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HATTILOO BOARD OF DIRECTORS
& STAFF
BOARD EXECUTIVE COMMITTEE
Amy Simpson, Chief Communications Leader, International Paper; Hattiloo Chair
Faith Morris, CEO, cultureLift Inc. Freedom Award Managing Director/Producer; Hattiloo Vice-Chair
Cynthia Collins, Managing Director of Litigation, FedEx; Hattiloo Secretary
Vernon Stafford, Senior Executive Vice President, & Chief Audit Executive, First Horizons; Hattiloo Treasurer
MEMBER
JocelynHenderson,AnAttorney
TabrinaDavis,VicePresident-Marketing, CommunicationsandWebStrategy, MethodistLeBonheur
MackWeaver,CFO,MemphisinMay
CarolynBishop,Director,On-Campus Living,LeMoyne-OwenCollege
MichaelCampanaro,VicePresident, InformationTechnology,AutoZone
EdithKellyGreen,Principal,KGRGroup
LindaSmith,CommunityVolunteer
CardellOrrin,ExecutiveDirector, StandforChildren
STAFF
Ekundayo Bandele, Founder & CEO
Patricia Smith, Production Manager
Jarrod Walker, Theatre Manager
Rosanna Smith, Office Manager
Najwa Watson, Engagement Coordinator
P.A. Bomani, House Manager
Hatshepsut Bandele, Customer Service Coordinator
Sulaiman Mausi, Resident Theatre Associate
ABOUTHATTILOO
Hattilooisa501(c)3missionnon-profit organization.Itsmissionis"todevelopaBlack theatrethatisaccessibleto,relevantto,and reflectiveofamulticulturalcommunity."It producesshowsthatdepictBlacklifeandthat transcendtheirentertainmentvaluebygiving audiencesanauthentic,culturalexperience Its programTheSelf-IdentityTheatreCamphelps Blackyouthacquiretoolstocarefortheir emotionalselvesininequitableand discriminatorysituations.
AsthelargestBlacktheatreintheMid-South andoneofafewfree-standingBlacktheatresin thecountry,HattilooisahubfornationalBlack theatretrainingandconvening,andouryouth programssharethisfocus.
EKUNDAYO BANDELE Founder/CEO
Written by Melda Beaty
Directed by Erma Elzy
TAYLOR HUSBAND
Costume Designer
LAUREN THOMAS
Stage Manager
HOUSE NOTES
CYD TRICE
Sound Designer
JARROD WALKER Scenic Designer
Ifyouexitthetheatreduringtheshow,youmaynotbeabletoreturnto yourseat.
Talkbackperformances–Sunday,August11thandAugust25th,2024 (5minutesaftercurtain).
Camerasandrecordingequipmentarestrictlyforbiddeninthetheatre. Patronswithcellphonesoranyelectronicdevicethatmakesnoiseare requestedtoeitherturnoffthedeviceorcheckitwiththehouse managerpriortocurtain.
MELANIE MULDER Scenic Painter
LAUREN THOMAS Lighting Designer
SYNOPSIS
For some, there’s nothing better than retirement, but when Eddie Lee’s wife, Iris, joins him in retirement, the truth about his “ladies’ man” ways resurfaces. To avoid her, Eddie retreats to the sanctuary of McDonald’s, where coffee refills are free and the rest of his retired friends, with marital problems of their own, wait faithfully for him. When a mystery woman moves in the abandoned house down the street, with her Creole’ wiles, melt in your mouth coconut cake, and medicine cabinet secrets, Eddie is not the only one who pays her a visit; a visit that threatens to change all their lives forever.
MEET THE PLAYWRIGHT
Melda Beaty earned a B.A. in Broadcast Journalism at the University of Illinois at Urbana-Champaign and a M.A. in English/Writing at Illinois State University. She is a tenured professor at Olive-Harvey College. Her business, MeldaCreates, Inc. provides creative writing and writing consulting services. In her spare time, Melda enjoys cardio and strength training, bike riding, live theater, concerts, reading, and listening to NPR. Her first play, Front Porch Society, delves into the complex and connected lives of four elderly black women in rural Mississippi Delta on the eve of the 2008 presidential election. The play enjoyed a world premiere at The Ensemble Theatre in Houston, TX May 11-June 4, 2017 to rave reviews. Her second play, Coconut Cake was accepted into the New Works Reader's Series at 2017 NBTF (National Black Theatre Festival) in Winston-Salem, North Carolina.
