Dear readers, for a complete century, Xavier has remained nothing short as the illustrious representation of pure Black excellence. 2025 marks 100 years since Saint Katherine Drexel sparked a legacy that continues to thrive as we exist today. As we lived through the centennial countdown and celebration of the only Black and Catholic institution that has generated scholars, innovators, and leaders, we realize that history is not something that is waiting to be achieved, but it is something that we are currently creating.
As the world continues to develop, we can see attempts made to rewrite history when it comes to the presence of HBCUs. Funding cuts, cultural exploitation, and political unrest are all serving as threats to the rise and existence of Black scholarship, culture, and identity. The idea of living in a society that fails to recognize the importance
Editor’s corner: The New Age of “Xpression”
of Black institutions while profiting from our cultural creativity is alarming. Yet, this idea is nothing but reality for us. To loosely paraphrase the character Delta Slim from the movie Sinners, this country likes our culture just fine, they just do not like the people who create it.
However, as an HBCU, Xavier has a constant pulse in preservation and progression hence the centennial celebration. Amongst these qualities lies versatility. Within Xavier’s high regard for STEM fields, also exists a diverse range of the arts; music, poetry, theater, journalism, film, and many more forms of Xpression layered throughout the university’s landscape.
In addition to producing the largest number of African American graduates to go to medical school, Xavier has given us Emmy Award winners, renowned poets, published authors, acclaimed musicians, MacArthur Genius visual artists and stage performers, government leaders, filmmakers, entrepreneurs, fashion icons, journalists, and storytellers.
This truly showcases Xavier’s power in establishing pure prestige in not just STEM but across all fields. As we came to
celebrate 100 years of rich history and diversity, we realized that a new era was upon us. A “New Age of Xpression,” if you will, is currently taking place and aims to solidify Xavier’s centennial as just the beginning.
In this issue, The Xavier Herald is not only continuing to highlight key accomplishments, but its focus prioritizes how students, faculty, and alumni creatively express themselves. The Herald aims to dig deeper than just academic or vocational achievement; it intends to bring light to a side of Xavier that further proves why it is a top HBCU in the nation in just its 100 years of existence.
This edition’s title is more than just a name, but rather a statement. Like Xavier, The Herald has journeyed through a “Renaissance” that has paved the way for us to open our minds through “Enlightenment.” Through “Reconstruction” we have reaffirmed the lasting legacy of Xavier which has led us to “A New Frontier.” Now that we have experienced the centennial countdown and celebration, we must ask ourselves one question: “What’s next?” For now, The Xavier Herald proudly presents “The New Age of Xpression.”
The Xavier Herald Staff fall 2025
Editor-in-Chief: Ja’lyn Jones
Assistant Editor: Ivanna Washington
Managing Editor: Brynnan Smith
Chief Political Writer: keziah-yvonne smith
Sports Editor: daelyn house
Photo Editor: Caleb Little
Staff Writers michael muse
nia moss adia fienaagha
kevin anderson aaliyah brown zaria fenderson gabrielle cromwell kristopher beavers donovan green
brynnan smith deon arnold
Page Designers ja’lyn jones
Cover Design melody daniels
Comic Design Ivanna Washington
Special Thanks to ms. veronica favre, yearbook coordinator
Faculty Advisor: Dr. Quincy Hodges qhodges@xula.edu
Staff advisor: Annie Johnson ajohn211@xula.edu
Department head: Dr. Shearon Roberts srobert7@xula.edu
PRSSA Advisor: Dr. Nia Mason nmason1@xula.edu
HERALD CONTACT INFORMATION
Herald Office: Xavier South, 112B 504.520.5092
Email Stories: herald@xula.edu
Comic illustrated by Ivanna Washington
Melody Daniels Cover Designer mdanie19@xula.edu
by Ivanna Washington Comic Designer iwashin8@xula.edu
by Keziah-Yvonne Smith Chief Political Writer ksmit135@xula.edu
President Donald Trump has once said he is a champion of Historically Black Colleges and Universities (HBCUs). In September 2025, President Trump signed an executive order that granted HBCUs a one-time funding increase of nearly $500 billion. This comes after cutting funding for other cultural institutions like Historically Hispanic Institutions.
While HBCUs are not yet directly under President Trump’s academic pushback against diversity, equity and inclusion programs at predominantly white institutions, his other policies that slash funding to higher education across the board, also affect all students who rely on federal grants to support their college education.
Under new Trump policies, HBCU students are now facing challenges with the administration’s federal aid changes. A 2020 study conducted by the Postsecondary National Policy Institute demonstrated that around 80-percent of HBCU students received some federal aid, 68-percent received federal Pell Grants, and 64-percent received a federal student loan, all well above the average for non-HBCU students. Xavier’s assistant provost for Student Success, Dr. Nathaniel Holmes, said he worries that the major cuts to these programs that directly impact how a student can afford college, will be detrimental to HBCU students, considering their heavy financial need, and that the additional funding from the administration is insufficient.
“What we are seeing in terms of federal cuts [is] a decrease in the opportunities that students have, particularly HBCU students, in terms of entering college and going to graduate school,” Holmes said.
“A lot of scholarships have been removed for students wanting to seek post-graduate work,” Holmes added.
“If students [do not] have the opportunity to enter post-secondary institutions, then the funding really [does not] matter. If students do not have the opportunity to enjoy a diverse learning environment, then the funding has very little impact,” Holmes said.
Throughout both his administrations, 2016 to 2020 and to now in 2025, President Trump has held the perspective that he is the most supportive president of HBCUs, an assertion that critics have challenged and disputed. Simultaneously, the administration is attacking and attempting to erase DEI programs, grants, academic units, or curriculum considered “woke” from predominantly white institutions nationwide.
Faculty like Dr. Daniella Mascarenhas, an assistant political science professor at Xavier, said she is not convinced that the investment into HBCUs is with pure intentions.
“There is a very clear agenda of dedication to building and supporting the infrastructure for HBCUs. But at the same time, what we’re seeing is an attack on PWIs and their efforts for DEI. So I am wondering what the message is,” Mascarenhas said.
“I have seen some speculation that the message is the administration supports Black excellence only in Black spaces … but not in white spaces. [Essentially], saying ‘There is space for you, so stay there,” she added.
While the White House has maintained the Initiative to Support HBCUs, DEI programs across institutions across the country remain in jeopardy. According
to Attorney Angela Vallot, the co-founder and Partner of VallotKarp Consulting, LLC., and a sitting board member on the Xavier Board of Trustees, many universities are fighting back.
“What the Trump administration is attempting to do raises serious constitutional concerns. The government does not have the right to dictate what universities teach or how they structure their curriculum. What it can
do, however, is threaten to withdraw federal funding, and that’s the lever they are using,” Vallot said.
“In response, universities are pushing back, asserting their rights to academic freedom and free speech. Some institutions are choosing to make deals with the administration, while others are standing firm and holding out,” Vallot added.
Students gathered with their families and ready to begin their collee expereince during new student orientation. Photo courtesy of Veronica Farve
Melody Daniels Comic Designer mdanie19@xula.edu
Xavier University New Residence Hall to be expected by Fall 2027
by Ivanna Washington Associate Editor iwashin8@xula.edu
Xavier University is continuing its campus improvements with another major construction project. This semester, construction on a new residence hall has interrupted routine campus life. Construction on the new dorm began last semester and is expected to be open and available by fall of 2027. Originally a campus parking lot, the idea behind the new residency is to emphasize community while uniting all Xavier residents back to campus.
“We wanted to create this space that would mirror the cocurricular and the curricular for the residence hall, so the students who are living there would be able to have learning that occurs outside of the classroom within the walls of their residence hall,” said Curtis Wright, Xavier’s Vice President of Student Affairs.
“When we think about the end [of campus] down by Carrollton, a lot of the academic buildings have nicer spaces for the students to be able to congregate, to study, to prepare for class, to do all these things. But in the residence halls, we haven’t always given the same level of attention,” Wright said.
Some students have complained about issues they are currently experiencing in their residence halls and hope those issues will also be address while the university focuses on new housing projects. “I’ve heard complaints about mold in the AC, washers, and dryers not working,” said junior, Chemistry major JaCorey Law. Law serves as the treasurer for the Residence Hall Council.
As of the fall 2025 semester, some students are housed off campus at the University
of New Orleans and others remain on a waitlist in search of housing. With the new dorms, the hope is to bring the students back closer to campus while offering a multipurpose way of living.
“We’ll bring all the students back from UNO back to campus,” Wright said.
