Hannah Elizalde Interior Design Portfolio 2019-Present

Interior DesignPorfolio UNIVERSITY OF NORTH TEXAS 2019-2021

Hannah (Rasmussen) Elizalde EDUCATION

RELATED COURSES

2019 - PRESENT UNIVERSITY OF NORTH TEXAS Bachelor of Arts in Interior Design in Progress (CGPA - 3.4) Program CIDA Accredited IDSA Member

AutoCAD REVIT Drawing I Drawing II Design I & II Hand Rendering and Drafting Textiles for Home Furnishings Interiors History I Interiors History II Space Planning I Space Planning II Presentation Techniques Photoshop

2012-2015 UNIVERSITY OF ARKANSAS Completed 58 credits towards a Bachelor of Architecture Program CIDA Accredited AIAS Member Kappa Delta Sorority Member

EXPERIENCE MAY 2019 - PRESENT ANN SACKS TILE - DALLAS Sales Assistant Managed showroom inventory and visual merchandising.

Became knowledgeable of application & maintenance of all stone/porcelain/ceramic materials.

Worked within Salesforce and OMS+ to maintain a database of clients orders and projects.

Facilitated relationships with international and domestic vendors, managed deliveries, and processed custom quotes.

HELLO Hannah (Rasmussen) Elizalde is an Interior Design student at the University of North Texas, completing her Bachelor of Fine Arts in Interior Design. Before transferring to UNT, she completed three years towards her Bachelor of Architecture at the University of Arkansas. After graduation, she hopes to begin the process to sit for her NCIDQ and LEED AP exams.

Her love of design stems from her interests in travel, art, and exploration. Interior design combines her greatest passions allowing for creativity and problem-solving in order to produce environments in which people can thrive and feel their best. hannahrasmussen@my.unt.edu linkedin.com/in/hannah-rasmussen-a63b25b9/ 972 804 9134

TABLE OF CONTENTS:

Projects + Design Style

01

02

03

04

05

REVIT

REVIT

REVIT

REVIT

REVIT

IDEC 2021: MIXED USE

COMMERCIAL: CONFERENCE ROOM

RESIDENTIAL: 2 STORY SINGLE FAMILY

COMMERCIAL: OFFICE DESIGN

RESIDENTIAL: KITCHEN DESIGN

Research based design on mixed use residential and retail spaces with consideration of Navajo culture and customs in the selected site location and community. Considerations for creating live/ work environments.

Research based design focused on anthropomorphic

Multistory single family

studies to create a office

residence. Designed to

conference room that

accommodate 4 bedrooms

supplies an environment

and 3 and a half

suited for specific tasks and

bathroom.

technologies.

3 Story office design based

Client based design for a kitchen renovations with on ergonomic and Universal Design in mind. anthropometric study.

Client research, Designed to accommodate a understanding of needs, and minimum of 15 employees design choices to fulfil their and all office performance needs. tasks.

TABLE OF CONTENTS:

Projects + Design Style

06

07

08

09

10

REVIT

SKETCH UP

HAND DRAFTED

SKETCH UP

AUTOCAD

COMMERCIAL: ASCENSION COFFEE

RESIDENTIAL: SHIPPING CONTAINER HOME

COMMERCIAL: APARTMENT UNIT

RESIDENTIAL: SINGLE FAMILY CONDO Single unit condo in a larger building. The project allow for a full renovation of the entire unit to create an environment for the client focused on wellness with

COMMERCIAL: FOSSIL RETAIL

Research based design on the needs and usage of a Design project to create a retail location. Brand research space for our selected and development required to brand. The design required create an environment that we accommodate certain evokes the brands essence. appliances as well as

Research based design with the consideration of shipping containers, their use, and application as a

a study on a particular health

circulation of consumers and

residential dwelling. 2

care concern.

employees.

bedroom, 2 bath design.

Single unit apartment in a larger building. The unit was to be a one bedroom, one bathroom design with a full kitchen and living space as well as in unit laundry and mechanical room.

PROCESS

BRANDING CONCEPT

EXTERIOR SITE PERSPECTIVE - RETAIL ENTRANCE

The creation and design of the brand logo comes from researching the significant aspects in the design of Navajo weavings. Utilizing significant symbols creates continuity between brand and product as well as communicating with the consumer about what the brand sells and generating interest and questions that could lead to an opportunity for the artist to educate others on Navajo traditions and teachings.

RESEARCH & DESIGN CONSIDERATIONS

DESIGN CONCEPT STATEMENT

By alternating the directionality of the containers and combining the containers in strategic locations creates boundaries, when needed, between work and life. The layout of the containers in a perpendicular arrangement is reminiscent to the cross symbol of the spider woman.Utilizing materials that can withstand the foot traffic of a retail space, cleaning requirements of such as space, as well as everyday use while also not feeling sterile is very important. Choosing materials that utilize a culturally significant color palette, patterns such as zig zags and triangles which hold spiritual significance, and smart materials that can stand the test of time in response to new health measures is important for this design.

NAME:

SEMESTER:Issue Date COURSE TITLE:

EXTERIOR SITE PERSPECTIVE - RESIDENCE PRIVATE ENTRANCE MASTER SUITE WITH WALK THROUGH CLOSET + PRIVATE FULL BATH STACKED LAUNDRY + ADDITIONAL STORAGE SHELF RETAIL POWDER BATHROOM

PRODUCT DISPLAY SHELVING (MOVEABLE) MOVEABLE DIVIDER SHELVING + BRANDING

STORAGE BENCHES

Project Name

Concept: To create a space with the ability to ebb and flow with changes in the individual, the environment, and the health of the surrounding community through a design that facilitates multifaceted spaces that allow for life and business to cohabitate. Making design choices that allow for their environment to be utilized for multiple purposes and even rearranged for maximum efficiency for business and socializing while also creating a space that can feel warm, inviting, and a celebration of their culture for those residing in the space through daily life.

The Navajo are the second most populous Native American peoples in the United States, though the density of their populations reside in Utah, Arizona, and New Mexico. The early Navajo people were known as being mobile hunters and gatherers but as they migrated south and interacted with the Pueblo Indians, they adopted a more sedentary farming lifestyle mirroring their neighbors. These interactions also influenced the art and culture of the Navajo people leading to the adoption of painted pottery, silver jewelry, and an increased interest in weaving. Weaving became an integral part of Navajo culture as a way of creating visuals with the art of oral storytelling and passing on traditionally important aspects of their beliefs. For example, you can see the use of natural colors from Churro sheep, historically the type that the Navajo raised for their long lustrous fibers. The use of sacred colors such as blue, black, white, and yellow representing the cardinal directions in the first world of darkness that the Navajo peoples emerged from are seen in many works of art. Other significant colors include reds and browns created using vegetable dyes.

BACK OFFICE WITH WORKING DESK FOR TWO + 4 LINEAR FEET OF FILE STORAGE + PRODUCT SHELF STORAGE

PROJECT NUMBER: Project Number

DRAWN BY:Author

COVID ADAPTATIONS

CHECKED BY: Checker SCALE: 3/16" = 1'-0"

DATE DRAWN: 11/18/2021 4:49:12 PM

As a result of the current pandemic, the design field is facing new challenges as we learn to adapt and create solutions to mitigate spreadable illnesses in the foreseen future. Our choices today could help in years to come as we consider the implementation of new technologies, materials, and practices that can drastically slow the spread of these illnesses.

LONGITUDINAL SECTION

DATE

REVISION

SITE ANALYSIS

Choosing a smart and connected location can be the difference between a good and a great design. The parameters set in place for locating this design relied on closeness to the following: 1. Community Connection (community art center) 2. Grocery/ Restaurant 3. Public Transportation/ Walkability/ retail parking 4. Bank (for business operations of retail/ online sales) 5. Post Office (for shipping merchandise to buyers) 6. Parks, Local Trails, and Bike Paths

Designing spaces for the practice of physical distancing, utilizing smart material selections as a means to create antimicrobial surfaces, or choosing materials that can withstand the erosive characteristics of harsh cleaning products is growing more and more important in design.

Important symbols also appear across many art forms, including crosses which represented Unnamed the Spider Woman who passed down the knowledge of weaving and the loom, lightening in the form of zig zags as the most powerful spiritual force, as well as triangles/diamonds to symbolize A101 the mountains where the majority of their population lived. These traditional aspects of Navajo weavings become instrumental in forming strong bonds within the family as well as the community.

The culture strictly enforces the importance of not only the self but the community, which is an important aspect to address when choosing a site location with a smaller Navajo population.

SHEET TITLE:

SHEET NUMBER:

With proximity to public transport and great opportunity for community connection, the vacant lots northeast of the Historic Downtown Carrollton square makes the perfect location for a hybrid live/ work property. Downtown Carrollton is home to a growing population and as such has attracted numerous restaurants and retail spaces. The square is also home to many community events throughout the year including festivals and celebrations that would create a fantastic environment for brand recognition and Navajo cultural teachings.

DOWNTOWN CARROLLTON MAP

INITIALS

The area is zoned TC- Urban General and is surrounded by both retail space and residential properties and follows IBC Building Codes, R-2. The location has two connected vacant lots available, allowing room for expansion as their business or family grows. Each available lot equates to 0.74 acres of property creating plenty of space for accessible retail parking, showroom window recognition from the main throughway, and distinct entrances for both the residence and showroom.

DINNING SPACE + EXPANDABLE TABLE LIVING ROOM SPACE GUEST BEDROOM

GUEST BATHROOM WALK THROUGH CLOSET

MASTER BATHROOM

NAME:

SEMESTER:Is

COURSE TITL

MASTER BEDROOM + FRENCH DOORS TO PRIVATE PATIO

PROJECT NU

DRAWN BY:A

CHECKED BY

SCALE: 3/16

DATE DRAWN

CROSS SECTION

DATE

RE

FLOOR PLAN

Glass doors off the master lead to a private patio area for the residents of the home. This creates the feeling of a bigger space by opening the room up and connecting it with nature.

Product shelving on wheels with plain backing material. Can be moved around when not in use and to accomidate more physical distancing when needed.

Shelves can be turned around to create clean photography backdrop.

Storage seating benches for yarn storage and allow resting areas for accesibility.

Seating can be moved around for guests or even moved into the showroom area for events such as guest speakers or informational events put on by the artist to share about Navajo culture and traditions.

Utilizing the Looms that are in progress to create insterest in the storefront window, as visual merchandising, to attract customers.

Island table is height adjusting and can be moved around for better use of the space. When utilizing the kitchen it can be moved farther away from the counter tops, and when hosting can be moved closer to the kitchen or lowered and added to the dining table length.

Showroom space left open to the residence so there is no separation when the artist is working in online mode for their business. Cash wrap is not stationary.

Artist can move around freely with a tablet to make sales and run credit card or electronic transactions. Small safe in residence for cahs transactions. Giving the space optimal flexibility.

A. ENTRY B. KITCHEN C. DINNING AREA D. LIVING AREA E. GUEST BEDROOM F. GUEST HALF BATH G. PRIMARY BEDROOM H. PRIMARY BATHROOM

I. LAUNDRY J. RETAIL HALF BATH K. SHOWROOM L. LOOM PRODUCTION AREA M. BACK OFFICE FOR TWO N. PUBLIC ENTRY O. PRIVATE ENTRY P. PRIVATE PATIO

MATERIAL SELECTION

Kitchen Backsplash: Roman Crystal Springs Herringbone Mosaic Marble & Glass mosaic in pattern like the significant zigzag in weavings. Blue, Grey, and Brown color palette to reference their sacred colors Master & Office Wallcovering: Chilewich; Scout Vinyl Wallcovering in Midnight Pattern the celebrates the tactile qualities and patterns of Navajo weavings. Heavy Duty, 25% Renewable content, & HPD + Greenguard Gold Certified Showroom Wallcovering: Olivia + Poppy Reef Watercolor Traditional Vinyl in Bone Natural motif creates a connection to the spiritual.ASTM-G21 Antimicrobial, Type II Classification, & meets EU Toxicity requirements.

SHOWROOM PERSPECTIVE

All Restroom & Office Flooring: Tile Bar; Auteur Diamond Porcelain in Navy Diamond Pattern reminiscent of Mountains in sacred blues.9x9 encaustic look tile.

Frost & Chemical resistance.

Showroom & Residence Flooring: Architectural Systems Aegean Travertine look Porcelain in Molted Beige Travertine reminiscent of quarry material in New Mexico. Plank format, High-performance, Greenguard Certified.

REFERENCES Center for State, Tribal, Local, and Territorial Support. “Tribal Population.” Centers for Disease Control and Prevention. Centers for Disease Control and Prevention, December 21, 2018. https://www.cdc.gov/tribal/ tribes-organizations-health/tribes/state-population.html.

City of Carrollton. “Community Profile .” Arts & Culture . Accessed November 6, 2021. https://www.cityofcarrollton.com/about-us/community-profile/arts-culture/arts.

Freund , Jerry. “Symbols and Motifs in Navajo Weaving.” Canyon Road Arts. Medicine Man Gallery , March 10, 2013. https://www.canyonroadarts.com/symbols-and-motifs-in-navajo-weaving/.

Frost, Janet. “Navajo Weaving: Art Preserving Culture.” Go! Learn Things. Arts, Museums, Native American Cultures, Travel, Western United States, November 30, 2019. https://www.golearnthings.com/2019/01/ navajo-weaving-art-preserving-culture/.

(ICC), International Code Council. “2018 International Building Code (IBC): ICC Digital Codes.” 2018 INTERNATIONAL BUILDING CODE (IBC) . ICC DIGITAL CODES, August 2017. https://codes.iccsafe.org/ content/IBC2018/chapter-3-occupancy-classification-and-use#IBC2018_Ch03_Sec304.

Navajo Tourism Department. “Navajo Arts.” Discover Navajo. Accessed November 7, 2021. https://www.discovernavajo.com/experience-the-navajo-nation/navajo-arts/.

Navajo Tourism Department. “Navajo History.” Discover Navajo. Accessed November 12, 2021. https://www.discovernavajo.com/experience-the-navajo-nation/navajo-arts/.

