HATTILOO BOARD
OF DIRECTORS & STAFF
BOARD EXECUTIVE COMMITTEE
Amy Simpson, Chief Communications Leader, International Paper; Hattiloo Chair
Faith Morris, CEO, cultureLift Inc Freedom Award Managing Director/Producer; Hattiloo Vice-Chair
Cynthia Collins, Managing Director of Litigation, FedEx; Hattiloo Secretary
Vernon Stafford, Senior Executive Vice President, & Chief Audit Executive, First Horizons; Hattiloo Treasurer
MEMBER
JocelynHenderson,AnAttorney
TabrinaDavis,VicePresident-Marketing, CommunicationsandWebStrategy, MethodistLeBonheur
MackWeaver,CFO,MemphisinMay
CarolynBishop,Director,On-Campus Living,LeMoyne-OwenCollege
MichaelCampanaro,VicePresident, InformationTechnology,AutoZone
EdithKellyGreen,Principal,KGRGroup
LindaSmith,CommunityVolunteer
CardellOrrin,ExecutiveDirector, StandforChildren
STAFF
EkundayoBandele,Founder&CEO
PatriciaSmith,ProductionManager
Jarrod Walker,TheatreManager
RosannaSmith,OfficeManager
NajwaWatson,EngagementCoordinator
P.A.Bomani,HouseManager
HatshepsutBandele,CustomerService Coordinator
SulaimanMausi,ResidentTheatreAssociate
ABOUTHATTILOO
Hattilooisa501(c)3missionnon-profit organization.Itsmissionis"todevelopaBlack theatrethatisaccessibleto,relevantto,and reflectiveofamulticulturalcommunity."It producesshowsthatdepictBlacklifeandthat transcendtheirentertainmentvaluebygiving audiencesanauthentic,culturalexperience.Its programTheSelf-IdentityTheatreCamphelps Blackyouthacquiretoolstocarefortheir emotionalselvesininequitableand discriminatorysituations.
AsthelargestBlacktheatreintheMid-South andoneofafewfree-standingBlacktheatresin thecountry,HattilooisahubfornationalBlack theatretrainingandconvening,andouryouth programssharethisfocus.
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EKUNDAYO BANDELE
Founder/CEO
Written by Oscar
Hammerstein II
Based on Meilhac and Halevys adapation of Prosper Mérimée’s Carmen
Music by Georges Bizet
Directed & choreographed by Patdro Harris
CLAUDETTE LEHEW Vocal Director
CYD TRICE
Projection & Sound Designer
SHERRONDA JOHNSON Stage Manager
MARSENA SELLERS Costume Designer
LAWRENCE BLACKWELL Fight Choreographer
KEENAN SHOTWELL Musical Director
MELANIE MULDER Scenic Designer
HALENA EDWARDS Asst. Stage Manager
TAYLOR HUSBAND Asst. Costume Designer
REGGIE BENNETT Master Carpenter
ASHLEY DAVIS Music Producer
JASMINE WILLIAMS
Lighting Designer
ANGELINA CLARK Asst Director & Choreographer
CAHLEESI BEDELL Asst. Costume Designer
RALPH CALHOUN Sound Engineer
HOUSE NOTES
Ifyouexitthetheatreduringtheshow,youmaynotbeabletoreturntoyourseat.
Talkbackperformances–Sunday,July28thandAugust11th,2024 (5minutesaftercurtain).
Camerasandrecordingequipmentarestrictlyforbiddeninthetheatre.Patrons withcellphonesoranyelectronicdevicethatmakesnoisearerequestedtoeither turnoffthedeviceorcheckitwiththehousemanagerpriortocurtain.
SCENE1:TerraceoftheMeadowLawnCountryClub,South-SideOfChicago, TwoWeeksLater,Night.
29.Entr'acte-BasedonEntr'acteMusicBetweenActsThreeAndFourofCarmen. 30."Fate"Theme
31.DeCardsDon'Lie(Datol'Boy)............Carmen,Frankie,Myrt&GroupofThree"Kibitzers"
32.PonchoDePantherFromBrazil....................................Frankie,Myrt,Husky,Rum&Chorus 33."SpanishBallet"-RomaSuite(a,b&c)......................................................................Ballet
34.MyJoe.......................................................................................................................CindyLou
35.FinaleofSceneOne.................Carmen,Joe,CindyLou,Husky,Rum,Dink,Frankie&Myrt
SCENE2{al:OutsideaSportStadium,aWeekLater.
36.GitYerProgramForDeBigFight..................................................................................Chorus
37.March:Dat'sOurMan!.................................................................................................Chorus
SCENE2(b):TheStadium.
38.FinaleOfActTwo................................................................................Joe,Carmen&Chorus
Carmen Jones - 1943 Original Broadway Production Photo
A MESSAGE FROM EKUNDAYO
In 2022, the world was trying to find its footing after nearly two years of being closed due to the COVID-19 pandemic. At the same time, Broadway theatres were re-opening with an olive branch extended to Black theatre artists. This was largely due to the “We See You White American Theatre Movement,” which was a widespread call-toaction to build anti-racist theatre systems.
Coerced by the driving force of dozens of Black artists and the rumbling of the equity, diversity, and inclusion bandwagon wheels, a number of Black plays opened on Broadway stages. Thoughts of a Colored Man (which is included in this Hattiloo season). Chicken and Biscuits. My mentor, Ruben Santiago Hudson’s one-man show, Lackawana Blues. Passover. And Arthur Miller’s, Death of a Salesman – a play about “the loss of identity and a man's inability to accept change within himselfandsociety”–whichwasstagedwithanall-Blackcast.
Seeing dozens of Black theatre artists on stage and hundreds of Black ticket holders in lines mirroredthenaturalenvironmentatmybelovedMorehouseCollege–thenation'sonlyhistorically black private liberal arts college for men While every school offers some sort of pedagogy, Morehouse focuses just as much on her student’s personal acculturation as their education. Being anexcellentstudentisn’tenoughtochangetheworld,whichiseveryMorehouseMan’scharge.
During my matriculation, I joined many on-campus discussions about the exploitation, fear, violence, misinterpretation, and other matters that affect Black men. One such discussion took overanentireclassperiodofmyStudyofWorldDramacourse.
