Architectural Portfolio 2023

P O R T F O L I O H

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T A N Z B R U N N E N P H Y S I C S S I M U L A T I O N M I C R O M E G A S 3 D D R A W I N G

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1

0

1

7

I N S T R U M E N T S M A K I N G

D

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L

A

6

M I N I R O C I N H A

A

R

M E C H A N I C S O F M O V E M E N T

R E I C E

R A V E N S T Ö Ð

A

2 4 6 A

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F O R K S

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W A T E R

P A T T E R N S , B E T W E E N

I N V O L V E S T O

O B S E R V E

S H E D D I N G

T U N I N G

W A V E

B E H A V I O R ,

W A V E

M E C H A N I C S

A N D

“ T O D I S A P P E A R I N T O D E E P W A T E R O R T O D I S A P P E A R T O W A R D A F A R H O R I Z O N , T O B E C O M E P A R T O F D E P T H O F I N F I N I T Y , S U C H I S T H E D E S T I N Y O F M A N T H A T F I N D S I T S I M A G E I N T H E D E S T I N Y O F W A T E R ” GASTON BACHEL ARD

512 HZ

T H E O N

T H E

W A V E

C O N N E C T I O N A N D

V A L U A B L E

R E S O N A N C E

T U N I N G

R E S U L T I N G

V I B R A T I O N S

O F F E R I N G

256 HZ

128 HZ

L I G H T

F O R K

F R E Q U E N C I E S .

I M M E R S I N G

A T

W A T E R

I N S I G H T S D I F F E R E N T

I N T O

R S

A V E T Ö rejecting

N Ð

A R C H

3 0 1 6

H A Z E M F A L L

A N T H R O P O C E N T R I S M

Z I A D A

2 0 2 3

by

E C O C E N T R I S M t hrough t he “resident ” . . . . . . . . . . . . . . . . . . . . . . . . . t he R A V E N prioritizing

R A V E N

S T Ö Ð

B E Y O N D

I T S

T H E &

A

B E E R

B A S I C

B U I L D I N G

S P A

P R I O R I T I Z E S

B U I L D I N G

O N

T H E

C A N

B E

H U M A N S

“ T H E

O N

A N D

A

C R U C I A L

P R O G R A M

&

P R O G R A M ,

E C O C E N T R I S M

T H E

“ I M A G E ”

L A N D S C A P E , O F

I T S

A S

O F

F O C U S I N G

A C T I V I T I E S

E X T E R I O R ,

R E S I D E N T S ”

P A R T

A N D

I N

T H E

T H A T

B O T H

F O R

T H E

A N D

T O

B U I L D I N G

C U L T U R E

T H E T O

W H I C H

N O R D I C

W E R E

I N

D E S I G N I N G .

T H E

“ L A N D S C A P E ”

I S

I N T E N D E D

T O

F O R

G A T H E R I N G S ,

A S

A

U S E D

M O D E R N - D A Y T H E

M E A D

E A R L Y

S I T E .

P R E C E D E N T S

B E

T H E

P L A Y S

B U I L D I N G ’ S

C O N N E C T I O N

C O N N E C T

F O L K L O R E

I C E L A N D .

R A V E N S .

R A V E N S

T H E Y

I S

M U L T I T U D E H E L D

I N

F U N C T I O N

M U L T I F U N C T I O N A L I T Y .

T H E

A

I S

H A L L .

I T

M U L T I F U N C T I O N A L I T Y

B U I L D I N G

W H I L E

S I G N I F I G A N C E

O F

T Y I N G

S T A G E S

I T

I C E L N A D .

O F

E N C A P S U L A T E S

O F

T H E

T O

T H E

B R O A D E R

M Y V A T N

L A K E

S K U T U S T A D A G I G A R C R A T E R S S E L

H O T E L

S I T E

SITE SECTION A

@ 6 5 . 5 6 7 0 5 7 2 , - 1 7 . 0 3 6 5 5 1 1 N O R T H E A S T E R N I C E L A N D

LOCATION

SITE SECTION B

U S I N G

E A R L Y

E X T R A C T E D

S T U D Y

A N D

M O D E L S ,

V A R I A T I O N S

F O R M S B E G A N

W E R E T O

B E

C R E A T E D .

