Wilson Architects 1884 - 2004 by Hamilton Wilson

Wilson Architects

1884–2004 four generations of continuous practice

Wilson Architects

1884–2004 four generations of continuous practice

This catalogue has been published on the occasion of two exhibitions at The James and Mary Emelia Mayne Centre, The University of Queensland – Wilson Architects 1884–2004 (1 December 2004 – 9 January 2005) and Wilson Artists (12 January – 13 February 2005).

Publisher: Wilson Architects in consultation with The University Art Museum (UAM)

These exhibitions mark the celebration of 120 years of continuous practice for the firm.

Project team: Blair Wilson, Justine Groves, Hamilton Wilson

Exhibition curators: Ross Searle (Director UAM) and Peter Liddy (Exhibition Officer UAM) in consultation with Wilson Architects

Editor: Bruce Campbell Catalogue design: Charles Willmore, Willmore Design Artwork and architectural drawing photography: Carl Warner

Printing: Platypus Graphics

Text contributors: Professor Michael Keniger, Donald Watson and Dr Judith McKay, Glenn Cooke

About the authors: Professor Michael Keniger AADip Lond., LFRAIA, RIBA Michael is the Executive Dean of the Faculty of Engineering, Physical Sciences and Architecture and Professor of Architecture at The University of Queensland. He also holds the advisory role of the Queensland Government Architect. He has contributed to the design review and direction of many major projects including the Sydney Olympics, the National Museum, the Millennium Arts Projects, South Bank and the Queen Street Mall. He has written and lectured extensively on contemporary architecture and urbanism in Australia, and has contributed extensively to the theory and practice of architecture, urban design and design education. Donald Watson BArch, FRAIA Donald Watson is an architect with Project Services. Before joining the Public Works Department in 1989 he lectured in Architecture at The University of Queensland and consulted to the National Trust of Queensland. Besides his output of buildings, he has documented the state’s architectural heritage in a range of publications, including collaborations with wife Judith McKay – A Directory of Queensland Architects to 1940 (1984) and Queensland Architects of the 19th century: a biographical dictionary (1994).

Cover image: The James and Mary Emelia Mayne Centre, The University of Queensland 2004 Wilson Architects Photography: Richard Stringer

Dr Judith McKay MA(Hons) (Sydney), PhD (Qld), GradDipMuseumStud Dr Judith McKay is a history curator at the Queensland Museum, Brisbane, which she joined in 1988. A keen historian, she traces her association with Wilson Architects to 1984 when she prepared the firm’s archives for transfer to The University of Queensland’s Fryer Library. In 2001 Judith was awarded an inaugural Queensland – Smithsonian Fellowship, which led to her recent publication Showing off: Queensland at world expositions 1862 to 1988 (2004). Glenn Cooke BA (Melbourne), MA (GWU) Glenn R. Cooke was appointed the first Curator of Decorative Arts at the Queensland Art Gallery in 1981. He has published: L. J. Harvey & his School (1982), Carl McConnell: master potter (1986), Thorns and Petals (1988), A time remembered (1995), Art off centre (1997), Lady woodcarvers of Rockhampton (2000), Tropical Pleasures (2004), and numerous articles. His commitment to documenting Queensland’s visual arts history was recognised in 1999 when he was appointed Research Curator, Queensland Heritage.

Contents

Foreword – Professor Michael Keniger

Celebrating 120 years of continuous practice – Donald Watson, Judith McKay

Wilson Architects 1884–2004: Key Projects

Wilson Artists – Glenn Cooke

Exhibition

Acknowledgements

Professor Michael Keniger

Home for John Lamb 1902 Alex B. Wilson

The James and Mary Emelia Mayne Centre, The University of Queensland 2004 Wilson Architects

Foreword

Architectural practice is both demanding and uncertain. It is driven by ideals and passion that all too often are blunted by the obstacles and challenges that emerge from the commercial realities of transforming ideas into reality. The inevitable pattern of boom and bust that haunts the construction industry works to thwart the momentum required to sustain an enduring and successful practice. Those that do succeed rarely outlast their founders except by adopting a corporate structure and corporate values. This makes the achievement of the Wilson family in sustaining an architectural practice for a continuous period of 120 years especially remarkable. That the practice has flourished over such an extended period in Brisbane, for much of its life a relatively minor, provincial city, is equally remarkable. The relationship between the Wilson family, the practice and the growth of Brisbane is inextricable. The buildings and landscape projects designed by the practice over its four generations are now almost too

numerous to mention and are accepted as an everpresent part of the fabric of our city. The contribution Wilson Architects has made to the Brisbane built environment is evidenced today by landmark buildings – amongst them Home for John Lamb, Cliffside Flats, Ithaca and St Lucia Presbyterian Churches and the La Boite Theatre, which together represent a remarkable cross section of buildings holding important places in peoples’ memory of their lives in this city. Linking the work of the four generations is an unswerving commitment to design ideas that resonate with place, climate and context. The skill of the practice has been sustained at each stage by an informed balance between the creative impulse and the imperatives of material, construction, program and budget. The recently completed transformation by Wilson Architects of the award winning Mayne Hall by Robin Gibson into The James and Mary Emelia Mayne Centre has created an art museum of national stature for the University of Queensland. This sensitive, adaptive re-use of a significant building whose original use had been made redundant is distinguished by the clever acknowledgement of the architectural and social history that is embodied in the transformation. This skilful and assured project that brings a new life to a fine building is somehow apt as the culmination of the first 120 years of continuous practice for the firm. The exhibition of four generations of paintings by members of the Wilson family is a striking complement to the history of the architectural firm. It offers an insight into the personal pursuits, preoccupations, and passions of the principals of the practice as it developed over time. It also offers a context and a visual dimension against which the evolving body of architecture can be read. Above all else, the paintings offer a reminder of the value of the pleasure of working with light, form, composition, colour and abstraction in informing the sensibilities that underpin the making of architecture. Wilson Architects 1884–2004 | 7

Donald Watson Judith McKay

Letter from F.D.G. Stanley This reference was provided by F.D.G. Stanley on the resignation of Alex B. Wilson from his employ to travel to Scotland where he was elected an Associate of the Royal British Architects – the first Queensland trained architect to be so elected. Alex’s employment with Stanley commenced in the Colonial Architect’s Office and continued when Stanley opened his office. Eversleigh circa 1888 Alex B. Wilson Alex and Nellie’s first home in Yeronga was built in 1885. This photo was taken after an upper storey, verandah brackets and fretwork were added in 1888. In the depression following the 1893 flood the home was mortgaged and the family moved to Sandgate. They did not return again to Eversleigh.

Celebrating 120 years of continuous practice

In August 2004 Wilson Architects celebrated 120 years of continuous practice through four successive generations. The current managing director of the firm, Hamilton B. Wilson, is the great grandson of its founder, Alex B. Wilson. The only known equivalent in Australia of this remarkable record is a younger firm founded in 1897 by William Hodgen in Toowoomba. There are probably few such architectural dynasties elsewhere in the world; at least none in the United States of America. Alexander Brown Wilson (1857–1938), was precocious as both an architect and artist. Born in Glasgow, Scotland, he was the fifth son of George Wilson, a merchant, and his wife Margaret, née Watson. In 1864 young Wilson immigrated with his family to Brisbane where he attended the Normal School, though his secondary education remains a mystery. His artistic talent soon attracted attention. In 1873, in an Exhibition of Arts and Manufactures at Brisbane’s School of Arts, the Telegraph newspaper of 17 November noted ‘a series of carefully executed watercolour drawings, principally waterscapes by Master A.B. Wilson, who has evidently a love for the picturesque and beautiful, which with proper cultivation, bids fair to make him an accomplished artist’. Later in Brisbane’s First Intercolonial Exhibition of 1876, his St Alban’s, pen and ink, and Head of Diomedes, sepia, won certificates in the schools section. In 1875 Alex Wilson joined the Buildings Branch of the Queensland Department of Public Works as a clerk and later served as a junior draftsman. At the time architectural training in Brisbane was limited to experience in an office, usually as an articled pupil of an established practitioner. Although not an articled pupil, Wilson served under Colonial Architect (and fellow Scotsman) F.D.G. Stanley. Unlike many pupils, he had the advantage of being remunerated for his efforts. As Stanley’s protégé, Wilson was promoted to second draftsman within two years. An example of his early work for the Department is the Clermont Court House (1879), which conforms to

the designs of a fellow draftsman, George St P. Connolly, and gives no indication of the elaboration of his work that would emerge only a few years later. Wilson took advantage of what little formal technical training was available locally. He attended drawing classes begun in 1881 by well-known artist, Joseph Augustus Clarke, at the Brisbane School of Arts. There he probably also joined architect Christian Waagepetersen’s evening courses on drawing and building construction. In addition, he may have attended classes at the South Brisbane Mechanics Institute, conveniently located in Grey Street between the city and his family home in Highgate Hill. From 1878, as draftsman to Colonel P.H. Scratchley, Commissioner of Defences for the Australian colonies, Alex Wilson prepared drawings for the Lytton Battery, of which Stanley was architect. The Lytton Battery was one of many works undertaken by Colonial Architect Stanley in a private capacity, a situation viewed with increasing disquiet in official circles. It is likely that assisting Stanley after hours with his private work supplemented the training Wilson received in his government employment. Whatever the circumstance, working for Stanley would have given him proficiency in the architectural styles of the day. In 1881, with a prestigious commission for the head office of the Queensland National Bank, Stanley

Wilson Architects 1884–2004 | 9

Hayslopes Villa for Thomas Martin 1886 Alex B. Wilson The villa for Alex’s father-in-law was built by H. Durston for £2,295. The timber house was designed in a grand style to imitate masonry construction. Located on the riverbank, it was removed to make way for the construction of the Tennyson Power Station.

commenced private practice in Brisbane. Wilson joined him soon afterwards in March 1882 to become his ‘principal’ draftsman. Following his master’s example, he entered design competitions, winning prizes for completion of the west front of St Stephen’s Roman Catholic Cathedral in Brisbane (1882, later supervised by Stanley) and for a new School of Arts at Rockhampton (1883, not built). In June 1883 Wilson, optimistic of future success, embarked upon an overseas visit to formalise his professional qualifications. In Glasgow he studied for admission as an Associate of the Royal Institute of British Architects (RIBA). This entailed an examination to test knowledge of architectural styles, geometrical and perspective drawing, shoring and sanitary science, materials, construction, design, specifications and professional practice. Wilson passed the examination in 1884, within two years of its introduction, to become the only Queensland member of the RIBA at the time and its first locally trained Associate. He visited Paris before his triumphant return. By August 1884 Alex Wilson had opened his own office in Queen Street, Brisbane, on the crest of a development wave then sweeping the city. He was inundated with work and from this time won the support of his Scottish compatriots. His first recorded commission was for a