The current plan from Xavier administrators is to house upperclassmen in the new residence halls. “It depends on who you talk to… but realistically, it would be our upper-class students who would live there, and then we would push our first-year students to either St. Martin De Porres, the Living Learning Center or St. Katharine Drexel,” Wright said.
The new dorms plan to have around 600 to 700 beds with suite-style living and laundry in each room. Each floor plans to have one large study lounge
with four smaller study rooms to accommodate students’ academic needs.
“I am excited for the opportunity to see a new dorm with more available housing for upperclassmen,” Law said. “I believe this could be a remedy for upperclassmen having to stay in off campus housing.”
The idea behind the first floor is a multipurpose area with an open space for dining, classrooms, study rooms and a space similar to the current ballrooms on campus.
“If the building’s layout and amenities are designed with community in mind like common areas, lounges, or study rooms, it could really help students feel
more connected,” said junior residence assistant, Mya Guy. “Xavier students value community and culture, so having a modern, comfortable space that reflects that will make a big difference.”
Following the building’s planned completion, there are plans for a ribbon cutting event with the addition of applications in spring of
that year. When the building becomes open to students, there are plans to repurpose St. Michaels Residence Hall into a “pre-med” hub.
“Our goal is to hopefully be online by fall 27, and if that’s the case then we would start the application process, if we’re on track… in the spring of 27,” Wright said.
A rendering of the new dorm hall expected to open to students fall 2027. Photo courtesy of Office of Student Affairs
Progress between August and October shown on the construction of the new dorm halls.
Photo by Herald Staff
Campus News
by Michael Muse Staff Writer mmuse1@xula.edu
From Bill Cosby to Nickelodeon’s “Quiet on Set” to the long lingering shadow of Jeffrey Epstein stories, predatory abuse has shaken the public’s conscience in our society. These recent challenges force a question that lingers long after the news cycle fades: How do we protect one another? At Xavier, that question isn’t just theoretical, but rather the foundation of an office dedicated to upholding Catholic ideals of safety, education, and empowerment regarding sexual violence on campus.
As with all colleges that receive federal funding, Xavier has a Title IX office, with explicit guidelines that prohibit sex-based discrimination. Furthermore, Xavier has an office that works in partnership with Title IX, The Office of Violence Prevention Education & Advocacy (VPEA). The Office of Violence Prevention Education & Advocacy (VPEA) was founded in 2018 with the main goal of supporting students that are victims of sexual misconduct. VPEA also promotes fostering an accountable sexual
students, staff work to change culture as advocates to
reduce
sexual violence
environment on all parts of campus.
“The office does direct confidential crisis intervention, accompanies courtroom proceedings and assist with forensic rape exams all to create a safe and proactive environment for every student,” said Jennifer Bodnar, the founding director of VPEA. Faculty and staff are trained annually. They are taught what to look out for in students who may need the services of the office.
“We look for students who may not be operating within “normal limits,” said Dr. Brian Turner, the head of the psychology department at Xavier. “A student maybe we would say, is disheveled,
is a good indicator...they may disappear for a while and come back or not really communicate in a logical manner.” Teachers can look out for students, but students can help each other, as well,” Turner said.
This is where the group Sexual Assault Prevention Health Educators (SAPHE) come in. SAPHE is a studentbased organization within the VPEA office that focuses specifically on mandated reporting, sexual education, and violence prevention.
“SAPHE’s ability to make receiving information about sexual practices in creative and fun ways has changed the campus. Often, students don’t even realize how
much information they pick up attending events,” said Amarion Robinson, the senior class president and SAPHE member.
By making collaborative events with student organizations, SAPHE can reach the “nooks and crannies” of the entire campus with a particular emphasis on connecting with male students, athletes and students who are part of Greek life, who can challenge “locker room culture.” Robinson, also a member of Alpha Phi Alpha Fraternity, Incorporated, has connected his fraternity with the office multiple times to collaborate on events to reduce sexual violence.
“Having SAPHE events and SAPHE officers in the fraternity has allowed us to take pride in being sexual advocates and fight the statusquo of fraternities,” Robinson said.
A prime example of these events would be “Pop or Not, Pop the red Flag” a partnership event between Sigma Gamma Rho Sorority, Incorporated, Men of Xavier, and SAPHE. This event blended popular social media experiences such as 20 versus 1 & Pop the Ballon with healthy conversations about communication and abuse. By making the event fun and interactive, everyone
in attendance was educated about sexual abuse.
Although education through fun events is important, another mission of VPEA is to give students accessibility to make healthy decisions. The office provides Sexually Transmitted Infection (STI) testing to the entire campus for free.
“I never really understood the point of this until I needed it [STI Testing],” a student, who wishes to remain anonymous, said.
Since the founding of VPEA/ SAPHE, the connection with students has grown every year with numbers to prove it. In 2021, from June 1 to October 1, there were 2,048 touch points made by the office, according to staff. In 2025, during that same fivemonth span, that number jumped to 7,124, representing an approximate 250-percent increase of connections made throughout the school. The change can visibly be seen throughout the school.
“Everywhere you go, you see a Consent Matters tee, SAPHE Joggers, or a VPEA bottle,” Robinson said. “Every shirt worn can spark an educational conversation. Anytime I wear my SAPHE polo, people ask me about the events and how to get involved.”
For students to be able to create a “just and humane society” the Office of Violence Prevention Education & Advocacy said it is working to do exactly that.
“Giving students a place to confide in, while also training faculty, staff, and students to recognize the signs of victimization, provides hope for the future for many victims and increases our ability to be conscious, educated, and compassionate about a global yet personal struggle,” Bodnar said.
SAPHE members tabling at Xula Pink Day on Oct. 17, 2025.
Photo by Caleb Little
Members of Alpha Phi Alpha Fraternity, Incorporated strolling on campus wearing SAPHE apparrel (purple, consent matters shirts).
Photo courtesy of Michael Haynes
The Office of Violence Prevention Education and Advocacy is located on the first floor in St. Joseph Academic & Health Resource Center.
by Nia Moss Staff Writer nmoss4@xula.edu
The Centennial Year Homecoming Court stands as a living tradition that connects past, present and future generations of students. This year’s court, led by Mr. Xavier Warren Stevens II and Miss Xavier Taylor Chamberlain, represents a legacy of leadership and service that has evolved significantly since the university’s founding in 1925.
Sierra Blanchard, a Homecoming advisor, said this year’s celebration marks a century of excellence and resilience. “As Xavier celebrates its 100th anniversary, I believe all of our students, especially our university royal court, represent the success the university has had in admitting, retaining, supporting and graduating the best of the best,” Blanchard said. “University Royal Courts are especially important in highlighting the richness of HBCU culture and traditions.”
The tradition of the Homecoming Court at Xavier has undergone remarkable transformations over the past century. What began as a simple recognition of Miss Xavier in the 1990s has evolved into a comprehensive representation of student leadership across all class years and academic colleges. The court now includes Mr. and Miss Xavier, class representatives for seniors, juniors, sophomores, and freshmen, along with the newly added Auxiliary Court featuring Mr. and Miss Gold Rush, Mr. and Miss 1925, Mr. and Miss Humanities, and Mr. and Miss STEM.
In the mid-1990s, the title of Mr. Xavier was awarded through a talent show
Homecoming
competition, which added an element of pageantry to the process.
“Whoever was the winner of the talent show seemed like they became the Mr. Xavier,” said Erica Houston, an alumna and current Xavier administrative specialist. “I’m glad they switched it over and made it what they have now,”
Houston said.
Today, class court members are elected by their peers during the spring semester, while the Auxiliary Court is selected by court advisors. The shift from talent competitions to democratic elections marked a significant change in how Xavier recognizes student leadership.
“Sometimes it does feel like a popularity contest, but a lot of students on the court are very involved and do a lot for the school, so it’s not always just about that,” said Taylin Brown a second year Pharmacy student. “If I had to choose [a characteristic], I’d say character because it speaks to who someone is beyond the spotlight,” Brown said.
“In every way, the vision for the court is shaped by us the members but there are also intentional requirements that ensure we embody substance and service,” Stevens said. “Each member is required to complete a leadership course to better prepare us
for the responsibilities of our positions. We’re also given opportunities to mentor younger students and visit local schools.”
The question of whether the Homecoming Court is a popularity contest or a genuine reflection of leadership remains a hot topic among students and administrators.
Stevens firmly believes the court represents substance over visibility.
