Issuu

kine tic architecture

by ahmed hasan gilani

HAFSA SHEHZAD

curator

author

AHMED HASAN GILANI

About the author

Ahmed Hasan is a architectural practitioner and instructor. He holds a Bachelor’s degree in Architecture from Beaconhouse National University, Lahore. In 2021, Ahmed Hasan transitioned to academia, joining the Institute of Art and Culture as a design studio instructor. In this role,he has effectively combined his practical experience with pedagogical skills, guiding students through major aspects and concepts of architectural design. His instructional methods emphasize critical thinking and the transformation of innovative ideas into practical architectural solutions.At addition to his work at the design studio, Ahmed Hasan teaches technical mechanics and structures, introducing creative technical approaches. In an effort to push the bounds of conventional architectural practice, his interests are in reconsidering the theories and procedures of spatial and material manifestations in architecture.

Ahmed’s professional portfolio includes a variety of re al-world field projects that span commercial and resi dential buildings. His work is characterized by a deep focus on planning, structural integrity, and the techni cal intricacies of architecture. He prioritizes a meticu lous approach to design, ensuring that each project meets high standards of structural value and technical precision.

WALL-E - KABEER ALI MALIK

ISHTIDAMI - MARYAM BABRI

COGS WORTH - SHANZAY BUKHARI

FERRO MOTUS - EMAAN AMIN, SAAD SAQIB, ISHA AHMER

THE PIANO - ESHA AMIR

RIPPLES - DUA & RAAHIM

KALEIDOSCOPE- SANA IMRAN

THE

ACCORDIAN - AISHA AHMED

-HADIYA BABAR

WALL-E

The mechanism consists of a lever, a pivot point, and a linkage system connected to the flaps. When the lever is pulled or pushed, it rotates around the pivot point, causing the linkage system to move. This movement is transferred to the flaps, which open or close accordingly. The lever’s motion can be adjusted to control the degree of flap opening, allowing for precise control over airflow, pressure, or other factors.

The lever-operated flap mechanism offers several advantages, including ease of use, precision control, and reliability. Its simplicity also makes it a cost-effective solution in many applications. This mechanism is a testament to the power of simple, innovative design in solving complex problems.

STUDY MODELS- BLOWUP

The development of the final models involved an iterative process, where each subsequent model built upon the previous one, incorporating the lever and flap system. The journey began with a single module consisting solely of flaps. This initial module allowed for experimentation and testing of the fundamental mechanics.

STUDY MODELS

Encouraged by the success of the first module, the next step involved scaling up to a 4-module horizontal configuration. This expansion enabled the exploration of more complex interactions between the flaps and the lever system. The 4-module design provided valuable insights into the system’s behavior and performance, guiding further refinements.

The culmination of this iterative process was the final 6-module configuration. This comprehensive model showcased the full potential of the mechanism. This time, the modules in mechsim were placed in a row of 2 and columns of 3. The challenge was to make them all function using a single lever.

MODULES

the mechanism’s versatility makes it suitable for a wide range of industries, including aerospace, automotive, and industrial manufacturing. Its precision control capabilities also make it an excellent choice for applications requiring precise airflow management.

Ishidatami

Light dances through spaces, leaving an essence that shapes a narrative, allowing inhabitants to feel its impact. Natural light imprints itself on both the environment and the people within, transforming their perception of the space. Its unparalleled ability to illuminate and the way it is manipulated can significantly enhance the spatial experience, telling a story and evoking emotions. However, natural light also poses challenges. For instance, south-facing light can be harsh, altering the atmosphere negatively and requiring a carefully curated window design to optimize light flow into the interior.

The first rays of light and their reflections, along with the accompanying heat, are absorbed by the skin, allowing pure light to enter the space. A well-designed window or façade can ensure optimal light penetration and illumination. I once had a studio with a south-facing room where the intense heat was unbearable. The windows were not designed with the south orientation in mind, prompting me to design a window that tracks the solar path and rotates accordingly. This design would permit the necessary light without discomforting the inhabitants.

. Recently, the demand for natural light has surpassed that for artificial light due to its cost efficiency and connection to nature. The slight gap between movable windows and their frames al`vertical flaps regulate the amount of natural light and air circulation. This efficient mechanism operates through pull cables, and the preferred materials for this window design are polycarbonate (PVC) and reflective aluminium.

