and numbered 2/15 in black ink. 14 x 14 inches. $1,000-$2,000

179

180

Robert Mapplethorpe (AMERICAN, 1946-1989)

Eddie Jones, 1980 gelatin silver print signed, dated and numbered 7/15 in pen, bearing artist’s stamp, title, signature and date (verso) 14 x 14 inches. $2,000-$4,000

180

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 109

181

Robert Mapplethorpe (AMERICAN, 1946-1989)

Thomas, 1987 gelatin silver print signed, dated and numbered 5/10 in pen, bearing artist’s stamp, title, signature and date (verso) 19 x 19 inches. $8,000-$12,000

110 P R I N T S A N D P H O T O G R A P H S

PHOTOGRAPHY 182

Jan Groover

(AMERICAN, 1943-2012)

Untitled, 1986 c-print edition 1/5 8 x 10 inches. Provenance: Michael H. Lord Gallery, Milwaukee, Wisconsin Acquired from the above by the present owner $800-$1,200

183

Matthew Pillsbury

182

(AMERICAN, B. 1973)

Crystal Gallery, Hunterian Museum, London, 2007 archival pigment print signed, titled, dated, and numbered 7/20 in pencil 19 x 13 inches. $1,000-$2,000

183

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 111

ARTIST INDEX

GLOSSARY OF TERMS

ARTIST NAME. . . . . . . . . . . . . . . . . . . . . . . . LOT Albers, Josef . . . . . . . . . . . . . . . . . . . . . . . . 113 Aldegrever, Heinrich . . . . . . . . . . . . . . . . . 1, 7-8 Appel, Karel. . . . . . . . . . . . . . . . . . . . . . . . . 112 Avedon, Richard. . . . . . . . . . . . . . . . . . . . . . 162 Baldung, Hans (sometimes attributed to). . . . . . 5 Baumann, Gustave. . . . . . . . . . . . . . . . . . . . . 38 Beal, Jack. . . . . . . . . . . . . . . . . . . . . . . . . . 109 Bearden, Romare. . . . . . . . . . . . . . . . . . . . . 109 Beckmann, Max. . . . . . . . . . . . . . . . . . . . . . . 70 Bellows, George. . . . . . . . . . . . . . . . . 33, 89-95 Benton, Thomas Hart. . . . . . . . . . . . . . . . . . . 36 Bond, Howard . . . . . . . . . . . . . . . . . . . . . . . 161 Bonnard, Pierre . . . . . . . . . . . . . . . . . 28-29, 65 Bruegel the Elder, Pieter (after, by Pieter van der Heyden). . . . . . . . . . . . . . . . . . . . . . . . . . . 9-10 Brown, Roger. . . . . . . . . . . . . . . . . . . . . . . . 141 Calder, Alexander. . . . . . . . . . . . . . . 81-82, 109 Cartier-Bresson, Henri . . . . . . . . . . . . . 153-154 Chagall, Marc. . . . . . . . . . . . . . . . . . . . . . . . . 76 Coleman, Joe. . . . . . . . . . . . . . . . . . . . . . . . 142 Cranach the Elder, Lucas. . . . . . . . . . . . . . . . . 3 Cunningham, Imogen . . . . . . . . . . . . . . . . . . 159 Dali, Salvador. . . . . . . . . . . . . . . . . . . . . . 77-80 Davis, Ron. . . . . . . . . . . . . . . . . . . . . . . . . . 139 Dill, Lesley. . . . . . . . . . . . . . . . . . . . . . . . . . 137 Dine, Jim. . . . . . . . . . . . . . . . . . . . . . . 116-118 Dürer, Albrecht. . . . . . . . . . . . . . . . . . . . . . . . . 4 Dürer, Albrecht (after). . . . . . . . . . . . . . . . . . 2, 5 Edelinck, Gérard. . . . . . . . . . . . . . . . . . . . . . . 11 Eisenstaedt, Alfred. . . . . . . . . . . . . . . . . . . . 163 Eugene, Frank . . . . . . . . . . . . . . . . . . . . . . . 152 Faulkner, Jim . . . . . . . . . . . . . . . . . . . . 146-147 Francis, Sam. . . . . . . . . . . . . . . . . . . . . . . . 110 Frankenthaler, Helen. . . . . . . . . . . . . . . . . . . 124 Friedlander, Lee. . . . . . . . . . . . . . . . . . . . . . 176 Gaugin, Paul . . . . . . . . . . . . . . . . . . . . . . . . . 31 Goltzius, Hendrik . . . . . . . . . . . . . . . . . . . . . . . 6 Golub, Leon and Nancy Spero. . . . . . . . . . . . 109 Gornik, April. . . . . . . . . . . . . . . . . . . . . . . . . 136 Green, Art. . . . . . . . . . . . . . . . . . . . . . 146-147 Grooms, Red. . . . . . . . . . . . . . . . . . . . 107-108 Groover, Jan. . . . . . . . . . . . . . . . . . . . . . . . . 182 Helleu, Paul César. . . . . . . . . . . . . . . . . . 47-48 Hepworth, Barbara. . . . . . . . . . . . . . . . . . . . . 97 van der Heyden, Pieter (after Pieter Bruegel the Elder) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-10 Hodgkin, Howard . . . . . . . . . . . . . . . . . 149-150 Hopper, Edward . . . . . . . . . . . . . . . . . . . . . . . 87 Johns, Jasper. . . . . . . . . . . . . . . . . . . . . . . . 128 Karsh, Yousuf. . . . . . . . . . . . . . . . . . . . . . . 156 Katz, Alex . . . . . . . . . . . . . . . . . . . . . . 119-120 Leger, Fernand. . . . . . . . . . . . . . . . . . . . . . . . 27 LeWitt, Sol. . . . . . . . . . . . . . . . . . 109, 114-115 van Leyden, Lucas. . . . . . . . . . . . . . . . . . 12-13 van Leyden, Lucas (after) . . . . . . . . . . . . . . . . 14 Lichtenstein, Roy. . . . . . . . . . . . . . . . . 125-127 Longo, Robert . . . . . . . . . . . . . . . . . . . . . . . 131 Maillol, Aristide . . . . . . . . . . . . . . . . . . . . . . . 56 Manet, Edouard. . . . . . . . . . . . . . . . . . . . . . . 49 Mapplethorpe, Robert. . . . . . . . . . . . . . 179-181 Matisse, Henri. . . . . . . . . . . . . . . . . . 32, 67-68 Meyerowitz, Joel. . . . . . . . . . . . . . . . . . . . . . 174 Miró, Joan. . . . . . . . . . . . . . . . . . . . . . . . 71-75 Monogrammist B.P. (After Albrecht Dürer). . . . . . 2 Moore, Henry. . . . . . . . . . . . . . . . . . . . . 98-101