“I believe this current court debunks that we have individuals who possess values that embody the student body,” Stevens said. “I believe this court is made up of amazing God-fearing individuals who not only campaigned but through their platforms showed they are great candidates for their roles.”
Houston, who has witnessed the tradition from both student and administrative perspectives, agrees that leadership qualities are paramount. “I think it has to do a little bit with both. Of course, you have to be popular for people to know who you are to vote for,” she said.
“But I think it’s more of a leadership quality, especially when you get to the top rank of Miss Xavier on Mr. Xavier because it shows that you do have the abilities to lead a group in a positive way,”
Houston added.
But Brown expressed a desire for greater transparency in the selection process. “I’d like to see more transparency in the selection processmaybe include more weight on service and campus involvement, not just votes,” Brown said.
Looking ahead, Brown remains optimistic about the tradition’s future. “I hope it continues to be more than just a title and remains something tied to legacy, service, and pride in Xavier’s mission.”
While some may believe the process could implement improvements, Houston reflected on how Homecoming itself has evolved to become more inclusive and engaging.
“I actually like it more now than before, because before it wasn’t so much of people really coming back to the campus to see how everything was,” she said. “Now it’s more of what a homecoming should be, a gathering of everyone coming together on the yard, having a good time.”
The tradition also serves as a vital connection point for alumni. The former Miss Xaviers host an annual scholarship brunch, creating a lineage of queens that spans generations and strengthens bonds between past and present queens.
As Xavier enters its second
century, the Homecoming Court continues to adapt while honoring its roots. Stevens said he hopes future courts will continue to make meaningful impacts beyond campus. “My hope is that future Kings and Queens are celebrated not only for their titles, but for the influence and service they bring, much like how social club royalty are honored throughout New Orleans,” he said.
For students like Brown who acknowledges the Homecoming Court’s selection process, she does believe it represents an enduring symbol of what makes Xavier special. “The court helps bridge the past and present,” Brown said. “It’s one of the few events that really connects alumni, current students and the spirit of HBCU excellence.”
Blanchard added that the Homecoming Court will continue to evolve alongside the university’s mission. “I believe as we think about what the University’s priorities and responsibilities are for the next 100 years, the University’s Royal Court will be an integral part,” she said. “Prospective students, alumni, and supporters all see the court as a reflection of Xavier’s pride, spirit, and legacy.”
The 2025 Xavier University of Louisiana Royal Court. Photo courtesy of Studio Collin
State and Local
From Xavier to the Judge’s Bench: Judge Ivan Lemelle
by Keziah-Yvonne Smith Chief Political Writer ksmit135@xula.edu
Judge Ivan Lemelle, a proud graduate of Xavier’s class of 1971, is a pioneer in more ways than one. Judge Lemelle was the first African American Magistrate Judge in the state of Louisiana, one of the first Black United States District judges in Louisiana, a first Black district attorney, an Ad Hoc district attorney, and the list goes on.
Lemelle grew up an only child in Opelousas, La., and did not see himself entering the legal field, but it was at Xavier where he found his legal calling. After studying accounting all four years, in his final semester, he received a charge from the then-president, Dr. Norman
consider going to law school,” Lemelle said.
“I initially responded by saying, ‘Well, Dr. Francis, many of us already have positions waiting for us,’ I was one of the last two to agree to [go to law school]. I was hardheaded. I had made this other decision to go to D.C., where I love. [But] Dr. Francis is a very convincing, frankly, and I am glad for it.”
All 14 students went on to attend law school. After being accepted into numerous prestigious schools, including Northwestern Law School, Lemelle chose Loyola Law School, being one of the only Black students in his class.
“In all of my years of education, elementary, high school, seminary, and Xavier, I never was in a class that was majority White. That was my first experience being in such a space when I went to Loyola Law School,” Lemelle said.
After graduating from law school in 1974, Judge Lemelle first started at the District Attorney’s Office in New Orleans as an assistant district attorney, later moving
“So. I am rocking and rolling, doing all of this work. And the senior partner of the firm, Neil Douglass, along with the co-founder of the predecessor firm, Judge Collins Douglass Eli, called me in one time and said, ‘You should apply for a federal magistrate here in New Orleans,’” Lemelle said. “My first question to them was ‘Why? Are you not satisfied with what I am doing here?’ But they said, ‘No, we think it would be a great opportunity for you.
Judge Lemelle then took a chance and applied for the magistrate position.
C. Francis. Unexpectedly, Dr. Francis convinced him, along with 13 other non-prelaw students to attend law school.
“I was Senior Class President, and every graduating class had a meeting with Dr. Francis. He invited several others to meet with us. [During the meeting] he said ‘The 14 of you, I think, should
to become a supervising attorney. He then served as the first Black Ad Hoc district attorney for the Parish of Plaquemines for a short period. After two years, he moved to private practice in personal injury and civil rights law where he was given his charge to become a judge.
“When I took their advice and applied [. . .] I knew I was going to be the first Black federal magistrate judge in the state, but I didn’t realize that I was only the 6th Black magistrate judge in the country,” he said. “Like my change in careers, like my change of school, et cetera, I was influenced by people who I highly respected, who I figured [must] know something that I do not know. Let’s give it a try, [and] luckily, it worked out for me.”
Judge Lemelle worked as a magistrate judge before being nominated by President
Bill Clinton in 1998 as a United States District Judge for the Eastern District of Louisiana and was confirmed with unanimous consent by the Senate. He still sits on the very bench today, becoming senior judge in 2015. When reflecting on his legal journey and life achievements, he often credits his experiences at Xavier. While a student, Lemelle was heavily involved on campus, serving as Student Government Association Treasurer, Senior Class President, a member of the Honor Society, and becoming a proud member of the Beta Tau Chapter of Alpha Phi Alpha Fraternity, Incorporated. He remembers the dedication his fellow students had towards activism, often using their voices for advocacy.
“It was my senior year, and first lady, Lady Bird Johnson, [. . .] was going to be visiting Xavier. It did not suppress those, for instance, who were against the Vietnam War to show their belief that the war was unjust. I was a dormitory student at St. Michael’s dorm [. . .] and her limousine and entourage were going to pass right by St. Michael’s on the way to the old student center,” Lemelle said.
“We found out that a few of our students wanted to throw water balloons [at] her limo. We convinced those students [. . .] she was going to have secret service with weapons, and they see people throwing
water balloons, they may think it’s acid or poison and start shooting. Eventually [. . .] they made signs and protested peacefully without incident. [. . .] One of the things I always admired about Xavier was, in the 60s and 70s, and even today was the concern for social justice. Xavier was no exception to student activism and protests on campus.”
One of his most memorable moments at Xavier was, of course, finding the love of his life during his sophomore year.
“[Xavier] is where I met my future bride, Patricia Waddell. She was sitting across the [quad] when I noticed her and a couple of her friends. I just knew I had to meet this person,” he said.
“She was a city girl, raised in New Orleans. Eventually, she became my wife. We are sweethearts from those days.”
Judge Lemelle now sits on Xavier’s Board of Trustees, where he continues to inspire students and find inspiration in the next generation of Xavierites.
“Our mission is to develop a sense of truth of what is true and beautiful. I am amazed when I talk to current [Xavier] students. [They] like Dr. King would say [are] becoming the future drum majors of justice, peace, and righteousness.”
Xavier Exponential Honors students visit Judge Lemelle in the United States District Court for the Eastern District of Louisiana.
Photo courtesy of Dena White
Judge Ivvan Lemelle, the first African American Magistrate Judge in Louisiana, in his office in the United States District Court for the Eastern District of Louisiana.
Photo by Herald Staff
New Voices literary journal celebrates 30th anniversary
by Adia Fienagha Staff Writer afienagh@xula.edu
After months of collaborative work selecting and editing three decades worth of creative works done by past and present Xavierites, student editors of the New Voices literary journal launched the 30th edition of the journal on Oct. 21, 2025. The journal features a collection of poems, short plays, creative nonfiction, and other forms of creative expression. Throughout the journal there is also a collection of student-made artwork by both current students and alumni littered throughout the journal.
“It was nice to be able to see what previous students have written. You do, in a sense, see into their world. Like a remembrance of what people have done, you’re able to see what it is they were talking about, what they were writing about, how they felt and
by Kevin Anderson Staff Writer kander33@xula.edu
What started as a casual idea among friends has become a statement of selfassurance and ambition for senior business major Jeremy Clark Jr. His streetwear brand No Rookies blends selfexpression with purpose, urging young creatives to embrace their growth and authenticity.
For Clark, No Rookies is more than just a fashion line - it’s a mindset.
