Coconut Cake Playbill

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HATTILOO BOARD OF DIRECTORS & STAFF BOARD EXECUTIVE COMMITTEE

STAFF

Amy Simpson, Chief Communications

Ekundayo Bandele, Founder & CEO

Leader, International Paper; Hattiloo Chair

Patricia Smith, Production Manager

Faith Morris, CEO, cultureLift Inc. Freedom

Jarrod Walker, Theatre Manager

Award Managing Director/Producer; Hattiloo

Rosanna Smith, Office Manager

Vice-Chair

Najwa Watson, Engagement Coordinator

Cynthia Collins, Managing Director of

P.A. Bomani, House Manager Hatshepsut Bandele, Customer Service Coordinator Sulaiman Mausi, Resident Theatre Associate

Litigation, FedEx; Hattiloo Secretary Vernon Stafford, Senior Executive Vice President, & Chief Audit Executive, First Horizons; Hattiloo Treasurer MEMBER

ABOUT HATTILOO

Jocelyn Henderson, An Attorney

Hattiloo is a 501(c)3 mission non-profit

Tabrina Davis, Vice President - Marketing, Communications and Web Strategy, Methodist Le Bonheur Mack Weaver, CFO, Memphis in May Carolyn Bishop, Director, On-Campus Living, LeMoyne-Owen College

organization. Its mission is "to develop a Black theatre that is accessible to, relevant to, and reflective of a multicultural community." It produces shows that depict Black life and that transcend their entertainment value by giving audiences an authentic, cultural experience. Its program The Self-Identity Theatre Camp helps Black youth acquire tools to care for their

Michael Campanaro, Vice President,

emotional selves in inequitable and

Information Technology, AutoZone

discriminatory situations.

Edith Kelly Green, Principal, KGR Group

As the largest Black theatre in the Mid-South

Linda Smith, Community Volunteer

and one of a few free-standing Black theatres in

Cardell Orrin, Executive Director, Stand for Children

the country, Hattiloo is a hub for national Black theatre training and convening, and our youth programs share this focus.

EKUNDAYO BANDELE Founder/CEO

Written by Melda Beaty Directed by Erma Elzy

TAYLOR HUSBAND Costume Designer

MELANIE MULDER Scenic Painter

LAUREN THOMAS Lighting Designer

LAUREN THOMAS Stage Manager

CYD TRICE Sound Designer

JARROD WALKER Scenic Designer

HOUSE NOTES If you exit the theatre during the show, you may not be able to return to your seat.

Talkback performances – Sunday, August 11th and August 25th, 2024 (5 minutes after curtain).

Cameras and recording equipment are strictly forbidden in the theatre.

Patrons with cell phones or any electronic device that makes noise are requested to either turn off the device or check it with the house manager prior to curtain.

SYNOPSIS For some, there’s nothing better than retirement, but when Eddie Lee’s wife, Iris, joins him in retirement, the truth about his “ladies’ man” ways resurfaces. To avoid her, Eddie retreats to the sanctuary of McDonald’s, where coffee refills are free and the rest of his retired friends, with marital problems of their own, wait faithfully for him. When a mystery woman moves in the abandoned house down the street, with her Creole’ wiles, melt in your mouth coconut cake, and medicine cabinet secrets, Eddie is not the only one who pays her a visit; a visit that threatens to change all their lives forever.

MEET THE PLAYWRIGHT Melda Beaty earned a B.A. in Broadcast Journalism at the University of Illinois at Urbana-Champaign and a M.A. in English/Writing at Illinois State University. She is a tenured professor at Olive-Harvey College. Her business, MeldaCreates, Inc. provides creative writing and writing consulting services. In her spare time, Melda enjoys cardio and strength training, bike riding, live theater, concerts, reading, and listening to NPR. Her first play, Front Porch Society, delves into the complex and connected lives of four elderly black women in rural Mississippi Delta on the eve of the 2008 presidential election. The play enjoyed a world premiere at The Ensemble Theatre in Houston, TX May 11-June 4, 2017 to rave reviews. Her second play, Coconut Cake was accepted into the New Works Reader's Series at 2017 NBTF (National Black Theatre Festival) in Winston-Salem, North Carolina.