A MESSAGE FROM EKUNDAYO
e's an old South African proverb that : “When you want to eat an elephant in path, approach it slice by slice.” In other s, the best way to solve a big problem is ke it a little at a time
,Iemployvariousonesinsituationsthat nreasonable.AfewinstancesinwhichI havereliedontheabovementionedproverbincludecompletingmythree-yearDeVos ArtsManagementFellowshipattheUniversityofMaryland,whichtookmeawayfrom homeforanentiremontheachyear,andchallengedmynotionofhowtogrowHattiloo; openingHattiloo’sbuildingwithnoprecedenttoemulate;and,mostrecently,graduating fromMorehouseCollege,duringwhichtimeIlived(aloneinafurnisheddorm apartment)with19-and20-year-olds,fortwoyears.Divinegrace,familysupport,and helpfromsomanypeoplehavehelpedme“eat”theseelephantsthathavestoodinmy life’spath.
ManyBlacktheatres,includingHattiloo,encounterherdsofelephantsalongtheiruphill pathofimpactfulrelevancewithinthemacrocosmictheatreworld.Oneofthebestways toachievethisisbymakingasignificantcontributiontotheBlacktheatrecanonFor establishedpredominatelywhitetheatresinNewYork,Atlanta,orChicago,this undertakingisnotanelephant,ratheritisafieldmousebecausethesetheatresenjoya lineageofwealthydonorsandaheritageofgenerouscorporategiving.Suchfiscal prowessendowsthemwiththecapacitytoprovideesteemedBlackplaywrightswiththe costumes,lights,sets,andcelebrityactorsthatthey,theplaywrights,requiretorealize theirvision.Iunderstandtheirmotives.Theyspentconsiderabletime,imagination,and energycraftingtheirplaysandsotheywantthebestcreativeamenities.WithBlack theatresnotenjoyingsuchlineagesandheritages,whenwefacetheambitionof convincingarenownedBlackplaywrighttopremieretheirworkonourstages,itis, indeed,anelephant.
Whattodo?Whattodo?Whattodo?
Ayearorsobeforethepandemicshutdown,IwashavingcocktailsatDartmouthCollege inHanover,NewHampshire,withtwootherBlacktheatreleaders:EileenMorrisofthe EnsembleTheatreinHoustonandJackieAlexanderoftheNorthCarolinaBlackRep.
Between sips and laughter, we dreamt out loud One of our shared dreams was to premiereaplaythatmighthavethelegstowalkitswaytoBroadway.Inthespanofour timetogether,wedecidedtobandtogetherto“eatthatelephant”
We ultimately launched this endeavor by commissioning an award-winning Black playwright who will remain nameless to write a play that will remain titleless. The script’s theme, construction, and writing gave the play powerful legs. However, New York-based white producers who will remain nameless swooped in with their bag of magicalmoneydust,sprinkleditoverourelephant,andshrankittothesizeofafield mouse, which they walked off within their pocket. Having experienced such cultural appropriationforcenturies,frustrationanddisappointmentdidnotoverwhelmwethree Blacktheatres.Wehavelearnedthatwhenthechoiceturnipsarepicked,youboiland seasontheleaves
Weeventuallyfoundsuccesswiththeplay“CoconutCake.”Whilewedonothaveabag ofmagicalmoneydust,eachofushasasolidculturalbrandandaudiencesrecognize thatwehavetheauthoritytostageBlackstorieswithinanenvironmentthatreflectsthe play’scontentandtheplaywright’sbackground.Inlieuofadvancedandcostlytechnical conveniences,weprovidedtheplaywrightarollingworldpremiere;thatis,eachtheatre would produce the play before it’s released to a publishing house. Westcoast Black TheatreTroupeinSarasota,FL.andtheSt.LouisBlackRepjoinedourendeavor,which strengthenedourappeal.