“It’s about knowing who you are and not letting the world tell you otherwise,” he said.
“Being a ‘rookie’ doesn’t
stuff like that,” said Takai Jones, a student editor and psychology major from Detroit, Michigan.
“Especially with them not being on campus anymore, it’s like having an artifact from an old family member you weren’t able to meet. It’s always that type of feeling,” said Jones, who also has writings featured with the journal.
New Voices is created by students of the journal practicum class which falls under the creative writing minor. Xavier is among only a few HBCUs with creative writing minors. The creative writing program was founded in 1993 by former Xavier English professors Patrice Melnick and Randy Bates as well as creative writing minor director Mark Whitaker. Currently the journal is headed by Dr. Biljnana Obradovic who runs the journal practicum class in which New voices is produced.
“This project gave me an entirely new outlook on my own creative process. This experience helped me develop a clearer and more thoughtful approach to creative writing,” said student editor Warren Stevens, a political science major and New Orleans native.
“We went through each submission line by line. Afterward we had open discussions about
how we felt about the pieces, what stood out to us, what emotions they sparked, and how we believed each one might impact readers,” stated Stevens, who is also Mr. Xavier.
“I think being an editor helps me to be more critical of my writing in a good way. It definitely helped me to be more risky with my writing,” he said.
Both current students and Xavier alumni are encouraged to submit creative writing works to
For
in the yearly journal all
plus a cover sheet should be
to newvoice@xula.edu.
“My professor saw my potential and invited me to take her next class to help me figure out what I was missing. It taught me a lot about myself, my discipline, my focus,” Stevens said.
“I did not realize how much joy I would get from reading my peers’ work. Some of their pieces really touched me and reminded
me why I fell in love with poetry in the first place. Seeing their creativity and talent up close was truly inspiring,” he added.
mean you’re inexperienced; it means you’re still growing and evolving.”
Growing up with his father, Jerry Clark Sr., a former Def Jam Records executive, Jeremy learned early the importance of drive and authenticity.
“My dad always told me to treat every idea like it’s major,” Jeremy said. “That’s why I go all in with No Rookies.”
Jerry helped his son turn that vision into reality, funding production and guiding marketing strategy.
“The choice for me to invest in my son and his clothing brand was an easy one,” Jerry said. “J.C. is one of the most creative, young go-getters, so I knew once an ounce was poured into him and his brand it was only gonna be a matter of time before it took off.”
At its core, No Rookies represents self-empowerment. Clark’s clothing label urges young people to see themselves as capable, no matter where they are in their journey.
“I wanted something that speaks to both hustle and
purpose,” Jeremy said. “It’s streetwear that means something.”
His designs pair bold graphics with motivational quotes that resonate with students and young creatives across New Orleans. The message:
coursework and commitment to Xavier’s men’s baseball program. He said authenticity remains at the center of everything he does.
“You can’t fake connection,” he said. “If the message doesn’t come from your heart, people won’t feel it.”
Jerry shared that same belief in his son’s potential.
“My vision for NR is to see it create an organic groundswell where it’s wanted by the ‘cool kids’ around the globe,” he said.
For Jeremy, No Rookies is more than a business, it’s a mission to redefine what it means to start from the ground up.
“We’re all still learning,” he said. “But we’re not new to ambition. That’s what No Rookies is all about.”
New Voices.
the chance to be featured
work
emailed
Student editor, Takai Jones reading from the 2022-2023 edition of New Voices.
Photo by Herald Staff
student spotlight: streetwear with confidence
Jeremy Clark Jr. smiling with his dad, Jeremy Clark Sr. in No Rookies.
Photo courtesy of Jeremy Clark Jr.
National
by Aaliyah Brown Staff Writer abrow148@xula.edu
Xavier University trustee and Emmy awardwinning journalist Suzanne Malveaux greeted the university community on a Tuesday morning with a timely reflection on her journalism career during a time of social and political unrest from Ukraine to the White House, sharing what it means to be a journalist in modern times.
“There’s a lot of noise out there in the world right now, and a lot of people making noise,” Malveaux said. “It’s not really particularly helpful or insightful as a storyteller, as a journalist, or somebody who you feel represents those who don’t have a voice for themselves.”
Malveaux’s desire to serve on Xavier’s Board of Trustees is because her roots and connections to New Orleans and Xavier run deep. Her mother, Myrna Maria
from the white house to ukraine
Ruiz Malveaux is a Xavier alumna and her aunt served as an editor for The Xavier Herald.
She opened up with Xavierities in her talk in the television studio titled “Reporting from the Trenches: Trustee Suzanne Malveaux’s Ukraine Experience” on what it was like to be one of the female international journalists covering war in Ukraine, spotlighting stories of the war’s impact as part of her reporting for the International Women’s Media Foundation.
“When I got there, we saw the rescue team digging through the rubble,” Malveaux recalled. There was a high school that was nearby and the students were just waiting staring at the pile of rubble trying to find if anyone was there,” she said of the painful stories journalists encounter in covering these conflicts, many times when they want to help and must do their duty to tell the full story.
Malveaux explained that seeing the human cost of way places a physical and psychological toll on a journalist in the field. She emphasized that storytelling is much more than being there in the moment.
“There’s a whole other layer besides just this
physical challenge in covering journalism and telling stories,” she said. “From the social media aspect, the cyberbullying and cyber wars that happen, you get in a situation like this, and its years and years of just breaking news that you wouldn’t normally see. Whether it’s a shooting or a school shooting, a fire, a car accident… you are always trained for these types of things.”
Yet what most humanized Malveaux’s experience was the need for connection, community and collaboration, marking her efforts through one of her most challenging assignments of her career.
“Journalism is a team sport,” she said. “You don’t do it alone…you depend on people. That’s how you stay safe, that’s how you tell your story and that’s how the truth gets out.”
Throughout the conversation, Xavier students inquired about journalistic ethics, how to release the truth when others are against you, and how your responsibility as a journalist must change in this very deceiving age of media.
“It’s your job to be the truth teller, right? Or at least to be representing those folks who are on the ground
to xavier’s board
who don’t have a voice for themselves,” she told Xavier students. “You really have to ask yourself, each one of you,
is it the thing you want to do? It’s going to take so much more courage to do any of this.”
Trustee Suzanne Malveaux discussing with Keziah-Yvonne Smith during the presentation.
Photo by Herald Staff
Trustee Suzanne Malveaux with host and Xavier student, KIehziahYvonne Smith after Malveaux’s presentation to classes in the Mass Communication department.
Photo by Herald Staff
Trustee Suzanne Malveaux poses with Mass Communication students, Xavier President Reynold Verret, and Provost Marguerite Giguette after her presentation. Photo by Herald Staff
by Zaria Fenderson Staff Writer zfender@xula.edu
Xavier professor Dr. Sakinah Davis is helping shape the next generation of performers through a blend of artistry, culture, and history. The assistant professor of voice and director of the opera workshop in Xavier’s music department understands that opera and classical music history often marginalize perspectives of Black musicians. She’s made it her mission to change that.
professor spotlight : Dr. Sakinah Davis amplifies Black voices in Opera and Classical
early age.
ability to lead and enrich others through shared experience,” she added.
Working together, the community, students, and educators transformed the production into a creative means of connecting the community and academics.
“That was the moment when I realized, oh no, the community is behind this if you put it out there,” Davis said.
“It’s hard to know that because music is underfunded in many liberal arts institutions. Sometimes you don’t realize the potential until something like that happens a lot,” she added.
“This is a part of black music culture in the U.S.,” Davis said regarding Black opera. Although the average person on the street may not understand opera and classical music’s roots in the Black community, Davis said its still part of Black history and culture.
“Our mom started funneling us to arts programs,” Davis said. She was initially a dancer and started touring at just 4 years old. She said that taught her discipline.
Born and raised in Atlanta, Ga., Davis was surrounded by a family that viewed music and art as an integral part of their identity, rather than just a form of amusement. She grew up in a home where her mom instilled the importance of the arts in her and her three sisters at an
Davis said that she remembers times outside of school harmonizing with her sisters and parents. She often found herself at another dance group practice, not realizing those traditions would shape her ambition years later.
That early connection to music would eventually bloom into passion. After studying at Spelman College and earning a bachelor’s degree in music, she focused on training at the College-Conservatory of Music at the University of Cincinnati. There, she received her master’s and doctoral degrees in classical voice performance with a concentration in ethnomusicology.