10 | Wilson Architects 1884–2004

residence for J.B. North in Newstead Terrace, Newstead (now demolished), for which George Morton’s tender of £395 was accepted on 16 August for completion by 30 October. Until G.H.M. Addison’s entry into the local scene several years later, Wilson was unrivalled as Brisbane’s leading residential architect. During 1884–85 he designed 35 houses, including the villas Glenugie, Kemendine, Quinta and Nungurum as well as speculative cottages. He also designed Eversleigh, his own home at Yeronga. This was built after his marriage in September 1885 to Ellen Mary Watt (Nellie) Martin, daughter of the auctioneer and agent, Thomas Martin. In 1888, as Wilson’s prosperity and family grew, he added a second story to his dwelling. Also at this time he designed Hayslope, a grand residence at nearby Tennyson, for his father-in-law, Garfield for the Hon. Arthur Rutledge at Paddington, Capemba for Clement Wraage at Taringa, Leckhampton for Charles Snow in Shafston Avenue and Tarragindi for W.D. Grimes. From the beginning of his practice Alex Wilson also carried out non-residential projects. These included a Bank of New South Wales, the Plough Inn and two blocks of shops, all in Stanley Street, South Brisbane, built when the area rivaled the northern bank of the river in commercial importance. He participated successfully in architectural competitions: in 1884 for the Wesleyan Church, West End, Brisbane, and three years later for a belfry for St Stephen’s Cathedral (realised later in temporary form). In 1886 he was runner-up to Willoughby Powell in a competition for the original St Andrew’s Presbyterian Church, Wickham Terrace. Wilson was commissioned for other churches including the Mowbraytown Presbyterian Church (1885), which he later extended. He and his family attended this church until Nellie’s death in 1944. By 1888 he had undertaken 115 commissions worth a total of £81,803. According to Wilson’s biography in the Aldine History of Queensland, published that year, he had designed some of Brisbane’s major warehouses and business offices. It stated,

Mowbraytown Presbyterian Church 1885 Alex B. Wilson The original timber church was extended in 1888 and 1899. Church Hall was added in 1915. Alex’s family attended the church until his wife Nellie’s death in 1944. Blair’s memory of these attendances was the strong aroma of lavender from Nellie’s fan and the silver stars painted on the blue wall behind the organ.

Plough Inn 1885 Alex B. Wilson Built by A. James for £3,300, at a time when South Brisbane enjoyed prosperity equal to the northern bank. Other buildings designed by the firm in the area included premises for Allan

& Stark (1886), Shops (1887) and The Bank of NSW. Stanley Street’s prosperity changed after the 1893 flood, when development advanced on the northern bank, which was mostly on higher ground, whilst South Brisbane languished.

Wilson Architects 1884–2004 | 11

‘As a Brisbane architect he is now firmly established, and his connection is a growing one’. He was architect and surveyor to the Imperial Deposit Bank, Building & Investment Co. of Queensland, the South Brisbane & Suburban Permanent Building & Investment Society and the Bowkett Benefit Building Society. Brisbane’s decade of prosperity ended in the early 1890s in an economic crisis that affected the entire eastern Australia. This was exacerbated in February 1893 by the city’s worst flood in living memory. Unlike many of his architectural colleagues, Alex Wilson managed to survive the crisis, mortgaging his Yeronga home and moving temporarily to Sandgate. He retained his office and took on whatever architectural work he could find, mostly repairs and minor projects. In 1893 he had only seven projects on hand, including the removal and rebuilding of the Congregational Church at South Brisbane

12 | Wilson Architects 1884–2004

following the flood. The Wilson family, in turn, contributed to the coffers by making and selling jam, collecting bottles and gathering leeches for local physicians. As conditions improved the family moved to Mountside, South Brisbane, originally his wife’s family home. By the turn of the 20th century the city had recovered from depression. Alex Wilson’s practice resumed its activity, though scarcely matching the output of earlier years. In 1896 he designed a biscuit factory for Rankin & Morrow at North Quay, marking the beginning of a long association with the Morrow family. Their patronage provided 24 projects till 1916 and extended to the 1950s, including additions to the well-known factory as well as residences for Henry Morrow at Taringa (1905) and Thomas Morrow at Hamilton (1908). Another long-standing patronage came from the Siemon family, continuing to the 1980s and including premises in Roma and Adelaide Streets (1903). Major commercial projects were undertaken for Burns Philp in Mary Street and warehouses for the Bullmore Estate in Roma Street. Wilson at this time produced his best-known domestic work, Home at Kangaroo Point, for John Lamb. It is possibly Brisbane’s most distinguished Queen Anne styled mansion. He also designed Cumbrae, his own later residence at Kangaroo Point, and a focal point for family gatherings until it was eventually sold after his death. This home was used to illustrate a paper, ‘Domestic architecture for tropical and sub-tropical Australia’, which Wilson gave at the Australian Town Planning Conference held in Brisbane in 1918. Alex Wilson, a devout churchgoer, served as honorary architect to the Presbyterian Church of Queensland and consultant to the Queensland Congregational Union. Work undertaken in this capacity included major extensions to Ann Street Presbyterian Church, Brisbane, the mother church of Presbyterianism in the state. In addition to church projects, much of Wilson’s work was for charitable institutions. In 1907 he designed the YMCA premises in

Home for John Lamb 1902 Alex B. Wilson A two-storey brick residence with an observation tower. Located on top of the cliffs above the river, it remains one of the best examples of residences built in the early 1900s. It has remained in the Lamb family. Residence for Thomas Morrow 1909 Alex B. Wilson This is one of many house designs that were drawn by Ronald for his father. The single storey timber residence was designed with a light court in the centre of the plan, which produced ’chimney effect’ ventilation through the house and brought light into the deep plan. The Morrow family were important patrons of the architectural practice for many years. Work included several houses and the biscuit factory at North Quay.

YMCA Building 1907 Alex B. Wilson The headquarters and club rooms for the YMCA on Edward Street included accommodation, a gymnasium and swimming pool. Its street façade was graced by an Ionic colonnade, which was later removed and replaced by several street shop-fronts. The building has been since demolished.

Brisbane, the largest project he had yet undertaken. It included accommodation, a gymnasium and swimming pool, with a street façade dominated by an Ionic colonnade, later removed and replaced by shops. Other buildings for charities included the Seamen’s Institute, the City Mission and the Blind, Deaf and Dumb Institute. Alex Wilson was an esteemed member of his profession. From 1888 he was a foundation Fellow and office bearer of the Queensland Institute of Architects. In recognition of his services, he was later elected an honorary life member of the Institute. In 1899 he lectured in building construction and drawing at the Brisbane Central Technical College and in 1900–1 was an examiner. Together with Claude Chambers, G.H.M. Addison and R.S. Dods, he was a member of a committee appointed to report on a site for a new Brisbane Town Hall. Despite his busy professional life, Wilson found time to design and build a 36-foot yawl, Heatherbell, and to indulge his passion for sailing. He was a member of the Royal Queensland Yacht Club. He also pursued his artistic interests, painting scenes of the Brisbane River, Moreton Bay, the coast and hinterland. In 1912 he was prime mover in a public campaign to persuade the State Government to purchase a collection of paintings of Queensland flora by the noted flower painter, Ellis Rowan. Alex Wilson’s son, Ron, became his chief assistant from 1908 and his partner from 1920. Alex retired from practice in 1928, and spent his remaining years painting and playing bowls. He died in 1938 aged 81 and was survived by his wife Nellie, three sons and a daughter. Ronald Martin Wilson (1886–1967) was born in Brisbane and, like his father, attended the Normal School. Later a pupil of the Brisbane Grammar School, he passed the Sydney Junior Public Examination in 1902 with a silver medal in Physiology. In 1903 Ron entered his father’s office, becoming his chief architectural assistant five years later. While working in the office he obtained a Certificate in Art and Design at the Brisbane Central

Technical College and exhibited drawings and modelling in the National Agricultural and Industrial Association of Queensland’s annual exhibitions in Brisbane. In 1911 when the newly established University of Queensland offered its first courses in engineering, Ron Wilson enrolled immediately. He graduated in 1915 with first class honours in Civil Engineering, winning the Walter and Eliza Hall Travelling Scholarship. This took him to the United States of America for two years to study architectural engineering, in particular structural steel and reinforced concrete construction. His lengthy report was later serialised in 1922–23 in the Building journal. Travelling to Britain in 1917, Ron joined the Ministry of Munitions and later the Ministry of Food, overseeing the planning and construction of factories and cold stores. Before returning to Queensland in 1919, he studied at London’s Architectural Association and completed a townplanning course at the University of London. After nearly a decade’s absence, Ron Wilson rejoined the family firm. In 1920 he entered partnership with his father in the restyled firm of Alex B. & R. Martin Wilson, Architects and Architectural Engineers, reflecting his engineering expertise. In 1921 Ron was awarded the University of Queensland’s first Master’s degree in Engineering. Though his unparalleled credentials as an architect-engineer did not result in the commissions he hoped for, the 1920s were productive years. He was elected an Associate of the Queensland Institute of Architects and a foundation Associate of the Institution of Engineers (Australia). For several years he lectured on town planning to civic and professional bodies in Brisbane and in 1930 was Chairman of the Town Planning Association of Queensland. Both Alex and Ron Wilson were early advocates for a central city square and prepared proposals for the site of the old Normal School, bounded by Edward, Adelaide, Creek and Ann Streets, to become a large civic space similar to London’s Trafalgar Square. In a reduced form this became Anzac Wilson Architects 1884–2004 | 13

14 | Wilson Architects 1884–2004

Ithaca Presbyterian Church 1928 R. Martin Wilson Built on Enoggera Terrace, Ithaca at a cost of £8,000. The building, which has provision for 300 seats, is cruciform in plan with an apsidal end behind the centralized pulpit reflecting Ron’s conviction that ‘the word’ was central to the Presbyterian faith. The church is a prominent landmark in the suburb.