In conclusion, natural light profoundly influences our spaces and experiences. With thoughtful window designs that manage light and air flow, we can harness its benefits, creating comfortable and inspiring environments.

Pulley

Openable apes Vertical and Horizontal

Vertical Flapes Rotations

Horizontal Flapes Rotations

Opened Flapes Skin Elevation Section Side Elevation

Sliding Cord Rollers Pulley Pulleys

Opened Flapes Skin Elevation

Closed Flapes Skin Elevation

Side Elevation

Sliding Cord

Rollers

Pulleys

Openable apes

Vertical and Horizontal

Vertical Flapes Rotations

Horizontal Flapes Rotations

Opened Flapes Skin Elevation

Closed Flapes Skin Elevation

Architecture is all about the relationship between what we choose to conceal and reveal. Whether we want to let light through, or block it entirely. Or. We may choose to find middle ground, allow for

With four frames connected together at a time, what seems to be a singular movement, multiplies to work the entire thing. The windows, inspired by japanese patterns, come together to create channels for the movement of light.

This very simple, yet complex mechanism is the driving force behind the entire kinetic facade.

FERRO-MOTUS

The kinetic architecture model designed for this project integrates a fascinating mechanism centered on the attraction and repulsion of magnets. The entire structure leverages these magnetic forces in conjunction with wooden sticks to create a dynamic system where bleach board flaps function as windows. These flaps are ingeniously designed to open and close, with two flaps positioned at the top and two at the bottom. The top flaps open to the right while the bottom flaps open to the left, operating simultaneously but in opposite directions. This synchronized movement is achieved through the magnetic forces that both lock and operate the mechanism. A single handle efficiently controls the movement of both sets of windows, exemplifying simplicity and functionality in design.

The structural foundation of this kinetic architecture model is both sleek and minimal, emphasizing an elegant aesthetic without compromising on stability. The base is wide and robust, providing the necessary support to the standing structure, ensuring that it remains steady even as the mechanism operates. The material selection for this model plays a crucial role in its functionality and aesthetic appeal. Magnets are chosen for their ability to provide consistent and reliable force, enabling the smooth operation of the opening and closing mechanism. Wood, on the other hand, offers durability and a timeless quality that complements the modern application of magnetic technology. This combination of materials ensures that the model is not only functional but also capable of withstanding regular use and environmental factors.

In real-life applications, this mechanism could be innovatively adapted for use as movable solar panel windows. These windows would be capable of adjusting their angle in response to the changing positions of the sun during the winter and summer solstices.

Modular skin section

Rotating Magnets

Elevation

Folding Panels

By harnessing the magnetic attraction and repulsion forces, the solar panels could optimize gain throughout the year, thereby enhancing energy efficiency. The ability to alter the complex electronic systems or motors presents a sustainable and cost-effective solution

optimize their orientation for maximum solar the position of the panels without the need for solution for solar energy management. Plan

Elevation

Folded Section unfolded section

Skin Elevation

Moving Panel

Rotating Magnets

The Piano responds to a sequence rod which creates a chain reaction of movement, translating into a wave and sound.

THE PIANO

The kinetic prototype is an innovative facade system designed for modern buildings, featuring window panels that open and close in unison. This dynamic facade enhances both aesthetic appeal and functional performance, responding to environmental conditions and user preferences.

Dua and Raahim

Modular Window Panels:

The facade consists of a series of modular window panels, each designed to integrate seamlessly with the building’s exterior. These panels can be customized in terms of size, shape, and material to suit different architectural styles and requirements

Synchronized Mechanism:

The key feature of this facade system is the synchronized opening and closing mechanism. All window panels are connected to a central control system that ensures they move together in a coordinated manner. This is achieved through multiple frames that move in channels and close the window panels through force.

K a l e i d o s c o p e

Life is an ever-evolving process of metamorphosis. The multiple factors bend, twist, merge to form something new, an event, a conversation, a conclusion. But the conclusion leads to further evolution glorifying the beauty of curiosity.

The mechanism is based on the term “domino effect”. Just like the wheel, the gear pushes forward and would do so regardless of the number of the systems. A single gear is used to push the rest, being operated using a timer motor. The systems of gears connect together to form a wave like pattern. The gears attach themselves to an acrylic façade with the help of silicon stoppers.