A MESSAGE FROM EKUNDAYO There's an old South African proverb that says: “When you want to eat an elephant in your path, approach it slice by slice.” In other words, the best way to solve a big problem is to take it a little at a time.

Not being one to let a good proverb go to waste, I employ various ones in situations that might seem unsurmountable, taxing, and/or unreasonable. A few instances in which I have relied on the abovementioned proverb include completing my three-year DeVos Arts Management Fellowship at the University of Maryland, which took me away from home for an entire month each year, and challenged my notion of how to grow Hattiloo; opening Hattiloo’s building with no precedent to emulate; and, most recently, graduating from Morehouse College, during which time I lived (alone in a furnished dorm apartment) with 19- and 20-year-olds, for two years. Divine grace, family support, and help from so many people have helped me “eat” these elephants that have stood in my life’s path.

Many Black theatres, including Hattiloo, encounter herds of elephants along their uphill path of impactful relevance within the macrocosmic theatre world. One of the best ways to achieve this is by making a significant contribution to the Black theatre canon. For established predominately white theatres in New York, Atlanta, or Chicago, this undertaking is not an elephant, rather it is a field mouse because these theatres enjoy a lineage of wealthy donors and a heritage of generous corporate giving. Such fiscal prowess endows them with the capacity to provide esteemed Black playwrights with the costumes, lights, sets, and celebrity actors that they, the playwrights, require to realize their vision. I understand their motives. They spent considerable time, imagination, and energy crafting their plays and so they want the best creative amenities. With Black theatres not enjoying such lineages and heritages, when we face the ambition of convincing a renowned Black playwright to premiere their work on our stages, it is, indeed, an elephant.

What to do? What to do? What to do?

A year or so before the pandemic shutdown, I was having cocktails at Dartmouth College in Hanover, New Hampshire, with two other Black theatre leaders: Eileen Morris of the Ensemble Theatre in Houston and Jackie Alexander of the North Carolina Black Rep.

Between sips and laughter, we dreamt out loud. One of our shared dreams was to premiere a play that might have the legs to walk its way to Broadway. In the span of our time together, we decided to band together to “eat that elephant.”

We ultimately launched this endeavor by commissioning an award-winning Black playwright who will remain nameless to write a play that will remain titleless. The script’s theme, construction, and writing gave the play powerful legs. However, New York-based white producers who will remain nameless swooped in with their bag of magical money dust, sprinkled it over our elephant, and shrank it to the size of a field mouse, which they walked off within their pocket. Having experienced such cultural appropriation for centuries, frustration and disappointment did not overwhelm we three Black theatres. We have learned that when the choice turnips are picked, you boil and season the leaves.

We eventually found success with the play “Coconut Cake.” While we do not have a bag of magical money dust, each of us has a solid cultural brand and audiences recognize that we have the authority to stage Black stories within an environment that reflects the play’s content and the playwright’s background. In lieu of advanced and costly technical conveniences, we provided the playwright a rolling world premiere; that is, each theatre would produce the play before it’s released to a publishing house. Westcoast Black Theatre Troupe in Sarasota, FL. and the St. Louis Black Rep joined our endeavor, which strengthened our appeal.

One of my responsibilities as Hattiloo’s leader is to ensure that we shine as a cultural beacon on our nation’s theatre-landscape. This is no small feat, as the competition waged and fueled by equity, diversity and inclusion initiatives are fierce and unapologetic – an elephant in our path. But, with the company of other ambitious Black theatres, we are “eating” it; actually, we are rolling over it with this rolling world premiere.

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CAST

MICHAEL COLE SR. Eddie

JESSE L DUNLAP Gotdamit

GREGORY JONES Joe

BART MALLARD Hank

ANDREW ROBINSON Marty

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MICHAEL COLE, SR. Eddie

JESSE L DUNLAP Gotdamit

MICHAEL COLE, SR. is A Martial Artist Student Of Life For life, he was born here in Memphis ( Orange Mound ) Tennessee. His family moved to upstate New York right after MLK’s Assassination. He graduated from White Plains High School and retired after 25 years as a New York State Correction Officer, he first graduated from an HBCU in Hampton Virginia. This Is Michael's fourth Season performing at The Hattiloo Theatre. He previously performed as Elder Block in Women In The Pit, the understudy for Sam in Master Harold And The Boys, and the First Slave in Fathers Come Home From The Wars Parts 12&3. Michael says it is both an honor and a privilege to be chosen to perform at The Hattiloo Theatre!!!

