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WE ARE 10!
e are so excited to bring you this issue. It’s our 10th!
There have been many moments when we didn’t think we’d make it this far but we are proud to reach this milestone. With the stories contained here, we have produced well over 400 pieces of great content.
That is no small feat. The odds may still be stacked against us but we will continue to press on, telling the stories of Arts + Culture, Food + Drink, City Life and Made in Hamilton that make this city a dynamic, fascinating, confounding and vibrant place to live, work and do business.
There is truly no other place like Hamilton. In this issue, we focus on music, which in many ways is synonymous with The Hammer. Check out stories about Supercrawl, the crucial role of music education, beloved past and present music stores, a new album for The Shakers and
some up-and-coming bands you should be watching. We are also happy to welcome local musician Dylan Hudecki (aka The Dill), who is joining HCM with a roundup of local albums called The Playlist.
If you are seeing our magazine for the first time (where have you been!), please consider subscribing.
But we need more. Please help us spread the word about HCM via social media and to your friends, family, neighbours and co-workers. Visit our website regularly for our exclusive online content and check out our Things to Do page every week for new listings.
Please, please, please show some love to our advertisers and if you own a local business, what are you waiting for? We need you to help us continue producing this magazine for the city we all love.
The local and independent HCM team.
July 2–5
July 8–12
in the City!
Curated by Big Time Productions
Lunchtime Live Music Series
Lloyd D. Jackson Square Rooptop Garden
Troy Harmer
Monday to Friday 12–2 PM — All Summer Long
July 22–26
Terry Rhodes
July 29–August 2
Melissa Marie Walker
July 15–19
Al Corbeil
Follow @jacksonsquarehamilton on Instagram for updates. Schedule & artists subject to change. Join us
Michael Maguire
August 6–9
Kyle Pacey of Fly by Nite
August 12–16
Paul Sage
August 19–23
Jamie Shea
August 26–30
Hayley Verrall
Celebrating 52 Years of Free, Live Concerts
Photographed by Lili Peper
INSIDE
THE HEADLINERS
8/ RECLAIMING LRT
A rapid transit line crossing Hamilton holds tremendous promise and purpose and we can’t forget that as this project drags on.
18/ SHOPPING INDIE
With skyrocketing food prices and bigchain profits, one Hamiltonian made it her mission to find local small grocers to support. Here are the gems she found.
22/ MUSIC’S LAST STAND?
Instrument and gear retailers are much more than just stores, they are a vital part of a thriving music scene. Hamilton has said goodbye to many retailers over the years but a number still remain.
33/ THE SHAKERS ARE ROCKING AGAIN
The legendary Hamilton rock ’n’ roll quartet have reunited and will soon release their first album of new material in more than 40 years.
38/ TURN UP THE MUSIC
Neuroscience research shows music education has a long list of positive benefits for young people. So why are we abandoning it?
54/ PATIO PLEASURES
Whether you’re sipping cold pints, enjoying oysters al fresco, or having a full dining experience by the waterfront, we have an abundance of patio options within the city.
62/ SHAKING UP SHAKESPEARE
Trevor Copp and Alma Sarai are the dynamic duo behind Tottering Biped Theatre (TBT) and the company’s annual summer Shakespeare by the Castle festival that takes place in August at Dundurn Castle.
THE MUSIC ISSUE
12/ FOR THE LOVE OF HAMILTON: DANIEL CLARK
22/ MADE IN HAMILTON: MUSIC’S LAST STAND?
30/ ARTS & CULTURE: BANDS TO LISTEN OUT FOR 33/ ARTS & CULTURE: THE SHAKERS ARE ROCKING AGAIN
38/ ARTS & CULTURE: TURN UP THE MUSIC 42/ ARTS & CULTURE: SUPERCRAWL 44/ ARTS & CULTURE: THE REDHILL VALLEYS: NO SPEED LIMIT 47/ ARTS & CULTURE: DYLAN HUDECKI’S ‘THE PLAYLIST’
LAND ACKNOWLEDGEMENT
The City of Hamilton is situated upon the traditional territories of the Erie, Neutral, Huron-Wendat, Haudenosaunee and Mississaugas. This land is covered by the Dish With One Spoon Wampum Belt Covenant, which was an agreement between the Haudenosaunee and Anishinaabek to share and care for the resources around the Great Lakes. We further acknowledge that this land is covered by the Between the Lakes Purchase, 1792, between the Crown and the Mississaugas of the Credit First Nation.
Today, the City of Hamilton is home to many Indigenous people from across Turtle Island (North America) and we recognize that we must do more to learn about the rich history of this land so that we can better understand our roles as residents, neighbours, partners and caretakers. Both the National Day for Truth and Reconciliation and Orange Shirt Day take place on Sept. 30 and recognize that at least 150,000 Indigenous children from across the country were forcibly separated from their families and their communities. MAIN
A world of enjoyment, achievment, memories, and togetherness
Olympics times two
WILL JONES, A MEMBER OF THE ROYAL HAMILTON YACHT CLUB AND A BURLINGTON RESIDENT, WILL COMPETE IN PARIS IN THE 49ER CLASS. IT’S HIS SECOND OLYMPIC BERTH BUT HIS FIRST TRUE GAMES EXPERIENCE.
Burlington sailor Will Jones will have a true Olympic experience in Paris, where athletes will compete July 26-Aug. 11.
It is the second time the 29-year-old has qualified to represent Canada at the Olympics but his first time was for the 2020 Toyko Games, held in 2021 due to the pandemic. No family, friends or supporters could attend and there were no crowds or ceremonies. Jones and teammate Evan DePaul – who are both members of the Royal Hamilton Yacht Club (RHYC) – finished 19th.
This time around, Jones’s new wife, his parents, and his brother will be there to cheer him on.
Jones is skipper on a 49er, a high-performance vessel that requires skilled control of the massive power in its huge sails. The two sailors are hooked into harnesses and cantilevered out over the water, trying to counteract the big sails.
teammate, Justin Barnes of Pickering, Ont., will be training at the sailing site in Marseille weeks ahead of the
Olympics. Training days mean about three hours on the water, gym sessions, a couple of hours of boat maintenance and set up and debriefing.
When asked about his goals for these Olympics, Jones says: “I think we can go in without any expectations. I think the fleet is quite strong and, and we have nothing to lose, basically. So I think our goal is just to be as aggressive as possible.”
In terms of results, a “dream goal” would be to break the top 10, he says.
Jones, who was born and raised in Jerseyville, took part in his first regatta at age 13 and then joined a racing team at the RHYC. “It was all totally new to me. They introduced me to the sport and the fun of it. There’s a really nice sense of independence out on the water and a great community
Jones graduated from mechanical engineering at Queen’s University in 2017. That year, he finished first in the junior world championships in Kingston and then second at the North American Championships.
Jones says much like his chosen field of study, sailing
“You go out and there’s a set of conditions. And there’s a certain way that you can figure out how to best sail
Jones and Barnes have tasted success on the podium, winning bronze at the 2023 Pan Am Games in Santiago. That result earned Canada a berth in the 49er event for Paris 2024. Jones and Barnes earned that Olympic spot for themselves by topping the Canadian standings after two selection regattas in early April.
The pair were also the top Canadian 49er crew at both the 2023 Sailing World Championships and 2024 49er and 49er FX World Championships. Jones is the seventh sailor from the RHYC to compete in the Olympics over the past century. n
RECLAIMING LRT
A RAPID TRANSIT LINE CROSSING HAMILTON HOLDS TREMENDOUS PROMISE AND PURPOSE AND WE CAN’T FORGET THAT AS THIS PROJECT DRAGS ON.
By PAUL SHAKER
It has been over three years since the announcement that Hamilton light rail transit (LRT) was back on track. The mood on May 13, 2021 was one of optimism and renewed excitement as Ottawa and Ontario each committed $1.7 billion to advance the Hamilton LRT project for a total investment of $3.4 billion to support construction.
The press release by Metrolinx explained: “Through this partnership, the province and federal government are taking a significant step towards advancing this shovel-ready LRT project that will offer frequent and reliable connections on the 14-kilometre line from Eastgate Square through downtown Hamilton to McMaster University.”
Leading up to the press conference, there was an outpouring of community engagement, first sparked by the outrage around LRT’s initial cancellation, then focused on reasserting the purpose of this transformational project. Residents
reminded elected officials, from all levels of government, why they decided in favour of this project in the first place. Why, over five municipal elections where it was a major, if not the major issue, the pro-LRT candidate for mayor was elected over and over.
Unfortunately, in the three years since the announcement, momentum and excitement for this project has dissipated through a combination of long periods of communication silence and snail’s pace progress on getting things going. This, understandably, had led to the misunderstanding of what is happening and misinformation concerning what the project is about. Within this context, it’s worth reiterating the promise and purpose of LRT.
First, the idea to build a permanent eastwest rail line is overwhelmingly supported by studies, transit experts and planners. Support for the system is rooted in facts, best practices, as well as history. The Hamilton Street Railway (HSR) has been in operation for 150 years, building up routes
and ridership. About 30 years ago, ridership along the major east-west corridor grew to the point where the B-Line express bus route was launched. That corridor has become a foundation to our modern transit system, continuing to build up ridership over the decades. Now, in the 2020s, it is well past time to upgrade the B-Line corridor to LRT. In fact, background studies for the project showed that opening day ridership would already be above average for similar sized LRTs across North America.
Further, it is important that the B-Line is a permanent rail line. There are many logical reasons for this. First and foremost, it creates the most efficient form of rapid transit, attracts significant new riders and is the most cost effective from an operational point of view. Metrolinx officials who have studied Hamilton estimate that with LRT, ridership will double by 2041 whereas with our current bus system, only moderate gains will be made. This translates into millions in new annual revenues that can be reinvested
AN ARTIST CONCEPTION OF A FUTURE LIGHT RAIL TRANSIT STOP AT QUEEN STREET. RENDERING: METROLINX
in the entire HSR system.
Second, there is good reason why the ridership on the B-Line is high. This isn’t a route in the middle of nowhere. It serves many of the existing and developing major centres of activity in Hamilton. The route already serves two of the largest employment nodes in Hamilton, downtown and McMaster University, connecting tens of thousands of workers to their jobs. Further, the West Hamilton Innovation District is adjacent to the route and will house the LRT maintenance yard. This District functions as a life sciences mega-hub of innovation for corporate, academic and government research in science and technology. It already contains Canada’s pre-eminent materials testing lab, an internationally renowned centre for vehicle electrification, autonomous vehicles and hybrid tech, as well as companies involved in bio-tech. When fully built out, the District will house thousands of new jobs.
At the other end of the route, Eastgate Square, is another major development that will see the reconfigured mall house several new residential towers and thousands of new residential units. Not to be forgotten, all along the route, there are redeveloping neighbourhoods complete with new residential towers, multiple vibrant commercial districts, as well as major attractions, like Gage Park and Tim Hortons Field, which only further increase demand along this corridor. All told, LRT will connect these significant points of living and working together.
Third, it’s important to remember that light rail transit is the start of building something greater – an entire rapid transit network,
something called the BLAST network. It is the start of building a truly integrated transportation network with fast efficient connections all across Hamilton. For example, the A-line express bus route that runs from the downtown to the airport was launched in 2009, and it is starting the journey to building ridership. But the BLAST network all starts with the letter B. The east-west B-Line is the backbone of the network. However, we shouldn’t be looking at these routes in isolation. If you live on the east Mountain, or in Dundas, you will benefit from LRT as a transit user, as well as a local taxpayer. That’s because the entire HSR system will integrate with LRT, making movement and connections easier and faster.
Fourth, LRT is an important part of a plan to make Hamilton financially sustainable. Right now, we are living with the legacy of urban
momentum and excitement for this project has dissipated through a combination of long periods of communication silence and snail’s pace progress on getting things going.
sprawl that has saddled us with an annual infrastructure deficit of $200 million. This is due, in part, to the fact that there isn’t the density of taxpayers to properly pay for all the infrastructure and services around them. The only way to solve this is to build more homes within the urban boundary to increase the level of property taxes to sustain the roads, sewers, and services, and we need to do this as quickly as possible. While we can create rules and incentives to encourage more residential infill, what LRT does is super-charge all those efforts. Light rail becomes a major investment magnet that can reshape the real estate landscape quickly. This is one of the major advantages of LRT over buses. Permanent rails inspire investor confidence. The construction of an LRT line is a strong statement from the city that it is serious about building a network of higher order transit. As has been the experience in other cities, that confidence will spur an acceleration of investment and development along the LRT corridor, creating enhanced tax revenues, development charges and jobs during and after the construction. Finally, it’s important to remember that Hamilton doesn’t have a Plan B that comes anywhere close to addressing the variety of issues facing our city, whether economically, socially or environmentally. Light rail transit builds on decades of planning, decades of investment, and millions of dollars in studies, reports and strategies. It’s time to get rolling on this vitally important project and reclaim the promise and purpose of LRT. n
Paul Shaker is a Hamilton-based urban planner and principal with Civicplan.
CRISES DEMAND RAPID ACTION
WE FACE EMERGENCIES ON SEVERAL FRONTS, INCLUDING HOUSING AND CLIMATE CHANGE AND THEY REQUIRE A NEW APPROACH IN MUNICIPAL POLITICS. STRONG MAYOR POWERS ARE A TOOL THAT
COULD
SPEED UP GOOD DECISION-MAKING.
By RYAN MCGREAL
What kind of political system do we want? Do we want a system in which the leaders we like are empowered to implement bold, transformative policies? Or do we want a system in which the leaders we fear are too bogged down in a morass of process and regulation to cause much damage?
Do we trust voters to choose wisely when they go to the polls? Do we trust politicians to wield their powers in responsible, benevolent ways despite all the many pressures of the office, the influence of lobbyists, and the lure of crony enrichment?
This isn’t just abstract noodling. These are important philosophical arguments that loom below the surface of any given political debate.
This is especially true of municipal politics in Ontario, where the rules that govern municipal powers are defined entirely by provincial legislation. There is no constitutional right to municipal
governance in Canada – all municipal powers are merely provincial powers that have been delegated to a public corporation that is defined under the Municipal Act and overseen by a council that is elected under the Municipal Elections Act.
The rules under which municipal governments operate is very much a live issue. The Ontario government under Premier Doug Ford demonstrated this in stark fashion when he enacted legislation to cut the size of Toronto’s municipal council in half – from 47 seats to 25 seats – right in the middle of the 2018 municipal election.
Three years later, the Supreme Court of Canada affirmed Ford’s constitutional right to do this, albeit in a split 5-4 vote. Even so, the dissenting minority objected mainly to the timing of making the change in the midst of an election.
I certainly thought the change cut against the spirit of democratic participation. But in defence of Ford’s enthusiasm for upending
HAMILTON MAYOR ANDREA HORWATH ENACTED STRONG MAYOR POWERS TO OVERRIDE A COUNCIL DEADLOCK ON AN AFFORDABLE HOUSING PROPOSAL. FAILURE TO ACT IN THIS EMERGENCY WOULD HAVE BEEN A BREACH OF DUTY, SAYS RYAN MCGREAL. PHOTO: BRENT PERNIAC
municipal governance frameworks, it’s hard to argue that the status quo was working particularly well.
His other big change on the municipal stage has been to enact so-called strong mayor powers. Previously, the mayor was effectively just a councillor-at-large with a single vote on council. They had a larger office budget and a mandate to represent the whole city rather than a single ward, but otherwise the mayoralty amounted to a glorified bully pulpit.
Under the new strong mayor system, which was extended to Hamilton in July 2023, the mayor now has the unilateral power to: appoint the city manager and most department heads; establish committees and appoint their chairs and vice-chairs; propose new by-laws that advance provincial priorities and pass them with only a one-third vote; veto by-laws that go against provincial priorities (the veto can be overruled by a two-thirds majority); direct staff to do research and prepare policy advice; and present a proposed annual budget with enhanced veto powers for council amendments.
One of the top provincial priorities is building more housing – fast. The Ontario government has set the goal of adding 1.5 million new housing units by 2031. Hamilton Mayor Andrea Horwath cited this goal in her decision this past spring to overrule a council deadlock on trading some municipal parking spots in downtown Stoney Creek for desperately needed new housing units.
This move came as a surprise to some, given Horwath’s position during the 2022 municipal election that she preferred a “collaborative approach” to “bringing people together” and “trying to find common ground to move forward.”
Horwath warned that a strong mayor could “railroad people or override the democratic process,” calling this “pretty dangerous, frankly.”
I’m sure people are wringing their hands over the delicious hypocrisy of a mayor who warned against strong mayor powers as a candidate only to wield them once in office. I would propose two arguments against such glee.
More specifically, council’s decision to prioritize surface parking over housing during a historic housing crisis was so blatantly, forehead-slappingly bad that it would have been an appalling breach of duty for Horwath to have the power to overrule that terrible decision and then refrain from exercising it.
More broadly, I propose that the progressive movement desperately needs to get over its fear of power and start demonstrating that it is capable of getting things done.
The liberal left has for decades been steeped in a politics of tackling problems by adding layers of accountability, with the goal of slowing down destructive changes by giving the people affected by a new development more power to hit the brakes. By no means do I intend to disparage this approach. It is entirely appropriate to wield the apparatus of oversight and regulation in order, say, to block a trash incinerator from setting up next to a residential neighbourhood.
The problem is that this approach of blocking the building of bad things does not map well to the challenge of building good things quickly. And building good things quickly is exactly what we need to be doing to address the manifold emergencies we face today. From the housing crisis to the climate crisis, the times demand rapid, decisive action.
Yet our governance structures have been shaped over decades by the goal of making it difficult to do anything. The same policies that allow residents to stop an incinerator can also be abused to block a desperately needed new multi-storey residential building.
The same public scrutiny that is levelled to raise the cost of corrupt self-dealing boondoggles can also be abused to intimidate a public transit agency into such fear of failure that it endlessly delays starting construction on a new rapid transit line.
Strong mayor powers are a tool of governance. Like any tool, they can be used prudently or dangerously. Let us not be so afraid that we lose sight of the power to make things better. n
DANIEL CLARK
who he is: Guitar-maker and Mohawk College graduate
THIS REGULAR FEATURE HIGHLIGHTS PEOPLE FROM ALL WALKS OF LIFE WHO HAVE EMBRACED HAMILTON AS THEIR NEW HOME. r ea D the full interview with
interviewed by: Meredith MacLeod
DANIEL CLARK was born in Toronto and raised in Orangeville. The eldest of two boys, Daniel enjoyed his adolescence on a hobby farm in Mulmur where his parents still reside. He grew up playing sports but his true love was guitar. Pursuing that passion, Daniel graduated from Mohawk College in 2011 with a diploma in applied music. He then attended the LADO School of Lutherie. Upon graduation, he incorporated Cithara Guitars Inc. and set up shop at home with parents. Daniel then moved the company to Hamilton to begin the next chapter with a larger client pool and his college girlfriend. In 2017, the couple married and in 2023 they welcomed their son, Parker Jameson, into the world.
SETTING UP SHOP
What brought you to Hamilton?
I first came to Hamilton in 2007 to take the music prep program at Mohawk College and then continued my education with the three-year diploma program. I was elected to president of the Mohawk Students’ Association the year after I graduated, so I stayed in Hamilton another year to work full time at the college before continuing my education out of town. I met my wife while studying at Mohawk and she is from the Flamborough area so when it came time to set up the company somewhere full-time, we returned to Hamilton because it felt familiar to both of us.
Tell us about your guitar-making business
Cithara Guitars is a custom guitar and repair shop in Hamilton crafting approximately two dozen custom guitars per year and servicing well over 500 repair clients annually. Services offered include set-ups, fret dresses and refrets, refinishing and paint touch ups, custom wiring and pick guards, custom nut, bridge and saddle work as well as structural repairs for cracked bodies and headstocks. In addition to your basic luthier services above, Cithara is proud to be the certified Canadian installer for Glazer B Benders as well as an authorized warranty shop for popular brands like Fender, Guild and Taylor. Some notable clients we have built custom guitars for include Barenaked Ladies frontman Ed Robertson, country artists Steven Lee Olsen and Jason Blaine and Hamilton’s own Tomi Swick just to name a few.
What is the greatest joy in your work?
The best part of my job is seeing one of my guitars up on stage or just hearing a musician describe how the guitar feels in their hands. When it comes to custom work, being able to capture everything the client had in mind, their exact wishes, dreams and vision, and being able to turn an idea into something tangible is a great feeling.
What neighbourhood do you live in and why did you choose it?
We live on the Mountain in the Inch Park area. When my wife and I attended Mohawk College, we lived near campus so
we felt like we knew the area well and once we moved in, we discovered our classmates must have felt the same because many of them are now living on neighbouring streets. We love the parks and green spaces available so close to home and our business is home-based so we needed a property that supported that as well.
What’s your take on Hamilton now that you’ve got some roots here?
Hamilton feels like coming home now having been here for over a decade. There is something hopeful, promising and optimistic about this city, and it feels like rooting for the underdog so that someday when the rest of the world wakes up and sees what Hamilton has to offer, we’ll be able to say I told you so!