The topic – appropriation or appreciation of Black culture. The question – do white arts organizations produce Black art because they appreciate and connect to its themes, or because they want to be viewed as culturally diverse, while making money? My perspective – relevant, being that I had produced plays written by white playwrights which are, on the surface, about whitepeople.
I produced Neil Simon’s Last of the Red-hot Lovers in Hattiloo’s first season. I went on to produce Tennessee Williams’ A Streetcar Named Desire (Season four), Moliere’s Tartuffe (Season Five), and I threw in a couple of Shakespeare’s plays for good measure Truth be told, I selected these shows with the goal of selling tickets to white theatergoers, as well as to those Black theatergoers who would validate Hattiloo only if it was validated by white theatregoers, so, my effort was a twofer I was unabashedly appropriating white plays so as to have the means to produce plays written by Black notable playwrights that included August Wilson, Susan-Lori Parks, and Lydia Diamond.AppropriationwasatoolthathelpedmeintroduceHattilootoacitywithapoorrecordof nurturingBlackartsorganizations.
However, in retrospect, I realize that, on some deeper level, I selected these plays because each of them had themes that mirrored the general Black experience. I did this in keeping with my belief that Black people are not a monolith. I realize that I, just like Broadway actor Wendell Pierce,hadagoodbitincommonwithArthurMiller’sWillyLomancharacter–amansuffering“the lossof[his]identity…”
The Eurocentric teaching that I and millions of other Black youths received from elementary to high school whitewashed my perspective of what it meant and means to be Black. I “lost my identity” within the paradigm of white supremacy, in light of the fact that only the Black folk who were highlighted during Black history month were worthy of notice and study. While Manifest Destiny and a historical foundation of servitude endowed white men with the credit of industrial progress, widespread cultural enrichment, and the practice of social grace. Consequently, my identitywaslostwithintheshadowofEurocentricdominationandachievement.
Allthesame,unlikeWillieLoman,Iwasabletochangemyself-deprecatingperspective.Indeed,I selected Carmen Jones to open Hattiloo’s eighteenth season because it my Afrocentric perspective Not only is it a musical that demonstrates the artistic prowess of Black performers, but it also exhibits the elegance, emotional complexity, and sometimes adverse passions of Black folk I selected this musical because I appreciate and relate to its themes I am not producing it becauseitwillbroadenouraudienceandsellmoretickets
Now, the question – do white theatres feel a connection to August Wilson’s Gem of the Ocean, in which a Black man reconnects with his soul in an Atlantic Ocean boneyard composed of Africans who choose death over enslavement? Do they produce gospel and blues musicals as a consequence of some ingrained hope or trauma? Or is Black pain, joy, and triumph being appropriated in the name of a diversity that’s in vogue and, in some cases, tied to funding. Are Blackstoriesmerelythecommodity-of-the-week?
During that Survey of World Drama class, a Morehouse brother defined appropriation as white supremacy stealing a Black person’s shirt and then turning around and demanding that the Black person buy back that same said shirt. By selecting plays that exhibit the humanity of Black people that’s sometimes put into question, I am holding on to our shirt, refusing to sell it; and refusing to lendit,unlessyouagreetowearitsbloodyripsthatevidencethestrugglethatBlackfolkhaveand continuetoendure.
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CAST
DAWN BRADLEY
Carmen Jones
XEA GOOLSBY
Cindy Lou
RHONDA WOODFORK Frankie
CHASITY WILLIAMS Myrt
KORTLAND WHALUM Joe
MATTHEW MARSEILLE Sergeant Brown/Photographer
JAMES COOK Rum Daniels
TRAMAINE MORGAN Dink Franklin
CHARLES DOVE Husky Miller
JORDAN SMITH Man A: Foreman/ Police Officer/ Commissioned Officer
GRANT KEE
Man B: Corporal Morrel / T-Bone / Slappy / Commissioner Officer
LEANTHONY DOUGLAS Man C: Lt Eddie Perkins / Pete / Poncho The Panther
TIMOTHY WOODS Man D: Soldier / Higgins
ZURICK THOMAS Man E: Workman / A Worker / Bullet Head
ARIEL LEIRA
Woman A: Sopranos / Sally / Mrs. Snow
BRONZJUAN
BROOKE TOLBERT
Kid D: Tough Kid / High Schooler
VALETTA BRINSON Singer - Soprano
TIFFANY PINNIX Singer - Soprano
TAYLOR NICOLE BARKSDALE Singer - Tenor
TEKAY KING Singer - Tenor
RAVEN MARTIN Singer - Alto
ANGEL CLARK
Woman B: Sopranos / Disgruntled Girl / 3rd Girl / Dance Captain
WORTHY
Woman C: 2nd Girl & 3rd Girl / Balloon Cheeks
ZAN EDWARDS Woman D: Girl / 2nd Man
ASIA BREWER
Kid A: Girl / Miss Higgin’s Daughter / High Schooler
JASPER JAMES Kid B: Boy / High Schooler
COHEN COOPER Kid C: Boy / High Schooler
MICAIAH ROKER Singer - Alto
SULIAMAN MAUSI Singer - Bass
EDWARD HOLT Singer - Bass
CAST BIOs
DAWNBRADLEY
CarmenJones
ASIABREWER
KidA:Girl/MissHiggin’sDaughter/ HighSchooler
ANGELCLARK
WomanB:Sopranos/Disgruntled Girl/3rdGirl/DanceCaptain
DAWN BRADLEY is thrilled to join the exceptionally talented Carmen Jones cast. A great admirer of Dorothy Dandridge, she hopes to pay homage to her through this role. In 2020, Dawn received the Ostrander Award for Best Actress in a Musical for portraying Felicia in Memphis the Musical at Playhouse on the Square. Her other notable theater credits include Ragtime at Theater Memphis(Ostrander Nominated) and the OstranderwinningproductionofJitneyatHattiloo.
Dawn feels incredibly blessed to be the mother of two wonderful childrenandextendsaheartfeltthankyoutoherhusband,Derrick, forhisunwaveringsupportandlove.
