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The Square, a program Bottega premiered in 2022 in Dubai and then in Tokyo, brings the public together with different types of local artists in increasingly relevant retail metropolises for over a week of cultural programming. In prior cities, the Italian house built a space from the ground up centered around a large, square, Bottega-green conversation pit and hosted spoken-word poets, musicians, and visual artists inside it. This time the brand visited Bo Bardi’s iconic home, Casa de Vidro, a 1951 glass-sided hilltop construction. They discovered that it was not only beautiful but also already square, with near-perfect Bottega-green painted trim on the exterior already.
Earlier in the evening, Blazy addressed the crowd, recounting how, when he first took the reins as creative director at Bottega Veneta back in 2021, one of the members of his new team had asked: If Bottega Veneta was an architect, who would it be? “I answered immediately, ‘I wish it were Lina Bo Bardi,’” Blazy said. Specifically, the way the Italian-born, Brazilian-bychoice design icon had “brought people together, exploring new fields, never compromising on liberty, leaving the intellectual behind to let the emotional experience come first.” So when it came time to celebrate a decade of Bottega in Brazil for The Square São Paulo, Blazy proposed something aligned with both Bo Bardi’s principles and his own. “It’s not about a bag and not about fashion,” Blazy said. “It’s about something that is shared.”
Andrew Gn: Fashioning Singapore and the World will run at the Asian Civilisations Museum in Singapore through September 17, 2023. The night before Bottega Veneta debuted the latest iteration of its cultural-exchange series, The Square São Paulo, creative director Matthieu Blazy took a break from the dance floor to talk. “I feel like a kid the night before a holiday,” he said. The setting was a house party chic enough to defy that description but charming enough to earn it: Behind him, a dining table heaved with traditional decadent Brazilian fare; around him, a crowd of local artists, collaborators, and friends clad in his designs spun and sang his praises; and in front of him, the famed Brazilian singer Mart’nália crooned, backed by her band. But the pleasure Blazy anticipated was atypical to those usually afforded the international fashion darling and certainly more abstract. Tomorrow he was going to align the world of his Bottega Veneta with that of the famed Brazilian modernist Lina Bo Bardi.
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