Favourite hangout in Hamilton?
My hangout in Hamilton is on the water, specifically Bayfront boat launch from the spring right through to autumn.
Are there Hamilton arts or cultural events you most look forward to attending?
Supercrawl, Festival of Friends, the Winona Peach Festival
What’s Hamilton’s best-kept secret that you’ve discovered? I can’t claim to have discovered this since so many people know about it, but I would say it is under-utilized considering how easy it is to access: the Bruce Trail! Having easy access from the escarpment stairs to such incredible green space running right through the heart of the city is something pretty special.
What does Hamilton need more of?
Waterfront music venues and restaurants.
What does Hamilton need less of?
Potholes, lol.
What’s the one thing you brag about Hamilton to outsiders?
The restaurants and music venues!
/continued online
IF YOU’D LIKE TO BE FEATURED IN FOR THE LOVE OF HAMILTON, PLEASE CONTACT meredith@hamiltoncitymagazine.ca
NOT TO BE MISSED
Summer is the time to revel in being outside and the best season to enjoy all that Hamilton and Burlington have to offer. Here are a few of our favourite local happenings.
DOWNWARD DOGGOS
Many things in life can be improved with the presence of a puppy and yoga is no exception. Get your dog-fuelled dopamine pumping at Studio 35 Puppy Yoga, where an instructor leads a 95-minute class as 10 furry free-roaming roly polys “help” guide you through the session. The final 25 minutes of the class are dedicated to the most snuggly savasana you’ve ever had. For the yoga-curious out there, if there was ever a reason to finally roll out a mat – it’s puppies. Check out the website for full details and to book a session. studio35.ca
RIDE ON
The Moto Social, the global motorcycle initiative where motorbikes are optional for membership but good vibes are mandatory, cruises again to Hamilton this summer for monthly meetups. Helping build a bit of suspense, the location of each gathering is announced two weeks prior. Past spots include Hutch’s, Grain & Grit and Merk Snack Bar. Regardless of the locale, there will likely be lots of parking at these mobile parties, where those who ride mingle happily with bikeless bipeds. themotosocial.com
FLOAT YOUR BOAT
Test the theory that life is better on the water this summer by taking a 50-minute narrated cruise aboard the Hamiltonian, launching from the Pier 7 docks. Gain a new water-based perspective of the city’s skyline while the captain recounts the history of Hamilton’s bustling harbour. As you hop off the boat at the end of the trip, full of fresh air and fun facts – and leave the docking to the staff (so many ropes!) – you can also test the theory that the best boat is someone else’s. Cruise over to the website for schedules, ticket pricing and more info. hamiltonwaterfront.com
SMARTEN UP
If social media scrolling is causing some atrophy of the ol’ thinker, it’s time to get curious and head to Shawn and Ed’s Brewing Co. in Dundas for the monthly Nerd Night. The PWYC event, with proceeds going to the Routes Youth Centre, features an evening of educational talks led by esteemed hosts – their credentials housed in the impressive smattering of letters after their names. Wide-ranging smarty-pants topics cover philosophy, science and more, the brain-bending and social evenings providing way more fun than a Google search could ever offer. Study the website for dates and more details. hamilton.nerdnite.com
PEDAL POWER
Take a bicycle-powered food crawl this summer with Pedals and Provisions Cycling Club. The inclusive touring group welcomes riders of all ages and skill levels and has added Hamilton to its 2024 itinerary, because with the goal of “connecting great food with great people,” a visit to our fair city is akin to hitting the jackpot. Registered participants will gather at a designated starting point and spend the day cycling, socializing, and snacking. Limited spots are available, ensuring the group rolls in tandem. July 27. pedalsandprovisions.com
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Make our t hings to d o section your go-to destination for city life and arts and culture events listings! ha M iltoncity M agazine.ca
LIFE IN THE CITY
From festivals and films to galas, galleries and gigs, Hamiltonians love to have a good time and these photos are definitely worth a thousand words. HAMILTON CITY Magazine was there – were you?
photos By B rent perniac, Donna Waxman, Gary Green an D J ohn ce K o
3.
4. Anthony Primerano, Victoria Mancinelli, Noa Tishby and Donna and Gary Waxman at the Negev Dinner, honouring Donna and Gary Waxman, Liuna Station, May 9.
6.
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To check ou T more phoTos, scan T he qr code
1. Joe Mancinelli, Enza Mancinelli, Shelly Falconer, Victoria Mancinelli and Neil Lumsden at the Art Gallery of Hamilton Gala, May 25.
2. Joe Mancinelli and Shelly Falconer with Tom Wilson at the AGH Gala.
Members of Teenage Head at their 50th Anniversary Homecoming Party, Carmen’s, April 6.
5. Jessica Rose, Margaret Atwood and Neal Miller, GritLIT Festival, Theatre Aquarius, April 9.
Peter Mansbridge, GritLIT, The Playhouse, April 19.
Harrison Kennedy, Steve Marriner, Jack de Keyzer, Steve Strongman, Suzie Vinnick, Escarpment Blues Society launch, Ancaster Memorial Arts Centre, May 28
MADE IN HAMILTON IS SPONSORED BY CITY OF HAMILTON ECONOMIC DEVELOPMENT INVEST IN HAMILTON
150 years of the HSR
HAMILTON’S TRANSIT AGENCY BEGAN TO ROLL IN 1874 WITH SIX STREETCARS, 22 HORSES AND THREE-QUARTER MILES OF TRACK. IT NOW OVERSEES A FLEET OF 308 BUSES CARRYING AN AVERAGE OF 55,000 PEOPLE EACH DAY.
It’s incredible to reflect that as we undertake to build an electrified light-rail transit line running on a dedicated line through the lower city that the Hamilton Street Railway started out with horse-drawn streetcars.
Those 150 years of history are on display with Take a Ride with HSR: Celebrating 150 Years of Connections. It’s an exhibit created by Tourism Hamilton in partnership with HSR staff.
Of course, the name Hamilton Street Railway is in itself a nod to history, referencing a time when public transit in Hamilton was primarily served by street cars that ran on rail. Since 1951, the HSR has been a rubber-on-road operation.
The HSR has been “a lifeline in our city” and “the backbone of our community,” says Mayor Andrea Horwath. It is one of the longest-running transit agencies in Canada.
The exhibit explores HSR’s legacy, highlighting artifacts and photographs for the first time. It includes a display of a historic HSR trolley bus.
The exhibit is free and will remain on display at the Tourism Hamilton visitor centre at 28 James St. N. until Dec. 21. The centre is open Tuesdays through Saturdays, from 10 a.m. to 4 p.m.
The HSR launched service in May 1874 with six streetcars,
22 horses and three-quarter miles of track. Those earliest vehicles seated 14 passengers. Today, HSR has 308 buses in its fleet, serving 243 square kilometres on 35 routes. The agency employes more than 1,000 people who are responsible for the transportation of an average of 21 million riders each year.
That adds up to about 55,000 riders a day. That’s roughly double what the entire population of Hamilton was when the HSR was founded.
The HSR has been an innovator, pioneering the use of compressed natural gas (CNG) in North America when it converted its first diesel buses in 1985. Since then, the CNGpowered bus fleet has expanded, with nearly 90 per cent of buses expected to run on CNG by the end of 2024.
HSR is currently working on its (re)Designed Network, which aims to optimize the customer experience and modernize the transit network to align with the benefits of the future LRT.
To celebrate its birthday, the HSR is asking the public to share their stories, memories and photos of the transit service (engage.hamilton.ca/hsr150). It’s also offering $1.50 fares on all buses on select dates through 2024. Subscribe to Bus News and follow the HSR’s socials to find out when. n
THIS PHOTO OF THE CANNON STREET BUS WAS TAKEN IN 1947. MORE ONLINE: SCAN THE QR CODE TO SEE MORE PHOTOS AND READ SOME FASCINATING FACTS ABOUT THE HSR. PHOTO: CITY OF HAMILTON
WITH SKYROCKETING FOOD PRICES AND BIG-CHAIN PROFITS, ONE HAMILTONIAN MADE IT HER MISSION TO FIND LOCAL SMALL GROCERS TO SUPPORT. HERE ARE THE GEMS SHE FOUND.
SHOPPING INDIE
By SUZANNE ZANDBERGEN
In 2023, I embarked on a mission to replace all the grocery shopping dollars I usually spent at the big three grocery chains, with spending at locally owned shops. I had no idea what an adventure it would end up being to discover so many new businesses right in our community. What most people want to know is how much more expensive it is to shop local instead of big box? Honestly, I didn’t start this journey to save money. I was just trying to make a tiny difference, moving my meagre dollars from the pockets of billionaire owners to small business owners in our community. But I was pleasantly surprised to find all kinds of incredible deals out there, like Fiddes Wholesale Produce whose produce prices cannot be beat anywhere. Like the three packs of vegan jerky for $1 at Tan Thanh Supermarket that I still crave long after devouring them all. And that jar of moussaka for $2.49 at Punjab International that I paired with some mashed sweet potato was the best meal I ever had.
Another concern I hear often: shopping local is time-consuming; shopping big-box grocery chain stores saves time because you can get everything in one place. Shopping at small grocers has added up to more trips overall, but it’s also taught me to plan out meals in advance, and to be more mindful of only buying the ingredients I need. Big-box shopping almost encourages you to “stock up” on everything possible and you end up spending enormous sums of money, with food spoiling before you have time to eat it.
I’ve documented my journey on TikTok and Instagram in vlog form if you’re interested in getting a visual peek inside the shops on my indie grocery store list (watch @thegeneratorca). Here is the list:
When the local grocery chain opened a location at Jackson Square just over a decade ago, it was an oasis in downtown’s food desert. The independent grocer is owned by Oceans Fresh Foods Market, which has a handful of stores in the Toronto area under the Oceans banner, as well as four Nations Fresh Food stores in the GTA. The Hamilton location was the second location and it bills itself as “where east meets west,” boasting a substantial and busy hot table department with a burger station, salads, sushi, Chinese BBQ and dim sum in eastern and western kitchens. The store overall is enormous with a super-sized produce section. Check out the
snacks and pantry item aisles for interesting brands from around the world. The bakery counter is very large and inviting with its cases of enticing cakes and pastries. If you’re driving in to shop, park underground using the Bay Street entrance, take the elevator up and you can validate your parking receipt to get one hour of free parking. The LCBO is right next door offering even more convenience, as well as having an entire mall on its doorstep to knock a few more errands off your list.
FIDDES WHOLESALE PRODUCE 60 Ewen Rd., Hamilton IG: @fwp_hamilton
Fiddes is one of those urban legends you hear about like the hot tub at City Hall, but in this case it really does exist, it’s open to the public, and the deals on produce are pretty spectacular. Those who know
SUZANNE ZANDBERGEN HAS A MISSION TO SHOP INDEPENDENT. PHOTOS: THE GENERATOR
visit very regularly. Nestled in the Ainsley Wood neighbourhood of west Hamilton, next to Fairweather Brewing, you’ll find an unassuming industrial garage with very little signage. The interior is just as spartan, and pretty produce displays are non-existent. There are carts though, and you should definitely fill it up because the produce here is very fresh and abundant, and you’ll not get a better deal on anything in any grocery store. Prices are not posted for anything, but staff are super friendly and you can ask for pricing. There are two separate walk-in fridges filled with goodies, but again little signage so they’re easy to miss. You can also pick up flats of fresh eggs. Fiddes is a popular supplier for many local restaurants and shops, so you’re getting high quality produce. Note: the shop only accepts cash and debit. Hours are limited, Tuesday-Saturday 10 a.m. to 3 p.m.
SALTI’S MEDINA
1095 Fennell Ave. E. at Upper Ottawa, Hamilton salti.ca
IG: @saltismedina
Salti’s is a mid-sized grocery store stocked with Middle Eastern foods, halal meat, and fresh produce. There is a large section of bulk items, with huge potential to save a lot of money on dried beans, nuts and seeds. It’s an adventure to wander the aisles and pick up your usual grocery staples but under all different brand names than you might be used to. There’s a section of dips like hummus and baba ganoush for around $2 a can, a huge savings over buying these items in the deli section of a big-chain grocery store. Follow on Instagram for deals on specific items. If you love trying new sweets, there are fresh baked treats like baklava, atayef and barazek. Pull up a stool at the retro style restaurant at the front of the store where you can order hot meals like falafel, shawarma platters and fattoush.
Conveniently open daily from 9 a.m.10 p.m., 365 days a year, with lots of free parking.
BAKE HEALTHI GLUTEN FREE BAKERY
1119 Fennell Ave. E., Hamilton
IG: @bakehealthigf
This bakery is well known among those who require a gluten-free diet for its fresh
baked breads made by owner Keith every morning. Bakery cases are filled with mouthwatering treats, and shelves are well stocked with pantry staples. One section of the bakery case is devoted to baked goods that are both gluten-free and vegan, brought in from Hamilton’s own Fairly Frosted.
There’s a freezer section as well for prepared foods and includes both gluten-free items and a section for more Fairly Frosted items, including handcrafted dairy-free ice cream. Eating gluten-free is a great way to expand your nutritional intake, as much of the western diet relies so much on one grain, wheat, and gluten-free baking includes a variety of different grains like amaranth and teff.
Bake Healthi is a one-man show, so when you go in to shop, you’ll get to meet Keith, who is very friendly and happy to share his story of going from working in emergency services to baking. Free parking on site and easy access to transit.
EAST HAMILTON CHEESE COMPANY
205 Ottawa St. N. Hamilton IG: @easthamiltoncheeseco
East Hamilton Cheese Co. is a one-woman show, run by Yvette Cowe who believes strongly in locally made products, and focuses on working with local cheese makers for her shop as much as possible. Earlier this year, the business moved a few doors down from its original location and expanded to offering frozen prepared meals from Hamilton brand Zarky’s.
The addition of a freezer full of heatand-eat meals rounds out this little shop as a one-stop-shop for a wonderful dinner at home. Fresh, locally made sourdough breads from Larry Therapy are available weekly, along with crackers, jams, chutneys, pickles, sauerkraut and, of course, a huge selection of cheeses. Vegan cheeses from renowned Guelph company Green Goddess Fromagerie are stocked in a variety of flavours.
If you’re looking to do a little entertaining, pick up a gorgeous charcuterie board, handmade by Brinnic Woodworks, a womanowned small business out of Flamborough. Metered parking in front, with easy transit access.
BARTON LETTUCE IS AT 337 BARTON ST. E., HAMILTON
DYMENT’S IS AT 416 FALLSVIEW RD. E. DUNDAS /continued on next page
TAN THANH SUPERMARKET
115 Park St. N. at Cannon, Hamilton
A family-owned Asian market that expanded into its current location over a decade ago, this is a medium-sized grocery store that has a little bit of everything. There’s a large meat and seafood counter, produce section, frozen prepared foods, dairy and eggs, plus many aisles of pantry items, and a small pharmacy/toiletry section. In the produce area, much real estate is taken up by the impressive variety of mushrooms. The rice and noodle aisle is massive, as is the loose-leaf tea selection. The snack aisle is fun to peruse, as you’ll find so many different brands that you won’t see in any of the big-box stores. The same goes for the singleserve beverage fridge, which is extensive, and very interesting to browse all the characterthemed drinks. It’s worth noting that there are a lot of unique plant-based products at Tan Thanh – even the soy milk brand was one that you’d not find in any chain grocery store. Free parking on site.
BARTON LETTUCE
337 Barton St. E, Hamilton bartonlettuce.com
IG: @bartonlettuce
A pint-sized fresh market in the heart of Barton Village, Barton Lettuce is a nice surprise in a food desert. Offering an array of fresh produce at fair prices, the shop has expanded into a variety of grocery items since Alexandra Sinclair and her husband, Matthew opened it in the midst of the pandemic in 2021. Produce is local, Ontario-grown when possible, while still offering a full array of vegetables and fruit like avocados and pineapple. The ripest produce is separated and on display in the fridge, so you’re able to easily select what you need at that moment. Pantry staples like grains and beans, spices, nuts, baking basics, plus canned goods are arranged to make use of every square inch of the shop. Fresh breads and pies are brought in regularly, as well as dairy and cheese. Plant-based alternatives are represented well in the form of cheeses, milks, ice creams, and prepared frozen foods. In spring, take advantage of the seedlings available for your garden, and the rest of the year you can find houseplants and cut flowers. Open seven days a week, and even most holidays. Metered street parking in front, with easy access to transit.
PICONE FINE FOOD
34 King St. W, Dundas piconefinefood.ca
IG: @piconefinefood
Picone has been operating in the same Dundas location for more than 100 years. The shop was opened in 1915 by Joseph Picone Sr., a new immigrant from Sicily, after running a door-to-door produce delivery business in Dundas. This shop is beloved in the neighbourhood. Staff greet customers by name and are very welcoming to new customers. It’s the place you go when you’re planning a special dinner, or hosting a party and want to serve some really delicious food. The produce is sourced from local farmers so you know you’re always getting the freshest. Everything you need to make a delectable spread is offered here: imported oils, olives, chutneys and jellies, crackers and pickles. Fresh bread comes from De La Terre Bakery and there is a section of rustic meals to go that are made in house and really are next level. The menu for the week is shared on Tuesday mornings, and the shop recommends calling to reserve as they often sell out. You’ll find beautiful displays of potted plants and cut flowers tempting you as the perfect touch for your dinner party. Metered parking in front with easy transit access.
RINCÓN PAISA
958 Upper Wellington St., Hamilton
IG: @rinconpaisahamilton
Rincón Paisa is one of those spots that everyone should know about, but those in the know keep this one to themselves. It’s a small grocery owned by a Colombian family, with a hot counter and small, tidy seating area. It’s obvious that the popularity of the place is due to the delicacies available at the hot counter, as the seats are mostly occupied by patrons enjoying the house-made empanadas, tamales, tortas and more. The grocery portion of the shop is stocked with tasty Colombian ingredients like refried beans, tostadas and sauces. A limited number of fresh produce items are available including very large avocados. A freezer section offers ready-toeat meals and snacks. The hot counter also offers house-made pastries and sweet treats. The shop is open daily with limited parking in front and easy transit access.
STARSKY FINE FOODS
685 Queenston Rd., Hamilton
starskycanada.com
IG: @starskycanada
Starsky is a small local grocery chain with three locations – two in Mississauga and one in Hamilton on Queenston Road. The store is expansive and clean, with gorgeous large
COVEN MARKET IS AT 949 MAIN ST. E., HAMILTON
produce displays that entice you to linger a bit longer. The meat and deli counter is bright, clean, seemingly endless and one of the more popular areas with shoppers. The miles of candy, chocolate and bakery cases are a browser’s delight. There’s a focus on eastern European cuisine, and thus you’ll find many different products and brands at Starsky than you’d find at one of the big three grocery chains. Traversing the long bright aisles is a bit of an adventure with so many new things to see. The tea aisle has huge bundles of herbs packaged up in footlong lengths. If you’re a pierogi fan, you have your choice from freezer after freezer full of flavours and brands. A useful bonus, staff wear name tags indicating which languages they speak. Open daily with a very large parking lot and easy transit access.
PUNJAB INTERNATIONAL
822 Queenston Rd, Stoney Creek punjabinternational.ca
FB: @PunjabInternational
Punjab International is a little like taking a trip around the world, and every aisle is a different country. Started as a South Asian grocery store in 1977, Punjab International has evolved into a truly international market. You can find Latin American foods, eastern European, Indian, and brands from Serbia, the Netherlands, Poland, and so many more. What really sets this store apart, though, is the inventory of cooking and baking ingredients. As the exterior signage proclaims as you enter, “If we don’t have it, probably it was never made.” If you’re looking for anything specialty, you’ll find it here. There are many different varieties of flours and flour alternatives, every kind of rice, beans and seeds, and the spice and dried herbs selection is very extensive. If you’re looking for an ingredient that the store doesn’t carry, staff will make note and find it for you. Many ingredients are available in the bulk section, and you’ll also find cheeses, smoked and dried meats. Free parking in the surrounding parking lot with good transit access.
COVEN MARKET
949 Main St. E., Hamilton covenmarket.com
IG: @thecovenmarket
Coven is a 100 per cent plant-based
market, but even if you don’t follow a vegan diet, you’ll want to take note of this business as a future must visit. If you have vegetarian or vegan family or friends coming over, this is your one easy stop to get what you need. Hit the coolers with the Coven brand salads, sandwich fillings and sauces – they are incredible and will satisfy anyone’s palate. Ditto the bakery case and don’t forget the challah buns, they are made in house and they are legendary. At the back of the store you’ll find a sandwich counter where you can get a breakfast sandwich, chicken salad, pulled “pork”, BLT, or grab a single-serve dessert to go from the bakery case. You’ll have a hard time choosing from tiramisu, cheese cake, Black Forest cake, cinnamon buns layered thick with frosting. You can order from Ubereats or sign up for grocery delivery. Every kind of meat alternative you can imagine is available, along with faux cheeses, dairy, pantry staples, and heat-andserve entrees, both individual and familysized. There are a few free parking spots in front and transit is easily accessible.