Atop the gears are the modules of the facades. Square being a very simple looking shape has the capacity to form tessellating patterns beyond perception. The modules are divided into bigger modules and smaller modules both contrasting at a single point of movement in order to form a pattern. The modules have a sheet of single bleach board attached to them to add the element of closure and opacity at certain points.

The modules are placed at different heights from each other in order to allow smooth movement. two modules would rotate without colliding or interfering with one another. A single interruption The material used for the gears in the system is plywood as plywood encourages attachment It is neither too slippery nor too firm. The acrylic façade is of thin nature with a blurring sheet bamboo and their shades are made of single bleach board to symbolize opacity. The stand of the façade is made using 5mm acrylic sheet as weight is required to stop the the façade with the help of the groove in it and the other one is a bit smaller and interlocks

movement. Although the placement feels really simple it is a tricky task in order to find where interruption could cause delay in movement. attachment of other materials on it. sheet on it making the wiring less prominent. The modules attached on the gears are made of the sheet from tripping or bending over. The stand has two parts to it. One that attaches to interlocks with the bigger part in order to give horizontal support.

This allows the façade to balance and operate with a feeling of levitation.

If we were to imagine this project in real life, we could picture it as the falling petals of a flower or maybe the shedding of a Sakura tree. The blurred sheet would cast a soft shadow and would even soften the harshness of sunlight. The points where the bleach board is attached would allow for a shadow to form slowly fading out to light again. The kinetic façade system would control and balance the amount and intensity of the sunlight as well as shadows.

In conclusion, this project helped to learn that simplicity can lead to wonders as well as discoveries. It also taught me how a form has the ability to metamorphose on its own. Furthermore, it taught me the importance of materiality as well as how to organize a system.

T H E A C C

O R D I A N

Just like an accordion’s harmonious play between expansion and contraction, the facade’s flaps effortlessly open and close to regulate the natural light entering. As the mechanism moves, the bamboo sticks slide in and out, opening and closing the flaps in a graceful motion.

Inspired by the dynamic movement of an accordion, the façade, appropriately named, “The Accordion” is composed of elegantly repeating modules, each derived from intricate geometry which dance in the light, its form shifting gracefully through the gentle manipulation of bamboo connections forming a dynamic tapestry that responds to the environment. The series of bamboo sticks slide and pivot to open and close the network of flaps.

It is based upon the “Scissors Mechanism” which uses linked, folding supports in a criss-cross ‘X’ pattern. The scissor mechanism is a mechanical linkage system used to create vertical motion or extension. It consists of a series of interconnected, folding supports that resemble the shape of a pair of scissors, hence its name. Extension is achieved by applying pressure to the outside of a set of supports located at one end of the mechanism, elongating the crossing pattern.

Moreover, this mechanism is also inspired by an instrument called the “Pantograph”. A pantograph (from Greek παντ- ‘all, every’ and γραφ- ‘to write’, from their original use for copying writing) is a mechanical linkage connected in a manner based on parallelograms so that the movement of one pen, in tracing an image, produces identical movements in a second pen. This unique system not only adds a mesmerizing visual element to the building’s exterior but also allows for natural ventilation and light modulation, creating a harmonious balance between form and function. In this way, the facade transcends static architecture, becoming an active participant in the environment, adapting to changing conditions throughout the day. It transcends mere functionality, becoming a canvas for artistic expression, where architecture, art, and nature converge and serves as a reminder that architecture, like life, is in a constant state of flux—an ever-evolving symphony of movement and stillness.

AXONOMETRIC

This kinetic skin façade, showcases an innovative approach to responsive architectural design.

Constructed as a 4x4 grid, each 4”x4” module is equipped with a unique mechanical system that transforms the fabric surface from flat to a series of hyperbolic curves.

The mechanism at the heart of each module involves four pistons, positioned at each corner. These pistons operate diagonally in pairs, extending and retracting to manipulate the fabric. This movement is facilitated by a car scissor jack mechanism, which, when rotated, pushes and pulls the pistons. This rotation pushes or pulls the piston frame structure, effectively modulating the fabric’s shape from flat planes to elegantly flowing hyperbolic curves. The result is a dynamic façade that can respond in real-time to external stimuli.