Eventually, she began a job at Xavier where she met Givonna Joseph, OperaCréole’s founder and former administrator in Xavier’s music department. Joseph soon asked Davis if she wanted to join the group.
“It took me a while to actually sing with them because of COVID,” Davis said.
OperaCréole, an award-winning nonprofit, was founded in 2011 by a motherdaughter duo, Givonna Joseph and Aria Mason. The nonprofit has been dedicated to researching and performing lost or rarely performed works by composers of African descent. The opera group blends together African, French, and Caribbean influences, reflecting the many cultures that have shaped what it means to be Créole.
“I appreciate what I’ve learned in New Orleans, and OperaCréole is part of that,” Davis said.
The music alternates between opera, jazz, and spirituals, showing how Creole traditions have evolved over time. Every part is filled with emotion, and the blend of its styles makes it a reflection of Louisiana’s diverse history.
By working with the group, Davis said she’s learned so much. She found out that New Orleans was the first place in the United States to have a dedicated opera house and company.
Technically, it’s the first op era city, she added.
For Davis, she wants students to understand this rich history of opera in New Orleans and to make opera more accessible for the residents right now.
“Dr. Davis is just one of those people who you can tell really loves what they do, said Oba El, a junior, mass communication major. “You can see how much she cares, not just about music, but about us actually understanding where it comes from,” he added.
Davis and her collaborators aim to educate audiences that opera is not a far-off European art form but rather one that has not only lived, but flourished, in Black communities throughout the South.
“Black people were in the opera houses before Jim Crow hit,” Davis said.
In 2024, Davis put on her first fully staged production, “The Pirates of Portsmouth,” an adaptation of the ‘Pirates of Penzance.’
Students got to witness Davis bring the project to life firsthand with the help of Xavier’s music department. Whitney Cooper, a mentee of Davis and a music major, said observing Davis in her element is something she won’t forget.
“She’s taught me that the field of music requires advocacy, and that we, as musicians, should aim to bring that to the academic forefront,” Cooper said. “One day I hope to achieve by having that same
Dr. Davis performing at World Opera Day.
Photo courtesy of Sakinah Davis
Dr. Davis performing a lecture recital at Spelman College with a colleague from Ithaca College.
Photo courtesy of Sakinah Davis
Dr. Davis performing at the world premiere of “Morgiane” with OperaCreole in January.
Photo courtesy of Sakinah Davis
student spotlight: Caris Green blossoms in the revival of Opera Créole
by Aaliyah Brown Staff Writer abrow148@xula.edu
Between being a teacher for high school students during the day and practicing vocals at night, Xavier University of Louisiana senior Caris Green has determined that being in harmony, with pitch is only a part of life. It is a warm up to the full recital of his story.
With one of the deepest, thunderous voices in the university, the blossoming bass-baritone from Gonzales, Louisiana is also a faithful member of Opera Créole, a genre representative of New
Orleans’ Black historical roots with opera. Green’s last semester as a music education major comes with balancing responsibilities for student teaching with rehearsals for opera and staged productions alongside his commitment to marching band practices and the university choir, making him a human metronome beating up-and-down with perfect timing as he ensures his ambition remains perfectly in tune.
“I have a very decorated Apple calendar, and plenty of alarms that remind me to be on my way somewhere,” Green laughed with his whole chest.
“A normal day looks like working at the high school I’m assigned to from 8 a.m. to 4 p.m., and then making my way to campus afterward for opera rehearsal until 5:30 p.m. andon most days - marching band practice from 6:30 p.m. to 9 p.m. I fit in the practice room when and where I can.”
But while one’s expected to think of a city like New Orleans simply as a backdrop to the development of art and voice, Green acknowledges the diverse city is also shaping him as an educator all on its own. In fact, it’s the historical relevance and family-oriented foundational program here at Xavier that has made Green, who serves as Mr. Humanities on campus, the artist and advocate he is today.
“I don’t take for granted that this is the city where I’ve started my professional singing development. The operatic program at Xavier, in particular, is monumental for professional integration,” he said.
“Sister Mary Elise Sisson [of the Sisters of the Blessed Sacrament] runs the programs and makes it her business to provide her students with top-level training and staged productions for Black and White audiences alike. Being at an institution that prepares you to be a skilled artist and culturally aware and musician-advocate makes all the difference,” Green said.
But although his sound is greater than life, he holds no ego about his presence within the world of opera. Instead, he admits he’s still working on finding himself there. This humility, rooted in faith and self-esteem, is precisely why Green remains different from the rest.
“I’m actually still trying to find out if opera is my niche,” he confesses. “I love performance and preparation so much, but I also love digging into the research and synthesizing new things that were once lost.”
He reflections on the first time he got to see a Black Wagnerian and Black coloratura soprano live. “It made me feel like it was great. This is awesome. I can learn from this and do something with this. Performance is hard work. If it was easy, everyone would be doing it and doing it well,” he said.
As graduation nears, Green
aims to remain connected to every aspect of performance, Creole music preservation, and education. Whether he’s onstage or in the classroom, each note he emits and every lesson he teaches embodies what it means to contribute
to the operatic history of New Orleans.
“Opera has been here for so long; it’s important we keep the legacy alive - through research, through education, through singing,” Green said.
Caris Green is a senior music education major from Gonzales, Louisiana.
Photo courtesy of Caris Green
Xavier University bass Caris Green performs G.F. Handel’s “Ombra mai fu” during the Summer Opera South Boot Camp at the Jimmie James, Jr. Recital Hall on June 11, 2025 in Jackson, Mississippi.
Photo courtesy of Caris Green
As graduation nears, Green aims to remain connected to every aspect of performance. Creole music preservation and education.
Photo courtesy of Caris Green
by Gabrielle Cromwell Staff Writer gcromwel@xula.edu
With a backdrop of a resort in Aruba, Steve Capers relaxes on a working vacation in a black t-shirt, luxe headphones, and boxy prescription glasses. This Xavier University of Louisiana class of 1991 alum is the owner of the historic Strand Theatre in Oak Bluffs, Martha’s Vineyard, making him currently the only African American to own a theatre on the island. Graduating from Xavier as an economics major, Capers has been an entrepreneur since 2003, flying through the entertainment industry via the comedy space to currently land as the owner of the Strand Theatre.
“I just kind of rolled the dice and took over the Theatre, and I’ve had it for three years now. And we do everything from comedy to music to workshops to speaking symposiums. We even do church on Sundays. I look at it as a facility, not just a theatre, but a facility where people can come and create a variety of things,” Capers said.
The Chicago, Ill. native arrived in Martha’s Vineyard through family who purchased property on the Island. Capers would be invited to spend the summers there and even bring friends along as well, before creating a home for himself and his family. The comedy circuit serves as another home of his, as he’s previously served as an executive at BET and Comedy Central. For decades, Capers has made a way to represent African American humor, and its pioneers, including comedian Damon Williams.
“As for me personally, I’ve become the face of the festival, and my association with the Strand has elevated my profile on the Island. Around the U.S., festival attendees frequent my shows in other cities after seeing me there,” Williams
alumni spotlight : xavierite preserves african american community traditions in martha’s vineyard
said.
Along with Williams, other stars who have participated in the Martha’s Vineyard Comedy Fest include Sherri Shepherd, Kym Whitley, Marsha Warfield, Deon Cole, D.L. Hughley, and many more local comedians. Capers prides himself on creating platforms to showcase African American humor.
“I think I’ve done a great service for African American humor, and just representing our people at Xavier University of Louisiana properly, and my thing is to pass the torch,” Capers said.
Frank Collaso is another Xavier alum and collaborator of Capers. Collaso is a class of 1992 graduate who earned a degree as an Education Specialist before going on to receive a Master’s in Social Work. Collaso’s roots are deeply intertwined with Xavier, as he worked as a counselor from 1996 to 2002.
In 2005, however, he and his media company partnered with Capers on the Martha’s Vineyard Comedy Fest, and he
has been part of the event ever since.
“When Steve leased the
theatre, this was a game changer. We became a staple in the Martha’s Vineyard
community as a place to enjoy entertainment. Personally, I am thrilled to be a part of such a great endeavor. As a social worker with a media company, I am thrilled to work with Steve and the Strand Theatre to work on the production of all the outstanding events,” Collaso said.
For Capers, comedy isn’t just about laughs, it’s about legacy. The Strand Theatre lives as a way to further his life’s purpose of recycling the light shone on the culture he represents. With Oak Bluffs, Martha’s Vineyard’s history as a sanctuary for African American enjoyment, it is the perfect place to continue his mission, he said.