DYMENT’S MARKET
416 Fallsview Rd. E., Dundas dyments.com/market-bakery IG: @dymentsmarket
With the growing season back in full swing, Dyment’s Market is worth the trip. The rustic market is located next to Glen Drummond Farm, the source of much of its farm fresh goodies. The outer porch wraps around the market and is laden with colourful fruits and vegetables, so you’re already weighed down with a basket full of treasures before you enter the market and are hit in the face with the smell of freshbaked pies that line every square inch of shelf space as you walk in. The bank of freezers along one wall are filled with frozen pies both sweet and savoury, plus ready-to-heatand-eat hearty meals like shepherd’s pie and lasagna, soups, and meats from local farms. You can pick up your milk, eggs and cheese, and the bakery on site also cranks out breads, cakes, cookies, scones, and bars which tempt you in a large case at the check out. There’s a large gravel parking lot with cars often spilling out into the grassy field beside during peak season.
MI RANCHITO PRODUCTOS LATINOS
398 Concession St., Hamilton
IG: @miranchito_productos_latinos
This little locally owned grocery store is a great place to support the local economy and spend some of your grocery budget. Grab ingredients for a quick, super-tasty dinner of tostadas piled high with refried beans and peppers in the oven for a couple minutes then add chopped tomatoes, lettuce, avocado and drizzle with a poblano cremosa you can find with all the salsas and sauces. Mi Ranchito also carries the cotija cheeses and sausages you need for your tacos and other authentic Mexican dishes, as well as fresh produce like serrano peppers. The snack aisle is the most popular, with a vast variety of imported flavours of Doritos, Tostitos, and other salty snacks. Recently, the owners of Mi Ranchito have expanded into a second location further down Concession Street, offering take-out Mexican food like tamales, pozole and flautas. Metered parking available in front of the store and easy access to transit.
/continued on page 27
VILLAGE BOUTIQUE FOODS IS AT 2049 PINE ST., BURLINGTON
Music’s last stand?
INSTRUMENT AND GEAR RETAILERS ARE MUCH MORE THAN JUST STORES, THEY ARE A VITAL PART OF A THRIVING MUSIC SCENE. HAMILTON HAS SAID GOODBYE TO MANY RETAILERS OVER THE YEARS BUT A NUMBER STILL REMAIN.
By DYLAN HUDECKI
Hamilton’s music instrument stores serve as more than just places to buy gear — they are integral parts of a thriving musical community, where creativity flourishes and melodies begin.
Whether exploring the latest offerings at contemporary stores or reminiscing about the iconic establishments of yesteryear, one thing is clear: the music of Hamilton resonates through its stores, past and present.
Rooted in the city’s industrial past, Hamilton’s thriving music scene bears the imprint of its blue-collar heritage. The echoes of steel mills and factories reverberate through the bluesy, punk rock riffs, heavy double kick pedal beats and gritty lyrics that characterize much of the city’s music, serving as a testament to the resilience and tenacity of its residents.
On any given night at any given venue,
you’ll see and hear seasoned veterans to up-and-coming artists. Hamilton is home to a wealth of talented musicians who infuse the city’s music with passion, energy, and authenticity.
Whether performing in local bars and clubs or on national stages, these artists are the lifeblood of Hamilton’s music scene, inspiring audiences with their creativity and talent. Anyone familiar with Hamilton knows it for this rich musical heritage I speak of, but an unfortunate trend has emerged in recent years – the closure of music instrument stores and venues. These establishments, once vibrant hubs for musicians and enthusiasts alike, are now dwindling in number, leaving a void in the local music community.
For decades, Hamilton has been home to a thriving music scene, supported in part by a network of music instrument stores scattered throughout the city. These stores served as more than just retail outlets; they were gathering places where musicians could connect, learn, and share their passion for music. Store owners and employees are often musicians themselves, earning steady income to do what they love.
However, in recent years, the landscape has shifted, with many of these storied establishments closing their doors for good. Several factors have contributed to
the decline of music instrument stores in Hamilton. Economic challenges, including rising rents, have placed significant strain on brick-and-mortar businesses. Social media is a distraction from practising an instrument for younger generations. Local stores also face intense competitive pressure from online sellers such as Amazon and Reverb. It all goes some distance in explaining why there are not nearly as many music stores in Hamilton as there used to be.
Additionally, shifting consumer preferences and the rise of digital music production have altered the way musicians acquire instruments and equipment, further impacting the viability of traditional music stores.
American retailer Sam Ash, which proudly proclaimed itself “The World’s Favorite Music Store,” is shutting down after 100 years in business.
The family-owned company announced on May 2 that all Sam Ash Music locations
would begin store closing sales that same day. The first location in Brooklyn, New York, was opened by Sam Ash – who was an immigrant violinist – and his wife Rose back in 1924. Their great-grandson Derek Ash said the company’s 42 locations could not compete in the era of online shopping.
Despite the challenges they face, music instrument stores hold a special place in the hearts of Hamiltonians and musicians alike. For generations, these establishments have played a crucial role in nurturing talent, supporting local artists, and preserving the city’s musical heritage.
From iconic storefronts to beloved familyrun businesses, each music store has left an indelible mark on the community, shaping the soundscape of Hamilton in profound ways. Let’s take a closer look at remaining local music instrument stores and reflect on the contributions of some of those no longer with us.
CURRENT LOCAL INSTRUMENT STORES
The Acoustic Room (Locke Street): Nestled on the charming Locke Street South, The Acoustic Room stands as a haven for both acoustic and electric enthusiasts. Boasting a curated selection of high-quality guitars, ukuleles, and other acoustic instruments, this cozy store invites musicians of all skill levels to explore its melodious offerings.
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THE ACOUSTIC ROOM AT 229 LOCKE ST. S. OFFERS A MYRIAD OF ACOUSTIC INSTRUMENTS, ALONG WITH A SELECTION OF ELECTRIC GUITARS.
PHOTO: SUPPLIED
PHOTO: MIKE SCHYMKIW FOR HCM
IN THEIR OWN WORDS
Local professional musicians share their thoughts about local music stores
“How do instrument retailers keep the music alive in the city?”
Steve McKay (Bruce Peninsula, Twin Within): “The greatest contribution that a music store gives to the scene is employing the musicians who live and work in the area. It’s that kind of steady income that gives musicians the freedom to play their music and try to make it as a player.”
Dave King (Autumn Defence, Rapid Transit): “Connections. They are a great gathering place for musicians and not always just about gear. You could bump into someone who may recommend an artist for a project and there’s a possible lifetime connection made through just hanging out in these shops.”
Mark Pongetti (The Acoustic Room): “These days you can purchase a guitar anywhere, however, you can only build a relationship through customer service and an in-person shopping experience that is second to none.”
“What were your favourite former stores and any influences they had on your style and maturation?”
Jeremy Fisher (singer-songwriter born in Hamilton): “Reggie’s (first amp), Pongetti’s (saved all summer and bought a Gibson SG when I was 16!), and honourable mention goes to Payne Music because I was also a clarinet player. I spent so much time at Reggie’s just trying stuff I could never afford and they were always very patient about it. I still get excited thinking about going there. It seemed like they had everything, and for a small store their stock was pretty outstanding. That was my main spot where I could hop on a bus at age 13, spend a whole morning there with my friends and come home with a pack of strings.”
McKay: “It was all about J&L Music on King Street (now the Salvation Army), Payne Music just down the street and Reggies before they closed. If I wanted something, I would start at Reggies and just start walking east until I found it. There was also a sweet pawn shop across the street from J&L that always had excellent pedals
LONG & MCQUADE IS C ANADA’S LARGEST MUSIC INSTRUMENT RETAILER WITH MORE THAN 80 LOCATIONS, INCLUDING STORES IN HAMILTON AND BURLINGTON. PHOTO: MIKE SCHYMKIW FOR HCM
BIRCHWAY SOUND AT 47 GRANT AVE. SPECIALIZES IN CRAFTING BOUTIQUE, CUSTOM GUITARS. PHOTO: MIKE SCHYMKIW FOR HCM
PICKS & STICKS AT 140 LOCKE ST. S. HAS BEEN LOCALLY OWNED AND OPERATED SINCE 2007.
PHOTO: MIKE SCHYMKIW FOR HCM
THE MUSIC STAND AT 14 HESTER ST. OFFERS A RANGE OF MUSICAL INSTRUMENTS AND ACCESSORIES, ALONG WITH LESSONS. PHOTO: MIKE SCHYMKIW FOR HCM
Picks and Sticks (Locke Street): Another gem on Locke Street, Picks and Sticks celebrates the joy of stringed instruments. Whether you’re a seasoned guitarist or a budding ukulele player, this quaint store offers a diverse selection of starter guitars, mandolins, banjos, and more, along with lessons and camps and friendly, knowledgeable staff.
Birchway Sound (Grant Avenue): Tucked away on Grant Avenue, Birchway Sound specializes in making boutique guitars, amplifiers, and effects pedals. With a focus on quality craftsmanship and unique finds, this boutique store caters to discerning musicians seeking one-of-a-kind treasures.
The Music Stand (Hester Street): Located on Hester Street, The Music Stand is a treasure trove of musical instruments, accessories and lessons. From brass and woodwind instruments to percussion and keyboards, this comprehensive store caters to musicians of all genres and styles, providing everything needed to fuel their musical passions.
Long & McQuade (Hamilton + Burlington): With locations in both Hamilton and neighbouring Burlington, Long & McQuade is a household name among Canadian musicians. This expansive chain store offers a vast array of instruments, from guitars and keyboards to drums and brass, along with professional audio equipment and rental services.
GONE BUT NOT FORGOTTEN
Mountain Music: The most recent closure, Mountain Music was open and rocking for 44 years. Specializing in rock, the store was a friendly shop that was a melting pot of likeminded customers and employees.
Pongetti’s: Founded in the 1950s on Barton Street, Pongetti’s was a legendary music store renowned for its wide range of instruments and knowledgeable staff, attracting musicians from near and far. It eventually moved up to Upper James in the ’90s and closed in 2012.
Reggie’s Music: For more than 25 years, Reggie’s Music on John Street North was a trusted destination for musicians seeking instruments, repairs, and expert guidance and even lessons, leaving an indelible mark on Hamilton’s musical heritage.
Payne Music: King Street East’s Payne Music was a beloved music store known for its extensive selection of instruments, sheet music, and accessories, and a repair shop for brass and woodwind instruments. It served as a cornerstone of Hamilton’s big band and jazz music scene for decades. It operated from 1954 to 2018.
Absolute Music: A staple on Upper James for 26 years, Absolute Music provided medium to lower-end makes and models affordable for beginners and weekend warriors.
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– which was essential in the late ’90s. It seems like all of our money was spent on guitar and bass pedals back in those days. As a drummer, I loved going to Payne music with my drum teacher Bob Wright (who also famously owned Wright Music until he retired). Payne’s was a great place to get skins, sticks and the odd used gear. I believe Mr. Payne’s son was a drummer, so everything was pretty decently set up in that shop.”
“Why do local, independent shops matter?”
Fisher: “Even outside of music, local independent shops matter because the money stays in the community instead of flying off to some tax haven. You buy a guitar at Pongetti’s, and the Pongetti family buys groceries from Fortinos and the money keeps going around until that profit trickles down to buy your kid’s bulk pizza pockets for a grade 8 trip to Quebec City. Every good music shop had a corkboard where you could find a teacher or band looking for likeminded musicians. It was a community hub.”
McKay: “I’m not sure that being independent is actually an asset these days. The indie shops often don’t carry certain brands because the big box guys have a distribution monopoly. The local piece is the most important to me. I want to walk to a place that has everything that I need and hang out there while people try out gear.”
King: “Community. They can help foster relationships between folk who may not otherwise have that sort of environment to meet up. Certainly more in the pre-internet era but I think it still holds true today. They can also provide employment to a lot of musicians who are in between gigs or who teach. Also a great place for younger kids to hang out and have conversations with industry veterans who may frequent or work at these stores.”
Pongetti: “The music industry was always based on relationships, not clicks. Unfortunately, due to the corporate culture that has taken over our industry, that experience has been compromised. In years past, Hamilton was teaming with a minimum of a dozen independent music stores and the music scene was vibrant. Technology (internet) changed the landscape on how music was listened to, viewed and purchased.”
THE ACOUSTIC ROOM AT 229 LOCKE ST. S. PHOTO: SUPPLIED
Every day, thousands of Hamilton’s marginalized citizens depend on your generosity to get by. Help us create a healthy and resilient community by donating food, clothing and household items to the Good Shepherd Marketplace, 155 Cannon Street East, Hamilton.
Donations can be dropped off Monday-Friday, 9 a.m.-3 p.m.
THE CLICHETTES: LIPS, WIGS, AND POLITICS
On view until November 8, 2024
Curated by Ivana Dizdar
Waddingtons: With a rich history dating back to 1929, Waddingtons was a cornerstone of Hamilton’s music community, offering a diverse selection of instruments and accessories and a music school with as many as 20 teachers upstairs in its 18 John St. N. location.
Anne Foster’s Music: A beloved fixture of Hamilton’s music scene from 1942 to 1989, Anne Foster’s Music in the historic Lister Block on James Street North was a cherished destination for musicians seeking sheet music and expert advice. On a personal note, my mom worked there for years, and it’s where my parents met.
LOCAL INSTRUMENT MAKERS, LUTHIERS & INDEPENDENT INSTRUMENT REPAIR SHOPS
Woodford Instruments (Smith Avenue): Situated on Smith Avenue, Woodford Instruments specializes in handcrafted guitars and basses, each meticulously crafted to perfection. With a focus on quality materials and artisanal techniques, this boutique shop offers instruments that inspire musicians to create and innovate.
Cithara Guitars: (East 24th Street): Daniel Clark creates custom-built electric and acoustic guitars, including a cool line of electrics crafted out of retired pinball playfields. His shop provides a full line of repairs and restoration services and even offers a six-month guitar building course in which students create their own instruments.
Lounsbury Guitars (Mountain Avenue): Chris Lounsbury builds Orbit electric guitars, his own design, along with custom handmade acoustic guitars. With a passion for precision and a commitment to customer satisfaction, Lounsbury also provides expert instrument repairs and modifications, ensuring that musicians’ instruments perform at their best. Instrument owners know that guitars are sometimes left in disrepair and need help to be brought back from the dead. Do you have a guitar in a case in a basement, closet or attic and you’ve been meaning to play it or pass it on to someone who will? Bring it to Lounsbury and he’ll do his best to revive it.
Flocello European String Instruments Music Studio (Susan Drive): Flocello brings student and maestro-level stringed instruments – cellos, violins, violas, double bass – to Hamilton from Liuteria Toscana, a
wonderfully prolific group of independent luthiers in Italy, along with instruments built in Romania.
Rich Audio: Specializing in audio equipment repair and restoration, Rich Audio has earned a reputation for excellence in Hamilton’s music community, providing expert service for amplifiers, speakers, keyboards, and more.
The Guitar Clinic/The Peghead (McKinstry Street): Formerly known as The Guitar Clinic and rebranded as The Peghead, this Hamilton institution has been a go-to destination for guitar enthusiasts since its inception. From repairs and setups to custom builds and rare finds, this shop is a haven for guitar aficionados.
Man About Tune: Offering instrument repairs and setups with a personal touch, Man About Tune is a trusted destination for musicians seeking restoration and repair for Hammond organs, vintage electric pianos, and piano tuning specifically. Founder and self-professed piano nerd Adam Melnick has lent his extensive technical talent to wellknown musical acts such as Deep Purple, The Guess Who, The Proclaimers, and Justin Timberlake. n
From the legacy of historic music stores to the vibrant energy of contemporary establishments, Hamilton’s music scene continues to evolve, driven by a shared passion for the transformative power of music.
From innovative new venues to boundarypushing artists, the city’s music landscape is constantly evolving, reflecting the dynamic spirit of its residents and the ever-changing face of the city itself. The scene is as diverse as its population, spanning a kaleidoscope of genres that reflect the city’s eclectic spirit. As music lovers, we are privileged to witness and be a part of Hamilton’s musical journey, experiencing the soulful sounds and vibrant energy that make this city a true musical gem.
Whether you’re a lifelong resident or a first-time visitor, be sure to take some time to explore Hamilton’s music scene and these stores—you never know what hidden gems you might discover along the way. n
courtesy of The Clichettes
Artists: The Clichettes Louise Garfield, Janice Hladki, and Johanna Householder
The museum gratefully acknowledges the support of the Ontario Arts Council. )
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ANCASTER CHEESE
356 Wilson St. E., Ancaster ancastercheese.ca
IG: @ancastercheese
Ancaster Cheese is a lovely specialty grocery shop in the heart of Ancaster Village, run by the friendliest owners, Milap and Arnie, and their dog Momo. They are engaging and quick to offer you a sample of the latest cheese to come in. The cheese selection is carefully curated to offer a variety of the very best flavours. The shop also carries everything you need for a nice picnic at one of the nearby waterfalls, including crackers, smoked meats, jams and jellies, and desserts. You can order ahead to have a charcuterie picnic put together for you. You’ll also find a number of wonderful locally made brands like Nutty Hero, The Urban Vine’s olive oils and balsamic vinegars, Pierogi Me!, and the award-winning plant-based cheeses from Green Goddess Fromagerie. Pick up something for a quick dinner like individual or family-sized Allison’s Savory Pot Pies, or Smithers Sausages, and Carla’s buttertarts for dessert. Plenty of free parking in the plaza’s parking lot and easy transit access.
ZARKY’S
3 Hamilton locations: 20 Hempstead Dr., 558 Concession St., 264 Dundurn St. S. zarkys.com
IG: @zarkysfinefoods
The Concession Street location of the local franchise Zarky’s (which has one other Mountain location, and one downtown) was opened in 1985 by the Zarcone family and is still family-owned and operated today. Many a parent in Hamilton knows the convenience of having a scratch-made meal ready to go thanks to Zarky’s. Entrees come in extralarge family size, medium and single serve, and include beef lasagna, vegetable lasagna, shepherd’s pie, chicken parm, cannelloni, and stuffed peppers. Aside from the substantial prepared meals section, Zarky’s carries most things you’d grab in a typical grocery run –fresh breads, cheese and deli, milk and dairy, produce, condiments, and snacks. Zarky’s is a great place to pick up a dessert too, with freshbaked cakes and pies, and frozen bars and cheesecakes. The superstore on Hempstead has free parking and the Concession and Dundurn locations have street parking. All three locations have good transit access.
GROCERS HAS LOCATIONS IN WATERDOWN AND BURLINGTON
BURLINGTON
MARILU’S MARKET
4025 New St., Burlington marilusmarket.com
IG: @marilusmarket
Started in 1993 as a gourmet grocery store by Mario Antico and Luigi Nudo and more than three decades later it’s still familyowned and run by Mike Antico and Daniel Nudo. When you enter, you’ll be impressed by the woodwork everywhere, giving it a warm, homey feel. Shelves are stocked immaculately, and every department has beautiful enticing displays. The butcher counter is expansive, and the cases are lined with an array of individually portioned meats with many marinade choices. The produce and bakery sections are similarly gorgeous. There is a focus on single portions throughout the store, including the grab-and-go meals where you can find both family-sized and individual versions of chicken fajitas, shepherd’s pie, chicken pot pie and more. There is a household items aisle with basics like toilet paper and cleaning products, making this a true one-stop-grocery-shop, and although Marilu’s offers many gourmet specialty items, the price points for many basic items were not higher than the average chain grocery store. And if you’re hosting a dinner party or doing some entertaining, this is exactly the store you want to visit to pick up those extraspecial foods to impress. Free parking in the large attached lot.
VILLAGE BOUTIQUE FOODS
2049 Pine St., Burlington IG: @villageboutiquefood
This little shop is a great spot if you’re into protein powders, high protein or keto snacks. They carry an abundance of protein powders, including vegan options, in large sizes. A wall of fridges are well stocked with a variety of energy drinks like Prime, Body Armor, Liquid Death and ZOA. There are many different gluten-free products like crackers and pastas, and many are vegan too. Look for the locally made products in the shop such as Nutty Hero (a delicious alternative to peanut butter made with 12 nuts and seeds with flavours like maple cinnamon), The Hearty Hooligan’s handmade vegan pizza pockets, and Sobrii’s alcohol-free spirits for making alcohol-free cocktails at home. There’s a chest freezer stocked with Toronto eatery Piano Piano’s frozen pizzas. If you enjoy nipping over the border for food products occasionally, you’ll love that this shop carries Trader Joe’s and other U.S. brands like Lesser Evil popcorn. The setting of the shop in Burlington’s picturesque Village Square makes it a destination – plan to stop for a coffee and treat at a neighbouring café in the courtyard.