KITCHEN ELEVATION IN RESIDENCE

“Ordinances & Codes .” My Development . City of Carrollton. Accessed November 8, 2021. https://www.cityofcarrollton.com/departments/departments-a-f/building-inspection/my-development/ordinances-codes.

“Smart Location.” U.S. Green Building Council. Accessed November 9, 2021. https://www.usgbc.org/credits/neighborhood-development-plan-neighborhood-development/v4-draft/sllp1.

“Walkable Neighborhoods.” What Makes a Neighborhood Walkable. Walk Score . Accessed November 7, 2021. https://www.walkscore.com/walkable-neighborhoods.shtml.

BACK OFFICE ELEVATIONS IN SHOWROOM

NAME: HANNAH RASMUSSEN

COURSE TITLE:

CONFERENCE ROOM

CONFERENCE ROOM

SEMESTER: FALL 2021

SHEET LIST SHEET NUMBER A000 A001 A101 A201 A202 A301 A302 A303 A304 A305 A306 A401 A402 A002

SHEET NAME TITLE SHEET INTRIOR RENDERINGS FLOOR PLAN CEILING PLAN 1 CEILING PLAN 2 EAST ELEVATION WEST ELEVATION SOUTH ELEVATION NORTH ELEVATION INTERIOR ELEVATIONS DESIGN 1 INTERIOR ELEVATION DESIGN 2 LONGITUDINAL SECTION CROSS SECTION INTERIOR RENDERING

PROJECT NUMBER: 02 DRAWN BY:HANNAH RASMUSSEN CHECKED BY: PROFESSOR SCALE: DATE DRAWN: 11/17/2021 11:30:16 PM DATE

REVISION

ADES 3620.501 AUTOCAD FALL 2021

SHEET TITLE:

HANNAH RASMUSSEN

SHEET NUMBER:

INITIALS

TITLE SHEET

A000

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

CONFERENCE ROOM

COURSE TITLE:

PROJECT NUMBER: 02 DRAWN BY:HANNAH RASMUSSEN CHECKED BY: Checker SCALE: DATE DRAWN: 11/17/2021 11:30:17 PM DATE

REVISION

INITIALS

SHEET TITLE:

INTERIOR PERSPECTIVE DESIGN 1

INTRIOR RENDERINGS SHEET NUMBER:

A001

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

CONFERENCE ROOM

COURSE TITLE:

PROJECT NUMBER: 02 DRAWN BY:Author CHECKED BY: Checker SCALE: DATE DRAWN: 11/17/2021 11:30:17 PM DATE

REVISION

INITIALS

SHEET TITLE:

INTERIOR PERSPECTIVE DESIGN 2

INTERIOR RENDERING SHEET NUMBER:

A002

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

1

2

1

BUILT IN CABINETS FOR STORAGE CREATES A SERVING BAR FOR FOOD

CONFERENCE ROOM

A402

42' - 7 1/2" 7' - 6 1/4" 2' - 4 1/4" 5' - 2"

29' - 4" 3' - 8"

5' - 9 1/4"

25' - 8"

5' - 9 1/4"

1 2

A305 A306

A306 A305

1 2

INTERFACE CARPETE TILE

14' - 7 7/8"

PROJECT NUMBER: 02 1 A401

DRAWN BY:Author CHECKED BY: Checker SCALE: 1/8" = 1'-0" DATE DRAWN: 11/17/2021 11:30:18 PM DATE

REVISION

INITIALS

CUSTOM BUILT DESKS CREATE MANY LAYOUTS

7' - 0 3/8"

30' - 2 1/4"

8' - 6"

A

B SHEET TITLE:

1 A101

FIRST FLOOR 1/8" = 1'-0"

FLOOR PLAN SHEET NUMBER:

A101

1

2

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

42' - 7 1/2" 2' - 5 17/32" 3' - 4 1/4"

COURSE TITLE:

38' - 0" 6' - 0"

6' - 0"

6' - 0"

6' - 0"

2' - 1 31/32" 6' - 0"

6' - 0"

3' - 3 1/4"

CONFERENCE ROOM

16' - 11 31/32"

WOOD JOIST TO CREATE BAFFLE CEILING FEATURE WITH RECESSED LIGHTING WITHIN

PAINT ON GWB

3' - 8 1/8" 3' - 1 23/32"

30' - 2 1/4"

3' - 0 9/16" 3' - 3 7/8"

A

PROJECT NUMBER: 02 DRAWN BY:Author

B

CHECKED BY: Checker SCALE: As indicated DATE DRAWN: 11/17/2021 11:30:19 PM DATE

SYMBOL LEGEND

1 A201

SYMBOL

NAME

6" RECESSED CAN 8" RECESSED CAN

LONG LINEAR RECESSED LAMP

REVISION

INITIALS

FIRST FLOOR - BAFFLE CEILING 1/8" = 1'-0"

NOTE

SHEET TITLE:

CEILING PLAN 1 SHEET NUMBER:

A201

1

2 NAME: HANNAH RASMUSSEN

42' - 7 1/2" 7' - 6 7/16"

7' - 0"

7' - 2" 7' - 0"

7' - 2" 7' - 0"

COURSE TITLE:

3' - 6" 5' - 7 1/16" 6' - 7 1/2" 3' - 9 7/8"

CONFERENCE ROOM

5' - 5 11/16" 2' - 8 9/16" 3' - 3 7/8"

A

8' - 0 5/16"

19' - 6"

7' - 0"

7' - 2"

CONTRASTING PAINT ON GWB

2' - 2 2' 1/8" - 5 11/16" 6' - 0 1/32"

PAINT ON GWB

4' - 7 13/16"

30' - 2 1/4"

6' - 0 7/16"

4' - 2 1/8"

4' - 6"

SEMESTER: FALL 2021

PROJECT NUMBER: 02 DRAWN BY:Author

B

CHECKED BY: Checker SCALE: As indicated DATE DRAWN: 11/17/2021 11:30:19 PM DATE

REVISION

INITIALS

SYMBOL LEGEND 1 SYMBOL

NAME

NOTE

A202

FIRST FLOOR - RECESSED CEILING 1/8" = 1'-0"

SHEET TITLE: 6" RECESSED CAN 8" RECESSED CAN

LONG LINEAR RECESSED LAMP

CEILING PLAN 2 SHEET NUMBER:

A202

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

A

CONFERENCE ROOM

B 30' - 6 1/2" 0' - 5 1/8" 3' - 6"

26' - 7 3/8" SECOND FLOOR 14' - 0"

GWB 12' - 0" BAFFLE FEATURE 11' - 0"

PAINT ON GWB

PROJECT NUMBER: 02 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/4" = 1'-0" DATE DRAWN: 11/17/2021 11:30:20 PM DATE

REVISION

INITIALS

FIRST FLOOR 0' - 0"

1 A301

East 1/4" = 1'-0"

SHEET TITLE:

EAST ELEVATION SHEET NUMBER:

A301

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

A

CONFERENCE ROOM

COURSE TITLE:

B 30' - 6 1/2" 4' - 10 3/8"

5' - 0"

10' - 6"

5' - 0"

5' - 2 1/8"

GWB 12' - 0"

5' - 6"

BAFFLE FEATURE 11' - 0"

PAINT ON GWB

PROJECT NUMBER: 02 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/4" = 1'-0" DATE DRAWN: 11/17/2021 11:30:20 PM

3' - 8"

14' - 0"

4' - 10"

SECOND FLOOR 14' - 0"

DATE

REVISION

INITIALS

FIRST FLOOR 0' - 0"

1 A302

West 1/4" = 1'-0"

SHEET TITLE:

WEST ELEVATION SHEET NUMBER:

A302

1

2 NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

42' - 11 3/4" 3' - 3"

36' - 6 5/8"

CONFERENCE ROOM

3' - 2 1/8"

PAINT ON GWB

SECOND FLOOR 14' - 0"

GWB 12' - 0" BAFFLE FEATURE 11' - 0"

PROJECT NUMBER: 02 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/4" = 1'-0" DATE DRAWN: 11/17/2021 11:30:21 PM DATE

REVISION

INITIALS

FIRST FLOOR 0' - 0"

1 A303

South 1/4" = 1'-0"

SHEET TITLE:

SOUTH ELEVATION SHEET NUMBER:

A303

2

1 NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

42' - 7 1/2"

1' - 3 5/8"

39' - 9 1/2" 7' - 10 3/4"

8' - 0"

FROSTED PANELS FOR PRIVACY

8' - 0"

1' - 10 5/8" 8' - 0"

7' - 11 1/8"

1' - 10 1/4"

CONFERENCE ROOM

1' - 3 5/8"

COMPANY LOGO HERE

CLEAR GLASS

SECOND FLOOR 14' - 0"

GWB 12' - 0" BAFFLE FEATURE 11' - 0"

PROJECT NUMBER: 02 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/4" = 1'-0" DATE DRAWN: 11/17/2021 11:30:22 PM DATE

REVISION

INITIALS

FIRST FLOOR 0' - 0"

1 A304

North 1/4" = 1'-0"

SHEET TITLE:

NORTH ELEVATION SHEET NUMBER:

A304

29' - 9 5/8" 4' - 9 7/8" 3' - 0"

1' - 9 7/8"

5' - 0" 5' - 0"

10' - 6" 1' - 2 17/32"

5' - 0"

7' - 8 31/32"

1' - 6 17/32"

5' - 0"

4' - 5 3/4" 1' - 6 1/8"2' - 11 5/8"

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

CONFERENCE ROOM

COURSE TITLE:

FLOATING SHELVES FOR PRODUCT DISPLAY FOR MEETINGS

PAINT ON GWB

TALL STORAGE CABINETS

COUNTER HEIGHT CABINETS FOR STORAGE, FOOD SERVICE, OR MATERIAL DISPLAY FOR MEETINGS

1 A305

BUILT IN STORAGE/ SERVING BAR 1/4" = 1'-0"

PROJECT NUMBER: 02

CHECKED BY: Checker SCALE: 1/4" = 1'-0" PAINT ON GWB

DATE DRAWN: 11/17/2021 11:30:22 PM DATE

REVISION

INITIALS

2' - 2"

SMART TVS ALLOW FOR VERSITILE PRESENTATIONS AND MEETING STYLES

5' - 0"

12' - 0"

3' - 8 1/4" 1' - 1 3/4"

DRAWN BY:Author

SHEET TITLE:

INTERIOR ELEVATIONS DESIGN 1 SHEET NUMBER:

2 A305

TV SMART WALL 1/4" = 1'-0"

A305

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

2 A306

CONFERENCE ROOM

RECESSED CEILING OPTION 2

BUILT IN BAR/ STORAGE 1/4" = 1'-0"

PROJECT NUMBER: 02 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/4" = 1'-0" RECESSED CEILING OPTION 2

DATE DRAWN: 11/17/2021 11:30:23 PM DATE

REVISION

INITIALS

PAINT ON GWB

SHEET TITLE:

1 A306

SMART TV WALL

INTERIOR ELEVATION DESIGN 2 SHEET NUMBER:

1/4" = 1'-0"

A306

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

42' - 11 3/4" 40' - 0"

1' - 3 5/8"

CONFERENCE ROOM

1' - 8 1/8"

SECOND FLOOR 14' - 0"

GWB 12' - 0" BAFFLE FEATURE 11' - 0"

PROJECT NUMBER: 02 DRAWN BY:Author CHECKED BY: Checker FIRST FLOOR 0' - 0"

SCALE: 1/4" = 1'-0" DATE DRAWN: 11/17/2021 11:30:23 PM DATE

1 A401

REVISION

INITIALS

LONGITUDINAL SECTION 1/4" = 1'-0"

SHEET TITLE:

LONGITUDINAL SECTION SHEET NUMBER:

A401

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

3' - 4 1/4"

4' - 0 1/8"

16' - 1 1/32"

CONFERENCE ROOM

30' - 6 1/2" 7' - 1 1/16"

SECOND FLOOR 14' - 0"

GWB 12' - 0" BAFFLE FEATURE 11' - 0"

PROJECT NUMBER: 02 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/4" = 1'-0"

FIRST FLOOR 0' - 0"

1 A402

CROSS SECTION 1/4" = 1'-0"

DATE DRAWN: 11/17/2021 11:30:24 PM DATE

REVISION

INITIALS

SHEET TITLE:

CROSS SECTION SHEET NUMBER:

A402

WALL SCHEDULE FAMILY AND TYPE Basic Wall: CONFERENCE WALL Basic Wall: CONFERENCE WALL Basic Wall: CONFERENCE WALL Basic Wall: CONFERENCE WALL Curtain Wall: Curtain Wall 1 company logo: company logo Grand total

AREA 202 SF 402 SF 597 SF 390 SF 362 SF 38 SF

COST

TOTAL

$4.99 $1,006.52 $4.99 $2,004.11 $4.99 $2,977.78 $4.99 $1,946.93 $39.50 $14,279.66 $25.00 $962.08 $23,177.09

FINISH SCHEDULE FAMILY AND TYPE Floor: 4" CONCRETE ON 1.5" METAL DECK Grand total

MATERIAL: NAME

MATERIAL: MATERIAL: AS PAINT MATERIAL: AREA COST

INTERFACE CARPET

Yes

1272 SF

$8.00

TOTAL $10,173.17 $10,173.17

FLOOR SCHEDULE FAMILY AND TYPE Floor: 4" CONCRETE ON 1.5" METAL DECK Grand total

AREA 1409 SF

COST

TOTAL

$7.44 $10,485.10 $10,485.10

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

CONTEMPORARY HOUSE DESIGN

CONTEMPORARY HOUSE PROJECT

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker SCALE: DATE DRAWN: 10/20/2021 11:06:38 PM DATE

REVISION

INITIALS

SHEET LIST

ADES 3620.501 AUTOCAD FALL 2021 HANNAH RASMUSSEN

SHEET NUMBER A000 A001 A002 A011 A101 A102 A201 A202 A301 A302 A303 A304 A305 A306 A307 A401 A402 A501

SHEET NAME TITLE SHEET INTERIOR RENDERING INTERIOR RENDERINGS SITE PLAN FIRST FLOOR PLAN SECOND FLOOR PLAN FIRST FLOOR CEILING PLAN SECOND FLOOR CEILING PLAN EAST ELEVATION WEST ELEVATION PLAN SOUTH ELEVATION PLAN NORTH ELEVATION PLAN INTERIOR ELEVATION INTERIOR ELEVATION INTERIOR ELEVATION LONGITUDINAL SECTION CROSS SECTION SCHEDULES