This kinetic façade not only serves as an aesthetic feature but also embodies the principles of adaptive architecture. It demonstrates how buildings can respond dynamically to environmental conditions and user interactions.

the

end

I’m Kabeer Ali Malik, an Architecture student at BNU. I’m driven by a passion for structure-driven designs and a keen problem-solving mindset. I excel at dissecting complex systems, understanding how they work, and using this knowledge to create innovative solutions. I believe exceptional architecture is born from a deep understanding of its underlying components and how they work. This mindset guides my academic journey, inspiring projects like “Wall-E,” where I explored design and figured out a mechanism for the movement.

We are third-year students from the RHSA Beaconhouse National University. Our unique perspectives and varied approaches to design have enabled us to collaborate effectively as a dynamic trio. Together, we are exploring the innovative concept of kinetic architecture—a revolutionary field that blends design, technology, and functionality to create spaces that adapt, move, and respond to their environments. Through this project, we aim to challenge conventional architectural boundaries, merging creativity with engineering to redefine how people interact with the built environment.

Kabeer Ali Malik

Isha Ahmer,Saad Saqib & Emaan Amin

I’m Sana Imran, an architecture student at Beaconhouse National University (BNU), I approach design with a blend of precision and fluidity, drawing inspiration from movement and adaptability. My style reflects a balance between technical ingenuity and artistic expression, aiming to create dynamic, thought-provoking spaces. My work, kaleidoscope, inspired by the geometries in waves, is a combination of planes being rotated by a system of gears. One gear pushes the other forming a pattern, a series. This rotating facade gives varying qualities of light and shadow. The mechanism within the facade guides the user as well.

I am Maryam, a third-year Architecture student at Beaconhouse National University (BNU). My design approach blends geometry with movement, enabling me to create spaces that evoke a distinct ethos for the viewers /or inhabitants. The elective course, Kinetic Architecture, has provided me with the opportunity to express myself creatively and bring my concept of simultaneous movement to life. My project, Ishidatami, draws inspiration from the grid and the interplay of negative and positive spaces. It emphasizes the respect for each component individually. Three mechanisms, working in harmony, facilitate the movement.

Maryam Babri

Sana Imran

I am Aisha. As an architecture student with a strong passion for design and a keen attention to detail, I approach every project with dedication, diving deep into the nuances of each task to ensure a thorough and thoughtful outcome. My passion drives me to continually refine my skills and expand my knowledge, pushing myself to explore both creative and technical aspects of architecture.

Hadiya is a passionate architecture student who looks at design as a process of self-discovery and an infinite journey of creativity.Focusing on technicalprecision andinnovation, their work explores dynamic ways to shape architectural experiences.Their design philosophy blends analytical rigor with imaginative experimentation, exploring innovative ways to reinterpret traditional forms while challenging conventional boundaries. Always curious and eager to learn, they see architecture not just as aprofession but as a lens through which to understand and shape the world.

I’m Esha, an architecture student with a strong inclination towards blending art and storytelling in my work. My approach to analysis is deeply rooted in artistic exploration, allowing me to craft narratives that bring depth and meaning to my designs. The Kinetic Architecture course allowed me to experiment with dynamic forms and explore the intersection of movement and design. This experience pushed me to think beyond static structures, opening new possibilities for adaptability and creative expression in architecture.

Hadiya Babar

Esha Amir

Aisha Ahmed

I am Shanzay. As an architecture student, I feel privileged to be surrounded by people who push themselves to achieve things no one else thinks about. During my time in the course kinetic architecture, I challenged my own ideas and perceptions I had built of this degree since I started. Working with movable facades and skins helped me realise that there truly are no boundaries, except the ones you choose to remain in. I’ve learnt that there’s a great meaning behind understanding how things operate and work, and it’s within the simplest of mechanisms one can create the most impact.

We are Dua and Raahim, third-year students with a shared passion for kinetic architecture. This inte rest challenged us to explore our creative limits and collaborate effectively. This innovative kinetic facade features a dynamic window system that operates as a unified mechanism. Using a singular frame, all panels open and close simultaneously, creating a seamless transformation of the building’s exterior. The design integrates wood/MDF, acrylic, and an X-ray sheet, supported by sliders and a wooden base for smooth motion.

Shanzay Bukahri

Dua Zainab & Raahim Ayaz