Deeply rooted in the world of education, Dawn is a founding primaryMontessoriinstructorandtheprimarydirectoratLibertas School of Memphis. Additionally, she serves as the Primary Instructor for their onsite Training program. Beyond her work at Libertas,Dawnhasprovidedconsultingservicestoschoolsacross theUnitedStates,includingtheHarvardSchoolofEducation.
ASIABREWER,MystagenameisAsiaTheCreatorr.Iama23-yearold young actress & spoken word artist! I have been performing since I was 6 years old, being under the lights has always been a passionofmine.Performingartsismyhappyplace&hopefully,it makesyouashappyasitmakesmeafterthisshow!
ANGELINA“ANGELCEARA”CLARKisanativeMemphian.Sheisa movement artist, actor, choreographer, creative director, and educator.ExperiencedherdirectorialdebutwithHattilooinSeason 17
She received her Dance/Movement Therapy and Performing Arts DegreefromTheUniversityofMemphis Affordedopportunitiesto work alongside and assist artists in theatre and film, such as Principal Dancer, Hope Boykin (Alvin Ailey Dance Theatre), Broadway Director and Choreographer, Patdro Harris, and Executive Producer, Princeton James (Princeton James Productions).
Asachoreographer,dancer,andactor,afewofhercreditsinfilm and theatre include Soulful Murder Mystery Dinner Theatre, DamagedGoods(FeatureFilmw/DanielFerral),TheColorPurple (Hattiloo),andConfederates(Hattiloo).Angelhashadthepleasure oftravelingandworkingwithCameronBethany,DebõrahHughes, March Productions, Ebonè Amos, Dorse Brown, Countes Winfrey, Wayne Smith, Tamara Prince-Parrish, Steven Prince Tate, Marco Alexander,andmore.
Her mission is to use her skills, as a multi-disciplinary artist, to bring healing to self and others through her organization Earth Angel’sMVMNTLLC.
VALETTABRINSON
Singer-Soprano
VALETTA BRINSON is a native Memphian who has performed throughout the United States, United Kingdom, Japan, and the Caribbean. She specializes in art songs and classical and operatic music. In addition, she has performed with Opera Memphis, Memphis Symphony Orchestra, Nashville Opera, Americolor Opera Alliance, Memphis Black Arts Alliance, and many other organizations such as The Penn Center, BBC London, Southbank Centre, FOKAL Cultural Center, Corcoran Gallery, and the National Black Theater Festival. Valetta has been involved in many great projects, some of which have allowed her to record at the BBC in London and some that have received Emmy Awards. She is an Associate Professor of Music at Southwest Tennessee Community College and an Adjunct Professor at Morris Brown College; she performs recitals, workshops, and masterclasses, and teaches privately in her studio, Brinson Music Group. She received her vocal training from Morris Brown College, Middle Tennessee State University, and The University of Memphis.
JAMESCOOK RumDaniels
COHENCOOPER
KidC:Boy/HighSchooler
MES COOK is a member of the Hattiloo Theatre Company. He is versatile and dedicated actor known for several memorable es across the city. His latest works include director credits for Death produced by Three Diamond Productions as well as e Monkey Don't Stop No Show produced by Moves by Michelle. e actor/director is honored to return to Hattiloo's stage under the Presidential Award-winning direction of Patro Harris.
COHEN JAMES COOPER is a remarkable 13-year-old actor who has already made a significant impact in the entertainment industry. With a diverse range of credits in TV commercials, music videos, TV shows, movies, and stage productions, Cohen has demonstrated his versatility and authenticity. When he's not acting, Cohen dedicates himself to promoting positive change through his involvement in organizations that champion personal leadership, community empowerment, and social responsibility. With a passion for making a difference and living life to the fullest, Cohen is poised to achieve his vision and continue to inspire audiences worldwide.
LEANTHONYDOUGLAS
ManC:Lt EddiePerkins/Pete/ PonchoThePanther
CHARLESDOVE HuskyMiller
XEAGOOLSBY
CindyLou
EDWARDHOLT Singer-Bass
AS was born and raised in Orange Mound in ee. He began learning Memphis Jookin in third bar Elementary School. Under the guidance of w Ballet Ensemble & School (NBE), he became p Hop, Jookin, Modern, Contemporary, West umming, and Flamenco. After graduating from ol in 2017, he started working as a Teaching Artist at NBE. He has attended summer Tennessee Governor’s School for the Arts 8 Dance Center Monferrato (2018), and Alvin nce Theater (2019). He has performed at The enter for the Performing Arts and The Cannon orming Arts among others. He has also had iple cities since 2019. He is now a company see Ballet Theater.
a dynamic baritone from Detroit, MI, known for ormances in opera and stage productions. He music degree from Alabama A&M University. c debut as Zuniga in Ars Nova’s Carmen, he his talent, having previously excelled in lead s genres. With a background in church, school, irs, including the prestigious 105 Voices of onors Choir, Charles has shared his melodic ces worldwide Notable highlights include a with gospel recording artist, Kim Burrell. With oice and magnetic stage presence, Charles ate audiences, solidifying his status as a rising e world of opera and musical theater.
SBY Xea was born and raised in Memphis, Tennessee. d with Stax Music Academy. She has vocally trained outh throughout the city and choreographed numerous ductions. She’s ecstatic to add Carmen Jones to her list of Hattiloo productions. She also appeared in African Means Play, The Color Purple, and numerous other plays. Xea hopes to inspire others to pursue their acting career and be confident and who they are.
EDWARD HOLT Ed is an accountant and was an 18-year educator in the Memphis-Shelby County Schools district. He is a bass singer in the Memphis Symphony Chorus and the contemporary cappella ensemble DeltaCappella. Carmen Jones is his second production with Hattiloo Theatre; he played Mingo in Porgy and Bess in 2022. In 2023, he played the role of Mitch Mahoney the Comfort Counselor in the Germantown Community Theatre's production of The 25th Annual Putnam County Spelling Bee. Additionally, he played the role of SJ Humpheldt in the reading of the comedy Hot Beef at Playhouse on the Square. He is grateful to the production team at Hattiloo for the opportunity to participate in Carmen Jones.