Square. In 1924 Ron proposed a visionary expansion of the square with a formal park linking Queen Street to Adelaide Street built above an arcade of shops and an underground car park, realised more recently as Post Office Square. He was a member of the University Design Selection Committee appointed in 1921 to consider sites for a permanent University. In 1926 as a member of the Cross River Commission he prepared a minority report recommending alternatives to a proposed bridge linking Kangaroo Point to the city, which eventually became the Story Bridge. His architectural works carried out at this time included Southport Ambulance Station, a teaching block and swimming pool at Somerville House, South Brisbane Memorial Park and Ithaca Presbyterian Church. After Alex Wilson’s retirement in 1928, Ron continued the firm as R. Martin Wilson, Architect and Architectural Engineer. In December 1929 he married Olga Esme Mansfield Wallis. The onset of the Great Depression limited any opportunities that sole practice might have offered to make the most of his engineering skills. However, Ron succeeded in maintaining his practice while many architects were forced to leave the profession. On 8 October 1930, after some bleak months, he made two entries in his diary, ‘Job at Toogoolawah’ and ‘Son born’. The former was the Toogoolawah’s Alexandra Hall, and the latter was Blair Mansfield Wilson. As conditions slowly improved Ron’s commissions included a School of Arts at Gatton, a Presbyterian Church Hall at Hill End, Birt’s Wharf at Newstead (on the site of his father’s first commission), bowling clubs at Graceville and South Brisbane, the landmark Cliffside Flats at South Brisbane and his own riverbank home at St Lucia. Having lived through the 1893 flood, he designed the floor of the house to be above flood level and braced its foundations to resist the impact of flood borne debris. During Brisbane’s 1974 flood, the house remained six feet above water while some of the neighbouring houses were inundated.

Ron Wilson served on the Council of the Queensland Institute of Architects and was a foundation Fellow of the succeeding Royal Australian Institute of Architects (RAIA). Like his father, he was honorary architect to the Presbyterian Church of Queensland and a member of the Royal Queensland Yacht Club. A keen yachtsman, he was honorary measurer for the Club and prepared schematic proposals for yacht marinas along the bay from Darling Point to Lota Creek. These proposals led to the establishment of the Royal Queensland Yacht Club House and Marina at Manly. He was also a member of the St Andrews War Memorial Hospital Planning Committee. During the Second World War Ron Wilson, while maintaining his own practice, worked for the Allied Works Council, designing sewerage plants for military establishments. Shortages of materials and limitations on private buildings continued long after the war and it was not until well into the 1950s that conditions improved for architectural practice. His first major project after the war was the Presbyterian Church at St Lucia (1952), of which he was a founder. Ron was 70 when his son Blair joined the practice in 1956. Whilst he continued practicing for the next decade,

Cliffside Flats 1936 R. Martin Wilson Built for Mrs Doris R. Booth O.B.E., a noted humanitarian of the Bulolo Gold fields in New Guinea. Prior to its construction, apartment living was regarded by Brisbane with mixed feelings of disfavour and doubt, but the general desire for easier living, coupled with the acute problem of obtaining competent domestics, put apartments into a new light. The flats are located on an unrivalled position, high above the river and commanding magnificent views of the reaches from Grey Street Bridge to the Story Bridge. This building of five storeys comprises eight flats.

St Lucia Presbyterian Church 1952 R. Martin Wilson When Ron’s family moved to the newly built home in St Lucia in 1937, the family joined the Toowong Presbyterian Church. After the war land was acquired in Swann Road, St Lucia, to establish a church and an old army hut was moved from Enoggera with work carried out largely by voluntary labour of the congregation. Meanwhile, planning commenced for a permanent church building and members of the Church Committee agreed on an internal layout similar to Ron’s Ithaca Church. During construction materials and particularly bricks were very scarce.

Wilson Architects 1884–2004 | 15

Greek Orthodox Church of St George 1959 R. Martin Wilson & Son Long-standing associations that Ron enjoyed with members of the Greek Community led to the firm being appointed as architects for this project. The design recognised the Byzantine forms, planning and traditions of Greek Churches but with the need to accommodate the large congregations required in Brisbane. Subsequent to its construction the firm also designed the adjoining Sunday School (1968) and Greek Club (1973).

supporting the development of his son’s architectural career, his quest for knowledge never waned. Towards the end of his life he attended lectures at the University of Queensland on topics such as the matrix theory for the design of indeterminate structures, and anthropology. He died on 19 July 1967, survived by his wife, a son and a daughter. Blair Mansfield Wilson (1930– ), like his father, was born in Brisbane and educated at the Brisbane Grammar School. In 1949 he began the recently established sixyear degree course in Architecture at the University of Queensland. The final three years were offered part-time with students of the Brisbane Central Technical College diploma course. Blair’s well-known contemporaries in the combined course included Paquita Day, Robin Gibson, Jack Gilmore, Cecil Hardgraves, Ron Purssey, Ury Stukoff and Steve Trotter. In his final student years Blair worked in his father’s office and, for wider experience, with Aubrey Job of the firm Fulton, Job & Collin. His thesis on ‘The requirements for a student union building’ was written in collaboration with engineering student Gavin McDonald. It proposed an architectural and engineering design produced cooperatively, anticipating Blair’s interests in educational and collaborative projects. The thesis later provided the basis of the brief for Steve Trotter’s building at the University of Queensland in 1959. At his graduation, Blair won the Queensland Institute of Architects’ Memorial Medal. After registering as an architect and joining the RAIA, Blair travelled overseas. In London he worked for Clifford, Tee & Gale, who specialized in industrial buildings, and attended design ateliers at the Architectural Association. Like his grandfather, he was elected an Associate of the RIBA. Blair also travelled in Europe, visiting the work of renowned contemporary architects of the time, cathedrals and civic spaces that he had studied as a student. On return to Brisbane in 1956 he entered partnership with his father as R. Martin Wilson & Son. Major buildings 16 | Wilson Architects 1884–2004

undertaken by the firm at this time included the Greek Orthodox Church at South Brisbane, the Stanthorpe Civic Centre, extensions to the University of Queensland’s School of Veterinary Science, the Committee of Director of Fruit Marketing (COD) Building at Brisbane Markets and the Albany Creek Crematorium. Following Ron Wilson’s death in 1967, Blair continued the firm as Blair M. Wilson and in 1976 it was incorporated as Blair M. Wilson & Associates (Pty Ltd). In 1966, to enhance his understanding of educational projects, Blair studied University Planning at the Institute of Advanced Architectural Studies, York, visiting new universities throughout England. This experience stimulated his interest in modular and dimensional coordination and allowed him to introduce flexibility of space planning and servicing into new buildings for the Capricornia Institute of Advanced Education (CIAE now Central Queensland University), the Queensland Institute of Technology (QIT now Queensland University of Technology), the University of Queensland, and Griffith University. Blair actively promoted these design principles, and presented a paper on their application at QIT and CIAE to the National Committee for Rationalized Building in 1971. While in Europe he visited Finland to attend a Festival of Visual Arts at Jyvaskala. There he met husband and Albany Creek Crematorium 1965 R. Martin Wilson & Son Architects Built on a green site by the Marbarete Coy for approximately £80,000. The landscape design was carried out in association with Harry Oakman. Ron gave Blair the reins for the design of the Crematorium, which made provision for a second similar chapel on an eastern wing. A more modest second chapel has since been carried out by others.

La Boite Theatre 1972 Blair M. Wilson With the closing of the Albert Hall in 1967, the Brisbane Repertory Theatre was without a home. However, in 1959 under the Presidency of Babette Stephens, three adjoining cottages at the corner of Hale and Sexton Streets, near Petrie Terrace, were purchased and, in 1965 a fourth cottage. The internal walls of one of the cottages were knocked out so that it could be

used as an experimental performance space. The first production in the round was directed by Rikki Burke. With the realization that productions in the round could work, it was decided to gut one of the cottages and turn it into Brisbane’s first theatre-in-the-round. Soon it became evident that a bigger and permanent theatre was needed. The Brisbane City Council (BCC) and Government lent their support and the design was commenced. The

only fixed parameters were the setbacks from each property boundary required by the BCC. The Builders, Graham Hall Constructions, were appointed and work commenced on the foundations with much arm waving before designs were completed. The budget was $80,000 and a $3000 saving was made by using reject bricks. The bricklayers didn’t want to be known as being associated with laying these reject bricks, but in due

course the manufacturers saw value in marketing them as “La Boite” bricks. Many meetings were held between the architect and the late Jennifer Blocksidge, the theatre’s director, often whilst sitting on the gutter kerb outside the construction site, resolving details of the design and layout. The completed theatre enjoyed considerable success both artistically and financially as Australia’s first purpose-designed theatre-in-the-round.

It was an amateur theatre seating 200, and the acoustics and relationships between players and audience were extremely good. The building won the Clay Brick Award, which allowed Beth and Blair Wilson to undertake a trip around the world studying the use of hand-layed bricks in architecture and landscape architecture.

Wilson Architects 1884–2004 | 17

18 | Wilson Architects 1884–2004

Kindler Memorial Theatre, QIT 1972 Blair M. Wilson The design of this lecture theatre as part of the Civil Engineering complex at the QIT (now QUT) was influenced by the work of Alvar Aalto studied by Blair Wilson during a visit to Finland in 1966. It comprises a 200 seat tiered theatre above a large foyer at ground level. The landscape designed by Beth Wilson included a reflecting pool the specifications for which stated the number and type of fish required. It was awarded the 1973 RAIA Bronze Medal.

Schools of Engineering and Education, Capricornia Institute of Technology 1969 Blair M. Wilson The first buildings on this new campus needed to allow for future expansion or for unforeseeable change in usage. Blair applied a well-coordinated modular approach based on a tartan grid of alternating 10’ and 30’ zones. Where these zones intersected they formed 30’ x 30’ squares, which were designated space panels, and 30’ x 10’ rectangles, which became service panels. There was some flexibility in these designations and in their preferred usage. A vertical hierarchy was also adopted, with sub-zones for structure, topping, ceiling, and room spaces. Although separated, both the Engineering and Education Buildings were coordinated on the same horizontal and vertical grids so that their future expansion, or even integration, was possible.

wife architects Raili and Reima Pietalä, later visiting their near completed Student Union Building at the Helsinki University of Technology, Otaniema. In Finland Blair also studied the work of Alvar Aalto, whose use of lead glazed bricks influenced his La Boite Theatre. In 1973 the theatre won a prestigious Clay Brick Award and with it, another world tour. Blair spoke memorably of his travels on his return to Brisbane. Aalto’s House of Culture, Helsinki (1955–58) was a source of inspiration for Blair’s Kindler Memorial Theatre at QIT. For this project Blair won the 1973 RAIA Queensland Chapter Bronze Medal. In their use of materials, and in the Kindler’s free form geometry, these buildings represented a significant break from postwar modernism.