“My legacy is to find purpose in what I do, and I want to leave behind a legacy where people enjoy themselves, and they take a laugh at themselves. I wanted to create this Theatre to make it a place where people can find peace, find laughter, and find hope,” Capers said.
Graduating from Xavier as an economics major, Capers has been an entrepreneur since 2003.
Photo courtesy of Steve Capers
Xavier University of Louisiana class of 1991 alum, Steve Capers, is the owner of the historic Strand Theatre in Oak Bluffs, Martha’s Vineyard, making him currently the only African American to own a theatre on the island.
Photo courtesy of Steve Capers
by Ja’lyn Jones Editor-in-Chief jjone142@xula.edu
Creator’s Note: An Ode to the 2025 Film: Sinners
As you begin to examine this body of work I created, I ask that you find a part of it that truly speaks to your mind. As an African American Mississippi native who prides himself on authentic and unique expression, the movie Sinners spoke to me in every form imaginable. I envisioned myself as someone who experienced exactly what my ancestors felt, because it is ingrained in my DNA. I attempt to capture much of this feeling in the poem you are about to read. This film presented me with a gift of spiritual enlightenment; therefore, I present it with my own form of cultural expression, and I am more than honored to share it with you all as well. Enjoy!
spoken word
Just a Few Hours
Spoken Word by Ja’lyn Jones | Editor-in-Chief
For just a few hours, freedom felt eternal
And the everlasting sunny day formed into a time where our souls became nocturnal
Neither here nor there, darkness has always filled this mind of mines and sometimes I often wonder
Would I rather live in this country or find true freedom just being six feet under
Or should I sit suffering in a sea of suspense that leaves me feeling sometimes uncovered
I’m searching for family in another
Because the last time I seen the sun, was the last time I seen my brother
And the last time I seen my sister, was the last time I seen my mother
So I pray that Father God can please release me from this trouble
A few hours are all I need to pull me out this rocky rubble
And it seems that wish was granted once we heard the touching tunes
A preacher boy preparing us to predicate his blissful blues
Pleasure began to pulse, and rest resided in the room
And just for a few hours we were free from our deliberate doom
As if that was the happy ending, I’d surely leave it there
Cause rest assured, I’d speak no more, cause God answered my prayer
But what awaited while we were free was likely not a scare
It was way more, a reminder, that more hours weren’t spared
A spree of bodies trample as I see my cousins fall
Tunes turn into terror as the night invites the fog
And floorboards are flooded, while the roof was left to burn
A few hours were all we had before we had nowhere to turn
“Away” and “Into”, the only paths we had to walk
Away from what was learned, and into what is taught Away from what was found, and into what’s discovered Away from one family and placed into another
In just a few hours, my life had surely changed Before, I knew myself, and now I know no names I was all too oblivious, on what was yet to come Who knew after those few hours, I’d never see the sun?
Photos provided by Adia Fienagha & Jordan Simmons from Sudent Open House:Library Poetry Slam and The Metamorphisis by the Fashion Society
Features It Takes A Village:
How Nandipha DuBois embraces her passion through academics and dance
by Kristopher Beavers Staff Writer kbeavers@xula.edu
Village: The cornerstone of success.
It houses, educates, feeds, and loves one another. This can be through genetics or relationships. Throughout America, the aspect of the village is being constantly disrupted. From the current immigration raids within numerous cities and political ideologies continuing to shift, one Xavierite is using dance and performance to answer the question, “Who is my village?”
“I love my hometown,” said Nandipha DuBois, a current senior and co-president of the Exponential honors program at Xavier. “The city might be a little divided, but it brings us together simultaneously, and no matter what, we will re-adjust,” DuBois said.
Nandipha is the shining epitome of how hard work and sticking to her village roots can positively affect her community and self. Originating from the “Resilient Black Metropolis of Chicago,” and attending Xavier, Nandipha is the considered a swiss army knife at Xavier.
She is a current senior pursuing a major in Public Health and a minor in African American Diaspora studies. However, she is also a professional dancer. Nandipha was the second Xavier student in 27 years to be a recipient of the 2025 Beinecke Scholarship for her performances in West African dance and her leadership at the university. She was also a finalist for the Illinois rounds of the 2025
Truman Scholarship.
“For me, dance is a lifestyle, and being awarded the Beinecke scholarship only affirmed my truth,” DuBois said.
When it comes down to being a village, motivation is a necessity. Nandipha has had several inspirations in her life. Growing up in Chicago, Nandi, as she is called, and her older sister Aviwe DuBois were practically best friends. Like most siblings, the DuBois sisters were always motivating each other through school, hobbies, and much more.
“My sister is my unofficial twin. My mom made sure we were the best of friends,” said Aviwe DuBois, an alumna and now a program associate at Xavier. “And as a staff member, I’ve seen her flourish into her true self,” Aviwe DuBois added.
Nandipha always had a strong interest in dance.
Watching her sister dance at a young age sparked her love to show her skills to her family. Later on in her life, she decided to attend the Chicago High School of Arts, also known as “ChiArts” for students interested in the arts.
While attending this high school, Nandi also joined the After School Matters non-profit organization that introduced her to the Les Enfants dance program. This program used dance as a tool to build confidence and community for high school students throughout Chicago. Here in this program was where Nandipha met the two women who would teach her the fundamentals of West African dance.
“Nandipha is an amazing dancer and humanitarian,” said Carol, “Mama Ika,” the president, a lead dance instructor for the Les Enfants dance program.
“Her smile captivates you, and all you want to do is add her to your dance company,” President added.
Carol “Mama Ika” President and Shakeena “Mama Shakeena” President-
Beckford are a mother and daughter duo who lead the teachings of West African dance of the Les Enfants dance program in Chicago. The guidance that Mama Ika and Mama Shakeena brought to the table, with their wholehearted spirit, is what Nandi said is the village she emerged out of, and showed her that community and hard work can coexist.
“Nandipha is a strong woman who is more than just bold or resilient. She’s someone who faces challenges head-on, stands for what she believes in, and constantly motivates others,” said Mama Shakeena, a lead dance instructor for the Les Enfants dance program.
“Strength in women can show up in many forms, emotional stability, quiet determination, moral courage, or the ability to lead with empathy. Nandi is all of the above,” Shakeena added.
As Nandipha begins her transition from an undergraduate to a future alumna of Xavier, she looks back on the numerous experiences she has had within her college experience. With plans to practice African Diaspora alongside healthcare in the United Kingdom, with an emphasis on maternal care, Nandipha’s said she hopes this journey will lead her to a life of success for herself and her community.
“If I can be holistic about my work, I can have a bigger impact on generations to come,” Nandipha said.
xavierherald.com
Nandipha DuBois is a senior Public Health major and professional dancer.
Photo courtesy of Nandi DuBois
Caption Placeholder
Nandipha always had a strong interest in dance. Photo courtesy of Nandi DuBois
Nandipha was the second Xavier student in 27 years to be a recipient of the 2025 Beinecke Scholarship. Photo courtesy of Nandi DuBois
On second thought Lord let my blood stain their hands Let them kneel in my intestines
Bathe
And beg your forgiveness
Stolen
I sit here surrounded by faces I don’t recognize, placed so perfect, so beautiful in everyone’s eyes. I sit in a box with a number to be scanned, to be a transaction for others’ satisfaction of money, attraction, fame, and popularity to be an object for someone else’s prosperity.
In a foreign place, touched by the hands of an enemy, When it comes to me, who will respect my history? They’re consistently caring and counting for quarters, killing off the memories of my sacred culture.
Pressure from a pale-pasty hand patting and pressing my pan-African promises into sand.
To come from a place so special, then later to hands that don’t feel the same as my maker. I’m being propped up for a look, for a picture, when I know my purpose goes deeper. I have ability to heal, sanctify, but my roots have been sacrificed, so I sit and represent my culture.
But I’m not at home
I’m somewhere new, my origins screwed from lies of the white tea, with years of my being turned to a collector’s item.
I’m uncomfortable.
I’m broken.
My purpose isn’t being fulfilled, because I’m Stolen.
This fall, Xavier University of Louisiana came alive with the rhythm of tradition, pride, and purpose. From the chants of Greek life to the hands-on service projects shaping the community, Xavier students showcased what it means to lead with heart and excellence. Across the campus, moments of unity, joy, and cultural celebration painted a vibrant portrait of student life. Each image in this spread captures the living legacy of the nation’s only Catholic HBCU—a place where faith, scholarship, and service intertwine to create something truly extraordinary.
by Caleb Little Photographer clittle4@xula.edu
by Ashton Broden Photographer abroden1@xula.edu
Peer Dean Association students help other students move into their campus housing for the 2025-2026 school year.