GRANTKEE
ManB:CorporalMorrel/T-Bone/ Slappy/CommissionerOfficer
TEKAYKING
Singer-Tenor
ARIELLEIRA
WomanA:Sopranos/Sally/ Mrs Snow
GRANT KEE is a native of Memphis Recently starring in plays such as Jelly's Last Jam (Hattiloo Theatre), Mirandy And Brother Wind (Hattiloo Theatre), Uncorked (Netflix Film), Cats (Theatre of Memphis), Sly Fox (Playhouse on the Square), Porgy & Bess (Hattiloo), The Scottsboro Boys (Playhouse on the Square), The Color Purple as Harpo (Hattiloo) has driven Grant to showcase more of his true raw effortless talents. A graduate of Lane College, Grant finds interest in starring in roles that provide outstanding theatrical experience to enrich the lives of the audience.
THOMAS KING “TeKay” (Tenor) is the Artistic Director and Head of Theatre at Southwest. His favorite color is purple. He has an MFA in directing from the UofM. TeKay has worked regularly as an actor/director/musician at Playhouse, Opera Memphis, Theatre Memphis, and Emerald Theatre but calls Hattiloo home. Directed 5 Guys Named Moe for Hattiloo, Immediate Family at TM, and Hot Beef at POTS. Recent performances include The Color Purple, Porgy and Bess, Jelly’s Last Jam and The Wiz. He sings with the award-winning DeltaCappella. Broadway performances Children of Eden, Pippin, and Oliver! Aquarian love! twell has brought nostalgia and excellence to the world of music and has done it flawlessly!
ARIEL ARI LEIRA I would like to give all the glory, honor, and praise to my Lord and Savior Jesus Christ for my debut at Hattiloo Theatre! As a child, I've always dreamt of being on the theatre stage. So far God has blessed me to be in several productions such as 24/7 Cafe,' Another Christmas Wish, New Life Christmas, Dare to Dream, Til Death, and now Carmen Jones! I am beyond grateful to be cast as Sally and Mrs.Snow in this astonishing musical. I would like to thank God, my family, Mr.Patdro Harris, and the entire Hattiloo Team!
MATTHEWMARSEILLE
SergeantBrown/Photographer
MATTHEW MARSEILLE is a Brooklyn native of Afro-Caribbean descent who moved to Memphis in 2018. He is a multidisciplinary creative, educator, author, and proud father. He teaches Creative Writing at a local high school and partners with several non-profit organizations in Memphis while leading one of his own. Carmen Jones is Marseille’s second production at the Hattiloo Theatre. He is grateful for the impact this play will have on Memphis this summer.
RAVENMARTIN
Singer-Alto
SULIAMANMAUSI
Singer-Bass
TRAMAINEMORGAN
DinkFranklin
TIFFANYPINNIX
Singer-Soprano
RAVEN MARTIN is honored to be working with Hattiloo Theatre again. Though this is her first musical, she has a long-standing acting career working with Memphis theatre companies such as Bluff City Tri-Art Theatre Company and Art With a Heartbeat Productions. Raven won her first Ostrander for Best Supporting Actress as Maima in “Eclipsed” at Hattiloo Theatre. Special thanks to D’vonna Taylor, Gerald Morgan, and Brennan Austin for always pulling the best out of her in vocal lessons. She thanks her family and friends for their love and continued support.
In loving memory of Anwar Martin Sr and Roslyn Guest, to whom she dedicates her performance.
SULAIMAN MAUSI JR. is a 23-year-old creative from Detroit, Michigan, and a recent graduate of Morehouse College in Spring 2023. He received his Bachelor's degree in Theater Performance and has been a helping hand to Hattiloo Theater ever since. Sulaiman has recently worked as a stagehand in The Color Purple and as an actor in Take the Soul Train To Christmas (2023), and Succession. He is super excited to be a part of more productions in the future!
TRAMAINE MORGAN is a Native Memphian and award-winning actor renowned for his comedic brilliance and impressive dramatic range. With an innate ability to blend humor and heartfelt performances, he captivates audiences on stage and screen. From comedy to deep emotional portrayals, Tramaine’s versatility and commitment to his craft have earned him critical acclaim and a devoted following. His unique blend of wit and depth sets him apart as a multifaceted performer in the entertainment industry.
TIFFANY PINNIX (Pit Singer) is making her Hattiloo debut. Tiffany is a graduate of UofM with a BM Choral Music Education. Tiffany often sings for special services held at the Trezevant Manor Chapel. Tiffany would like to thank her amazing family and friends for always encouraging and supporting her throughout her journey.
MICAIAHROKER
Singer-Alto
MICAIAH ROKER Micaiah is a 2020 graduate of the American Musical and Dramatic Academy. She is so excited to be returning to the Hattiloo Stage under the wonderful direction of Patdro Harris. You may have last seen her as one of the Ensemble members in Take the Soul Train to Christmas here at Hattiloo Theater or just across the pond as part of the 40-year revival of Your Arms too Short to Box with God at Playhouse on the Square. She would like to thank everyone who took part in creating this wonderful production. Special thanks to Ekundayo Bandele, for always allowing a platform for artists to do what we love~ Sherronda Johnson for being the best stage manager a team could have~ And all of you, for coming. Enjoy!
ManE:Workman/AWorker/ BulletHead
ZURICK M. THOMAS, hailing from Memphis, Tennessee, favorably has over 20 years of professional experience as a dancer, choreographer, model, actor, and singer. Zurick was recently seen in “Your Arms Are Too Short to Box With God” and "Catch Me if You Can" with POTS. Other highlights include roles in The Hattiloo Theatre's "The Color Purple" and "Take the Soul Train to Christmas." Outside of the spotlight, Zurick dedicates time to empowering and mentoring sixth-grade students as a Special Education teacher. To God (Yahweh) be ALL the glory, honor, and praise.
BROOKETOLBERT
KidD:ToughKid/HighSchooler
KORTLANDWHALUM
Joe ZURICKTHOMAS
CHASITYWILLIAMS
BROOKE G TOLBERT is a talented and charismatic young actress and a bright star on the rise. With an undeniable passion for the performing arts, Brooke charms audiences with her natural talent and infectious energy. From her captivating stage presence to her ability to bring classic television and movie scenes to life through her skits, she mesmerizes viewers with her performances. With a blossoming career, Brooke is set to make her mark in the world of entertainment. Also known through her brand Life With Brooke G, she inspires others with her talent, determination, and boundless potential.