Other major projects undertaken by the firm during Blair Wilson’s 40 years as principal include buildings for both Brisbane Grammar Schools and Stuartholme School, the Civil Engineering Complex at QIT, the engineering and education complex at the Capricornia Institute of Advanced Education, Science buildings at Griffith University, The Greek Club, South Brisbane, further work at the Stanthorpe Civic Centre and completion of the master planning of the Universiti Brunei Darussalam. From the 1960s Blair took an active role in the RAIA and the University of Queensland, serving as president of the Alumni Association (1980–86) and as a member of the University Senate (1981–87). He also continued his association with La Boite Theatre and was its President

Civil Engineering Building, Central Technical College 1968 Blair M. Wilson Commissioned by Public Works Department for Central Technical College (now QUT). At the time there was only one civil engineering staff member, Bob Gallagher and the brief was jointly written with Blair based on Blair’s experience from a Higher Education course in Hobart. The building was originally designed to be un-airconditioned with a double louvre system for blackout conditions. Wall cavities were designed as flexible servicing ducts for gravity feeds, large services and exhausts. Griffith University Science 1 and Science 2 Buildings, 1974 and 1976 Blair M. Wilson The site plan for the new Griffith University Campus at Nathan was designed by the late Roger Johnston, who selected three architects to design its first buildings – Robin Gibson for the Library and Humanities, John Dalton for University House and Blair Wilson for the School of Science. The site planner, Vice Chancellor John Willett, and the architects worked closely together establishing design standards and issues of common interest. In 1976 design commenced on Stage 2 and in 1986 the Technology Building was added to the complex.

Wilson Architects 1884–2004 | 19

City Botanic Gardens 1987 Blair M. Wilson & Associates Based on a master plan by Robin Gibson and Partners, Wilson Architects design included new paths and paving, viewing platforms, re-definition of gardens and water features, an information pavilion and public toilets near the Albert Street entrance, a Sound Stage at Gardens Point, the conversion of the caretakers cottage to a restaurant, and the restoration of the existing entrance gates and enclosing stone fence.

for three years. Since he stood down as head of the firm in 1995, he has become increasingly involved in painting. In 1971 the Wilson firm took a new direction when Blair’s wife, Beth, joined as a landscape architect. Thereafter landscape commissions have been an important aspect of the firm’s work. Elizabeth Ann (Beth) Wilson (1934– ) was born in Brisbane, daughter of the timber merchant Jules Moxon and his wife, Sybil, née Lucas, sister of the architect F. Bruce Lucas. Beth attended The Glennie School, Toowoomba before studying Science at the University of Queensland from 1952, majoring in Botany. Upon graduation in 1955, she worked as a plant pathologist at the Queensland Department of Agriculture and Stock. The

20 | Wilson Architects 1884–2004

following year she joined a party of five others, including her future husband Blair, to tour Europe. She interrupted her return journey to Australia in 1957 to work briefly in Canada, before resuming her former employment. She married Blair in January 1958 and, with the imminent arrival of their first child, resigned in May 1959. Thereafter Beth became a housewife, golf player and sometime artist, and mother of four children. In the enterprising tradition of the family and building on her botanical experience, Beth Wilson joined the inaugural course in Landscape Architecture at the QIT, conducted by Malcolm Bunzli and George Williams. In 1971 she obtained a Graduate Diploma in Landscape Architecture and joined the Wilson firm. Her work has included major projects within the central business district: Cathedral Square, the Supreme Court, Great Court, redevelopment of the City Botanic Gardens (based on Robin Gibson’s master plan), planting in the Queen Street Mall and Queen’s Park, and Mincom Central Public Plaza. More recently projects have included the University of Queensland’s lakeside boardwalk, Suncorp Stadium, Cybrary at the University of Queensland Ipswich campus, Princess Alexandra Hospital and Powerlink Headquarters. Beth’s work has received several awards including the Australian Institute of Landscape Architects (AILA) National Project Award of Merit, and the Local Government Townscape Award for the Cathedral Square project in 1988, and in 1998 the AILA Design-Building Context Award for the Powerlink project. She is a Fellow of the AILA. Hamilton Blair Wilson (1961– ), Blair and Beth’s second son, joined the firm in 1986 following his graduation. Hamilton was born in Brisbane and educated at the Brisbane Grammar Schools. In addition, he studied art with Mervyn Moriarty’s innovative Flying Art School. In 1980 Hamilton enrolled in the part-time course in Architecture at the QIT while employed with the architects Lund Hutton Ryan Morton. He was also

Lakeside Boardwalk, The University of Queensland 2002 Wilson Landscape Architects As part of the expansion of carparking facilities on the University’s St Lucia campus this infrastructure project has enabled extended access along the edge of the lakes. The walk includes an elevated timber boardwalk through a bird breeding area, shelters, seating, drinking, lighting and security facilities. The project took special care to design the facility to standards for access by people with disabilities. Cybrary, The University of Queensland Ipswich 2003 Wilson Architects, Wilson Landscape Architects Cybrary combines all of the nonteaching functions within a united ‘shopfront’, including the Library, Student Centre, Student Union, Student Support Services and Health. The Centre is the signature building for the campus. The facility is three buildings interconnected with a two-storey high landscaped space that symbolically stitches the variety of spaces together, but at the same time acts as a counterpoint to the technologically saturated study spaces. The large internal garden reinforces the building’s focus and circulations, creates a legibility of the various parts and improves air quality, unequalled for a building with such intensive use of electronic equipment.

Figure 1 (opposite) Letter from FR Stanley to AB Wilson expressing gratitude for his role in a job that was completed at a difficult time; the partnership. Catalogue 1 Letter from FR Stanley to AB Wilson expressing gratitude for his role in a job that was completed at a difficult time; the partnership.

Wilson Architects 1884–2004 | 21

The James and Mary Emelia Mayne Centre, The University of Queensland 2004 Wilson Architects, Wilson Landscape Architects Mayne Hall was an award winning building designed by Robin Gibson in the early 1970s as the university’s ‘Great Hall’, for concerts and graduation ceremonies. Wilson Architects were commissioned to convert the hall into an art museum whilst retaining the original envelope, the organ and the stained glass window. The art museum is essentially a building within a building, a strategy which allowed the original volume to be appreciated while providing wall hanging space and tempering sunlight from the building’s glass facades.

a member of the alternative arts and theatre group, the Fluba Troupe, and participated in the group’s exhibitions and performances, culminating in a tour to the Adelaide Fringe Festival. For the final two years of his architectural education, Hamilton transferred to the full-time course at the University of Queensland. Hamilton Wilson graduated from University in 1985 with first class honours, and won the A.E. Brooks Prize, which took him to London where he worked from 1987 to 1989 as design architect with a multi-disciplinary practice, DEGW. Co-founded in 1973 by architect Frank Duffy, the firm pioneered understanding of the impacts of changing technology and working practices on spatial design. It was a fortuitous choice of employment and influenced later directions in the Wilson practice. Projects with which Hamilton was associated at DEGW included design briefs for developments in the London Docklands and Kings Cross, and extensions to the Prudential Assurance Company’s head office at Holborn. Hamilton returned to his family firm in 1989, married Jane O’Hara in 1992, and was appointed Managing Director of Wilson Architects in 1995. Besides overseeing the firm’s output he has been involved in award-winning buildings on the Logan and Gold Coast Campuses of

Griffith University, and in branches of the University of Queensland’s Cybrary, including refurbishment of the Duhig and Central Libraries. The success of these projects and the library design planning principles that were developed in collaboration with Janine Schmidt, the University of Queensland’s Librarian, led to commissions for the University of Sydney. The firm has also established a reputation for laboratory buildings and reuse of existing structures. Their renovation of civic buildings in Warwick, and Hamilton’s own house, a converted warehouse in inner Brisbane, also won RAIA awards, as did his new buildings for Kooroomba Vineyard. Hamilton has maintained his artistic interests through participating in the annual Architects Art exhibitions of the RAIA and as Vice President of Craft Queensland. In 2001 he was elected a Fellow of the RAIA. He has put this interest and experience to good use in his conversion of the University of Queensland’s Mayne Hall to an art gallery. Presenting this exhibition in this gallery has allowed the venue to become part of the exhibition to further demonstrate the unique continuity of 120 years achievement by Wilson Architects. ‘Si monumentum requiris, circumspice’.

Doggett Street Residence and Office 2000 Hamilton Wilson The project, a personal one for Hamilton, involved the adaptive re-use of a 1970s warehouse to create a home for his family of six and an office for his wife Jane Wilson. The tightly constrained urban site presented the opportunity to create a self-sufficient world. The streetscape is hard and industrial and the house appears impenetrable but once beyond a solid door the house opens up into a series of quiet gardens and spaces.

22 | Wilson Architects 1884–2004

Wilson Architects 1884–2004 | 23

Comprehensive Cancer Research Centre, The Queensland Institute of Medical Research (QIMR) 2000 Wilson Architects with Bligh Voller Nield Wilson Architects in joint venture with Bligh Voller Nield were commissioned to design a new $30 million, ten-storey Centre (CCRC) for the QIMR. This project was the first major collaborative project for Wilson Architects and has led to other collaborative projects with architects such as Dr Ken Yeang from TR Hamzah & Yeang, Kuala Lumpur, and John Wardle Architects, Melbourne. Kelvin Grove Busway Link Project, QUT 2004 Wilson Architects This project offered a unique opportunity for QUT to capture the imagination by re-invigorating the existing Campus landscape in a way that builds upon the existing circulation diagram and promotes a new avenue of connectivity for the Campus’s eastern edge. The project includes a dramatic new pedestrian bridge, lookout and connecting lift structure, and new pedestrian plaza spaces.

