The
Footloose Photos
Tiger HI-LINE Footloose dances toward debut Find some highlights of the upcoming musical on Pages 4 & 5
Friday, March 6, 2015
“Let’s go back to this scene and work through our dancing. It looked pretty sloppy this time,” the director shouted while all of the cast members rehearsed late on a school night. Even though they all groaned in agony since they’ve worked through this number countless times, all of their hard work will be worth it when the drama department presents this year’s musical, “Footloose.” The story focuses on Ren McCormack (senior Brian Keiser), an inner city boy who moved all the way from Chicago into a small, unknown town called Bomont. Ren finds it incredibly difficult to fit in with his new surroundings, especially when he figures that the town’s minister, Reverend Shaw Moore (senior Nathan Hall), has made dancing illegal in Bomont, but with the help from his new cowboy friend, Willard Hewitt (senior John Nicol), Ren rebels against the authority figures in his life by trying to throw a dance. Meanwhile, Ren grows close with Moore’s rebellious daughter, Ariel Moore (sophomore Brooke Prohaska), who has a strained relationship with her father, and it isn’t long before a romance dances out to be dealt with in tiny Bomont.
Follow us on Twitter at tigerhiline, Facebook at TigerHilineOnline and on our website at www.hiline.cfschools.org
Volume 55 Edition 19
The musical is co-directed by English teachers Michelle Rathe and Joe Frenna, who both began running rehearsals as early as last November. At first, rehearsals started out simple with the actors only learning the choreography and how to sing. Later on, the rehearsals became more and more complicated when the actors went on stage and put all of the pieces together. Tech especially needed more depth since they had to know when to put in light, sound and set pieces. “Directing a musical is really different [from directing a normal play] because you have to wear so many different hats as a director,” Rathe said. “It’s not just the acting; it’s the acting, the singing, the dancing and the orchestration.” Despite all of the hard work, what makes it all worth it for Rathe is the chance to see the actors evolve. “I personally love watching the kids grow from being afraid to sing and dance to all of sudden seeing them own that moment that they’ve never really experienced before.” Sophomore Brooke Prohaska plays as the female lead and described what her character is like. “Ariel Moore is a spunky, rebellious teenager who wants nothing
more than to leave the small town of Bomont,” Prohaska said. “She’s great at making her dad angry and makes it pretty clear that she really likes guys ... a lot.” What Prohaska said she enjoys the most about playing her character is that it gives her an opportunity to show a different side of her that people would normally not see. “It’s really fun to just let go,” Prohaska said. “Also, I get to yell a lot, which is great.” Rathe encourages students and faculty to come see the musical because she thinks that they will all love it. “People are going to recognize the music. There’s a lot of dancing, and there’s a lot of funny little moments with the characters,” Rathe said, “but I think there’s a lot of believable understanding on how people feel when they don’t fit in or when they’re not accepted.” Prohaska also urged others to see the musical as well. “It’s chock-full of singing, dancing, cowboy boots and talented people. We have all put so much work into this and can’t wait for you to see what we’ve put together,” Prohaska said. Performance dates are Friday, March 6, and Saturday, By Staff Writer Sarah
STORTZ
At top, senior Jon Nicol and junior Sydney Coloff shine in the opening number, and, at left, sophomore Brooke Prohaska holds out for a hero in one of the many memorable dance numbers from Footloose.
Photos by Logan Cole and Ashley Brimacomb
Two All State singers travel to Carnegie Hall About two weeks after the 2013 AllState concert, juniors Mitch Dekutoski and Julianna Norby received letters from the Honors Performance Series at Carnegie Hall inviting them to audition for their program “It looked like a rare opportunity for me, so I decided to audition. I sent in a recording of a solo I sang for solo contest that year and waited six months before I found out I got selected for it,” Dekutoski said. This audition was no small deal; only a select number make it as finalists. “The 500 finalists flew in from all around the country and the world to New York City, which is where we would perform in Carnegie Hall,” Dekutoski said. He was amazed the moment he stepped inside Carnegie Hall. “When we first walked into the auditorium, I was blown away. The architecture was so beautiful, every little detail you could see from the floor. We then got sound
checked, and I was so happy to be up on the stage for the first time. But that was nothing in comparison to when we actually got to perform. When I heard the first note of the night, I was astounded. The acoustics were so perfect. I could hear every individual voice. I sang my heart out that day, and it felt so good. When we finished, the standing ovation lasted forever. Then we heard the band and the orchestra, and their performances were perfect. I heard nothing wrong the rest of the concert, and the acoustics only made it better. And, of course, they got a lasting standing ovation, as well. It was definitely the best concert I’ve ever been a part of.” Norby agreed that Carnegie Hall was amazing. “It was great. The architecture was gorgeous, and it was huge. We sounded really well when we sang together because of the resonance in the hall. Also, Carnegie Hall is two blocks from Central Park. After the performance, we got a huge yacht and got to sight see
and stuff. Rehearsals were really long, but it was definitely worth it.” Dekutoski spent a majority of his time there rehearing. But in his downtime, he had time to do some sightseeing too. “We got to see a Broadway show. I saw Phantom of the Opera. We went to the top of the Rockefeller Center, and after the concert, we celebrated on a yacht that toured New York Harbor, so we got to see the Statue of Liberty and the Brooklyn Bridge.” Dekutoski and Norby performed six pieces in Carnegie Hall: “The Creation” by Willy Richter, “Still wie die Nacht (Calm as the Night)” by Karl Bohm, “Anthem for Spring” from Cavalleria Rusticana, “You are the Music” by Dan Forrest, “Shenandoah/He’s Gone Away” by Mark Hayes and “This Little Light of Mine” also by Mark Hayes. Dekutoski said the experience was packed with pleasurable surprises. “I didn’t know about the yacht until they
sent out the itinerary with all the music and other information, but when I heard about it, I was so pumped. So after the concert, we got to see our parents and go out to dinner and get out of our concert attire,so after that, we boarded some buses that took us to a pier, and we got boarded on the yacht. There was a dance floor, four different decks, food and drinks, blaring music and it wasn’t too cold to go outside for a while. It was so cool.” All around, Dekutoski was blown away at this amazing opportunity he was able to do, and he is eager to see what the future holds. “This is definitely an experience I’ll never forget. The people I met, the director I got to perform under, singing in one of the world’s biggest stages — it was all so amazing, and I learned so much from it, for both my voice and my being. I definitely know I am auditioning again next year.” By Staff Writer Annebeth
AHRENHOLZ