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It is no secret that Lipa has earned herself fashion icon status, and the artist regularly wears trending looks, both on the red carpet and via her wardrobe envy-inducing Instagram account, posting snaps of herself wearing looks by young designers and houses of the moment. The ultimate proof of Lipa's unbreakable ties to fashion? “La Vacanza," her hotly anticipated collection designed in collaboration with Donatella Versace, which is slated to launch on May 23 and will be presented at the label's show. A taster of this collaboration has been teased on the Italian house's social media account in the form of a short video, and our bets are on a capsule with a Y2k vibe, possibly featuring butterflies, and Versace's trademark sexy cuts. The collaboration was a natural choice for the singer, who was the face of the label's fall 2022 collection and who opened the Versace spring 2022 show. Watch this space.
For her daytime look, Lawrence wore a gray, knitted sheath dress from Dior’s spring 2023 couture collection. Slightly beachy in feel (appropriate for seaside Cannes), the coverall design with a deep-V in the back exposed a hint of a satin bra and briefs worn underneath. It was an effortless, and slightly unexpected, choice. Having paid tribute to the theme of this year's Met Gala in her vintage Chanel ballgown, Dua Lipa has brought us yet another fashion moment, this time on the red carpet at Cannes Film Festival. The star attended the premiere of the film The King of Algiers (Omar la Fraise) by Elias Belkeddar, where the artist also chose to occasion to make it red carpet official with her new beaux, the French director Romain Gavras. (The couple had already been spotted together at the Saint Laurent show during Paris
Fashion Week.) For the occasion, Lipa opted for a long, asymmetrical black dress, featuring a dramatic leg slit and cut-out details. The resulting look was effortlessly elegant.
With her honeyed voice, huge, doe eyes, and tumbling raven curls, Donna Summer was a pop-culture presence nonpareil, producing an improbable number of disco and R&B hits in the 1970s and 1980s. (“I Feel Love,” “Last Dance,” “Heaven Knows,” “Bad Girls,” “Hot Stuff,” “On the Radio”.the list goes on and on.) Yet behind the sexy persona and 10-minute dance mixes was a fiercely private mother of three girls; a survivor of sexual and physical abuse; and an irrepressible, agenda-setting artist who did, in fact, work very hard for the money.
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