Jesse L Dunlap is an award-winning Actor Activist Advocate Poet and Storyteller. He is a Veteran of over 70 stage plays films and other projects Some of his stage and film credits include; movies "The Client", "ESCAPE", and the Netflix movie "Uncorked". Plays; "Jitney”, "Master Harold and the Boys", "Arsenic and Old Lace ", “No Place to be Somebody ", and"We shall overcome ." He is the Original Host of the Memphis black Arts Alliance Series ‘Jazz a Fire and Voices a Fire’.

Gregory Jones recently transitioned to the stage from mostly local independent films and commercials. His first foray was embodying the character “Latham Lanier” in the play “A Stubborn Holiday” staged by MaryAnn Washington at TheatreWorks under the auspices of The Actor’s Renaissance Theatre.

GREGORY JONES Joe

BART MALLARD Hank

He is an earnest, artistic craftsman who has appeared in minor roles in the motion picture “TILL”, and the HBO series “PAUSE w/Sam Jay”. Having undertaken workshops for Scene Study, Improvisation and also Accessing Emotions, Gregory currently studies acting under the tutelage of Forrest Pruett at Indie Acting Studio in Bartlett, Tennessee.

BART MALLARD celebrates his 14th year with Hattiloo. He holds an MFA from the Actors Studio Program at The New School (NYC). His most recent role was in Small Mouth Sounds (New Moon Theatre).

Bart is most proud of his work in Hattiloo’s productions of The Parchman Hour and Who's Afraid of Virginia Woolf. “Our hands imbibe like roots so I place them on what is beautiful in this world.”

- St. Francis of Assisi

fundraiser.support/Hattiloo-Season18

Visit the link to view the art and place your bids

CREW BIOs ERMA ELZY (Director) is a multi-talented, award-winning television, short feature, and theater director with over 30+ years in the entertainment business. A Los Angeles, CA native and Memphis resident since 2012, Ms. Elzy has written and directed various projects in the Bluff City including the short feature, Pandemic Pens Pals – A Memphis Tale, directed Hattiloo’s productions of Dominque Morriseau’s Confederates, August Wilson’s King Hedley II and Seven Guitars, Lydia Diamond’s Stick Fly, Charlayne Woodard’s Neat and Southwest College’s production of Samm-Art Williams’ Home.

As a dedicated member of the Memphis arts community and a staunch advocate for women and children’s empowerment, Ms. Elzy currently works freelance and volunteers with various Memphis organizations like the Brooks Museum of Art, Memphis Challenge, and Memphis Area Women’s Council. She is pleased to present Hattiloo’s debut production of Melda Beaty’s award-winning script, Coconut Cake.

TAYLOR HUSBAND (Costume Designer) Taylor Husband is fortunate to be working with Hattiloo once more. From supporting Hattiloo as an Assistant Costume Designer (Father Comes Homes from the Wars) to lead Costume Designer ( A Holiday Cabaret) as well as working alongside Hattiloo's very own Patricia Smith in this great work. Taylor is grateful to be a part of Season 18 at Hattiloo and positive about her future within the costuming world!

MELANIE MULDER (Scenic Painter) is proud to be designing another set at Hattiloo Theatre.

Previously, for Hattiloo, she has designed Once on This Island, Simply Simone, In the Heights, The Wiz, and AIDA. Originally from Memphis, TN, she has traveled around for many years working in theatre. Some of the theatres Melanie has worked for are The Roundabout Theatre, The Vineyard Theatre, The Signature Theatre, (NYC); Williamstown Theatre Festival in Main; Lake George Opera in New York; Seaside Music Theatre in Florida; Northern Stage in Vermont; The Nashville Shakespeare Festival and The Cumberland County Playhouse, both in Tennessee.

