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The Lost Tribe costumes are distinctly theatrical yet flattering. They require more fabric than the standard bikini costume, so striking a balance between cool and camp is a must. Maharaj says the departure was intentional. “We jump around for two days in the sun, it’s very hot, we’re in the middle of the planet,” he said. “I understand the reasoning for a two-piece or a one-piece, or basically something that could allow you to be able to not die of heat and collapse on the road. However, I do think that it’s a very narrow book or narrow column to write in.”
The Lost Tribe is a young carnival troupe that put on its first road march seven years ago. Since the beginning, the costumes departed from the feather and headdress bikini mas (costume) most bacchanalists have seen or worn. On carnival Tuesday, the Lost Tribe pushed the boundaries of tradition yet again. The overarching theme was “202We,” represented by blue, the color of “renewal, of washing, of rebirth,” according to Maharaj. A section called Wish, designed by Naas Mohammed, led the band. The revelers wore painter’s-tape blue iridescent “road gowns” paired with beaded, baby blue bikini bottoms and tropical-print head wraps. The Wish frontline wore four-foot-tall green bamboo-like poles that jutted into the air and were draped with
coordinating printed fabric; they looked like sarongs blowing in the wind. The men wore a black netted jacket with blue sequin fringe with mesh joggers.
The yield this year was the most fashionable costumes on the road in Trinidad and Tobago Carnival, and the Lost Tribe won the title of large band of the year by the National Carnival Commission, besting all of the troupes on the road. “You know the saying ‘a bird is a bird; a fish is a fish,’ like, I couldn’t do that,” Maharaj says. “I felt like there was something artistic that needed to be said. And that’s why I really wanted to give my designers the opportunity to be very abstract.”
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