T H E

M O S T

N O T A B L E

C O N S I S T E N T T W O

R A V E N

H U G I N N T H E

EXTRACTIONS

FORM DEVELOPMENT

DEVELOPED

&

A C R O S S T O W E R S .

M U N I N

A S P E C T

T H A T

V A R I A T I O N s T H E Y

S T A Y E D A R E

T H E

R E P R E S E N T

( T H O U G H T

N O R D I C

G O D

O D I N N ’ S

C O M P A N I O N S

A N D

A D V I S E R S .

&

M E M O R Y ) ,

R A V E N

CAFE CAFE

SINGLE TUBS

SOUVINER

DOUBLE TUBS RESTROOMS + SHOWERS

MEAD HALL

BEER TASTING CAFE

PL ANS

0 GROUND

LOUNGE

STORAGE

RESTROOMS

1 MEZZANINE

BREWERY MECHANICAL

CAFE

-1 BASEMENT

ENTERING BUILDING

LEAVING DOUBLE BATHS TO BEER TASTING

SECTION A

A

WALKING TOWARDS BUILDING

WALKING UP BUILDING

LOOKING UP TOWARDS TOWERS

SECTION B

B

R AV E N S T Ö Ð

CAFE STORAGE

BREWERY STORAGE

BREWERY

RESTROOMS MECHANICAL

MEAD HALL

CAFE

SOUVINER

CAFE

CAFE

M E C H A N I C S O F M O V E M E N T T H E

P R O J E C T

H U M A N

F O C U S E D

M O V E M E N T

T O

O N

A R C H

O P T I M I Z E

2 0 1 7

M A R I S A B E L S P R I N G

U N D E R S T A N D I N G B U I L D I N G

T H E

M E C H A N I C S

D E S I G N

F O R

A

PATHS OF MOTION PATHS OF MOTION PATHS OF MOVEMENT PATHS OF MOTION

M A R R A T T

2 0 2 3

O F

B E T T E R

U S E R

E X P E R I E N C E .

T H E O F

P R I M A R Y H O W

I N D I V I D U A L S

S P A C E S , B O T H

O B J E C T I V E

I N

T H I S

W A S

T O

N A V I G A T E

C A S E

F U N C T I O N A L I T Y

A N A N D

I N T E G R A T E A N D

I N T E R A C T

E L L I P T I C A L , U S E R

A

N U A N C E D W I T H I N

O P T I M I Z I N G

U N D E R S T A N D I N G

U N C O N V E N T I O N A L

S T R U C T U R E S

F O R

S A T I S F A C T I O N .

HEAD HEAD H E A RIGHT D HAND HEADHAND RIGHT HAND LEFT R IGH T HAND RIGHTLEG LEFT LLEFT E HAND FT HHAND AND

FIGURE’S MOVEMENTS OVERLAPPED

LEFT HAND RIGHT LLEFT E LEG FT LLEG EG LEFT LEG RIGHT R I GLEG H T LEG

BODY MECHANICS

RIGHT LEG

FIGURE 1 (LEFT) FIGURE 2 (RIGHT)

1

BODY MECHANICS

2

3

4

5

11

12

13

OVERL APPED FIGURES

6

7

8

FIGURE 1 (LEFT) FIGURE 2 (RIGHT)

1

2

3

4

5

6

7

8

9

9

10

11

12

13

14

15

TORSO LEGS ARMS ARMS HEAD HEAD SPINE LEGS

SPINE LEGS

10

14

15

Simple Wall Opening Simple+ Wall Color LightOpening Color + Light

Simple Wall Opening Combined Volumes

L I G H T S T U D I E S T H I S

P R O J E C T

F O C U S E D

T H E

R E A C T I O N S

L I G H T

D I F F E R E N T

I N T E R I O R

M O N I T O R E D

T H E

V O L U M E S

A T

N E G A T I V E L Y

A F F E C T

T H E

P R O J E C T ’ S

I T S

C A P A C I T Y

T H E

D E S I G N

O F

O F

P R O C E S S .