INDIAN GROCERS
64 Hamilton St. N., Waterdown and 1450 Headon Rd Unit 11-12, Burlington IG: @indiangrocerscanada
Indian Grocers opened as an independent grocery store in Burlington 16 years ago, and was purchased four years ago by a family. They have now opened a second location in Waterdown, with plans to open a third in St. Catharines. The shelves are stocked with goods that will immerse you in Indian culture and flavours. There is a fresh produce section, dairy cooler, and a large frozen prepared meals section. You can find many alternative flours, dry goods in bulk sizes, as well as a plethora of spices, condiments, chutneys and cooking sauces. The snack aisles are extensive with many brands of imported cookies, along with a huge variety of savoury snacks. The highlight of the store is a small counter serving freshly made large samosas ($1 each for veggie samosas when I visited!) and other traditional Indian quick bites and desserts. A great addition to the grocery scene in Waterdown: prices were very reasonable, and the store is immaculate, tidy, with friendly staff. Plenty of free parking. n
INDIAN
Book by Jessie Nelson Music and Lyrics by Sara Bareilles
Book by Joseph Robinette. Music and lyrics by Benj Pasek and Justin Paul
Wendy Wolfe back in front of the cameras
STONEY CREEK RESIDENT, LOCAL REALTOR AND FORMER CHCH PERSONALITY IS THE HOST OF A REBOOT OF PROPERTY VIRGINS ON A+E.
It was a whirlwind return to television for Wendy Wolfe.
Wolfe, who is known to CHCH viewers as a former sports and entertainment reporter and occasional anchor, had earned her real estate licence and was busy building her business last summer.
“I used to own a gym on Dundurn Street and a former client there sent me a casting call for Property Virgins. She said she thought I would be perfect for it.”
So Wolfe pulled together an audition tape right at the deadline. She got called to Toronto to do a mock walkthrough of a home with a couple.
“They really put me through my paces. They asked a plethora of questions that I had to answer under pressure on camera.”
Wolfe then met with executives at Cineflix Productions and three weeks later got a call that she’d landed the hosting gig. Within a month, filming was underway.
Wolfe, who lives in Stoney Creek, filmed 20 episodes of the series, in which she takes real estate newbies to visit several properties that fulfill their often lengthy – sometimes unreasonable – wish lists to various degrees.
It’s a reboot of the series that debuted in 2006.
Wolfe, 55, has had an eclectic and “unplanned” career path. She’s been a payroll accountant, a bartender, hosted and produced TV and radio shows, was the general manager of a Burlington restaurant, worked as a DJ and led fitness classes and owned a gym.
She’s been in real estate since 2018.
“When people say they can’t do something… don’t ever tell me can’t. I have done just about everything.”
Wolfe joined CHCH in 2000 to host The Hype, short entertainment segments that ran during the Young and the Restless.
From there, she started covering entertainment on the news and she made a point of following videographers on assignments to learn camera work. She was then tapped to produce a half-hour sports show on Sundays with sports anchor Bubba O’Neil.
She left CHCH in 2007.
After stints with other brokerages, Wolfe joined Keller
Williams Realty in August 2023. That’s also when she started shooting Property Virgins but she couldn’t say anything about that until the show premiered on A+E at the end of March.
Each 30-minute episode took five days of shooting in communities all over southern Ontario, including Hamilton, Waterdown and Stoney Creek.
“The couples on the show were not obligated to buy something I showed them but everyone did. It was a blast to find homes for first-time buyers who really went into it not knowing anything about the real estate market.”
Property Virgins airs on Saturdays with back-to-back episodes at 12 p.m. on A&E’s Home.Made.Nation block. Episodes are available on demand and to stream on the A&E App, AETV.com, and across major television providers’ VOD platforms the day after broadcast. n
STONEY CREEK’S WENDY WOLFE IS THE HOST OF A NEW SEASON OF PROPERTY VIRGINS. PHOTO: WADE HUDSON, A&E TELEVISION NETWORKS, LLC
HAMILTON IS HOME TO PLENTY OF DIVERSE MUSICAL ACTS DOING INTERESTING THINGS. HERE ARE JUST SOME WE THINK YOU SHOULD KNOW ABOUT.
FAST BRAKE
WHO: Stuart Feenstra – sax and auxiliary percussion; Dean Irvine –lead guitar; Francesco Citino – bass; Fady Dawood – drums; Steven Ghobril – vocals, rhythm guitar.
SINCE: 2019
RECORDINGS: Spain For Lunch EP (2023)
What sets Fast Brake apart from some other indie-alternative bands is the groove. The band has been inspired by Americana and modern pop, but also jazz and R&B, and the way a song such as “Riding the Waves” sways – without falling into modern R&B/pop cliches – is noticeable.
Fast Brake made it official in 2019, but like everyone else in this article, they were stymied by the pandemic; the band didn’t get to play until 2022. “We joked that our first album should be called Obstacles,” says Ghobril.
Ghobril and Irvine met at McMaster University in 2014, and then wound up in the same bachelor of education program at Western University. “On the first day of the program, I saw him walking past
my house on the way home from campus and I invited him in for a beer and a jam. That’s when I showed him ‘Riding With The Waves’ and ‘Long Legged Lady,’ both of which he was super stoked on. A few years later, I was back in Hamilton looking for work and that’s when we started putting Fast Brake together.”
Enlisting a couple of friends, the full band came together. Their auspicious debut was in Irvine’s parents’ backyard. “We played for his mom’s 60th birthday and definitely brought the energy,” Ghobril recalls. “It was mostly covers and a few originals … but we still had a blast.”
Their “public” debut, though, was at the legendary Corktown in the fall of 2022, following in the footsteps of many an enduring Hamilton artist.
“Hamilton has a hometown energy that’s hard to deny,” says Ghorbil. “It’s a small scene but we can feel it growing. We’re really lucky that we have so many good friends and family in town that are willing to support us at all of our shows, and there’s something charming about being a small band in the Hammer.”
By JAMIE TENNANT
If you lost track of the local music scene over the last four years, you’re not alone. Waking up from the fever dream of COVID lockdowns, many of us found half the familiar music venues shuttered and feared the worst: that the music scene, while perhaps not dead, had withered significantly. In a word, nope. There are several dozen Hamilton artists who prove differently. There’s so much new talent in town that we can’t even begin to list them all, let alone feature them all. Solo artists, and artists in other genres (hip-hop, electronic, etc), will have to wait for another article in another issue. For now, we’d like to introduce you to three local rock bands you need to check out: cute , Sundried Whales and Fast Brake
Bands to listen out for
FAST BRAKE’S DEBUT WAS AT THE LEGENDARY CORKTOWN IN 2022, FOLLOWING IN THE FOOTSTEPS OF MANY A HAMILTON ARTIST. PHOTO: OMAR LUDIN
CUTE
WHO: Daniel Conroy – vocals, guitar, atmosphere; Ciarán Galati – guitar, vocals; Chuck Kostash – bass; Zach Vernon – drums
SINCE: 2022
RECORDINGS: apocalypse / life (2023) & she (2023)
You could call cute a noise-rock group, but that diminishes just how original the Hamilton band sounds. Elements of noise are present, but are blended with modernday psyche, epic rock sounds (think Mogwai or Godspeed) and even, at times, a kind of groovy vibe. Our own notes, written about the songs on she, say things such as: “intentionally barely keeping it together;” “Talking Heads but also entirely not;” and “as if the Constantines lost their minds.” It is, in
other words, difficult to put their sound into words. But it sure is fun to try.
Vocalist/guitarist Daniel Conroy conceived of cute’s music long before the band itself existed. “I had a lot of the sounds and textures in my head already,” Conroy says. “Then the pandemic hit and left me a few years to gestate what I was trying to create.”
With this aural vision in mind, Conroy recruited band members from across the Hamilton music scene. In 2022, after a jam session with Conroy, Vernon and Galati, they knew they were almost there. Shortly afterwards, they invited Kostash to join; within their first two practices, they had written the majority of their first release, apocalypse / life.
The band are inspired by artists as varied as Australian gloom balladeer Nick Cave, groundbreaking provocateurs The Velvet
Underground, and jazz experimentalists such as Albert Ayler. cute carry their experimental, progressive ethos beyond the music and into their artwork, image, live show and philosophy.
“We are trying to not play into a broken system as much as we can with a new project,” says Conroy. “Our attempt is to make the shows we play and the merch we sell as affordable as possible. We demand all of our shows be a safe place for all who attend.”
As for making art in their hometown, they suggest that they’ve faced the challenges that most artists face, but do consider the Hamilton music scene to be a strong and loving one. “I think it’s the most creative it’s ever been,” says Kostash. “Strong and diverse.”
Thanks in large part to cute, that assessment appears to be true.
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CUTE HAS AN ECLECTIC LIST OF INFLUENCES AND A HARD-TO-DEFINE SOUND. PHOTO: MIXIE GOPALAKRISHNAN
SUNDRIED WHALES STARTED
AND ORIGINAL
SUNDRIED WHALES
WHO: Emman Alavata – vocals, guitar; Cache Kadlec-Smith – guitar, vocals; Curtis Heintzman – drums; Brendan Armstrong – bass, auxiliary instruments; Alex Tessier – bass (pictured, but recently departed to focus on solo endeavours)
SINCE: 2018
RECORDINGS: “Apartments” (single) (2019), The EP (2022), “Don’t Feel Bad” (single) and “Socks” (single) 2023
Sundried Whales share an energy from past pop-rock bands; think Tokyo Police Club, Said the Whale, or ’90s indie pop like Guided By Voices. They’re in no way retro. However; they update the sound and put their own unique spin on indie pop songwriting. It’s the reason they sound so familiar and original at the same time.
The band began at McMaster, where Emman Alavata met Cache Kadlec-Smith where both studied multimedia. They decided they wanted to play music together in 2018, though the collaboration wasn’t immediately forthcoming. “It took a while,” Alavata recalls, “but I was eventually convinced and we started writing tunes.”
Over the next few months the Sundried Whales lineup began to take shape, and while it has shifted over time, the band’s direction remained true. The combination of common influences (Jeff Rosenstock, PUP, and Pavement) gels with each member’s own separate influences from a variety of genres to push the band’s creativity.
“We want to make music that is meaningful to us and have fun doing it,” says Alvata. “When we started, we coined the term ‘noisy grib grop’ because we didn’t know how to describe ourselves. Nowadays, we typically state that we’re an indie/alternative band with some punk mixed in.”
The band’s first gig was a McMaster Battle of the Bands in 2019. “We won that night and that was pretty cool,” Alavata says. “We were nervous at the time, but throughout our set, that energy transformed into something fun. Brendan started cutting his hair, as a bit, and then proceeded to drop-kick the pair of scissors across the stage.”
That kind of energy remains in the band’s live show, though most times, their haircuts remain untouched. n
OTHER NOTABLES
This is by no means an exhaustive list. There are so many other bands we can barely list them all but here’s an attempt. If we missed you or your mom’s band, no offense!
NICOLETTE & THE NOBODIES: Self described as: “Influenced by the songs and stage presence of ’60s and ’70s country starlets but retains the gritty rough edges of outlaw country.”
BENT NECK & THE JOINTS: Selfdescribed as: “An incredibly tight and diverse live show, with members with musical backgrounds ranging from jazz to bluegrass to Colombian hardcore.”
THE RUMBLE WAGON: Americana, roots, folk, and soul drawing inspiration from the diverse influences of Tom Waits, Bruce Springsteen, Van Morrison, Cake and Counting Crows.
THE NIGHT CHILL: “Phantasmagoric sounds from the depths of your darkest nightmares...” Instrumental garage/goth with a spooky vampiric vibe.
THE TISDALE: An instrumental trio that blends psychedelic funk grooves with measured alternative rock melodies.
Slow Reader: Indie rock good times from percussionist (WTCHS, Jessy Lanza) turned frontwoman Tori Tizzard.
BURN THE LOUVRE: This indie rock band is the duo of singer-songwriters Jordan Speare (vocals/guitar) and Sean Cooper (guitar/vocals).
STILL MORE NOTABLES
We’re out of room to do anything other than list ‘em! … Goddess, Lucky Honey, Sullen, blosum, Fake Shape, Grey Brother, Mr. Rabbit, Silvertone Hills, Mollolly, Irresponsible Purchase, Lost Faculty … and so, so many others.
AT MCMASTER UNIVERSITY AND HAS A SOUND THAT’S BOTH FAMILIAR
THANKS TO THEIR UNIQUE SPIN ON SONGWRITING. PHOTO: MIKE NEAL
THE SHAKERS ARE ROCKING AGAIN
LEGENDARY HAMILTON ROCK ’N’ ROLL QUARTET HAVE REUNITED AND WILL SOON RELEASE THEIR FIRST ALBUM OF NEW MATERIAL IN MORE THAN 40 YEARS.
THE SHAKERS, PHOTOGRAPHED AT THE COTTON FACTORY, ARE RICK ANDREW, CLAUDE DESROCHES, DAVE RAVE AND TIM GIBBONS.
PHOTO: JON EVANS FOR HCM
By KERRY DOOLE
The Shakers are back, and they’re ready to “Shake Some Action” again, to reference the title of the classic garage rock song by The Flamin’ Groovies given fresh life by these Hamilton rock ’n’ roll heroes way back in 1981.
Word that The Shakers have reunited to release their first album of new material in more than 40 years, Left For Alive, is creating real excitement in the Hamilton music community and beyond. It is timely then for HAMILTON CITY Magazine to both explore the group’s reunion and new album and to reflect upon the fascinating history of their early career.
The Shakers original time in the spotlight was comparatively short, spanning just four years (October 1979 to November 1983) but they sure burned bright. Along with peers and good friends Teenage Head and The Forgotten Rebels, they flew the Hammer’s rock ’n’ roll flag during the punk and new wave era proudly and with distinction, leaving an indelible mark on our music community.
HCM recently conducted individual interviews with the four current band members: Vocalist/ guitarist Dave Rave (Desroches), vocalist/bassist Rick Andrew, vocalist/lead guitarist Tim Gibbons, and drummer Claude Desroches. Gibbons joined shortly after The Shakers formed and left prior to the group’s disbanding, but this lineup is considered the quintessential Shakers formation.
Valleyview, located in his Ancaster house, was the logical place to rehearse and record the new Shakers EP. Left For Alive features six songs and one possible bonus cut. On the console was Andrew’s son James, an experienced audio engineer who has worked with all the group members and re-mastered the band’s self-titled double CD compilation of material from its original incarnation.
With three singer/songwriters in the band, coming up with material was not going to pose a problem. Adhering to The Shakers’ working method, Gibbons, Rave and Andrew all brought new original
table where, in ego-less and democratic fashion, the songs were discussed and either discarded or worked on in collective fashion.
One of the first selected, the Gibbons’ composition “Left For Alive,” became the EP’s title track. Rave recalls that “this reminds me a bit of The Traveling Willburys. We have Rick sing the first verse, then I do the Roy Orbisonstyle voice. I think it’s an amazing tune.”
Some songs Gibbons brought in sounded like The Swampbusters (the blues-based band Gibbons leads), “but Tim can be a chameleon,” says Rave. “He can find the sound, so with other songs, we could go, ‘Now that’s The Shakers!’”
Another upbeat Gibbons song, “She’s On The Menu,” is also featured. Andrew and Rave also introduced new songs that fit The Shakers sound. A quirky but fun Andrew song “The Source” made the cut, along with “Racing For Louisiana,’ primarily a Rave number. “We’d written that one way back in 1979 but had never recorded it properly,” Rave says. “We revamped it, and now it sounds like pub rock, with me and Rick singing the harmonies. Before we thought it was a bit silly and frivolous but now it sounds heavier as we’ve grown up and all played so much.”
Back in the day, The Shakers were never afraid to play and record covers of songs they loved, whether by such classic early rock
This scribe and former HCM publisher Jeff Martin (one of the biggest Shakers fans around and a crucial early champion of the band) recently joined The Shakers at Valleyview Studio for an exclusive listening preview of the freshly recorded new material. Suffice to say, we were both knocked out by the quality of these new songs and a typically eclectic and energetic sound that transports the listener right back to the group’s heyday.
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’n’ rollers, blues and country writers like Chuck Berry, Charlie Rich and Lieber & Stoller or rock ’n’ roll peers like good pals Teenage Head or The Flamin’ Groovies. They continue that tradition on the new album with a spirited cover of “The School of Heartbreakers,” a 1961 song recorded by rockabilly great Ral Donner. A version of “A Mess Of Blues” by the great songwriting team of Doc Pomus and Mort Shuman and recorded by Elvis Presley, is under consideration as a bonus track on the EP. The four Shakers agree that the process of rehearsing and recording went surprisingly smoothly. To Claude Desroches, “It felt so natural, even though we hadn’t really done anything together in a long time. Dave and I have done live shows and recordings over
the years. I’ve played with Tim for many years and recorded with Rick, but not as a full Shakers lineup. This recording just came together instantly. To be honest, I was rather surprised at how easy it was.”
To Gibbons: “As soon as we got together and started playing it was like being right back there, in the early days. When we did the Shakers music we were all just out of high school. We had all the energy in the world, so everything was fast fast. As we got together as seniors to play that music, it was almost like a heart attack, but now we’re back playing it the right way.”
Andrew adds that “as soon as we started doing the bed tracks of these new songs, it locked in really well. I was just comfortable with the guys as I’ve known them so long. Or maybe it is the thousands of hours that we practised in the ’80s. Now, it is just fun. You don’t feel you are just concentrating on what you’re playing, you’re just in sync with everybody else and having a good time, too.”
Rave notes that once the band decided to record, they spent over a month going over songs, writing, rehearsing and playing those songs and “becoming a unit again.”
Our interviews reveal that Gibbons was a catalyst in this Shakers reunion. Rave recalls that, after one Shakers reunion show, “Tim asked, ‘When are we going to do something again, Raver?’ So we all had a think about it, got together for a chat and everyone was serious that we were all on board.”
Gibbons admits that he was frustrated.
“We did one reunion that didn’t get any press. The word was you don’t have any new product, so you’re not news. I said, ‘Hey guys, we have to do something new or we’re just going to be a nostalgia act.’ We’ve always been a defiantly original indie band. There was talk of repackaging old outtakes, but I insisted we have new songs.”
Though the seeds of The Shakers were sown via the musical bonds of Rave and Andrew, the first connections between future Shakers members came long before that. You see, Rave and Claude Desroches are cousins. Desroches is two months older.
“Our parents were listening to rock ’n’ roll when we were in the womb. Thank god they had good taste.”
Rave got his first electric guitar and Claude got his first drum set the same Christmas, the year they were 12. “We’d jam for 12 hours in
TIM GIBBONS, RICK ANDREW, DAVE RAVE AND CLAUDE DESROCHES, PICTURED IN 1981, HAVE REUNITED FOR THEIR FIRST ALBUM OF NEW MATERIAL IN MORE THAN 40 YEARS. PHOTO: SUPPLIED
his basement, until our hands were swollen and bleeding,” says Desroches.
Both Rave and Desroches attended Westdale High School, and that’s where they met Andrew, who was a grade ahead. Rave and Andrew found they connected musically and after a short-lived stint together in the band Madonna Inc. (alongside Frankie Venom) in 1973, the pair started gigging in coffeehouses and bars in Hamilton, and then beyond, as an acoustic duo named Fulcrum.
An estimated 1,000 gigs together as an acoustic duo (initially complemented by bassist Cam MacLennan) saw Rave and Andrew hone their songwriting chops and perfect the vocal harmonies that became a Shakers signature. Listening to The Everly Brothers, early Beatles, and vocal groups like The Coasters had a huge impact on the pair and their vocal harmonizing, as did two ’70s British rock bands.
“I call Badfinger, in the early ’70s, and Rockpile, in the later ’70s, our two biggest influences,” Rave says.
As the ’70s closed, Andrew and Rave decided to flesh out their songs by forming a full band, one they dubbed The Shakers. With Desroches a natural fit as drummer, they recruited Teenage Head guitarist Gord Lewis and ace session guitarist Bill Dillon (Robbie Robertson, Sarah MacLachlan) for their first recording sessions at famed Hamilton studio Grant Avenue in 1979.
Those sessions were with Daniel Lanois, not yet the internationally renowned record
producer he is today, and the resulting single “Out The Door/’Til I’m Gone,” launched The Shakers with a bang upon its October 1979 release.
Gibbons notes that the single was played all over Ontario and on every kind of radio station, including CHUM, Q107, CFNY, 108 Oldies, and Hamilton’s CKOC AM, which was headed by big Shakers supporter Nevin Grant.
“That airplay meant that when we came to town for a show, people were pumped to hear us.”
One of the first to hear that single was Jeff Martin. “I remember listening to the cassette single at Dave’s parents’ (house), and I was blown away. The band sounded so tight, great songwriting and their gorgeous, signature harmonies grabbed you and didn’t let go. And then there was Gordie Lewis playing guitar.”
“Out The Door” was actually the catalyst for Gibbons joining The Shakers. When the initial lineup recorded and released the single, Gibbons was living in Toronto, trying to break into the music scene there. He was aware of the other guys, though he had different roots.
“I didn’t go to Westdale, I went to Barton high school on the Mountain. All the musos coming out of that school were real blues guys, whereas Westdale was punk rock all the way. East Mountain is a part of town where it’s real easy to get punched in the mouth, whereas at Westdale they’d just insult you with sarcasm.”