The Xavier University of Louisiana Concert Choir, directed by Dr. John E. Ware, during the 25th anniversary o St. Katharine Drexel cannonization mass on Oct. 1, 2025.
Provost and Senior Vice President of Academic Affairs, Marguerite Giguette, Vice President of Student Affairs, Curtis Wright and President Reynold Verret second line into the Convocation Center for the Welcome to Xavier Student Orientation.
Xavier cheerleaders perform at Midnight Madness on Oct. 27, 2025. Midnight Madness marks the beginning of basketball season.
Students Amarion Robinson (left) and Michael Muse (right) pose at the Collegiate 100 Pageant on Oct. 16 in the Administration building auditorium.
President of the Sisters of the Blessed Sacrement, Sr. Stephanie Henry delivering her key note message at the Centennial Founders Day Convocation on Oct. 7, 2025.
Miss ASU, Jalsley Sarpong, and Miss Senior, Gabrielle Kwateng-Mann, on the yard.
New students and their families gathered for the Rite of Passage with Xavier administrators, faculty, staff and student leaders during student orientation.
Men of Xavier supporting breast cancer awareness at Xula Pink Day.
Members of Omega Psi Phi Fraternity, Incorporated on the yard during a Live Music Friday.
roc nation team visits xavier : scouts for upcoming documentary project
by Kristopher Beavers Staff Writer kbeavers@xula.edu
Roc Nation’s film and television production team visited Xavier this semester, inspired by the university’s efforts to remain a space for bridging conversations between Black and Jewish communities amid rising tensions on college campuses.
The Roc Nation team, led by founder Shawn “Jay Z” Carter, hope to engage HBCUs in wider conversations on how African Americans and Jewish Americans can bridge divides and have meaningful conversations around racism and anti-Semitism.
“At Roc Nation, we address issues that impact those whose voices have not been heard, working to create positive change in communities around the world,” said Lori York, the executive vice president for TV and Film for Roc Nation. “This project offers an opportunity to share a powerful story of connection and resilience, while guiding these Xavier students on a journey of discovery, dialogue, and understanding,” York said.
The production team met with university officials during their visit to campus on Oct. 24 and once given the greenlight from officials, hope to begin production after considering filming at other HBCUs. The project aims to begin in January 2026 featuring 15 to 20 Xavier students who will explore conversations around shared culture, history, and current issues affecting both communities.
“We’re looking for curious, committed, and passionate Xavier students
who want to be a part of something that will stay with them long after graduation,” said Christopher Charles Scott, an award-winning filmmaker who will direct the product. Scott has had previous success with directing documentaries such as “Class Action Park” and recently screened his latest project “A Portrait of a Postman” at the 2025 New Orleans Film Festival.
“We want students from every corner of campus: the book-smart mathletes, the athletes, the socialites, the sorority sisters and fraternity brothers, the science and premed majors, truly everyone. This project is for all of you,” Scott said.
As the school enters its 100th anniversary, Roc Nation felt that Xavier University and the city of New Orleans would capture the essence of a new resurgence of activism from a place with deep cultural history.
“I feel like shooting the documentary in New Orleans is one of the best options, New Orleans is essentially the melting pot of the south,” said Raymond Roker, a producer and co-
writer of the compelling 2020 documentary “Coachella: 20 Years in the Desert.”
Roker, who is both Black and Jewish, has been a veteran in the entertainment and media world, and believes the project will highlight the power of collaboration between historically connected communities.
“I feel this new project will be the catalyst for change within the nation,” Roker added.
Xavier senior Aarinii Parms-Green, who cofounded the Still We R.O.S.E. project that attracted the Roc Nation project said she hopes this film would spotlight the work she and her co-founders Nehemiah Strawberry and alumni Anthony Jeanmarie III and Jamya Davis began three years ago and show other HBCUs what is possible when we have meaningful dialogue that heals wounds and builds bridges.
“The upcoming opportunity during our centennial year is so important to keeping the spirit of unity and shared dialogue on our campus alive,” said ParmsGreen, a political science,
psychology and history major from Baton Rouge, La. “It is more important and needed more than ever on university campuses as Gen Z are preparing to go out into the world in any field because we all must have shared community and understanding to work with one another as the world continues to change,” said Parms-Green who was selected as 2025 Truman Scholar as a result of her efforts to improve understanding between Black
and Jewish communities.
Students at Xaiver are already starting to show interest.
“I think a documentary of this nature will bring a new light to discussions of antisemitism,” said Brynnan Smith, a mass communication major from Minneapolis, Minn. “As a black man, antisemitism is something I’ve never engaged with, so a documentary of this could really change my thoughts on the topic,” Smith added.
Xavier Students who are interested in being a part of this new initiative can email a personal statement to xavierproject@rocnation.com. Those who are chosen for the project will receive a stipend for participation.
“We specifically chose Xavier University because of the important work Dr. Shearon Roberts and her students have already done here to highlight the shared history and partnerships between the Black and Jewish communities,” York said. “Finally, the city of New Orleans can embody itself with a deep legacy of Black and Jewish alliance, reflected in its music, history, and culture.”
Photo from left to right: Aarinii Parms Green, Lori York, Christopher Charles Scott, Raymond Roker and Nehemiah Strawberry. Photo courtesy of Aviwe DuBois
Group photo of Xavier students with Lori York, Christopher Charles Scott and Raymond Roker. Photo courtesy of Aviwe DuBois
cbs sports director brings guidance to xavier students
by Donovan Green Staff Writer dgreenle@xula.edu
The world of sports media can be competitive and cutthroat, but with hard work and passion for the game, it is possible to thrive and even get to the top. Five-time Primetime Emmy winner Mark E. Grant never attended an HBCU, but he wants Xavier students to know that they can shape the way sports stories are told not only on the field but in the director’s chair.
Grant is currently the television director for CBS Sports. An LSU graduate and Baton Rouge native, Grant was the first African American to direct a championship game with his work during the Final 4 in NCAA Basketball.
“I really appreciate the opportunity to speak to students. I would speak at all these different campuses across the country, but it took me a while to realize that I was missing a group and that’s the group of people who look like me,” Grant said.
Thiss fall, Grant made it a priority to speak to Assistant Professor of Practice Monica Pierre’s announcing class, noting that although he has spoken at many universities, he has rarely had the opportunity to speak at HBCUs.
“You have to be great,” Grant said, “because you’re competing with other people all over the country for the job you want.”
When Grant entered LSU in 1977 as a freshman, he wanted to pursue a career as a doctor. But after seeing 3 ‘Fs’ on his first semester report card, he knew that this wasn’t for him. After dropping the course, he ended up majoring in broadcast journalism. He
was instantly fascinated with what was behind the scenes to tell a story.
“If I could add one thing, it would be the self-evaluation and that you’re never satisfied, that you’re always moving forward to get better and to be able to look at your work with the critical eye,” said Pierre, who has also won multiple Emmys.
“What stuck out to me was his use of the term great,” Pierre said. “If we are going to follow our passion and do the work that motivates us, why not be great at it?”
Grant made sure to leave students with gems of knowledge that could help them in their professional pursuits. One of them was to never be so comfortable in whatever you’re doing that you don’t think of other options.
“People aren’t going to like you because of where you’re from but you can’t let these things stop you,” he said.
He also stated the importance of “being the faucet,” or having your environment built around you to help you to succeed.
“So sometimes,” said Grant, “You’ve got to look back and say ‘Oh my god. Look at all the people behind me and they want my job.’ I’ve got to put the peddle to the metal just a little bit more…I felt like what I have was made for me and it doesn’t matter who doesn’t think so,” he said.
Students shared that they enjoyed Grant’s visit and the career advice he shared.
“A no is something that shouldn’t discourage you and should instead drive you,” said Mass Communication freshman Raygan Irvin. Irvin is also from Baton Rouge shared she was greatly inspired by his story.
“I feel like Baton Rouge a major city, so it’s really inspiring seeing people who are in the same group as me not only be successful but hold so many accolades in history,” Irvin added.
Grant believes his biggest legacy is to share
his professional career experiences and to use it as an opportunity to encourage others to go after their goals.
“It must start with you. Once you make a mark and impact the world, others will want to be like you and follow your footsteps. Once
that happens, overtime, the paradigm begins to shift and what used to make you stand out is now the norm,” Grant said.