How have the Wilsons survived and thrived through four generations of architectural practice? Most importantly each generation encouraged and supported the next. The passing of the mantle from father to son was both expected and comparatively seamless, and each son, in his own way, had something special to contribute. The practice has always been supported by exceptional people. Among those who have been employed by the Wilson firm are: W.C. Voller and J.S. Langden (by Alex Wilson); Hugh Beck, Karl Hammerschmidt, Darval Miller, Trevor Morgan and George Rubis (by Ron Wilson); Peter Black, Stuart Boyer, John Dimitriou, Doug Hastie, David Journeaux, Edward MacMahon, Bruce Munro, Peter Smith, Mark Somerville and Robert Williams (by Blair Wilson); and Mark Craig, Justine Groves, Brent Hardcastle, John Harrison, Michael Hartwich, Phillip Lukin, Richard Sale and John Thong (by Wilson Architects). In 1985 Ron’s daughter, Leith Harbison, commenced assisting in the administration of the practice. Leith’s early involvement grew into a part time bookkeeping role when Beth established an in-house accounting system. Leith retired in 2004 to devote more time to her role as a grandmother. Since 1998 a non-family member, John Thong, has been a director and has been instrumental in administering the firm’s quality and environmental systems, expanding the practice’s knowledge base, and establishing joint ventures with other firms, including Bligh Voller Nield (Brisbane), Dr Ken Yeang (Malaysia) and John Wardle (Melbourne). John graduated from the University of Queensland in 1988 with an honours degree in architecture. After post-graduate experience working in London, he joined Wilson Architects in 1992. His insight, skills and experience are evident in the wide 24 | Wilson Architects 1884–2004

range of successful projects including Women’s College Accommodation and Theatre, the Warwick Civic Square, the Tick Fever Research Centre and laboratory projects such as the Queensland Institute for Medical Research. The Wilsons have been able to adapt and reinvent themselves to meet new demands and changes in the profession, as demonstrated by specialisation in structural engineering, buildings for education, landscape design, research and adaptive-reuse. The Wilsons have maintained high standards of design and service. This is demonstrated by the awards they have received over the years, their success in competitions, their academic achievements and their ability to retain valued clients. Not surprisingly, the firm is well represented in the Heritage Register of Queensland. Recorded on the Register are: the houses Glenugie, Como, Kinauld, Leckhampton and Home; the Mowbraytown Presbyterian Church; the hall of the former South Brisbane Library; the Allgas Building (formerly Allan & Stark) and the Plough Inn, South Brisbane; and Foresters’ Hall, Paddington – all by Alex Wilson. Ron’s work is represented by the Cliffside Flats, South Brisbane. One of the Register’s most recent entries is Blair’s La Boite Theatre. All the firm’s principals have been committed to their profession and to the community. Alex Wilson was a foundation member of the Queensland Institute of Architects, serving as Treasurer from 1889 to 1896 and as President for four terms between 1899 and 1923. Ron Wilson was also a long serving Treasurer of the Institute, while Blair was President of the RAIA Queensland Chapter in 1970–72, its National President in 1976–77 and also served on the National Capital Planning Committee for 1976–82. Hamilton Wilson is currently RAIA Queensland Chapter

Brisbane Grammar School Grandstand 1997 Wilson Architects An integrated facility combining a grandstand and change rooms linked to a viewing mound and pavilion adjoining playing fields at Northgate.

Oval 7 Pavilion, The University Of Queensland 2000 Wilson Architects Wilson Architects were appointed for this project following a design competition, which included the Grandstand on Oval 5. The pavilion provides changing facilities, public toilets, storage space and a kiosk/club office for the UQ Australian Rules team.

Awards Director. Beth Wilson, a foundation member of the Garden History Society, was President of the AILA Queensland in 1978–80. Alex Wilson was also active in local politics, serving as Chairman of the Stephens Divisional Board in 1890–91.

Like all long established practices, the Wilsons have had their triumphs and tragedies. One setback was the partial destruction by fire on 6 June 1981 of the present office in Boundary Street, Spring Hill. While the firm’s administration files and Blair’s library were destroyed, most of the firm’s archives, dating from 1884 until the 1940s, comprising drawings, specifications, photographs, newspaper cuttings and correspondence miraculously survived, and were presented to the University of Queensland’s Fryer Library in 1984. Significant in its own right, the Wilson collection was also the beginning of the Fryer Library’s architectural archive, now one of the

most extensive in Australia. Through the stewardship of each of the four fatherson principals, special relationships have been formed with members of staff and clients whose support and patronage has been invaluable and treasured. The benefits of a family owned and operated business cannot be overlooked. The practice opened its doors in Queen Street and continued for 38 years in the City Buildings in Edward Street until it moved to Spring Hill in 1959. The business has been able to survive through major economic downturns, the bust of the 1890s, the depression in the 1930s, and two world wars in addition to the 1981 fire. Its remarkable life and achievement has spanned the development of Brisbane from a colonial town to a sprawling 21st century city. Under the present custodians whose energy, talent and vision bears a striking resemblance to that of its founder, Wilson Architects maintains the momentum of 120 years practice.

Trustee House Ipswich 1995 Wilson Architects This project comprised the renovation of the Public Trustee building, built in the 1880s and severely damaged by fire in 1993. A feature of extensions to the building was a covered entry courtyard. The roof is a contemporary interpretation of the Victorian glasshouse with finely described steel members supporting a glassed roof. In 1996 the John Herbert Award for Excellence in Heritage Conservation Works was awarded by The National Trust.

Wilson Architects 1884–2004 | 25

Kooroomba Vineyard Restaurant and Cellar Door 2002 Wilson Architects, Wilson Landscape Architects Set within the picturesque Fassifern Valley with 270-degree views of the Scenic Rim, this ‘greenfield’ project contains a restaurant, cellar door and lavender shop. The building was conceived as a sophisticated farm shed half buried into the hill for wine storage, and projecting into the landscape for views of the mountains, vineyard and lavender fields. The materials pallet consists of porphyry stone walls quarried and gathered on the site, raw flat zincalume sheet which is allowed to ‘pillow’ with the changes of temperature, and stained rough-sawn timber cladding. The materials are fundamentally raw in form and texture but are contemporarily arranged and executed.

Studio Portrait of Alex B. and R. Martin Wilson 1908 Taken about the time of the building of the YMCA Building, the plans of which are on the table. Behind Ron is the History of Queensland Vol. 2 which still remains in the firm’s library. Mary, Nellie, Blair, Ron and Alex at Cumbrae 1932

Beth and Blair with their grandchildren at their beach house, Curigee 2004 Current directors of Wilson Architects, Hamilton Wilson and John Thong 2004

26 | Wilson Architects 1884–2004

Wilson Architects 1884–2004 | 27

Wilson Architects 1884–2004: Key Projects

Eversleigh Residence 1885 Hayslopes Residence 1886 Clifton Presbyterian Church 1908 Cumbrae Residence 1906 Morrow’s biscuit factory 1913

28 | Wilson Architects 1884–2004

Residence for R.M.Wilson 1936 Cliffside Flats 1936 St Lucia Presbyterian Church 1952 Greek Orthodox Church of St George 1957

Stanthorpe Shire Council Civic Centre 1959 Engineering Building ‘A’ CIAE 1969 Kindler Memorial Theatre 1971 COD Premises 1965

Powerlink Atrium Landscape 1998 Mincom Central Public Plaza 2000 Glengallan Homestead Landscape 2001 Suncorp Stadium Landscape 2003

Duhig Library 1998 Kooroomba Vineyard 2000 Cybrary 2003 The Mayne Centre 2004

Alex B. Wilson 1884–1920 1884 Residence for J.B. North, Newstead Tce, Newstead 1884 Glenugie, residence for J.M. Davis, Moray St, New Farm 1884 Wesleyan Church, Vulture St, West End. Winner of Design Competition 1884 Bank of New South Wales, Stanley St, South Brisbane 1884 Quinta, residence for Mr Lamont, Edmondstone St, South Brisbane 1885 Kemendine, villa for Edward Deshon, Coorparoo (later Loretto College) 1885 Plough Inn, Stanley St, South Brisbane 1885 Eversleigh, A.B. Wilson’s first residence, Yeronga; 1888 upper storey added 1885 Mowbraytown Presbyterian Church, Bulimba; extended 1888, 1899; Hall 1915 1886 Allan and Stark’s (later Allgas), Stanley St, South Brisbane 1886 Hayslopes, villa for Thomas Martin (father-in-law), Softstone (Tennyson) 1886 Stratford, residence for E.W. Walker, Tennyson 1886 Premises for Smellie and Co., Margaret St 1887 Shops, corner of Stanley and Melbourne Sts, South Brisbane 1888 Garfield, residence for Hon. Arthur Rutlidge, Paddington 1888 Foresters’ Hall, Given Tce, Paddington 1888 Gates and wall South Brisbane Cemetery; 1891 additions 1888 Offices for the Stephens Divisional Board, Ipswich Rd, Woolloongabba; 1905 additions 1888 Shops for W. Pettigrew, Wickham St 1888 Extensive additions to D. Sinclair and Co., Stanley St, South Brisbane 1888 Presbyterian Church, James St, Albion 1889 Leckhampton, residence for Charles William Snow, Shafston Ave, Kangaroo Point 1889 Shops for Colonial Trust and Agency Co, Wharf St 1897 Rankin & Morrow Biscuit Factory, North Quay; 1913 numerous additions and alterations 1897 Major renovations, Presbyterian Church, Ann St 1901 Flour Mill for Kennedy Bros, Ballow St, Fortitude Valley 1901 Hall, South Brisbane Technical College, Dock St, South Brisbane 1902 Technical College, South Brisbane 1902 Mission for Seamen’s Institute, Turbot St 1902 Home, residence for John Lamb, River Tce, South Brisbane 1903 Office premises for Burns Philp & Coy Ltd, Mary St; 1913 additions 1904 Premises for William Siemon, Roma St; reinstated after fire 1907 1904 Offices and Warehouse for Bullmore Estate, Roma St;

1906

1907 1908 1909 1909 1912 1912 1913

1914 1915 1917

1907 additions Cumbrae, A.B. Wilson’s second residence, Thorne St, East Brisbane YMCA, Edward St, Brisbane Clifton Presbyterian Church, Clifton Residence for Thomas Morrow, Killara Ave, Hamilton Factory for Rankin Bros, Ann St Premises for Sturmfel’s, Margaret St Residence for J.E. Pedlar, Adelaide St, Clayfield Morrow’s biscuit factory, North Quay; numerous additions and alterations Premises for British Imperial Oil, Montpelier Rd, Newstead Railway hotel, Gympie Brisbane City Mission, Turbot St

1963

1964

1965

1966

Stanthorpe Service Premises for Ira Berk QLD Pty Ltd, Butterfield St, Herston Residence for E.A. Hooper, Bramston St, Tarragindi (RAIA Commendation 1963) Radford House School for Queensland Sub Normal Childrens Welfare Association, Buranda Stanthorpe Shire Council Civic Centre and Library, Stanthorpe Office and Banana Ripening Premises for Committee of Director of Fruit Marketing, Brisbane Markets, Rocklea Crematorium for Brisbane Crematorium Ltd, Albany Creek Country Order Merchant’s Building for the Brisbane Market Trust, Sherwood Rd, Fairfield

Alex B. & R. Martin Wilson 1920–1928 1920 Ambulance Premises, Southport 1922 Classrooms and Pool, Somerville House School, South Brisbane 1926 South Brisbane Memorial Park, Vulture St, South Brisbane

Blair M. Wilson 1967–1976 1968 Civil Engineering Building and Laboratories, Brisbane Central Technical College (now QUT) 1968 School of Veterinary Science Stage 2, The University of Queensland, St Lucia