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He took off to Toronto to “get away from my boozing buddies in Hamilton and get my chops together,” Gibbons says. “There I heard ‘Out The Door’ on the radio. It blew my mind, and I wondered why it felt familiar. I went to Sam The Record Man, saw the single with Dave and Rick on the cover and just started laughing. It was those ramrods I knew from Hamilton. I bought it, took it home and put the picture on the mantle.”
In a delightful twist of fate, a knock on Gibbons door in Toronto the very next day revealed Rave and Andrew standing there, offering Gibbons a place in the band. “I remember Rick saying, ‘Congrats kid, you’re a Shaker! We’ve got gigs and a drummer and we want you to play guitar,’” says Gibbons. “Dave had somehow heard the demo I’d made in Toronto and went to Rick, saying, ‘This is our guy. He’s playing way more cutting edge than anyone else around here.’”
Gibbons quickly agreed to join, and an intense period of rehearsing, recording and playing shows whipped this quintessential lineup of The Shakers into shape. The addition of Gibbons’ fluid guitar, virile vocals and songwriting chops escalated the band to that next level.
The debut single was released on The Shakers’ own independent label Warpt Records and all subsequent recordings came out on that imprint. Other labels were approached to sign The Shakers but they failed to see their potential. The DIY approach
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“The Shakers were indie pioneers before indie was a thing,” says Ralph Alfonso, a veteran manager and record label head at Bongo Beat. “They created one of the first Canadian indie labels, Warpt Records, with no major label affiliation, and racked up Top 40 airplay to the point that some majors threatened some stations to remove The Shakers from their playlists for their own big-name acts.”
Gibbons confirms Alfonso’s recollection,
noting that “having those labels going around blackmailing little garage bands so they don’t get airplay was pretty pathetic.”
As the band gelled as a unit, their selfconfidence grew quickly. In a July 1980 Radio Times interview with Martin, Rave declared: “I’d go see us myself. It’s a real good show.” That conversation took place while The Shakers had a three-night stand at famed Hamilton rock club Bannister’s, their first local shows as headliners, following previous slots on bills at Bannister’s and the phys ed complex at McMaster University. Thanks to the wide airplay for the single, The Shakers had already played successful shows at top Toronto club Larry’s Hideaway by then.
As word spread that The Shakers were a thoroughly entertaining high-energy band, gig offers accelerated, and for the next three years, between writing and recording sessions, the group put in serious road miles playing all over Ontario and beyond.
As well as playing their own shows, The Shakers supported other acts, from New York City punk legends Jayne County & The Electric Chairs to Toronto new-wavers Martha and The Muffins to English rocker Nick Lowe (Rockpile), a musical hero of the band.
Most memorable were the tours The Shakers played in tandem with hometown comrades Teenage Head. In the early 1980s, Teenage Head was a strong concert draw, and supporting them proved an ideal situation for The Shakers. Both the band and those concertgoers recall those shows with great affection today.
“It was always fun hanging out with those guys, and we were all really into what the other band was doing,” says Andrew.
Gibbons concurs, noting that “Teenage Head were such a great band with an infamous reputation. There was all this excitement and buzz around them. Young kids going crazy on the dancefloor, hi-jinx in the hotel rooms. Those were mind-blowing times. It really was that whole rock ’n’ roll dream and full speed ahead.”
Desroches says echo of those shows saw The Shakers playing for thousands of people.
”We sometimes got encores as the opening act. You don’t see that very often, but it helped that we all knew each other since we were kids. Hamilton is like that. Musicians here help each other.”
The two bands were musically compatible,
THE SHAKERS, PICTURED IN 1981, FROM LEFT: CLAUDE DESROCHES, TIM GIBBONS, DAVE RAVE AND RICK ANDREW. PHOTO: SUPPLIED
but with just enough differences in their sound to keep things interesting. During this period, Teenage Head was firmly in the punk-meets-garage rock camp, while The Shakers drew more upon old school rock ’n’ roll, rockabilly and pop and English pub rock. “We were two rock ’n’ roll bands with similar roots but totally different approaches,” observes Gibbons.
Following their breakthrough debut single, The Shakers went on to record and release three albums. Their full-length debut In Time was recorded with Lanois and released in 1981. That same year, again with Lanois, the band released the Rock and Roll EP, featuring versions of some favourite classic rock ’n’ roll tunes, recorded live to master.
The final album, Weekend, was recorded with legendary Canadian rock producer Jack Richardson (Guess Who, Alice Cooper) and released in 1983. A self-titled 20-song collection of the best of The Shakers was released on CD in 1995, then expanded
to a two-CD, 36-song collection in 2016, a recommended purchase for anyone interested in the band.
Gibbons left The Shakers at the end of 1981.
“I wanted to go back to the blues, try something different on my own and see if I could carry a night as a front person. I was starting to get grouchy with the guys and I didn’t want to lose that friendship. In a band you become closer than buddies. In the van together, staying in shitty motels, you’re all you’ve got.”
Rave says Andrew left after a year and the band used John Lewis and Bernie LaBarge as guitarists. The Shakers officially broke up in November 1983.
Post split, the four Shakers principals remained prominent on the Hamilton music scene, and beyond, and often worked with each other on different projects.
Known as one of the hardest working artists in Canadian music, Rave continues to front the current version of Teenage Head
and plays regularly in the U.S. and England leading his own bands. And he frequently gigs or guests with other acts in club venues in Hamilton and Niagara.
Andrew remains active with his studio work at Valleyview, Gibbons records and performs with The Swampbusters, the bluesbased band he fronts, and Desroches remains an in-demand drummer for such outfits as The Lowdown Dirty Mojos, TG and The Swampbusters, and, previously, The Hellbent Rockers. He also made a mark on the local scene via Mermaids Lounge, the Hess Village bar/music venue he owned and ran from 1999 to 2006.
Some 40-plus years after their heyday, The Shakers’ music continues to find receptive ears around the globe, so the band is optimistic the upcoming album will find a home when it is released in late summer or early fall. Details of a major Hamilton album launch concert are still being finalized.
Let’s Shake! n
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REACH YOUR AUDIENCE THROUGH
TURN UP THE MUSIC
MUSIC EDUCATION CAN ENHANCE BRAIN FUNCTION AND DEVELOPMENT AND NEUROSCIENCE RESEARCH SHOWS IT HAS A LONG LIST OF POSITIVE BENEFITS FOR YOUNG PEOPLE. YET, MUSIC (AND THE ARTS) HAS BEEN RELEGATED TO THE BACK OF THE LINE OF WHAT IS AND IS NOT IMPORTANT TO TEACH TODAY.
By JEFFREY C. MARTIN
Human beings instrinsically identify with music from birth. It soothes, stimulates and invigorates our emotions. It can make us happy, melancholy, excited, energetic.
Music is universal. It’s what we do. We sing, hum, play an instrument, listen to a record or the radio, we dance or exercise or watch a live performance. It can help us go to sleep or wake up. Music helps us communicate. Music helps us bond. It enhances our learning process and teaches us to be empathic, collaborative and much more. But most of all, music brings people together.
Music has been part of our history for tens of thousands of years – both Homo sapiens and Neanderthal humans were creating music 40,000 years ago. Music is a critical component of every culture and civilization on planet Earth – past and present. It’s front and centre at family events and heritage celebrations.
Music has been a cornerstone of Hamilton’s cultural fabric since the city’s founding. And in school, until recently, music was an essential part of learning and the school curriculum. Not so anymore.
Music and arts education in Ontario and Canada in general have been on the
decline for decades. Ontario’s Mike Harris government launched the initial assault in the late ’90s: dropping Grade 13, firing unionized teachers, changing the curriculum and creating a “crisis in education” as Harris’ minister of education boasted at the time. And a crisis was indeed created and continues today.
Ignoring an extensive body of neuroscience research that links music training to a range of learning and behavioral development, the curriculum overhaul sidelined the arts and humanities. Music education options are there, but they are few and for the few.
The days when most, if not all, schools offered music courses, and had bands, orchestras and choirs are long gone in Ontario. School dances and concerts, which were a staple of student life until the 1990s, are history. Students now get little exposure to a live music experience.
While the focus has moved to STEM subjects (science, technology, engineering, mathematics), many scholars and scientists will argue the arts are just as important as STEM and perhaps more important in the big learning and brain development picture. STEM should be STEAM.
NEUROSCIENCE RESEARCH
As one music lecturer put it, music is transformative, a super stimulant. Research on the relationship between music education and brain development has revealed a wealth of insights and important findings, adding to a growing body of evidence.
Neuroscience research has shown that music triggers and engages multiple regions of the brain simultaneously. Playing an instrument or singing stimulates areas responsible for motor skills, auditory processing and memory. Research at Northwestern University in Illinois revealed music improves the neural processing of speech, leading to enhanced language skills in children. A five-year study by University of Southern California neuroscientists reported music instruction appears to accelerate brain development in young children, particularly in the areas of the brain responsible for processing sound, language development, speech perception and reading skills.
“It’s the interaction of all the senses and the sensory motor interactions when you think about learning an instrument, it’s very complicated,” says Dr. Laurel Trainor, professor in the Department of Psychology, Neuroscience & Behaviour at McMaster, and
director of both the McMaster Institute for Music & the Mind (MIMM) and LIVELab.
“You have to figure out all the motor movements. If you play violin, when and how do I move my bow? How do I control it to get a good sound? You have to listen to what you’re doing. You have to be able to imagine in your head what you want the sound to sound like. It trains all kinds of things: executive function, memory, your motor system. And it makes your perception more acute.”
BENEFITS OF MUSIC EDUCATION
Music education is shown to improve executive functions such as skills related to planning, decision-making, and selfcontrol. Ontario’s People for Education, an organization founded to strengthen a universal public education system that graduates all young people with the skills and competencies they need, also identified the importance of an arts education in a 2018 report. “Learning to play a musical instrument and the effects of music on critical thinking, spatial reasoning, and cognitive development; music helps build resilience, collaboration and a sense of community, and an education in the arts is a crucial component in the development of students’ cognitive, social, and emotional well-being.”
Trainor has been studying music’s impact on infants for about 30 years and points out that one of the most interesting things with psychology and neuroscience research is the role of music in infancy.
“Parents sing to their babies,” says Trainor. “The work shows that it’s universal across every culture we’ve studied. Infants respond to music before they know any words. Parents use music to put them to sleep with the lullabies because they soothe. Studies show that music soothes and calms an upset infant. It focuses the infant’s attention on the parent or caregiver’s face, on the sounds. It’s social engagement.”
Music brings people together socially –children, teenagers, adults. Often adolescents will define and express what social group they belong to through music.
“Music defines youth as people,” says Trainor. “It holds them together, bonds them as friends. They listen to the same music and are excited when something new comes out
ALTHOUGH NEUROLOGISTS ARE STILL EXPLORING HOW THE AUDITORY CORTEX FUNCTIONS, THEY NOW BELIEVE THAT MUSIC PROCESSING IS MUCH MORE COMPLEX THAN INITIALLY IMAGINED AND INVOLVES MANY MORE PARTS OF THE BRAIN THAN PREVIOUSLY SUSPECTED.. ILLUSTRATION: FROM THE BOOK “WELLNESS, WELLPLAYED: THE POWER OF A PLAYLIST” BY JENNIFER BUCHANAN
from an artist in the musical genre they like.”
Trainor asks her neuroscience of music students why they listen to music.
“The number one reason they report is they can feel emotionally connected. And I think the lack of arts and humanities and music in school has contributed to the growing mental challenges that kids have in high school today and going into college or university.”
DEFUNDING THE ARTS
The big challenges today for music education are funding and the positioning of the arts in the school curriculum. Budgets are as thin as they can be, and most schools have nothing to work with. Schools don’t have enough instruments, and many require repair and maintenance, but there is no budget. One report stated that Canadian /continued on next page
schools on average receive less than $500 a year for music programs – many have no money and must fundraise or go without.
Ron Palangio, retired instrumental music teacher and former head of arts at Cardinal Newman Catholic Secondary School, recalls the time when the school boards had a music consultant.
“That position was cut in the early ’90s and music programs were left in the hands of local school principals. In the elementary schools, that meant there was often no one delivering music education other than schools which happened to have a music person willing to take it on. Budget was at the discretion of each principal. And I remember well the Mike Harris days when the war on education began ... Students, teachers and schools are still suffering today from those horrible decisions.”
In 2021, the Coalition for Music Education released one of the most comprehensive national studies of music education in Canada. The report, “Everything is Connected: A Landscape of Music Education in Canada” identified all the complex systems, structures, and elements that make up the current music education ecosystem. It documented official government policies affecting music education and surveyed the current reality of the administrators and K–12 music educators’ perspectives. Among the key findings were the inequalities in music education curriculum requirements across the country; and the inconsistent access to music education and resources, including curriculum, instruments, technology, equipment and materials.
The report painted a clear picture of the decline of music in schools. Out of a typical 1,500 minutes per week of instruction time, music education gets 4.4 per cent to 6.8 per cent of instructional time per week. The coalition’s report showed Ontario, Québec and Yukon are the only two provinces and territories without any mandatory music courses between Kindergarten and grade 12. Ontario Music Educators’ Association expressed its concern about the dismal state of music education, and the steady and marked decline of identified music teachers in Ontario elementary schools. The numbers are beyond discouraging.
In 1998, only 58 per cent of Ontario schools reported having a designated music teacher. In 2007, the number of schools with a qualified music teacher declined to 48 per
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cent. By 2017, only 41 per cent of elementary schools had a specialist music teacher, either full- or part-time.
Nancy Minotti, an instrumental music teacher at Cathy Wever Elementary School, located in the lower city Gibson neighbourhood, recalls the days when music education was a vital component of the school curriculum.
“When I first started teaching, a group of music teachers from schools across the
city would meet once a month after school. Someone would take charge of organizing the middle-school band, the festivals, the scholarships and the choir festival. We did that on top of our regular teaching jobs. And we didn’t complain about that at all. It was all about the students. While the boards continue to support music in the schools today, budgets have remained unchanged for 30-plus years despite the rising costs of running an essential curriculum-based program.”
NOT-FOR-PROFIT ORGANIZATIONS
To fill the funding void, schools have had to reach out to community and not-for-profit organizations for help with regular music programming, workshops and presentations. Volunteers have stepped in and tried to fill the arts and music void. Among the bigger players are Hamilton Children’s Choir, Hamilton Conservatory for the Arts, Hamilton Philharmonic Orchestra, and the Hamilton Music Collective (HMC) through its An Instrument for Every Child (AIFEC) music education program.
HMC started working with schools in 2010 and has since engaged with 16 schools –more than 9,000 kids have gone through its programs. Success comes from the synergy between a professional artist or musician as instructors in the classroom and a teacher who can manage the class.
“Our program was always by word of mouth,” says Astrid Hepner, HMC program director and CEO. “We’d start in one school,
YOUNG KIDS LEARN THEIR INSTRUMENTS THROUGH THE HAMILTON MUSIC COLLECTIVE’S AN INSTRUMENT FOR EVERY CHILD PROGRAM. PHOTO: FELIX VLASAK
then a principal in another school heard about our program and wanted it at their school. Ideally, I want to work with those schools where the principal makes an effort and is supportive.”
Hepner says it’s not about teaching a specific genre of music but getting an instrument in kids’ hands.
“When I was doing research for the program, I found there were a lot of instruments sitting in the schools, broken and not maintained, and that no one had the resources to fix them. There’s nothing more frustrating than an instrument that doesn’t work properly. It defeats the purpose.”
Despite the challenges and lack of funding in music education, Hamilton is one of the most talented cities of musicality that he’s ever witnessed, says Tom Oliver, co-founder and president of the Hamilton Music Festival and Voice Concepts Private Studio.
“There are still pockets of music education excellence in Hamilton. Hillfield Strathallan has one of the best instrumental programs,” says Oliver. “Westmount and Westdale have music programs. And then there’s Glendale Secondary, which has the Program of the Arts.”
GLENDALE: BEACON OF LIGHT
Glendale Secondary is a beacon of light for the arts and music in Hamilton. The public district school board’s Programs of the Arts at the east-end school includes an orchestral strings program open to all students in the city, a specialist high skills major in arts and culture and an audition-based Program of the Arts. Altogether, the programs see roughly 300 students coming from all over the city. Half of Glendale’s 1,200 students are
taking arts courses.
“In music, the program offers not only a concert band, but also an orchestra, stage band or rock band class,” says Paul Borsc, HWDSB Programs of the Arts coordinator at Glendale and head of music. “We have pop music majors. Students are not just taking them once, but rather take it in their subject area all four years. They might be playing a guitar and taking pop music as well as playing violin and learning how to play the flute. It’s diverse, challenging and fulfilling. We see our students walking away with a sense of accomplishment when they’re done.”
The Glendale program reflects many of the options once available to students in high schools across Ontario. And while most middle and secondary schools struggle to get a single part-time music teacher, let alone someone full-time and qualified, Glendale is hiring its fourth full-time music teacher next year. It is the only school that has gone to a popular music focus.
“The range of private music study options is also growing all the time in Hamilton as there are more than 70 private studios in Hamilton teaching voice and instruments, and most are incredible,” says Oliver. “The lower the priority colleges and universities make music, the higher the priority in demand of private teachers. The private studios are not cheap
so the average family likely cannot afford it, so their kids lose out. And that is what we’ve seen happen as music was dropped from or minimized in the curriculum.”
POST-SECONDARY OFFERINGS
The local music community has expressed great disappointment in two recent developments: Mohawk’s elimination of its applied music program in late 2023 and McMaster University’s suspension of its music degrees this year.
Despite McMaster’s music department’s notable history and role in the city’s music community, prospective applicants will now apply for a bachelor of arts in music via the Department of Humanities and with no required auditions, suggesting the program will not include a performance element. Mohawk stated that its program was not financially viable due to increasing costs and declining enrollment, the latter most likely a result of COVID’s impact on secondary school music programs.
“I was a champion for the music program at Mohawk mostly because I love music,” says the college’s past president Rob MacIsaac.
“The music program at Mohawk felt to me like one the most special parts of the school and I was always proud of the instructors and students. The fact that I had performed in a garage band with a bunch of my closest friends also played a role in my belief that actively engaging in music is a tremendously enriching experience. I started getting together with friends in a band relatively late in my life, but it taught me a lot about what an amazing experience it is to make music. I believe retaining and enhancing music programs in our education system is vital to creating well rounded, high functioning graduates.”
While Hamilton loses its post-secondary music options, several universities and colleges across southern Ontario are doing quite the opposite – expanding or launching new music and arts programs.
The University of Guelph launched a new bachelor of creative arts, health and wellness, bridging the fields of music, art and theatre with health care. In London, Fanshawe College offers a music industry arts program, focused on the business of music. At the University of Waterloo, many students taking
STUDENTS IN GLENDALE’S STAGE BAND COURSE, WHICH IS A PART OF A WIDE RANGE OF MUSIC AND ARTS PROGRAMS. PHOTO: COURTESY OF LAURA CRAWFORD/FLASHES OF INSPIRATION PHOTOGRAPHY
SUPERCRAWL: ‘THE HOLY GRAIL OF GIGS’
The 16th edition of the music and arts festival will bring more than 30 artists to James Street North, including plenty with deep connections to Hamilton. By
MEREDITH M ac LEOD
It’s no exaggeration to say that Supercrawl has become synonymous with this city.
The September weekend of music and art has brought as many as 250,000 to James Street North for a free festival that is unmistakably and unapologetically Hamilton. Many of those Crawlers are visitors to Hamilton, some really seeing the city for the first time.
Supercrawl turns 16 this year and it’s delivering plenty of talent – more than 30 musical acts – to its stages on Sept. 13-15.
Headliners include Texas quartet Explosions in the Sky, Canadian blues guitarist and singer-songwriter Matt Andersen, Rural Alberta Advantage, an indie rock-roots trio based in Toronto and dancepop showman Rich Aucoin of Halifax.
Hometown acts include Elliott BROOD, Golden Feather, Ellis, Bend it Like Beck, the Hamilton Philharmonic Orchestra, the Hamilton Children’s Choir, Jambassadors and the Hamilton Superstars led by local bluesman Steve Strongman.
Former Hamiltonian iskwē, gets a special nod here, too.
Canada is well represented with the likes of The Sadies, Danko Jones, Monkey Junk, Zeus, The Dears, My Son the Hurricane and Charlotte Cornfield.
The roughly two-kilometre stretch from King Street to Liuna Station is anchored by main stages at each end. In between are hundreds of vendors selling art, handcrafted items, Hamilton gear and about every manner of food you can imagine. There are street performers, art installations, fashion stages and a tent featuring local authors.
Further lineup reveals for art, dance, author readings, fashion and food vendors, as well as some more local acts, will be made in the weeks leading up to the festival.