OneofmyresponsibilitiesasHattiloo’sleaderistoensurethatweshineasacultural beacon on our nation’s theatre-landscape. This is no small feat, as the competition waged and fueled by equity, diversity and inclusion initiatives are fierce and unapologetic–anelephantinourpath.But,withthecompanyofotherambitiousBlack theatres, we are “eating” it; actually, we are rolling over it with this rolling world premiere.
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CAST
STAY IN THE LOOP
Hattiloo Theatre always has something going on, both on stage and off. Sign up today using this button and be among the first to know what’s happening at Hattiloo. CLICK HERE
MICHAEL COLE SR.
Eddie
JESSE L DUNLAP
Gotdamit
GREGORY JONES
Joe
BART MALLARD
Hank
ANDREW ROBINSON
Marty
MICHAELCOLE,SR.
Eddie
MICHAEL COLE, SR. is A Martial Artist Student Of Life For life, he wasbornhereinMemphis(OrangeMound)Tennessee.Hisfamily moved to upstate New York right after MLK’s Assassination He graduatedfromWhitePlainsHighSchoolandretiredafter25years as a New York State Correction Officer, he first graduated from an HBCU in Hampton Virginia. This Is Michael's fourth Season performing at The Hattiloo Theatre. He previously performed as ElderBlockinWomenInThePit,theunderstudyforSaminMaster Harold And The Boys, and the First Slave in Fathers Come Home From The Wars Parts 12&3. Michael says it is both an honor and a privilegetobechosentoperformatTheHattilooTheatre!!!
JESSELDUNLAP
Jesse L Dunlap is an award-winning Actor Activist Advocate Poet and Storyteller. He is a Veteran of over 70 stage plays films and other projects Some of his stage and film credits include; movies "The Client", "ESCAPE", and the Netflix movie "Uncorked". Plays; "Jitney”, "Master Harold and the Boys", "Arsenic and Old Lace " , “No Place to be Somebody " , and"We shall overcome . " He is the OriginalHostoftheMemphisblackArtsAllianceSeries‘JazzaFire andVoicesaFire’.
Gregory Jones recently transitioned to the stage from mostly local independent films and commercials. His first foray was embodying the character “Latham Lanier” in the play “A Stubborn Holiday” staged by MaryAnn Washington at TheatreWorks under the auspicesofTheActor’sRenaissanceTheatre.
He is an earnest, artistic craftsman who has appeared in minor roles in the motion picture “TILL”, and the HBO series “PAUSE w/Sam Jay”. Having undertaken workshops for Scene Study, Improvisation and also Accessing Emotions, Gregory currently studies acting under the tutelage of Forrest Pruett at Indie Acting StudioinBartlett,Tennessee
BARTMALLARDcelebrateshis14thyearwithHattiloo Heholdsan MFAfromtheActorsStudioProgramatTheNewSchool(NYC).His most recent role was in Small Mouth Sounds (New Moon Theatre). Bart is most proud of his work in Hattiloo’s productions of The Parchman Hour and Who's Afraid of Virginia Woolf. “Our hands mbibelikerootssoIplacethemonwhatisbeautifulinthisworld.”
-St FrancisofAssisi
CREW BIOs
ERMA ELZY (Director) is a multi-talented, award-winning television, short feature, and theater directorwithover30+yearsintheentertainmentbusiness.ALosAngeles,CAnativeandMemphis residentsince2012,Ms ElzyhaswrittenanddirectedvariousprojectsintheBluffCityincludingthe short feature, Pandemic Pens Pals – A Memphis Tale, directed Hattiloo’s productions of Dominque Morriseau’sConfederates,AugustWilson’sKingHedleyIIandSevenGuitars,LydiaDiamond’sStick Fly,CharlayneWoodard’sNeatandSouthwestCollege’sproductionofSamm-ArtWilliams’Home
As a dedicated member of the Memphis arts community and a staunch advocate for women and children’s empowerment, Ms Elzy currently works freelance and volunteers with various Memphis organizationsliketheBrooksMuseumofArt,MemphisChallenge,andMemphisArea Women’sCouncil.SheispleasedtopresentHattiloo’sdebutproductionofMeldaBeaty’s award-winningscript,CoconutCake
TAYLOR HUSBAND (Costume Designer) Taylor Husband is fortunate to be working with Hattiloo oncemore FromsupportingHattilooasanAssistantCostumeDesigner(FatherComesHomesfrom theWars)toleadCostumeDesigner(AHolidayCabaret)aswellasworkingalongsideHattiloo'svery own Patricia Smith in this great work. Taylor is grateful to be a part of Season 18 at Hattiloo and positiveaboutherfuturewithinthecostumingworld!
