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“What’s significant about it more than anything, I think, is that it brings female filmmakers who are emerging talent and often quite nervous, stepping into a huge industry where there are voices who are more experienced than their own,” says Winslet, who stays in touch with past winners for support and collaborative creation. “[Lights on Women finds them] coming into a shared space that feels completely celebratory, totally inclusive, and they just have that opportunity to listen to other creative voices, to experience what everyone else went through when pulling their short films together. It’s a very beautiful event.”
From Diana Ross’s polished waves to Angelina Jolie Pitt’s pregnancy glow, these are 34 iconic beauty moments worth remembering from the red carpets at Cannes Film Festival, which kicks off today. Kate Winslet is a champion of women. With L’Oreal Paris’s Lights on Women Award, which celebrated its third round of short films and makers at this year’s Cannes Film Festival, Winslet was again afforded the opportunity to amplify women’s voices and careers. From the pool of 15 films that were selected and screened, one winner was chosen this year Fatima Kaci and her film The Voice of Others and commemorated with an event attended by female powerhouses like Jane Fonda and Andie MacDowell.
It was 2018, and I was twenty eight, lying there in a darkened hotel room, paying a backstreet Botox doctor in cash to knock out the wrinkles on my forehead. Two weeks later this botchjob would set in, and my flat mate would look at me with worry. I looked at my face in the mirror, my right eyelid drooped slightly and my forehead looked oddly like sliced cheese, I had done what only 85-year-old Upper East Side women are supposed to do and I’d botched my face. For weeks following I’d be told I looked “kinda gormless,” “unwell,” “very very shiny?”
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