LAUREN THOMAS (Stage Manager & Lighting Designer) is a professional Lighting Designer and Stage Manager and is so excited to be making her Hattiloo debut! Recent credits include ASM: La Boheme & La Calisto (Opera Memphis) Little Shop of Horrors & All Shook Up (Cumberland County Playhouse); Lighting Designer: Finding Nemo Jr. & SpongeBob the Musical Jr. (Cumberland County Playhouse) She would also like to thank her friends, family, and fiancée as well! They hope you enjoy the show! Lftdesigns.com CYDNIE TRICE (Sound Designer) has been working in theatre productions for over twenty-five years. Since she first began her career, she has taken on various roles from director, designer, and actor to prop master, videographer, and stage manager. During her Undergrad at MIT, Cydnie was a part of Uncle Vanya, La Casa de Bernalda Alba, and the Gilbert & Sullivan Player’s musical Trial By Jury. Since returning to the Mid-South, Cyd has worked on over three dozen shows with Theatre Memphis, The Harrell Theatre, Hattiloo Theatre, Germantown Community Theatre, New Moon Theatre, Stage 88 Productions, Playhouse on the Square, and Opera Memphis. She’s excited to be a part of Hattiloo’s premier of Coconut Cake.

JARROD WALKER (Set Designer) is delighted to be serving the community with Hattiloo Theatre.

He was the director of the Drama Ministry at Elizabeth Baptist Church (Atlanta) for 6 years and directed several productions during his tenure. One of his favorite directing credits was Class Act with Rising Sage Theatre. He has a B.A. in Production Studies In Performing Arts from Clemson University where he joined Alpha Psi Omega (theatre fraternity). His love of storytelling and creating experiences is also showcased in his event planning and graphic design work. He most recently designed the set for Hatiloo’s ‘Take The Soul Train to Christmas’.

MEET THE HATTILOO STAFF EKUNDAYO BANDELE (Hattiloo Founder & CEO) founded Hattiloo in 2006. Among his directing credits are August Wilson’s “Joe Turner’s Come and Gone” and Katori Hall’s “Hurt Village.” From 2012 - 2014, he spearheaded a $4.3M capital campaign that resulted in the construction of Hattiloo’s 14,000-square-foot venue that opened debtfree in 2014. Also, in 2014, he worked as an assistant to Tony Award-winning director Ruben Santiago Hudson at the Williamstown Theatre Festival’s production of “Paradise Blue.” In 2017, he co-led, with Teresa Eyering, Theatre Communication Group’s executive director, a theatre management course at the University of Orduman in Khartoum, Sudan. In 2019 he produced “Ain’t Misbehavin” at Spazio Teatro No'hma in Milan, Italy. In 2020, Hattiloo returned to Milan with “Lady Day at Emerson’s Bar and Grill,” and again in July 2023 with “Mahalia: Queen of Gospel Music.” Ekundayo is a Fellow at the DeVos Institute of Arts Management at the University of Maryland. He is a recent graduate of Morehouse College.

HATSHEPSUT BANDELE (Customer Service Coordinator), is passionate about celebrating and promoting Black art and culture. Working at Hattiloo brings her joy as she wholeheartedly believes in the power of the arts. In her role, she is committed to ensuring that each visitor feels genuinely welcomed and well-informed about the upcoming plays and events at Hattiloo. Handling ticket sales and subscriptions, she strives to deliver customer service that reflects my appreciation and pride in everything Hattiloo represents.

Sulaiman Mausi Jr. (Resident Theatre Associate) is a recent graduate of Morehouse College in Spring 2023. He received his Bachelor's degree in Theater Performance and has been helping out at Hattiloo Theater ever since. He has recently starred as Steve Harrison in Hattiloo Theatre’s Succession and is excited to be a part of more productions in the future.

PATRICIA SMITH (Theatre Production Manager) has an extensive resume which includes her most recent performance as Judge Dunbar on NBC's Bluff City Law. She performed in Ain't Misbehavin and Asst. Directed Lady Day at Emerson's Bar and Grill, both in Milan, Italy. She directed Hattiloo's Black Nativity with the Memphis Symphony Orchestra. She has many credits performing, directing, and costuming shows here at Hattiloo Theatre, however, most recently she directed and costumed "Lady Day at Emerson's Bar and Grill" and "Marie and Rosetta". She was last seen performing in "Raisin" the musical as Lena Younger.