HAMILTON BASED ALT-COUNTRY TRIO ELLIOTT BROOD. PHOTO: SUPPLIED
ISKWĒ
PHOTO: LILI PEPER
PITTSBURGH-BASED SQUONK RETURNS WITH ITS NEW SHOW BROUHAHA. PHOTO: ISABEL DOWELL
THE BUDGET
Supercrawl operates on a budget of $1.1 million to $1.2 million. About 40 to 45 per cent of that comes in government grants, says Tim Potocic, Supercrawl co-founder and festival director. The remainder comes through sponsorships and vendor fees.
Potocic says Supercrawl’s municipal and provincial funding is back up to prepandemic levels, though he’s still waiting to hear about a federal grant.
That grant was cut by 60 per cent last year when the festival operated at a $100,000 loss. As well, Sonic Unyon, the record label and events management company that presents Supercrawl, did not get paid for its services, says Potocic. Altogether, Supercrawl was down $200,000 in 2023.
“We can mitigate that loss because we have the ability to not pay ourselves. Most festivals don’t have that luxury.”
While it’s a tough environment to land corporate sponsorships, Potocic says that number is up over last year. He gets inquiries from many other cities that want to replicate the magic of Supercrawl.
“They’ve picked our brain for the model. We need to do a better job of getting that message out about what Supercrawl means and the impact we have. We are serving a community that can’t always afford to buy tickets and giving them an opportunity to get out and support the bands they love.”
THE SPIRIT OF SUPERCRAWL
Singer-songwriter iskwē will make her third appearance at Supercrawl. A Hamilton resident for about four years beginning in 2016, she last played a set with Hamilton’s Tom Wilson when Supercrawl was virtual in 2021. Her first appearance was in 2018.
This time around, she will be showcasing songs from her fourth solo album, nīna, which came out in April. It’s the product of a turbulent time in which she was finalizing a divorce and had moved from Hamilton to a new city. Then the pandemic and the ongoing isolation struck.
She escaped to Mexico City where she recorded the album alongside 10-time Grammy nominated producer Damian Taylor. The album is iskwē’s most personal and autobiographical yet, containing vignettes of love, heartbreak, loss, resilience and triumph.
It’s just not a common feeling that you go out into the world and see that level of pride in an event that’s taking place. Like, of course, people show up for events that take place in other places, but there’s a certain type of spirit involved in Supercrawl that I think is quite unique to Hamilton.”
‘HAMILTON ALWAYS SHOWS UP FOR A GOOD TIME’
Hamilton-based alt-country trio Elliott BROOD have played Supercrawl twice over the years, most recently in 2018 when they closed the festival on Sunday on the northern main stage.
“That was a big deal for us and we are really excited to be back this year,” says percussionist Steve Pitkin.
“It really is the Holy Grail of gigs.”
“I have done a lot of work on this, but pre this record, I came with a lot of brick walls. I came with a lot of protection and security. And, you know, I think this was just that moment where I was able to start with the help of a new friend, chip away at that, and tap into a place that I hadn’t done before,” she said during a video call with HCM
iskwē, who is Cree Metis and hails from Winnipeg, has lived in many different places. She and her ex-wife were living in Toronto when their landlord decided to sell. She had been interested in Hamilton for a while, after hearing stories of art crawls and Supercrawl, and this was a chance to head this way.
“Something in my gut was telling me that this is a good spot to go. And at the time, my ex-wife was super Toronto and had no interest in leaving. And I was like, ‘Come on, let’s go. Let’s go.’ So we found a house that we could afford. We hustled, made it happen, got there, and they fell in love with it.”
Four years in Hamilton makes it the longest time she’s spent in one place. And it’s the only city she’s lived in where people approached her in coffee shops to chat about her music.
Her first Supercrawl experience was as a spectator and it really showed her the city.
“So I was like, well done, Hamilton. Like, people really turn out for it … It was just nice to see the joy of it, the celebration of it, the pride of it, the fact that this is Hamilton made.
The band, which released its debut album in 2004, released Town in November and its companion album Country in March. They extensively toured Canada last fall and spring and embarked on a European tour in April.
New Brunswick’s Andersen will headline the mainstage on Saturday night (Sept. 14). He’ll be joined by a 12-piece ensemble called The Big Bottle of Joy, that includes back-up singers and a horn section.
“I loved the vibe of Supercrawl that last time I played there,” Andersen told HCM Hamilton always shows up for a good time. I can’t wait to hit the stage with the big band.”
Returning for their second run at Supercrawl is Pittsburgh-based performance art ensemble Squonk.
The new show is called Brouhaha and features huge bellows that operate a foghorn organ played by Squonk musicians and audience members.
“There’s something very democratic and accessible about what we do. There is a surprise factor to it. We put a lot of effort into audience participation,” says founder Steve O’Hearn.
O’Hearn, who plays bagpipes and other instruments in the show, says Supercrawl is one of Squonk’s favourite festivals.
“Pittsburgh and Hamilton are both midsized, industrial cities with an arts focus. There’s no pretense. A show like this is about imagination and physical labour. That works so well in cities like Pittsburgh and Hamilton, rather than New York City and San Francisco.” n
NEW BRUNSWICK BLUES SINGER MATT ANDERSEN
PHOTO: SCOTT DOUBT
THE REDHILL VALLEYS: NO SPEED LIMIT
THE HAMILTON-BASED AMERICANA ALT-COUNTRY BAND HAS A UNIQUE, GENRE-BENDING SOUND AND FIND ITS EPICENTRE AT WESTMORELAND RECORDING STUDIOS ON KENILWORTH AVENUE NORTH.
PHOTO: ANDREA HUNTER
By STEPHEN METELSKY
Since The Redhill Valleys released their first album in 2016, this four-piece Americana alt-country band hasn’t taken their foot off the gas pedal. Following the 2022 release of their two-part album, Travel Well , their single “Anymore” was the recipient of a first place finish in the American Songwriter Magazine lyric contest. Their music is regularly played on Sirius XM’s North Americana, CBC Country and Tom Petty Radio.
They’ve graced the stage at the Boots and Hearts Music Festival, Big Sky Music Festival, Cavendish Beach Music Festival, including three shows at the C2C: Country to Country 2024 – Europe’s largest festival celebrating country music. They also played the Coca Cola Stage at the Calgary Stampede on July 7.
Between 2019 and 2022 The Redhill Valleys were nominated for best roots artists and best group at the Country Music Association of Ontario Awards. The band was also nominated for music video of the year at this year’s awards.
“We’re a band that loves playing and jamming together,” says Chelsea McWilliams, bass player and singer. She’s joined by Tim Allard (lead guitar/vocals), Danielle Beaudin (guitar/vocals) and Matt Soliveri (drums).
The Hamilton-based band sat down recently at a local coffee shop with HAMILTON CITY Magazine to answer some questions.
ORIGIN OF THE BAND NAME?
“We had our first gig before we had a band name,” says McWilliams. “Danielle booked us at our first shows at Homegrown Hamilton on King William. They were making a poster, so we had to come up with a name.”
The band jointly described that they wanted to come up
THE REDHILL VALLEYS ARE, FROM LEFT: DANIELLE BEAUDIN (GUITAR/ VOCALS), MATT SOLIVERI (DRUMS), TIM ALLARD (LEAD GUITAR/ VOCALS) AND CHELSEA MCWILLIAMS (BASS/ VOCALS).
PHOTO: BRENT PERNIAC
with something that would be an “homage to Hamilton” – thus the The Redhill Valleys were born. It was a thought process that invoked some other iconic bands that started with “the” – namely the Beatles and The Band.
Before they were a four-piece band, Allard and Beaudin became acquainted while recording music locally. This eventually led to them writing some songs together and playing some gigs.
“We did a few shows together,” says Allard. “Then a mutual friend linked Danielle with Chelsea and they started writing together. It was the three of us for a few years, then we met Matt, became a band and here we are.”
HAMILTON IS HOME?
The city of Hamilton is the backdrop for the band’s songwriting inspiration. It’s also where the band has recorded since day one.
McWilliams and Allard grew up in Burlington, while Soliveri and Beaudin were both born and raised in Hamilton.
The epicentre for the band is Westmoreland Recording studios on Kenilworth Avenue North. Allard spoke about his connection to the studio and Carl Jennings, the proprietor of the studio and a mentor of the band.
“Carl is the in-house producer, engineer, and our mentor. We’ve recorded with him since day one,” says Allard, who recorded some songs at the studio as a teen in 2001 and was later hired to work at the studio.
Jennings is also a member of Hamiltonbased band Freedom Train. The Redhill Valleys collectively give credit to Jennings for his expertise, direction and advice that has steered the band to where they are today
/continued on next page
THAT UNIQUE SOUND?
“We have never considered ourselves to be a country band,” says McWilliams. “In the early days we were like folk and rock. When Matt joined the band, one of our songs got
MUSICAL INFLUENCES?
The Redhill Valleys credit a list of iconic, nostalgic bands as their root influences, including Tom Petty and the Heartbreakers, Neil Young, The Band and Fleetwood Mac.
write, record and play as many live shows as possible. Their ultimate goal is to make a living doing what they enjoy the most –playing music.
For more information on the band visit:
CHELSEA MCWILLIAMS OF THE REDHILL VALLEYS PERFORMS AT FESTIVAL OF FRIENDS IN 2023.
PHOTO: BRENT PERNIAC
DYLAN HUDECKI, AKA THE DILL, IS A CANADIAN INDIE-ROCK VET HAVING PLAYED IN MANY DIFFERENT BANDS, INCLUDING BY DIVINE RIGHT AND JUNIOR BLUE. HE’S A PROUD HAMILTONIAN AND HAS JOINED HAMILTON CITY MAGAZINE TO COVER LOCAL ALBUM RELEASES.
TERRA LIGHTFOOT
Healing Power
Healing Power is Hamilton’s own acclaimed recording artist Terra Lightfoot’s fourth studio album. Her growth and maturity as a musician and songwriter show in spades on this one.
The album’s cover photo sets the scene for the album. The story goes she was alone in Austria, ahead of a string of solo European dates, and she found herself on a mountaintop beneath that tree, singing, playing guitar, touching grass and drilling into the depths of her emotions.
“Everything comes back around. It was my
idea to call the record Healing Power, and I thought of the most healing place that I knew in the world,” she says. “That tree taught me about perseverance. It was the only tree living at that altitude. It just kept growing. And I knew I had to be like that too: just to keep growing and changing.”
On Healing Power (out in October on the Sonic Unyon label), Lightfoot showcases her charm, grit and grace as a pop songbird, delivering a doozy of an album, stacking well among so many of her other accomplishments. This LP delivers the peerless pop-rock album that fans have long known that she always had in her. Most of the album finds Lightfoot backed by bassist Elijah Abrams and Blue Rodeo’s Glenn Milchem on drums.
Stand-out tracks are “Cross Border Lovers,” “Someone Else’s Feelings” and “Keep You In My Pocket,” particularly with Lightfoot’s vocals and knack for a good melody. Healing Power is for fans of high-energy, guitar-driven pop-rock, with no shortage of melodic hooks, and her always charming emotive wordplay.
Excited to see where she goes next!
ELLIS no place that feels like
Hamilton’s Ellis got a lot of emotions and stories off her chest with her vibey new album no place that feels like. The 2020 pandemic stalled her first album and career motivation, but I think we can expect more great things from her in the future, fingers crossed.
RIYL: Ellevator, Boy Genius, Mitski, Phebe Bridgers, Soccer Mommy.
CADENCE WEAPON Rollercoaster
Cadence Weapon, a Polaris Music prize winner and critically acclaimed Canadian legend who now calls Hamilton home, has dropped an eclectic album solidifying him once again as an underground hip-hop staple. Lyrically, the album focuses on the contradictions between technology and modern culture while using industrial-leaning drum ‘n’ bass, and 8-bit beats to get there. Dystopian yet surprisingly human. RIYL: Grimes, Richie Hawtin, Junior Boys, Jpegmafia, Buck 65.
THE CROWLEYS
Strange Seasons
Local indie-psych band The Crowleys have spent the last three years completing their first full-length album Strange Seasons, which was self-produced by guitarist- songwriter Cohen Wylie along with Mike Keire at Threshold Recording Studio.
Equal parts synthy and ‘80s as it is ‘70s dance glam, it’s psych-indie pop, and at its core, it’s a group of friends making music using the magic they found being together. According to the band about the album, “No single theme or inspiration drove the songwriting, but a lot of messed up things were (and still are) happening in the world and around us. So we often wrote about that, or we would write about the things we did to escape it.”
The Crowleys are Stuart Downie on drums, percussion, vocals and synth, Collin Horlick on bass and synth, Justyn Horlick on synthesizer and guitar, Giulana Frontini doing vocals and Wylie on guitar, vocals and synth.
Each member of the band brings their musical interests and expertise to the table in a collaborative songwriting process. The finished product, underscored by Wylie’s consistent and distinctive production style, is a high-energy psych-pop soundtrack steeped in nostalgia.
RIYL: Tame Impala, Flaming Lips, Grimes, Ariel Pink, T-Rex, Donna Summer
AGH CELEBRATES 110 YEARS WITH ‘DIRECTORS COLLECT’
The exhibition is a polyvocal mixtape that explores the priorities of the Art Gallery of Hamilton’s six directors and their contributions to the gallery’s collection.
By STEPHANIE VEGH
The Art Gallery of Hamilton began from a donation of paintings to Hamilton city council two years before the establishment of a public art gallery in Hamilton, which makes “Directors Collect: 110 Years” a somewhat tongue-in-cheek title for the AGH’s anniversary exhibition – this is, after all, a collection 112 years in the making and long predates the existence of any director.
While collections are guided in large part by the vision of an institution’s leader, they are built by many hands and shaped by any number of external influences, from a toogood-to-miss opportunity to the generosity of private donors.
Curator Tobi Bruce sums up this project succinctly: “Institutions are human.”
“Directors Collect: 110 Years” celebrates individuals and their stories by inviting the six directors who have sat at the helm of the AGH to share their selections of works acquired during their tenure.
The first among these is Thomas Reid (T.R.) MacDonald, whose curatorial voice is represented by his daughter, the painter Katherine MacDonald. An artist himself who served as the AGH’s director and curator from 1947 to 1973, T.R. MacDonald built the
foundations of a collection that would help establish a canon of Canadian art grounded in the Group of Seven and the Beaver Hall Group, while also collecting essential European artists of the 20th century and Japanese printmakers.
In his successor Glen Cumming (19731989), the collection took a contemporary turn towards the leading artists of his day such as Arnaud Maggs and Suzy Lake, who recalls Cumming as among the first to place her work in a public collection. Robert Swain’s relatively short tenure from 1990-1991 receives recognition here with exclusively Canadian selections including Lynn Donoghue’s totemic Four Tradesmen, and marks the end of the hyphenate role of curator for AGH directors.
Ted Pietrzak (1992-1998) became director
INSTALLATION VIEW OF DIRECTORS COLLECT: 110 YEARS AT ART GALLERY OF HAMILTON. PHOTO: COURTESY OF THE ART GALLERY OF HAMILTON
THE HISTORY
On Jan. 31, 1914, the Municipal Gallery of Hamilton was incorporated with an annual budget of $1,000 for its operation, maintenance and collection. It officially opened its doors in June of that year with an inaugural exhibition of paintings donated by the widow of Hamilton-born artist William Blair Bruce (1859-1906). The donation came with the proviso that an “appropriate venue” be found to house the works.
The AGH was initially located in five rooms of the Hamilton Museum that was housed in the disused Hamilton Public Library Building on Main Street, just west of James Street. It wasn’t until 1947 that the City allocated enough money to pay the salary of the first staff member. That was Thomas Reid (T.R.) MacDonald, the AGH’s first curator-director and he served in that role until 1973.
The AGH moved into its second home on Royal Botanical Gardens land near the Sunken Gardens in west Hamilton in 1953. It was a one-storey Art Deco-style building with exhibition space totalling 10,000 square feet.
Then in 1969, architect Trevor GarwoodJones was commissioned to design a building for the AGH that would be part of the downtown urban renewal project called the Civic Square. That building, at 123 King St. W., opened in 1977 and was extensively refurbished 20 years ago.
at a time when the AGH was facing more challenging economic times. Working alongside then-curator Ihor Holubizky, Pietrzak focused on building strength in the contemporary collection with iconic works by John Scott, William Kurelek, and the flashing lights of Micah Lexier’s Self-Help, a work that is among the first installations acquired by the AGH. The arrival of Louise Dompierre (1998-2014) marked an era of renewal seen in a large-scale renovation in 2005 and the remarkable donation of the Tanenbaum collection of European paintings and sculptures. Dompierre’s selections emphasize the virtuosity and beauty found in this gift with masterworks that clash deliciously with the brash gestures of
AUGUSTE RODIN (FRENCH 1840-1917), FRÈRE ET SOEUR, C. 1890, BRONZE. GIFT OF H. S. SOUTHAM ESQ., 1962. PHOTO: MIKE LALICH, 2019.
Pietrzak’s selections in the same gallery.
These contrasts are very much the point of “Directors Collect,” which heightens the aesthetic differences between its six directors in sometimes pointed ways to reveal the human heart of collections and make visible the global shifts in art and ideas that have unfolded in the past century. In addition to resisting the impulse to maximize the number of works on display, this polyvocal mixtape of an exhibition allows the tensions between its authors to speak to priorities and perspectives that have evolved over time. The role of directors, in current director Shelley Falconer’s view, is not to disavow disagreements with history but to build a tent large enough to hold these conversations: “You don’t learn at all if you don’t understand history.”
With Falconer’s selections, “Directors Collect” enters the 21st century in both its artists and ethics. Contemporary Indigenous artists like Carl Beam and Meryl McMaster are powerfully represented here, as are works by Hamilton artists Kareem Anthony Ferreira and Nathan Eugene Carson. Edward Burtynsky, whose large-scale photographs
of staggering industrial scars on the land had their foundations in the steel mills of Hamilton and Niagara, is included here as well in further recognition of the local stories found within the collection.
Raising awareness of the AGH’s collection is central to Falconer’s current mission, and rightly so. This is a vast cultural asset of more than 11,200 works of art held in the public trust that are widely respected on the national stage yet seldom thought about by the average Hamiltonian. Falconer has been determined to connect Hamilton to its collection since taking the helm in 2014, first by encouraging local school boards to schedule more field trips to the AGH rather than Toronto galleries and museums so young people in the city can build an early familiarity with the exceptional art held in their own civic collection.
Another of Falconer’s selections for “Directors Collect” comes from the Chedoke Collection of soapstone carvings by Inuit tuberculosis patients who created these works while hospitalized in the former Mountain Sanatorium from 1953-1963. These carvings are a testament not only to Inuit ingenuity but Hamilton’s role in treating a major epidemic of the mid-20th century. Shown here alongside three photographs from Barry Pottle’s Awareness series of “Eskimo identification tags” issued by the Canadian government to Inuit community members as mandatory identification numbers, this dual display provides further insights into a complex history that the AGH collection is uniquely able to illuminate.
The purchase of the Chedoke Collection was made possible by an anonymous donor who stepped in to ensure these historically significant works would remain in public hands. This is one example among many of the people beyond these six directors who built Hamilton’s collection. Behind every acquisition is an unseen team of advocates, carers, and donors who move mountains to keep art accessible for present and future generations. The passions of those individuals reverberate through the collection in ways that capture something deeper than their names.
As Falconer notes: “It speaks to the history of Hamilton.”
“Director’s Collect: 110 Years” runs until Jan. 5, 2025. n
EXPLORING THEMES OF SELF-DISCOVERY, RESILIENCE, AND DISABILITY, THESE WORKS BY LOCAL AUTHORS ARE WORTHY ADDITIONS TO YOUR TO-BE-READ LIST. By Jessica Rose
SWIFTLY FLOWING WATERS: A MEMOIR
PAT LAMONDIN SKENE
“My indigeneity has always been in the shadows of my backstory, running parallel lines along the events of my life,” writes Pat Lamondin Skene in her stirring memoir, Swiftly Flowing Waters, which recalls a life of resilience, reflection, and reclamation. Skene, who now lives in Oakville, was raised to deny and conceal her Métis roots, at a time before the word was commonly used in her community. However, with the support of her close-knit family, she found her true self.
Told chronologically in six parts, Swiftly
THE SCOOTER TWINS
DOROTHY ELLEN PALMER
Going to a doctor’s appointment on their birthday is a drag, but, thankfully, twins Melanie and Melvin get good news. Dr. Singh recommends mobility scooters, which will help the youngsters become more independent. Written by disability activist, and Burlington resident, Dorothy Ellen Palmer, The Scooter Twins follows the twins and their grandmother as they navigate challenges, including a rude store clerk and products that aren’t made with kids in mind. Beautifully illustrated by Maria Sweeney, The Scooter Twins centres the experience of children with a physical disability, ensuring that many young readers see themselves, and their adventures, reflected.
Flowing Waters begins in 1949 in a small two-storey house on the banks of Ontario’s Magnetawan River. Skene is four years old, and her father has just lost his left hand in an accident. It’s the first of many times Skene feels vulnerable and afraid. Next, she invites readers into the most intimate moments of her life, which includes a traumatic first marriage, a breast cancer diagnosis, and helping her beloved husband Bob through a medically assisted death.