SHEET TITLE:

TITLE SHEET SHEET NUMBER:

A000

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker SCALE: DATE DRAWN: 10/20/2021 11:06:39 PM DATE

REVISION

INITIALS

SHEET TITLE:

MASTER BATH

INTERIOR RENDERING SHEET NUMBER:

A001

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker SCALE: DATE DRAWN: 10/20/2021 11:06:39 PM DATE

KITCHEN

REVISION

INITIALS

SECOND FLOOR SEATING AREA SHEET TITLE:

INTERIOR RENDERINGS SHEET NUMBER:

A002

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

PROJECT NUMBER: 01 DRAWN BY:HANNAH RASMUSSEN CHECKED BY: INSTRUCTOR SCALE: 1/8" = 1'-0" DATE DRAWN: 10/20/2021 11:06:41 PM DATE

REVISION

INITIALS

SHEET TITLE:

NORTH 1 A011

SITE PLAN 1/8" = 1'-0"

SITE PLAN SHEET NUMBER:

A011

1

3 2

4

66' - 9"

5

45' - 4"

6

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

21' - 5"

COURSE TITLE: 11' - 9 3/4"

14' - 6 1/4"

2' - 6 3/16"

10' - 10 5/16"

7' - 5"

CONTEMPORARY HOUSE DESIGN

19' - 0"

1 A402

108

A A307

9' - 2 7/16"

2

DINING ROOM 1

104

B C

101

A306 106

LIVING ROOM

POWDER BATH

HOME OFFICE

MASTER BATH

103

106

105

102

33' - 9"

3

105 107

104

1 A401

5' - 0"

102

LAUNDRY/ STORAGE

103

2

D 1 5' - 6"

SCALE: 1/8" = 1'-0"

E 101

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker

4' - 11"

A305

9' - 1 9/16"

108 KITCHEN

107

1

MASTER BEDROOM

DATE DRAWN: 10/20/2021 11:06:41 PM DATE

REVISION

INITIALS

F

SHEET TITLE:

1 A101

FIRST FLOOR 1/8" = 1'-0"

FIRST FLOOR PLAN SHEET NUMBER:

A101

1

2

3

4

5

NAME: HANNAH RASMUSSEN

6

SEMESTER: FALL 2021 COURSE TITLE:

66' - 9 1/2" 11' - 10"

14' - 6"

2' - 6 3/16"

7' - 8 5/16"

11' - 2 1/2"

CONTEMPORARY HOUSE DESIGN

23' - 10 3/4"

1 A402

5' - 0"

1

204 205

8' - 10"

BATHROOM 3

201 203

205

206

FAMILY ROOM

1

204

A401

201

203

SCALE: 1/8" = 1'-0"

E 1

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker

5' - 6"

BATHROOM 2

D

4' - 11"

206

202

4' - 1 1/2"

4 207

C

4

BEDROOM 2

202

208

209

BEDROOM 3

B

33' - 9"

BEDROOM 4

5

3' - 0"

210

A307

11' - 2 1/2"

6

10' - 5"

211

A

DATE DRAWN: 10/20/2021 11:06:42 PM DATE

REVISION

INITIALS

F

SHEET TITLE:

SECOND FLOOR PLAN 1 A102

SECOND FLOOR

SHEET NUMBER:

1/8" = 1'-0"

A102

1

3

2

4

5

6 NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

6' - 8 3/4"

9' - 8 1/4"

12' - 0 11/16"

5' - 2 13/16"

6' - 0"

8' - 0 1/2"

CONTEMPORARY HOUSE DESIGN

19' - 0"

A

2' - 10 11/16" 2' - 9 3/16" 5' - 1 11/16"

4' - 6 7/16"

B C

D

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker

E

SCALE: 1/8" = 1'-0" DATE DRAWN: 10/20/2021 11:06:43 PM

F

SYMBOL LEGEND SYMBOL

NAME

DATE

REVISION

INITIALS

GYPSUM WB PAINTED NOTE

SPRINKLER SMOKE DETECTOR DROP PENDANT LIGHT RECESSED LIGHT FLAT ROUND 100W

CEILING FAN WITH LIGHTING

CHANDELIER

SHEET TITLE:

FIRST FLOOR CEILING PLAN SHEET NUMBER:

A201

1

2

3

4

5

6 NAME: HANNAH RASMUSSEN

66' - 9"

SEMESTER: FALL 2021 6' - 10 3/4"

4' - 6 3/4"

7' - 6 1/4"

7' - 4 1/4"

6' - 2 1/4"

4' - 0 1/4"

5' - 10 3/4"

5' - 3 3/4"

COURSE TITLE:

210

A B C

16' - 0 5/16"

208

209

205

202

206

33' - 9"

203

207

CONTEMPORARY HOUSE DESIGN

4' - 0"

8 1/4" 4' - 3 3/4"

11' - 0 3/4"

211

3' - 11 1/4"

204

9' - 5 15/16"

201

D

PROJECT NUMBER: 01

3' - 2 3/4"

E

DRAWN BY:Author CHECKED BY: Checker SCALE: 1/8" = 1'-0"

F

DATE DRAWN: 10/20/2021 11:06:44 PM DATE

REVISION

INITIALS

SYMBOL LEGEND SYMBOL

NAME

NOTE

SPRINKLER SMOKE DETECTOR DROP PENDANT LIGHT RECESSED LIGHT FLAT ROUND 100W

CEILING FAN WITH LIGHTING

CHANDELIER

SHEET TITLE:

SECOND FLOOR CEILING PLAN SHEET NUMBER:

A202

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

F

E

D

C

B

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

A

T.O. CHIMNEY 24' - 0"

1'-0" 1"

B.O. ROOF 1 19' - 0"

T.O. ROOF 2 17' - 0"

SECOND FLOOR 9' - 0"

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker FIRST FLOOR 0" T.O. FOUNDATION -1' - 0"

SCALE: 1/8" = 1'-0" DATE DRAWN: 10/20/2021 11:06:45 PM DATE

REVISION

INITIALS

B.O. FOUNDATION -3' - 0"

SHEET TITLE: 1 A301

EAST 1/8" = 1'-0"

EAST ELEVATION SHEET NUMBER:

A301

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

B

C

D

E

F

CONTEMPORARY HOUSE DESIGN

A

T.O. CHIMNEY 24' - 0"

1'-0" 1"

B.O. ROOF 1 19' - 0"

T.O. ROOF 2 17' - 0"

SECOND FLOOR 9' - 0"

PROJECT NUMBER: 01 DRAWN BY:Author FIRST FLOOR 0"

T.O. FOUNDATION -1' - 0"

CHECKED BY: Checker SCALE: 1/8" = 1'-0" DATE DRAWN: 10/20/2021 11:06:46 PM DATE

REVISION

INITIALS

B.O. FOUNDATION -3' - 0"

1

WEST

A302

1/8" = 1'-0"

SHEET TITLE:

WEST ELEVATION PLAN SHEET NUMBER:

A302

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

1

2

3

4

5

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

6

T.O. CHIMNEY 24' - 0"

B.O. ROOF 1 19' - 0"

T.O. ROOF 2 17' - 0"

SECOND FLOOR 9' - 0"

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/8" = 1'-0" DATE DRAWN: 10/20/2021 11:06:47 PM

FIRST FLOOR 0"

DATE

REVISION

INITIALS

T.O. FOUNDATION -1' - 0"

B.O. FOUNDATION -3' - 0"

SHEET TITLE:

SOUTH ELEVATION PLAN 1

SOUTH

A303

1/8" = 1'-0"

SHEET NUMBER:

A303

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

6

5

4

3

2

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

1

T.O. CHIMNEY 24' - 0"

B.O. ROOF 1 19' - 0"

T.O. ROOF 2 17' - 0"

SECOND FLOOR 9' - 0" PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/8" = 1'-0" FIRST FLOOR 0"

DATE DRAWN: 10/20/2021 11:06:48 PM DATE

REVISION

INITIALS

T.O. FOUNDATION -1' - 0" B.O. FOUNDATION -3' - 0"

SHEET TITLE:

1

NORTH

A304

1/8" = 1'-0"

NORTH ELEVATION PLAN SHEET NUMBER:

A304

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

2' - 6 29/32"

2' - 1"

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

14' - 4 1/2"

3' - 6 29/32"

5' - 5 13/32"

1' - 2"

2' - 6"

PAINT ON GYPSUM

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/2" = 1'-0" 3' - 0 1/2"

DATE DRAWN: 10/20/2021 11:06:49 PM

3 1/2"

DATE

REVISION

INITIALS

FIRST FLOOR 0" 2 A305

ISLAND ELEVATION 1/2" = 1'-0"

SHEET TITLE:

INTERIOR ELEVATION SHEET NUMBER:

A305

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

17' - 1"

3' - 2"

7' - 0"

2' - 6"

PAINT ON GB

4"

CERAMIC TILE BACKSPLASH

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/2" = 1'-0"

2' - 8 1/2"

4' - 3"

DATE DRAWN: 10/20/2021 11:06:49 PM DATE

REVISION

INITIALS

3 1/2"

2' - 7 3/4"

8' - 7 1/4"

1' - 2"

8' - 5 3/4"

1 A306

KITCHEN ELEVATION 1/2" = 1'-0"

SHEET TITLE:

INTERIOR ELEVATION SHEET NUMBER:

A306

HORIZONTAL METAL RAILING NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

CONTEMPORARY HOUSE DESIGN

COURSE TITLE:

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker SCALE: 1/2" = 1'-0" DATE DRAWN: 10/20/2021 11:06:50 PM DATE

REVISION

INITIALS

SHEET TITLE:

INTERIOR ELEVATION SHEET NUMBER:

GYPSUM WB PAINTED

1 A307

MEZZANINE ELEVATION 1/2" = 1'-0"

A307

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021 COURSE TITLE:

5

4

3

2

1

CONTEMPORARY HOUSE DESIGN

6

66' - 9" 7' - 7"

6' - 1"

13' - 8 1/2"

3' - 7"

9' - 7 1/4"

6' - 9 3/4"

19' - 4 1/2"

T.O. CHIMNEY 24' - 0"

B.O. ROOF 1 19' - 0"

BEDROOM 4

T.O. ROOF 2 17' - 0"

204 FAMILY ROOM 206

SECOND FLOOR 9' - 0" PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker MASTER BEDROOM

LIVING ROOM

HOME OFFICE

LAUNDRY/ STORAGE

KITCHEN

101

108

105

107

103

SCALE: 1/8" = 1'-0"

FIRST FLOOR 0" T.O. FOUNDATION -1' - 0"

DATE DRAWN: 10/20/2021 11:06:51 PM DATE

REVISION

INITIALS

B.O. FOUNDATION -3' - 0"

SHEET TITLE:

1 A401

LONGITUDINAL SECTION 1/8" = 1'-0"

LONGITUDINAL SECTION SHEET NUMBER:

A401

NAME: HANNAH RASMUSSEN

SEMESTER: FALL 2021

B

C

D

E

COURSE TITLE:

F

33' - 9" 8' - 0 1/4"

14' - 8 3/4"

6' - 4 1/2"

CONTEMPORARY HOUSE DESIGN

A

4' - 7 1/2"

T.O. CHIMNEY 24' - 0"

1'-0" 1"

B.O. ROOF 1 19' - 0" T.O. ROOF 2 17' - 0"

SECOND FLOOR 9' - 0"

PROJECT NUMBER: 01 DRAWN BY:Author CHECKED BY: Checker FIRST FLOOR 0" T.O. FOUNDATION -1' - 0" B.O. FOUNDATION -3' - 0"

SCALE: 1/8" = 1'-0" DATE DRAWN: 10/20/2021 11:06:52 PM DATE

1

REVISION

INITIALS

CROSS SECTION 1/8" = 1'-0" SHEET TITLE:

CROSS SECTION SHEET NUMBER:

A402

DOOR SCHEDULE TYPE Door-Interior-Single-3_Panel_Vert-Wood Door-Exterior-Double-Full Glass-Wood_Clad Door-Interior-Single-3_Panel_Vert-Wood Door-Interior-Single-Pocket-2_Panel-Wood Door-Interior-Single-Pocket-2_Panel-Wood Door-Interior-Double-Full Glass-Wood Door-Interior-Single-3_Panel_Vert-Wood Door-Interior-Single-3_Panel_Vert-Wood Single-Flush Door-Interior-Single-3_Panel_Vert-Wood Door-Interior-Single-3_Panel_Vert-Wood Door-Interior-Double-Sliding-2_Panel-Wood Door-Interior-Single-3_Panel_Vert-Wood Door-Interior-Double-Sliding-2_Panel-Wood Door-Interior-Single-3_Panel_Vert-Wood Door-Interior-Single-3_Panel_Vert-Wood Door-Interior-Double-Sliding-2_Panel-Wood Door-Interior-Single-Pocket-2_Panel-Wood Door-Exterior-Double-Full Glass-Wood_Clad Door-Exterior-Single-Entry-Half Flat Glass-Wood_Clad

HEIGHT 6' - 8" 7' - 0" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 7' - 0" 6' - 5"

WIDTH 2' - 8" 5' - 8" 2' - 8" 2' - 6" 2' - 6" 6' - 0" 2' - 8" 2' - 8" 3' - 0" 2' - 8" 2' - 8" 5' - 8" 2' - 8" 6' - 0" 2' - 8" 2' - 8" 5' - 8" 2' - 6" 6' - 0" 2' - 6"

NAME: HANNAH RASMUSSEN LEVEL FIRST FLOOR FIRST FLOOR FIRST FLOOR FIRST FLOOR FIRST FLOOR FIRST FLOOR FIRST FLOOR FIRST FLOOR FIRST FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR SECOND FLOOR

ROOM NUMBER

ROOM NAME

SEMESTER: FALL 2021 COURSE TITLE:

