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In Venice, there were more traditional looks. At a Bulgari event, Anne Hathaway dazzled in a gold Versace gown, complete with a hooded silhouette; Zendaya chose Richard Quinn’s black off-the-shoulder dress, finished off with a striking Bulgari snake necklace. In New York City, meanwhile, Meghan Markle set the Internet ablaze when she and Prince Harry attended the Ms. Foundation Women of Vision Award. Markle wore a strapless gold Johanna Ortiz dress, accentuated by strappy barely-there Tom Ford heels. Her presence on the red carpets is a rarity these days and the look was well worth the wait.
But even with such an exciting year ahead, McKenna is glad to remain on nodding terms with the artist he was a decade ago. “I think my 15-year-old self would be proud. If I can go that long without ever really turning away from a song I’ve written, then that’s the kind of music I want to make,” he says. “Even if it is different from what I would make now, I want to make stuff that I still would gladly play in 10 years.” Both long-established fans of McKenna’s and those encountering him for the first time can agree on his resemblance to David Bowie, both in sound and aesthetic (see: his penchant for artfully smudged or geometric eye makeup). That’s no
coincidence Bowie is among his greatest heroes but McKenna is also deliberate about staying true to his own creative impulses. “I’ve listened to Bowie for a long time, and I like the idea of constantly shifting throughout your career because I’ve never, for any long amount of time, been doing a project with one sound as the main influence,” McKenna says. “I just want to explore and push myself, like that Bowie idea of your feet not touching the ground. Finding creativity where you are just slightly uncomfortable really appeals to me. It keeps me engaged.”
Which were your favorite celebrity looks this week? Be sure to vote below, and check back on Friday to see which ensemble is the ultimate best dressed of the week. For more than half a century, cinephiles and silver-screen darlings have flocked to the Cannes Film Festival, which debuts the biggest and most boundary-pushing new films of note. Wardrobe choices have run the gamut throughout the event’s 72 years who can forget the epicene effect of Aymeline Valade’s Pallas tuxedo, worn at the premiere of 2014’s Saint Laurent biopic with a freshly platinum dye job? while hair and makeup have trod a similarly versatile line between glamour and ease.
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