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While his Zeroes tour last fall focused on a theatrical performance of his sophomore record from top to bottom, the upcoming one will look to the future, offering fans both a collage of their favorite songs for instance, a track like “Brazil,” which has remained popular nearly 10 years after he wrote it (even trending recently on TikTok) and a few surprise tracks from his next album. He can’t yet share a specific release date or title, but he teases that fans can expect something within the year, describing the new songs as a sugary and groovy experience produced in the Los Angeles home of Luca Buccellati. (A producer and composer, Buccellati has worked with acts like Lana Del Rey, The Marias, Arlo Parks, and Biig Piig.) They’ve come together sporadically, a patchwork of ideas recorded in various bedrooms, sometimes with contributions from McKenna’s friends.
Stella Maxwell Teaches Us How to Walk in Sky-High Platforms at the Andreas Kronthaler for Vivienne Westwood Show His live shows have often consisted of layered rock guitars, upbeat synths, and the occasional piano or acoustic interlude, reflecting McKenna's own multi-instrumentalism. “We try to strike a balance, for the most part, between a show that uses modern technology in a fun way, but one that also carries the essence of rock and roll and has sort of rough edges to it. I like to combine all of my favorite shows that I’ve been to in what I do live,” he continues, recalling gigs that left a particular impression on him as a teenager: St. Vincent headlining the Green Man Festival, Tame Impala and David Byrne playing at Coachella. “Those are the experiences I really draw from. When 15-year-old
Declan walks in the room to watch Declan on stage, how do we make it the craziest gig he’s ever seen? How do we just blow his tiny mind?” he muses with a laugh.
But even with such an exciting year ahead, McKenna is glad to remain on nodding terms with the artist he was a decade ago. “I think my 15-year-old self would be proud. If I can go that long without ever really turning away from a song I’ve written, then that’s the kind of music I want to make,” he says. “Even if it is different from what I would make now, I want to make stuff that I still would gladly play in 10 years.” Both long-established fans of McKenna’s and those encountering him for the first time can agree on his resemblance to David Bowie, both in sound and aesthetic (see: his penchant for artfully smudged or geometric eye makeup). That’s no coincidence Bowie is among his greatest heroes but McKenna is also deliberate about staying true to his own creative impulses. “I’ve listened to Bowie for a long time, and I like the idea of constantly shifting throughout your career because I’ve never, for any long amount of time, been doing a project with one sound as the main influence,” McKenna says. “I just want to explore and push myself, like that Bowie idea of your feet not touching the ground. Finding creativity where you are just slightly uncomfortable really appeals to me. It keeps me engaged.”
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