101

MASTER BEDROOM

105 106 107

HOME OFFICE POWDER BATH LAUNDRY/ STORAGE

203 202

BATHROOM 2 BEDROOM 3

201 201 204

BEDROOM 2 BEDROOM 2 BEDROOM 4

205

BATHROOM 3

CONTEMPORARY HOUSE DESIGN

CODE NUMBER 4 101 102 103 104 105 106 107 108 201 202 203 204 205 206 207 208 209 210 211

WINDOW SCHEDULE CODE NUMBER 1 2 3 4 5 6

TYPE Fixed Window-Sliding-Four Window-Double-Hung Window-Double-Hung Window-Casement-Dou ble Window-Casement-Dou ble

WIDTH 2' - 0" 14' - 0" 2' - 2" 2' - 0" 4' - 9"

HEIGHT 2' - 0" 4' - 4" 3' - 6" 3' - 6" 6' - 0"

COUNT 2 1 1 2 1

LEVEL <varies> FIRST FLOOR FIRST FLOOR SECOND FLOOR SECOND FLOOR

PROJECT NUMBER: 01 DRAWN BY:Author

2' - 10"

3' - 0"

1

SECOND FLOOR

CHECKED BY: Checker SCALE: DATE DRAWN: 10/20/2021 11:06:52 PM DATE

REVISION

INITIALS

SHEET TITLE:

SCHEDULES SHEET NUMBER:

A501

NAME: HANNAH RASMUSSEN SEMESTER: FALL 2021

PROJECT 3 OFFICE DESIGN

COURSE TITLE: ADES 3620.501

PROJECT NUMBER: DRAWN BY:

3

HANNAH RASMUSSEN

CHECKED BY: SCALE:

DATE DRAWN:

PROJECT 3: OFFICE DESIGN HANNAH RASMUSSEN ADES 3620.501

SHEET NUMBER A000 A001 A002 A101 A102 A103 A104 A101B

SHEET LIST SHEET NAME TITLE SHEET SITE PLAN INTERIOR PERSPECTIVES FLOOR PLANS CEILING PLANS EXTERIOR BUILDING ELEVATIONS INTERIOR ELEVATIONS AND SECTIONS FURNITURE, FIXTURES, AND EQUIPMENT

DATE

REVISION

SHEET TITLE:

TITLE SHEET

SHEET NUMBER:

A000

INITIALS

NAME: HANNAH RASMUSSEN

B

C

COUNT 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

3

FAMILY Door-Exterior-Single-Two_Lite Door-Exterior-Single-Two_Lite Door-Exterior-Double-Two_Lite Door-Curtain-Wall-Double-Glass Door-Exterior-Double-Two_Lite Door-Exterior-Single-Two_Lite Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Door-Curtain-Wall-Single-Glass Door-Curtain-Wall-Single-Glass Door-Curtain-Wall-Double-Glass Single-Flush Single-Flush Single-Flush Door-Curtain-Wall-Single-Glass Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush

MARK 103 203 201 101 102 202 109 B02 B01 204 104 208 209 105 206 207 205 106 108 107 B03 B07 B04 B05 B06

SEMESTER: FALL 2021

TYPE Door-Exterior-Single-Two_Lite Door-Exterior-Single-Two_Lite Door-Exterior-Double-Two_Lite Door-Curtain-Wall-Double-Glass Door-Exterior-Double-Two_Lite Door-Exterior-Single-Two_Lite 36" x 84" 36" x 84" 36" x 84" 36" x 84" 36" x 84" Door-Curtain-Wall-Single-Glass Door-Curtain-Wall-Single-Glass Door-Curtain-Wall-Double-Glass 30" x 80" 30" x 80" 30" x 80" Door-Curtain-Wall-Single-Glass 30" x 80" 30" x 80" 30" x 80" 30" x 80" 30" x 80" 30" x 80" 30" x 80"

WIDTH 3' - 0" 3' - 0" 6' - 0" 5' - 9 1/2" 6' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 4 29/32" 3' - 5 19/32" 4' - 7 27/32" 2' - 6" 2' - 6" 2' - 6" 3' - 0 17/32" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6"

HEIGHT 7' - 0" 7' - 0" 7' - 0" 7' - 10 3/4" 7' - 0" 7' - 0" 7' - 0" 7' - 0" 7' - 0" 7' - 0" 7' - 0" 6' - 11 3/4" 6' - 11 3/4" 6' - 11 3/4" 6' - 8" 6' - 8" 6' - 8" 6' - 11 3/4" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8"

COURSE TITLE: ADES 3620.501

PROJECT 3 OFFICE DESIGN

A

DOOR SCHEDULE

2 WINDOW SCHEDULE COUN T 1 1 1 1

1

FAMILY Round with Trim Round with Trim Round with Trim Round with Trim

MARK 1 2 3 4

TYPE 48" Diameter 24" Diameter 24" Diameter 24" Diameter

WIDTH 4' - 0" 2' - 0" 2' - 0" 2' - 0"

HEIGHT

PROJECT NUMBER: DRAWN BY:

3

HANNAH RASMUSSEN

CHECKED BY: SCALE:

DATE DRAWN:

DATE

REVISION

SHEET TITLE:

SITE PLAN

SHEET NUMBER: N

1

SITE PLAN 1/8" = 1'-0"

A001

INITIALS

NAME: HANNAH RASMUSSEN SEMESTER: FALL 2021

PROJECT 3 OFFICE DESIGN

COURSE TITLE: ADES 3620.501

PROJECT NUMBER: DRAWN BY:

3

HANNAH RASMUSSEN

CHECKED BY: SCALE:

DATE DRAWN:

DATE

RECEPTION AREA MAIN FLOOR AND CONFERENCE ROOM

REVISION

INITIALS

CEO OFFICE SHEET TITLE:

INTERIOR PERSPECTIVES SHEET NUMBER:

A002

NAME: HANNAH RASMUSSEN SEMESTER: FALL 2021 COURSE TITLE: ADES 3620.501

C

A

B

C

A

B

C 30' - 0"

30' - 0" 4' - 6 5/8"

30' - 11 15/16"

DN RESTROOM

RESTROOM

104

103

1

CONFERENCE ROOM

RESTROOM

209

207

203

RESTROOM

42/48T

206

202

101

DN

2

UP

BBFBBF 42/48T

201

BREAK ROOM

4' - 6 1/16"

6' - 5 15/16"

2

1

202

103

42/48T

BBF

A104

101

UP

42/24T

23' - 0" 21' - 2 9/16"

102

11' - 11 9/16"

70' - 0"

105 1

42/24T

205

1

2

42/48T

42/24T

106

19' - 6 19/32"

50' - 0"

B03

208

42/24T

A104

B02

204

42/24T

107

205 CFO OFFICE

BBF

108

204

BBFBBF

109

3 COPY ROOM

DN

CEO OFFICE

5' - 6 1/16"

B01

B01

B02

12' - 6 3/8"

0' - 6"

3

UP

12' - 11"

42/24T

MECHANICAL ROOM

UP

14' - 0 7/16"

22' - 6 1/16"

3

104

3

7' - 5 13/16"2' - 3 3/16"

15' - 0"

7' - 2 13/16"

24' - 0"

5' - 4 1/8" 5' - 1 1/8" 3' - 3 13/32" 8' - 0 3/4"

6' - 0"

PROJECT 3 OFFICE DESIGN

B

A1322.06E

A

201

203 PROJECT NUMBER:

DN

DRAWN BY:

SMALL OFFICE

RECEPTION WAITING AREA 102

SMALL OFFICE

B06

B05

19' - 11 7/8"

B04

20' - 3 9/32"

B05

19' - 0 1/8"

20' - 0"

B06

B08

HANNAH RASMUSSEN

CHECKED BY:

B07

RESTROOM

3

SCALE:

DATE DRAWN:

2

STORAGE B07

1

DATE

1

REVISION

INITIALS

8' - 5 19/32"

1

1

BASEMENT FLOOR 1/8" = 1'-0"

2

FIRST FLOOR 1/8" = 1'-0"

3

SECOND FLOOR 1/8" = 1'-0" SHEET TITLE:

FLOOR PLANS

SHEET NUMBER:

A101

NAME: HANNAH RASMUSSEN SEMESTER: FALL 2021

COUNT

FAMILY

1 1

AGRV_FURN_CornerOfficeDeskB_B_21110 Aspen_Counter__Stool__Narrow_Version_-_HighTower_13280

1

Aspen_Counter__Stool__Narrow_Version_-_HighTower_13280

1

Aspen_Counter__Stool__Narrow_Version_-_HighTower_13280

1

Aspen_Counter__Stool__Narrow_Version_-_HighTower_13280

1 1 1 1 1 1 1 1 1 1 1 1 1

Chair-Corbu Chair-Corbu Chair-Executive Chair-Executive Chair-Executive Desk-Executive FLOATING_COUNTER_TABLE_22391 FLOATING_COUNTER_TABLE_22391 Hauser_Shutter_Outdoor_Cluster_Seating_21318 Hauser_Shutter_Outdoor_Cluster_Seating_21318 Hauser_Shutter_Outdoor_Cluster_Seating_21318 Hauser_Shutter_Outdoor_Cluster_Seating_21318 HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HAY_AAC52_AboutAChair5-StarSwivelArmrest

1

HermanMiller_Seating_Cosm_WorkChair

1

HermanMiller_Seating_Cosm_WorkChair

1

HermanMiller_Seating_Cosm_WorkChair

1

HermanMiller_Seating_Cosm_WorkChair

1

HermanMiller_Seating_Cosm_WorkChair

1

HermanMiller_Seating_Cosm_WorkChair

1

HermanMiller_Seating_Cosm_WorkChair

F, F, & E TYPE

AGRV_FURN_CornerOfficeDeskB_B_21110 Aspen_Counter__Stool__Narrow_Version_-_Hi ghTower_13280 Aspen_Counter__Stool__Narrow_Version_-_Hi ghTower_13280 Aspen_Counter__Stool__Narrow_Version_-_Hi ghTower_13280 Aspen_Counter__Stool__Narrow_Version_-_Hi ghTower_13280 Chair Chair Chair-Executive Chair-Executive Chair-Executive Desk-Executive FLOATING_COUNTER_TABLE_22391 FLOATING_COUNTER_TABLE_22391 Six Seater Six Seater Six Seater Six Seater Fixed seat cushion

DESCRIPTION

CATALOG CODE

COUNT

FAMILY

TYPE

1

HermanMiller_Seating_Cosm_WorkChair

Mid Hgt Std Hgt Range Seat Depth Hgt Adj Arms Casters

1

HermanMiller_Seating_Cosm_WorkChair

Mid Hgt Std Hgt Range Seat Depth Hgt Adj Arms Casters

1

HermanMiller_Seating_Cosm_WorkChair

Mid Hgt Std Hgt Range Seat Depth Hgt Adj Arms Casters

1

HermanMiller_Seating_Cosm_WorkChair

Mid Hgt Std Hgt Range Seat Depth Hgt Adj Arms Casters

1

HermanMiller_Seating_Cosm_WorkChair

Mid Hgt Std Hgt Range Seat Depth Hgt Adj Arms Casters

1

HermanMiller_Seating_Cosm_WorkChair

Mid Hgt Std Hgt Range Seat Depth Hgt Adj Arms Casters

1

HermanMiller_TablesandFurniture_DT1AS_EverywhereRectang Lm 24D 36W Post Lg ularTable_PostLeg

1

HermanMiller_TablesandFurniture_DT1AS_EverywhereRectang Lm 24D 36W Post Lg ularTable_PostLeg

HAA

1

HermanMiller_TablesandFurniture_DT1MS_EverywhereConfere Lam 24 Post Leg nceCornerTable

HAA

1

HermanMiller_TablesandFurniture_DT1MS_EverywhereConfere Lam 24 Post Leg nceCornerTable

HAA

1

HermanMiller_TablesandFurniture_DT1MS_EverywhereConfere Lam 24 Post Leg nceCornerTable

HAA

1

HermanMiller_TablesandFurniture_DT1MS_EverywhereConfere Lam 24 Post Leg nceCornerTable

HAA

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HAA

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HAA

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

Aspen Counter Stool Aspen Counter Stool Aspen Counter Stool Aspen Counter Stool

Six Seater Shutter Cluster Unit Six Seater Shutter Cluster Unit Six Seater Shutter Cluster Unit Six Seater Shutter Cluster Unit About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Fixed seat cushion About A Chair 52 5-Star Swivel Armrestpolypropylene shell fixed seat cushion Mid Hgt Std Hgt Range Seat Depth Hgt Adj Cosm Work Chair Mid Back Hgt Std Arms Casters Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Mid Hgt Std Hgt Range Seat Depth Hgt Adj Cosm Work Chair Mid Back Hgt Std Arms Casters Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Mid Hgt Std Hgt Range Seat Depth Hgt Adj Cosm Work Chair Mid Back Hgt Std Arms Casters Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Mid Hgt Std Hgt Range Seat Depth Hgt Adj Cosm Work Chair Mid Back Hgt Std Arms Casters Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Mid Hgt Std Hgt Range Seat Depth Hgt Adj Cosm Work Chair Mid Back Hgt Std Arms Casters Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Mid Hgt Std Hgt Range Seat Depth Hgt Adj Cosm Work Chair Mid Back Hgt Std Arms Casters Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Low Hgt Std Hgt Range Seat Depth Fixed Arms Cosm Work Chair Low Back Hgt Casters Std Hgt Range Self Adj Tilt Fixed Seat Depth Fixed Arms Casters

COURSE TITLE: ADES 3620.501

HAA

HAA

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HAA

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HST

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HST

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HST

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HST

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HST

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

HST

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

1

HermanMiller_TablesandFurniture_DU6ACS_RenewRectangular Lam 24D 48W Elec Std Table_C-Foot

1 1 1 1 1 1 1

Office_desk_18124 Office_desk_18124 Sofa-Corbu Sofa-Corbu Table-Coffee Rectangular Table-Coffee Rectangular Table-Coffee Rectangular