MELANIE MULDER (Scenic Painter) is proud to be designing another set at Hattiloo Theatre. Previously,forHattiloo,shehasdesignedOnceonThisIsland,SimplySimone,IntheHeights,The Wiz, and AIDA Originally from Memphis, TN, she has traveled around for many years working in theatre. Some of the theatres Melanie has worked for are The Roundabout Theatre, The Vineyard Theatre,TheSignatureTheatre,(NYC);WilliamstownTheatreFestivalinMain;LakeGeorgeOperain NewYork;SeasideMusicTheatreinFlorida;NorthernStageinVermont;TheNashvilleShakespeare FestivalandTheCumberlandCountyPlayhouse,bothinTennessee.
LAUREN THOMAS (Stage Manager & Lighting Designer) is a professional Lighting Designer and Stage Manager and is so excited to be making her Hattiloo debut! Recent credits include ASM: La Boheme & La Calisto (Opera Memphis) Little Shop of Horrors & All Shook Up (Cumberland County Playhouse); Lighting Designer: Finding Nemo Jr. & SpongeBob the Musical Jr. (Cumberland County Playhouse)Shewouldalsoliketothankherfriends,family,andfiancéeaswell!Theyhopeyouenjoy theshow!Lftdesigns.com
CYDNIE TRICE (Sound Designer) has been working in theatre productions for over twenty-five years.Sinceshefirstbeganhercareer,shehastakenonvariousrolesfromdirector,designer,and actortopropmaster,videographer,andstagemanager.DuringherUndergradatMIT,Cydniewasa partofUncleVanya,LaCasadeBernaldaAlba,andtheGilbert&SullivanPlayer’smusicalTrialBy Jury. Since returning to the Mid-South, Cyd has worked on over three dozen shows with Theatre Memphis, The Harrell Theatre, Hattiloo Theatre, Germantown Community Theatre, New Moon Theatre,Stage88Productions,PlayhouseontheSquare,andOperaMemphis She’sexcitedtobea partofHattiloo’spremierofCoconutCake.
JARROD WALKER (Set Designer) is delighted to be serving the community with Hattiloo Theatre. He was the director of the Drama Ministry at Elizabeth Baptist Church (Atlanta) for 6 years and directed several productions during his tenure. One of his favorite directing credits was Class Act with Rising Sage Theatre. He has a B.A. in Production Studies In Performing Arts from Clemson UniversitywherehejoinedAlphaPsiOmega(theatrefraternity) Hisloveofstorytellingandcreating experiences is also showcased in his event planning and graphic design work. He most recently designedthesetforHatiloo’s‘TakeTheSoulTraintoChristmas’.
MEET THE HATTILOO STAFF
EKUNDAYO BANDELE (Hattiloo Founder & CEO) founded Hattiloo in 2006. Among his directing credits are August Wilson’s “Joe Turner’s Come and Gone” and Katori Hall’s “Hurt Village.” From 2012 - 2014, he spearheaded a $4.3M capital campaign that resulted in the construction of Hattiloo’s 14,000-square-foot venue that opened debtfree in 2014 Also, in 2014, he worked as an assistant to Tony Award-winning director Ruben Santiago Hudson at the Williamstown Theatre Festival’s production of “Paradise Blue.” In 2017, he co-led, with Teresa Eyering, Theatre Communication Group’s executive director, a theatre management course at the University of Orduman in Khartoum, Sudan. In 2019 he produced “Ain’t Misbehavin” at Spazio Teatro No'hma in Milan, Italy. In 2020, Hattiloo returned to Milan with “Lady Day at Emerson’s Bar and Grill,” and again in July 2023 with “Mahalia: Queen of Gospel Music.” Ekundayo is a Fellow at the DeVos Institute of Arts Management at the University of Maryland. He is a recent graduate of Morehouse College
HATSHEPSUT BANDELE (Customer Service Coordinator), is passionate about celebrating and promoting Black art and culture. Working at Hattiloo brings her joy as she wholeheartedly believes in the power of the arts. In her role, she is committed to ensuring that each visitor feels genuinely welcomed and well-informed about the upcoming plays and events at Hattiloo. Handling ticket sales and subscriptions, she strives to deliver customer service that reflects my appreciation and pride in everything Hattiloo represents.