B Y

I N C O R P O R A T E

T H I S

T H A T

W E R E

L I E S

I N

Simple Wall Opening Simple+ Wall Color LightOpening Color + Light

G U I D E

G A I N I N G

H O W

Simple Wall Opening TCombined O D I FVolumes F E R E N T Combined Volumes W E

A N D

INTERIOR CONDITION 1 @ DIFFERENT TIMES

D A Y ,

I T .

I N F O R M

C O N D I T I O N S ,

W E

L I G H T

T I M E S

S I G N I F I C A N C E

T O

D E S I G N

T O

C O N D I T I O N S

U N D E R S T A N D I NOpening G O F Simple Wall

F U T U R E

O B S E R V I N G

C O N D I T I O N S .

D I F F E R E N T T H E

R E S P O N D S

H A S

M O V E M E N T

C O N S I D E R I N G

A N

O N

L I G H T

I N T E R I O R

A B L E

Interior Interior Condition Condition 11

T O

K N O W L E D G E

ISOL ATED SUNLIGHT VOLUMES 1 Interior Interior Condition Condition 2 2

I N T O Simple Wall Opening Color + Light

D E C I S I O N S .

INTERIOR CONDITION 2 @ DIFFERENT TIMES

ISOL ATED VOLUMES 1

Interior Condition 1 Interior Condition 1

ISOL ATED SUNLIGHT VOLUMES 2 Interior Condition 2 Interior Condition 2

ISOL ATED VOLUMES 2

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TRANSFORMATION 2.7

HOUSE OF THE PEOPLE WKH RULJLQDO FRQ¿JXUDWLRQ

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HOUSE OF THE PEOPLE

applied transformations

RULJLQDO ¿JXUHV

Larger areas of negative space are overlapped to produce intricate webs of SRVLWLYH VSDFH

applied transformations

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mirrored across y - axis

VKDOORZ SLQFK VKDOORZ SLQFK

Edge conditions expand on the family’s origin shapes EXW SURYLGH D EXৼHU ]RQH EHWZHHQ WKH ÀRUDO JHRPHWU\ of the screen and the UHFWDQJXODU ERUGHU

mirrored across x - axis

slight rotation outwards

RYHUODS URWDWHG ¿JXUHV stack vertically and shift together to overlap

rotated

mirror along vertical through end point

The screens are connected to one another a game of tug-of-war. Each of the two teams have two screens. These screens are in conversation with eachother through linear nodal connectivity; there are several points in each screen that connect directly to 7KHVH GLDJUDPV GHSLFW WKH LQWHQVLW\ RI RYHUODSSLQJ figures on the8VLQJ D FRORU DW SHUFHQW RSDFLW\ DOORZV IRU FOHDU consecutive screens. This connectivity is also enabled by the alternation of EXLOG XS WR RFFXU ZKHUH ¿JXUHV DUH RYHUODSSLQJ (DFK IDPLO\ KDV DQ Rৼ FHQWHUHG QRGH 6WDFNLQJ WKH IDPLOLHV SURGXFHV punctures and meshwork--a carefully articulated system that allows for ornamentation an irregular grid with most tension occuring towardstotheseep vertical through without overwhelming the space.