112 P R I N T S A N D P H O T O G R A P H S

Morris, Robert. . . . . . . . . . . . . . . . . . . . . . . 109 Muybridge, Eadweard. . . . . . . . . . . . . . . . . . 151 Newton, Helmut. . . . . . . . . . . . . . . . . . 164-168 Nilsson, Gladys . . . . . . . . . . . . . . . . . . 146-147 Nutt, Jim. . . . . . . . . . . . . . . . . . . 143, 146-147 Oldenburg, Claes. . . . . . . . . . . . . . . . . 109, 123 Opie, Julian. . . . . . . . . . . . . . . . . . . . . . . . . 148 Ostade, Adriaen Jansz van (after). . . . . . . . . . 15 Palma, Luis González. . . . . . . . . . . . . . 171-173 Paschke, Ed. . . . . . . . . . . . . . . . . . . . . . . . . 144 Picasso, Pablo. . . . . . . . . . . 24-25, 57-58, 60-63 Picasso, Pablo (after). . . . . . . . . . . . . . . . . . . 59 Pigozzi, Jean (Johnny). . . . . . . . . . . . . . . . . . 169 Pillsbury, Matthew . . . . . . . . . . . . . . . . . . . . 183 Pisarro, Lucien. . . . . . . . . . . . . . . . . . . . . . . . 66 Pistoletto, Michelangelo. . . . . . . . . . . . . . . . 122 Poons, Larry. . . . . . . . . . . . . . . . . . . . . . . . . 109 Rassenfosse, Armand. . . . . . . . . . . . . . . . . . . 30 Renoir, Pierre-Auguste. . . . . . . . . . . 19-21, 50-55 Riley, Bridget . . . . . . . . . . . . . . . . . . . . . . . . 109 Robbe, Manuel. . . . . . . . . . . . . . . . . . . . . . . . 46 Rocca, Suellen. . . . . . . . . . . . . . . . . . . 146-147 Rosenquist, James. . . . . . . . . . . . . . . . 132-134 Ross, Alan. . . . . . . . . . . . . . . . . . . . . . . . . . 160 Rothstein, Arthur . . . . . . . . . . . . . . . . . . . . . 155 Ruscha, Ed . . . . . . . . . . . . . . . . . . . . . . . . . 121 Saito, Kiyoshi. . . . . . . . . . . . . . . . . . . . . . . . 102 Sandzén, Birger. . . . . . . . . . . . . . . . . . . . . . . 37 Saul, Peter. . . . . . . . . . . . . . . . . . . . . . . . . . 109 Schmidt-Rottluff, Karl. . . . . . . . . . . . . . . . . . . 69 de Segonzac, André Dunoyer. . . . . . . . . . . . . . 23 Sheeler, Charles. . . . . . . . . . . . . . . . . . . . . . . 96 Shunk, Harry. . . . . . . . . . . . . . . . . . . . . . . . 178 Simpson, Lorna. . . . . . . . . . . . . . . . . . . . . . 135 Sloan, John French. . . . . . . . . . . . . . . . . . . . . 34 Soyer, Raphael. . . . . . . . . . . . . . . . . . . . . . . 109 Spero, Nancy and Leon Golub. . . . . . . . . . . . 109 Steir, Pat. . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Stella, Frank. . . . . . . . . . . . . . . . . . . . . . . . 109 Tamayo, Rufino. . . . . . . . . . . . . . . . . . . . . 83-86 The Hairy Who? (Jim Faulkner, Art Green, Jim Nutt, Gladys Nilsson, Suellen Rocca and Karl Wirsum). . . . . . . . . . . . . . . . . . . . . . . . 146-147 Tissot, James Jacques Joseph . . . . . . . . . . . . 45 Tobey, Mark. . . . . . . . . . . . . . . . . . . . . 103-105 Valier, Biron. . . . . . . . . . . . . . . . . . . . . . . . . 138 Various Artists (Jack Beal, Romare Bearden, Alexander Calder, Leon Golub-Nancy Spero, Sol LeWitt, Robert Morris, Claes Oldenburg, Larry Poons, Bridget Riley, Peter Saul, Raphael Soyer, Frank Stella). . . . . . . . . . . . . . . . . . . . 109 Villon, Jacques. . . . . . . . . . . . . . . . . . . . . . . . 64 Vlaminck, Maurice . . . . . . . . . . . . . . . . . . . . . 26 Warhol, Andy . . . . . . . . . . . . . . . . 129-130, 175 Wegman, William. . . . . . . . . . . . . . . . . . . . . 177 Weiner, Lawrence. . . . . . . . . . . . . . . . . . . . . 120 Weston, Edward. . . . . . . . . . . . . . . . . . 157-158 Whistler, James Abbott McNeill. . . . . . 17, 39-43 Wiley, William T. . . . . . . . . . . . . . . . . . . . . . . 106 Willoughby, Bob . . . . . . . . . . . . . . . . . . . . . . 170 Wirsum, Karl . . . . . . . . . . . . . . . . . . . . 145-147 Wood, Grant. . . . . . . . . . . . . . . . . . . . . . . . . . 35 Zorn, Anders . . . . . . . . . . . . . . . . . . . . . . . . . 44 Zox, Larry . . . . . . . . . . . . . . . . . . . . . . . . . . 111