Sulaiman Mausi Jr. (Resident Theatre Associate) is a recent graduate of Morehouse College in Spring 2023. He received his Bachelor's degree in Theater Performance and has been helping out at Hattiloo Theater ever since. He has recently starred as Steve Harrison in Hattiloo Theatre’s Succession and is excited to be a part of more productions in the future.
PATRICIA SMITH (Theatre Production Manager) has an extensive resume which includes her most recent performance as Judge Dunbar on NBC's Bluff City Law. She performed in Ain't Misbehavin and Asst. Directed Lady Day at Emerson's Bar and Grill, both in Milan, Italy. She directed Hattiloo's Black Nativity with the Memphis Symphony Orchestra. She has many credits performing, directing, and costuming shows here at Hattiloo Theatre, however, most recently she directed and costumed "Lady Day at Emerson's Bar and Grill" and "Marie and Rosetta". She was last seen performing in "Raisin" the musical as Lena Younger.
ROSANNA SMITH (Office Manager) a Tennessee native from southwest Memphis, is the eldest of nine children born to Rev. J. W. Smith, Sr., and Lillie B. Smith. She graduated from Mitchell High School in 1967 and attended the University of Tennessee at Martin. Her career began in 1970 as a Reservationist at American Express, followed by a role as an Office Manager at Murphy Oil Company.
Rosanna earned an Associate Degree in Accounting and Data Processing from Memphis School of Commerce in 1973 and worked as an assistant bookkeeper at Goodwill Industries before joining Kroger in 1974. She served as an accounting clerk and office manager at Kroger until her retirement in 2002. After retirement, she worked at Katz Worldwide Logistics and the Shelby County Health Department until late 2013.
In her religious community, Rosanna was an Administrative Assistant and Church Clerk at Tabernacle Missionary Baptist Church for 33 years and held various educational roles at Kimbrough Chapel Missionary Baptist Church in Lamar, Mississippi. She has received numerous awards and certificates for her contributions to Christian education and community service.
JARROD WALKER (Theatre Manager) an imaginative trailblazer, is fueled by an inherent passion for creativity. Jarrod has immersed himself in event coordination, theater direction, and product launches for over two decades. Whether orchestrating weddings, plays, or other significant life events, his ability to infuse creativity into every project is the driving force behind his success.
As an accomplished event professional, administrative assistant, and theater director, he is dedicated to crafting unparalleled experiences for his clients and audiences. From providing essential administrative support to executing productions, he has played a pivotal role in turning clients’ dreams into tangible realities. For Jarrod Walker, the possibilities are boundless when creativity takes center stage, and his journey continues to be a testament to the transformative power of artistic innovation.
NAJWA WATSON (Engagement Coordinator) a Memphis native of Jamaican descent, brings over 14 years of administrative expertise to her role at Hattiloo Theatre. Her commitment spans nearly 15 years, reflecting a profound dedication to community and service Najwa excels in organizing, project support, delivering exceptional customer service, and coordinating special events. Hattiloo is not just her workplace but her second home, where she contributes proudly as a professional, performer, and creative force. With gratitude and honor, she will consistently embody Hattiloo's values through her endeavors.
THANK YOU FOR YOUR GENEROUS SUPPORT
Please email najwa.watson@hattilootheatre.org if your donor info needs to be updated or revised
$50,000+
Community Foundation of Greater Memphis
Hyde Family Foundations
Memphis Tennessee Arts Commission
TN Arts Commission
$25,000+
ArtsZone
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Thomas R. & Ellen M. Prewitt
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Producer
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Hohenberg Foundation
William & Ann Schultz
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Director
Percy & Regina Baker
Cynthia Daniels
Gilbert Noble
Commodore & Emma Primous
Sandra Reed
Vernon H. Stafford, Jr.