FHQWHUOLQH RI WKH SDJH

overlapped

overlapped

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three rotations of end point upwards

overlap of the same ¿JXUHV

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mirror along vertical through end point and shift outwards

Individual families are repeated in an RUJDQL]DWLRQDO JULG 8QLTXH VLWXDWLRQV RFFXU in between these families—there is a system of nesting that embraces the remainding positive VSDFH

rectangular array 3 x 3

family of transformations A system of nesting is put in SODFH WR RUJDQL]H WKH ¿JXUHV This produces a curious contrast of negative and positive space in combination with the varying LQWHQVLWLHV RI RYHUODSSLQJ

mirrored across y - axis

mirrored across x - axis

circular array x 6

rectangular array 2 x 2

rectangular array 2 x 3

The system of overlapping results in interesting systems of LQWHUVHFWLRQV

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The black circles indicate the YDU\LQJ LQWHQVLWLHV RI RYHUODSSLQJ Areas with several intersections are represented by a larger FLUFOH 6LPSOH LQWHUVHFWLRQV DUH UHSUHVHQWHG E\ D VPDOOHU FLUFOH

Configuring

Edge conditions vary slightly from WKH FHQWUDO IDPLOLHV 7KLV DOORZV for a seamless transition from RUQDPHQWDWLRQ WR D ERXQGLQJ ER[

THE TRANSFORMATIONS

THE TRANSFORMATIONS

01. HOUSE OF THE PEOPLE SECOND YEAR STUDIO

RYHUODSSLQJ RI VKHHWV IURQW YLHZ

A series of figures were extracted from Gothic tracery and created a shelf from which Edge conditions expand on observations were made about the classification of these figures. Despite the variety the family’s origin shapes

They relate because of their pointy ends.

DECEMBER 2022 in partnership with Haneen Nour

The House of the People is a flexible, ever-growing place of inhabitation for the residents of Rocinha, the largest favela on the outskirts of Rio de Janeiro, Brazil. However, site and program were not introduced into this project until halfway through the project.

The original focus was on figural research based on the precedent of Gothic tracery, and the challenge was transforming this abstract organization of screens in space into a building that would be capable of housing the residents of Rocinha.

RENDERED FLOOR PLANS

RYHUODSSLQJ RI VKHHWV UHDU YLHZ Research

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TRANSFORMATION 2.8this needs a title

U R A T I O N 1 WKH RUJDQL]DWLRQ RI WKH ERXQGHG ¿JXUH H Larger areas of negative space are overlapped to produce intricate webs of SRVLWLYH VSDFH

7KLV ¿JXUH FRPHV IURP WKH ERUGHUHG FRQ¿JXUDWLRQ ,W LV WKH FHQWHU SLHFH ZLWK D IHZ RUQDPHQWDO SLHFHV UHPRYHG VXUURXQGLQJ LW

Individual families utilize the grid as a centerline of symmetry to provide a seamless connection to the next family

overlap of GLৼHUHQW ¿JXUHV

stack vertically

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RENDERED SECTION

RENDERED FLOOR PLANS

RENDERED SECTION

A VIEW OF ROCINHA

A VIEW OF ROCINHA

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The opposing teams confront eachother on the central screen through a similar figure-the star.

shift together to overlap

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mirrored across y axis

HOUSE OF THE PEOPLE

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These figures were then organized into several configurations with the guiding principles of nesting and overlapping. Eventually, the screens were overlaid with one another to move the research into three-dimensional space.

7KHVH ¿JXUHV UHVHPEOH WKH

add overlapping unifoils to nest within the mirrored pairs

URWDWH ¿JXUH RXWZDUGV overlap with origin at mirror along tangent at end point greatest width

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A series of figures were extracted from Gothic tracery and created a shelf from which observations were made about the classification of these figures. Despite the variety within these figures, they could all be explained through a series of stretching (an internal growth) and pinching (an external coming together of two curves).

BIFOIL SYSTEM

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this needs a title

Figuring

mirrored across x - axis

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2.7 C O N F I GTRANSFORMATION U R A T I O N 1 WKH RUJDQL]DWLRQ RI WKH ERXQGHG ¿JXUH C O N F I G U R A T I O N 2 WKH RUJDQL]DWLRQ RI WKH FHQWUDO RULJLQ ¿JXUH

THE ORIGINAL

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HOUSE OF THE PEOPLE

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Frei OttoIteration 01 Location

Program Iteration 01 Cologne, Outdoor Germany seating and gathering space

Iteration 01

T A N Z B R U N N Ecompleted N in 1957 P H Y S Iteration I 01C S S I M U L A T I O N Program Status

