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Sometimes, crucial elements of a red carpet moment come about organically. Such was the case at Saturday’s much-anticipated premiere of Killers of the Flower Moon in Cannes, for which Indigenous actor Lily Gladstone, who is receiving critical acclaim for her performance, turned to the film’s title in dress and beauty look alike. To accompany a floral Valentino dress, makeup artist Nick Barose drew inspiration from flower petals to create a lip color at once gentle and bold.
Perhaps it was Elizabeth Taylor, with her glittering diamond tiara, who started the festival’s tradition of decorative hair accessories in 1957 followed by Catherine Deneuve’s white headband and Sophia Loren’s slim-brimmed hat. In 1974, Jane Birkin brought a distinctively French
insouciance to the red carpet with natural makeup and air-dried hair that felt like a sign of the times a tactic her daughter Charlotte Gainsbourg embraced more than 30 years later with a fresh complexion heightened by a tangle of waves and a subversively chic leather jacket and jeans.
CANNES, FRANCE - MAY 17: Iris Law attends the "Monster" red carpet during the 76th annual Cannes film festival at Palais des Festivals on May 17, 2023 in Cannes, France. (Photo by Marc Piasecki/FilmMagic)Marc Piasecki “This shape has become a staple for Laura and I in our collaboration,” says Redway, adding that she loves referencing classic Hollywood-inspired hairstyles on the red carpet. “The flip is inspired by versions worn in the ’60s that keep getting reinvented over time; in the ’90s, then the rebirth we are seeing now.” She points to the look as an “elegant way” to accent bare shoulders and has been workshopping iterations “with modern flairs like kiss curls, strong finishings, and dramatic, graphic angles.” Though for a star roaming La Croisette surrounded by paparazzi, Harrier’s easy Cannes version has its own appeal : “It looks amazing as a side profile,” Redway says. All the better for pretending you don’t notice the attention.
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