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The dashing, Emmy-winning Englishman, who has impressed audiences in everything from Challengers to La Chimera since his rise to fame as the brooding young Prince Charles on The Crown, plays Antony, the only son of Miller and Penrose. Growing up at the Farleys, where he was surrounded by his parents' illustrious friends, including Picasso, Joan Miró and Man Ray, he developed an interest in photography and later became a documentary filmmaker. When he discovered his mother's work in the attic after her death, he and his wife founded the Lee Miller Archives and he has written several books, from The Home of the Surrealists: Lee Miller, Roland Penrose and their Circle at Farley Farm to The Lives of Lee Miller, the biography that forms the basis for Lee. Now, at age 77, he continues to live and work at Farleys which has been converted into a stunning museum and gallery in an effort to honor the memory of his parents, along with his own daughter, Ami Bouhassane.

In a part originally intended for Winslet's co-star Jude Law in The Holiday, the Emmy-winning Swedish actor, who has received critical acclaim for his performances in Big Little Lies, Succession, The Northman and The Diary of a Teenage Girl, cuts a seductive and enigmatic
figure as Roland Penrose. The British surrealist met Miller through his creative, glamorous circle of friends, and the pair fell in love and moved to London, where Penrose volunteered as an air raid supervisor and taught the art of military camouflage during the war (sometimes using Miller as a model). In his late 40s, he co-founded the Institute of Contemporary Arts London, mounted many acclaimed exhibitions and was knighted in 1966 for his services to the visual arts. Like Miller, he died at Farleys in 1984 at the age of 83.

When we meet her again decades later, living in the picturesque Sussex farmhouse of Farleys in her 60s, she is still processing all that she has endured. It was here that she died of cancer in 1977, aged 70, with her ashes scattered in the garden. Years later, her son Antony and his wife Suzanna discovered over 60,000 negatives and prints of her work in the attic, eventually turning the collection into the official Lee Miller Archive and ensuring that her legacy would be preserved for generations to come.
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