KORTLAND WHALUM is a singer-songwriter and actor whose talents span from music to the stage. Kortland could be seen in Hattiloo productions of The Wiz, AIDA, Raisin, Porgy & Bess, and The Color Purple. In 2019, Kortland traveled to Milan, Italy where he performed the Fats Waller musical Ain’t Misbehavin' at the Spazio Teatro No'hma. Other theatre credits include CATS, Hello, Dolly!, BEAUTIFUL: The Carole King Musical, and Guys & Dolls. Kortland can be seen performing with the Memphis Symphony Orchestra and MSO Big Band.
CHASITY WILLIAMS has enjoyed her second run here at Hattiloo, and is back for a THIRD time! She was in Sistas the Musical, starring as Roberta, she starred as Sandra in the Regional premiere of Confederates, and she is excited to honor Diahann Carroll's role of Myrt in Carmen Jones. She is also known for her role as Mother Abbess in the classic musical, The Sound of Music, produced by DFT. Celebrating her 21st year in showbiz, she's also appeared in other productions such as Little Shop of Horrors, Harvey, No Exit, and many others. She's been a film actress for 6 years, starring in Down Bad and Ease the Pain, Deposit, and Checklist (TubiTv and Amazon Prime). She trains classically under the leadership of the amazing Valetta Brinson. She wishes to thank her loving sidekick, Rob for being super supportive and holding things down "just because" (I love you! ) She also thanks her family and friends for continuing to be the village she's always known. John and Morgan, you are my EVERYTHING and I love you! Just know Mama is WERKIN...and it's all for you ��
Myrt
RHONDAWOODFORK
Frankie
RHONDA WOODFORK-JOHNSON Beginning in high school and later in college, I developed a love of music and dance. I was in the Raleigh Egypt High School chorus and the show choir at Hillcrest High School. I attended Philander Smith University on a vocal scholarship. My passion for acting began early in church and in school plays. In my thespian journey, I have been allowed to grace many stages in Memphis and the tri-state area. Hattiloo Theater (I Ain't Your Uncle, Once On This Island, Simply Simone, If Scrooge Was A Brother), Evergreen Theater (Inner City South's Rhyme or Reason, Mind Games, Where's Nyla?), and the Cannon Center (Akeelah and the Bee (Hattiloo)/The Pulpit Is Not A Playground (DJH Productions). and I have also served as an actress, Director and Asst Director for Blues City Culture (The Big Ten, The Spirit of Kwanzaa, Ritual Murder). I was nominated for and won the 2018 Diversity on Stage Award for Best Comedic Stage Actress. I also earned the coveted Ostrander Award as an ensemble member (Hattiloo) I am currently a member of the Playback Memphis Improv Ensemble. Acting is a passion that l love nurturing. I am grateful to God and Hattiloo Theater for the ability to continue to grow!
TIMOTHYWOODS
ManD:Soldier/Higgins
TIMOTHY WOODS is a native Memphian and graduate of White Station High School. Since a young boy, I have had a wondrous affinity for the arts, with a specific liking for performing arts and theatre. I enjoy performing arts because it helps illuminate the struggles of everyday people through beautiful and transformative storytelling. Carmen Jones is my very first musical production, and this experience has been one of the most exciting and dynamic times of my life. I want to thank the amazing cast of Carmen Jones for the endless support, constant laughter, and shared joy as we embarked on this journey together with grace, compassion, and love. Thank you to my family and friends for the support. And most importantly, thank you God for this incredible opportunity!
BRONZJUANWORTHY
WomanC:2ndGirl &3rdGirl/ BalloonCheeks
BRONZJUAN WORTHY is a native Memphian, an educator, and a mother of three wonderful children. She has been blessed to be cast in several plays such as Maureen Peal in the Ostrander Award-winning The Bluest Eye, M’Lynn Eatenton in Steel Magnolias, Camila Rosario in In the Heights, and Lady in Red in For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf. She was recently seen as Miss Lamama in Shakin’ the Mess Outta Misery, and Mitch Mahoney in Putnam County Spelling Bee. She served as the stage manager for Blues in the Night. She also performs with the Memphis Black Arts Alliance. 'Bronz' is thankful for the love and support from her friends and family and praises God for this wonderful opportunity.
CREW BIOs
CAHLEESIBEDELLisexcitedtoworkwiththeHattilooTheatreonCarmenJonesasapart ofthecostumedesignteam.HerrecentworksincludeBride-to-beinVenusandcostume designerforTheBacchaeofEuripides:ACommunion,bothwiththeKentStateUniversity Pan-African Theatre Cahleesi studied costume design at Kent State University, where she received her minor in Costume Design and Technology. During her studies at Kent State,shefoundapassionforcostumedesignthatcontinuestogrowevenoutsideofher studies. She's grateful to her family, and especially her parents, for encouraging her creativitywhichallowedhertoexploreartisticavenuessuchastheatreandcostume.
REGINALD BENNETT SR. (Master Carpenter) Reggie is thrilled to be a set builder at HattilooTheatre.From2004tothepresenthehasbuiltmoresetsthanhecancount.His most memorable sets are “King Hedley II”, “Stick Fly”, “Between Riverside and Crazy”, and most recently “Shakin the Mess outta Misery” to name a few He has a degree in Building Engineering from Michigan State University where he attended for two years. He hasworkedconstructionforMotownRecordsinDetroit,MI.Managedover60employees for Fox Theatre also in Detroit. Born in Memphis, TN he has always worked hard in his community. In 1992 he opened his own construction company named “Bennett’s Construction”. He loves working at Hattiloo Theatre, the only Black-owned theatre in the stateofTN,andoneofthebestinthecountry.
ASHLEY K. DAVIS (Music Producer) is from Memphis, Tennessee. He holds Doctoral, Master, & Bachelors degrees in music & a dual Masters degrees in Theology Currently, AshleyisanAssistantProfessorofMusicatLeMoyne-OwenCollege.Heistherecipientof various awards & honors including: 50th Anniversary Jubilee Gospel Concert Musical Director for Queen Elizabeth, Composer for the Emmy-nominated PBS documentary, “TheLeastAmongUs,"RecipientofanOstranderAward,&aBroadwayWorldAward.
