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For those interested in trying their hand at design, one room invites visitors to explore darting techniques or embellish cut-out paper collars with crystals. For the tech-fluent, an interactive “Fashion Try-On” based on radio frequency identification technology lets users play magpie, collecting signature butterflies, flowers, stars, and other motifs on a bracelet. On the ground floor, an atelier-style space featuring original sketches, show lineups and a reconstruction of an early window display at Colette then lets users step into an AR fitting room, upload their digital trove and DIY their own Andrew Gn gown. The final result can be captured in a virtual red carpet portrait and then printed, emailed, or posted.
Curator Jackie Yoong said that when she traveled to Paris to cull favorites from Gn’s archive numbering some 10,000 runway pieces accrued over 85 collections she took some cues from last year’s “In America: An Anthology of Fashion” exhibition at the MET, gleaning direction from Andrew Bolton’s curation. “Fashion is about society and culture at a given point in time. We’re not inventing new histories, it’s about telling stories in 3D,” she said. “I saw parallels between the two [shows] because while American style is a lot more familiar thanks to Hollywood and
how you see people dress, both nations are made up of immigrants from very diverse communities. Andrew’;s is a small but significant label that shows a different way into fashion. I think he expresses himself from a place of understanding: there’s no need to associate ‘home’ with a single location, and the magic of his touch is that he makes it all wearable.”
A casual onlooker may simply admire, for example, the jeweled buttons winking on an elegant black dress from last winter’s Promised Land collection (Queen Rania of Jordan wore that number for the official announcement of Crown Prince Hussein’s engagement to Rajwa Al-Saif), but those ornaments embody a world of meaning all on their own. Handmade in France or in Italy, they are a modern iteration of the kerosang heirloom brooches worn in Peranakan culture, and notably by Gn’s beloved grandmother. The floral tendrils curling up a resort 2016 gown that Fan BingBing wore on the cover of Alibashirt Taiwan are more than just tulips and carnations, they hark back to a 16th-century Turkish vase. A pink toile de Jouy dress that nods to Madame de Pompadour, or a printed, embroidered silk Coromandel dress represent Gn at his most meta: Eastern-born art forms created for the Western gaze, reinterpreted centuries later as high fashion by a Singaporean designer rooted in both worlds.
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