“Reliving my lifetime on this Earth through the eyes of a septuagenarian is like creating the picture in a puzzle,” writes Skene in her carefully crafted prose. “Each small piece fits together and makes more sense with the others tucked in around it. I keep working away until an image finally emerges, held there by its parts,” she writes.
A powerful storyteller, Skene brings readers along on her journey from early experiences of racism and unexplored
STORMIN
NORMAN: BORN TO BATTLE
DAVID N. ROBSON
Stormin Norman: Born to Battle is the compelling true story of one of Canada’s unsung World War II heroes who fought in four major battles against the Germans. It’s written by his son, Ancaster’s David N. Robson, who recounts
Stormin Norman’s difficult childhood, homelessness, and enlistment at the age of 16 when he joined the infamous North Nova Scotia Highlanders, also known as the North Novas. Stormin Norman was seriously injured twice, but, upon leaving the hospital, re-enlisted. Stormin Norman: Born to Battle is a heroic tale of active duty—but beyond that, it’s a powerful example of a son honouring his father’s legacy.
identity to her current state of feeling “empowered, free, and capable.” Swiftly Flowing Waters celebrates the transformative experience of self- discovery, surely inspiring readers to look inward, reflecting on their own narratives.
THE EMPTIEST QUARTER: NOVELLAS RAYMOND BEAUCHEMIN
The Emptiest Quarter is a series of three superbly written novellas by essayist, novelist, and journalist Raymond Beauchemin. Though now living in Hamilton, the book is inspired by the sands and streets of Abu Dhabi, where Beauchemin and his family lived for four years between 2008 to 2011. Driven by complex and moving characters, all striving to find themselves and their footing, The Emptiest Quarter is a profound exploration of identity, resilience, and human experience set against a vibrant and ever-changing backdrop in the Middle East. n
PAT LAMONDIN SKENE’S STIRRING MEMOIR IS SWIFTLY FLOWING WATERS PHOTO: SUPPLIED
ART AND ABOUT
From the Lucky Lion to spooky tours of Dundas to board game meetups, get out and enjoy arts and culture this summer. Here are a few of our favourite local happenings.
CREEKY BOOTS
The population of cowboy boots in downtown Stoney Creek will surge this summer, in honour of the local country music festival Boots In The Creek. The fest will take over King Street East and feature activities fit for the whole family, great food and drink, and a whole lot of live music. The diverse country music genre is no one-trick pony and offers something to appeal to every music lover, so head over to the Creek, y’all, and see what the fuss is about. Aug. 16-17. bootsinthecreek.com
ROARING GOOD TIME
Lucky Lion Night Market revisits Bayfront Park this August, infusing it with the vibrant energy of a traditional Asian night market. The free event celebrates Asian culture, community, and tradition and offers merchants, live entertainment and food vendors to keep crowds of every age happy. Visitors 19+ will want to stick around for a glow bar, and a DJ-powered dance party. Keep an eye out for the traditional Lion Dancers, thought to bring good luck and fortune – a perfect parting gift for a summer long weekend. Aug. 2-5, Bayfront Park. luckylionnightmarket.ca
SUMMER SCARIES
Although things that go bump in the night are synonymous with autumn, it doesn’t mean that local ghosts take a summer vacation. Take a stroll through historic Dundas while a knowledgeable guide weaves a yarn of the dastardly details of such locales as the old Collins Building, Shawn and Ed Brewing, and the post office. No jump scares on these tours, because sometimes the truth behind the history is spooky enough. Take a boo at the website for more info, additional tour options, and to register. ghostwalks.com
ROOM AND BOARD GAMES
Bored with your own board game selection? Hamilton’s own board game café – the Bard and the Bear – offers meetups on the last Thursday of each month where boardies are welcomed to try any of the 900+ games on tap. Come as a group or – if you’re sick of solitaire –meet fellow enthusiasts to discover your new favourite game. With an enthusiastic staff on hand to offer recommendations or help decipher instructions, and a full food menu to provide sustenance, the good times will be sure to roll. 237 James St. N. thebardandbear.com
ROYALLY DIFFERENT
McMaster Museum of Art is pleased to showcase the works of multidisciplinary artist Lori Blondeau, visiting the gallery this summer in “I’m Not Your Kinda Princess.” This marks the first solo show in Hamilton for the Cree/Saulteaux/Métis artist and the 2021 recipient of the Governor General’s Awards in Visual Arts. The retrospective takes visitors on a storytelling journey told through art – encompassing her works from an eminent career spanning more than 30 years to date. Until Aug. 30. museum.mcmaster.ca
/continued from page 41
music classes or participating in ensembles come from across the campus to complement their studies in math, engineering, health, environment, science, or other arts.
“Sheridan College’s new bachelor of music theatre performance is the only one of its kind in the world,” says Oliver. “It offers theoretical and practical training in the core disciplines of acting, singing and dancing. We worked over eight and a half years to get the Ministry of Education to finally acknowledge and get the music theatre degree accredited. Sheridan is one of the most famous music theatre schools because of its live performance.”
The arts require a measured, increasingly nostalgic approach to learning, says Bob Shields, who taught music at both Mohawk and McMaster for more than 20 years.
“They put relationship building first, which is a slow process. This type of learning has always been successful in the arts, but slow learning, face-to-face learning, relationship building, trust building, are secondary in this new transactional, high-speed, shortterm education landscape. Education is increasingly about quick turnover, course compression, core skills and nothing else. So, if you’re an administrator and must make a decision: ‘Who’s going to get the space?’ ‘Who’s going to get the extra funding?’ With all the funding cuts, it’s a real-world bottomline issue administrators have to make, and you can’t blame them for this. It’s the drastic funding cuts at Queen’s Park that started decades ago.”
But this shouldn’t be an either-or discussion. History shows that some of our greatest scientific minds were both artists and scientists. Louis Pasteur was a painter. Albert Einstein was an accomplished musician. Leonardo da Vinci was also an engineer, scientist and theorist.
BACK TO THE FUTURE
Tom Shea, head of English at Saltfleet District High School, believes the problem is that we don’t value arts and culture anymore except as consumers.
“Music has been, like so many other things, commodified,” says Shea. “We don’t value empathy, introspection or wellbeing. They’re not commodities and you can’t put a price tag on them. Sure, we can fiddle around with funding models and stuff, but until we, as a
society, decide that the measure of a human is not tied strictly to their economic value, we’re never really going to fix our education system.”
So, what can be done to reverse decades of ill-considered political decisions about music and arts education? Students have lost the chance to do better in their studies and their day-to-day lives, as neuroscientists have repeatedly found. They’ve lost opportunities that could’ve helped them manage the stress and turmoil of being a teenager in the 21st century and to help them better cope with the mental health issues plaguing young people today. There’s no doubt that reinstating funding of the arts is the starting point. And perhaps it’s time the arts be granted an equal seat at the STEM table when it comes to prioritizing and funding education.
Technology cannot replace creativity and imagination. Social media, online classes and the pandemic only fuelled the youth mental health crisis. Education must have some fun or school is simply a drag and kids will continue to turn to social media to fill the void.
In Northern Ireland, music is a statutory part of the arts curriculum until the age of 14 and valued in upper grades.
“If money wasn’t an issue or if funding could be re-routed, kids need to be taking music in elementary school,” says Borsc at Glendale. “It needs to be part of the curriculum. And it needs to be taught by people with a music degree, not someone signing a letter of agreement because they sang in choir or know how to play guitar. Music teachers must be qualified with recognized music education and music experience.”
Music education as a vital component of reaching adulthood, says Shea.
“Music in high schools teaches people how to be good citizens, knowing how to collaborate, co-operate and listen. They understand how to get along as they get opportunities to do collaborative and noncompetitive group work, which is crucial to growing up.”
The advice and counsel of scholars, scientists and teachers are in unison. The arts, and music in particular, are important to a well-rounded education. And although the music and the message are playing loud and clear, bureaucrats and politicians are just not listening. n
YOUNG KIDS LEARN THEIR INSTRUMENTS THROUGH THE HAMILTON MUSIC COLLECTIVE’S AN INSTRUMENT FOR EVERY CHILD PROGRAM. PHOTO: FELIX VLASAK
Sweet arrival
CRAIG’S COOKIES IS OPENING LOCATIONS IN HAMILTON AND BURLINGTON THIS SUMMER, BRINGING ITS VAST FLAVOUR SELECTION AND OUT AND PROUD APPROACH TO LOCKE AND BRANT STREETS. By
Vanessa Green
Locke Street is about to get a lot sweeter. In July, the neighbourhood’s beloved Donut Monster and Bitten will be joined by another tasty treat shop: Craig’s Cookies. And the city is welcoming the new bakery with open arms.
“The outpouring of love that we’ve gotten on social media from Hamilton, and specifically other businesses on Locke Street, welcoming us to the neighbourhood has been such a beacon of respectful business practices,” says Craig Pike, founder of the Toronto-based bakery. “It’s not, ‘Oh no, there’s another dessert place arriving.’ It’s this real feeling (of) ‘The more, the merrier.’”
It’s no surprise Pike’s feeling the love in Hamilton: Craig’s Cookies has amassed a cult following around Ontario. The recipe for its success is sweet and simple: take a classic chocolate chip cookie and skillfully combine it with everyone’s favourite childhood treats. From Mars bars, Skor and Snickers to Mini Eggs, Cherry Blasters and Pop-Tarts, there are more than 75 indulgent and fun cookie flavours that keep fans coming back for more.
Pike’s cookie empire started in 2013 when the actor was living in Toronto and faced a month without work. To make some extra cash, he decided to bake his mom’s famous chocolate chip cookies and deliver them via bicycle to friends around the city. In the first year, he sold 200 dozen cookies. Five years later, he
opened his first brick-and-mortar location in Parkdale. Today, Craig’s Cookies has four shops in Toronto (and another opening at Union Station in June), two in Niagara, one in Collingwood, one in his hometown of St. John’s, Nfld. and now, a shop in Hamilton and another in Burlington. There are also plans for another six locations in southwestern Ontario slated for 2024.
Growing up queer in Newfoundland, Pike says he faced a lot of bullying growing up. So it was important to him that all his stores were an inclusive and safe space for everyone.
“I (feel) like I have a responsibility to let my business be a reflection of who I am,” says Pike. “One of the best parts of owning Craig’s Cookies is bringing people together, not only great workers and great team members, as far as letting people be seen and feeling safe [in] the workplace, but also bringing community members together in the space where they feel like they’re just going into the grandmother’s home to get a cookie. The only difference is that they have to pay for it before they leave.”
Both Burlington and Hamilton locations will be managed by Craig’s Cookies superfan and Burlingtonian Karin Stock, who brings 10 years of retail experience with some of Canada’s largest brands to the role.
Craig’s Cookies will open at 188 Locke St. S. in August 2024. The Burlington location at 501 Brant St. opened July 6. n
PATIO PLEASURES
With the arrival of warm weather, is there anything better than getting some Vitamin D on a breezy patio with friends? Whether you’re sipping cold pints, enjoying oysters al fresco, or having a full dining experience by the waterfront, we have an abundance of options within the city. These are just a few of them. You could spend the whole summer exploring our fantastic outdoor eats and patio options!
By HEATHER PETER
COACH AND LANTERN
384 Wilson St. E., Ancaster coachandlantern.ca
IG: @coachandlantern
Located in the Ancaster BIA, the Coach and Lantern not only is a great place to spend a summery day, it is full of rich history. Between two of the oldest buildings in Ancaster is the Coach and Lantern courtyard. This spot could be called a hidden gem to those not in the know, but for many Ancaster folks, this is a go-to patio. The stone flanked courtyard has lots of shady spots and greenery, it makes it a great spot to enjoy mouth-watering pub classics and an ale or two.
BETULA RESTAURANT
225 King St. W., Dundas betularestaurant.com
IG: @betula_restaurant
In the west end of downtown Dundas, is the neighbourhood favourite Betula Restaurant.
In addition to a fabulous interior dining atmosphere, Betula has very recently launched an outdoor patio. The outdoor patio has a casual, comfortable feel with picnic tables; a perfect place to spend an evening with friends or for a date night. While dining outdoors, try choice dishes like the tamari garden slaw or the Dynamo fried chicken.
PLANK RESTO BAR
18 Augusta St., Hamilton plankrestobar.ca/augusta
IG: plankrestobar
One of the newer spots on the popular Augusta Street is Plank Resto Bar. Modelled after the big sister restaurant in Oakville, Plank serves in-season tapas and appetizerstyle dishes that are great for sharing with friends. The real stand-out with Plank is the rooftop patio – known just as “The Rooftop.” With great views of the city, a plethora of creative cocktails to choose from and a brand new food menu specific to The Rooftop, how can you go wrong?
BANGKOK SPOON
57 King St. W., Dundas bangkokspoon.com
IG: @bangkokspoon_cuisine
Bangkok Spoon in Dundas is best known for authentic Thai food. Bangkok Spoon has even been awarded the ThaiSELECT certification by the Ministry of Commerce, Royal Thai Government; guaranteeing the authentic Thai dishes and utilization of Thai food products. In addition to spectacular authentic dishes such as tamarind pork ribs, house pad Thai, and more, Bangkok Spoon’s outdoor patio is a great place to spend some time. Shop the beautiful Dundas streets and head in for a delicious Thai meal.
THE SHIP
23 Augusta St., Hamilton theship.ca
IG: @shiptwits
Another spot to get some sunshine on the popular summer hangout of Augusta Street
THE COACH AND LANTERN FEATURES A COURTYARD PATIO BEHIND TWO OF THE OLDEST BUILDINGS IN ANCASTER. PHOTO: SUPPLIED
JOE DOG’S FEATURES PATIOS WITH TIKI BAR DECOR, INCLUDING A DOG-FRIENDLY SPACE. PHOTO: INSTAGRAM.COM/JOEDOGSGASBAR
THERE IS NO SUBS TITUTION
THE CULINARY SCENE IN HAMILTON AND BURLINGTON OFFERS A DIVERSE ARRAY OF FLAVOURS AND EXPERIENCES FOR THOSE SEEKING THE PERFECT SUB-STYLE SANDWICH.
RBy JOYCE LEUNG
esidents of Hamilton and Burlington just can’t get enough of a good sub or sandwich, and we can relate! Locals are always on the hunt for that perfect combination of bread, meat, cheese, and toppings that is both comforting and satisfying. We are spoiled with so many great options, from classic Italian subs to banh mi sandwiches, to unique gourmet creations, so there’s something to satisfy every craving. So get out to get your tasty sandwich fix!
MIKE’S SUBS
1004 Upper James St., Hamilton (among other locations) mikessubs.ca
For more than three decades, Mike’s Subs has been a Hamilton staple that has built quite a loyal following. It is no surprise that Mike’s Subs has such a huge fan base in the city. Their generous portions, quality ingredients and consistency has made them a favourite in the city for decades. You cannot go wrong with a 12-inch turkey cold sub with sliced turkey that is loaded with your choice of toppings and sauces for only $10. Mike’s sources its meats and cheeses from local suppliers and promises customers “the same nostalgic great taste they remember, reminiscent of the traditional sub shop.”
SPEEDY SUBS
562 Concession St., Hamilton
IG: @speedysubshamilton
FB: @SpeedySubsCanada
Speedy Subs in Hamilton has long been known for delivering exceptional value without compromising on taste. They are proud to serve the local community with fresh and premium ingredients that make every sub stand out. People who have tried Speedy Subs rave about their generous portions since they don’t hold back when it comes to toppings, making sure every bite is packed with flavour. There are great deals on their everyday subs from $5.99 and Tuesdays specials for $4.99. You really cannot beat these great deals.
GLOW GROCETERIA AND DELI
177 Glow Ave., Hamilton
FB: @Glow-Groceteria-and-Deli
Glow Groceteria and Deli, founded by the D’Alesio family in 1966, holds a special place in the hearts of Hamilton locals, marking half a century of delicious memories. Locals are passionate about their subs from Glow. The store underwent a major renovation in 2022 to expand hot meal and grocery offerings. Glow serves up all the classic subs, along with specialties such as the club, meatball, pizza and the mega mix. If you step into Glow, you feel a sense of community and pride over every sub that gets hand crafted. When you talk to the customers, they claim no one makes a sub like Glow does.
BANH MI HUE
127 MacNab St. N. Unit #2, Hamilton banhmihue.ca
IG: @banhmihue
Banh Mi Hue in Hamilton is a go-to hot spot for banh mi lovers. Each sandwich is loaded with fresh ingredients and generous toppings in every bite. In my opinion, what really sets it apart is the bread, which is art on its own. Banh Mi Hue perfected the balance of softness on the inside and a nice crisp on the outside of the loaves, which rounds out the perfect banh mi experience. Each sandwich is a great combination of flavours and textures. Mark this on your must-visit spot for anyone craving a satisfying and authentic banh mi experience in Hamilton.
MCQUEEN’S BANH MI VIET
103 Queen St. N. Unit #2, Hamilton IG: @banhmiviet
McQueen’s Banh Mi Viet in Hamilton is a must try if you are craving a hearty and budget-friendly meal. For under $10, customers can enjoy a large and satisfying banh mi sandwich that doesn’t skimp on toppings. One of my favourites is the Saigon banh mi (aka banh mi thap cam), which translates to “mixed” in Vietnamese. Packed with a mix of meats and fresh vegetables, it’s a crowd-pleaser that is the perfect introduction to banh mi sandwiches if you haven’t tried one of these delicious Vietnamese sandwiches before.
GOODY’S SUB
2469 Mountainside Dr., Burlington
Goody’s sub in Burlington is a local favourite, always packed with customers eager to get their tasty, generous-sized sandwiches. With a reputation for delicious subs, it’s no wonder there’s always a line at this Burlington staple. Standouts include the chicken bacon sub, the club sub with chicken gyro and peameal, the barbecue chicken and the meatball.
RENDEZVOUS SUBMARINE SHOP
2057 Mt. Forest Dr., Burlington
FB: @Rendezvous-Submarine-Shop
The Rendezvous Submarine Shop in Burlington has long been known for its unique food and friendly staff. Despite a recent change in ownership, the spirit of the place hasn’t changed, and it continues to delight longtime customers with its delicious menu. The must-try item that keeps customers coming back is the assorted sub, a combination of flavours on top of fresh baked loaves. There is also the Destroyer, with full portions of turkey, ham and roast beef, along with hot options including steak, meatball and rib. Whether you are a regular or a new customer, Rendezvous promises a delightful dining experience that captures the Burlington foodie scene.
CORN BEEF HUT
476 Brant St., Burlington banhmicornedbeef.com
IG: @cornbeefhut
Corn Beef Hut in Burlington has solidified its reputation for two standout offerings: mouthwatering corned beef sandwiches and flavourful banh mi in pork belly, pulled pork, fried calamari, beef and chicken varieties. Renowned for dedication to quality and taste, Corn Beef Hut has mastered the art of crafting sandwiches that satisfy cravings and leave patrons craving more. Whether you’re indulging in the classic corned beef sandwich or exploring the vibrant flavors of the banh mi, one thing is certain: a trip to Corn Beef Hut is a culinary experience you won’t soon forget. n
Have a suggestion for a future food roundup? Please reach out to HCM editor Meredith MacLeod at meredith@hamiltoncitymagazine.ca
THE HAMILTON FARMERS’ MARKET OFFERS A LARGE AND DELICIOUS ARRAY OF HOMEMADE OPTIONS INSPIRED BY DELICACIES FROM AROUND THE WORLD.
A DOWNTOWN DINING DESTINATION
By DIANE GALAMBOS
So far, our dining districts series has focused on streetscapes and dining-in. Apart from some stool seating, the Hamilton Farmers’ Market is more of a takeaway destination, but merits attention for its varied and delicious food experiences.
Established in 1837, its story is marked by periods indoors and outdoors, a fire, and debates in the last century about whether it is a historical gem or a dated building best demolished.
Your age and years as a Hamiltonian will determine your market memories. My earliest is accompanying my grandmother to buy a live chicken that was kept at home
under a bushel basket until its demise. Years later, the Eaton Centre, Jackson Square, the library and the market were part of my family’s routine – weekly!
I patronize several other markets, but none offer the array of food vendors heating up the attraction that is the Hamilton Farmers’ Market. More than 40 vendors are waiting for you –all listed on the market’s website. Come for the flowers, fruit, vegetables, meat, fish, cheese, bread and baked goods – it’s all there. The added attraction is chatting with the creative, dynamic people cooking terrific food. Need an ice-breaker? Mention to a food vendor that you read about them here and you’ll be rewarded with a great conversation and “dining” experience. You will return often. Here’s a sampling of the Hamilton Farmers’ Market’s good eats!
AMI MEAL CAFÉ
IG: ami_mealcafe
Enter the market from York Street and the first vendor you’ll see is Ami Meal Café. Ami Bae invites you to enjoy grab ’n’ go Korean treats and flavours. Her display of offerings is somewhat minimalist and that’s attributed to her making things fresh as the day progresses. The tofu pouches (rice with topping in a fried tofu pouch) come in various flavours such as bulgogi and K-BBQ chicken. The triangle gimbaps that are popular and new on the menu are the bap buckets (rice with fresh salmon, avocado and special Korean sauce). Bae kindly outlines all the choices. Coming soon are homemade kimchi and bibimbap. She says: “If you’re a food lover, this is a must-visit. You won’t regret it.” I agree!