ROSANNA SMITH (Office Manager) a Tennessee native from southwest Memphis, is the eldest of nine children born to Rev. J. W. Smith, Sr., and Lillie B. Smith. She graduated from Mitchell High School in 1967 and attended the University of Tennessee at Martin.

Her career began in 1970 as a Reservationist at American Express, followed by a role as an Office Manager at Murphy Oil Company.

Rosanna earned an Associate Degree in Accounting and Data Processing from Memphis School of Commerce in 1973 and worked as an assistant bookkeeper at Goodwill Industries before joining Kroger in 1974. She served as an accounting clerk and office manager at Kroger until her retirement in 2002. After retirement, she worked at Katz Worldwide Logistics and the Shelby County Health Department until late 2013.

In her religious community, Rosanna was an Administrative Assistant and Church Clerk at Tabernacle Missionary Baptist Church for 33 years and held various educational roles at Kimbrough Chapel Missionary Baptist Church in Lamar, Mississippi. She has received numerous awards and certificates for her contributions to Christian education and community service.

JARROD WALKER (Theatre Manager) an imaginative trailblazer, is fueled by an inherent passion for creativity. Jarrod has immersed himself in event coordination, theater direction, and product launches for over two decades. Whether orchestrating weddings, plays, or other significant life events, his ability to infuse creativity into every project is the driving force behind his success.

As an accomplished event professional, administrative assistant, and theater director, he is dedicated to crafting unparalleled experiences for his clients and audiences. From providing essential administrative support to executing productions, he has played a pivotal role in turning clients’ dreams into tangible realities. For Jarrod Walker, the possibilities are boundless when creativity takes center stage, and his journey continues to be a testament to the transformative power of artistic innovation.

NAJWA WATSON (Engagement Coordinator) a Memphis native of Jamaican descent, brings over 14 years of administrative expertise to her role at Hattiloo Theatre. Her commitment spans nearly 15 years, reflecting a profound dedication to community and service. Najwa excels in organizing, project support, delivering exceptional customer service, and coordinating special events. Hattiloo is not just her workplace but her second home, where she contributes proudly as a professional, performer, and creative force.

With gratitude and honor, she will consistently embody Hattiloo's values through her endeavors.

THANK YOU FOR YOUR GENEROUS SUPPORT

Please email najwa.watson@hattilootheatre.org if your donor info needs to be updated or revised

$50,000+

Community Foundation of Greater Memphis Hyde Family Foundations Memphis Tennessee Arts Commission TN Arts Commission

$25,000+

ArtsZone FedEx Arts Kite Foundation Shubert Foundation Thomas R. & Ellen M. Prewitt

Chairman's Circle

AIM High ArtsFirst ARTSmemphis Edith Kelly-Green Jeniam Foundation Nancy Starnes Overton Square, LLC Shelby County Government Turley Foundation, Inc.

Producer

Bowden Internal Medicine, Pllc Dr. Jeanne & Frank Jemison, Jr. Hohenberg Foundation William & Ann Schultz Thrive Grant

Director

Percy & Regina Baker Cynthia Daniels Gilbert Noble Commodore & Emma Primous Sandra Reed Vernon H. Stafford, Jr. Clinton Woods Designer Alpha Kappa Alpha Sorority, Inc., Phi Lambda Omega Chapter Black Seed Fund Michael Campanaro Thomas & Elgie L. Barfield Carolyn Bishop

Sylvia Brown Tabrina Davis Vickie Devezin Tosha Downey Roselle Gause Gilliland Family Fund, Inc. Lucia Gilliland Gene & Carol Katz Mary & Scott Morris International Paper PayPal Giving Fund Irene Jones Evelyn McKinney City of Memphis, Tennessee Laretha Randolph-Sargent Charitable Fund Amy Simpson Rosie Richmond DDS Stephanie Sweet Monica & Andre’ Wharton Jan Young Sharon Younger

Celebrity

Verna Alexander Cheryl Browne Clarence/Harriett Halmon Norma Hayslett Deborah Hester Delta Sigma Theta Sorority, Inc., Memphis Alumnae Chapter International Seminar Design, Inc. Jewish Foundation of Memphis May Lavender Donald & Lucy McLemore Rona Mogil Vanelder Nichols Robin Salant Bathsheba Sams River Arts Festival Rosanna Smith Sekeeta Thomas Carroll & Christine Todd Christine M. Todd Varnell Fund Todd & Patricia Walker Jessica Webb A.C. & Ruby Wharton Judith B. Williams

