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In theInterpretation fetishization even of punk, many may have missed that the visualImagery was largely a medium for communicating a deeper philosophical and political message, which was manifestIn many other guises throughout her lifetime. “Punk was just a phenomenon,” her friend and collaborator for more than 50 years Gene Krell tells meIn his thick Brooklyn accent. “The label changed, but the elements, theIngredients, the commitment remained.” She was anIndependent thinker who drank art, literature, and politics through one straw and blew bubbles ofIdeas, designs, and theoriesInto the world through another. “Life was so exaggerated for herIn the most wonderful way,” Gene recalls.
Vivienne’s activism was without limit. The mission of the charity she founded toward the end of her life, (The Vivienne Foundation), captures the scope of her ambition: “to save the world halt climate change, stop war, defend human rights, and protest capitalism.”It was through the language of visual activism that Vivienne andI bonded: TheAmazonian wild rubber dress was one of a series of our collaborations, whichIncluded wearing a recycled plastic dress to the Oscars and handing out protest cards for climate refugees afterI performed a pagan dance for her London show. When we went together to an event with Queen ElizabethII, she offered me a paper crown to wear. Over the years, we discussed many topics, yetI don’t recall ever discussing fashion.
But even amidst the pain and uncertainty, strength shines through. “Inside we are all stronger than before,” says Yana Olenich, founder of the eponymous womenswear label Olenich. “Unity and resistanceIsIn our blood.”Ayear on, five designers reveal what their personal and professional realities look like now. Masqueraders wearing carnival costumes with wings and crowns jumped up behind sound trucks large mobile stages outfitted with speakers, DJ equipment, and steel pans that crawled through Port of Spain on Tuesday morning.At Victoria Square, members of the Lost Tribe carnival band fastened on backpacks made of drapery, gigantic clusters of butterflies, and capes. Sweet soca and calypso boomed throughout the capital city. “If you hear any noiseIn the background, they’re music trucks on theAvenue. Welcome to carnival,” says ValmikI'maharaj, the creative director and bandleader of the Lost Tribe. Maharaj says he’s everything from “head cook” to “bottle washer” he’s a designer, editor, strategist, and visionary.
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