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In the 1960s she moved to the West End and, although she did not get on with Laurence Olivier, she began working at the Old Vic under his artistic direction. "Looking back – it's the only thing people seem to do now – it was fun," she recalled. "You'd do Othello one night, and Hay Fever the next, it was like going on holiday." As she alternated between Chekhov, Strindberg and Shakespeare (who, she confessed, was "not my thing"), her varied tastes came with a strained personality. "Maggie was not comfortable," said the playwright Peter Shaffer, who first met Smith in 1962. "She stood up and walked up and down the whole time, and would stay that way from 10am to 5pm. Other people were eating sandwiches, and there was this lone figure at the back of the stage, pacing back and forth like a caged creature. There was no concept of coffee breaks with Ms. Smith."
In 1967, Smith married the charming actor Robert Stephens, often considered the next Olivier. The couple had two sons, both now actors. It was a stormy marriage, rocked by Stephens's alcoholism and promiscuity, and shortly after the couple divorced, Smith married Cross, who had proposed to her two decades earlier. Famously private, Smith rarely gave interviews, but
speaking to The Telegraph in 2014, she described the haunting pain she felt in the years after Cross's death in 1998. "People say it will pass but it doesn't," she said. "It just becomes different. It's horrible, but what do you do? After the busyness, you get lonelier, more and more. A day that's completely packed takes your mind off why you're lonely, but when it stops there's just deafening silence."
Fresh off her Oscar-winning Promising Young Woman and internet-destroying Saltburn, Fennell has inspired a new round of discussion. Rose Dommu would “walk into traffic,” while another Twitter user “would put rocks in her pocket and go into the ocean.” I think people are protesting wildly, because Elordi and Robbie don’t fit their idea of psychologically tortured lovers in late 18th-century England. With Fennell at the helm, would Barbie be drinking Elvis’s bathwater while Kate Bush plays soft music in the background? We’ll be forgiven for the painful extubation moment, because those haven’t been invented yet, but would Heathcliff have sex with Cathy’s grave? He makes a slightly creepy request of a gravedigger regarding her burial coffin, which is firmly Fennell territory – along with the revenge, jealousy, hysteria and dark delusion that made Wuthering Heights such a provocative and enduring classic. And we already know she likes a big house.
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