Clinton Woods
Designer
Alpha Kappa Alpha Sorority, Inc., Phi
Lambda Omega Chapter
Black Seed Fund
Michael Campanaro
Thomas & Elgie L. Barfield
Carolyn Bishop
Sylvia Brown
Tabrina Davis
Vickie Devezin
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Roselle Gause
Gilliland Family Fund, Inc.
Lucia Gilliland
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International Paper
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Irene Jones
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City of Memphis, Tennessee
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Amy Simpson
Rosie Richmond DDS
Stephanie Sweet
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Sharon Younger
Celebrity
Verna Alexander
Cheryl Browne
Clarence/Harriett Halmon
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Deborah Hester
Delta Sigma Theta Sorority, Inc., Memphis
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Jewish Foundation of Memphis
May Lavender
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Vanelder Nichols
Robin Salant
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River Arts Festival
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Sekeeta Thomas
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Todd & Patricia Walker
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Star
Valerie Adair
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Elise A Hayes
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Network for Good Fund
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New Salem MB Church
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Carla Smith
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Jarrod Walker
Barry & Kathy Yoakum
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Small & Mighty
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Juanita Austin
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Joeann Ballard
Judge Rachel L. Bell
Danielle BerryLeach
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Tereasa Breckenridge
Marilyn Brent
Matthew Brown
Dwayne Bryant
Karolyn Bryant
Joe Calhoun
Judy Card
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Kourtney Carpenter
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Phyllis Carter
Jason Noel & Dimika Cavalier
Tasha Chesser
Mildred Clark
Jeannie Clay
Mary J. Cooper
Smori Cooper
Ida Cotton
Janis Cowley
Nettie Crawford
Constance Davis
David Dickerson
Judy Echols
Barbara Edmond
Alteena Edwards
Geana Ferrell
Eric & Chandra Ford
Dr. Charlotte Freeman
Crystal Frye
Tameka Gant
Tymikia & Nicholas Glenn
Thedrick Griffin
Alvin Harris
Shantel Harris
Donna Hayes
Ava E. Hayes
Carolyn Head
Anthony Carl Horne
Veda Howse
Mike Jackson
Dr. Dorsha N. James
Cynthia D. Johnson
Eric & Cynthia Johnson
Fred & Dorothy Johnson
Jackie Johnson
Joyce Johnson
Priscilla Johnson
Cast of "Carmen Jones"
Marilyn Powell-Jones
Rhoda Jones
DeAndra Kelly
Jana Kinkle
Claire Kolheim
Mary Kyles
Kathy Ladner
Louise Levin
Michael Love
Therese Mangold
Claudette Mason
Lavelle Mays
Althea McDuffie
Blanchie McGaughy
Jennifer McGrath
Miller Dental Health, Inc.
Jewel Morrow
Sandra L. Motley
Gail Murray
Jacqueline Muskin
Velma Nelson
Wynetta Noland
Candace Obadina
Jacqueline Oselen
E. Gari & Davondra Owens
Sam Patillo
Lou Paris
Anniace Parker
Teresa Peterson
Selestine Pugh
Crystal Quarles
Juan Fuentes & Robert Thompson
Karen Reed
Priscilla Reed
Robert Reeves
Marvin Robinson
Kizzy Rogers
Kimberly Ross
Terry Ross
The Sawyer Family
Sharon Shaw
Shelly Shorter
Marlena Shorter-Jones
Bayley Simmons
Lynda Skillom
Margie Smith
Almella Starks-Umoja
Geraldine Sykes
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Maria Todd
Rorie Trammel
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Mamie Turner
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Evette Vinnett
Stephanie Watkins
Pam Watson
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Raymond White
Marilyn Whitney
Charles Williams
Cynthia Williams
Dawn Williams
Gueilar Wilson
Vontyna Winfrey
Mae Yancy
Helena Walton Yarborugh
Ensemble
Charles Belenky
Sallie A Boyd
Patricia A Braswell
Rita J. Cowans
Michael Detroit
Norman Dodson
Patty Hanna
Patricia Hewitt
Beulah Kasselberg
Myra & Kim Newsom
Terrena Moore
Brandi Nicole
Carol A. Risher
Wayne Risher
St. James AME Church
Amy Wilson
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