HST

Office_desk_18124 Office_desk_18124 Sofa Sofa 48" x 30" SML TABLE SML TABLE

DESCRIPTION Cosm Work Chair Mid Back Hgt Std Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Cosm Work Chair Mid Back Hgt Std Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Cosm Work Chair Mid Back Hgt Std Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Cosm Work Chair Mid Back Hgt Std Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Cosm Work Chair Mid Back Hgt Std Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters Cosm Work Chair Mid Back Hgt Std Hgt Range Self Adj Tilt Fixed Seat Depth Hgt Adj Arms Casters *Everywhere Rectangular TableSquared EdgeLam Top/Thermo EdgePost Leg 24D 36W *Everywhere Rectangular TableSquared EdgeLam Top/Thermo EdgePost Leg 24D 36W Everywhere Conference Corner TableSquared EdgeLam Top/Thermo EdgePost Leg 24D Everywhere Conference Corner TableSquared EdgeLam Top/Thermo EdgePost Leg 24D Everywhere Conference Corner TableSquared EdgeLam Top/Thermo EdgePost Leg 24D Everywhere Conference Corner TableSquared EdgeLam Top/Thermo EdgePost Leg 24D Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W Renew Rect Tbl C-FootSq-EdgeLam Top/Thermo EdgeElec Std Range 24D 48W

CATALOG CODE HST HST

PROJECT 3 OFFICE DESIGN

F, F, & E

HST HST HST HST HGN

HGN

HGN HGN HGN HGN HGN HGN HGN

PROJECT NUMBER: DRAWN BY:

3

HANNAH RASMUSSEN

CHECKED BY: SCALE:

HGN

DATE DRAWN:

HGN DATE

REVISION

INITIALS

HGN HGN HGN HGN HGN HGN HGN

SHEET TITLE:

FURNITURE, FIXTURES, AND EQUIPMENT SHEET NUMBER:

A101B

LIGHTING SCHEDULE DESCRIPTION

SYMBOL

NOTES

1 X 4 LINEAR BOX LIGHT

NAME: HANNAH RASMUSSEN SEMESTER: FALL 2021

2 X 4 LINEAR BOX LIGHT

COURSE TITLE: ADES 3620.501

6" RECESSED CAN LIGHT

PROJECT 3 OFFICE DESIGN

8" RECESSED CAN LIGHT PENDANT LIGHT - HEMISPHERE

B

C

A

B 30' - 6"

3' - 8"

6' - 11 5/8" 3' - 3 3/16"

11' - 2 9/32"

C

13' - 8 29/32" 4' - 6" 4' - 8 5/8" 5' - 2 5/8"

PROJECT NUMBER: DRAWN BY:

3

HANNAH RASMUSSEN

CHECKED BY: SCALE:

6' - 0"

69' - 2 1/4"

7' - 11 9/16" 3' - 11 1/4" 4' - 1 3/16" 4' - 0"

8' - 1 5/8"

12' - 0 3/8"

4' - 8 9/16"

6' - 10"

3

9' - 0 1/32" 9' - 2 15/32"

6' - 4 13/16"

9' - 6 1/16"

DATE DRAWN:

2

2

1

1

DATE

REVISION

INITIALS

1

3' - 8 1/16" 3' - 8 15/16"

15' - 5 7/32"

2

12' - 4 29/32"

2' - 11 19/32" 3' - 5 15/32" 2' - 8 1/8"3' - 8"

3

8' - 11 9/32"

70' - 0"

B

7' - 11 9/16"

3' - 7 3/16" 5' - 0"

17' - 2 13/16"

3

A

30' - 0"

30' - 0" 17' - 8 13/16"

C

2' - 4 9/32" 5' - 6"

A

SHEET TITLE:

CEILING PLANS

SHEET NUMBER:

1

BASEMENT FLOOR 1/8" = 1'-0"

2

FIRST FLOOR 1/8" = 1'-0"

3

SECOND FLOOR 1/8" = 1'-0"

A102

1

2

3

ROOF 24' - 0" NAME: HANNAH RASMUSSEN SEMESTER: FALL 2021 COURSE TITLE: ADES 3620.501

PROJECT 3 OFFICE DESIGN

SECOND FLOOR 12' - 0"

FIRST FLOOR 0' - 0"

BASEMENT FLOOR -12' - 0" 1

3

2

EAST ELEVATION 1/8" = 1'-0"

1 20' - 0"

ZINC METAL ROOF 70' - 0" 50' - 0"

ROOF 24' - 0"

SECOND FLOOR 12' - 0"

PROJECT NUMBER:

FIRST FLOOR 0' - 0"

DRAWN BY:

3

HANNAH RASMUSSEN

CHECKED BY:

4

WEST ELEVATION 1/8" = 1'-0"

SCALE:

DATE DRAWN:

C

B

DATE

A

A

B

REVISION

C

ROOF 24' - 0"

ROOF 24' - 0"

SECOND FLOOR 12' - 0"

SECOND FLOOR 12' - 0"

SHEET TITLE: FIRST FLOOR 0' - 0"

FIRST FLOOR 0' - 0"

EXTERIOR BUILDING ELEVATIONS SHEET NUMBER:

BASEMENT FLOOR -12' - 0" 2

NORTH ELEVATION 1/8" = 1'-0"

BASEMENT FLOOR -12' - 0" 3

SOUTH ELEVATION 1/8" = 1'-0"

A103

INITIALS

NAME: HANNAH RASMUSSEN SEMESTER: FALL 2021

EMPLOYEE FRIDGE

PAINT ON GWB

PAINT ON GWB

LARGE PLOTTING PRINTER

COURSE TITLE: ADES 3620.501

PROJECT 3 OFFICE DESIGN

LASER PRINTER STORAGE FOR EMPLOYEES CERAMIC BACKSPLASH

1

1

2

OFFICE SUPPLY STORAGE

BREAK ROOM KITCHEN ELEVATION 1/2" = 1'-0"

3

COPY ROOM ELEVAITON 1/2" = 1'-0"

3

PROJECT NUMBER: DRAWN BY:

3

HANNAH RASMUSSEN

CHECKED BY:

C

B

A

SCALE:

DATE DRAWN: ROOF 24' - 0"

ROOF 24' - 0"

SECOND FLOOR 12' - 0"

SECOND FLOOR 12' - 0"

FIRST FLOOR 0' - 0"

FIRST FLOOR 0' - 0"

DATE

REVISION

INITIALS

SHEET TITLE: BASEMENT FLOOR -12' - 0"

2

LONGITUDINAL SECTION 1/8" = 1'-0"

BASEMENT FLOOR -12' - 0"

4

CROSS SECTION 1/8" = 1'-0"

INTERIOR ELEVATIONS AND SECTIONS SHEET NUMBER:

A104

GEOGRAPHIC CHANGES NY > NM

4' - 8"

BEDROOM 1 106

Median Age - 44.1 years old TECHNOLOGY: Transportation - Top rated walking city in US. Public transport for longer commutes.

ECONOMY: Cost of Living - Compared to the US as a whole, has cheaper groceries/utilities/ health/transport ENVIRONMENT: Pollution - “B” rating based on EPA standards

DESIGN INSPIRATION

Spanish Revival

Art Nouveau - Spain

NAME:

COURSE TITLE:

PROJECT TITLE

MASTER BATHROOM

[9

3' -0 23 " ]

LAUNDRY

7'-9"

[2358]

WALK IN CLOSET

BED ROOM

LIVING ROOM

KITCHEN

MASTER BEDROOM

" -6 4' 7 1 ] 3 [1

4' - 8"

PROJECT NUMBER: Project Number DRAWN BY:Author

HOME OFFICE ADDITION 105

ADES 3630.501 FALL 2021 PROJECT 1 RESIDENTIAL KITCHEN HANNAH RASMUSSEN

DATE

REVISION

INITIALS

MASTER BEDROOM 101

CEILING PLAN

CHECKED BY: Checker

CEILING PLAN FLOORING 1

SHEET NUMBER:

CEILING PLAN 1/8" = 1'-0"

A201

SCALE: 1/8" = 1'-0"

DATE

REVISION

INITIALS

GARAGE 104

COFFEE BAR MOSAIC

NEW FLOOR PLAN

The golden ratio, or Fibbonaccis sequence is something that can be seen throughout nature. This design occurs naturally in many forms for its hierarchical structuring which creates optimal designs for organization.

Studying this organization in nature can help in addressing the idea of Public and Private space within the home. This can help to reinforce the idea of the home as a community by creating areas of gather, similar interest or actions, geography wihtin the home or circumstances.

SHEET TITLE:

FLOOR PLAN SHEET NUMBER:

1

FLOOR PLAN 1/8" = 1'-0"

COFFEE BAR

A101

KITCHEN FLOORING LOWER CABINETS

CONCEPT STATEMENT: ADDRESSING THE HOME AS A COMMUNITY THROUGH SPACIAL HIERARCHY FOLLOWING THE IDEA OF THE GOLDEN RATIO WHILE UTILIZING LOCAL ARTISTRY, CURVED LINES, AND SYMETRY TO CREATE A HARMONIOUS DESIGN HIGHLIGHTING FEATURES OF ART NOUVEAU WITHIN THE LOCAL STYLE OF SPANISH REVIVAL.

D

1

PROJECT NUMBER:

SEMES

SEMESTER:Issue Date

LOCALLY HANDCRAFTED BACKSPASH

CHECKED BY: Checker

DATE DRAWN: 10/11/2021 3:52:43 PM REVISION

NAME:

NAME:

NEW WINDOW ELEVATION

DRAWN BY:Author

DATE

COFFEE BAR

COURS

COURSE TITLE:

SCALE: 1/8" = 1'-0"

GARAGE

SCALE: 1/8" = 1'-0" DATE DRAWN: 10/11/2021 4:01:44 PM

DATE DRAWN: 10/11/2021 4:01:40 PM

DINING AREA FRONT PORCH

CHECKED BY: Checker

SHEET TITLE:

* Local Ironwork; used on pantry door, window frames, light fixtures, and sink apron is reminiscent of Barcelona when used in swirled vegital paterns but also brings the spirit of New York when applied in a more geometric pattern. This creates continuity in the design while allow both styles to co-exist. * The addition of a faux brick facade in a space primarily utilizing adobe construction creates intirest and a focal piece of the space while paying homage to the couples previous home, New York City. * Utilizing local artists for hand blown glass pendants over bar or island. *Creating a colorful mosaic out of ceramics for a backsplash with vegital motifs for coffee bar. This creates a special space that is harmonious with the rest of the design while also emphasizing the ritual significance. *Local woodworkers used to create the legs for the counter top overhang as well as carved doors. *Traditional terra cotta tiles for flooring

SEMESTER:

BACK PROCH

PROJECT NUMBER: Project Number

DRAWN BY:Author

REFLECTED

The traditional sense of community has been lost to those living in cities and that includes most of the worlds population these days. This sense of “place-based” belonging has long since been lost, and even more so now with the isolation our sommunities are experiencing from the pandemic of Covid-19. Deprived of meeting up with family, friends, or colleagues has tested us against our own domestic spaces. Being isolated has allowed people to take notice of the nature and biotic community around them as well as the importance of a community structure to human survival.

Biomimicry - Fibbonaccis Sequence (Golden Ratio)

COUNTER TOP

Implementation of Design Concepts + Ideas

Original Floor Plan

BED ROOM

Santa Fe Revival

CLIENT SPATIAL NEEDS STUDY

SITE ANALYSIS: BATHROOM

UTILITY 108

Creating division in a space with these theories in mind give hierarchy of one space to antoher, as well as implied importance to private spaces over more public ones. This reflects the way in which a community interacts and thrives. Emphasizing collaboration over competition in situations where one is needed over another.

They are looking forward to the extra space and are excited to be able to cook together in the newly designed kitchen. The kitchen will be the first of many renovations in their new home and as such they want to use this design to solidify their style for the rest of the home.

NEEDS: * Room to expand for their family * Dog feeding station and food storage * Coffee Station for Chris, seperate from his new home office to help delineate between work and home to create lifestyle balance. Must accomidate special Jura Giga Coffee Machine * Home Office Addition * Brooke meal preps her lunches for work and needs a space for storing containers, food, and her stand mixer * Lots of counter space for cooking together * Composting trash * They need a space that inspires! Using colors, patterns, and local materials in the design to celebrate the local culture of Santa Fe while incorporating the essence of Art Nouveau in Barcelona

CONCEPTUAL FRAMEWORK: THE HOME AS A COMMUNITY

6' - 4"

WHITE 88%

Median Age - 36.7 years old TECHNOLOGY: Transportation - 54% of the population doesnt own a car & relys on public transportation ECONOMY: Cost of Living - 47.9% higher cost of living than Santa Fe + housing is 78% higher.

ENVIRONMENT: Pollution - “F” rating for Ozone based on EPA standards

4' - 2"

WALK IN CLOSET 103

WHITE 44.6%

RESIDENTIAL CLIENT PROJECT

OTHER 9.7%

INITIALS

SHEET TITLE:

SITE PLAN SHEET NUMBER:

A-1.07

WHITE WASH BRICK W/ FLOATINGN SHELVES 1

KITCHEN WINDOW 1/2" = 1'-0"

RESIDENTIAL CLIENT PROJECT

The couple took an amazing trip to Barcelona, Spain just before the pandemic lock downs. They admired the culture, community, color, and arts of the city. Since spending the last year in their small New York apartment their priorities have changed and they’ve made the decision to embrace change and will be moving to Santa Fe, New Mexico and purchasing their first home.

MASTER BATH 102

KITCHEN PERSPECTIVE

INTRODUCTION: Brooke and Chris are a younge married couple with two dogs, looking to expand their family in the future. The couple met in College at the University of Arkansas and moved to New York City, New York for thier first jobs out of school. Chris is a botonist who used to work in a lab but due to the changing landscape in relation to Covid, will be working from home moving forward. Brooke is a teacher and will continue to work in person molding young minds.