Grant stands out as not only a trailblazer for African Americans in sports media, but a beacon of what to aspire to be.
“You must be great. You have to find your passion anyway you can because if you don’t follow something you love, you’ll be miserable doing it,” Grant said.
CBS Sports Director, Mark E. Grant presents to Ms. Monica Pierre’s Radio/Television Announcing class on Oct. 22, 2025.
Photo by Herald Staff
Grant believes his biggest legacy is to share his professional career experiences and to use it as an opportunity to encourage others to go after their goals.
Photo by Herald Staff
Golden Sound marching band hits right note on campus, community
by Brynnan Smith Managing Editor bsmith51@xula.eud
The pulse of this year’s annual United Negro College Fund was Xavier’s Golden Sound marching band as they drummed up community and campus pride for Historically Black Universities. The 38th annual 5K Walk for Education on Oct. 18 walk unites student leaders from both Dillard University, Southern University at New Orleans and Xavier as well as community sponsors to raise funds that support HBCU students’ journey through their college, including those with musical talents.
“Even though [the band] is still new, it is still important to the university, especially for our students when it comes down to bringing that HBCU culture to the university,” said band director Charles Marlin
III on the importance of a marching band to an HBCU.
From starting the band in 2019 as a sophomore on Xavier’s campus to being the current director of the Golden Sound, Marlin has invested in the growth and curation of the group. This investment in the band has allowed the group to grow from an interest group having no place to practice, to an official marching band preforming at events like the UNCF walk, halftime shows at basketball games and marching in parades across the city.
When speaking with members of the band, the dedication and love Marlin has for it is shared with his players.
“I’ve been a faithful member [of the band] and the family aspect of it, really growing closer with those people is really what impacts me the most,” said Malin Marshall, a junior biology pre-med student at Xavier.
Coming from Houston, Marshall found a family and ultimately a home within the marching band allowing himself to grow as a person away from home.
The band is now a home for those with a love for the
boisterous and bold sounds of a marching band, carving out its own musical lane at Xavier. In additional to UNCF annual walk, the Golden Sound plans to become more integrated into campus life, performing in October at the midnight madness basketball game and for Homecoming.
“Having the school support us is what’s going to help us continue to thrive and get into where we need to be one day,” Marlin said.
Students who witnessed the city performance also agreed. “It gave very much HBCU, with the majorettes involved with the band. They sounded great and they looked great,” said Mya Booth, a junior, psychology major at Xavier. The collaboration from the band and the official dance team of the band, the XULA Golden Starlettes, prompted Booth to also reflect on the importance of bands in HBCU culture.
“Having black people playing black music at events and our HBCU, it creates and continues on the culture,” she said.
Charles Marlin III directs his band during the 5K Walk for Education.
Photo by Herald Staff
Members of the Golden Sound play during the 38th annual 5K Walk for Education.
Photo by Herald Staff
Band members provided sounds for participants to enjoy during the event.
Photo by Herald Staff
The band is now home for those with a love for the boisterous and bold dounds of a marching band.
Photo by Herald Staff
Sports
Calm in the Current : Xavier
Rowing Steers a New Legacy
by Deon Arnold Sports Writer darnold4@xula.edu
When the sun rises over Bayou St. John, most of New Orleans is still asleep. But for the athletes of Xavier University’s rowing team, the day has already begun. As the first-ever varsity-level co-ed rowing team at a Historically Black College or University (HBCU), Xavier Rowing isn’t just competing, it’s making history.
For Captain Kamryn Days, a senior political science major from Atlanta, Ga., rowing has been a journey of leadership and growth ever since she joined the team back when it was only a club in the fall of 2023. “The waters may not always be calm,” Days said, “but the captain has to
by Daelyn House Sports Editor dhouse@xula.edu
The Xavier University women’s soccer team is living history and creating narratives in the National Association of Intercollegiate Athletics, building a Xavier sporting legacy in their own right. Standing at 8-0-2 in the RRAC (Red River Athletic Conference), the team’s success is the result of hard work, belief, and a desire to break barriers.
Now in their third season, the women’s soccer teamknown as the Gold Nuggets - continues their passionate pursuit, building on a fiery spirit that began when they reached the NAIA National Championship Tournament in 2023 and captured the RRAC
always be calm in order for the ship to sail smoothly.”
She admits that leadership
hasn’t always been easy, but it’s taught her resilience.
“You’re not always going to do the right thing, and that’s okay,” she said. “The most important thing is not stopping, and learning to lean on people around you.”
Xavier’s groundbreaking rowing program represents opportunity and visibility.
“People are looking right at us,” Kamryn adds. “We have to make sure our professionalism is on point,
because we’re showing what Black excellence looks like in a space that hasn’t seen us before.”
For Paige Walls, a sophomore from Madison, Miss., the water sport has been about teamwork and perseverance ever since she joined the team a year ago.
“You have to row as one,” Walls said. “It’s so important that we trust each other in the boat and give it our best.”
Five practices a week, often before dawn, have tested her endurance, but also shaped her mindset. “When I feel
like there’s nothing left in the tank, I think about what I’m working toward,” she says. “If I give up now, everything I’ve done would be for nothing.”
Walls hopes more people recognize the seriousness of what the team is building. “This is our first varsity semester,” she said. “We’re showing that as a Black rowing team, we’re just as good as any other out there.”
Makayla Coleman, a senior psychology pre-med major from Douglasville, Ga, helps keep everything running as the team’s manager in her first year as a member. Her journey began after producing a Xavier Herald video on the rowing program during her sophomore year.
“I was fascinated that Xavier was the first HBCU to do something like this,” she said. “Now I get to help make it happen.”
For Coleman, the team represents the discipline and determination that define Xavier students. “Seeing everyone train before sunrise
while juggling tough classes, it really reflects Xavier’s spirit,” she said.
Together, Days, Walls, and Coleman represent different parts of the same story: strength, teamwork, and trailblazing spirit. Each morning on the bayou, Xavier’s rowers carve their legacy into the water, proof that calm, focus, and unity can carry you anywhere.
“You balance it by remembering why you started,” Walls said. “To grow, to challenge yourself, and to build something that lasts.”
Xavier Women’s Soccer is a family on and off the field
Tournament in 2024. Each challenge they overcome further deepens their bond as a team.
This spirit of perseverance is reflected in senior Faye Butterworth, a psychology major from Liverpool, England. Butterworth was part of Xavier’s very first roster - a foundation that would set the standard for future teams.
“The first year was amazing,” Butterworth said.
“We obviously had a bar, we broke that, and then this year we’re just trying to achieve even more.”
Their progress is no coincidence. The foundation that Coach Ashley Cordeiro has built evolves with every kick, drive, and block, always focused on the ultimate ‘goal.’ Cordeiro drew players from various backgroundsincluding England, Germany, and Australia. This inclusivity is exemplified by team captain Jayda Wyatt, a senior psychological science major from Wichita, Kan., who
demonstrates how diversity and belonging shape the team’s identity both on and off the field.
“I was the only mixed kid coming from a poor family,” Wyatt said. “It just made me feel very alone… but since coming to Xavier and being surrounded by other Black athletes, it just makes me feel very bonded.”
It is that attitude that made Wyatt a leader for the Gold Nuggets, the drive on the field bringing care, love, and grit for her team, knowing that when she steps out on the field, she isn’t alone, she has her family. “It just makes it feel like it’s a home away from home,” Wyatt said.
This inclusion brought Millicent Owusu, a junior psychology major from Germany, to pursue soccer here at Xavier with the support of her family and community. Owusu grew up playing on boys’ teams, Owusu learned how to play rough and to be resilient.
“My sister and I were always the only girls on our team,” Owusu said. “I think that shaped me a lot since I was in that team for almost 10 years.”
The decision to go overseas and join a new team in the RRAC was daunting, but the sisterhood she discovered at Xavier made every step of her journey worthwhile.
“We are all very hardworking and competitive in every practice, every game,” Owusu said. “I think this is what makes us the sisterhood and team we are now.”
Xavier University #21 Samira Roper and #23 Shakiana Dagher celebrate after scoring during the first half of match on Sep. 27.
Photo by Daelyn House
Xavier University #10 Anita Roese middle fielder challenges for the ball during a match held on Sep. 27.
Photo by Daelyn House
The Xavier Rowing Team is the first-ever varsity co-ed rowing team at a Historically Black College or University (HBCU).
Photo by Herald Staff
Rowers after the team’s first competition in Oklahoma on Oct. 4.
Photo courtesy of Xavier Rowing Team
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