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It didn't take long for Adefope and I's conversation to turn to two of our shared passions: Real Housewives and fashion. (Adefope is a Real Housewives of Salt Lake City watcher, while I'm more into New York.) After we'd finished chatting about Kyle Richards and sharing our dream of going to SUR even though neither of us had watched Vanderpump Rules I asked Adefope about the brands she'd been particularly into wearing lately and was delighted to discover that she'd actually kept a running list in the Notes app on her phone. A quick look at the list revealed Simone Rocha, Marni, Molly Goddard, and Jacquemus, as well as cult British brands like Studio Nicholson.
“I think I brought my own cynicism that people were treated so differently on set,” Adefope says of her Franchise character: “I like Dag to be like, ‘I’m going to treat everyone the same,’ that’s the way it should be.” Like many in Hollywood, Adefope has seen the industry-wide downturn since the successful WGA and SAG strike last year, and she’s aware of the ways the business has changed and (perhaps more importantly) the ways it hasn’t. “Bad behavior can be curbed a little bit, but the hierarchy is so entrenched that trying to intervene doesn’t always work,” Adefope says over coffee. “I hope for representation, but AI just makes me feel hopeless.” (Just before Adefope and I met, California governor Gavin Newsom vetoed an AI safety bill that had the support of many in the entertainment world, including more Hollywood labor icons than Jane Fonda.)
Adefope has been acting since 2015, but a previous internship for a comedy production company helped her empathize with Dag, she says. “I was like, ‘Maybe I’ll be behind the camera!’ And then I just felt… not so good. Being in front of the camera is easier.” While that’s almost certainly not true for most of us, Adefope has a gift for making it look easy. Her role as Fran on Hulu’s Shrill, led to some of the best lines in recent TV memory. (“I don’t apologize to white people,” Fran tells Bryant’s on-screen boyfriend at one point.) It also offers an all-too-rare onscreen example of a black, queer female character who’s comfortable in her own skin or at
least comfortable enough to smoke a bowl and sing karaoke alone in front of strangers. Adefope is best known to people through Fran, she told me, and she still keeps in close touch with Bryant: “Having that relationship with Aidy really makes reporting less stressful.”
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