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In last night's season 2 finale, the culmination of the episodic mystery of Alberta's murder ended with Hetty actually admitting wrongdoing. Her son, Thomas, was the culprit, and she covered up his crimes for decades, openly lying to her friends and Alberta in particular. She showed unusual remorse as she stood before the "trial" for these crimes, which exiled her to the woods around Woodstone for a year. (“In the winter, I would take shelter in the old outbuilding we had for our maids and foreign-born guests,” Hetty replied.) But Alberta intervened at the last moment. . Finally, replace the harsh sentence with a less humorous one. : Hetty will now have to share a room with Flower.

As Ghosts got ready for season 3 hopefully addressing who was "suck" (aka sent to heaven) in the cast's finale Wisocky chatted with ELLE.com about it. show Hetty's contradictions, support the writers' strike, and brainstorm for the next chapter of Ghosts. Much of season 2, in terms of Hetty's character line, focuses on her self-discovery and finding joy in herself. So I think it's fascinating - and endearing - that the finale ends with what Hetty is willing to sacrifice for her friends. I'm curious what you think of that development. Yes, you are correct. Hetty was
not a woman with much experience of repentance or apologizing. We realized that's how the plot turns right before we even shoot. I did a lot of reverse engineering on what made this particular woman able to carry that secret for so long. It has a lot to do with preserving feelings for others. I think she has a great capacity for a friendship, and she just shows it in the wrong ways. There are so many beautiful little human weaknesses that our writers try to show in a generally silly comedy that is fundamentally silly. We are grateful to have such skilled writers to do it and want to take us on those journeys.

A relic of the Gilded Age that died of undisclosed causes, Hetty is a symbol of prejudices about her class, race, and era. She wears only a robe with a belt and high heels; she stiffens and panics at any thought of sexual “inappropriateness”; she's selfish and openly judgmental, especially when it comes to Irish people. Throughout Season 2, however, several chance encounters with the washing machine and deepening relationships with other residents notably Alberta (Danielle Pinnock), Flower (Sheila Carrasco), and Trevor (Asher Grodman), as well as her distant descendant, Sam opens her up to ideas of joy, passion, and even the possibility of change.
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