Isonometric View

Program Analysis OutdoorPeriod seating and gathering space X-X

Media & Modeling Fall 2022 Analysis II Period

by HaneenX-X Nour & Miriam Lowery

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A

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Works Cited: https://desolatedyetmonumental.wordpress.com/2013/03/20/frei-ottos-dance-pavilion/ https://www.tensinet.com/index.php/component/tensinet/?view=project&id=4684 https://www.pinterest.de/pin/294071050643970121/ A https://www.theguardian.com/artanddesign/architecture-design-blog/2015/mar/11/frei-otto-the-titan-of-tent-architecture

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Panel Detail

D

A B Undulating perimeter curve A: 6 peaks and 6 Curve valleys A divided into points + division points connected to center point

Panel Detail

B C R E A T E

B C Curve A divided into points + division points radial curves connected to center point

E

V A R I A T I O N S .

Media & Modeling II - Introduction -Page 01

C

E

B

C

D C Kangaroo input 1: anchor points radial curves

F

Panel Detail

D

E

E Kangaroo input 2: vertical force applied to mesh vertices F

E D Kangaroo force applied to Kangaroo input input 2: 1: vertical anchor points mesh vertices

F

Media & Modeling II Fall 2022 -Page 08

Media & Modeling II Fall 2022 -Page 08

E F Kangaroo input 2: vertical force applied to Output of the Kangaroo simulation mesh vertices F Output of the Kangaroo simulation

Media & Modeling II Fall 2022 -Page 08

A Undulating perimeter curve A: 6 peaks and 6 valleys

Panel Detail

C radial curves D Kangaroo input 1: anchor points

F Output of the Kangaroo simulation

E Kangaroo input 2: vertical force applied to mesh vertices Media & Modeling II Fall 2022 -Page 08 F

Media & Modeling II - Iteration I - Axonometric, Perspective, & Roof Model - Page 07

E

ITERATION I ISOMETRIC VIEW

B Curve A divided into points + division points connected to center point

C radial curves D Kangaroo input 1: anchor points

Panel Detail

D C Kangaroo input 1: anchor points radial curves

F

B Curve A divided into points + division points connected to center point E

A B Undulating perimeter curve A: 6 peaks and 6 Curve valleys A divided into points + division points connected to center point

Isonometric View

F Output of the Kangaroo simulation

A Undulating perimeter curve A: 6 peaks and 6 valleys

Panel Detail

E

Media & Modeling II - Introduction -Page 02

Section

E F Kangaroo input 2: vertical force applied to Output of the Kangaroo simulation mesh vertices

F

A Undulating perimeter curve A: 6 peaks and 6 valleys

B C Curve A divided into points + division points radial curves connected to center point

Section

E D Kangaroo force applied to Kangaroo input input 2: 1: vertical anchor points mesh vertices

Isonometric View

D

ITERATION I ROOF PL AN D

Section

A

W E

Roof Plan

B

Outdoor seating and gathering space Analysis Period X-X

- Inner Ring Cables: 0.5 (+0.223)

Roof Plan

Isonometric View

has become an institution and remains a popular venue for events and festivals in Germany. In 2001, the cotton sailcloth was replaced by a polyester fabric.

F Output of the Kangaroo simulation

ITERATION I (SIDE VIEW)

Media & Modeling II - Iteration I - Section, Model, & Parameters -Page 08

RENDERS

M I C R O M E G A S 3 D D R A W I N G S

T H I S

P O R J E C T

M I C R O M E G A S O F

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PL ANS SECTIONS SITE PL AN

SITE CONTEXT

INTERIOR | EXTERIOR RENDERINGS

MODEL (FRONT)

MODEL (BACK)

B S

T

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P R O J E C T

S T U D I E D

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Detail 1:

Detail 2:

DETAIL 2

R U D O L P H

2 0 2 1

A S P E C T S

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Detail 2:

DETAIL 1

2 2 1 1

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