No. 47 January-February 2010
Contents 1 Going Backstage in Students’ Lives 4 Choices of Successful Students 5 Faculty Development Grants 7 When Educators Speak
Teaching and Learning Center Staff Director: Michael Dabney (808) 543-8048 mdabney@hpu.edu Administrative Coordinator: Sandra Meyer (808) 356-5250 smeyer@hpu.edu TLC Hours and Location: Monday to Friday 7:00 a.m. to 6:45 p.m. Saturday 7:45 a.m. to 4:45 p.m. Opening hours change during summer and winter sessions. 1188 Fort St. Mall, Suite 139 Honolulu, Hawai‘i 96813
The Po‘okela newsletter is a bimonthly publication featuring articles of interest to faculty regarding pedagogy, scholarship, and service at Hawai‘i Pacific University. Opinions in this newsletter are those of the authors. Articles are chosen for their power to encourage reflection and discussion and do not reflect endorsement by the Teaching and Learning Center or Hawai‘i Pacific University.
“Po’okela serves HPU faculty and an outside mailing list of readers interested in our work, with the intention to prompt community building and reflection on professional practice, and to encourage innovation in teaching.”
Hawai‘i Pacific University • Teaching and Learning Center • http://tlc.hpu.edu
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elcome to a brand new semester at Hawai‘i Pacific University! We hope you had a refreshing winter break.
If this is your first semester teaching at HPU, welcome on board. Please take the opportunity to familiarize yourselves with the many campus resources! Get to know the staff at your college! Visit our Web site http://tlc.hpu.edu and click on the Orientation Checklist (left margin). There, you’ll find a comprehensive list of resources designed to help you navigate your first week (or month) at HPU. Browse our FAQ list (the link to this is also on our Web site!) Visit our center (inside the Learning Assistance Center on Fort Street Mall, ground level) to get acquainted with us and meet other faculty! We hope you’ll drop by soon!
Going Backstage in Students’ Lives by Kevin Brown
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Last spring, I was able to play a minor role in our theater department’s production of Pride and Prejudice. I had one line consisting of two words, and I was a dancer in the two scenes that required dancing in the background. In the midst of rehearsals, students would often either forget that I was there or that I was a professor, so I was able to see and hear them in ways that faculty members seldom do.
In some cases, I heard comments I would prefer not to hear as a professional, especially ones concerning my peers, so I would often drift away at that point. However, there were two insights that I gleaned from this experience that I’m not sure I would have gotten otherwise, or at least not to the same degree. First, students these days are busy—much busier than I thought they were, and much busier than my generation was in college. Even those of us who were minor characters in the play had to be at almost every rehearsal for
most of the time, which was between two and three hours, depending on the night. In the two weeks leading up to the production, especially in the week ahead of time, we were often there for three to four hours a day. The students who served as costumers or stage managers had to be there even longer, arriving before the actors did and leaving afterward, not including the meetings they attended throughout the week. On top of that, many of the students were also involved with a series of scenes that were going to be performed in the weeks after our production closed, serving as either actors or directors, sometimes both. So they would often have rehearsals after ours ended, beginning at 10 or 11 p.m. Those who were in a lighting and set-design class would tell me about working on their projects at 3 or 4 a.m., as they all had to share time on the light board and that was the only available time for them to do anything. continued on page 2