1927

1968

1929

Ithaca Presbyterian Church, LaTrobe Tce, Ithaca Limbless Soldiers Kiosk, Queen St, Brisbane

1968

Greek Orthodox Sunday School, South Brisbane Holiday residence for B.M. and E.A. Wilson, Currigee, South Stradbroke Island Engineering Building ‘A’, Capricornia Institute of Technology (later University of Central Queensland), Rockhampton St David’s Church, Salisbury La Boite Theatre for Brisbane Repertory Theatre, Petrie Tce (Clay Brick Award 1973) Kindler Memorial Theatre, Queensland Institute of Technology at Gardens Point, (RAIA Bronze Medal 1973) Engineering Building ‘B’ Capricornia Institute of Technology (later University of Central Queensland), Rockhampton Greek Orthodox Community of St George Club, South Brisbane Science 1 Building, Griffith University, Nathan Classrooms, Brisbane Grammar School, Gregory Tce, Spring Hill Outdoor Education Centre, Brisbane Grammar School, Moogerah

R. Martin Wilson 1928–1955 1930 Alexandra Hall, Toogoolawah 1932 Sandgate Recreational Scheme, Sandgate 1932 Gatton School of Arts, Gatton 1933 Presbyterian Church Hall, Hill End 1935 Graceville Bowling Club, Graceville 1935 South Brisbane Bowling Club, South Brisbane 1936 Wharf Development, Newstead Wharves and Stevedoring Co. Pty Ltd, Newstead 1936 Cliffside flats, for Mrs D.R. Booth, South Brisbane 1936 Residence for R.M. Wilson, 10 Hiron St, St Lucia 1952 St Lucia Presbyterian Church, Swann Rd, St Lucia 1954 Blackheath Home for Boys, for the Presbyterian Church of Queensland, Oxley 1954 Morden Laboratories for Chemist Roush, Quay St, North Quay 1954 Committee of Director of Fruit Marketing Premises, Nambour

1969

R. Martin Wilson & Son 1955–1967 1955 W.R. Black Home for Girls, for the Presbyterian Church of Queensland, Chelmer 1959 Greek Orthodox Church of St George, South Brisbane 1959 Residence for Paul Makin, Moggill 1959 Residence for E.I. Ferguson, Francis Tce, Indooroopilly 1960 Bowling Centre for Bowling Centres Limited, Gregory Tce (in association with George Butler) 1962 Committee of Director of Fruit Marketing Premises,

Blair M. Wilson & Associates Pty Ltd 1976–1995 1976 Stanthorpe Shire Council Chambers, Stanthorpe 1976 Science 2 Building and Lecture Theatre, Griffith University, Nathan; 1995 additions 1976 Additional Teaching Building, Capricornia Institute of Technology (later University of Central Queensland), Rockhampton 1977 Showroom for Ira Berk QLD Pty Ltd, Lutwyche Rd, Windsor 1978 Structures Laboratory,

1971 1972

1972

1973

1974

1974 1974

1975

1978

1979

1981

1985 1986

1986 1987

1987 1987

1988 1988

1988 1988 1989

1989 1990 1990 1993

1993

1994

Capricornia Institute of Technology (later University of Central Queensland), Rockhampton Covered Unloading Building, Brisbane Market Trust, Sherwood Rd, Fairfield Bureau of Sugar Experimental Stations Headquarter Premises, Indooroopilly Bureau of Sugar Experimental Stations Sugar Research Laboratory, Bundaberg Music Building, Brisbane Grammar School, Gregory Tce, Spring Hill Campus Landscape, Logan TAFE, Logan Community Cultural Centre for Goondiwindi Town and Wagamba Shire, Goondiwindi Stanthorpe Shire Council Art Gallery and Library, Stanthorpe Classrooms and Gehrmann Theatre, Brisbane Grammar Girls School, Gregory Tce, Spring Hill Renovations to Cook Terraces, Coronation Drive, Milton City Botanic Gardens, Pavilion Landscape, Riverstage and Conversion of Curator’s Cottage, Brisbane Technology Building, Griffith University, Nathan Master plan for new campus for Universiti Brunei Darussalam Landscape to Forecourt, Supreme Court, Brisbane Cathedral Square Landscape, Ann St, Brisbane General Purpose North Building (Joyce Ackroyd), The University of Queensland, St Lucia Training Centre, QLD Plastics Industry, Mount Gravatt Classrooms and Dining Room, Stuartholme School Health Services Building, Griffith University, Nathan Gehrmann Laboratories, The University of Queensland, St Lucia Queensland Pharmaceutical Research Institute Laboratories, Griffith University, Nathan Extensions to Queensland Manufacturing Institute premises, Eight Mile Plains Public Trustees Offices, Mackay (RAIA Whitsunday Regional Commendation 1996) Accommodation and Theatre, Women’s College, The University of Queensland, St Lucia

1998

1998 1998

1998

1999

1999 2000 2000

2000 2000 2000

2000

2001 2001

2002

2003

2003 2004

2004 Blair M. Wilson & Associates Pty Ltd (trading as Wilson Architects) 1995– 1995 Refurbishment after fire, Trustees House, Ipswich (John Herbert Award for Excellence in Heritage Conservation Works, National Trust 1996) 1995 Brisbane Grammar School Grandstand, Nudgee Rd 1997 Landscape, Bretts Wharf Residential Development, Hamilton 1998 Tick Fever Research Centre, Wacol

2004

QIMR Laboratories (in association with Bligh Voller Nield), Herston Road, Herston Landscape, Powerlink Atrium, Northgate (AILA National Award of Merit, Design: Building Context 1998) Landscape of Queen St Mall, Brisbane Refurbishment Duhig Library, The University of Queensland, St Lucia (RAIA Regional Commendation 1999, RAIA QLD State High Commendation 1999) Landscaped Atrium, Prince Charles Hospital, Chermside Civic Square Development, Warwick (RAIA Regional Commendation 2000) Eastern Facility, Royal Queensland Yacht Squadron, Manly Science 1 Building, Griffith University, Gold Coast Academic Building 2, Griffith University, Logan Lakeside Walk, The University of Queensland, St Lucia Grandstand Oval 5, The University of Queensland, St Lucia Oval 7 Pavilion, The University of Queensland, St Lucia Mincom Central Public Plaza, Ann St, Brisbane Convert Warehouse to Residence, for H.B. Wilson, Doggett St, Newstead (RAIA Queensland State Commendation 2001) Kooroomba Vineyard Restaurant and Cellar Door, Boonah (RAIA Regional Award 2003, DIA QLD Environmental Colour Palette Award 2003) Landscape, Glengallan Homestead, Warwick Science 3 Building, Griffith University, Gold Coast (RAIA QLD Architecture Awards 2002) Lakeside Boardwalk, The University of Queensland, St Lucia Resource Centre, The University of Queensland, Ipswich (ALIA National Excellence Award for library design and service delivery 2003, Ipswich City Council Certificate of Excellence 2003) Landscape, Suncorp Stadium, Milton James and Mary Emelia Mayne Centre, The University of Queensland, St Lucia Busway Link, Queensland University of Technology, Kelvin Grove Dean’s Office, Engineering Physical Sciences and Architecture, The University of Queensland, St Lucia Sustainable Minerals Institute, The University of Queensland, St Lucia The Queensland Brain Institute, The University of Queensland in association with John Wardle (Design Development)

Wilson Architects 1884–2004 | 29

Glenn R. Cooke

Alex B. Wilson Crossing Tweed Bar (detail)1909 Oil on canvas 77 x 106cm One of several paintings made at this time near Point Danger and Northern NSW.

Heatherbell Full sail in the Heatherbell a 36’ yawl Alex built in the grounds of Mountside, South Brisbane. He had little help from his three sons and only worked on it in his spare time, which didn’t include the Sabbath. The photo was taken as they were sailing east past Hamilton.

Wilson Artists

The succession of an architectural firm through four generations in the same family is remarkable – almost as remarkable is the activity of three generations of these men as amateur artists. This exhibition reveals for the first time another small part of Queensland’s ‘hidden’ visual heritage. Amateur artists paint for pleasure. They don’t have to assert their presence and compete for the attention of the public. Although amateur artists are often not innovators, they expand and develop the achievements of artists who are in the forefront of stylistic evolution and who are thus considered important to the development of art history in a national or regional context. Amateur artists do expand the established framework and, through their focus on representation, can have a significant documentary role. For instance, we are still able to identify specific sites that have been depicted in the careful compositions of a legion of amateur artists and note the changes that have occurred in the intervening years. They privilege the local and particular. With the developing awareness of our history such images now have great appeal and demonstrate a deep resonance with the population of Brisbane and southeast Queensland. It is characteristic of amateur painters that they paint in the styles that were considered adventurous two or three decades earlier. The work of the founder of the firm, A.B. Wilson (1857–1938), is a case in point. He trained at the School of Arts with Queensland’s first professional artist J.A. Clarke (1840–90) and received prizes in local exhibitions in 1873 and 1876. The meticulously detailed hatching of his early drawing Head of Diomedes circa 1870s demonstrates the level of skill Wilson achieved and his drafting skill is clearly evident in a later drawing Unidentified interior (illustrated in Watson & McKay. Queensland Architects of the 19th century. 1994). A.B. Wilson continued the traditions of 19th century topographical artists with his oil paintings, Point Lookout and Early Morning in the bay, (included in the annual

1910 display of the Queensland Art Society) and Brisbane from South Brisbane 1904. His art is without pretension and can be seen to be an extension of his architectural drawings and renderings and his practical craftsmanship. The 36ft yacht hand built by Alex Wilson provided early access to his popular, latter day subjects of Moreton Bay, beach, sea and ships. His pictorial style continued throughout his life uninfluenced by the turn of the 20th century Impressionist paintings, or the policies or politics of the breakaway New Society of Artists, although his broader appreciation of art was evident in his support for the artist Ellis Rowan. In 1912 he was one of the prominent men who lobbied for the State Government to purchase the collection of botanical studies by Marian Ellis Rowan, which are now regarded as one of the treasures of the Queensland Museum. Wilson’s grandson Blair (b.1930) grew up in an environment where a child’s interest in art was considered natural. His watercolour Capsized, which was awarded second prize in the Sunday Mail Children’s Art Competition in 1946, reflects both the detail of his grandfather’s work and the emphasis on marine subjects. Blair attributes his commitment to watercolour to his early art teacher Miss Crouch, who taught him to draw with the brush and not to base his work on underlying pencil sketches. He attended the Central Technical College to study art, a requirement to matriculate into the School of Architecture, and he studied architectural rendering to complete his degree in 1954. His art practice was sporadic until 1963 when he began to study with Bronwyn Yeates at her cottage in Spring Hill. Yeates was an important conduit in transmitting ideas of contemporary international art to Brisbane. By this time the (now) Royal Queensland Art Society had lost much of its energy and Yeates was one of the motivating forces in establishing the Contemporary Art Society (Queensland Branch), which was formed Wilson Architects 1884–2004 | 31