HALENA EDWARDS (Assistant Stage Manager) is a second-year student at the University of Cincinnati's College-Conservatory studying Theatre Design and Production with a concentration in Stage Management. She is so excited to be working on her first show at HattilooTheatre!Someofherrecentshowsshe'sworkedonincludeLetTheRightOneIn (University of Cincinnati), Chicago (Houston High School), and Much Ado About Nothing (Houston High School). She wants to thank her friends and family for supporting her love oftheartsandHattilooforgivingherthiswonderfulopportunity!
PATDROHARRIS(Director/Choreographer)isaDirector/BroadwayChoreographer/Writer and has directed and choreographed at distinguished theaters from coast to coast. He has worked in films, and TV and recently directed a movie short about Mary McLeod Bethune” Mary on the Move”. Here at Hattiloo he has directed & choreographed Simply Simone,TheMusicofNinaSimone,andInTheHeights.
Mr. Harris attended Alabama State University. In his current home of Atlanta, Georgia he hasservedonmanyartscommittees.Heholdstohiscreditthe1996HelenHayesAward forOutstandingChoreographyandhasbeenhonoredwithanominationforthe16 same award for Best Supporting Actor. He has received a 2009, 2010, 2011, 2016 & 2017 Giorgee Award, from The Ensemble Theatre, for Best Director of the Year in Houston,Texas.Mr.HarrishasreceivedAtlanta’stoptheatreaward,TheSuziBassAward for Outstanding Director of a Play 2013 & 2019. He has also earned Broadway World nominationsforBestDirector&BestChoreographerofaMusical.Heisarecentrecipient of the prestigious Presidential Lifetime Achievement Award. Read more at patdroharris.com
TaylorHusband(Asst CostumeDesigner)TaylorHusbandisfortunatetobeworkingwith Hattiloooncemore.FromsupportingHattilooasanAssistantCostumeDesigner(Father Comes Homes from the Wars) to lead Costume Designer ( A Holiday Cabaret) as well as workingalongsideHattiloo'sveryownPatriciaSmithinthisgreatwork.Taylorisgrateful tobeapartofSeason17atHattilooandpositiveaboutherfuturewithinthecostuming world!
SHERRONDA JOHNSON (Stage Manager/ Intimacy Choreographer) is thrilled to begin a new season at Hattiloo. She worked with Sistas The Musical (Director), Porgy and Bess (IntimacyChoreographer)andShakin’TheMessOuttaMiseryandMasterHaroldandThe Boys(StageManager)atHattilooandMississippiGoddamn(AssistantDirector)atCircuit Playhouse.Outsidethetheatre,Sherronda’sanOrpheumTheatreGroupTeachingArtist, filmproducer,andbusinessowner.She’sgratefulforthischancetobringthiscelebration oflove,strength,andhope.
MELANIE MULDER (Set Designer) is proud to be designing another set at Hattiloo Theatre Previously, for Hattiloo, she has designed Once on This Island, Simply Simone, IntheHeights,TheWiz,andAIDA.OriginallyfromMemphis,TN,shehastraveledaround formanyyearsworkingintheatre.SomeofthetheatresMelaniehasworkedforareThe RoundaboutTheatre,TheVineyardTheatre,TheSignatureTheatre,(NYC);Williamstown Theatre Festival in Main; Lake George Opera in New York; Seaside Music Theatre in Florida; Northern Stage in Vermont; The Nashville Shakespeare Festival and The CumberlandCountyPlayhouse,bothinTennessee.
MARSENASELLERS(CostumeDesign),isaUniversityofMemphisAlumniwithadegreein African and African American studies. She began her costuming career with Hattiloo Theatre in 2015 and went on to design costumes for numerous Hattiloo productions includingAfricanMeanGirls(ofwhichshewasnominatedforanOstrander).Marsenahas sinceworkedasacustomerand/orstylistforthetelevisionnetworksNBC,Hulu,Apple, Lifetime,Hallmark,andNetflix,alongwithaplethoraofshortfilms,musicvideos,andthe BroadwayproductionHamilton.MarsenabegantheyearcostumingTheatreMemphis'sA Raisin In The Sun, Briarcrest Christian High School's Curtains, Hatiloo's Blues In The Night, Germantown Community Theatre’s Legally Blonde, and now Hatiloo's season openerCarmenJones.Marsenaoftenexpresseshergratitudeforbeingabletoplayapart inbringingarttolifeondifferentplatforms.
KEENANSHOTWELL(MusicalDirector)isaMemphisnativeknownthroughouttheregion for his striking creative ear for the musical arts. Jumpstarting his legacy, Shotwell practicedmusicatayoungagewithJacksonStudiosduringtheearly90s.Hegraduated from Whitehaven High School in 1993, then mastered the piano and organ as a young adult while attending the University of Memphis. The two-time Verizon Wireless How SweettheSoundwinnerhasmasteredevolutionwithintheartofmusic.Hisimpeccable giftforthepianoandorganhasmadewayforhisrenownedreputationasthemasterof his abilities. Shotwell has orchestrated and played for The Herbie Hancock Tribute, A Night with Joe Sample, the MLK50 Tribute, the National Civil Rights Museum Freedom Awards, and shared the stage with many national artists such as Melba Moore, Kirk Whalum,andDeeDeeBridgewater.Keenanhasalsotakenhistalenttothemoviescreen by arranging and performing piano for the 2010 film, The Grace Card. He is a seasoned producer, founder of Keenan Shotwell LLC, and the co-founder and CEO of WalkWell Productions and the Notez&Flow Series. Keenan Shotwell has brought nostalgia and excellencetotheworldofmusicandhasdoneitflawlessly!
CYDNIE TRICE (Projection & Sound Designer) has been working in theatre productions for over twenty-five years. Since she first began her career, she has taken on various roles from director, designer, and actor to prop master, videographer, and stage manager. During her Undergrad at MIT, Cydnie was a part of Uncle Vanya, La Casa de Bernalda Alba, and the Gilbert & Sullivan Player’s musical Trial By Jury. Since returning to the MidSouth, Cyd has worked on over three dozen shows with Theatre Memphis, The Harrell Theatre, Hattiloo Theatre, Germantown Community Theatre, New Moon Theatre, Stage 88 Productions, Playhouse on the Square, and Opera Memphis She’s excited to be a part of Hattiloo’s premier of Carmen Jones.