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.

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114 P R I N T S A N D P H O T O G R A P H S

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700 12th Street, NW Suite 700 Washington, D.C. 20005 washingtondc@hindman.com 202.853.1638

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion

In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

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CONDITIONS OF SALE HINDMAN LLC AS AGENT The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC. Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

116 P R I N T S A N D P H O T O G R A P H S

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. Third-Party Platform Fee If the buyer bids through a third-party platform the buyer agrees to pay a surcharge to Hindman LLC equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale. Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items. Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

LIABILITY Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request. Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser. Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC. 07/19

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

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WE INVITE YOU TO CONSIGN WITH US UPCOMING AUCTIONS

SALE 788

AMERICAN AND EUROPEAN ART Wednesday, September 30 | 10:00AM CT Chicago | Live + Online

SALE 789

POST WAR AND CONTEMPORARY ART Thursday, October 1 | 10:00AM CT Chicago | Live + Online

SALE 790

PRINTS AND MULTIPLES Thursday, October 1 | 2:00PM CT Chicago | Live + Online

CONSIGNMENT INQUIRIES hindmanauctions.com 1338 West Lake Street Chicago, Illinois 60607 312.280.1212

Andy Warhol (American, 1928-1987) Campbell's Soup I: Vegetable, 1968 screenprint on paper Sold for $45,000

BID FORM

FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM

Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registeration through our website at www.hindmanauctions.com

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

NAME

SALE No./NAME

$0 – 200 $200 – 500 $500 – 1,000 $1,000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +

744 - Prints Business NAME

Billing address

city

state

country/zip

contact NAME

primary phone

$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 AUCTIONEER’S DISCRETION

secondary phone

For absentee bids, indicate your limit for each lot. Your bids will be excecuted at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

fax

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website. SIG N ATURE

DAT E

( FO R HINDM AN L CC)

DAT E

A per lot buyer’s premium is added to the final hammer price as per the following: $0 – 250,000 $250,001 – 3,000,000 $3,000,001 +

25% 20% 12%

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

First time bidders please provide a valid credit card and one of the following: Passport/Driver’s License/National Identity Card lot no.

lot description

ABSENTEE BID

PHONE BID

BACK-UP BID

USD ($) L IM I T EX C L . BUY E R’S PR EM I U M

PL EAS E C H EC K

F O R T EL EPH O N E B I D D ER S O N LY

1338 WEST LAKE STREET CHICAGO, ILLINOIS 60607 PH 312.280.1212 FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM HINDMANAUCTIONS.COM

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V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 119

1338 West L ake Street Chicago, Illinois 60607 l ph 312.280.1212 l hindmanauctions.com