PANTRY 109

RESIDENTIAL CLIENT PROJECT

BEDROOM 2 107

SANTA FE

BLACK 25.4%

SEMESTER: Issue Date

COURSE TITLE:

SEMESTER: Issue Date

BLACK 1.2%

ASIAN 14.7%

NAME:

NAME:

SOCIAL: Population - 83,922 people Demographics

OTHER 15.4%

BROOKE & CHRIS PERRY

2' - 1"

14' - 3"

NEW YORK CITY

3' - 4"

COURSE TITLE:

S.T.E.E.P STUDY

SOCIAL: Population - 8.419 Million Demographics

MATERIALS

8' - 11 3/4"

7' - 3"

MEET OUR CLIENT

14' - 0"

PROJE

DRAW

CHEC

SCALE

DATE D DATE

PROJECT NUMBER: Project Number

DRAWN BY:Author

CHECKED BY: Checker SCALE: 1/2" = 1'-0" DATE DRAWN: 10/11/2021 4:01:49 PM DATE

REVISION

INITIALS

SHEET

PE

SHEET

SHEET TITLE:

1

KITCHEN PERSPECTIVE

PROJECT 3: ACCEPTANCE HOUSE HANNAH RASMUSSEN ADES 3630.501 STUDIO II

TAYLOR WYNN LIFESTYLE, TRAVEL, & BEAUTY YOUTUBER

CLIENT INTRODUCTION Taylor Wynn, a 29-year-old, creates fashion, beauty, and lifestyle content on YouTube. Uploading her first video in 2012, Taylor has garnered a large following of 845K followers since and requires a dedicated room for filming as it has become her career and main source of income.

Originally from Seattle, WA, Taylor is making the move to Grand Rapids, MI, looking for a change in environment after the breakup of a long-term relationship. She was very active in charity work in Seattle, such as St. Jude's, Seattle Human, and Project Beauty Share and is hoping to expand her efforts and involvement to local charities in her new city. Taylor will be moving by herself but has a love of fostering dogs and would appreciate this being considered in the design layout. She also has a love of travel and has been all over the world, so storage for luggage is needed as well as bike storage.

Taylor suffers from chronic migraines, which is defined by experiencing 15-25 migraines a month. Her migraines can be debilitating and cause intense throbbing, nausea, sensitivity to light and sound, confusion and vomiting.

Creating an environment that allows Taylor to limit and control known stimuli that can trigger migraines is incredibly important. Known triggers for migraines include things such as stress, hormonal changes, sensory stimuli, and sleep changes.

3

FROM SEATTLE, WA

GRAND RAPIDS, MI

Originally from Seattle, Washington, Taylor will be moving to Grand Rapids, Michigan. She has lived in Seattle the last 8 years with her long-term boyfriend. After their breakup, she has made the decision to move for a change of scenery and to get closer with family.

4

https://www.experiencegr.com/plan-and-stay/about-grand-rapids/facts-and-trivia/

S.T.E.E.P. RESEARCH: GRAND RAPIDS, MI DEMOGRAPHICS

WHITE

BLACK

OTHER

1. SOCIAL The city of Grand Rapids, Michigan has a population of 199,000 people and the median age range is 31.4 years old, making it pretty similar to that of Seattle, WA.

2. TECHNOLOGICAL Grand Rapids uses public transportation in the form of the DASH (or downtown area shuttle).

This service does not require a ticket and runs every 8 minutes through the city. The neighborhoods also have a walkability score of 57 and make biking the city very easy.

3. ECONOMIC The cost of living in Grand Rapids, MI is lower in all categories, such as housing, health care, transportation, and groceries when compared to the national average.

4. ENVIRONMENTAL In 2019, Grand Rapids had the greatest number of LEED certified buildings per capita than any other city.

The climate experiences all 4 seasons and can have large swings in temperatures between summer and winter and gets an average of 64” of snow a year.

5. POLITICAL Michigan has carried one of lowest rates of utilizing the welfare/ social programs our country offers, with less than 25% of its residents participating. Giving the local government the goal of helping its families become self sufficient through work support programs. 5

SITE EVALUATION

Taylor has saved up money and purchased this one-story condominium dwelling. The building is located in Grand Rapids, Michigan. It is located across the Grand River from the Grand Rapids Public Museum, at 85 Campau Ave NW. The Unit is located on the west side of the building facing the river, allowing for great views of nature which has been proven to assist with the healing process.

N N

6

CONCEPTUAL FRAMEWORK HOW IS THIS ACCOMPLISHED?

SUPPORTIVE DESIGN THEORY Originally designed by Robert Ulrich in 1991. This design theory explores the ways a designer can utilize the built environment to reduce stress, by providing users a sense of control, access to social support, and access to positive distractions in their physical surroundings.

Stress is a major obstacle to healing.

Giving the individual the ability to change, modify, or transform their surrounding environment for their needs creates a better environment for health and healing.

1. SENSE OF CONTROL Creating a refuge space can reduce stress.

This is accomplished by creating a sense of privacy and control over interactions with others or stimuli such as sounds, smells, temperatures, and lighting.

2. POSITIVE DISTRACTION Positive distractions help people attend to stimuli other than their own discomfort and anxiety. Introduction to static stimuli, active stimuli, and views/ use of nature.

3. SOCIAL SUPPORT Social Support creates a sense of belonging, increased self-worth, and increased feelings of security (perceived and received). It is a physical factor that has been proven to influence well-being.

https://www.sciencedirect.com/science/article/pii/S0272494414001182?casa_token=eeX2iNFedYAAAAA:mefOEop1qd90uXogXXLFWTuh2nmdcJnaW5lJZ-i5ShfftM6Su3GD_WRziQ1Kr21VNSLyN3PFNw 7

DESIGN CONSIDERATIONS

ADJACENCY MATRIX

BUBBLE DIAGRAM

Created based off the following program requirements and conceptual framework.

Concept Statement:

Full Kitchen Living Space (accommodate 6 ppl) Dinning Space (seat up to 8) Primary Bedroom + Closet Primary Bathroom Filming Room Guest Bedroom Guest Bathroom Entry/ Coat closet Laundry/ Mechanical/ Storage

Creating a research-based design that offers the individual the utmost autonomy over spatial layout, personal interaction, and stimuli fosters a greater sense of control and produces an environment for health and healing.

BLOCK DIAGRAM: CONSIDERATION 1 The considerations for the layout of the condo came from the study that control over separation from stimuli (including sounds, smells, and personal interactions with others) can promote healing.

In this design, the private bedroom and studio are divided from the rest of the condo. This allows the client to create distance from all of these stimuli.

BLOCK DIAGRAM: CONSIDERATION 2 The large windows on the west facing wall of the condo create a connection to nature that has been proven to promote health and healing. Leaving the living/dinning/ kitchen space more open allows for optimal use of the space. Allowing the client to rearrange and control her space as needed.

8

MATERIAL SELECTION FLOORING LIVING + DINNING ROOM FLOORS: Interface Luxury Vinyl Planks with natural woodgrains in Washed Wheat A00207 Ashlar instillation.

Vinyl stands up to harsh cleaning products and is incredibly durable MASTER + GUEST BEDROOM FLOORS: Feltex Broadloom Carpeting; Spiniflex collection in Sandstorm #0091 Low pile carpeting to minimize dust collection.

100% wool fiber is naturally stain resistant MASTER+ GUEST BATHROOM FLOORS: Daltile; Marble Look Porcelain Attaché Lavish Collection in Pearl Arabesque Durable and easy to clean

WALLS: Paint: Sherwin Williams; Super Paint with Sanitizing Technology. Helps create an antimicrobial surface that can withstand harsh cleaning products, crating an environment that promotes healing.

Ceilings in Bright White SW#7007 Walls in On the Rocks SW#7671

WALL COVERINGS

9

DIMENSIONAL FLOOR PLAN

MAIN FLOORING THROUGHOUT

BEDROOM FLOORING

BATHROOM FLOORING 10

REFLECTED CEILING PLAN + LEGEND

11

INTERIOR ELEVATIONS + ANNOTATIONS

KITCHEN ELEVATION

GUEST BEDROOM ELEVATION 12

INTERIOR ELEVATIONS + ANNOTATIONS

LAUNDRY ELEVATION

MASTER BATH ELEVATION 13

INTERIOR PERSPECTIVES

KITCHEN

MASTER BEDROOM 14

THANK YOU! HANNAHRASMUSSEN@MY.UNT.EDU

DESIGN CONCEPT: INNOVATION OF COLOR WITH A VINTAGE FLARE. FOSSIL : COLLECTORS CLUB RETAIL SPACE

INTERIOR RETAIL DISPLAY PERSPECTIVE TABLE OF CONTENTS: A 101 - DIMENSIONAL FLOOR PLAN A 102 - FLOOR FINISH PLAN A 103 - FURNITURE, FIXTURE & EQUIPTMENT PLAN A 104 - REFLECTED CEILING PLAN A 201 - STORE FRONT ELEVATION A 202 - CASH OUT AND RESTROOM ELEVATION A 901 - BUILT-IN DISPLAYS ELEVATION A 902 - LOUNGE DISPLAYS ELEVATION

May 6, 2020

HANNAH RASMUSSEN

1 2

... ...

_ _ /_ _ /_ _

3 4 5

6'-0" MM/DD/YY

2'-0"

_ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _

11'-0"

... ... ...

19'-0"

REMARKS

REVISIONS

66'-8 63/64"

6'-1 15/64"

7'-1 31/32"

25'-1 31/32"

29'-10 7/64"

29'-7 31/32"

D

FOSSIL: COLLECTORS CLUB

HANNAH RASMUSSEN

2'-17/64"

13'-5 27/32"

7'-5 9/16"

1 A1

3'-10 31/32"

17'-10 37/64"

DIMENSIONAL FLOOR PLAN SCALE 3/16" = 1' - 0"

DIMENSIONAL FLOOR PLAN

C

11 29/64"

B

3'-4 61/64"

5'-1 41/64"

A

1'-8 1/8"

7'-9 7/32"

2'-4 27/64"

D

17'-11 57/64"

SCHEDULE: A - GLASS TOP SERVICE COUNTER B - STORAGE COUNTER WITH POS SYSTEM C - BRANDED BUILT-IN DISPLAYS D - PEDESTAL PRODUCT DISPLAYS

A

101

2 A1

... ...

_ _ /_ _ /_ _

3 4 5

FLOOR FINISH PLAN

12x24 ASHER GREY MARBLE TILE

FOSSIL: COLLECTORS CLUB

MM/DD/YY

HANNAH RASMUSSEN

1 2

_ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _

... ... ...

REVISIONS

DARK WOOD BUILT-INS CUBBIES HOLD DIFFERENT COLLECTIONS W/ COORESPONDING COLOR DISTINCTION

REMARKS

PEDESTAL WINDOW DISPLAYS FOR NEW LAUNCH PRODUCTS

DISTRESSED ENGINEERED HARDWOOD FLOORS

FLOOR FINISH PLAN SCALE 3/16" = 1' - 0"

A

102

... ...

3 4 5

MM/DD/YY

1 2

5'-6 15/64"

e

d

c

2'-5/8"

HANNAH RASMUSSEN

c

a

g b 8'-21/32"

FOSSIL: COLLECTORS CLUB

f 13'-7 13/64"

4'-9 13/64"

16'-5 7/8"

3 A1

FF&E FLOOR PLAN SCALE 3/16" = 1' - 0"

FURNITURE, FIXTURE, AND EQUIPTMENT PALN

7'-5"

_ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _

... ... ...

7'-3 9/16"

5'-4 25/64"

_ _ /_ _ /_ _

13'-3 39/64"

REMARKS

REVISIONS

2'-8 7/64"

9/16"

SCHEDULE: a - NEW LAUNCH WATCH DISPLAY b - TABLE IN ENTRY TO HOLD NEW LAUNCHES c - BRIGHTLY COLORED 60'S INSPIRED LOUNGE CHAIR d - SIDE TABLE e - 60's INSPIRED SOFA f - ROUND COFFEE TABLE g - LAYERED RUGS

A

103

34'-11 39/64"

_ _ /_ _ /_ _

14'-1 9/32" 10'-23/32"

REFLECTED CEILING PLAN SCALE 3/16" = 1' - 0"

HANNAH RASMUSSEN

61/64"

REFLECTED CEILING PLAN

I

5'-11 29/32"

G

10'-6 5/16"

3'-6 31/64"

5'-5 57/64"

15'-6 17/32"

H

FOSSIL: COLLECTORS CLUB

9'-11 11/16"

F

A1

3 4 5

D

E

4

... ...

REMARKS

MM/DD/YY

1 2

_ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _

... ... ...

REVISIONS

4'-11 3/64"

A 3'-17/64"

7'-3 57/64"

B

C

18'-11 55/64"

10'-5 55/64"

2'-11 45/64"

3'-1 29/64" 8'-1 33/64"

5'-2 23/64"

F

2'-5 5/16"

9'-9 5/16"

SCHEDULE: A - PENDANT LIGHTING B - TRACK LIGHTING C - SPEAKER D - RECESSED CAN LIGHTING E - EMERGENCY EXIT SIGN/ LIGHTS F - CHANDELIER LIGHT FIXTURE G - PENDANT LIGHTING H - SPRINKLER SYSTEM I - SMOKE DETECTOR

A

104

STORE FRONT ELEVATION

1

A2 STORE FRONT ELEVATION

SCALE 3/16" = 1' - 0"

A FOSSIL: COLLECTORS CLUB

HANNAH RASMUSSEN

3 4 5

1 2

_ _ /_ _ /_ _

_ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _

MM/DD/YY

... ...

... ... ...

DECORATIVE LARGE GEARS FOR DISPLAY IN METALICS REMARKS

REVISIONS

PENDANT TASK LIGHTING

BACK OF DISPLAY BUILT-INS IN DARK WOOD TONES 201

3 4 5

_ _ /_ _ /_ _

... ...

REMARKS

MM/DD/YY

FOSSIL: COLLECTORS CLUB

HANNAH RASMUSSEN

1'-11 13/16"

CASH OUT AND RESTROOM ELEVATION

CASH OUT & RESTROOM ELEVATION SCALE 3/16" = 1' - 0"

7'-10 29/64"

3'-0"

COLOR COORDINATED DISPLAYS FOR COLLECTIONS

2 A2

8'-9/16"

9'-0"

3'-0"

2' - 0" 2'-0" 2'-0"

10'-41/64"

1 2

12'-10 1/4"

17'-5 29/64"

_ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _

... ... ...