JASMINE WILLIAMS (Lighting Designer) is an Atlanta-based Artist and Lighting Designer for theatre, music, dance, opera, and immersive experiences. After a significant time spent as a Stage Manager, Jasmine transitioned to Lighting and Costume Design. As a Lighting Designer, Jasmine has collaborated on Alliance Theater's, A Gift Of Live with Adam L. McNight, No Dream Deferred’s debut production of Tarell Alvin McCraney's, In The Red and Brown Water, and Passage Theater's production of David Robson's, Blues In My Soul. Jasmine is currently working with the theatre makers at St. Louis Black Repertory Theatre, as their Resident Lighting Designer, for their 46th season. She has also worked with the New Orleans Ballet Association, The Nola Project, and the Summer Lyric Theatre at Tulane. She received her Design MFA from Tulane University in 2020, and her BA from Albany State University in 2016 Jasmine continues to collaborate with theaters, companies, directors, choreographers, and visual artists across New Orleans and Atlanta and plans to build a new network in New England. Jasmine would like to thank her family, mentors, and friends, for their love, patience, and support.
MEET THE HATTILOO STAFF
EKUNDAYO BANDELE (Hattiloo Founder & CEO) founded Hattiloo in 2006. Among his directing credits are August Wilson’s “Joe Turner’s Come and Gone” and Katori Hall’s “Hurt Village.” From 2012 - 2014, he spearheaded a $4.3M capital campaign that resulted in the construction of Hattiloo’s 14,000-square-foot venue that opened debtfree in 2014 Also, in 2014, he worked as an assistant to Tony Award-winning director Ruben Santiago Hudson at the Williamstown Theatre Festival’s production of “Paradise Blue.” In 2017, he co-led, with Teresa Eyering, Theatre Communication Group’s executive director, a theatre management course at the University of Orduman in Khartoum, Sudan. In 2019 he produced “Ain’t Misbehavin” at Spazio Teatro No'hma in Milan, Italy. In 2020, Hattiloo returned to Milan with “Lady Day at Emerson’s Bar and Grill,” and again in July 2023 with “Mahalia: Queen of Gospel Music.” Ekundayo is a Fellow at the DeVos Institute of Arts Management at the University of Maryland. He is a recent graduate of Morehouse College
HATSHEPSUT BANDELE (Customer Service Coordinator), is passionate about celebrating and promoting Black art and culture. Working at Hattiloo brings her joy as she wholeheartedly believes in the power of the arts. In her role, she is committed to ensuring that each visitor feels genuinely welcomed and well-informed about the upcoming plays and events at Hattiloo. Handling ticket sales and subscriptions, she strives to deliver customer service that reflects my appreciation and pride in everything Hattiloo represents.
Sulaiman Mausi Jr. (Resident Theatre Associate) is a recent graduate of Morehouse College in Spring 2023. He received his Bachelor's degree in Theater Performance and has been helping out at Hattiloo Theater ever since. He has recently starred as Steve Harrison in Hattiloo Theatre’s Succession and is excited to be a part of more productions in the future.
PATRICIA SMITH (Theatre Production Manager) has an extensive resume which includes her most recent performance as Judge Dunbar on NBC's Bluff City Law. She performed in Ain't Misbehavin and Asst. Directed Lady Day at Emerson's Bar and Grill, both in Milan, Italy. She directed Hattiloo's Black Nativity with the Memphis Symphony Orchestra. She has many credits performing, directing, and costuming shows here at Hattiloo Theatre, however, most recently she directed and costumed "Lady Day at Emerson's Bar and Grill" and "Marie and Rosetta". She was last seen performing in "Raisin" the musical as Lena Younger.
ROSANNA SMITH (Office Manager) a Tennessee native from southwest Memphis, is the eldest of nine children born to Rev. J. W. Smith, Sr., and Lillie B. Smith. She graduated from Mitchell High School in 1967 and attended the University of Tennessee at Martin. Her career began in 1970 as a Reservationist at American Express, followed by a role as an Office Manager at Murphy Oil Company
Rosanna earned an Associate Degree in Accounting and Data Processing from Memphis School of Commerce in 1973 and worked as an assistant bookkeeper at Goodwill Industries before joining Kroger in 1974. She served as an accounting clerk and office manager at Kroger until her retirement in 2002. After retirement, she worked at Katz Worldwide Logistics and the Shelby County Health Department until late 2013.
In her religious community, Rosanna was an Administrative Assistant and Church Clerk at Tabernacle Missionary Baptist Church for 33 years and held various educational roles at Kimbrough Chapel Missionary Baptist Church in Lamar, Mississippi. She has received numerous awards and certificates for her contributions to Christian education and community service.
JARROD WALKER (Theatre Manager) an imaginative trailblazer, is fueled by an inherent passion for creativity. Jarrod has immersed himself in event coordination, theater direction, and product launches for over two decades. Whether orchestrating weddings, plays, or other significant life events, his ability to infuse creativity into every project is the driving force behind his success.
As an accomplished event professional, administrative assistant, and theater director, he is dedicated to crafting unparalleled experiences for his clients and audiences. From providing essential administrative support to executing productions, he has played a pivotal role in turning clients’ dreams into tangible realities. For Jarrod Walker, the possibilities are boundless when creativity takes center stage, and his journey continues to be a testament to the transformative power of artistic innovation.
