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In makeup, Brigitte Bardot’s artful flick of black liner paved the way for a number of sultry eye moments from Penélope Cruz’s kohl-rimmed gaze to Jodie Turner-Smith’s dark gold-flecked smoky eyes. That’s not to say that minimalism hasn’t made a memorable impact: Selena Gomez proved she needed only a swipe of red lipstick to look photo-ready. Still, the element of surprise can’t be overrated just ask Kristen Stewart, whose platinum crop and daring makeup were an electrifying presence at 2016’s festival, or Susan Sarandon, whose bombshell poitrine and daring leg reveal the next year instantly immortalized her in the proverbial Cannes hall of fame.
Both events were a special occasion for Keys, given it was her very first time in Mexico City. In addition to the amazing food and beautiful architecture, the star says she was instantly drawn to
the city’s people. “I just really love the people, the energy, the love,” says Keys. “The art is incredible.” She was particularly struck by just how big the city is, too. “Culturally, it is so rich and it’s such a big city so much bigger than you would maybe even think,” she says. “There’s the big city element, and then you can drive an hour away and go to the pyramids.”
To kick off his meaningful reintroduction, Tesfaye attended the Cannes premiere of The Idol in noticeably more restrained and dapper attire than the enviable array of red blazers, boxy jackets, and bomber coats we’ve seen him in. On Monday, it was all about the expertly crafted tuxedo and an iced-out wrist with his Piaget watch. Tesfaye and his stylist, Matthew Henson, turned to designer Jonathan Anderson at Loewe for the formal moment. “We wanted to go with something formal with a twist that you might not notice at first glance,” Henson. “We went with a tuxedo that has a tighter placket and smaller lapel inspired by a leather jacket Jonathan did, for a modern take on a tuxedo.” The collaboration resulted in a suit that perfectly aligned with modern trends and approaches to the men’s suiting. Tesfaye’s silhouette was streamlined and fresh, but not overly trendy the hard-to-achieve Goldilocks point.
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