INTERCHANGABLE ADVERTISING DISPLAYS

REVISIONS

COPPER DETAIL PENDANT LIGHTING

DECORATIVE HANGING MIRROR

12x24 ASHER GREY MARBLE TILE

A

202

1

A9 BUILT-IN DISPLAYS PERSPECTIVE

BUILT-IN DISPLAYS PERSPECTIVE

NOT TO SCALE

A

901

FOSSIL: COLLECTORS CLUB

HANNAH RASMUSSEN

3 4 5

1 2

MM/DD/YY

_ _ /_ _ /_ _

_ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _

... ...

... ... ...

REMARKS

REVISIONS

A9 LOUNGE DISPLAYS PERSPECTIVE

2 LOUNGE DISPLAYS PERSPECTIVE

NOT TO SCALE

A

902

FOSSIL: COLLECTORS CLUB

HANNAH RASMUSSEN

3 4 5

1 2

MM/DD/YY

_ _ /_ _ /_ _

_ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _ _ _ /_ _ /_ _

... ...

... ... ...

REMARKS

REVISIONS

ASCENSION CRAFT COFFEE • WINE • FOOD

FIG. 1

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

TABLE OF CONTENTS

ASCENSION COFFEE

SECTION 1 ASCENSION COMPANY OVERVIEW & LOOKBOOK 3 STATISTICAL PROFILE 4-6 CULTURAL IMAGERY 7-14 DESIGN IMAGERY 15-16 CITATIONS

3-16

SECTION 2 DESIGN INSPIRATION

BUBBLE & BLOCK DIAGRAMS SCHEMATIC DESIGN 1 SCHEMATIC DESIGN 2

DESIGN SKETCHES & CONCEPT STATEMENT STUDY MODEL IMAGES

17-24 17-20 21 22 23 24

SECTION 3 DESIGN DRAWINGS DEMOLITION PLAN DIMENSIONAL CONTROL PLAN FLOOR FINISH PLAN

FURNITURE, FIXTURE, & EQUIPTMENT PLAN REFLECTED CEILING PLAN ELEVATIONS 1-POINT PERSPECTIVE

A0 A1 A2 A3 A4 A5 A6-A8 A9

SECTION 4

35-37

MODEL IMAGES

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

2

SECTION 1: LOOKBOOK • LOVE FOR THE BEAN •

ASCENSION COFFEE ; STATISTICAL PROFILE THE CONCEPT FOR ACENSION WAS CREATED BY RUSSELL HAYWARD, OPENING IT’S FIRST LOCATION DECEMBER 2012. MR. HAYWARD IS FROM SYDNEY, AUSTRALIA WITH A BACKGROUND IN ADVERTISING, DESIGN, AND ROCK N’ ROLL. THE CONCEPT OF THE CAFÉ WAS CREATED WHEN THE OWNER MOVED TO TEXAS AND FOUND A VOID IN THE MARKET. ASCENSION IS MODELED AFTER AN AUSTRALIAN STYLE COFFEE SHOP WITH SIMPLE EURPOEAN- CAFÉ TYPE FOOD. A LAID-BACK ATMOSPHERE WITH THE GOAL OF ELEVATING THE EVERYDAY CAFÉ EXPERIENCE IN THE STATES IS THE DRIVING FORCE BEHIND THE RESTAURANTS DESIGN. THERE ARE CURRENTLY 7 LOCATIONS OPEN IN TEXAS, WITH A NEW LOCATION OPENING AT THE END OF THE YEAR IN FORT WORTH. ASCENSION LOCATIONS EITHER OFFER A FULLSERVICE CAFÉ, JUST COFFEE, OR ROASTERY. THE COMPANY HAS ALSO STARTED A NEW CONCEPT FOR CRAFT COFFEE AND FOOD READY-TO-GO UNDER THE NAME ANNEX CAFÉ. THESE SMALLER SHOPS PROVIDE A GREAT SELECTION OF ASCENSIONS’ COFFEE AND FOOD IN CONVENIENT PACKAGING TO TAKE ON THE GO! ASCENSION COFFEE

ADES 2630 SECTION 504

• LOVE FOR THE PEOPLE THAT CARE FOR THE BEANS • • & LOVE FOR ALL THAT SUPPORT US ON OUR JOURNEY •

FIG. 2

“ SMALL FARMS. HAND CRAFTED “ ASCENSION COFFEE IS COMMITTED TO THE CARE AND DEVELOPEMENT: OF OUR PEOPLE AND CULINARY PRODUCTS, OUR DALLAS COMMUNITY, AND THE INTERNATIONAL REGIONS WE PARTNER WITH AND INVEST IN.” DRAWING FOR INTERIOR DESIGN

FALL 2019

3

SECTION 1: LOOKBOOK ASCENSION CAFÉ BELIEVES IN INVESTING IN THE COUNTRIES AND COMMUNITIES THAT THEY DO DIRECT

CULTURAL IMAGERY

PHILANTHROPY

TRADE WITH. THEY WORK WITH AND SOURCE PRODUCTS FROM NEPAL, PAPUA NEW GUINEA, BRAZIL, RWANDA, AND SOUTH SUDAN. NAPAL IS TYPICALLY KNOW FOR THEIR TEA, AND FOR GOOD REASON, BUT THE SAME CAN BE SAID ABOUT THEIR COFFEE. THE ELEVATION, COOLER TEMPERATURES, ACCESS TO CLEAN WATER AND RICH SOIL CREATES THE BEST CONDITIONS TO CULTIVATE GREAT ARABICA COFFEE. ASCENSION HAS BEEN INVOLVED IN REBUILDING NAPALSINCEE THE DEVASTATING MAGNITUDE 8 EARTHQUAKE IN 2015, THAT KILLED 8,000 AND INJURED 20,000. CREATING JOBS, IMPROVING PROCESSING METHODS FOR NAPALESE FARMERS, AND PROVIDING EDUCATION IN BUSINESS PRACTICES TO HELP THEM

FIG. 3

TO PROFIT IN THE INDUSTRY IS THE MAIN CONCERN.

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

4

SECTION 1: LOOKBOOK WHEN POSSIBLE, ASCENSION FINDS IT IMPORTANT TO PURSUE DIRECT

THE OVERALL GOAL AND HOPE FOR ASCENSION

CULTURAL IMAGERY & PHILANTHROPY

COFFEE IS TO BE A POSSITIVE

TRADE WITH THE FARMERS

IMPACT ON EVERY

THAT PRODUCE THEIR COFFEE

COMMUNITY THEY ENTER,

BEANS. PROVIDING RESOURCES

NOT SOLELY EVERY FARM

AND TIPS FOR IMPOROVING

THEY WORK WITH, AS WELL

THE QUALITY OF THE FARMERS

AS CONNECTING OTHER

PRODUCTS PROVIDES A

BUYERS DIRECTLY WITH

HARMONIOUS RELATIONSHIP

THESE FARMERS TO INCREASE

FOR BOTH PARTIES.

THEIR REVENUE.

BY TRADING DIRECTLY

ASCENSION AS A

WITH THE FARMERS,

COMPANY ALSO WORKS ON

ASCENSION IS ABLE TO PAY

REHABILITATION OF AREAS

A MUCH HIGHER PRICE TO

THAT FORMERLY PRODUCED

THE FARMER BY ELIMINATING

COFFEE BUT HAVE SINCE

INTERMEDIARY GROUPS FROM

FIG. 4

THE EQUATION. THIS PROVIDES THESE AREAS WITH MUCH NEEDED JOBS AND IN TURN

• NEPAL • BRAZIL • RWANDA • SOUTH SUDAN • PAPUA NEW GUINEA •

BEEN RIDDLED WITH WAR OR FAMINE. SINCE 2012, THE COMPANY HAS BEEN WORKING IN RWANDA TO

HELPS TO IMPROVE THEIR

BRING IT BACK TO A PLACE

ECONOMY.

OF PROFITABILITY.

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

5

SECTION 1: LOOKBOOK CREATING SUSTAINABILITY IN THEIR

CULTURAL IMAGERY AND PHILANTHROPY

FARMING PRACTICES, AND EXPORTATION

WITH ITS NEW FOUND FREEDOM, SOUTH

OF COFFEE INTERNATIONALLY HAVE BEEN

SUDAN CAN FOCUS NOW ON BUILDING

THE BIGEST WAYS IN WHICH ASCENSION IS

THEIR ECONOMY AND ASCENSION BELIEVES

WORKING TO ACOMPLISH PROFITIBILITY.

THAT COFFEE COULD BE A GREAT PLACE TO

WHILE WORKING ALONGSIDE THE ALARM

START. THE MORE ASCENSION SHARES THEIR

ORGANIZATION, ASCENSION HAS BEEN ABLE

STORY WITH FRIENDS AND CUSTOMERSS AND

TO HELP THESE FARMERS PRODUCE 11,000LBS OF COFFEE TO BE DISTRIBUTED TO THEIR

FIG. 5

DALLAS ROASTERIES.

OF ASCENSION ARE ONES THAT EXTEND FAR

TO HELP SOUTH SUDAN, ONE OF THE

BEYOND THE PRODUCTION AND PROMOTION

NEWEST COUNTRIES IN THE WORLD, GAIN

OF THEIR COFFEE. THEY ARE A COMPANY

INDEPENDENCE FROM SUDAN IN 2011.

DEDICATED TO HELPING THE INDUSTRY

ADDITIONALLY, IN 2014, THE COMPANY

AS A WHOLE AS WELL AS THE SMALL

WAS APPROACHED BY WATER IS BASIC , A FIG. 6

WELLS AND ENSURE ACCESS TO CLEAN

DESIGN AND MISSION STATEMENT OF

ASCENSION HAS WORKED WITH ASPIRING

ASCENSION COFFEE. BOTH THROUGH THEIR

SUDANESE COFFEE FARMERS TO CREATE

BUSINESS PRACTICES AND THE EFFORT

AGRICULTURAL OPPERATIONS AND COFFEE

THEY MAKE IN PARTNERING WITH OTHER FIG. 7

ADES 2630 SECTION 504

BUSINESS WITH, LEAVING THEM IN A BETTER I BELIEVE THIS CAN BE SEEN IN THE

PARTNERED WITH THIS NON-PROFIT,

ASCENSION COFFEE

FARMERS AND COUNTRIES THAT THEY DO CONDITION THAN THEY STARTED.

WATER IN REMOTE REGIONS OF THE WORLD.

CULTIVATION PRACTICES.

PROVIDE TO SOUTH SUDAN. OVERALL THE CULTURE AND VALUES

ASCENSION ALSO PUT FORTH EFFORTS

NON-PROFIT, HELPING TO BUILD WATER

ORGANIZATIONS THE MORE HELP THEY CAN

PHILANTHROPIES TO DO GOOD.

DRAWING FOR INTERIOR DESIGN

FALL 2019

6

SECTION 1: LOOKBOOK

DESIGN IMAGERY THE ASCENSION BRAND HAS CREATED A WARM AND INVITING SPACE TO ENJOY A CUP OF COFFEE. THEY UNDERSTAND THAT THE ENJOYMENT OF THE DRINK COMES NOT ONLY FROM TASTE BUT ALSO ENVIRONMENT. THE USE OF DESIGN ELEMENTS SUCH AS LINE AND TEXTURE IN THEIR STORES HELPS TO CREATE THIS ENVIRONEMNT. THEY MAKE USE OF THESE IN THE FABRICS USED TO UPHOLSTER THEIR BUILT IN SEATING AS WELL AS THE MATERIALS USED FOR THEIR FLOORING AND SHELVING. THE ASCENSION BRAND MAKES USE OF WARM WOOD TONES AND METALS IN THEIR CAFES. THE REPITION OF LINES CREATED BY DECORATIVE ELEMENTS AND PRODUCT DISPLAY SHELVING.

FRISCO, TEXAS

LOCATION SKETCH: ASCENSION AT THE STAR

ASCENSION COFFEE

ADES 2630 SECTION 504

THE USE OF THESE MATERIALS AND DESIGN STRATEGIES HELP TO CREATE BALANCE AND HARMONY WITHIN THEIR STORES. THIS HELPS IN CREATING THE INVITING AND RELAXING ENVIRONMENT NEEDED FOR A COFFEE SHOP.