NAJWA WATSON (Engagement Coordinator) a Memphis native of Jamaican descent, brings over 14 years of administrative expertise to her role at Hattiloo Theatre. Her commitment spans nearly 15 years, reflecting a profound dedication to community and service. Najwa excels in organizing, project support, delivering exceptional customer service, and coordinating special events. Hattiloo is not just her workplace but her second home, where she contributes proudly as a professional, performer, and creative force. With gratitude and honor, she will consistently embody Hattiloo's values through her endeavors
THANK YOU FOR YOUR GENEROUS SUPPORT
Please email najwa.watson@hattilootheatre.org if your donor info needs to be updated or revised
$50,000+
Community Foundation of Greater Memphis
Hyde Family Foundations
Memphis Tennessee Arts Commission
TN Arts Commission
$25,000+
ArtsZone
FedEx Arts
Kite Foundation
Shubert Foundation
Thomas R. & Ellen M. Prewitt
Chairman's Circle
AIM High ArtsFirst
ARTSmemphis
Commodore & Emma Primous
Edith Kelly-Green
Jeniam Foundation
Nancy Starnes
Overton Square, LLC
Shelby County Government
Turley Foundation, Inc.
Producer
Bowden Internal Medicine, Pllc
Dr. Jeanne & Frank Jemison, Jr.
Hohenberg Foundation
William & Ann Schultz
Thrive Grant
Director
Percy & Regina Baker
Cynthia Daniels
Gilbert Noble
Sandra Reed
Vernon H. Stafford, Jr.
Clinton Woods
Designer
Alpha Kappa Alpha Sorority, Inc., - Phi
Lambda Omega Chapter
Black Seed Fund
Michael Campanaro
Thomas & Elgie L. Barfield
Carolyn Bishop
Sylvia Brown
Tabrina Davis
Vickie Devezin
Tosha Downey
Roselle Gause
Gilliland Family Fund, Inc.
Lucia Gilliland
Gene & Carol Katz
Mary & Scott Morris
International Paper
PayPal Giving Fund
Irene Jones
Evelyn McKinney
City of Memphis, Tennessee
Laretha Randolph-Sargent Charitable Fund
Rosie Richmond DDS
Stephanie Sweet
Monica & Andre’ Wharton
Jan Young
Sharon Younger
Celebrity
Verna Alexander
Cheryl Browne
Clarence/Harriett Halmon
Norma Hayslett
Deborah Hester
Delta Sigma Theta Sorority, Inc., Memphis
Alumnae Chapter
International Seminar Design, Inc.
Jewish Foundation of Memphis
May Lavender
Donald & Lucy McLemore
Rona Mogil
Vanelder Nichols
Robin Salant
Bathsheba Sams
River Arts Festival
Rosanna Smith
Sekeeta Thomas
Carroll & Christine Todd
Christine M. Todd
Varnell Fund
Todd & Patricia Walker
Jessica Webb
A C & Ruby Wharton
Judith B. Williams
Star
Valerie Adair
Elsie Lewis Bailey
Dr. Jodice & Rev. Russell Belisle
Jolie Bernard
Ivy McGee Blanks
Ruby Bright
Willie & Sandra Brooks
Lou Etta Burkins
Pamela Clary
Robert & Sheila Cohen
Charlie & Mauveleane Cook
Courtney Davis
Rosie Davis
Jerome Edwards
Meka Egwuekwe
V. Lynn Evans
Les & Janet Freeman
Ann M. Frogge
Mitchell Ghant
Erica Griggs
Elise A. Hayes
Merlean Jackson-Hill Network for Good Fund
Richard McKinney
New Salem MB Church
Shirley Oliver
Shawndolyn Sims
Carla Smith
Maxine Strawder
Jacquelyn Taylor-Mays
Jarrod Walker
Barry & Kathy Yoakum
Marlon Young
Small & Mighty
Charmagyne Akram
Roosevelt & Jo Ann Allen
Juanita Austin
Tonia Bailey-Johnson
Joeann Ballard
Judge Rachel L. Bell
Danielle BerryLeach
Tereasa Breckenridge
Marilyn Brent
Matthew Brown
Dwayne Bryant
Karolyn Bryant
Judy Card
Everett Carpenter
Kourtney Carpenter
Andrea Carter
Phyllis Carter
Dimika Cavalier
Tasha Chesser
Smori Cooper
Ida Cotton
Janis Cowley
Nettie Crawford
Constance Davis
David Dickason
Barbara Edmond
Alteena Edwards
Geana Ferrell
Eric & Chandra Ford
Dr. Charlotte Freeman
Crystal Frye
Tameka Gant
Tymikia & Nicholas Glenn
Shantel Harris
Donna Hayes
Ava E. Hayes
Carolyn Head
Anthony Carl Horne
Veda Howse
Mike Jackson
Dr Dorsha N James
Cynthia D. Johnson
Eric & Cynthia Johnson
Jackie Johnson
Joyce Johnson
Priscilla Johnson
Cast of "Carmen Jones"
Rhoda Jones
DeAndra Kelly
Claire Kolheim
Mary Kyles
Kathy Ladner
Blanchie McGaughy
Jennifer McGrath
Miller Dental Health, Inc.
Jewel Morrow
Sandra L. Motley
Gail Murray
Jacqueline Muskin
Velma Nelson
Wynetta Noland
Jacqueline Oselen
E. Gari & Davondra Owens
Lou Paris
Anniace Parker
Teresa Peterson
Selestine Pugh
Crystal Quarles
Juan Fuentes & Robert Thompson
Karen Reed
Priscilla Reed
Robert Reeves
Marvin Robinson
Kizzy Rogers
Kimberly Ross
Terry Ross
The Sawyer Family
Sharon Shaw
Marlena Shorter-Jones
Bayley Simmons
Lynda Skillom
Margie Smith
Almella Starks-Umoja
Geraldine Sykes
Cynthia Taper
Maria Todd
Rorie Trammel
Joyce Turner
Evette Vinnett
Stephanie Watkins
Pam Watson
Donna & Charles White
Donna Olds White
Raymond White
Marilyn Whitney
Charles Williams
Cynthia Williams
Gueilar Wilson
Vontyna Winfrey
Mae Yancy
Helena Walton Yarborugh
Ensemble
Charles Belenky
Sallie A Boyd
Patricia A Braswell
Joe Calhoun
Jeannie Clay
Rita J. Cowans
Michael Detroit
Norman Dodson
Patty Hanna
Patricia Hewitt
Dorothy Johnson
Beulah Kasselberg
Myra & Kim Newsom
Terrena Moore
Brandi Nicole
Carol A. Risher
Wayne Risher
St. James AME Church
Amy Wilson
ON STAGE NEXT
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