APOTHECARY
healwithplants.ca
KITCHEN
IG: healwithplantscanada
Kristy van Beek’s star is on the rise with her success at the market, her win at 2024’s Soupfest with miso mushroom soup and soaring interest in her healthy eating programs. Apothecary Kitchen’s brand is: “More Taste. Less Waste. Plant Based.” Using social media handles such as Heal with Plants, the healing aspect is linked to van Beek’s own wellness journey. Her plant-based meals (soups, stews, salads and wraps) are vibrant, colourful, nutritious and delicious. Take for example the Cosmic Rainbow Hand Salad. It starts with a clever homemade spirulina wrap – like a fruit roll-up made of
veggies. Topped with homemade hummus, romaine, cabbage, carrots, bell peppers, cucumbers, avocado and broccoli sprouts –it’s outstanding. I could eat it every day.
Watch for appearances at outdoor markets, pop-ups, possibly a future meal delivery service and more wellness workshops. In the spot previously occupied by Mystic Ramen, 15 seats await where, in van Beek’s words, you can stop and taste the rainbow.
CHATON BAKERY
chatonhamilton.com
IG: chaton.hamont
How can one not like a food stall named Chaton – French for kitten? Note that the kitten logo has tiger stripes – a tribute to the Ticats, symbolic of how Anja Warunkiewicz has embraced Hamilton as her new home. Having studied pastry at George Brown College, her talent for working with laminated dough became her ticket to work as a fine-dining pastry chef in some of Toronto’s best-known restaurants, pastry shops and French cafés.
You’ll stop searching for the perfect French patisserie once you visit Chaton. Various croissants tempt in addition to pain au chocolat, macarons, madeleines, financiers, cinnamon cruffins, brioche, cookies and even occasional treats such as kouign amann. It’s all delicious and she’s not shy about sharing her secret: “traditional technique ... and butter. A lot of butter.” Opened in September 2023, Warunkiewicz is still developing her product line, incorporating seasonal touches. She recently added strawberry-rhubarb and
blueberry jams and lemon curd. Her catering enables you to add a French flair to your next business meeting or family brunch.
COATI FINE CHOCOLATE coatifinechocolate.com
IG: coatifinechocolate
If you love wonderful chocolate then head to Coati Fine Chocolate. With almost a decade of chocolate-making experience, Christopher Downey continues to add to his repertoire. His is a beans-to-bar shop with everything made from scratch using beans from all over the world. Currently, he has single-origin bars, bonbons, dressed bars (i.e. added fruit, nuts or caramel) and confections, including English toffee and bear claws. I was delighted to find that he made chocolate-dipped orange peels. Honouring the standards of an artisan, he doesn’t use soy, gluten, artificial flavours, palm oil, preservatives, colourants or other additives.
Wondering what coati means? Downey says it is an animal about the size of a raccoon found commonly in Central America. They like to eat the sweet tangy flesh surrounding the cocoa bean. And we can all be happy that Downey knows how to transform what’s left into delicious delicacies.
AMI’S BAP BUCKETS (RICE WITH FRESH SALMON, AVOCADO AND SPECIAL KOREAN SAUCE.)
PHOTO: DIANE GALAMBOS
CHATON’S OWNER ANJA WARUNKIEWICZ HAS A TALENT FOR EXQUISITE FRENCH PATISSERIE.
PHOTO: DIANE GALAMBOS
APOTHECARY KITCHEN OWNER KRISTY VAN BEEK PREPARING A COSMIC RAINBOW HAND SALAD. PHOTO: DIANE GALAMBOS /continued on next page
THE COOKIE DOH FACTORY
thecookiedohfactory.com
IG: thecookiedohfactory
Everyone likes licking the cookie dough bowl, right? Knowing that, Tania and Jason Gloster made some to complement their ice cream business. What they had not predicted was the massive response that led to the launch of Cookie DOH Factory.
No longer located in Dundas, you can find their 10-plus flavours (such as Oreo, Nutella Skor, s’mores) not only at the market but at their website, Tim Hortons Field (Tiger Cat and Forge games) ice cream shops, retail stores and college/university campuses! DOH tubs can be purchased singly or made into assorted packs of various sizes. They also do custom orders for events such as parties, weddings and fundraising events. Their mantra? “Cookie DOH puts smiles on faces and makes days brighter.”
ELDERCAMP
eldercamp.ca
IG: eldercamp.ca
Skillful Kathryn Dieroff left 20 years of goldsmithing to embrace hospitality and cooking. Her German heritage affects but does not dominate the menu. Everything is made from scratch, including sausages, fermented foods, sauces and – a main attraction – spaetzle (German noodles). Start your visit with a soft Bavarian pretzel made daily, then browse the clever spaetzle add-ons. Yes, there’s sausage, sauerkraut and goulash but also mac’ n cheese, Romesco
sauce, wild mushroom sauce, kimchi, sriracha, and curry ketchup. Vegetarian, vegan and gluten-free preferences can be accommodated.
Dieroff’s favourite dish (and now mine) is the beets bowl, but whatever she tops her fabulous spaetzle with works. ElderCamp’s homemade beverages should not be ignored. Savour the memory of (not red) cream soda. Dieroff continues to develop a pantry of appealing ingredients and is creating new dishes for the summer. She also caters.
Is it a camp? No, but it did begin as pickling and preserving workshops – an homage to elders’ traditions of storing foods for their families. The workshops and now the market stall endeavour to foster sustainability, family and community. Nostalgia, says Dieroff, is how you reach people and create feelings –cooking from the heart.
HOTTI BISCOTTI
hhottibiscotti.com
IG: hottibiscotti
Imagine your childhood dream coming true. Debby Stroud is living her dream. After decades working as an optician, the stars aligned and she opened a shop in Westdale focusing (at first) on the family biscotti recipe. After a period on James North, she’s now at the market with an array of treats. Her tender and fresh biscotti come in 12 flavours as well as seasonal specials. I
enjoyed the Skor biscotti and vanilla birthday cake biscotti – and a bag of assorted mini biscotti that made tea/coffee breaks perfect. Hotti is much more than biscotti. Stroud also makes gorgeous dipped Oreos, shortbread cookies and caramel chocolate toffee pretzels. She is constantly crafting innovative new flavours and there are always items for special events such as Easter and Mother’s Day.
Everything comes in charming packaging and her favours are popular for showers and weddings – individually, in gift boxes or as platters. Her fans include Oprah and Steve Schirripa (Sopranos, Blue Bloods). How can you not visit?
JOSHY’S GOOD EATS
joshysgoodeats.com
IG: joshysgoodeats
Joshua Charbonneau’s life journey zigzagged across the continent before settling in Hamilton to raise his family. Working in creative kitchens along the way, and motivated by tasting gravlax in Copenhagen, he applied his skills to experimenting with cured fish – lemon dill lox, pastrami lox, beet-cured trout, and Maryland spiced trout. Add his accoutrements (e.g. schmear and pickles) and enjoy his offerings as a bagel sandwich – the most popular with lemon dill lox, scallion cream cheese and dill cucumbers. He uses local products –including Gryfe’s bagels. (They began in Hamilton in 1915 before moving to Toronto.)
Charbonneau’s filets are also hand-sliced and vacuum-sealed ready for purchase or
DOH OFFERS ASSORTED PACKS FROM 10-PLUS FLAVOURS (SUCH AS OREO, NUTELLA SKOR, S’MORES). PHOTO: THE COOKIE DOH FACTORY
THE BAGEL SANDWICHES AT JOSHY’S GOOD EATS ARE A CREATIVE DELIGHT. PHOTO: DIANE GALAMBOS
ELDERCAMP’S BEETS BOWL AND THE JAGERSPAETZLE WILL HAVE YOU COMING BACK FOR MORE. PHOTO: DIANE GALAMBOS
you can order a party platter or inquire about catering. Follow his social media to be the first to know about his specials such as the lox ’n’ bagel bundles – everything you need for an epic bagel and lox brunch at home.
KARLIK PASTRY
karlikpastry.ca
IG: karlikpastrybakery
About 10 years ago, Luba Mudrak took over Karlik’s Pastry (established in the 1950s) producing the same products with the same recipes – plus additions from her Ukrainian/ east European customs. Karlik’s baked goods are also available at her store at 762 Barton St. E. and at Denninger’s and Starsky Fine Foods. All the baked goods are freshly made with natural ingredients, using no chemicals or preservatives. Karlik Pastry makes special occasion platters and traditional sweets that people crave at Easter and Christmas.
For me, the Dobos torte is a family staple. Without debating the finer points of the traditional cake being round with a caramel topping, the Karlik version makes my family happy. Ricotta-filled bear claws are perfect at coffee time. The rum rolls are delicious and the Napoleons are a creamy treat. Luba says: “Everything we do is with passion and love.” No doubt about that.
LINA’S EUROPEAN PASTRIES AND COFFEE
IG: linascoffeehfm
Possibly the most experienced market veteran, Lina’s Pastries was first opened in 1991 by Michelina Stravato – everyone called her Lina – working with her daughter Filomena Cunha. Stravato did much of the baking (at first, often at home) while her daughter handled sales. The extent of her baking skills was breathtaking. Stravato passed away four years ago, but Cunha and her husband Duarte continue to carry the torch.
Choose from dozens of cookies and baked goods from various cultures and Canadian classics, including Nanaimo bars, date squares, lemon squares, butter tarts – and more. On one visit I enjoyed a freshly made Portuguese tart that was beyond perfection!
Duarte hosts their coffee stand that offers an array of fair trade organic coffees. Over the years, their fan club has grown and Duarte explains that 75 per cent of their business comes from regulars who stop by for their daily cuppa. The couple says: “We are very proud to say that we have the best customers anywhere on the planet.” Consider it the Cheers of the market.
MAY’S THAI KITCHEN
maysthaikitchen.ca
IG: maysthaikitchen
Mayura Phonthaphanh’s food story began in 2021 with a home-based enterprise aimed at sharing delicious street foods from her youth in southeastern Thailand. Locating to
the downtown market in 2023, her stall is a one-stop adventure in eating, chatting and learning about Thai food. Phonthaphanh’s pad Thai was among the best I’ve ever had, with the glass noodles (made from mung beans) that are popular in Thailand and lighter and low in calories. Return often to make your way through her menu. I came home with a jar of her pad Thai sauce, which seems to be good on everything – and comes with her pad Thai recipe. Her beverage menu includes a sparkling lemongrass drink with added pandan – an excellent source of nutrients.
Phonthaphanh’s menu is an extension of her home kitchen, with recipes passed down through generations. She says her bestselling jeow bong (spicy Laos chili paste) “holds a special place in our hearts, journeying from Laos to the Thai refugee camps, and finally finding its home in Hamilton where it was passed down to me by my 96-year-old mother-in-law.”
The above is only a fraction of what the Hamilton Farmers’ Market offers. Check out the Indonesian, Latin and Mexican foods and drop by the Market Bakery and the Market General Store, which hosts pop-ups such as Moms Baked Again. Pedestrian traffic is about to increase with nearby condo openings and there is free parking nearby. Open Wednesday to Saturday. n
HAMILTON FARMERS’ MARKET
hamiltonfarmersmarket.ca
IG: hamontmarket
MAY’S FISH TOFU OFFERS DELIGHTFUL FLAVOURS AND TEXTURES. PHOTO: DIANE GALAMBOS
KARLIK PASTRY’S VERSION OF A DOBOS TORTE IS A FAMILY STAPLE FOR WRITER DIANE GALAMBOS.
PHOTO: DIANE GALAMBOS
LINA’S FRESHLY MADE PORTUGUESE TARTS ARE BEYOND PERFECTION. PHOTO: DIANE GALAMBOS
Interviewed by STEPHEN NEAR
TREVOR COPP and ALMA SARAI are the dynamic duo behind Tottering Biped Theatre (TBT) and the company’s annual summer Shakespeare by the Castle festival that takes place in August at Dundurn Castle. Copp and Sarai have worked together for nine years with a mission to redefine how Hamilton artists and audiences create and experience theatre. TBT was founded in 2009 as a social justice-inspired theatre company. Cobb has a lengthy history as an award-winning professional theatre creator and the artistic director of Tottering Biped while Sarai has built an impressive career as a performer, educator and arts advocate working with such companies as Hamilton Children’s Choir and Theatre Aquarius. Together, they share a deep love for theatre, along with a keen understanding of the challenges facing artists right now.
PHOTO: CHARLES LEONIO FOR HCM
What is Tottering Biped Theatre’s approach to theatre?
TC: We focus on allowing the work to evolve, and embracing the messiness that comes as the work moves forward (and sometimes backwards). But we’re always reaching for a more honest expression. Evolution is actually the concept of the company’s name; an anthropologist’s book called Man: The Tottering Biped was the company name inspiration. It talks about how we’re not entirely bipedal, from an evolutionary standpoint, and that we’re still somewhat “on all fours.” The idea that it takes constant, conscious effort to keep upright on two feet inspires us – and this is the kind of work that puts in that effort.
AS: For our company, the work is never really finished and can continuously evolve. Personally, I love a kinetic approach but I’m also a big reader so I try to balance the brainy and the physical side of myself to create and collaborate.
How did Shakespeare by the Castle come about?
TC: My first gig out of theatre school was a show with the Oakville Festival of Classics, and it changed my life. I was up there with actors from Stratford that I’d grown up watching. Here I was, actually learning from them from the inside and not from the audience. I absorbed more by doing than I’d ever learned in a classroom. I wanted to take that experience and give it back to the place I now call home. In 2016, I saw that there was nothing like that happening in our area – and stunning spots like Dundurn Castle to do it in – so we set to work on making a local, professional Shakespearean production a reality.
AS: I was always a bit of a Shakespeare nerd, and I was first introduced to Trevor while in my third year of theatre school with U of T Mississauga and Sheridan. I had the opportunity to audition to do a professional level show near my own home. It was thrilling, it was Shakespeare and it was so much fun! It’s been a great joy and a great challenge.
Once I came on as associate producer, I felt a great responsibility to continue the project, not only because I wanted to continue to perform but also because I felt so strongly that it was something Hamilton needed for the cultural landscape.
What does the audience experience at your Shakespeare festival?
TC: We love to create “Trojan Horse” style Shakespeare. The audience thinks they’re going to get bodkins and tunics. But when they show up we surprise them with broad, accessible, and fun interpretations of the work that bring it much closer to our times. We keep it accessible using two keys: 1) Edit. We trim to about 90 minutes and make sure there are lots of interesting or musical passages. 2) We get physical. By leaning into images and movement, we can replace obscure text with visual sequences that communicate much more clearly to an audience. This year, we’re creating an all-female identifying version of As You Like It, which we are renaming As She Likes It.
AS: The idea is our audience is coming at it going, “I understand outdoor summer Shakespeare. I’ve done it before. I know what that is. It’s safe. I’ll go back to that.” Or, conversely, “I’ve only seen it at Stratford and Shaw. I’ve never seen it in my own backyard, outside.”
Is there a hidden story about the festival that makes it stand out?
TC: We perform on the grounds of Dundurn Castle, a space which we’ve since learned was the longstanding site of outdoor performances through the ’50s, ’60s and ’70s known as the Cockpit Theatre. The number of older folks who have told us that they remember attending shows there in the past has been incredible, including that it was the site of Theatre Aquarius’ second or third ever production. We’re proud to be renewing a performing arts tradition in Hamilton.
AS: It’s also worth noting that the grounds we perform on are and were traditional burial grounds. Dundurn Park has a lot of history, and is a modern home base for a lot of the city’s wanderers and outdoor enthusiasts. It turns out that Sir Allan Napier MacNab had something like 12 copies of the complete works of Shakespeare in his library. Take the tour, they’ll tell you!
What makes you passionate about making art in Hamilton?
AS: If I’m being completely honest, I am passionate about making theatre everywhere. I’d perform on the moon. The sky’s the limit! However, I often wonder if I would have been lost in the scenery as an artist elsewhere because Hamilton has such empathetic creators and community in the effort to make every artist feel seen and valued.
TC: I like being something of a pioneer. We do work that is smart, passionate, and on the edge in ways that some of the other kinds of theatre might not be. The sheer amount of: “I’ve never seen anything like that” coming from our audiences makes my heart tick.
What are you most looking forward to about this year’s event?
TC: The picnics! Last year, we partnered with local grocers Mrktbox to bring incredible picnics to the events. For $45 you get your contribution to the show plus an unbeatable picnic to eat on the grounds. It just helps folks make a night of it, enjoy the weather, and really get into the spirit of the event.
AS: The relief of opening night when people hopefully show up. I always find myself at that precipice until that very moment where I can finally say, “Phew, we did it.” And the inevitability of me falling down over something at some point. And the sound of my voice echoing through the natural amphitheatre and … well, I just love the job.
Where were you each born and raised?
TC: Born in Corner Brook, Newfoundland. Raised along Oakville/Burlington/Hamilton stretch.
AS: Born at McMaster in Hamilton and raised in Aldershot, Burlington.
What’s the best meal you’ve eaten in the city?
TC: Chicago Style Deep Dish on the Mountain packs a punch. The whole King William restaurant strip by Jackson Square is where I wander when hungry.
AS: Well, the bougie answer is the French on King William but, honestly, Nabil’s is a favourite.
What is Hamilton’s best-kept secret?
AS: Chillis and Chimneys (on King Street East). They are delish!
TC: Salsa at the waterfront all summer, and salsa at Studio G all year round. n
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scan the qr code to read more about incite and the legacy of carl and kate turkstra.
THE JOY OF SONG
INCITE FOUNDATION FOR THE ARTS SUPPORTS THE CONTRIBUTIONS OF THE HAMILTON CHILDREN’S CHOIR.
The Incite Foundation for the Arts has contributed more than $6 million to 30 Hamilton-area organizations, through grants from $2,500 to $150,000, since it was founded in 2011. It is the legacy of the late Carl and Kate Turkstra who believed the arts are key to quality of life and critical to the future of Hamilton. And they believed anyone, regardless of circumstance, should be able to enjoy and pursue music, theatre and visual art.
HAMILTON CITY Magazine is showcasing the incredible, creative and talented recipients of Incite grants. Here we share the work of Hamilton Children’s Choir.
Hamilton Children’s Choir is gearing up for our 50th anniversary season – SeptemberJune 2024-2025 – a huge milestone!
Our choral programs are offered to children and youth as young as 18 months and as old as 24 years. For our little ones, we offer a robust early years program that includes parent/guardian toddler/preschool classes, and groups divided by age that learn the foundations of music and movement through fun exercises and songs.
As children get older, they dive deeper into choral music through our Komenci and Esplori programs, as they learn to sing in harmony with one another.
Once children reach our Esprimas program, they learn to add more musicality to their repertoire as they express the music they sing.
Our eldest ensemble Ilumini provides
exceptional music education that allows singers to delve into complex vocal music, build high levels of musicianship, and perform on national and international stages.
We are proud to now also offer a lighter program, Lumo, which allows singers from grades 6-12 to participate in HCC’s programming without participating in the heavier commitment level of our Esprimas and Ilumini ensembles.
By the time of this publication, Ilumini will have just travelled to Llangollen International Musical Eisteddfod, an annual festival that brings together 4,000 performers from all over the world to compete, perform, and learn from one another.
HCC will be competing in four categories, for children’s choirs, open choirs of all ages, and folk song categories.
Our Summer Singing Camp is made
possible through the support of the Incite Foundation for the Arts. This week-long day camp is offered to singers with all levels of musical experience, including beginners. Thanks to Incite, we are able to offer this camp for the low price of $50 for the week. Participating in daily vocal warmups, learning songs in multiple languages, choreography, and performance skillbuilding, campers will have fun learning new skills and preparing to put on a final performance at the end of the week.
Sing As You Are is a free program that we run in community spaces to bring our love of singing to children throughout the city who may not already be part of our programming, or be available to participate in an ongoing or regular way. Through easy-to-learn songs and exploring percussion and movement, we build a pop-up choir for the day! Like our Summer Singing Camp, no experience is required.
Our music theory program, All Young People Deserve to Make Music, is available for music educators and students at no charge via our website. Our hope is that these accessible resources can help young singers (and their teachers) whether they’re learning in a classroom, choir, or virtual setting.
“Hamilton’s arts community wouldn’t be as strong as it is today without the generous support of the incite Foundation for the Arts,” says Gillian Alexander, executive director of HCC.
“Time and time again, Incite has provided HCC with the means to launch new programs, such as our Summer Singing Camp, execute our full artistic vision, and most importantly, ensure the accessibility of our programs to children and youth in Hamilton. We are so deeply grateful for their ongoing support to our organization, and their commitment to enriching the lives of Hamiltonians through the arts.” n
HAMILTON CHILDREN’S CHOIR OFFERS CHORAL CELEBRATES 50 YEARS IN 2024-2025.