DRAWING FOR INTERIOR DESIGN

FALL 2019

7

SECTION 1: LOOKBOOK

DESIGN IMAGERY: CAFE LAYOUT IT WAS IMPORTANT TO UNDERSTAND THE CURRENT ORGANIZATION AND PLAN OF THE ASCENSION LOCATIONS THAT I VISITED IN ORDER TO UNDERSTAND THE CONCERNS OF THE CURRENT EMPLOYEES AND MANAGERS. THE THREE LOCATIONS I STUDIED INCLUDE THEIR LOCATION AT THE STAR IN FRISCO, THE SOUND IN COPPELL, AND THEIR LOCATION AT OAK LAWN AVE. IN THE DESIGN DISTRICT OF DOWNTOWN DALLAS. THIS NOT ONLY ALLOWED ME TO UNDERSTAND THE WAY IN WHICH THE CURRENT LOCATIONS WERE DESIGNED AND ORGANIZED TO ACCOMIDATE THEIR EMPLOYEES BUT ALSO THE DESIRED GEOGRAPHICAL LOCATION OF THE STORES. THIS SHOWED ME THAT NOT ALL CAFÉS WERE CREATED THE SAME BUT WERE INSTEAD DESIGNED TO ACCOUNT FOR THE INCREASED OR DECRESED INFLUX OF PATRONS AND LOCATIONS THAT PERFORMED BETTER IN FOOD SALES OR IN COFFEE SALES. ASCENSION COFFEE

ADES 2630 SECTION 504

LOCATION SKETCH: ASCENSION AT THE SOUND DRAWING FOR INTERIOR DESIGN

FALL 2019

8

SECTION 1: LOOKBOOK

DESIGN IMAGERY: CAFE LAYOUT & EMPLOYEE INTERVIEW WHILE VISITING THE THREE DIFFERENT LOCATIONS I INTERVIEWED AN EMPLOYEE AND MANAGER OF ONE LOCATION IN ORDER TO GET A BETTER UNDERSTANDING OF THE SPACE AND WHAT WAS HELPING OR HINDERING THE PRODUCTIVITY OF THE EMPLOYEES. WHAT I LEARNED WAS THAT WHILE MOST LOCATIONS PRODUCE THE MAJORITY OF THEIR REVENUE FROM FOOD SALES, THREE TIMES THAT OF THEIR COFFEE SALES, THE LOCATION AT THE STAR IN FRISCO ACTUALLY SELLS MORE COFFEE THAN ANYTHING ELSE. THE MANAGER INFORMED ME THAT THE LOCATION PRODUCES THE SAME SALES AS OTHER LOCATIONS BUT DUE TO THE NATURE OF THEIR SURROUNDINGS THE MAJORITY OF THEIR BUSINESS COMES FROM THE SALE OF THEIR COFFEE AND TEA PRODUCTS. ASCENSION COFFEE

LOCATION SKETCH: ASCENSION AT THE STAR

ADES 2630 SECTION 504

THIS MEANT THAT WHILE THE OTHER LOCATIONS MADE EXCELLENT USE OF THEIR LARGER TABLES DURING BRUNCH HOURS AND DINNING, THE LOCATION AT THE STAR FELL SHORT WHERE CUSTOMERS REALLY WANTED IT TO PERFORM, IN COMFORTABILITY FOR LONGER STAYS AND OUTLETS FOR THOSE USING THE SPACE TO WORK ON THEIR ELECTRONICS. ALL THREE LOCATIONS EXPRESSED A CONCERN WITH THE AMOUNT OF SPACE BETWEEN THE SERVICE COUNTER AND THE PREP STATIONS AS WELL AS THE DEPTH OF THE COUNTER TOPS, WHICH MADE IT INCREADIBLY DIFFICULT TO CONTROL A HOT CUP OF COFFEE ON A SAUCER TO THE CUSTOMER ON THE OTHER SIDE. OTHER LOCATIONS COMPLAINED THAT THE LAYOUT OF THEIR MACHINERY WAS NOT CONDUCIVE TO SERVING THE CUSTOMER IN THE MOST EFFICIENT MANNOR.

DRAWING FOR INTERIOR DESIGN

FALL 2019

9

SECTION 1: LOOKBOOK

DESIGN IMAGERY: THE STAR FRISCO LOCATION

FIG. 8

ASCENSION COFFEE

ADES 2630 SECTION 504

FIG. 9

DRAWING FOR INTERIOR DESIGN

FIG. 10

FALL 2019

10

SECTION 1: LOOKBOOK

DESIGN IMAGERY: THE STAR FRISCO LOCATION

LOCATION SKETCH: ASCENSION AT THE STAR

THE LOCATION AT THE STAR MAEKS USE OF RICH VELVET UPHOLSTERY JUXTAPOSED WITH COLD MARBLE COUNTERTOPS AND INDUSTRIAL SHELVING UNITS MADE OF WELDED METALS. THESE MATERIALS REINFORCE THE USE OF TEXTURE AND LINE TO CREATE AN INVITING AND RELAXING ENVIRONMENT FOR THE SEATING AND LOUNGE AREAS.

FIG. 11

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

11

SECTION 1: LOOKBOOK

DESIGN IMAGERY: the sound coppell location

FIG. 11

FIG. 12

ASCENSION COFFEE

FIG. 13

ADES 2630 SECTION 504

FIG. 14

DRAWING FOR INTERIOR DESIGN

FIG. 15

FALL 2019

12

SECTION 1: 1 LOOKBOOK

DESIGN IMAGERY: oak lawn ave. dALLAS location

FIG. 16

ASCENSION COFFEE

ADES 2630 SECTION 504

FIG. 17

DRAWING FOR INTERIOR DESIGN

FIG. 18

FALL 2019

13

SECTION 1: LOOKBOOK

DESIGN IMAGERY: oak lawn ave. dALLAS location

LOCATION SKETCH: ASCENSION AT OAK LAWN ASCENSION COFFEE

ADES 2630 SECTION 504

FIG. 19

DRAWING FOR INTERIOR DESIGN

FALL 2019

14

SECTION 1: LOOKBOOK

CITATIONS IMAGES

INFORMATION ASCENSION BRAND WEBSITE. (N.D.). ASCENSION CAFES; LOCATIONS .

RETRIEVED FROM HTTPS://ASCENSIONDALLAS.COM/LOCATIONS/

ASCENSION BRAND WEBSITE. (N.D.). ABOUT; INTERNATIONAL

PROJECTS. RETRIEVED FROM HTTPS://ASCENSIONDALLAS.COM/ INTERNATIONAL-PROJECTS/

FIG. 1 (N.D.) THE ASCENSION LOCATION AT THE SOUND [PHOTOGRAPH].

RETRIEVED OCTOBER 6, 2019 FROM THE ASCENSION WEBSITE: HTTPS:// ASCENSIONDALLAS.COM/LOCATIONS/ FIG. 2 (N.D.) ASCENSION COFFEE PRODUCT [PHOTOGRAPH]. RETRIEVED NOVEMBER 3, 2019 FROM THE ASCENSION WEBSITE: HTTPS://ASCENSIONDALLAS. COM/ FIG. 3 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE STAR MURAL [PHOTOGRAPH] TAKEN AT THE LOCATION

ASCENSION BRAND WEBSITE. (N.D.). ABOUT; OUR STORY. RETRIEVED FROM HTTPS://ASCENSIONDALLAS.COM/OUR-STORY/

FIG 4. (OCTOBER 2, 2019) ASCENSION PHILANTHROPY [GRAPHIC] CREATED USING CANVA

ASCENSION BRAND WEBSITE. (N.D.). THE BUZZ . RETRIEVED FROM HTTPS://

FIG. 5 (N.D.) ASCENSION PHILANTHROPY WORK IN NAPAL [PHOTOGRAPH].

RETRIEVED OCTOBER 6, 2019 FROM THE ASCENSION WEBSITE: HTTPS:// ASCENSIONDALLAS.COM/INTERNATIONAL-PROJECTS/

ASCENSIONDALLAS.COM/LOCAL-BUZZ/

FIG. 6 (N.D.) ASCENSION PHILANTHROPY WORK IN NAPAL COFFEE BEANS [PHOTOGRAPH]. RETRIEVED OCTOBER 6, 2019 FROM THE ASCENSION WEBSITE: HTTPS://ASCENSIONDALLAS.COM/INTERNATIONAL-PROJECTS/ FIG. 7 (N.D.) ASCENSION PHILANTHROPY WORK IN NAPAL COFFEE BEANS [PHOTOGRAPH]. RETRIEVED OCTOBER 6, 2019 FROM THE ASCENSION WEBSITE: HTTPS://ASCENSIONDALLAS.COM/INTERNATIONAL-PROJECTS/

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

15

SECTION 1: LOOKBOOK

CITATIONS IMAGES FIG. 8 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE STAR PRODUCT DISPLAY [PHTOGRAPH] TAKEN AT THE LOCATION

FIG. 16 (OCTOBER 2, 2019) ASCENTION LOCATION AT OAK LAWN ORDERING COUNTER [PHTOGRAPH] TAKEN AT THE LOCATION

FIG. 9 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE STAR SEATING 1 [PHOTOGRAPH] TAKEN AT THE LOCATION

FIG. 17 (OCTOBER 2, 2019) ASCENTION LOCATION AT OAK LAWN BUILT-IN SEATING [PHTOGRAPH] TAKEN AT THE LOCATION

FIG. 10 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE STAR SEATING 2 [PHOTOGRAPH] TAKEN AT THE LOCATION

FIG. 18 (OCTOBER 2, 2019) ASCENTION LOCATION AT OAK LAWN SEATING [PHTOGRAPH] TAKEN AT THE LOCATION

FIG. 11 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE STAR ORDERING COUNTER [PHTOGRAPH] TAKEN AT THE LOCATION

FIG. 19 (OCTOBER 2, 2019) ASCENTION LOCATION AT OAK LAWN ENTRANCE [PHTOGRAPH] TAKEN AT THE LOCATION

FIG. 12 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE SOUND BAR SEATING [PHOTOGRAPH] TAKEN AT THE LOCATION FIG. 13 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE SOUND ORDERING COUNTER [PHOTOGRAPH] TAKEN AT THE LOCATION FIG. 14 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE SOUND COFFEE DRIP EQUIPTMENT [PHOTOGRAPH] TAKEN AT THE LOCATION FIG. 15 (OCTOBER 2, 2019) ASCENTION LOCATION AT THE SOUND BRAND LOGO [PHOTOGRAPH] TAKEN AT THE LOCATION

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

16

SECTION 2: DESIGN ITERATION

BUBBLE AND BLOCK DIAGRAMS

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

17

SECTION 2: DESIGN ITERATION

BUBBLE AND BLOCK DIAGRAMS

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

18

SECTION 2: DESIGN ITERATION

BUBBLE AND BLOCK DIAGRAMS

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

19

SECTION 2: DESIGN ITERATION

BUBBLE AND BLOCK DIAGRAMS

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

20

SECTION 2: DESIGN ITERATION

SCHEMATIC DESIGN 1

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

21

SECTION 2: DESIGN ITERATION

SCHEMATIC DESIGN 2

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

22

SECTION 2: DESIGN ITERATION

DESIGN SKETCHES & CONCEPT STATEMENT

Coffee has become a habitual product for most, creating certain emotions. Brands aim to replicate these feelings in spaces they create.

Ascension uses line and texture to create balance and harmony in their shops, evoking this feeling of warmth and relaxation that comes from enjoying a cup of coffee.

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

23

SECTION 2: DESIGN ITERATION

STUDY MODEL

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

24

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

SECTION 4: MODEL IMAGES

STUDY MODEL

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

35

SECTION 4: MODEL IMAGES

FINAL MODEL

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

36

SECTION 4: MODEL IMAGES

FINAL MODEL

ASCENSION COFFEE

ADES 2630 SECTION 504

DRAWING FOR INTERIOR DESIGN

FALL 2019

37

MODERN CABI NI N THEWOODS

MAS TERBEDROOM KI TCHEN

L I VI NG ROOM

MAS TER BATH P ATI O

L AUNDRY BATH 2

DI NNI NG ROOM

BEDROOM 2

ENTRY

loor plan n f notto s cale

I NTERI OREL EVATI ON 1

P ATI O PERS PECTI VE

I NTERI OREL EVATI ON 2

KI TCHEN PERS PECTI VE

DI NNI NG ROOM PERS PECTI VE

MAS TERBEDROOM PERS PECTI VE

GUES TBATH PERS PECTI VE REFL ECTED CEI L I NG PL AN

DES I GN CONCEPT: CALMI NG NEUTRALS . bRI NGI NG THEOUTS I DEELEMENTSI N. L I VI NG ROOM PERS PECTI VE

LOFT + ROW REDESIGN

BATHROOM

KITCHEN

CLOSET

S

F

SS

BEDROOM

Two years ago Lincoln Property Company, owners of Loft + Row Apartments in downtown Dallas, Texas requested a design concept and layout for the construction of their new apartment units to be used as a template for all of their units.

BALCONY LIVING/DINING

S

S

3

S S

MECH

S

3

S

ENTRY MUD ROOM

1 A-04

ITEM

SYMBOL

After construction and developement, the company has realized that the changing requirements on safety due to Covid need to be addressed and they are coming back to request a reselction of materials to be implemented in all of their units.

3/16 " = 1' - 0"

DESCRIPTION

U

SINGLE POLE SWITCH

S S

LIGHTING PLAN SCALE:

3

NO

3-WAY SWITCH CAN LIGHT

NAME: SEMES COURS

SMALL PENDANT LIGHT

LARGE PENDANT LIGHT

F

EXHAUST FAN

CEILING FAN

They are looking to re-select materials that meet new safety requiremtns for the health and well being of their tenants, stand the test of time in design and aesthetics, as well as bringing value to the existing layout and design already in place.

WIRING

CERAMIC TILE CERAMIC BACKSPLASH

PAINT ON GWB

TV MIRROR

PAINT ON GWB

UN

NO ENTERTAINMENT CENTER

PROJE NAME: H DRAWN SEMEST COURSE CHECK

SCALE

SHEET N

10/27/2

1

BATHROOM ELEVATION

A-02

SCALE:

2 A-02

1/4 " = 1' - 0"

KITCHEN/ LIVING ELEVATION SCALE:

1/4 " = 1' - 0"

SHEET T

EL BATHROOM

SHEET N

KITCHEN

CLOSET

2

1

A-02

A-02

PROJECT

BALCONY BEDROOM

DRAWN B

CHECKED

LIVING/DINING

SCALE: 3

MECH

SHEET NU 10/27

ENTRY MUD ROOM

1 A-01

FIRST FLOOR PLAN SCALE:

3/16 " = 1' - 0"

SHEET TI

NEW MATERIAL SELECTION: FLOOR PLAN

SW 7007

VWC - 1

SW 7671

LVP - 1

CPT - 1

SYMBOL CEILING PT - 1 FLOORING CPT-1 LVP - 1 WALL FINISHES PT - 2 VWC - 1 CWT - 1

INTERIOR FINISH LEGEND

MATERIAL

VENDOR

PATTERN/FINISH #

PAINT

SHERWIN WILLIAMS

SUPERPAINT W/ SANITIZING TECH. CEILING BRIGHT WHITE SW#7007

CARPET, BROADLOOM LUXURY VINYL PLANK

FELTEX INTERFACE

SPINIFLEX NATURAL WOODGRAINS

PAINT SHERWIN WILLIAMS VINYL WALL COVERING INNOVATIONS CERAMIC WALL TILE TILE BAR

COLOR #

SANDSTORM #0091 WASHED WHEAT A00207

SUPERPAINT W/ SANITIZING TECH. ON THEROCKS SW#7671 CINDER HAILSTORM, CIN-003 CAROLINA MOSS

REMARKS

Stain resitant natural wool fiber Ashlar All Walls. Certified for low chemical emisions.

Seamless vinyl with metal foil finish 4X10 Field tiles laid in Herringbone