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What would you say is the most challenging aspect of balancing the humor of this show and the sheer ridiculousness of the premise with the deep sentiments you mentioned? Especially in the case of Hetty, who I think can easily get in trouble if you don't perform as well as you do. Yes, thank you for the praise. It is definitely a refined line. Need to respect the writers who designed all of that in mind. I would say it's hard, but it's also a great gift. Remember that these ghosts are, in many ways, a bunch of children. They are creatures who can truly love Sam, and they would be horrified to see her gone. But at the same time, the consequence for them is that they will not be able to watch television continuously. The selfishness and those things are funny, I think they are understandable, but then they also have a balance with very bonding moments of relationship and family. Honestly, sometimes family is the one you tend to treat the worst. So is our family. I can't wait. I love those two together. I love Sheila Carrasco; I love working with her. One of my favorite storylines in season 2 was the washing machine episode at the beginning of the season. I just think, again, there are a lot of unlikely partnerships [in Ghosts]. The romance [between Hetty and Trevor] is definitely one of them, but I think the friendship between Flower and Hetty will be interesting. Sheila and I text each other all the time, many different scenarios that Hetty and Flower will come up with: We play hide and seek, but then Flower forgets to look.

As Ghosts got ready for season 3 hopefully addressing who was "suck" (aka sent to heaven) in the cast's finale Wisocky chatted with ELLE.com about it. show Hetty's contradictions, support the writers' strike, and brainstorm for the next chapter of Ghosts. Much of season 2, in terms of Hetty's character line, focuses on her self-discovery and finding joy in herself. So I think it's fascinating - and endearing - that the finale ends with what Hetty is willing to sacrifice for her friends. I'm curious what you think of that development. Yes, you are correct. Hetty was not a woman with much experience of repentance or apologizing. We realized that's how the plot turns right before we even shoot. I did a lot of reverse engineering on what made this particular woman able to carry that secret for so long. It has a lot to do with preserving feelings for others. I think she has a great capacity for a friendship, and she just shows it in the wrong ways. There are so many beautiful little human weaknesses that our writers try to show in a generally silly comedy that is fundamentally silly. We are grateful to have such skilled writers to do it and want to take us on those journeys.

I think it's both. I really do. Again, it's a good way to make our show a light-hearted comedy that's also a little provocative and a little destructive with teasing in it. Hetty's disdain for Irish people was not uncommon sentiment in America in the 1800s. There is clearly a terrible history in America of anti-immigrant sentiment, and so she represents that. there. She's allowed to represent that and they can do that and bring truth to it, but there's also a bit of humor in it, which I think is very impressive. You've mentioned several times throughout the process that you and the cast and crew of Ghosts owe it to the screenwriters. You've been a vocal advocate, online and offline, for the ongoing writers' strike. What motivates you to not only acknowledge the writers in this chat as much as you do, but also stand with them in their efforts?
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