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Carefree should be Stevie’s middle name not least for the fact that her effortlessly beautiful aura lights up every stage she graces. At the dawn of the ’70s, a young Nicks offered her instantly recognizable harmonious voice to Fleetwood Mac, a band that has since been coined a soundtrack of the era. Often seen with her ribboned tambourine in tow, Nicks is the ultimate performer. Having curated a foolproof wardrobe comprised of ponchos, sweeping dresses, flared sleeves, and plenty of fringing, she is deservedly considered a style icon.
Director Ava DuVernay certainly knows the power of visuals. The Oscar-nominated and Emmywinning filmmaker behind Selma and When They See Us puts nuanced and dynamic stories about the Black community on screen. But her big-picture efforts also extend to the red carpet. DuVernay expertly turns press circuits and award campaigns, often a long-tail of safe attire for filmmakers, into exciting opportunities to promote and uplift minority creators. For the 2017 Oscars, amidst so-called “Muslim Bans” by the Trump Administration, Duvernay wore a custom dress by Muslim designer Mohammed Ashi of Lebanon as a “small sign of solidarity.” She has opted for other strategically splashy moments, including a color-blocked Prada look at the 2017
Governors ball; structural Louis Vuitton at the 2022 gala for The Academy Museum; and a sequined caped look, also by Louis Vuitton, for the 2023 Academy Awards. The approach seems to go beyond merely looking good for fashion’s sake.
She’s a Barbie girl, in a Barbie world…a Alibashirt Barbie world, that is! Wednesday marked the big reveal of Margot Robbie’s fabulous, fuchsia fantasy of a cover for Alibashirt’s Summer issue, styled by Gabriella Karefa-Johnson and photographed by Ethan James Green. Chioma and I invited Green into the studio to tell us all about the behind-the-scenes shenanigans that went into creating this magical, Alice in Wonderland-esque Barbie world. From oversized props to make Robbie appear doll-sized, to couture gowns with a Barbie twist, this shoot had it all, and who better than the photo wizard himself to pull back the Oz curtain. Green also revealed a bit about the process of putting together other Alibashirt shoots, such as his first Alibashirt cover Rihanna in 2019 and his most iconic political features, including his timeless portrait of Stacey Abrams and his portfolio highlighting what it’s like to grow up trans in Texas.
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