Star

Valerie Adair Elsie Lewis Bailey Sandra Quinn Bailey Dr. Jodice & Rev. Russell Belisle Jolie Bernard Ivy McGee Blanks Ruby Bright Willie & Sandra Brooks Lou Etta Burkins Pamela Clary Robert & Sheila Cohen Charlie & Mauveleane Cook Courtney Davis Rosie Davis Jerome Edwards Meka Egwuekwe V. Lynn Evans Les & Janet Freeman Ann M. Frogge Mitchell Ghant Erica Griggs Ava E. Hayes Elise A. Hayes Fred & Dorothy Johnson Merlean Jackson-Hill Network for Good Fund Richard McKinney New Salem MB Church Shirley Oliver Shawndolyn Sims Carla Smith Maxine Strawder Jacquelyn Taylor-Mays Jarrod Walker Barry & Kathy Yoakum Marlon Young

Small & Mighty

Charmagyne Akram Roosevelt & Jo Ann Allen Juanita Austin Tonia Bailey-Johnson Joeann Ballard Judge Rachel L. Bell Danielle BerryLeach Sandy Bolton Tyrol & Teresa Brazzell Tereasa Breckenridge Marilyn Brent Matthew Brown Dwayne Bryant

Karolyn Bryant Joe Calhoun Judy Card Everett Carpenter Kourtney Carpenter Andrea Carter Phyllis Carter Jason Noel & Dimika Cavalier Tasha Chesser Mildred Clark Jeannie Clay Mary J. Cooper Smori Cooper Ida Cotton Janis Cowley Nettie Crawford Constance Davis David Dickerson Judy Echols Barbara Edmond Alteena Edwards Geana Ferrell Eric & Chandra Ford Dr. Charlotte Freeman Crystal Frye Tameka Gant Tymikia & Nicholas Glenn Thedrick Griffin Alvin Harris Shantel Harris Donna Hayes Ava E. Hayes Carolyn Head Anthony Carl Horne Veda Howse Mike Jackson Dr. Dorsha N. James Cynthia D. Johnson Eric & Cynthia Johnson Fred & Dorothy Johnson Jackie Johnson Joyce Johnson Priscilla Johnson Cast of "Carmen Jones" Marilyn Powell-Jones Rhoda Jones DeAndra Kelly Jana Kinkle Claire Kolheim Mary Kyles Kathy Ladner Louise Levin

Michael Love Therese Mangold Claudette Mason Lavelle Mays Althea McDuffie Blanchie McGaughy Jennifer McGrath Miller Dental Health, Inc. Jewel Morrow Sandra L. Motley Gail Murray Jacqueline Muskin Velma Nelson Wynetta Noland Candace Obadina Jacqueline Oselen E. Gari & Davondra Owens Sam Patillo Lou Paris Anniace Parker Teresa Peterson Selestine Pugh Crystal Quarles Juan Fuentes & Robert Thompson Karen Reed Priscilla Reed Robert Reeves Marvin Robinson Kizzy Rogers Kimberly Ross Terry Ross The Sawyer Family Sharon Shaw Shelly Shorter Marlena Shorter-Jones Bayley Simmons Lynda Skillom Margie Smith Almella Starks-Umoja Geraldine Sykes Cynthia Taper Maria Todd Rorie Trammel Joyce Turner Mamie Turner Katrina VanBuren Evette Vinnett Stephanie Watkins Pam Watson Donna & Charles White Donna Olds White Raymond White

Marilyn Whitney Charles Williams Cynthia Williams Dawn Williams Gueilar Wilson Vontyna Winfrey Mae Yancy Helena Walton Yarborugh

Ensemble

Charles Belenky Sallie A. Boyd Patricia A Braswell Rita J. Cowans Michael Detroit Norman Dodson Patty Hanna Patricia Hewitt Beulah Kasselberg Myra & Kim Newsom Terrena Moore Brandi Nicole Carol A. Risher Wayne Risher St. James AME Church Amy Wilson

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