Alex B. Wilson Brisbane from South Brisbane 1904 Oil on canvas 50 x 131cm Painted from the verandah of Mountside where Alex’s wife spent her teenage years and where his family lived prior to building their home Cumbrae in Thorne Street Kangaroo Point. This panoramic view encompasses the now removed coal wharves, the river, domain and city.

in 1961 to promote an interest in creative art. Blair, like his grandfather, was similarly at one remove from contemporary practice. Expressiveness in art was the leitmotif and abstraction, in its various modes, was dominant. Although Blair’s watercolour style could be broadly rendered as in Two boys and blue bucket 1965 his work is consistent with the simplified decorative style that was promoted by Queensland watercolourist Roy Parkinson in the 1930s. This characteristic is exemplified in the work of Kenneth Macqueen and best illustrated with Blair Wilson’s Bush road, Stanthorpe 1964. Although Blair painted little during the 1970s, the connection is made quite clear in comparing the truncated view of his 1975 work Climbing Uluru with Macqueen’s rendition of ploughed fields. The teaching of contemporary artists Jon Molvig and Roy Churcher, the appointment of Laurie Thomas as Director at the Queensland Art Gallery, the development of commercial galleries and the proliferation of art prizes all added to the sense of vitality in the visual arts in Brisbane during the 1960s. As a consequence, Blair shared exhibitions with Wendy Foote at her home in 1964 and 1965 and he exhibited work at the McDonnell and East Gallery in 1966. After Blair built a home at Currigee on South Stradbroke Island in 1968, the focus of his art practice shifted even more strongly to the beach environment. Since Blair has stepped back from his architectural practice he has had more time to develop his skills and has held three solo exhibitions of his watercolours since 1998. The simplification of the scenes in watercolours such as Lady and dog leaving surf and Three surfing, Currigee (both painted in 1997) and Frontal dune, Currigee 1998 approaches abstraction and these may be considered amongst his most successful works. Parallels are to be seen in the work of his second cousin Ralph Wilson (b. 1955) who has established a significant following for his paintings of Moreton Bay subjects since 32 | Wilson Architects 1884–2004

he first began exhibiting. The latest member of the family practice to be involved as an artist is Blair’s son Hamilton (b. 1961), who first studied art with the Australian Flying Arts School’s Brisbane classes. Art classes were not on the curriculum of the Brisbane Boys Grammar School but available through a sister institution. In 1978, Hamilton had the unique distinction of being the only boy to be awarded the Brisbane Girls Grammar School’s Art Prize. He completed his Bachelor of Architecture at the University of Queensland in 1985 and received the A.E. Brooks Travelling Scholarship. After his experience in England he returned to work in the family firm in 1989 and reestablished his painting activity. Hamilton has participated in group exhibitions notably at the Brisbane office of the Royal Australian Institute of

Blair M. Wilson Climbing Uluru 1975 Watercolour on paper 26 x 39.5cm Courtesy of Liz Wilson, Ascot Painted on The Ghan, from memory, to amuse the children after the family’s visit to Uluru.

Blair M. Wilson Two boys and blue bucket 1965 Watercolour on paper 26 x 39.5cm Courtesy of Liz Wilson, Ascot One of two quick sketches made on Surfers Paradise Beach. The boys are Blair’s sons, Ross and Hamilton.

Blair M. Wilson Three surfing 1997 Watercolour on paper 30 x 30cm Courtesy of David and Judith Henderson, Ascot Three members of the family wallowing in a gentle midday surf on the ocean beach at Currigee.

Wilson Architects 1884–2004 | 33

Hamilton B. Wilson Gateway Bridge under construction circa 1993 Oil on canvas 45 x 120cm Courtesy of Hamilton Wilson, Fortitude Valley

Architects in 1991–4 and subsequently at the Jan Murphy Gallery, Brisbane in 2001. Even more than his father, the simplification of his geometric forms such as is evident in Nighttime Crossing 2001, approaches abstraction. The painting is essentially reduced to two elements, a cross and a horizon. A unifying element through the work of these artists and, indeed, through the extended family, is their interest in landscape, especially the beach and foreshore of

Moreton Bay. It is in this regard that Ronald Martin Wilson (of whose art work only a pencil sketch survives) may be brought into the fold through his plans for the harbour at Manly. Although the three generations of artists discussed here are happy to call themselves ‘amateur artists’ they fulfil a significant role in the history of art in Queensland. How impoverished our knowledge of the past would be if we were to consider only the output of those regarded as professional artists.

Blair M. Wilson Lady and dog leaving surf [detail] 1997 Watercolour on paper 30 x 30cm Courtesy of Hamilton Wilson, Fortitude Valley Typical of many paintings of family members on the beach at Currigee on South Stradbroke Island. Currigee Beach House Hamilton’s Nighttime Crossing 2001 hangs in the main hut of the Wilson’s beach house at South Stradbroke Island. The beach house is a pivotal part of the family’s holidays.

Wilson Architects 1884–2004 | 35

Exhibition The exhibition, held in conjunction with the celebration of 120 years continuous practice by Wilson Architects, is presented in two parts commencing with a collection of painting by Alex B. Wilson and his three direct descendents, Ronald, Blair, and Hamilton, and Blair’s wife Beth. The second part of the exhibition represents a smaller selection of these five people’s work in the context of paintings by members of the extended Wilson Family. Alex’s descendents have carried on a tradition

of painting landscapes, with Moreton Bay becoming an inseparable part of the family’s history. Wilson Architects have had a long association with the University of Queensland since Ron Wilson was a student in 1911, and have been intimately involved in the design of campus buildings and landscape over the past 40 years. This involvement has culminated in the recent adaptive reuse of Mayne Hall into the University Art Museum – the venue for this exhibition.

Alex B. Wilson 1857–1938 Head of Diomedes c.1870s Coloured pencil on paper

Ralph Wilson b. 1955 Cape Moreton in Fair Weather 2001 Oil on canvas

Ronald M. Wilson 1886 –1967 Tugan 1937 Coloured pencil on paper

Helen Wilson b. 1954 Bundawang Range from Morton Nat. Park A 1984 Watercolour on paper

Peter Anderson b. 1956 Fatu Hiva 2003 Oil on board Kim Wilson b. 1961 Gift Wrapped Beach 2004 Oil on canvas

36 | Wilson Architects 1884–2004

Nick Hollo b. 1949 Coming Up for Air, Lady Elliot Island undated Oil Crayon on coloured paper

Alexander B. Wilson, ARIBA (1857–1938) Founder of Wilson Architects Alexander attended painting and drawing classes begun by Joseph Augustus Clarke at the Brisbane School of Arts, receiving prizes for paintings and drawings in 1873 and 1876. When his family moved to Sandgate he painted numerous scenes along the shoreline and of Moreton Bay. It was the Heatherbell, a 36-foot yawl he built, that opened up opportunities for him to explore and paint Moreton Bay and its islands. He also painted scenes of the Brisbane River, the south coast of Queensland and Northern NSW. Ronald M. Wilson, ME, FRAIA, AMIE(Aust), (1886–1967) Son of Alex B. Wilson The eldest son of Alex, his creativity was directed to the technical and inventive areas of planning, architecture and engineering. Very few of his ‘artistic’ works have survived. Most have been quick pencil sketches made to capture grand ideas and family holiday scenes. Blair M. Wilson, BArch, LFRAIA, ARIBA, Retired Architect (1930– ) Grandson of Alex B. Wilson Blair has painted spasmodically for most of his life, exhibiting with others in 1964, 1965 and 1967. Paintings inspired by visits to Tibet, Ireland, Scotland and France, England and the Mediterranean, and to Uralla, Sydney, the Murrumbidgee, Murray and Darling Rivers formed the basis of his solo exhibitions of 1998, 2000 and 2002. These works from his travels were accompanied by paintings of Moreton Bay and South Stradbroke Island. Since the 2002 exhibition he continues to paint, mostly his beloved South Stradbroke Island. His work is represented in private collections in most Australian States.

Jenny Conde b. 1959 Waterline Reflections 1 to 4 undated Oil on canvas

Elizabeth A. Wilson b. 1934 Wood Shadows c.1970s Plywood.

Keith Wilson b. 1947 Sailing Ship undated Sand painting.

Marjorie Schumaker b. 1929 Watching the Sailing, Sydney 2003 Watercolour on paper Courtesy of Claire Wilson, Jindalee.

Hamilton B. Wilson b. 1961 Nighttime Crossing 2001 Oil on canvas Courtesy Blair Wilson, Ascot

Blair M. Wilson b. 1930 Moreton Island Sandhills 2002 Watercolour on paper Courtesy of Jennette Lavis, St. Lucia

Hamilton B. Wilson, BArch(1st class Hons) (Qld), FRAIA, Architect, Managing Director of Wilson Architects (1961– ) Great grandson of Alex B. Wilson Hamilton first studied art with the Australian Flying Arts School’s Brisbane classes. An amateur painter, he has participated in group exhibitions notably at the Brisbane office of the Royal Australian Institute of Architects in 1991–4 and subsequently at the Jan Murphy Gallery, Brisbane in 2001. Elizabeth A. Wilson, BSc, DipL’scapeArch, FAILA, Landscape Architect and Director of Wilson Architects (1934– ) Wife of Blair M. Wilson Beth graduated from the University of Queensland majoring in Botany in 1955. She joined the first course in

Landscape Architecture at the QIT 1967 and subsequent to graduation founded the landscape facet of the Wilson practice. Her ‘wall boxes’ in this exhibition were created between 1959 and 1967, while raising a family of four children. Helen Wilson, BArch(Hons) (Qld), GradDip (AA), Conservation Architect (1954– ) Great granddaughter of Alex B. Wilson Helen currently practices in Sydney – Helen Wilson Conservation Heritage Design. She has been drawing and painting since her childhood and has prepared drawings of her travels in Australia, India and Thailand. Nick Hollo, BSc(Arch), BArch(Hons) (UNSW), PostGradDipBldgSc, Architect and Urban Designer (1949– ) Husband of Helen Wilson Nick is a keen early morning swimmer and draws almost every day, usually somewhere along the coast between Bondi and Coogee and northwards to Queensland. His pictures are made with brush, pen and oil pastels on coloured paper. He has had five solo exhibitions since 2000. Nick is Director of Planning, Architecture and Environment at the Sydney Harbour Federation Trust, and his oil pastels works are used in the Trust’s publications such as Reflections on a Maritime City, and An appreciation of the Trusts lands on Sydney Harbour. Kim Wilson, Artist and Adventuress (1961– ) Great granddaughter of Alex B. Wilson Kim lives and works in Brisbane. She began painting again in 1988, exhibiting in group exhibitions at Guymer Bailey Architects in 1998 and Simpactico Gallery in 2002. Solo exhibitions of Kim’s work were held at Simpactico Gallery in 2002 and 2003. ‘I paint quiet things that are often passed over for the grand display. I love what happens to the man-made after nature has a go at it.’ Peter Anderson, DipFineArts (Painting), Artist and Adventurer (1956– ) Husband of Kim Wilson A man of adventure, from 1978 to 1981 he was 2nd mate on Eye of the Wind, a sailing ship for Operation Drake Circumnavigation. In 1982–83 he was the Expedition Artist on Tami Canoe Project, Papua Niugini, co-pilot for Endeavour balloon Project’s Trans Australia Flight. After marrying Kim in 1994 they circumnavigated the world in his 36ft ketch, Skerrymore. Since 1976 he has held 14 solo exhibitions, the latest being at the Philip Bacon Galleries, Brisbane. His awards include the 1989 Gold Coast City Art Prize, the 1991 Kooralbyn Art Prize, 1999 Pine Rivers Sculpture Award, 2000 Queensland Newspapers Ken Cowley Art Award. His works are in numerous

corporate and regional collections including Parliament House, ACT, AMP Insurance, Kingfisher Bay Resort and Royal Sydney Yacht Club. Marjorie Schumacher, Artist (1929– ) Eldest granddaughter of Alex B. Wilson Marjorie studied art at the Brisbane Technical College and established a life long love of art. After marrying, she lived in Melbourne for 25 years, during which time she dabbled constantly in oils and watercolours and formed an affinity with pastels. She belonged to the Malvern Artists Society and the Victorian Artists Society, studied with Anne Graham, Celia Slovsky and Ming McKay, and since returning to Brisbane she has belonged to the Half Dozen Group at St Mary’s Church, Kangaroo Point. Keith Wilson, BSurv, MSc (Photogrammetry), Surveyor (1947– ) Great grandson of Alex B. Wilson The origins of Keith’s sand paintings followed from creating coloured sand bottles for school fetes. He collects his own materials from Stradbroke Island and inland Australia and developed his own techniques for sand painting. A keen woodworker and, in the Wilson Tradition, recreational sailor, he has built several boats. Jenny Conde, DipVisCom (QCA), Graphic Designer and Artist (1959– ) Great granddaughter of Alex B. Wilson Jenny has participated in nine group exhibitions in Brisbane since 1999. She has been a member of numerous committees associated with design including The Design Institute of Australia 1985–95, National Flag Competition Judging Panel in 1986, Artworkers Alliance since 2001 and the Australian Graphic Design Association 1997–2000, member of the exhibition committee for ‘Colour of Peace and Harmony’. Ralph Wilson, Artist (1955– ) Great grandson of Alex B. Wilson Ralph studied architecture 1973–74. He was awarded Camberwell Rotary Travelling Scholarship in 1983 and worked in Italy in 1986 and 1990. Ralph has held 26 individual exhibitions from 1976 to his latest at Philip Bacon Galleries in 2003. His work features in collections of AMP, Australia Post, BHP, The Brisbane Club, Carlton Crest Hotel, Commonwealth Artbank, Daikyo International, Hilton Hotels, The Marriot Group, Sheraton Hotels, Suncorp, Telstra and many private collectors in Australia, USA and Europe.

Wilson Architects 1884–2004 | 37

Acknowledgements

Special thanks are extended to the lenders to the exhibition: Neville and Margaret Brandon, Leith Harbison, David and Judith Henderson, Jennette Lavis, Michael and Leith Lester, Phillip Lukin, Margaret and Cathryn Mittelheuser, Jill Pozzi, A.Bruce Wilson, Blair Wilson, Elizabeth Wilson, Hamilton Wilson, Keith Wilson, Noel Wilson, Ralph Wilson We would also like to thank the following for their assistance: Rose Wade of the Fryer Library, Kay Nardello of the Oxley Library, Don Watson and Judith Mackay, Richard MacDonald of RSM Art Conservation, Caroline O’Rourke of Conservation Art Consultants, Frame it Yourself, Leith Harbison, Ross Wilson, Staff of the University Art Museum Wilson Architects 1884–2004: Key Project Dates Early dates are sourced from the Contract Account book of A.B. Wilson and represent the date the project commenced in the office. Records of work carried out during the war years 1917–19 have not been located. Later dates are from records which survived the office fire, and Blair Wilson’s recollections. These and the most recent dates reflect when the project was opened. Attribution of Architectural and Landscape Images Photographs not individually acknowledged are from the Wilson Family’s collection, photographers are unknown. Home Residence Architect: A.B.Wilson Page 6 Photographer: Helen Wilson Cliffside Flats Architect: R.M.Wilson Page 15 Photographer: Helen Wilson

38 | Wilson Architects 1884–2004

Albany Creek Crematorium Project Team: B.M.Wilson, documentation E.McMahon Page 16 Photographer: Blair Wilson La Boite Theatre Project Team: B.Wilson Page 17 Photographer: Richard Stringer Kindler Memorial Theatre, Queensland Institute of Technology Project Team: B.M.Wilson, E.A.Wilson, documentation S.Boyer in association with the Queensland Department of Works Page 18, 28 Photographer: Richard Stringer Schools of Engineering and Education, Capricornia Institute of Technology Project Team: B.M.Wilson in association with the Queensland Department of Works Page 19, 28 Photographer: Richard Stringer Civil Engineering Building, Central Technical College Project Team: B.M.Wilson, documentation S.Boyer Page 19 Photographer: Richard Stringer Griffith University Science 1 and 2 Buildings Project Team: B.M.Wilson, documentation Science 1 – B.Munro, Science 2 – J.Dimitriou Page 19 Photographer: Hanson Photography City Botanic Gardens Central Rotunda and Landscape Project Team: E.A.Wilson, B.M.Wilson, H.Wilson, M.Sommerville, K.Murray Masterplan: Robin Gibson Page 20 Photographer: c/o- Brisbane City Council

Lakeside Boardwalk, The University of Queensland Project Team: E.A.Wilson, J.Harrison, P.Lukin, C.Walls Page 20 Photographer: Phillip Lukin Cybrary, Ipswich, The University of Queensland Project Team: H.Wilson, M.Hartwich, J.Thong, R.McAdam, P.Lukin, B.Hardcastle, C.Bianci, J.Groves, E.A.Wilson, J.Harrison, B.M.Wilson Page 21, 28 Photographer: Chris Stacey The Mayne Centre, The University of Queensland Project Team: H.Wilson, J.Groves, J.Thong, C.Bianci, C.Walls, M.Herse, B.Hardcastle, M.Hartwich Mayne Hall Architect: Robin Gibson Page 7 Photographer: Chris Stacey Art: Xiao Xian Liu, Reincarnation Mao, Buddah & I Page 22 Photographer: Chris Stacey Art: From the exhibition To Look Within: Self Portraits in Australia Page 23 Photographer: Richard Stringer Page 28 Photographer: Chris Stacey

Kelvin Grove Busway Link, Queensland University of Technology Project Team: J.Thong, M.Herse, M.Hartwich Masterplan: Cox Rayner & TRACT Page 24 Photographer: John Thong Brisbane Grammar School Grandstand Project Team: H. Wilson, P.Lukin, S.Graham, B.M.Wilson, A.Macks, R.McAdam Page 25 Photographer: Erik Williamson Oval 7 Pavilion, The University of Queensland Project Team: H.Wilson, P.Lukin Page 25 Photographer: Craig Chandler

Glengallan Homestead Landscape Project Team: E.A.Wilson, J.Harrison Page 28 Photographer: E.A.Wilson Suncorp Stadium Landscape Project Team: J.Harrison, E.A.Wilson Landscape Masterplan: EDAW Page 28 Photographer: Bryce Pebbles Duhig Library, The University of Queensland Project Team: H.Wilson, P.Lukin, B.Hardcastle, R.McAdam, B.M.Wilson, S.Guthrie, J.Harrison, E.A.Wilson Page 28 Photographer: Erik Williamson Wilson Architects 2004:

Trustee House, Ipswich Project Team: H.Wilson, M.Craig, J.Thong, R.McAdam Page 26 Photographer: David Sanderson Kooroomba Vineyard Restaurant and Cellar Door Project Team: H.Wilson, M.Hartwich, J.Jago, C.Walls, M.Herse, E.A.Wilson, J.Harrison Page 27, 28 Photographer: John Linkins

Doggett Street Residence & Office Project Team: H.Wilson, E.A.Wilson Page 22 Photographer: Hamilton Wilson

Morrow’s (later Arnotts) Biscuit Factory Architect: A.B.Wilson Page 28 Photographer: Richard Stringer

Queensland Institute for Medical Research Project Team: Bligh Voller Nield: P.Tait, A.Ogden, M.Gimmer, G.Hehir, H.Cue, D.Small. Wilson Architects: J.Thong, R.McAdam, R.Sale, N.Rogers, M.Hartwich, M.Tanna. Consultant: R.Sale Page 24 Photographer: David Sanderson

Powerlink Landscape Project Team: E.A.Wilson, J.Harrison Page 28 Photographer: Bruce Pebbles Mincom Central Public Plaza Project Team: E.A.Wilson, J.Harrison, B.Hardcastle Architecture: Noel Robinson Landscape Masterplan: TRACT Page 28 Photographer: David Sanderson

Directors John Thong B Arch (Hons) RAIA Beth Wilson B Sc DQIT (Land Arch) FAILA Blair Wilson B Arch LFRAIA. RIBA. Hamilton Wilson B Arch (Hons) FRAIA Associates Justine Groves B Arch (Hons) RAIA John Harrison B App Sc GDLA AAILA Brent Hardcastle B Arch RAIA Michael Hartwich B Arch (Hons) RAIA Phillip Lukin B App Sc (QUT) B Arch Design Staff Melody Chen Michael Herse B Arch Vincent Lehane B Ag Sc (Land Hort) (Hons) Nicholas Lorenz B Arch (Hons) Anna Pick B Des Stud Tomo Takada B Arch (Hons) Lucy Williams Administration Angela Lorisch Angela Van Zeeland Elsbeth Best We would like to thank our clients for their patronage.